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 Aug 2018 Carlisle
Marisol Quiroz
i do not speak like a poet.
my words are clumsy and callous
and i often trip over my own tongue.
there is no beauty to my words
or thought to my form,
and my voice does not fall soft and slow
like honey song, drizzled sweetly into willing ears.
rather it is raspy and quick-tongued,
laced with mispronounced words and oddly said accents.
my sentences race ragged and jumpy,
with capricious contours and half-finished phrases,
and i often lose my train of thought.
impulsive and unrefined,
i do not speak like a poet.

— but on paper i am a different person
 Aug 2018 Carlisle
Marisol Quiroz
how fitting, i thought,
that it rained the day you left.
a torrential downpour
took away all my breath.
but as quick as it came it left
and the rain ceased to be
and i was left in the dark of my car
just the sound of the road beneath me.

— to say i miss you would be an understatement
 Dec 2017 Carlisle
Muted
the catcall
 Dec 2017 Carlisle
Muted
we caught eyes
in this convenience store
but
not because i fancied you.
i was piercing you
with my gaze
lips pursed, ready to spew
all of the hatred that swelled within me.
you were air and I was a balloon
but
you didn't expect something so hard
from someone so "soft"
because since i was a child
i was taught to speak only when spoken to
to do what men expect you to do
to find comfort in getting someone to fall in love with you
but i will not settle with
being defined by someone else,
not even you.
ive spent far too long holding my tongue
because that's what they expect women to do
they expect you to stay silent while they undress you
not just with their bodies
but with their words, falling like dominoes, spreading until the last one falls
but when will the last one fall?
when will I feel comfortable walking home by myself?
when will my clothes no longer be a form of consent?
when will the lines be paralleled?
when will birth no longer be punishment?
and when that day comes
when a boy tells my daughter what she should and shouldn't do,
his words like howling winds, destroying everything in their path,
she will have been made of stone.
and when he compares her to other girls, she will know wholeheartedly that she is a beautious being
and not because someone told her so.

so, here we are in this convenience store.
and i no longer hold my tongue.
 Nov 2017 Carlisle
Anne Sexton
Us
 Nov 2017 Carlisle
Anne Sexton
Us
I was wrapped in black
fur and white fur and
you undid me and then
you placed me in gold light
and then you crowned me,
while snow fell outside
the door in diagonal darts.
While a ten-inch snow
came down like stars
in small calcium fragments,
we were in our own bodies
(that room that will bury us)
and you were in my body
(that room that will outlive us)
and at first I rubbed your
feet dry with a towel
becuase I was your slave
and then you called me princess.
Princess!

Oh then
I stood up in my gold skin
and I beat down the psalms
and I beat down the clothes
and you undid the bridle
and you undid the reins
and I undid the buttons,
the bones, the confusions,
the New England postcards,
the January ten o'clcik night,
and we rose up like wheat,
acre after acre of gold,
and we harvested,
we harvested.
 Nov 2017 Carlisle
Anne Sexton
I was thinking of a son.
The womb is not a clock
nor a bell tolling,
but in the eleventh month of its life
I feel the November
of the body as well as of the calendar.
In two days it will be my birthday
and as always the earth is done with its harvest.
This time I hunt for death,
the night I lean toward,
the night I want.
Well then--
It was in the womb all along.

I was thinking of a son ...
You! The never acquired,
the never seeded or unfastened,
you of the genitals I feared,
the stalk and the puppy's breath.
Will I give you my eyes or his?
Will you be the David or the Susan?
(Those two names I picked and listened for.)
Can you be the man your fathers are--
the leg muscles from Michelangelo,
hands from Yugoslavia
somewhere the peasant, Slavic and determined,
somewhere the survivor bulging with life--
and could it still be possible,
all this with Susan's eyes?

All this without you--
two days gone in blood.
I myself will die without baptism,
a third daughter they didn't bother.
My death will come on my name day.
What's wrong with the name day?
It's only an angel of the sun.
Woman,
weaving a web over your own,
a thin and tangled poison.
Scorpio,
bad spider--
die!

My death from the wrists,
two name tags,
blood worn like a corsage
to bloom
one on the left and one on the right--
It's a warm room,
the place of the blood.
Leave the door open on its hinges!

Two days for your death
and two days until mine.

Love! That red disease--
year after year, David, you would make me wild!
David! Susan! David! David!
full and disheveled, hissing into the night,
never growing old,
waiting always for you on the porch ...
year after year,
my carrot, my cabbage,
I would have possessed you before all women,
calling your name,
calling you mine.
 Nov 2017 Carlisle
S Olson
We are elaborate animals made of wood
earth, flowing like water into the veins
of the sky.

The sun being a fist of lava, and the night
being an enticing molar—we are
a succession of tides, being swallowed
by successions of day; and how beautifully
we wilt in the presence of joy.

The moon may be nothing
but a luminous
stone

and to eat the poetry of it
is how one chokes
on love

but the romance of morning
is that if by midnight
you are alive, that is joy.
 Nov 2017 Carlisle
Lorem Ipsum
If you grow up the type of woman men want to look at,
You can let them look at you.
But do not mistake eyes for hands or windows or mirrors.
Let them see what a woman looks like.
They may have not ever seen one before.

If you grow up the type of woman men want to touch,
You can let them touch you.
Sometimes, it is not you they are reaching for.
Sometimes it is a bottle, a door, a sandwich, a Pulitzer — another woman.
But their hands found you first.
Do not mistake yourself for a guardian or a muse or a promise or a victim or a snack.
You are a woman — skin and bones, veins and nerves, hair and sweat.
You are not made out of metaphors, not apologies, not excuses.

If you grow up the type of woman men want to hold,
You can let them hold you.
All day they practice keeping their bodies upright.
Even after all this evolving it still feels unnatural.
Still strains the muscles, hold firms the arms and spine.
Only some men will want to learn what it feels like to curl themselves into a question mark around you,
Admit they do not have the answers they thought they would by now.
Some men will want to hold you like the answer.
You are not the answer.
You are not the problem.
You are not the poem or the punch-line or the riddle or the joke.


Woman, if you grow up the type men want to love,
You can let them love you.
Being loved is not the same thing as loving.
When you fall in love, it is discovering the ocean after years of puddle jumping.
It is realizing you have hands.
It is reaching for the tightrope when the crowds have all gone home.

Do not spend time wondering if you are the type of women men will hurt.
If he leaves you with a car alarm heart, you learn to sing along.
It is hard to stop loving the ocean even after it has left you gasping — "salty."
So forgive yourself for the decisions you've made.
The ones you still call mistakes when you tuck them in at night and know this:
Know you are the type of woman who is searching for a place to call yours.
Let the statues crumble.
You have always been the place.
You are a woman who can build it yourself.
You are born to build.

-Sarah Kay
Sarah Kay is an American poet. Known for her spoken word poetry, Kay is the founder and co-director of Project V.O.I.C.E., founded in 2004, a group dedicated to using spoken word as an educational and inspirational tool.
 Nov 2017 Carlisle
Sylvia Plath
"I shut my eyes and all the world drops dead;
I lift my lids and all is born again.
(I think I made you up inside my head.)

The stars go waltzing out in blue and red,
And arbitrary blackness gallops in:
I shut my eyes and all the world drops dead.

I dreamed that you bewitched me into bed
And sung me moon-struck, kissed me quite insane.
(I think I made you up inside my head.)

God topples from the sky, hell's fires fade:
Exit seraphim and Satan's men:
I shut my eyes and all the world drops dead.

I fancied you'd return the way you said,
But I grow old and I forget your name.
(I think I made you up inside my head.)

I should have loved a thunderbird instead;
At least when spring comes they roar back again.
I shut my eyes and all the world drops dead.
(I think I made you up inside my head.)"
 Nov 2017 Carlisle
alex
have you ever tried to write poetry
when you’re not at all feeling poetic?
when life isn’t necessarily ugly
but it isn’t necessarily beautiful either?
when you could talk about
the sonder you try to feel
as the people sitting at tables around you
eat their food, talk on the phone, finish their homework, sip their coke
do whatever it is they do
when you could talk about how the
chill of this air reaches underneath
your goosebump skin
and draws out a shiver, a chatter
when you could capture the sounds
of the ice machine
and the clicking keyboard keys
and the rusty sliding of chairs on
a linoleum floor
when you could write about
whatever you **** well please
but it just doesn’t come to you?
have you ever been too tired
to feel tired?
god, i wish i were awake.
life is happening
and where am i?
one of those moments where i realize that at any other time, i would be feeling such wonder for all the people sitting around me, i would feel such gratitude for life, but i just don't right now. i don't know. @life don't move on without me; i know you've tried before.
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