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 Sep 2014 The Quiet Poet
Dee
By Dee
Deborah Brooks

My colors fade into the night
as my dreams of you unfold,
with hues of passion, a red so bright
paint a beautiful world for me


Painting into all shades of passion
The work of art that your face bestows
On a canvass that has been left blank
Awaiting your arrival, by happen-stance?

There is a moment when I look at you
and I am left speechless
my tongue breaks, then fire races under my skin
I tremble…grow pale,
for I am dying of such love, or so it seems to me


As you tremble in silence, I look at embers in your eyes
Sparkling with a love so divine
Does your tongue need to form words?
When your fire singes my soul, lighting it

Silently you take me in your arms
our lips meet and our eyes close
I feel the shuddering of your breath
and the throbbing of your heart against mine….
we know nothing but the thunder of our veins….
tidal waves sweep us out into a sea of infinite oblivion


Sailing over the tidal waves as we move along
With each stroke of the oar
I ride each trough and crest writing a new song
A part of you and a part of me
Consigned forever…to the annals of history
Are we reaching the shores of heaven
Blissful, unmindful of past or present…
Love, romance, collaboration...for our upcoming book. For the readers pleasure, we have alternated stanzas for this write :)
Thoughts of you
make the world stop
And for a second, I wonder
if it will ever be long enough
for me to get to you,
wherever you are

By Chloe Elizabeth
 Sep 2014 The Quiet Poet
i
numb
 Sep 2014 The Quiet Poet
i
i‘ve grown completely
numb to any sort
of emotion or feeling,
all because you crushed
me to pieces and never
bothered coming back
and picking them up.
Faltering declarations of love
Floating like incense on our fingers
Like slime on moribund monuments
Like filth lingering on the dead
Like wasps on an infected wound
Like babies of bats
Kissing your gangrenous feet
Like hollowness of two hearts
Enclosed in a horrid infinity
Like lungs filled with black water
Like bones intertwined with each other
In a discomfort so immense
Like a cat choking on her mother's milk
Like a scar that heals and still exists
On our bodies like a curse
Like an air balloon that bursts in our chests
But doesn't **** us
And still the pain of our dying love
Is greater than all the ghastly metaphors
And we know we can't save it
So we have to let go of the dead fishes
We have to let go of the dead wishes
‘Oinos.’

Pardon, Agathos, the weakness of a spirit new-fledged with
immortality!

‘Agathos.’

You have spoken nothing, my Oinos, for which pardon is to be
demanded. Not even here is knowledge a thing of intuition.
For wisdom, ask of the angels freely, that it may be given!

‘Oinos.’

But in this existence I dreamed that I should be at once
cognizant of all things, and thus at once happy in being
cognizant of all.

‘Agathos.’

Ah, not in knowledge is happiness, but in the acquisition of
knowledge! In forever knowing, we are forever blessed; but
to know all, were the curse of a fiend.

‘Oinos.’

But does not The Most High know all?

‘Agathos’.

That (since he is The Most Happy) must be still the
one thing unknown even to HIM.

‘Oinos.’

But, since we grow hourly in knowledge, must not at last
all things be known?

‘Agathos.’

Look down into the abysmal distances!—attempt to force
the gaze down the multitudinous vistas of the stars, as we
sweep slowly through them thus—and thus—and
thus! Even the spiritual vision, is it not at all points
arrested by the continuous golden walls of the
universe?—the walls of the myriads of the shining
bodies that mere number has appeared to blend into unity?

‘Oinos’.

I clearly perceive that the infinity of matter is no dream.

‘Agathos’.

There are no dreams in Aidenn—but it is here whispered
that, of this infinity of matter, the sole purpose is
to afford infinite springs at which the soul may allay the
thirst to know which is forever unquenchable within
it—since to quench it would be to extinguish the
soul’s self. Question me then, my Oinos, freely and without
fear. Come! we will leave to the left the loud harmony of
the Pleiades, and swoop outward from the throne into the
starry meadows beyond Orion, where, for pansies and violets,
and heart’s-ease, are the beds of the triplicate and triple-
tinted suns.

‘Oinos’.

And now, Agathos, as we proceed, instruct me!—speak to
me in the earth’s familiar tones! I understand not what you
hinted to me just now of the modes or of the methods of what
during mortality, we were accustomed to call Creation. Do
you mean to say that the Creator is not God?

‘Agathos’.

I mean to say that the Deity does not create.

‘Oinos’.

Explain!

‘Agathos’.

In the beginning only, he created. The seeming creatures
which are now throughout the universe so perpetually
springing into being can only be considered as the mediate
or indirect, not as the direct or immediate results of the
Divine creative power.

‘Oinos.’

Among men, my Agathos, this idea would be considered
heretical in the extreme.

‘Agathos.’

Among the angels, my Oinos, it is seen to be simply true.

‘Oinos.’

I can comprehend you thus far—that certain operations
of what we term Nature, or the natural laws, will, under
certain conditions, give rise to that which has all the
appearance of creation. Shortly before the final
overthrow of the earth, there were, I well remember, many
very successful experiments in what some philosophers were
weak enough to denominate the creation of animalculae.

‘Agathos.’

The cases of which you speak were, in fact, instances of the
secondary creation, and of the only species of
creation which has ever been since the first word spoke into
existence the first law.

‘Oinos.’

Are not the starry worlds that, from the abyss of nonentity,
burst hourly forth into the heavens—are not these
stars, Agathos, the immediate handiwork of the King?

‘Agathos.’

Let me endeavor, my Oinos, to lead you, step by step, to the
conception I intend. You are well aware that, as no thought
can perish, so no act is without infinite result. We moved
our hands, for example, when we were dwellers on the earth,
and in so doing we gave vibration to the atmosphere which
engirdled it. This vibration was indefinitely extended till
it gave impulse to every particle of the earth’s air, which
thenceforward, and forever, was actuated by the one
movement of the hand. This fact the mathematicians of our
globe well knew. They made the special effects, indeed,
wrought in the fluid by special impulses, the subject of
exact calculation—so that it became easy to determine
in what precise period an impulse of given extent would
engirdle the orb, and impress (forever) every atom of the
atmosphere circumambient. Retrograding, they found no
difficulty; from a given effect, under given conditions, in
determining the value of the original impulse. Now the
mathematicians who saw that the results of any given impulse
were absolutely endless—and who saw that a portion of
these results were accurately traceable through the agency
of algebraic analysis—who saw, too, the facility of
the retrogradation—these men saw, at the same time,
that this species of analysis itself had within itself a
capacity for indefinite progress—that there were no
bounds conceivable to its advancement and applicability,
except within the intellect of him who advanced or applied
it. But at this point our mathematicians paused.

‘Oinos.’

And why, Agathos, should they have proceeded?

‘Agathos.’

Because there were some considerations of deep interest
beyond. It was deducible from what they knew, that to a
being of infinite understanding—one to whom the
perfection of the algebraic analysis lay unfolded—
there could be no difficulty in tracing every impulse given
the air—and the ether through the air—to the
remotest consequences at any even infinitely remote epoch of
time. It is indeed demonstrable that every such impulse
given the air, must in the end impress every
individual thing that exists within the
universe;—and the being of infinite
understanding—the being whom we have imagined—
might trace the remote undulations of the impulse—
trace them upward and onward in their influences upon all
particles of all matter—upward and onward forever in
their modifications of old forms—or, in other words,
in their creation of new—until he found them
reflected—unimpressive at last—back from
the throne of the Godhead. And not only could such a being
do this, but at any epoch, should a given result be afforded
him—should one of these numberless comets, for
example, be presented to his inspection—he could have
no difficulty in determining, by the analytic
retrogradation, to what original impulse it was due. This
power of retrogradation in its absolute fulness and
perfection—this faculty of referring at all
epochs, all effects to all causes—is of
course the prerogative of the Deity alone—but in every
variety of degree, short of the absolute perfection, is the
power itself exercised by the whole host of the Angelic
Intelligences.

‘Oinos’.

But you speak merely of impulses upon the air.

‘Agathos’.

In speaking of the air, I referred only to the earth: but
the general proposition has reference to impulses upon the
ether—which, since it pervades, and alone pervades all
space, is thus the great medium of creation.

‘Oinos’.

Then all motion, of whatever nature, creates?

‘Agathos’.

It must: but a true philosophy has long taught that the
source of all motion is thought—and the source of all
thought is—

‘Oinos’.

God.

‘Agathos’.

I have spoken to you, Oinos, as to a child, of the fair
Earth which lately perished—of impulses upon the
atmosphere of the earth.

‘Oinos’.

You did.

‘Agathos’.

And while I thus spoke, did there not cross your mind some
thought of the physical power of words? Is not every
word an impulse on the air?

‘Oinos’.

But why, Agathos, do you weep—and why, oh, why do your
wings droop as we hover above this fair star—which is
the greenest and yet most terrible of all we have
encountered in our flight? Its brilliant flowers look like a
fairy dream—but its fierce volcanoes like the passions
of a turbulent heart.

‘Agathos’.

They are!—they are!—This wild
star—it is now three centuries since, with clasped
hands, and with streaming eyes, at the feet of my
beloved—I spoke it—with a few passionate
sentences—into birth. Its brilliant flowers are
the dearest of all unfulfilled dreams, and its raging
volcanoes are the passions of the most turbulent and
unhallowed of hearts!
By following the light,
You will break yourself.
You will be punched and pushed,
And stretched to lengths
you never thought you could venture.
But you will survive.

The light saves you from that decaying part of you that would be your demise.
It heals you and makes you whole.
By destroying you,
and putting you back together.
Tighter.
Stronger.


--

A new day,
A new person.


You rise from the fire;
The flames lick your skin.
They feel warm,
And you feel rejuvenated.

You are reborn from fire, from the light,
And light you become.

--

The darkness is repelled by your presence;
You have broken free of your deficiencies.
By conquering your demons,
You have proved yourself above the dark.

The blackness is trapped beneath your feet,
*It can never control you again...
The unbearable struggles that we endure, they make us stronger...
Leaning how to breathe
while still three thousand leagues under
the sea is a skill
I've learned is useful when you
need the air to say "I'm fine."
i wrote this for english class ****
Even in the darkest beast, one can find beauty.
If they look through the eyes of love.
Seeking a fading light, just out of reach
as the heavens reign from above.

Too soon, two souls become one,
While two hearts are left longing.
Darkness melds upon two minds
they're chemistry is haunting.

A connection so strong it spans the distance.
Feelings are so real,
one can feel the others touch.
Yet both their hearts will heal.

The realm of desire turns to ash
as the moon sets low upon us.
to need you so bad and not to receive
we both shall turn to dust.

Feeding off the dismal past
true love it will prevail.
two shadow;s dancing in the night
their friendship will not fail.

Tempers flare as longings go unfilled.
Both fighting an attraction that can't be real.
he has instilled a certain reality,
she now begins to feel.

A calmness in the darkness, a silence so surreal.
they dance within the keyboard,
in lacy shades of teal.
They both live in a fantasy...knowing it can't be real.....
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