On those 2:00 a.m. February mornings, when I get up to ****, death is in my
creeking bones.
As I thumb through memories in the old family photographs, death smiles back, in black and white.
He hides in the shadows of the lined up pill bottles, like toy soldiers on the nightstand.

But when I lie in bed and look for pictures in the smoky stucco ceiling, I see coffins and funeral pyres and I close my eyes and grin, because my friend conquered death and took the
fear out of
the grave.

The creative mind
never truly sleeps;
it naps 45 minutes
at a time.
Even, that which
appears to be
sleep, is a fitful
state of poetic creativity.
The brain is like
a patchwork quilt
that uses the scraps of
the day's events,
trying to fit symbols
together, like a
jigsaw puzzle.
Here's another one
from the vast
analog of the brain.

When I was an
ideal and dreamy teenager walking amidst the
trees in the backyard,
there, curled up beneath a pine, I discovered a small creature and stared at it.
I gently picked it up and held it to
my chest.
It opened its eyes.
I felt The power within .
It went back to sleep,
and I set it down.

The next morning
when I walked
out the back door,
headed for school,
the little creature
was sitting there,
wide awake,
looking up at me.
It had the most
unreal looking eyes.
They seemed to change color.
Apart from English and art class, I hated school.
I didn't quite fit in .
I had good friends,
but I always felt lonely.
Bouts of melancholia struck me at the strangest times,
soon after, I found
it to be the
terminal affliction of being a poet.

I stayed home from school that day and played with the
creature.
It seemed to
hear me, almost understand me.
I liked the feeling.
it became my
best friend.

I fed it every day
and it grew and became unruly and hard to control at times, but overall, it caused me much more joy than pain, way back then.
I missed it when it
was gone,
and threw my arms around it when it
came home.
I named it buffer
because it was an equalizer for me,
and the world, and pain,
It went inbetween the sharpness and vividness, in which I didn't know how to cope.

It got big
and became
a beast.
I had a love / hate relationship with
the thing.
I sacrificed a lot
for it at the
altar of idolatry.
It wouldn't let anyone get close to me,
My wife, my kids,
I chased them
all away.
I was alone with
the beast.

After years of
pain and degradation,
I put the beast down.
I shot it in
the back of the
head, like a rabid dog.

Life raged on.
Pain and joy came with equal measure,
but I no longer
needed a buffer to
keep living, laughing, and learning.
I finally figured
out how to
truly love.

As I hear the wind blow through the leaves of the ancient cottonwood trees.
And I watch the squirrels gather their nuts and prepare for the coming winter, I'm reminded of a few things that come softly in the whisper of the autumn wind for all to hear, if they listen.

Behind the poem is a poet, a lover, maybe a mother or a father. But most of all there is a human being. They feel, and they love. They have been overwrought with pain. And enraptured by Joy. They need  compassion and friendship and the human touch.
Tread lightly, for you tread upon
their hearts.

Up in the backwoods
Of Michigan, lives the
Traveling man name of Tim.
He's in a band, with a million fans, and I think it is a sin, that he's in better shape than I am, and I'm ******* younger than him.
Ever since he got bit by that possum, he will never be the same again.

My daughter talks to
her blueberries like
they're her friends.
My soul smiles
and I never want
it to end.

We used to talk about
going
to Montana--escaping it all,
building a log cabin and
making a garden.  We were
going to hunt and fish for
food--make rugs and
hats from the fur.

But look at us now.
You live in the
city and drive a Volvo.
Goldfish in a glass bowl.
You even taught your
cat to walk on
a leash.
Can you see the
sky with all the smog?

I'm not any better.
Living under the bridge;
the only hunting I do is
for cans, the rare and
illusive
aluminum nickel, so that
I can buy *****.  

I walk down to the
river's edge and look up at
the expansive sky.
I close my eyes.
And when I open them, baby,
we're in Montana.