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Side by side, their faces blurred,
The earl and countess lie in stone,
Their proper habits vaguely shown
As jointed armour, stiffened pleat,
And that faint hint of the absurd -
The little dogs under their feet.

Such plainness of the pre-baroque
Hardly involves the eye, until
It meets his left-hand gauntlet, still
Clasped empty in the other; and
One sees, with a sharp tender shock,
His hand withdrawn, holding her hand.

They would not think to lie so long.
Such faithfulness in effigy
Was just a detail friends would see:
A sculptor's sweet commissioned grace
Thrown off in helping to prolong
The Latin names around the base.

They would no guess how early in
Their supine stationary voyage
The air would change to soundless damage,
Turn the old tenantry away;
How soon succeeding eyes begin
To look, not read. Rigidly they

Persisted, linked, through lengths and breadths
Of time. Snow fell, undated. Light
Each summer thronged the grass. A bright
Litter of birdcalls strewed the same
Bone-littered ground. And up the paths
The endless altered people came,

Washing at their identity.
Now, helpless in the hollow of
An unarmorial age, a trough
Of smoke in slow suspended skeins
Above their scrap of history,
Only an attitude remains:

Time has transfigures them into
Untruth. The stone fidelity
They hardly meant has come to be
Their final blazon, and to prove
Our almost-instinct almost true:
What will survive of us is love.
vircapio gale Jul 2012
"
"nor is this a fact," nor is my syntax the 'true.'
i can't use quotations in the way i'd like to,
to allow the paradoxical to seep through
in the sly act of revising 'this' honestly--
merging truth with falsity, to silently see--
grammar become a means to shatter certitude

"i can't tell the 'truth' with these ["i can't tell the 'truth'
with these{...} very words"] very words"; i really can't...
it's somewhat unfair to communicants, this rant.
let me bolster your trust by not telling it slant:
in fact, it's not poetry, not from this angle.
maybe when you read, this 'this' will be poetic?
meh, i'm relying on telling, not showing. so...
quiet's often better than such entanglement

but this is not about value, it's about truth.
sincerely, i doubt i'll keep those two separate

perhaps... if you pretend i'm a prolix parrot,
who happened through some acosmic accident
to be the transmigrated daimon-soul of Sappho,
or Hypatia, Gertrude Stein or Plath even...
(yeah, i'm like a Cretan for going on): they weren't,
'your gobbledygoo,' or 'Sweet sweet sweet sweet sweet tea.'
stripped bare at the Caesareum, being murdered
for the crime of godlessness or female wisdom
spoken in the scapegoat-hungry rule of Rome...
this is not what they were, not the whole truth, at all
and though from winds of ****** she spoke in verse
that her vast poetic fame 'was no delusion:'
and that, 'dead, I won't be forgotten,' i fail,
painfully fail,
to trace into a verbal womb
the seeds of those that transformed all, yet now entombed...
for to remember them in me is to revise,
reduce, sadly in that poetic untruth found...

"this" is a gestalt, i guess i'll have to say,
a "figure-ground," a floating 'shape' in some context,
one that you embody too, somehow, not in text;
even through a distant sharing, it's realized
(hold onto the random metaphors you find,
they're probably better than what's in my mind)
and to share this with you now, to hypocritize,
it's lunacy. i mean, the moon, the poetic moon
is not a meme, is not a custom, is not a poetic fact,
in fact, it's not in this poem, and if it were--
being televised with some authentic ontic pixel-space--
here between the lines augmented mOOn for you
it would prove how unpoetic the poem is, and how
very true the moon is, if it were here, right quoteunquote"here"
ineffably punctuated
            -- well, let me try
and fail again to make Erasmus proud:
the quotes would hang about romantic beams
parentheses to echo adjectival spectra streams,
an underscore horizonal and asterisks for stars.
but not these * asterisks,
or those_types of underscores--
better (parentheses) and far more "quothy" "quotes"--
the punctuation would literally ^punctuate^ the sky of my text.
time would stop.                                                            ­                   and that would be poetic.
you don't need to breathe, even; not this 'you,' in this moment
(the one i've failed to capture):
'i will put you on the moon' i say,
'and sit you buoyant by the buddha-astronaut, who,
in answer to the question sprinkles moondust in slow motion,
symbol-guiding realness, my "finger" for solution,
to present to you again, what is present to me now.
the Russian names, the rest of names, the 'face' some say cries, "sweetly,"
as if we could use the moon's sympathy,
or as if we should feel it for the white rock that elliptically defines us,
dances to our rhythm, (the tides, the ****** huntress)
the one that taught us to dance,
the one that taught us to yearn darkly in surreal eclipse
more hopefully for the chance of cataclysmic doom
some Greeks thought it was a disco ball, after enough *****, that Dionysian night,
some Greeks thought it was a disc,
like a coin that flipped just right
to match it's dance about our pearoid earth
in synchrony's anachronistic mirth.
i would lick each Bacchant clean to learn the mysteries of poem
i would lick each Bacchant clean. period. no music or noema known
this 'poem' is not a "poem"
in a very real sense
i did not make this,
nor did i compose or create it.
if you're not following it's ok, i'm barely there myself -- i'm trying to refer to...
the elliptical shape that certain publishers use
to refer to fundierung
the double-founding,
reversibility,
the flesh of passive
the flesh of active
enfleshed perceiving
the common meaning we contribute
but can't attribute to any source we express!
(however distorted) after the fact, yes! --
either all that, or the meaning you get from "this" act
doubly-enfolded, with two pairs of hands kneading the same dough,
two pairs of eyes weaving the same lOOm,
another Indra's net to sew,
in meaning you give now,
the techne of your reader's mind
and the meaning i'd wish to know,
if i were still writing what you are reading,
doing my best to ignore the title
and to write something worthwhile...

i do wish i could show it to you the way i love it in your own poetry,
but you would know that, already, without my love

without my unpoetic lack of facts, my rhymes.
free of poems, free to flout the literary sea.
free to be unwordly, and let the contradictions fly
"
-a version of the Cretan's or liar's paradox ('This sentence is false.') inspired this write and took on a life of its own and isn't meant to be an argument for anything. just an exploration of the problem of representation, a universal distrust of language and my associations. hope it didn't drive you crazy like it did me :)

-i quote Sylvia Plath's "Daddy", Stein's "Susie Asado", and Sappho's very short,

"I have no complaint"

I have no complaint
prosperity that
the golden Muses
gave me was no
delusion: dead, I
won't be forgotten
Sappho

-Erasmus wrote "Praise of Folly." the title alone comforts me

-when asked 'what is truth?' by one of his disciples, the buddha is said to have picked up a flower.

-our moon rotates at the same rate as its revolution (not sure why please inform me), so one side always faces us. the greeks thought it was a disc, literally. and when the Russians got to the 'backside' first, they got to name all the craters.

-noema:
the objective aspect of or the content within an intentional experience. NL, fr. Gk noema perception, thought understanding, mind, fr. noein to perceive, think
Waverly  Apr 2012
I lied.
Waverly Apr 2012
Making love
is the city of ruin.

The worst kind of fog
captures it,
a fog where the streetlights
are not pushing out
light
into the right places.

Light falls only on the glossy mercedes
and it's rims
full of hope and wealth.

The skyscrapers
reach the sky
and finger the underbelly
of an afterlife,
as if there is something to look
forward
to.

The buses
transport
souls
and
promise,
or seem too.

But this is all a lie,
the lights only create light,
darkness grows,
the skyscrapers touch the sky,
yes,
but they don't know a thing
about goodness,
and the buses are full
of
hopelessness.

But when we make love,
it is like
we are only looking for the good things
in the city
as we get robbed blind.

When I touch your belly button,
I can feel your heart in your stomach,
so low and so unwanting
that it dropped
to a place of digestion,
of eating what we had
and ******* it out.

It is ok to realize
this untruth
late in the game,
it is wrong to continue
when we know of the untruth,
and that is what we are doing,
that's why I hate
you
and still *******.

I love the city,
in its ruinous returns
I keep fooling myself
into thinking
this is the best thing that's ever happened
to me.

Your ***** must be the greatest,
because I'll never leave
even when we call making love
a city of hope
when we ****
and it's a dystopia
of
destruction.
On December the tenth day
When it was night, down I lay
Right there as I was wont to do
And fell asleep wondrous soon,
As he that weary was as who
On pilgrimage went miles two
To the shrine of Saint Leonard,
To make easy what was hard.
But as I slept, I dreamed I was
Within a temple made of glass
In which there were more images
Of gold, tiered in sundry stages,
And more rich tabernacles,
And with more gemmed pinnacles,
And more curious portraiture,
And intricate kinds of figure
Of craftsmanship than ever I saw.
For certainly, I knew no more
Of where I was, but plain to see
Venus owned most certainly
That temple, for in portraiture
I at once saw her figure
Naked, floating in the sea.
And also on her head, indeed,
Her rose garland white and red,
And her comb to comb her head,
Her doves, and her blind son
Lord Cupid, and then Vulcan,
Whose face was swarthy brown.
And as I roamed up and down,
I saw that on a wall there was
Thus written on a piece of brass:
‘I will now sing, if that I can,
The arms, and also the man
Who first, pursuing destiny,
Fugitive from Troy’s country,
To Italy, with pain, did come,
To the shores of Lavinium.’
And then begin the tale at once,
That I shall tell to you each one.
First I saw the destruction
Of Troy, through the Greek Sinon,
Who with his false forswearing
And his outward show and lying,
Had the horse brought into Troy
By which the Trojans lost their joy,
And after this was engraved, alas,
How Ilium assailed was
And won, and King Priam slain,
And Polytes his son, for certain,
Cruelly by Lord Pyrrhus.
And next to this, I saw how Venus
When that she saw the castle’s end,
Down from the heavens did descend
And urged her son Aeneas to flee;
And how he fled, and how that he
Escaped from all the cruelties,
And took his father Anchises
And bore him on his back away,
Crying, ‘Alas!’ and ‘Well-away!’
That same Anchises, in his hand,
Bore the gods of the land,
Those that were not burnt wholly.
And I saw next, in this company,
How Creusa, Lord Aeneas’ wife,
Whom he loved as he did his life,
And their young son Julus,
Also called Ascanius,
Fled too, and fearful did appear,
That it was a pity them to hear;
And through a forest as they went,
At a place where the way bent,
How Creusa was lost, alas,
And died, I know not how it was:
How he sought her and how her ghost
Urged him to flee the Greek host,
And said he must go to Italy,
Without fail, it was his destiny;
That it was a pity thus to hear,
When her spirit did appear,
The words that to him she said:
Let him protect their son she prayed.
There saw I graven too how he,
His father also, and company,
In his fleet took sail swiftly
Towards the land of Italy,
As directly as they could go.
There I saw you, cruel Juno,
That is Lord Jupiter’s wife,
Who did hate, all their life,
All those of Trojan blood,
Run and shout, as if gone mad,
To ******, the god of winds,
To blow about, all their kinds,
So fierce, that he might drench
Lord and lady, groom and *****,
Of all the Trojan nation
Without hope of salvation.
There saw I such a tempest rise
That every heart might hear the cries
Of those but painted on the wall.
There saw I graven there withal,
Venus, how you, my lady dear,
Weeping with great loss of cheer,
Prayed to Jupiter on high
To save and keep the fleet alive
Of the Trojan Aeneas,
Since that he her son was.
There saw I Jove Venus kiss,
And grant that the tempest cease.
Then saw I how the tempest went,
And how painfully Aeneas bent
His secret course, to reach the bay
In the country of Carthage;
And on the morrow, how that he
And a knight called Achates
Met with Venus on that day,
Going in her bright array
As if she was a huntress,
The breeze blowing every tress;
How Aeneas did complain,
When he saw her, of his pain,
And how his ships shattered were,
Or else lost, he knew not where;
How she comforted him so
And bade him to Carthage go,
And there he should his folk find
That on the sea were left behind.
And, swiftly through this to pace,
She made Aeneas know such grace
Of Dido, queen of that country,
That, briefly to tell it, she
Became his love and let him do
All that belongs to marriage true.
Why should I use more constraint,
Or seek my words to paint,
In speaking of love? It shall not be;
I know no such facility.
And then to tell the manner
Of how they met each other,
Were a process long to tell,
And over-long on it to dwell.
There was graved how Aeneas
Told Dido everything that was
Involved in his escape by sea.
And after graved was how she
Made of him swiftly, at a word,
Her life, her love, her joy, her lord,
And did him all the reverence
Eased him of all the expense
That any woman could so do,
Believing everything was true
He swore to her, and thereby deemed
That he was good, for such he seemed.
Alas, what harm wreaks appearance
When it hides a false existence!
For he to her a traitor was,
Wherefore she slew herself, alas!
Lo, how a woman goes amiss
In loving him that unknown is,
For, by Christ, lo, thus it fares:
All is not gold that glitters there.
For, as I hope to keep my head,
There may under charm instead
Be hidden many a rotten vice;
Therefore let none be so nice
As to judge a love by how he appear
Or by speech, or by friendly manner;
For this shall every woman find:
That some men are of that kind
That show outwardly their fairest,
Till they have got what they miss.
And then they will reasons find
Swearing how she is unkind,
Or false, or secret lover has.
All this say I of Aeneas
And Dido, so soon obsessed,
Who loved too swiftly her guest;
Therefore I will quote a proverb,
That ‘he who fully knows the herb
May safely set it to his eye’;
Certainly, that is no lie.
But let us speak of Aeneas,
How he betrayed her, alas,
And left her full unkindly.
So when she saw all utterly
That he would fail in loyalty
And go from her to Italy,
She began to wring her hands so.
‘Alas,’ quoth she, ‘here is my woe!
Alas, is every man untrue,
Who every year desires a new,
If his love should so long endure,
Or else three, peradventure?
As thus: from one love he’d win fame
In magnifying of his name,
Another’s for friendship, says he;
And yet there shall a third love be,
Who shall be taken for pleasure,
Lo, or his own profit’s measure.’
In such words she did complain,
Dido, in her great pain
As I dreamed it, for certain,
No other author do I claim.
‘Alas!’ quoth she, ‘my sweet heart,
Have pity on my sorrow’s smart,
And slay me not! Go not away!
O woeful Dido, well-away!’
Quoth she to herself so.
‘O Aeneas, what will you do?
O, now neither love nor bond
You swore me with your right hand,
Nor my cruel death,’ quoth she,
‘May hold you here still with me!
O, on my death have pity!
Truly, my dear heart, truly,
You know full well that never yet,
Insofar as I had wit,
Have I wronged you in thought or deed.
Oh, are you men so skilled indeed
At speeches, yet never a grain of truth?
Alas, that ever showed ruth
Any woman for any man!
Now I see how to tell it, and can,
We wretched women have no art;
For, certainly, for the most part
Thus are we served every one.
However sorely you men groan,
As soon as we have you received
Certain we are to be deceived;
For, though your love last a season,
Wait upon the conclusion,
And look what you determine,
And for the most part decide on.
O, well-away that I was born!
For through you my name is gone
And all my actions told and sung,
Through all this land, on every tongue.
O wicked Fame, of all amiss
Nothing’s so swift, lo, as she is!
O, all will be known that exists
Though it be hidden by the mist.
And though I might live forever,
What I’ve done I’ll save never
From it always being said, alas,
I was dishonoured by Aeneas
And thus I shall judged be:
‘Lo, what she has done, now she
Will do again, assuredly’;
Thus people say all privately.
But what’s done cannot be undone.
And all her complaint, all her moan,
Avails her surely not a straw.
And when she then truly saw
That he unto his ships was gone,
She to her chamber went anon,
And called on her sister Anna,
And began to complain to her,
And said that she the cause was
That made her first love him, alas,
And had counselled her thereto.
But yet, when this was spoken too,
She stabbed herself to the heart,
And died of the wound’s art.
But of the manner of how she died,
And all the words said and replied,
Whoso to know that does purpose,
Read Virgil in the Aeneid, thus,
Or Heroides of Ovid try
To read what she wrote ere she died;
And were it not too long to indite,
By God, here I would it write.
But, well-away, the harm, the ruth
That has occurred through such untruth,
As men may oft in books read,
And see it everyday in deed,
That mere thinking of it pains.
Lo, Demophon, Duke of Athens,
How he forswore himself full falsely
And betrayed Phyllis wickedly,
The daughter of the King of Thrace,
And falsely failed of time and place;
And when she knew his falsity,
She hung herself by the neck indeed,
For he had proved of such untruth,
Lo, was this not woe and ruth?
And lo, how false and reckless see
Was Achilles to Briseis,
And Paris to Oenone;
And Jason to Hypsipyle;
And Jason later to Medea;
And Hercules to Deianira;
For he left her for Iole,
Which led to his death, I see.
How false, also, was Theseus,
Who, as the story tells it us,
Betrayed poor Ariadne;
The devil keep his soul company!
For had he laughed, had he loured,
He would have been quite devoured,
If Ariadne had not chanced to be!
And because she on him took pity,
She from death helped him escape,
And he played her full false a jape;
For after this, in a little while,
He left her sleeping on an isle,
Deserted, lonely, far in the sea,
And stole away, and let her be,
Yet took her sister Phaedra though
With him, and on board ship did go.
And yet he had sworn to her
By all that ever he might swear,
That if she helped to save his life,
He would take her to be his wife,
For she desired nothing else,
In truth, as the book so tells.
Yet, to excuse Aeneas
Partly for his great trespass,
The book says, truly, Mercury,
Bade him go into Italy,
And leave Africa’s renown
And Dido and her fair town.
Then saw I graved how to Italy
Lord Aeneas sailed all swiftly,
And how a tempest then began
And how he lost his steersman,
The steering-oar did suddenly
Drag him overboard in his sleep.
And also I saw how the Sibyl
And Aeneas, beside an isle,
Went to Hell, for to see
His father, noble Anchises.
How he there found Palinurus
And Dido, and Deiphebus;
And all the punishments of Hell
He saw, which are long to tell.
The which whoever wants to know,
He’ll find in verses, many a row,
In Virgil or in Claudian
Or Dante, who best tell it can.
Then I saw graved the entry
That Aeneas made to Italy,
And with Latinus his treaty,
And all the battles that he
Was in himself, and his knights,
Before he had won his rights;
And how he took Turnus’ life
And won Lavinia as his wife,
And all the omens wonderful
Of the gods celestial;
How despite Juno, Aeneas,
For all her tricks, brought to pass
The end of his adventure
Protected thus by Jupiter
At the request of Venus,
Whom I pray to ever save us
And make for us our sorrows light.
When I had seen all this sight
In the noble temple thus,
‘Oh Lord,’ thought I, ‘who made us,
I never yet saw such nobleness
In statuary, nor such richness
As I see graven in this church;
I know not who made these works,
Nor where I am, nor in what country.
But now I will go out and see,
At the small gate there, if I can
Find anywhere a living man
Who can tell me where I am.’
When I out of the door ran,
I looked around me eagerly;
There I saw naught but a large field,
As far as I could see,
Without town or house or tree,
Or bush or grass or ploughed land;
For all the field was only sand,
As fine-ground as with the eye
In Libyan desert’s seen to lie;
Nor any manner of creature
That is formed by Nature
Saw I, to advise me, in this,
‘O Christ,’ I thought, ‘who art in bliss,
From phantoms and from illusion
Save me!’ and with devotion
My eyes to the heavens I cast.
Then was I aware, at the last,
That, close to the sun, as high
As I might discern with my eye,
Me thought I saw an eagle soar,
Though its size seemed more
Than any eagle I had seen.
Yet, sure as death, all its sheen
Was of gold, it shone so bright
That never men saw such a sight,
Unless the heavens above had won,
All new of gold, another sun;
So shone the eagle’s feathers bright,
And downward it started to alight.
By Sir Geoffrey Chaucer
qi Jun 2017
symptoms of anhedonia.
                   a triumvirate, perceived
                   Inanition& Inertia& Inaptitude:
                                      they are ugly triplets who hide under leather
                                      and self-loathing &stink of last night’s pinot
                                      noir
                     ­                        from **** knows where.
                   their fingers, cigarette-stained and calloused,
                   reach into my prozac pillboxes
                   &crunch my anxiety (meds)
                   into fluoxetine powder and ivory between
                   their yellowing teeth.

I Do Not Cry When The
Sandman Knocks                                      
For He Sits At                                      midnight:the witching hour,whenthe
My Porch Bearing Sweet                                      siblings curl up besides me to
Dreams &Sister Death, Whose Touch                   ,                   ravage;
I’ve Long Wished For                                                         they will not
                                                                ­                       leave me
                                                              ­             untilthe
                                                         cloyingly sweet
                                         perfume of Death
       is scrubbed clean fromthe

                                                        ­                    pulse
                                                                ­            point
                                                                ­            of
                                                                ­            my
                                                                ­            wrists



There is nothing There is nothing There is nothing There is nothing There is nothing for you here.

Nothing will bring me back. In three years time I’ll still be dead. My bed sheet is my shroud and Death holds my wrists in a vice grip. He still leads me below.

                                      here is the untruth:
                                                        ­ i am here,
                                                         Penelope at her loom,
                                                         waiting for a lost lover whom I know
                                                         will take ten years to come back to
                                                         my awaiting arms.

                                      here is the untruth:
                                                        ­ in three years time,
                                                         I’ll still be dead.

                                      here is the truth:
                                                         nothing exists six feet under except:
                                                         hell
                                                         chalk dust
                                                         powdered calcium.
a thing i wrote for my theatre course, inspired by Sarah Kane's "4.48 Psychosis." this was a monster to format and i hope it works?? this is v experimental and i am Sorry
Ceida Uilyc Jan 2015
I know nothing about this discontentment,
This irritation and friction with sanity,
Suddenly it feels like I have not known my sanity,
Ever.
I have a confession to make.
To my parents,
3 decades older than me.
To tell them that I’ve been lying to them,
Lying about my degree, education and academic wealth,
For almost two years.
The fact is,
I had no choice but to tell them all is well
When the awls were pricking into my tender innards.
The time has come now,
Because I can no longer continue telling the untruth,
I tried if I could crawl in the campus,
Under the tag of being institutionalized,
For them.
Every day that I kept a straight face to them,
I trembled and felt the roars of the rising schizophrenic worlds, bit by bit, all around me.
I felt the unknown telugu that I heard in my mother tongue,
In my dad's voice.
Him renouncing me.
Him grabbing his head,
So as not to explode from the dirge of my living dead.
I hear my parents abusing me, in the random shouts of my neighbors.


I saw it all so clear.
I screamed.
I ranted.
But, found no warmth anywhere.
The fear, anticipation and confusion have killed my sanity.

Today, I flutter like a half-winged bird,
In the darkness of yesterday,
That my parents count as lit.
But then I released,
Knowledge is free.
And, knowledge is everywhere.
And knowledge came to me,
not with the stamps and seals of degrees,
But the enlightenment
From a concoction of three snorts of ******* and a dash of a little LSD on a Hoffman blot.
I rebelled mad in my high,
That I will no longer be institutionalized.
That I’m a free soul.
I became sober,
But my interests did not change.
Its been two years,
And I’m still astray, waiting to fully feel the freedom I have opted for.
For the pain of the mismatch I pour into my parent’s ears,
It kills me each day, second and time.
I have the guts to confess to my parents,
With neither shame nor embarrassment,
That my path is true and solid.
I wish not to be trained no more, to live.
I wish to simply live on my own.
I want them to know the truth.
That I have my house.
My kitchen.
My milk pan, mixer and fridge.
Today, if that **** that happened 5 years ago to me,
had happened now,
I know how to stand.
On my feet,
and hand him, my ******,
over to the law's eagle blind beaks sharper than the awl of my gossamer mists. Rather than bend my conviction, arrogance and identity to that ******* of a coward.

I want them to know that this is the only way.
Today,
I earn myself.
I live myself.
I’m free.
I have to be free.
I write all that I will.
And do forever the same.
I just,
Have to be free.
I will be free.
Presently, I have confessed, my dad hugged me and set me free. Assured me that he will be there at every juncture. It was just the 2-years of my poetic schizophrenia!!!
Thanks Pa, I'll stun you someday too :D :-*
To every kid out there, finding his own path, lying to parents, just so that they feel everything is alright, Hon', just keep walking. Parents are one of the biggest mysteries. Don't try predicting what they'll do, 'Cause they're gonna stun you blind. Just blind it all with your searing faith in yourself. So, don't waste any time, run, my child. Run!
Good Luck.
Light...
Walking blindly through the dark, hearing no sound. I reach out for you, grasping for your warmth. You’re nowhere to be found. I’m blind and I’m lost. Lost within the dark woods of your soul. I want your warmth, the touch of your hands. The feel of your lips against mine. Yet, I feel nothing. Nothing but the coldness of where you used to be. The coldness of alone. Alone and shivering with the anticipation of finding you once more. But, for now I wander through these woods, fighting the darkness and whatever may lurk within. I will find you, search and fight until my heart beats no more. I sit thinking of you, thinking of the morbid array of thoughts that swim through that beautifully twisted mind of yours. You appeal to me. The darkness of your soul delights me. I love the anticipation of the next sick and twisted thing that will slip through those beautiful lips of yours. The attraction to you consumes my every being. Consumes me for everything I ever have or ever will be.

Darkness...
I savor the flavor of a thousand delights found in one single moment when your twisted smile lights the shadow of time to the core of emotion, leaving me more complete with every instance, and a little less myself each time we part, anticipating every next moment together in madness, lunacy, and contentment.

Light...
I bask in the ambiance of your soul. I bathe in the light of your eyes. I devour each word that falls from your lips. Every moment spent together I die some inside knowing that you’ll never be mine. I’ll never be the one to feel the warmth of your lips, the tenderness in your kisses. Never feel the ecstasy in which I so desire. You shall never be mine, yet the torment of being around you draws me in ever so much more. I may never have you to call my own, so I will satisfy my own needs by looking into your eyes, by hopelessly clinging to every word. Loving someone who never will be mine will be my death. A death I so willingly accept.

Darkness...
So we collide and coincide on opposite plateaus of the same parallel, a product of storms never raged, battles never won, and pleasures never quenched, holding moments passed in equal satisfaction as those that may have been, as the imploding loss of unknowing melds the two into one final entity, more powerful than the feeling of gratitude for all of the powers that be for giving us the one thing no one could ever replace……the penetrating ecstasy orbiting about this world of our own creation, to revel in every moment together, and suffer every second torn apart, in time, and in mind.

Light...
We wander through the dark, hand in hand. I feel your supple lips brush my cheek. I turn to look into your eyes once more when I realize you have changed. Your soul has become dark. Your eyes have become cold. I’m afraid of you now. Afraid of your touch, of your love. I try to turn from you, to get away, but you hold on tight. Your grasp on my hand sends shivers up my spine. I need to be free of you, to get away from you to save my own soul from being lost into the new darkness which has become you.

Darkness...
I’m lost within the shadows cast by every inner demon, unraveling their chaotic waltz to the symphony of my pain. I turn to whisper my deepest secret, my lips trailing the ghosts of my heart’s desire upon your cheek, and realize it can never come to pass, turning before the very words can die upon breath now sustaining me in suffocation. I grasp your hand more tightly, magnifying the tremors in my own, as the fear of losing myself without you intensifies. I need to be free of you, if only to save you from the darkness now contaminating the waters of my soul, for how can you be my heart’s salvation if it means the damnation of your own soul as you descend with me into oblivion? How can I whisper when shouts of madness waver upon my tongue? How can I speak my heart and my fear when such a morbid chorus drowns out my sanest of thought, turning my emotions into a chaotic lesson in confusion and eminent danger? I see my future, far more clearly than my past, for every memory made without you is one I would give my soul to forget, knowing I would die in vain, for the memories we favor the least haunt us more vividly than the happiest of moments could ever dare imagine. The choice between fading alone in unending torment and dying with you by my side, suffering in silence as I scream absurdities upon the dying wind is simple. Living without you is my eternal hell. So easy to fall in love. So hard to stand alone.

Light...
Only always is what you told me. Only always will you be there. Only always will you care. Only always will you only have eyes for me. Only always do you lie. Only always do you cause me pain. Only always do you inflict such dire emotions in me that I can no longer bare. Only always will I die by your touch. Only always, my love.

Darkness...
Only always will I be so calm in my insanity. Only you will always be the one to draw the best from me. Only always will I dare to drown in nothingness compared to every thought you only always bring to mind, each time I stare into the void that lies between what’s real and only memory of things that only always never come to pass between the glass refraction, only always cutting swiftly to the bone, condemning me to hold on to words that only always go unspoken. Only always will I be broken, bleeding upon the foundations of souls forever seeking completion, only always incomplete. Only always alone. Everything I've tried to find inside a dark and weary world, I find in your eyes, within your words, within your soul. The interwoven feelings of contentment and deprivation cradle me in confliction as I hold opposing worlds within my grasp, watching as they collide in euphoric tragedy, spawning chaos amidst a field of hauntingly menacing desires, blooming like undead roses from the devastation that my life once was, empowering loss with hope and regret, and the knowledge that, even though never to be mine own, such a thing, such a feeling, does, indeed, exist within a world so heartless and corrupt. Mine to behold, but never mine to hold for more than just a picture of what life can be...perfectly imperfect, and still possible for me.

Light...
You slowly caress my soul with the diseases on your tongue. How can one fornicate such passion within the heart of a beast like me?

Darkness...
You stir within me the echo of desire, reverberating ironically throughout my every thought, as the deepest part of me quivers with satisfaction.

Light...
A satisfaction I so desperately yearn for. The very essence of you makes me quiver in this ironic state of bliss. Your body has become a metaphor of emphasis for me.

Darkness...
I remain intoxicated, imbibing wine flowing from the beauty of your soul, captivated by the fire tearing through my veins like molten glass with every beat of my tormented heart, counting every second spent dreaming in vain into its unrightful place upon the skin of eternity.

Light...
With nowhere to go, nowhere to hide, your words haunt my soul; haunt every fiber of my being. Drown me in a flood of emotion that I cannot seem to waiver. Your words flow through my body as the disease which is you spreads to my core.

Darkness...
The very thought of the object of my idolatry imprisons me in thin air, levitating over balance and corruption, wrestling two demons at once: that which damns me with morality, and that which delivers me with the anticipation of every mistake, crying to be born, to thrive, to be obeyed. Take my hand. Set my heart free. Burn with me in depthless passion, void of conscience, bursting at the seams with long suffered lust come to fruition, calming every shrieking moan of absolution, losing our souls as we have lost our minds, with violent denial, giving way to complete and total gratification of knowing that although we suffer so well amidst all that drags us further into hell fire, we suffer willingly in the greedy embrace of mutual condemnation.

Light...
        The words that flow from your fingertips flow through me and reverberate through my mind into my soul. My soul which you are such a dire part of. You who lifts me up when I am within inches of knocking upon Hell’s hollow doors. You are the one who comforts me when I am mere inches away from taking my last breath. I will love you until the end of time. As you contemplate if I truly care, now that my heart pulsates on this flaccid plane of existence, and that you will always be one of the many reasons my heart will continue to thump its many beats.  I reach for you, finding nothing but the coldness of where you were. This atrocity of life haunts me, ridiculing me for ever having loved you. The beast within me screams your name to no avail. I’m lost and alone without you near. Time has lost its meaning. I’m trapped in a void of nothingness. Wondering ever so much when you are going to set me free. Why won’t you set me free? Crying amongst the pain you cannot feel. Tears disintegrate into the harshness of the rain. The validity of your words go once more unspoken. Hence once again the darkness has become the only reality in which I thrive. I mustn't relive the days amongst your lies. The lies you have spit at me with such callousness. The unspoken realm of my reality has become so clear, so vivid. I must be rid of you. Must free my soul from the snare you've captured me within. Yet the fire within your eyes has compelled me once more. For why must I fall into the depths of you?

Darkness...
        Yet pain I do feel, for every time that I draw close, you drift further away even as your heart reaches for me. It is the rain itself that disintegrates into the harshness of the tears I shed in longing for the day when you understand that my words are pure and not some greedy guise, for the darkness wherein you dwell is but the shadow that your doubt casts upon your weary heart. If it had all been a lie, then why do the memories that so torment you ring so true, more savagely with every second that passes in which we are not drowning in each others arms? It be not untruth, but frustration that empowers my words, for the very thought of life without you is only the precursor to my living hell. The reality of all is that you are my life and you are my death, sustaining me and suffocating in equal measure, imbibing my heart with your very essence, and rending it asunder with every tear you shed in unbelief. If you must be rid of me, then do so quickly, and have pity upon my tormented soul, for I wish not for you to fall into the depths of my sorrow, but to fall with me as I fall into the undying beauty that is you.
This was an ongoing creatively descriptive collaboration between myself and a fellow writer and one of my dearest and best friends, Jonnie Shelly Steffens Back, about an angel of Darkness and an angel of Light falling in love, and the conflict of differences and misunderstandings in doubt heeding such an ironic union. My character was Darkness, and hers, Light. I acquired her permission to post this, otherwise, it would not be. It may still have more to flow, and there may very well be a play written from this at one point when we are able to work together again.
Ground smolders and smokes

Luminescent men, humps at the front

**** and poke

The air acrid, the smell of burning stone

On a wall three boys

Gaze, eyes wide, mouths

Marleyesque, dropping

Bewitched as the florescent men

Smooth and calm the steaming earth

Spraying water from a can

To quench its thirst

The seething, black

And exhausted ground

Murmurs in sick response

To its own fragmented curse

A yellow dragon near by

Belches black blood

Oozing from its innards

Through Gothic gargoyle mouth

The lime coloured men shovel

This toxic *****, smear it

Across the gasping earth

That lies, ripped like a jagged

Wound on a dying man

The lime colored men

Mount the yellow dragon

Speed off, leaving

The scorched ground

Burning and hissing,

With sulphurous smoke

A million sizzling angry snakes

The three boys run away in freight

Dropping playthings as they fumble

And tumble in their horrified flight

The black earth cries, bubbles

And consumes their toys

Passes sentence

Makes them L'Enfant Commune

The lost boys

Then there is a quiver

A tedious tremble, a treble;

That played like stretched

Elastic flicked with

Forefinger and thumb

Making the heart numb

Extracting false confessions

A stench of putrid untruth

*** charades of delicate

Ravaged faced youth

A drole de ménage

Slave to the hunger

Of the unknown demand

The French grooming

Of horses, that may charm

The curious but leaves curiosity

Still smouldering in the

Hidden depths of the

Universal mind

Sanumbolists in the

Fullness of a dream of

Ineffable torture consume need

The boys cry out, for the

Earth has stolen a liars tongue

Branded them abominable

With decaying enormities

Detestable, enamelled eyes

Lurk and peer from

Behind gauzed curtains

A corpse of understanding

That inspects the invisible

Images of imbeciles

Parchments dripping in powdered

Crystalline drops smear the pavements

The boys wave their arms

But no-one sees them

There is the rise and fall of cryptic waves

That ebb and flow scorching

A shore of silent sorrows

Lapping feverously at the

Arc of a whirlpool

Whose decreasing concentric

Circles **** the boys down

Into an eternity of hot tears

Leaves them without parents

Gives their brothers and sisters

Into a slavery of barbarous belief

A ferocious language

Banning the boys from all beaches

Provides tyrannical pilgrimages

To black robbed priests

Possessors' of serpents' hearts

The yellow dragon returns

Lemon coloured men spill

From its foaming mouth

The boys hide behind

Dead rose bushes

Ah, but their tenebrous

Trembles creak in the

Blotched and bloodied

Butchers sawdust

A fabulous elegance cradles them

Making the smoking dragon angry

It spews molten bile taken

From the bloated stomachs

Of white beasts

The luminosity of the

Lemon coloured men

Increases to blindness

They wave tattered antediluvian

Bark and scream from

Their dark, deceitful, anchored armchairs

From railed and spiked alters

Spitting bitterest gall

The lemon coloured men

Butcher the fabulous elegance

Leaving the boys naked

Prey to the perfections of

Puerile generosities

That vows to extinguish

Their human desire

Vacant eyes with

Nauseating sight strut

A cruel distortion

Terrifying voices offer

Demonic destruction

The boys weep, but

no-one hears them

A violent paradise

Of popular poses tries,

But fails to caress them

The dragon burns the boys

But no-one smells them

Their terror turns to molten flesh

The lemon coloured men

Spread it over the earth

The beast' heart beats

Joyfully in its bulbous belly

Sacred men smile while

Pitiless priests provide

A comedy

The boys become a hallow

Antique night their left

Legs held up for all

To see

Delirium devours the minds

Of a subjugated people

The deadly hissing of the earth

Like a silken spectre rises

Making scintillating shudders

Through the spiked splinters

Of time

Intelligence is reduced

To the rubble of religious

Intolerance

Lime, yellow, lemon drips

Heated plastic from false eyes

There are cries, sights and sounds

But no-one hears, sees or speaks

No real people are left

Similar boys watch from a wall

Huddle together and weep
aphotic blue Jul 2017
this girl never thought that I wasn’t her king
expectations in the first place that I wasn’t lying.
believing me all the untruth I was saying
I know she’s hurt, but tough, still smiling

honestly, it’s part of the plan making her cry
but the truth is I don’t know why
maybe she’s just acting, so do I
but what if, this is real and not covered with a lie?

would she accept me as a whole and drunk in love?
begging for happines and kindness above
seeking for kisses in every mourning dove
wondering about the present if this is true love
©aphoticblue
Laurent Apr 2015
How could you say sorry,
Through shades of words hiding.
How could she forgive you,
And all the fears you bring.
Why she would give you one clue,
With all the tears of the untruth.
Look at this closely,
Beyond all that she can feel.
Tell her there's a place
Always as an empty space,
For life inside you to fill.
We must be strong enough to realize it, our mistakes have to be turn as inner strengths to grow up.
AM  Feb 2016
Sly Fox
AM Feb 2016
this morning I woke up to déjà vu
—I was here before and I knew you
you’re that guy who twists the truth
who secretly falls for me like I do
oh I just love how you’re always too close
yet too far away to make me had enough of
wait, did I just say that I’m in love with you?
this is bad and will hurt as **** but I know I do
but you will deny me, that’s so typical of you
since you’re the sly fox
and I’m just a girl who’s addicted to untruth
You are somewhere but you're hidden there;
You are with me in my every step.
I cannot see you yet I feel;
I cannot sense you yet I hear.

You are the shade no-one can catch;
You are the force they cannot make.
You are behind their pale shadows;
The one they're too tired to know.

You are in every flavour t'at I taste;
You live in every drop t'at I drink.
You breathe in every move I make;
You stay with me and ne'er fall apart.

You are the leaf of my autumn shade;
The emeralds of my summer gem.
The orchids of my cold jade stones;
The tulips of my skin and bones.

You are for whom I feel feeble;
You are for whom I have felt hurt.
You are for whom I endure pains;
You are for whom I hate.

But in your presence t'ere's no hate;
For with you there, then love is just love;
Love and hate are like dust and water;
They are separate, and not to be together;

And in your presence t'ere's no fear;
For tears turn into sweet poems t'at I hear;
And t'ose bleak midnight dreams shalt end;
Whenst in your arms, my very best friend.

And you are told once more and again;
By my untouched love and laughters;
From my untold hands and right words;
From the eyes of insane poetry.

And you are there, all over again;
You make things right whenst they do not;
You are in the cold tales I make;
You saw my first love bloom and grow.

You are in my words and prayers;
In the dreams t'at live forever.
You are the strength t'at makes me write;
You are in me all through the day and night.

You are my blood and my sacrifice;
You are my truth, honesty, and lies;
You are my moon, stars, and my hectic skies;
Your soul is mine and shalt ne'er die.

You are the hate and filth t'at I say;
The happiness t'at comes in my way;
You are on my mind night and day;
You are my poem in April and May.

You are my eggplant and cherry tree;
My green lime and sweet strawberry.
My purple lavender and rose;
My morning dew and midnight gloss.

You are the green moors I walk on;
The curved path I always stride on.
That my heart beats when I am beside you;
With a love genuine and passion so true.

You are the sun by my clouded grass;
The light t'at soften hearts' anger;
The love behind one's gritted teeth;
The truth behind deformed false mirth.

You are my ginkgo tree and peach;
The shine among the filth and foul.
My savour sea and fragrant beach;
Cure for the darkness of my soul.

You are my summer and fall tales;
My exact said and written words.
The blood and flesh of my red cells;
The light and promise of my worlds.

You are in my skin and my mind;
You need just love to make me blind.
You are in my ears and my hair;
I feel your presence everywhere.

You are the miracles that I see;
The poetry God carries with me.
The dramas I sing of and write;
The true love that makes things sound right.

You are the one lie that sounds true;
The ******* ****** heart desires.
The essence of my breath and *******;
The frank lust of mine in the West.

You are the thirst my heart falls for;
You are the rain that soaks it wet.
You are the fertile grass it grows;
The autumnal tears that it sheds.

You are the kite that soars up high;
And I shalt be your protective shield.
And whenst you fall with your knee wounded,
My poem's the very drop that makes it heal.

And it speaks of you with sanity;
And misses you with high verity.
And with such warmth t'at is still mine;
It longs to keep you in the heart and mind.

It's thus the immortal in you;
T'at makes it sees with clarity.
T'at it loves you eternally;
T'at it seeks you again and again.

T'at it wants you all over again;
T'at it wants you for no clean reason.
T'at it wants you now and once more;
T'at it wants you like never before.

T'at it loves you like it loves itself;
T'at it loves you with no falsehood.
T'at it loves you like it loves life;
T'at it loves you and shall die for you.

Ah, Immortal, whatfore art thou doing t'is dark afternoon?
My heart is alone in abrupt silence;
And it wants to disturb thee again;
It wants to run after and play with you.

Ah, Immortal, but doth thou tread some-times, on our fav'rite green path?
The one smelling like musk and red berries;
The one thou took to the most;
On which thou called me whenst thou got lost.

Ah, Immortal, and I ran fast like a blind nymphet;
For I was afraid of finding thee not;
Ah, I was in a ruffle skirt and with my poetry book;
Thou said I's pretty after one brief look.

Ah, Immortal, and we crafted one dusk ode together;
And t'at dusk grew more beautiful altogether;
With a soul as handsome as thine by my side;
Brightened by the streets' thrilling fluorescent light.

Ah, Immortal, and so I've written another ode today;
T'at maketh me remember everything without delay;
All joy t'at we had t'at night, on t'at lil' path;
A portrait of once live, but now vanished worlds.

Ah, Immortal, and such an ode maketh me smile again;
It feels like thou art here, my lover and best friend;
And the only lover I shalt ever run for;
The only man for whom my heart beats fast.

Ah, Immortal, and nothing is sweeter t'an t'is green ode;
A piece of innocent poem t'at thou shalt like;
Just like the ones thou always read;
By my side, with thy head laid by my orange lap.

Ah, Immortal, and nothing is more honest than my own poems;
For it thinks absurd not, of what is absurd;
Like t'is immortal passion it feels for thee;
Ah, for thy soul t'at too is immortal.

Ah, Immortal, but now that I've written this poem;
I shalt retreat to a peaceful rest;
I've laid about what's within my chest;
I'm ready for a sleep's endless virtual doom.

Ah, Immortal, and you wilt say in my oblivion;
T'at I have reached my destination;
The very place where there's no thee;
The desolate ice with thee gone.

Ah, Immortal, and you wilt sit in my unconscience;
Keep me asleep in my confusion;
T'at I escape, and escape not from my guilt;
T'is endless guilt of loving thee.

Ah, Immortal, to whom I still love, and love again;
Whom t'is very heart still adores;
For whom my prayers still breathe;
And for whom my tears still flow.

Ah, Immortal, and you wilt dream in my limbo;
Of a dream t'at leaves me conscious;
T'at there's no more love between I and thou;
A love t'at once made our hearts luminous.

Ah, Immortal, and you wilt rock me back and forth;
'Till I but wake again to this world;
And the horrid sands of Yorkshire;
Where I smellest none but dire loneliness.

Ah, Immortal, but dream of me—make me unaware;
And let t'is love for thee step forward;
Sending me back my triumph;
Shoving me up with virility.

Ah, Immortal, let such a bashful moon distract me;
But turn me not about my long sleep;
And with its horns slaughter my love;
That I shalt wake up loved and unloved.

Ah, Immortal, let the grim grimace slander me;
Let t'is love for thee hinder me;
But ****** not my love for thee;
And the longing for thee to be by my side.

Ah, Immortal, and stay with me but in my words;
T'at I am able to tackle the worlds;
To **** its failed virtues and vice;
Its cruel pride and fatal conventions;

Ah, Immortal, thou canst feed me through my bare poems;
And attend more of my illusions;
Take to my imaginations;
Breathe through the words and circles I draw.

Ah, Immortal, thou canst witness my weird footsteps;
Sleep on my imaginary lap,
And leave thy heart to me by one side,
T'at I canst but rub and play with it again.

Ah, Immortal, and thou canst leave to me your heartbeat;
And I wilt adorn it with warm heat;
That like you are, it shalt stay immortal;
Like a love poem I'll craft in fall.

Ah, Immortal, and thou canst leave me thy love to me;
T'at I shalt kiss and cheer it every day;
For it has more than what I have to say;
For it speaks to me with proud sanctity.

Ah, Immortal, and thou canst leave thy hours to me;
T'at I canst write you a good poem;
A poem t'at breathes through thy chest and hands;
T'at thou canst feel my presence again.

Ah, Immortal, and thou outta' leave thy blood to me;
T'at I canst shield, I canst protect it;
T'at I shalt act like its owner,
With a thousand smiles and promises.

Ah, Immortal, and thou canst leave thy flesh to me;
T'at I canst heal and empower it;
T'at I canst cast spells on its wounds;
T'at it shan't dwell rott'n forever.

Ah, Immortal, and thou canst leave thy doom to me;
T'at I can retrieve your old laugh;
Although I'm young and I am not her;
I'll love you again and again, more than ever.

Ah, Immortal, and thou canst be mortal to me;
But I shalt still call you my immortal;
Like I once did when we were young;
With the blossoms of love in our hearts.

Ah, Immortal, and thou wilt see my promise is true;
I'll shed my blood and flesh for you;
From such shalt flow fresh spring water;
T'at shalt heal thy cracked wounds and lungs.

Ah, Immortal, and thou wilt see my love's not a lie;
For if thou rot, then I too shalt die;
For my gripped breath too shalt be broken;
For my vain heart too shalt die hurt.

Ah, Immortal, and thou wilt see thou art my heartbeat;
Thou art part of me and my wit;
For t'ere's no poem but one about you;
For t'ere's no dream but of our first love.

Ah, Immortal, and thou wilt see thou art my thousand skies;
For t'ere's no love but by your side;
And no words written but for thee;
Thou art the voice of my clarity.

Ah, Immortal, and thou wilt see thou art my life;
Thou art inside me as thou wished;
Thou art a breath t'at withers not;
Thou art a thought t'at leaves me not.

Ah, Immortal, and thou wilt see I shalt not wander;
My love for thee is clear and again;
And one intact, and whole, and untorn;
And one civil, and pure, and unburnt;
Thou art my light, my cold fire and warm ice.

Ah, Immortal, and thou wilt see t'at my love is chaste;
For whenst betrayed, it betrays not;
For it cuts not our story short;
For it stays with thee still, in blood and flesh;
For it thinks of you yet, in its wake and rest.

Ah, Immortal, and thou wilt see my love is genuine;
For it shoulders guilt on its own;
A guilt t'at comes from loving thee;
For loving you is what makes it live.

Ah, Immortal, and thou wilt see my love lives forever;
For thy remembrance gives it breath;
And thy memory frays its hate;
You are the love t'at's ne'er too late.

Ah, Immortal, and thou wilt see thou'rt my perfection;
Thou attend my poetic arts and visions;
Thou art the precision it makes;
The decision it firms hard life on.

Ah, Immortal, and it screams for you by its walls;
And calls your name again and again;
T'at it keeps you in a heartbeat;
T'at it shalt seek you in its every sense.

Ah, Immortal, and thou wilt see my love is not hate;
For it knows not what hate is itself;
Like it knows not hatred on its own;
For it knows only bland virtues.

Ah, Immortal, so thou wilt see my passion is true;
T'at this etched love is not a disease;
T'at my love shalt hatch again and again;
Give birth to frank newborn poems and thoughts.

Ah, Immortal, and so being alone tortures me;
It renders me dead and my sanity;
Like an empty chair in its solitude;
I sing to myself, and no Eolian lute;

Ah, Immortal, and thou wilt see by my virile sense;
T'at I longeth for thee again and again;
T'at thou'rt the thought I verily ponder;
T'at thou'rt the only love I embrace.

Ah, Immortal, and I'll embrace thee again and again;
No matter how long, nor how many times;
My insane guilt is in loving thee not;
And knowing not how to tell of thy love.

Ah, Immortal, so I shalt proceed but to love thee;
And keep thee alive in my heart and mind;
And keep thee breathing in my story;
A story t'at, I hope, comes back alive one day.

Ah, Immortal, and thou see my nonsense is true;
Though full of holes and discolours;
Telling words is to me obligatory;
For it keeps my love in order.

Ah, Immortal, and t'ese diffused hues are but thine;
Just like my whole journal of tales;
T'at I shalt recall with virtues;
Because 'tis t'ere—t'at promise of mine.

Ah, Immortal, so thou'rt my artistic vision;
My endemic paints and phrases;
My arts' reposes and relapses;
My chanted spells all over the place.

Ah, Immortal, I craft thy poems with precision;
T'at all is unique in their nature and order;
T'at it preserves love and enigmas;
And so it preserves for you, just what you love.

Ah, Immortal, and I tell my tales with perfection;
T'at thou become my whole saturations;
Thou owneth the major gold'n utopias;
And preserve still, t'ese hovering dystopias!

Ah, Immortal, and I've seen in thee such myopic senses,
T'at what is iconic seems atomic,
T'at what is static seems dynamic,
Ah, but all seem such—in thee!

Ah, Immortal, I've too seen in thee such pictures;
Pictorial and ethereal in such a sense;
But malevolently, and fervently true;
Ah, Immortal, thou art my powerful hero!

Ah, Immortal, thou art the magic of my art;
The very clay of earth I step on;
The very suit of life I wear on;
The immortal mind among those mortal!

Ah, Immortal, thou art the soil of my being;
The very breath that I leave awake;
The primary cause I think of;
My multitude of secret reasons!

Ah, Immortal, and I want but' make thee—make thee mine;
We canst drink together and feast;
On t'is love and artistic gleams;
Of  joyed literary and poetic pleasures!

Ah, Immortal, and our young souls shall ne'er decay;
We hath more than t'is world shall say;
We own even more in our poetry;
We own every part of immortality!

Aye, Immortal, and thou wilt see my virtues are true;
I lied not to thee and about our love;
For our love is what art canst portray;
Whilst art itself is my pal and friend!

Aye, Immortal, and thou wilt witness my plain truth;
For t'ere's no mirrored truth than thine;
And even the truth of wan reality;
The reality of joy, tears, and gloom.

Aye, Immortal, and thus thou wilt admit 'tis mine;
Thy very heart and eternal conscience;
Thy cordial mind and vast concerns;
Aye, such are all—all mine, my darling dear!

Aye, Immortal, and thus thou wilt confess such's mine;
Thy very mind and ordinary senses;
And too thy literary and recreational thoughts;
Ah, and thy visions too are mine, my gorgeous dear!

Aye, Immortal, so such is a tale of my love;
T'at brews and boils just because of thee;
T'at loves and hates within thy spheres;
T'at cries and mourns whenst thou art gone!

Aye, Immortal, and thou hath seen what true love's like;
Just like the one I hath for thee;
And I want thee more like I want autumn;
I adore thee more like I do winter!

Aye, Immortal, how canst I find true love then;
Whenst all is blurry and clear not;
With thee gone and my poetry cut short;
I shalt but dream not of marriage!

Aye, Immortal, for such wedded bliss is with thine;
The king of my heart, *******, and mind;
The fairytale I read again and again;
The one old song I keep'n singing thru!

Aye, Immortal, and I longeth for thee just like t'at;
My love hides behind every labyrinth;
Where'n t'ere are green and red and gray clouds;
Where'n poetry is recited out loud!

Ah, Immortal, and thou'th seen t'ere's no-one but thou;
Thou'rt the simplistic art I seek;
The one I'm with whenst strong and weak;
The dream I hath, every day of the week!

Ah, Immortal, and so t'is naughty ode is genuine;
For 'tis mere' thy heart it longeth to win;
T'at it ever boasts proudly of;
T'at it ever wants to get, and again!

Ah, Immortal, and so t'ere's no heart but t'at' thine;
To be entwined with t'at of mine;
To be accounted down the line;
The one I speak of, and I hide behind!

Ah, Immortal, and thus t'ese phrases are but true;
For t'ere's no hero nor villain like you;
Who knows much 'bout truth and untruth;
Who sang perfectly 'bout our own youth.

Ah, Immortal, and thus t'is pleasure is all thine;
Physical and mental and of all designs;
For thou owneth my whole love labyrinth;
And all the tasty scents in its maze.

Ah, Immortal, and thus all t'is poetry is thine;
Just like my severed soul and breath;
For without thee, all t'ese dreams are but of death;
A dream of grief, t'at I shan't find rest;

And Immortal, thus t'is longing is thine;
For thou only canst amend such dreams;
And brings to it candlelight rainbows;
Just like the promise of my true love.

Ah, Immortal, and thou shalt see my plain love is true;
For it fails just anyone but you;
And thus I want thee here with me;
I want thee still, like ever before.
Mitchell Nov 2011
Not in the way I
Look through these eyes
which water but instead
Of sadness entranced upset
Near to death love
making where though and
Design laugh at their own
Gluttony and ill usage and
away from me i say no not here and
away from itself i hear nothing for you
are here within me but away
Comet and the see to hear blues with
Everything to give but nothing to lose
And the far off sights are much too bright
And inside you hear yourself crying
Not to mtters or mold your soul
With what your parents said to you
Ordered you to be bold and
The aftermath of your own tightened slack
Makes you wonder if growing up was an actual
Choice in the matter of the batter which is
The family foundation were games are played
For keeps and children weep as they keep
Toiling on as adults just for bigger and better things
Come into the waves of a brain malfunctioning
No face for ye' faith meand nodding to the higher
Ones whose noses are broken and the lips cracked
The spinning brain of hurts doughnuts and Americana
Rip offs selling the flag by the millions to turn a profit
For the moronic billionaires who think no one is watching.
Watching with their hats turned sideways and trying to
Escape old age and grey hair and sagging ball sacks and
Poor english and worser bread, stale with their mother's
Ghost hovering on the shoulder of their pouting diamond
Drenched wife as if madness grew a larger pair **** within the
Hilarity of connection of concoction of happiness and
Satisfaction and a longing to burn the entire ******* down
Just to rebuild it the way you see and you do see it and the way
You feel it used to be and perhaps, maybe, could be and where
Experimentation is now a center fold for the dock workers and the
Laborers of the world to spit and ******* and cry over in their
Twisted and rusty beds for inside their pea brains and melted
Mouths filled with colgate and beer, they slobber over the excess
And humiliation and celluoid dreams of **** and *** and spreads
That would make any grandmother of 37 weep and Mozart meander
On the veranda, contemplating smooth jazz and the way he would like
Not to be buried with the hat trick hockey nick who swore he saw
You fall in love before and that sobriety was the touch of the Christian
Way of life and ye' far out and tormented young ones meant nothing
By what they said at the rally and they do believe in the good of the
White government and we are headed toward a technological maelstrom
Of the golden age of the HUMAN RACE but alas I hope I decipher I pray to
No God but whoever has the ears and eyes and arm fat to listen with their
Splintered consciousness and their painted red toenails and girlfriends who
Whisper they have always loved another and how TRUE UNTRUTH IS and
How vindictive we rant on and read on and hope and believe that the end
Is the end but it is only the end for you and their will be new blood and new eyes
And new minds and we will grow old but the rivers water will be recycled, as we
Will be recycled into the dust and the mud and the rubble to further build the streets
As the street makers and the bread winners will smile as they think they are the
First ones to think up such a crafty, inventive invention but hierarchies are on the horizon
And I remember I was born with a name that I never grew to know or fall in love with
Or defend or keep close to my heart for the heart is weary hunter and it ventures on
With or without the body.
Note to self.
Recall the last rite before you begin on to the next one.
History has spilt its blood and its fair share of orange juice, try not to remember the numbers but remember the amount of burned chairs.
Note to self, returned.
The heaters on and the soul is not dancing but jiving like icing on a three year olds birthday cake.
Submission time to the chief, submission time
To those other guys, whose faces I've never smelt, but who are there waiting and whining that the times are no longer a changing.
Keep up the smiles, keep out the frowns.
Negativity is the attribute of the terrorist. Don't be a terrorist.
All fine men and women have once in their life been truly scared.
One ten till the train leaves.


Good night major split hairs.

On the second of the fort
Nights beckoned a call dim
Lit by ill fated mechanisms that
Were men and women and
Children and the forgotten dream of
What was meant long ago and was is
Meant now but not followed through.

With heaven comes hell and hell fire and
Clouds of white with shelling from
Wars not of this world or the next or
The one's thereafter and lingering history,
With its bells and trinkets and tombstones,
That have been weathered but are still not gone.

Memory not mourning, pictures in a frame lit
From the inside out and drinks were there
When we were not meant to be there like a
Kiss on a flower you picked at an age where
Life was not known and death was even
Farther away for it existed not in the eyes of yours
But in everyone else around you, except for the
Other children of course but oh' of course.

If your trying to get the part of the stuff
That makes you recall the upstairs of the
Idiocies of the room romance that restricts but
Contains life and halters life and stifles life with
That one must recall a past life where tears
Mean nothing when you produce them too often.

Can of the hypocritical malice of mis-informed family
Foundations and we break into the minds of the way
It should be and the way it shouldn't be and yet here
When we gaze out across the wide spread of the world
And its many ways it spells out with a God's own language
The morning of the ear who listens and speaks when not spoken
To breaking every single rule of the word and smiling
Throughout the whole ****** thing.

Canons of repetition where life winces and the wife begins to wheeze
And fall, her dress is now clear and her eyes just don't seem to be
Where we are now I believe that money is the root of this soon to be dead
Tree and streets are now empty as the moon casts its silver glaze and
The breeze is now naked with her bra on the floor cast in straw while
The wizards write their spells and comb their hair and draw out plans
For the next great fall but watch the fireworks and the way they hail and
Crawl throughout the entire bawl and Ol' Ezra P. mass amounts of rage
To bring to the stage but here ye' O great one this place is for us all.

Here in the house of the not that is shared but all is seen here
Where the wind blows to no east and no west and no south and
No other way that you believe to get headed to the world of
The no names and experience makes you wise and yet old
And remembered for the drinks you paid for but especially for
The ones you forgot to pay for but that is what friends are for.

Omnivores in latitudes that matter not to the public eye but
To the ear of the Lord that is not everyone's savior but
Chosen just for the right eye so within that decree of mastery
We entrance the light and shovel up the leaves leaving the last
Way of things to be the first way of things when the lights
Are quickly turned off and on and off and on again and again;
Stars are naked until the sun rises in your hometown and the radio
Turns on.

And the background music chimes with a willingness of a cockroach but
Holds the beauty of a **** statue found in the under toe of a lost
Beach in a lost land forgotten in time but embraced by eternity and
Though does not dwindle its numerous names or its many ways
Of being for the hour does shackle us all but here in high array of
None other then eight times the way through the cobbled up in the
Attic of the fiercest neanderthal dictator with ideas holding truths upon
Truths that in the end mean nothing  for advancement is not determined
But continued upon as long as we forget the past and look to the future hymn
Of the childless winged' beasts that were once forgotten but now embraced
Angels.

Not of this world but of the entirety of the reality of banality
Breathing back and forth inhaling and exhaling releasing the
Mind of the mares of the wandering rewinds of infinite space
And inside the eyes of the highest levee which has broken but
Has not yet spilt holding back its power for the remainder of the
Year and catacombs upon catacombs of forgotten text of never
Forgotten men recalling their former lives and their former passions
And the hastiness of their possession of the word and the avoidance
Of the death touch the death mark the black spot upon us all.

Dog on a hill cloud high in the sky nut on the ground no not a sound
Frost on your fingertips toe of the boot covered a steel dull mud
Suds from a water rushing miles away nodding branches of a dead tree
Wind through the high grass birds in the sky that fly but not chirp
Sun in the sky rice fields burn brown crickets rub their thighs together
Not here but in the corn stocks and pig stocks brown in the reverse order
Platters of pinch salt and pepper underneath the floor boards creek for
Creak and dollar for dollar we make the rounds and we do not frown.

And the meet of the neat make their rapid conversations in dual order
Where they tell themselves this but I hear that and you make what you want
Unless you ain't got the stuff but if your lucky and if your smart you'll
Grab the oven and bake that **** but in case you don't see the sunset and
Your buried without your toes look for your voice because that's the only
Way you'll get to know the stars in the sky or the dirt on the ground for
The fun is growing but the lurkers are smirking for they got the pennies and
They got the nickels and these streets are breaking so you gotta' start thinking
Of a way to get outta' this place and FAST or else you'll be staring down the
Barrel of a 33 to ONE typing and writing and peeping around the corner of
Your dear old ***** that hasn't found in a home in years but don't look too
Down because one day that ONE will come around either by taxi or by train
Or by some kind of war and if you've got the gut and the money and the honey to
Keep her tight and alright and flying that lovers kite then your bound to keep
Yourself from the giggles and nearer to the harmony of the way things ought to
Be but may not really be but perhaps can be if you will it around and swill it with
Your will making sure your lies and that white or ain't that black or ain't that real
Or you ain't lying at all but stay truer to the truth with the water resolution of the
Insipid insecurity of the first love you thought you knew but now see that it was
The one three or four later and how right I am in knowing nothing and knowing
Everything and letting the mind skip and play and register new friends in the new
Cities and the new alleys and the smiles that break across the ice like a crack of of a
Whip and counting the days ones gone blowing through the high valley and the low
Trenches of war I do not wish to go to but may be forced too because this man believes
Just what he says.

— The End —