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Wilkes Arnold  Mar 2016
Pendulum
Wilkes Arnold Mar 2016
I was relaxed, and deep in thought
The type of talk that silence brought
When just in earshot it rocked,
tick tock
tick tock
"Must be a clock"
I told myself and resumed my thought

Though as the seconds passed I could not,
Despite the will with which I fought
Do to its incessant knock
Tick tock
Tick tock
I searched for the clock
Unable to find the train I sought

I grew more and more distraught
With each and every tick and tock
That find the clock, I could not
As the silence grew more fraught
With the knock,
Tick Tock
Tick Tock
I knew the pain of Lancelot

On and on it ticked and tocked
I cursed at the unseen dreadnought
It no longer merely mocked
But each and every tick and tock
Became an unseen onslaught
TICK TOCK
TICK TOCK
T'was 11 o'clock,
When my heart felt the gunshot

Though the shots I could not block
And on and on the bullets poured
Further into the fray I bored
Each foot a cinderblock
Weighed by war
I slowly walked
Tick Tock
Tick Tock
How I'd make it answer for

Alas
With little blood left to speak for Desperately I implored
"Restrain your hands that caused such gore;
We need not fight evermore!"
But when I heard the ceaseless knock
Tick tock
Tick tock
I new my words had been ignored
And slowly collapsed to the floor

****** and bludgeoned when I hit bed rock, I had still found no clock
But tick and tock it had forgot
The church bell rang t'was 12 o'clock,
Though mortal wounds the seconds wrought
I no longer was distraught
And as I lay in the hemlock
It occurred in my last thoughts
I would miss the beating knock
tick..., tock...
tick..., tock...
First poem looking for feed back critical and complimentary
JoSi931  Jan 2019
Dreadnought
JoSi931 Jan 2019
The proud warship Aiko sits in harbour,
Showing the flags, firing off salutes.
Her crew boasts to tourists of tremendous exploits,
Proud to serve on the pride of the navy.

The crew line the rails as the boilers build pressure.
It’s time to depart on the latest mission.
She looks pristine, her paint’s good as new
But the inside is rotting, she shouldn’t have put to sea.

Her latest mission, as always, to assist an ally in distress.
The crew, resolute, prepares for the fight.
She arrives on the site of the stricken merchant
And sends repair crews to close up the hull.

So far all is well, she’s able to help
But the chief engineer is highly upset.
He begs his captain to repair his own ship.
The decay is critical; she’s on the verge of collapse.

He’s rejected, of course – the other ship’s more important.
Finally the merchant’s fixed, and the crews come back.
They’re put straight to work, to salvage their home.
But Aiko’s already off to help others again.

En route to the next, they sail into a storm
‘No matter’, the captain said, ‘we’ve done this before!’
Perhaps so, but the ship was in better shape then.
The ship’s dashed against Noose Reef by the hundred-foot waves
Water floods in – the Aiko seems lost.

The rope in her hand, she weighs the choice.
harlon rivers Sep 2016
He squeezed his voice out of the throat  
an old Dreadnought guitar
He bared his soul to anyone
who would listen to his psalms;
purging the torn an anxious silence within,
surrendering an unspoken heart in a song

Some days you feel
like you live too long
Watching the recurrent tides
recede and grow low
This life, such an unplanned journey,
given to lose what’s been lost once more

How many times
must a heart be broken?
To realize a heart heavy
won’t stop beating strong
Steal away the broken inside
these flesh forsaken walls;
breathe one’s last bated breath
in the peace of a song

Sometimes life falls
w a a a y y y y short of expectations
Though passing time
may assuage evanescent dreams,
there is a stillness that floods the moment
awakening a motherless child in a soul

Fate befallen a wordless silence
in the aftermath of finally letting go
Fingertips no longer calloused
Dreadnought wood dusty gone cold
Melancholy madness echoes unrequited

A lonely bird without a song ...


* September 2016 © H.  Rivers*
              all rights reserved
Peace
Rivers
Nat Lipstadt May 2020
~for the mothers, and for her~

§§§


this utterance emits itself, without poetic supervision,
like so many of its predecessors, a passing remark
transmogrifies to an exercise of praise, of humility, love

this is for her, of the nameless arms of forces that fasten
safety pins to our clothes, reminder to us that we are
loved and to come home safely so she, the little ship may rest easy

she, a homing boat, in a small slip resting, preferring
no changeover  to a mighty and powerful dreadnought sent to do
a search & rescue mission for young ones, babes who lose their way

but we know the truth, the heart of the matter, this one, writ,
for her and her and her and her and you, the countless ones,
mighty armada of the mothers, God’s flesh and blood, a steeled navy

they suffer whatever it takes, but never defeat, for they know,
the heart engine fires never cease, never forget, indeed the word
never not in their lexicon, only forever and forevermore

§§§§§

Mon May 4
9:42
in anno autem coronavirus plaga/ in the first year of the plague
from the heart of the epicenter / ex corde in epicenter
I once met a viking girl,
who hailed from Norway.
I usually wouldn't have bothered,
but there was something special about her
I couldn't fully grasp.
It was like some weight had been lifted
to relieve my tired body
of it's former failings.

There was a magic she could wield,
some massive dreadnought of power
she kept sheathed in ornate leather.
Sometimes, when she was nervous,
her fingers would brush it's scabbard,
tracing the embossed symbols,
unaware of what she was doing.
And then this longing would overtake her,
leaving her eyes vacant,
momentarily...
As if her vessel had been abandoned
as she expanded
well beyond it's threshold.

During these brief moments
when she'd slip away,
I saw things I couldn't explain.
A furnace of starlight,
encased deep in the Norwegian ice,
alongside the warships of her ancestors.
Usually well-guarded,
out of habit
or necessity.

Before I was consumed entirely
she returned from her reverie,
tearing me away
from that solace.

I wonder now
if she was aware
of what happened.
Those secret woodlands
will haunt me
long after I've gone.
Long after life has left me,
and into the outstretched arms of eternity
and the worlds that follow.
And like some dream,
it still escapes me..
how so much beauty
can be reserved
and contained.

It sickens me to know
that what I'll remember most
was the physical form she'd taken,
and not the things
that truly mattered.
Not the magic she used
to tear me asunder,
wide open and spilling..
helpless in it's radiance.
Not the gentle breeze
that expanded from her wake
as she passed me.

Because it's easier
to be shallow.
It's easier
to forget.
Hello everyone!

This is my first time sharing my poetry with anyone, let alone an online forum. I'm happy to be here finally, and hope to learn as much as I can from this experience. I've read the forum rules and know what's expected of me.

This poem was something I wrote in a 20 minute span this morning driving to work. I dictated it to my phone as I was making my morning commute. I'm often inspired by strange things, and this poem is no exception. The title may seem odd (and it is) but the names Höðr and Lofn have significant meaning to this piece.

In Norse Mythology -
Höðr - God of winter.
Lofn - Goddess of forbidden loves.

The spawn of these two Gods (in this case) is their daughter, which remains unnamed.



As a sidenote, I know NOTHING about different formats and styles of poetry. I know my work is all over the place, and I really enjoy writing it the way I do.
That doesn't mean that I'm NOT doing it wrong. I know I can be doing this better, and I'm currently striving for that opportunity.
Ben Meraki May 2020
You think you’re hard ‘cause you threw me in a cold cell?
You think you’re cold ‘cause you giving me the hard sell?
You’ve shown your cards and this game is getting old.
Hell, you just mad ‘cause I’m ******* wit’ your cartel!

Huddle up, cover up.
I’ll call your mother up.
Ask her if she’s proud of her son
Then we’ll snuggle up.
Make another little pig squeal; hit the double-up.
Pack a bowl, lean back and we bubble up.

Another day in the life of a citizen.
Getting chased down by the pigs
‘cause we dissing ‘em.
Wool in your eyes?
That’s their lies.
Don’t be missing ‘em.
Always spoke the words of the truth,
Now I’m spitting ‘em
and I don’t need no introduction.
Please, no interruptions.
Quiet down! We’re here to talk about corruption.
You’ll make a copy, right?
Free for reproduction.
These ******* think that nobody can touch them:

Shouting HANDS UP!
Yeah I see ‘em on the clock.
‘cause your time’s running out.
Tick, tick tock.
You want a witch hunt?
Put me in the dock
And we’ll see who’s the ***** when
You’re ******* on my ****!

‘cause I’m gonna rid your face
Of that smug little grin.
Convinced the world I’d lost it.
Oh! But I’m about to win.
So little pig, little pig, let me begin
‘cause like an anorexic hospital my patience wearing thin!
I said…

Prosecution full of lies and irrelevance
***** please! Don’t insult my intelligence.
You want respect? Well excuse my irreverence,
But a little birdie said you’re fabricating evidence!

Beneficent, benevolent.
Arresting your malevolence.
I’m shattering your elements.
Establishing a precedent.
My work may be inelegant.
My actions are unhesitant.
But when we gonna talk about this ******* elephant?

You know it’s tragic
How you cannot see the logic.
******* neurons are nomadic,
Your intelligence sporadic.
    Ugh!
You’re an infection, I’m the,
Antibiotic.
Sick enough to turn a man
******* spasmodic episodic.

Drink swill from your buckets
While you steal from our pockets.
Red pill. Better **** it cos you’re,
**** out of luck.

Deep-roots to your habits.
Blue suits to the Sabbat.
You’re Masonic yet moronic,
And you know I’ve ******* had it
With this *******!

Cos you’re full of ****.
Forked tongues set to stun with a full clip.
You’re just a bully and
I’m sick of all your school ****.
Law unto yourself
But I won’t let you enforce it,

‘cause I came to rescue an angel,
Heaven-sent,
and I can smell what kind of **** this is.
Yeah, it’s evident
You’ve been intimidating witnesses.
Like FGM.
You kidnapped Themis and Astraea
And circumcised their ******* – is

This a ******* joke?
Are you for real *******?
It’s the Devil you invoke.
What’s the deal *******?
This a dreadnought you provoked
And I’m steel *******!
Now it’s time you ******* spoke.
Take the wheel *******…

What, you got nothing to say,
And it’s too late to pray?
Justice coming your way,
Now truth has entered the fray.

So I’m passing the mic
‘cause we gonna indict.
Focus the limelight.

******* be ammonite!
Thanks for reading. This is written about AVON AND SOMERSET POLICE in the UK. Rated as no.2 most CORRUPT force in the country. Bringing malicious prosecutions against me to protect their own. Forcing vulnerable young women to sign false statements. Chased me out of my own town. Never play chess with a grand-master!

My next piece is called 'Checkmate' ;)
Stalking lion,

Do you miss the way I touch you?
It's just that you long to be touched like that.

Were you shocked to find I knew of your crime?
We've met before, she warned me it's souls you control.

Your method of approach was unwise and unseemly.
The accidents, the rumours, the campaign to search and destroy.

So here I am rife with anxiety,
seeking emotional primacy under your barrage attack.

The outflow of promises to be kept, leaving a wake trail like a dreadnought.

And thus we called the Conqueroo,
to dance the king snake to ashes.
©2013 Atalanta Undigested. All Rights Reserved.
Michael Marchese Jan 2017
Winter's razor seashore kisses
Permeate my skin and bone
Slicing deeper than abysses
Sharpened on rock bottom stone

Now dead men's tales and widows lull
My vessel towards the blue it lacks
She reached inside my beating hull
And shipwrecked me to fill the cracks

With distant memory city lights
A dreadnought captain's ghostly fleet
Of anchors made of empty nights
I drag along this lonely street
Ottar  Oct 2013
Dare to compare
Ottar Oct 2013
the dreadnought,
has at least six guns
           or six strings,
both are heavier than
this poetry, one is larger
in life, than the poet see?
The other has better curves,
oh, enough of that.

One is a metal machine,
the other a classic acoustic dream,
one from war, the other,
well the other you buy from
a store or some garage sale,
one floats on the ocean,
the other for only a little while.

I am no bard,
that is not hard,
to hear,
stand near,
you are my only hope,
oh beyond the canopy
where stars and wars
are witness to my
profanity,
I swear at
this, one day
I'll be good,
no great, not
grate on all
the nerves that
were collected
on my behalf,
as I have none.

So dare to compare
yourself to me and
I will grant you the
victory, because as
there is no one like
you,
good luck finding
another like me,
why did I give
you the nod,
well your more
different than
me and odd, that
you did not
note, your
the boat
and I am
guitar,
your rusting
and I am a
chick magnet.
So go ahead
dare to compare.


©DWE102013
dreadnought as well as HMS Dreadnought a battleship
dreadnought - basic classic acoustic 6 string guitar
Did you catch my paraphrase reference to Princess Leia's famous line?

— The End —