The distant park
Was a graveyard of dead stars.
Each streetlight a system of worlds,
So many lives between each mote of light,
Indistinguishable in their unique love,
Bespoke hate, and the drama of the modern age.

Drunk laughter behind transparent
Double doors. Another hotel balcony,
Another cloud behind the canopy
Of marijuana eyes
To unsettle me from the crowd.

She points out, when you look closely
You can see the disorder
Amongst all constellations
Of life and love and litter;
Of discarded Coke cans
And temporary highs.

She says this is not a scene
To imbue the ****** of a present mind,
More to baulk at the incompletion
Of one thousand to-do lists;
A million reasons why
You should just stay inside.

She says you can see the human swell
Of ignorance, our city lights
Blotting out the stars
In a black ocean of broken politic
And irretrievable fault lines-
Divisions between us all.
Lives twisted with professional smiles
And eyes lit with stunning indifference.

Still, I have felt charity and warmth
On the doorstep of lunatics and fascists.
I have read the love of life
In faces of those who gave up.
I have recounted countless artists
Who saw beauty
In moments that precisely lacked it.

I have spent too many nights
In anaesthesia,
Fleeing each instance of feeling
And terror; all the tremors
That tell me I am still alive.

Continued to stare at the lights
Long after her voice
And the laughter inside had gone.

Heard waves in the traffic.
A world so large, so expansive,
It can never truly sleep.
Every broken heart,
Every war-torn land,
Every promotion,
Every one-night stand.

I wonder what would happen
If we all stood still.
If we all took one moment
To observe the motion
That unfolds beneath
Our static windowsill.

If we all took one moment
To recover our loss.
The wars that we won,
The feelings, forgot.
The hell we retain;
Our paradise, lost.

Strong winds may uproot you
Unsettle your stoic resignation
You will be shaken and stirred
Lot of ponderings and doubts
In the middle of nowhere
When gravity does not give hope
Become a fearless traveler
Encounter the strong winds
No matter where you settle
Continue to spread your roots, deeper
Your soul is still with you
Nothing can stop you from reliving
Every unsettling episode
Will teach you to be more resilient

Comin Thro the Rye
by Robert Burns
modern English translation by Michael R. Burch

Oh, Jenny's all wet, poor body,
Jenny's seldom dry;
She's draggin' all her petticoats
Comin' through the rye.

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

Should a body meet a body
Comin' through the rye,
Should a body kiss a body,
Need anybody cry?

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

Should a body meet a body
Comin' through the glen,
Should a body kiss a body,
Need all the world know, then?

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

The poem "Comin Thro the Rye" by Robert Burns may be best-known today because of Holden Caulfield's misinterpretation of it in "The Catcher in the Rye." In the book, Caulfield relates his fantasy to his sister, Phoebe: he's the "catcher in the rye," rescuing children from falling from a cliff. Phoebe corrects him, pointing out that poem is not about a "catcher" in the rye, but about a girl who has met someone in the rye for a kiss (or more), got her underclothes wet (not for the first time), and is dragging her way back to a polite (i.e., Puritanical) society that despises girls who are "easy." Robert Burns, an honest man, was exhibiting empathy for girls who were castigated for doing what all the boys and men longed to do themselves. Keywords/Tags: Robert Burns, Jenny, rye, petticoats, translation, modernization, update, interpretation, modern English, song, wet, body, kiss, gossip, puritanism, prudery


Translations of Scottish Poems

Sweet Rose of Virtue
by William Dunbar [1460-1525]
loose translation/interpretation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear―
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would compose her roots again―
so comforting her bowering leaves have been.



Ballad
by William Soutar
translation/modernization by Michael R. Burch

O, surely you have seen my love
Down where the waters wind:
He walks like one who fears no man
And yet his eyes are kind!

O, surely you have seen my love
At the turning of the tide:
For then he gathers in his nets
Down by the waterside!

Yes, lassie we have seen your love
At the turning of the tide:
For he was with the fisher folk
Down by the waterside.

The fisher folk worked at their trade
No far from Walnut Grove:
They gathered in their dripping nets
And found your one true love!

Keywords/Tags: William Soutar, Scottish, Scot, Scotsman, ballad, water, waterside, tide, nets, nets, fisher, fishers, fisher folk, fishermen, love, sea, ocean, lost, lost love, loss



Lament for the Makaris (“Lament for the Makers, or Poets”)
by William Dunbar (c. 1460-1530)
loose translation/interpretation by Michael R. Burch

i who enjoyed good health and gladness
am overwhelmed now by life’s terrible sickness
and enfeebled with infirmity;
the fear of Death dismays me!

our presence here is mere vainglory;
the false world is but transitory;
the flesh is frail; the Fiend runs free;
how the fear of Death dismays me!

the state of man is changeable:
now sound, now sick, now blithe, now dull,
now manic, now devoid of glee;
and the fear of Death dismays me!

no state on earth stands here securely;
as the wild wind waves the willow tree,
so wavers this world’s vanity;
and the fear of Death dismays me!

Death leads the knights into the field
(unarmored under helm and shield)
sole Victor of each red mêlée;
and the fear of Death dismays me!

that strange, despotic Beast
tears from its mother’s breast
the babe, full of benignity;
and the fear of Death dismays me!

He takes the champion of the hour,
the captain of the highest tower,
the beautiful damsel in full flower;
how the fear of Death dismays me!

He spares no lord for his elegance,
nor clerk for his intelligence;
His dreadful stroke no man can flee;
and the fear of Death dismays me!

artist, magician, scientist,
orator, debater, theologist,
all must conclude, so too, as we:
“the fear of Death dismays me!”

in medicine the most astute
sawbones and surgeons all fall mute;
they cannot save themselves, or flee,
and the fear of Death dismays me!

i see the Makers among the unsaved;
the greatest of Poets all go to the grave;
He does not spare them their faculty,
and the fear of Death dismays me!

i have seen Him pitilessly devour
our noble Chaucer, poetry’s flower,
and Lydgate and Gower (great Trinity!);
how the fear of Death dismays me!

since He has taken my brothers all,
i know He will not let me live past the fall;
His next victim will be —poor unfortunate me!—
and how the fear of Death dismays me!

there is no remedy for Death;
we must all prepare to relinquish breath,
so that after we die, we may no more plead:
“the fear of Death dismays me!”



To a Mouse
by Robert Burns
modern English translation by Michael R. Burch

Sleek, tiny, timorous, cowering beast,
why's such panic in your breast?
Why dash away, so quick, so rash,
in a frenzied flash
when I would be loath to pursue you
with a murderous plowstaff!

I'm truly sorry Man's dominion
has broken Nature's social union,
and justifies that bad opinion
which makes you startle,
when I'm your poor, earth-born companion
and fellow mortal!

I have no doubt you sometimes thieve;
What of it, friend? You too must live!
A random corn-ear in a shock's
a small behest; it-
'll give me a blessing to know such a loss;
I'll never miss it!

Your tiny house lies in a ruin,
its fragile walls wind-rent and strewn!
Now nothing's left to construct you a new one
of mosses green
since bleak December's winds, ensuing,
blow fast and keen!

You saw your fields laid bare and waste
with weary winter closing fast,
and cozy here, beneath the blast,
you thought to dwell,
till crash! the cruel iron ploughshare passed
straight through your cell!

That flimsy heap of leaves and stubble
had cost you many a weary nibble!
Now you're turned out, for all your trouble,
less house and hold,
to endure the winter's icy dribble
and hoarfrosts cold!

But mouse-friend, you are not alone
in proving foresight may be vain:
the best-laid schemes of Mice and Men
go oft awry,
and leave us only grief and pain,
for promised joy!

Still, friend, you're blessed compared with me!
Only present dangers make you flee:
But, ouch!, behind me I can see
grim prospects drear!
While forward-looking seers, we
humans guess and fear!



To a Louse
by Robert Burns
translation/interpretation by Michael R. Burch

Hey! Where're you going, you crawling hair-fly?
Your impudence protects you, barely;
I can only say that you swagger rarely
Over gauze and lace.
Though faith! I fear you dine but sparely
In such a place.

You ugly, creeping, blasted wonder,
Detested, shunned by both saint and sinner,
How dare you set your feet upon her—
So fine a lady!
Go somewhere else to seek your dinner
On some poor body.

Off! around some beggar's temple shamble:
There you may creep, and sprawl, and scramble,
With other kindred, jumping cattle,
In shoals and nations;
Where horn nor bone never dare unsettle
Your thick plantations.

Now hold you there! You're out of sight,
Below the folderols, snug and tight;
No, faith just yet! You'll not be right,
Till you've got on it:
The very topmost, towering height
Of miss's bonnet.

My word! right bold you root, contrary,
As plump and gray as any gooseberry.
Oh, for some rank, mercurial resin,
Or dread red poison;
I'd give you such a hearty dose, flea,
It'd dress your noggin!

I wouldn't be surprised to spy
You on some housewife's flannel tie:
Or maybe on some ragged boy's
Pale undervest;
But Miss's finest bonnet! Fie!
How dare you jest?

Oh Jenny, do not toss your head,
And lash your lovely braids abroad!
You hardly know what cursed speed
The creature's making!
Those winks and finger-ends, I dread,
Are notice-taking!

O would some Power with vision teach us
To see ourselves as others see us!
It would from many a blunder free us,
And foolish notions:
What airs in dress and carriage would leave us,
And even devotion!



A Red, Red Rose
by Robert Burns
modern English translation by Michael R. Burch

Oh, my love is like a red, red rose
that's newly sprung in June
and my love is like the melody
that's sweetly played in tune.

And you're so fair, my lovely lass,
and so deep in love am I,
that I will love you still, my dear,
till all the seas run dry.

Till all the seas run dry, my dear,
and the rocks melt with the sun!
And I will love you still, my dear,
while the sands of life shall run.  

And fare you well, my only love!
And fare you well, awhile!
And I will come again, my love,
though it were ten thousand miles!



Auld Lange Syne
by Robert Burns
modern English translation by Michael R. Burch

Should old acquaintance be forgot,
And never brought to mind?
Should old acquaintance be forgot,
And days for which we pine?

For times we shared, my darling,
Days passed, once yours and mine,
We’ll raise a cup of kindness yet,
To those fond-remembered times!



Banks o' Doon
by Robert Burns
modern English translation by Michael R. Burch

Oh, banks and hills of lovely Doon,
How can you bloom so fresh and fair;
How can you chant, diminutive birds,
When I'm so weary, full of care!
You'll break my heart, small warblers,
Flittering through the flowering thorn:
Reminding me of long-lost joys,
Departed―never to return!

I've often wandered lovely Doon,
To see the rose and woodbine twine;
And as the lark sang of its love,
Just as fondly, I sang of mine.
Then gaily-hearted I plucked a rose,
So fragrant upon its thorny tree;
And my false lover stole my rose,
But, ah! , he left the thorn in me.

"The Banks o' Doon" is a Scots song written by Robert Burns in 1791. It is based on the story of Margaret (Peggy)Kennedy, a girl Burns knew and the area around the River Doon. Keywords/Tags: Robert Burns, air, song, Doon, banks, Scots, Scottish, Scotland, translation, modernization, update, interpretation, modern English, love, hill, hills, birds, rose, lyric

(NaPoWriMo Challenge: April 3, 2019)

“Not all those who wander are lost.” -- J. R. R. Tolkien

I was an office temp for many years when I was young. All the companies: Kelly girls, Manpower, Adecco. I took innumerable tests in typing, word processing, spreadsheets.

The worst job was at a sales office for home siding. I logged complaints all day on the phone about faulty siding.

I worked at a construction site in Los Angeles, a new middle-class ghetto they were building on the Howard Hughes air strip. I worked in a trailer and had to wait until lunch break to walk a block to the bathroom in the new library.

There was one warehouse I worked in that had mice so employed a full-time cat to work alongside us. The cat left dead mice everywhere. I was always cold there.

A lot of places I was replacing someone on vacation, someone the office assumed was indispensable but there was never anything for me to do there but read. I wrote a lot of letters to pen pals and friends. Email hadn’t been invented yet. Sometimes I’d walk memos around the office. Nobody ever invited me to meetings. Be careful what you wish for. Sometimes it comes true and you end up sitting in endless meetings.

In one swanky office I prepared orders in triplicate on a typewriter. I kept messing up and having to start over. Eventually I started to enjoy this. It was a medical lab and was convinced they were doing animal testing so I left after a week.

One of my early jobs was as a receptionist in a war machine company. My contact there asked me to do “computer work” (as it was called then) but I didn’t know how to use a mac or a mouse. My contact called my agency to complain about sending out “girls without basic skills.” My agency told me not to worry about it, the war company was just trying to scam us all by paying for a receptionist to do “computer work.” So they stuck me at the switchboard up front where I found bomb-threat instructions taped under the desk.

I worked at a design store and learned a program called Word Perfect. I started typing and printing the letters to my friends. The St. Louis owner was trying to sell the company to a rich Los Angeles couple. Once, a young gay designer I admired called and referred to me as “the girl up front with the glasses.” I immediately went out and got contact lenses. Before I left, I bought a desk and a chair they were selling. Years later, I sold the desk to an Amish couple in Lititz, PA, but I still have the chair.

I once worked for a cheap couple running a plastic mold factory. The man was paranoid, cheap and houvering and I said I wouldn’t stay past two weeks. They asked me to train a new temp and I said okay. The new temp also found the owner to be paranoid, cheap and houvering and so declared to me she wouldn’t stay past the week either. She confided in me she had gotten drunk and slept with someone and was worried she was pregnant. She was freaking out because she was going through a divorce and already had two kids. I told her about the day-after-pill which she had never heard of. I don’t know if it worked because I never used it myself and I never saw her again after that to follow up.

At another office I did nothing at the front desk for three weeks, bored and reading all the Thomas Covenant novels. I would take my lunch break under a big tree to continue reading the Thomas Covenant novels.

I worked for months at a credit card company reading books and letting in visitors through the locked glass door. Week after week, the receptionist would call in sick. One young blonde woman would give me filing work. She was telling me all about her wedding she was planning which sounded pretty fun and it made me want to plan a wedding too. After a few weeks she asked me what my father did. I said he was a computer programmer. She replied that my dad sounded like somebody her dad would beat up. I was too shocked by the rudeness to say dismissively, “I seriously doubt that.” (For one, my dad wasn’t always a computer programmer.) When it became clear the woman I was replacing had abandoned her job, they asked me if I wanted to stay on. I said no, that I was moving to New York City. I wasn’t  (but I did eventually).

Some places “kept me on” like the mortgage underwriters in St. Louis. That office had permanent wood partitions between the desks, waist-high and a pretty, slight woman training to join the FBI. She fainted one day by the copier. It was there that I told my first successful joke ever. Our boss was a part-time Baptist minister and we loved him because he was able to inspire us during times of low morale. One day we saw a bug buzzing above us in a light fixture.  Before I even thought about it I said, “I guess you could say he finally saw the light.” Everybody laughed a lot and I turned bright red. I wrote my essay to Sarah Lawrence College there after hours at the one desk with a typewriter. My boss and I got laid off the same day. He helped me carry my things out to my car.

I worked at a large food company in White Plains, NY. I often came home with boxes of giveaway Capri Sun in damaged boxes. I helped a blind woman fill out her checks. She was really grouchy and I wasn’t allowed to pet her service dog. She had dusty junk all over her desk but she couldn’t see it to make it tidy. I realized then that she would never be able to use a stack of desk junk as a to-do list...because she couldn’t see it. You can’t to-do what you can’t see and how we all probably take this fact for granted with our piles of desk junk. Years later I had the same thought about to-do lists burned in phones or computer files.

They also “kept me on” at the Yonkers construction company. I was there for years. The British woman next to me was not my boss but she ordered me around a lot. She told me I looked like an old 1940s actress I had never heard of who always wore her hair in her face. I was annoyed by this compliment because when I looked the actress up on the Internet I could see it wasn’t true. At the time, everyone was just getting on the Internet and I was already addicted to eBay. I would leave meetings in the middle for three minute at a time to ****** items with my competitive late-second bids. It was my first job with email too, and I emailed many letters to all my friends all day long. One elderly man there thought it was funny to give me cigars (which I smoked socially at the time) and told me unsavory ****** facts to shock me. I thought he was harmless and funny and his attempts to unsettle me misguided because I had already grown up with two older brothers who were smelly and hellbent on unsettling me. Later the man started dating and seemed happier and I met his very nice older girlfriend at one of the laborious, day-long Christmas parties our Italian owners threw every year. Months later his girlfriend was murdered in her garage by her estranged husband. Most of the office left to go to her funeral and I felt very bad for him.

And they kept me on at the Indian arts school in Santa Fe. I loved every day I spent there, walking the halls looking at student art. I had never seen so many beautiful faces in one place. One teacher there confided in me about her troubles and I tried to be Oprah. She ended up having to take out a restraining order against a man she met online. At the trial, the man tried to attack the female judge and she awarded the teacher the longest restraining order ever awarded in Santa Fe: 100 years. He broke the restraining order one day on campus and we were all scared about where he was and if he had a gun. All around the school were rolling hills and yellow blooming chamisa and we found tarantulas in the parking lot. I was there almost a full school year until I moved away.

I was once a temp in a nursing temp office that had large oak desks and big leather chairs. The office was empty except for one other woman. The boss was on vacation and she spent all our time complaining about what an *** he was and how mistreated the nurses were. I remember feeling uncomfortable in the leather chair. The boss, who I never met, called me one day to tell me he had fired her and that I should know she was threatening to come back with a gun. When I called the agency they laughed it off. I told them I wouldn’t go back.

My favorite temp job was at a firefighting academy in rural Massachusetts. I edited training manuals along with two other temps. It was very interesting work. The academy was in the middle of the woods, down beautiful winding roads with old rock walls. Driving to work I would listen to TLC and Luther Vandross. And whenever I hear Vandross sing I still think of the Massachusetts woods. When I left, they let me have a t-shirt and I wore it for years. One of the trainers had a son who was a firefighter who asked me out on a date. I said I was moving to New York City (this time it was true) and not interested in a relationship. He insisted the date would be just as friends. He took me to Boston’s North End and we ate gnocchi while he told me how he didn’t believe it was right to hit women. This comment alarmed me. He then took me to a highrise, skyview bar downtown where he proceeded to **** my fingers. I thought about Gregg Allman and Cher’s first date where Gregg Allman ****** Cher’s fingers and how now Cher and I had something in common: the disappointment of having one’s fingers ******. My scary date didn’t want to take me home and I was living with my brother at the time, so I told him my brother was crazy and if I didn’t get back by ten o’clock my brother would freak out like a motherf&#$er. That part wasn’t true...but it worked. I made it home.

I used to be deathly afraid of talking to strangers on the phone. I used to be bored out of my mind watching the clock. I used to wish I were friends with many of the interesting people walking past my desk.

When I look back on all this and where I’ve been, it seems so random, meandering through offices in so many different cities. But it wasn’t entropy or arbitrary. I was always working on the same thing.

I was a writer.

I've lost a battle
Within my soul
My mind is unsettle
Forgot about my goal

Now trying to revive
To recollect and recall
The medium to survive
Before another fall

The pressure is intense
From my own peers
My heart goes in pretense
Hiding all my fears

Night brings in dark thoughts
To harm myself again with pains
Destined to fight these lots
But my hands are soaked with stains

Blood, it is mixed with ink
As I write on these walls
Drawing up my insanity link
That's when I heard the calls

Ambu sirens squeak the street
Someone rushes in my room
Gives me anesthesia as a greet
But time kicked me to my doom...


©sim

My moments .....
*****
Moments of joy,moments of bliss
Moments of love ,moments of Happiness
Moments of share,moments of care
Moments of hope,moments of despair
Moments of tears ,moments of cheer
Moments of mine,moments of yours
Moments of us, moments of ours
I pack these tiny moments
In my heart
The small treasure house !
My whole life is safe n secure
In these tiny moments,
And I pull them out
When I need them most.
When the road is long
And I am not strong.
When my eyes are blurred
Tears are too  tiered to flow!
I am frightened to look at
Those dark shadows
Advancing rapidly
To unsettle me .
Helplessly when
I watch
Like sand  ,life slip thru,
These tiny moments
My precious ,
My cherished moments
Come to my rescue!
Surround me
Hold my hands
And console me
Lift me up from the lowest of lows
Ever so graciously !
Copyright(C) Bhargavi Ravindra....

My moments .....
*****
Moments of joy,moments of bliss
Moments of love ,moments of Happiness
Moments of share,moments of care
Moments of hope,moments of despair
Moments of tears ,moments of cheer
Moments of mine,moments of yours
Moments of us, moments of ours
I pack these tiny moments
In my heart
The small treasure house !
My whole life is safe n secure
In these tiny moments,
And I pull them out
When I need them most.
When the road is long
And I am not strong.
When my eyes are blurred
Tears are too  tiered to flow!
I am frightened to look at
Those dark shadows
Advancing rapidly
To unsettle me .
Helplessly when
I watch
Like sand  ,life slip thru,
These tiny moments
My precious ,
My cherished moments
Come to my rescue!
Surround me
Hold my hands
And console me
Lift me up from the lowest of lows
Ever so graciously !

(C) Bhargavi Ravindra....May 2018 ..

ON SEEING ONE ON A LADY’S BONNET AT CHURCH

Ha! whare ye gaun, ye crowlin ferlie!
Your impudence protects you sairly:
I canna say but ye strunt rarely
Owre gauze and lace;
Tho’ faith, I fear ye dine but sparely
On sic a place.

Ye ugly, creepin, blastit wonner,
Detested, shunned by saunt an’ sinner,
How daur ye set your fit upon her,
Sae fine a lady!
*** somewhere else and seek your dinner,
On some poor body.

Swith, in some beggar’s haffet squattle;
There ye may creep, and sprawl, and sprattle
Wi’ ither kindred, jumpin cattle,
In shoals and nations;
Whare horn or bane ne’er daur unsettle
Your thick plantations.

Now haud ye there, ye’re out o’ sight,
Below the fatt’rels, snug an’ tight;
Na faith ye yet! ye’ll no be right
Till ye’ve got on it,
The vera tapmost, towering height
O’ Miss’s bonnet.

My sooth! right bauld ye set your nose out,
As plump an’ grey as onie grozet:
O for some rank, mercurial rozet,
Or fell, red smeddum,
I’d gie ye sic a hearty dose o’t,
*** dress your droddum!

I *** na been surprised to spy
You on an auld wife’s flainen toy;
Or aiblins some bit duddie boy,
On’s wyliecoat;
But Miss’s fine Lunardi!—fie!
How daur ye do’t?

O Jenny, dinna toss your head,
An’ set your beauties a’ abread!
Ye little ken what cursed speed
The blastie’s makin!
Thae winks and finger-ends, I dread,
Are notice takin!

O, *** some Power the giftie gie us
To see oursels as others see us!
It *** frae monie a blunder free us
An’ foolish notion:
What airs in dress an’ gait *** lea’e us,
And ev’n Devotion!

Lake Michigan sand rests within my bones;
it slows the timing of my heart
and scratches the vowels
budding on my wet tongue.

I imagine waiting for you
on a bench of ghosts
with coffee and binoculars,
observing the rush of continuous
flutter as seagulls settle
and then unsettle, as indecisive
as the mottled lake.

The afternoon light is brisk,
pulls my breath like a buoy chain--
     my heart sounds like it's underwater,
     its beats drive the tide
     that draws you, like an undertow, to me.

Anxious thoughts shroud my mind
Thoughts of self-harm and suicide
Troubled days unsettle the soul
Uneasy nights make me cry

Rope creates a fantasy like no other
Train tracks lead to an unclear demise
Bridges invite an easy escape
Knives carve thin skin where veins reside

Everyday follows another
An endless cycle from which I suffer
To live is to feel pain
To live forever is to go insane

We the citizens, who live as refugees,
We keep earning & see if our life is turning,
To the price rise, we lose savings,
Still we remain rock-bottom in standard of living.

We belong to the middle class,
Whose life always a breakable thin glass.
Our life remains completely unsettle,
Every second, life tests our mettle.

Life chases us with pressure, failure and useless lecture,
We are nurtured with a fear of future,
Happiness remains just a leisure,
Live with the unsecure & unsure present for a secure future.

We keep us busy and function,
We fear, when there arrives a function,
Towards happiness, we run as a pilgrim,
For the corporates, we become a mere victim.

We run like an athlete for salary, food and target,
For this globalized world, we are just a market,
Like hungry dogs, we wait for increments,
We keep running with bitter disappointments.

We live in own house, only in our dreams,
Our hearts cry with hopeless screams,
Failures remain our tutors,
Inability has turned us the irrecoverable debtors.

Our appearance has a rich look,
We have untold hidden burdens,
That keep us shook,
Keeps us forbidden and fear-ridden.


Low class think us rich,
High class always want us to be their *****,
Politically neglected by the rulers,
Economically exploited by the rich powers.

We exhaust ourself for subsistence,
We remain victorious and satisfied only in our existence,
We lose our life to sustain in competence,
We run our life with a mere persistence.

More than the high class and low class, we suffer,
Our lives never progressed as governments differ,
All see low class with empathy and sympathy,
To our difficulties, we are looked with apathy.

On rich, we are not jealous,
Towards our aim, we are zealous.
Never think we are nothing,
We truly have nothing to lose.

We take risks to make history,
Our path is nothing less than a mystery,
You never allow us to come up,
But we are not going to give up.

Hello High class,
Never pretend to live like us, to exploit us,
Gone are the days, we remained fools,
You will stand a day as the super intelligent fools.

Before, we are hungry for food,
Now, we are hungry to rule,
Before, we feared to live,
Now, we are ready to win the world.

We are nothing! We are nothing
We have nothing to lose!
We won’t stop until having nothing could do nothing to us.

To a Louse
by Robert Burns
translation/interpretation by Michael R. Burch

Hey! Where're you going, you crawling hair-fly?
Your impudence protects you, barely;
I can only say that you swagger rarely
Over gauze and lace.
Though faith! I fear you dine but sparely
In such a place.

You ugly, creeping, blasted wonder,
Detested, shunned by both saint and sinner,
How dare you set your feet upon her—
So fine a lady!
Go somewhere else to seek your dinner
On some poor body.

Off! around some beggar's temple shamble:
There you may creep, and sprawl, and scramble,
With other kindred, jumping cattle,
In shoals and nations;
Where horn nor bone never dare unsettle
Your thick plantations.

Now hold you there! You're out of sight,
Below the folderols, snug and tight;
No, faith just yet! You'll not be right,
Till you've got on it:
The very topmost, towering height
Of miss's bonnet.

My word! right bold you root, contrary,
As plump and gray as any gooseberry.
Oh, for some rank, mercurial resin,
Or dread red poison;
I'd give you such a hearty dose, flea,
It'd dress your noggin!

I wouldn't be surprised to spy
You on some housewife's flannel tie:
Or maybe on some ragged boy's
Pale undervest;
But Miss's finest bonnet! Fie!
How dare you jest?

Oh Jenny, do not toss your head,
And lash your lovely braids abroad!
You hardly know what cursed speed
The creature's making!
Those winks and finger-ends, I dread,
Are notice-taking!

O would some Power with vision teach us
To see ourselves as others see us!
It would from many a blunder free us,
And foolish notions:
What airs in dress and carriage would leave us,
And even devotion!

One Sunday while sitting behind a young lady in church, Robert Burns noticed a louse roaming through the bows and ribbons of her bonnet. The poem "To a Louse" resulted from his observations. The poor woman had no idea that she would be the subject of one of Burns' best poems about how we see ourselves, compared to how other people see us at our worst moments. Keywords/Tags: Robert Burns, louse, church, bonnet, lace, Scotland, Scots, dialect, translation

You make me feel dizzy
like when I've had one too many
way too fast
you unsettle me
but I always feel secure
in your arms
you make me dizzy
in a giddy, bubbly way
you put me on a high
and I can't come down
you're everything
I ever wanted
You are all
all I need
all I want
but what are we?
I can feel your hesitation
is the risk worth it?
I can feel my own worries
alongside yours
it's like our insecurities
are meant to be together
almost like we are
at least we are in
my head
when I imagine us together
oh god,
it's perfect
everything is perfect
there aren't any flaws you have
that I can't take
and I'm not perfect,
but you take me as I am
just imagining it
makes my head spin
you make me dizzy,
and I kind of love it.

to love all of you within the noiseless half of a sigh is a time-swept fever dream stirring in my fists — part firework smoke, part lavenders, part quiet, cautious limerence. how you enchant and unsettle me — i run high and aimless, and free fall in seconds. i am smitten. desperate. love-sick. wordless now, for all i care, darling — i'll leave all of my poems strewn in your bed, like a girl shedding her mortality before a goddess in her truest form.


to disrupt this is a human blunder. to bask in it, divine. ♡

The street-side artist drew your body with
charcoal and claimed the best form of life came
after the forest fire, over a more
fertile land, when the ash-cloud will come to
unsettle your vision from what is laid out
before you. He shaded your ******* in with
his thumb over the blackened lines of hope
that you would come to envisage yourself
in the way each passer-by came to do.
Once you paid up and walked the promenade,
you came to the lighthouse in the distance
as a ship turned to change its course for you.

Pencil, chalk, charcoal and erasers
Walking hand in hand on a canvas
Stretched and condensed observations
Obstructions as concentration pins
A walk and talk in a dark museum
Stored birds, killed preys, stuffed game
Tall giraffe, the lion, lionized Victorian art
Quirky strokes of eccentric dashes mashes
Staring in glasses to capture emotions
Art resident mumble whilst erupting muscles
The ***** strikes to meet  my ****** gaze
Slandered, pasted and matted with prejudice
Mouth flowing with filth like a sewage drain
Don’t we all come from holes, sticks and bones?
Don’t we all come in holes, sticks and bones?
A lost sight of an insight, a skin stratified
Misted and tainted with toned stinky ****
A pigmentation structured in perceptions
A plea to ****** stereotypical resolution
A streamline of vagaries, unsettle the gallery

Didn't it hurt?
I couldn't tell if he was concerned with the look of the steel in my face
Or the silver of my arms.
Either way, I gave the same answer.
I laughed
and blinked once
No, you did.

Another creative night
With impeccable adventure
My tongue will never tired
Lavishing on lustful words
That makes the mind unsettle
Who is this ruler of sailing seas?
A dashing yound lad
Full of energy
Daring attempts that no other
Can conquer his feats
For I am a sea worthy opponent
That no man has seen
May the ladies throw their bouquets?
To a gentleman with ocean envy

It was 3 A.M. in the heart of the metro,
although by the crossroads of Katipunan,
Aurora Blvd and CP Garcia,
the music of time seems to sigh to a stop.
And there by the corner, an orchestra.
Our hearts, on the other hand,
were out in the open
but the cold weather got the best of us.
Our sleepy eyes were giving us away.
You had to pull me closer
and I had to warm up your hands.
Have I told you before?
You have the hands that could unsettle
but your eyes tells a whole different story.
A tale I was too terrified to start reading, perhaps.
But a favorite of mine it has become in time.
Moments with you are as raw and surreal
as moments can be;
they were just once imaginations and inspirations for
those bad poems I used to write years ago.
Not that my poems now are good but the ideas I can now grasp,
they're inside my realm, within my reach.
Your far-fetched dreams are statement patches
on my denim jacket while my craziest of hopes
are tucked safely inside every pocket of your dad's
hand-me-down vintage jeans.
"He got this from Vietnam in the 80's",
you uttered between a puff of smoke
and before I could start talking about the war yet again,
just like in the movies,
you started asking me about my dad, his whereabouts,
'just anything' about him;
something a lover has never done before,
something a friend wouldn't even bother hearing about.
You were waiting intently yet so patiently
for my response as you threw away the **** of your cigarette.
Right then and there,
I swear I was in rock bottom in love with you.
Should I reach for your lips first then proceed to tell you?
Or should I tell you first and then stop to stare at your lips longingly before finally reaching
out to kiss you, like in the movies, too?
For the very first time, I was in rendezvous with the story
and the abiding pain that comes with its telling.
I almost liked the melancholy lying in its very idea.
I was at peace talking about it,
almost as if it wasn't my own story to tell.
You made everything so easy, like throwing up acid
after about twelve celebratory shots of Stolichnaya.
You listened, you didn't just hear me out but you listened
like no one did before
and right then and there,
I swear I could give you the world.
And I started doing so by giving you the bricks
from the ruins of the walls around my heart.
The same bricks that I shattered
and played my own heart with.
I even had the faint chance to understand myself,
but not as much as you did.
I saw some things I've never seen before
but not as clearly as you did.
I stopped mid-sentence, first to catch my breath,
second to recollect myself
and I wasn't very sure about the third
if I wanted to break down
or if I wanted to reach for your lips,
finally pull you in for a kiss but to hell, you knew
what I needed better.
You took my hand, kissed it tenderly before pulling me in.
You let my head rest on your lap like I would have with my dad, should he stayed.
And I told myself "there's no turning back".
You found me by the crossroads
and you made me tiptoe happily through
the speeding vehicles that once killed me
and destroyed parts of me that I could never take back
but I would do it all over again.
I would live only to die again.
For half the time, you were waiting for me on the
other side of the road but for the latter,
you impatiently crossed the other half of the road
to meet me in the middle,
so we could cross back to safety together.
I could double whatever price I had to pay
when I saw your face getting closer
and when you finally touched me,
I was willing to embrace the glory of bankruptcy.
Right then and there I swear I could do everything for you
and I started doing so by forcing my heart
with all its might to try beating once more
and it did, to my surprise, the loudest it ever has.
I didn't have to hold the shards for too long
with my already bleeding and wary hands
because you held them with me.
You held me.
And just like that, I am whole again.
We were singing along to Strawberry Fields Forever,
exchanging soft, contented sighs while wishing
Walrus didn't have to close so soon as 2 A.M.

Banks o' Doon
by Robert Burns
modern English translation by Michael R. Burch

Oh, banks and hills of lovely Doon,
How can you bloom so fresh and fair;
How can you chant, diminutive birds,
When I'm so weary, full of care!
You'll break my heart, small warblers,
Flittering through the flowering thorn:
Reminding me of long-lost joys,
Departed―never to return!

I've often wandered lovely Doon,
To see the rose and woodbine twine;
And as the lark sang of its love,
Just as fondly, I sang of mine.
Then gaily-hearted I plucked a rose,
So fragrant upon its thorny tree;
And my false lover stole my rose,
But, ah!, he left the thorn in me.

“The Banks o’ Doon” is a Scots song written by Robert Burns in 1791. It is based on the story of Margaret (Peggy) Kennedy, a girl Burns knew. Keywords/Tags: Robert Burns, song, Doon, banks, Scots, Scottish, Scotland, translation, modernization, update, interpretation, modern English



Translations of Scottish Poems

Sweet Rose of Virtue
by William Dunbar [1460-1525]
loose translation/interpretation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear―
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would compose her roots again―
so comforting her bowering leaves have been.



Ballad
by William Soutar
translation/modernization by Michael R. Burch

O, surely you have seen my love
Down where the waters wind:
He walks like one who fears no man
And yet his eyes are kind!

O, surely you have seen my love
At the turning of the tide:
For then he gathers in his nets
Down by the waterside!

Yes, lassie we have seen your love
At the turning of the tide:
For he was with the fisher folk
Down by the waterside.

The fisher folk worked at their trade
No far from Walnut Grove:
They gathered in their dripping nets
And found your one true love!

Keywords/Tags: William Soutar, Scottish, Scot, Scotsman, ballad, water, waterside, tide, nets, nets, fisher, fishers, fisher folk, fishermen, love, sea, ocean, lost, lost love, loss



Lament for the Makaris (“Lament for the Makers, or Poets”)
by William Dunbar (c. 1460-1530)
loose translation/interpretation by Michael R. Burch

i who enjoyed good health and gladness
am overwhelmed now by life’s terrible sickness
and enfeebled with infirmity;
the fear of Death dismays me!

our presence here is mere vainglory;
the false world is but transitory;
the flesh is frail; the Fiend runs free;
how the fear of Death dismays me!

the state of man is changeable:
now sound, now sick, now blithe, now dull,
now manic, now devoid of glee;
and the fear of Death dismays me!

no state on earth stands here securely;
as the wild wind waves the willow tree,
so wavers this world’s vanity;
and the fear of Death dismays me!

Death leads the knights into the field
(unarmored under helm and shield)
sole Victor of each red mêlée;
and the fear of Death dismays me!

that strange, despotic Beast
tears from its mother’s breast
the babe, full of benignity;
and the fear of Death dismays me!

He takes the champion of the hour,
the captain of the highest tower,
the beautiful damsel in full flower;
how the fear of Death dismays me!

He spares no lord for his elegance,
nor clerk for his intelligence;
His dreadful stroke no man can flee;
and the fear of Death dismays me!

artist, magician, scientist,
orator, debater, theologist,
all must conclude, so too, as we:
“the fear of Death dismays me!”

in medicine the most astute
sawbones and surgeons all fall mute;
they cannot save themselves, or flee,
and the fear of Death dismays me!

i see the Makers among the unsaved;
the greatest of Poets all go to the grave;
He does not spare them their faculty,
and the fear of Death dismays me!

i have seen Him pitilessly devour
our noble Chaucer, poetry’s flower,
and Lydgate and Gower (great Trinity!);
how the fear of Death dismays me!

since He has taken my brothers all,
i know He will not let me live past the fall;
His next victim will be —poor unfortunate me!—
and how the fear of Death dismays me!

there is no remedy for Death;
we must all prepare to relinquish breath,
so that after we die, we may no more plead:
“the fear of Death dismays me!”



To a Mouse
by Robert Burns
modern English translation by Michael R. Burch

Sleek, tiny, timorous, cowering beast,
why's such panic in your breast?
Why dash away, so quick, so rash,
in a frenzied flash
when I would be loath to pursue you
with a murderous plowstaff!

I'm truly sorry Man's dominion
has broken Nature's social union,
and justifies that bad opinion
which makes you startle,
when I'm your poor, earth-born companion
and fellow mortal!

I have no doubt you sometimes thieve;
What of it, friend? You too must live!
A random corn-ear in a shock's
a small behest; it-
'll give me a blessing to know such a loss;
I'll never miss it!

Your tiny house lies in a ruin,
its fragile walls wind-rent and strewn!
Now nothing's left to construct you a new one
of mosses green
since bleak December's winds, ensuing,
blow fast and keen!

You saw your fields laid bare and waste
with weary winter closing fast,
and cozy here, beneath the blast,
you thought to dwell,
till crash! the cruel iron ploughshare passed
straight through your cell!

That flimsy heap of leaves and stubble
had cost you many a weary nibble!
Now you're turned out, for all your trouble,
less house and hold,
to endure the winter's icy dribble
and hoarfrosts cold!

But mouse-friend, you are not alone
in proving foresight may be vain:
the best-laid schemes of Mice and Men
go oft awry,
and leave us only grief and pain,
for promised joy!

Still, friend, you're blessed compared with me!
Only present dangers make you flee:
But, ouch!, behind me I can see
grim prospects drear!
While forward-looking seers, we
humans guess and fear!



To a Louse
by Robert Burns
translation/interpretation by Michael R. Burch

Hey! Where're you going, you crawling hair-fly?
Your impudence protects you, barely;
I can only say that you swagger rarely
Over gauze and lace.
Though faith! I fear you dine but sparely
In such a place.

You ugly, creeping, blasted wonder,
Detested, shunned by both saint and sinner,
How dare you set your feet upon her—
So fine a lady!
Go somewhere else to seek your dinner
On some poor body.

Off! around some beggar's temple shamble:
There you may creep, and sprawl, and scramble,
With other kindred, jumping cattle,
In shoals and nations;
Where horn nor bone never dare unsettle
Your thick plantations.

Now hold you there! You're out of sight,
Below the folderols, snug and tight;
No, faith just yet! You'll not be right,
Till you've got on it:
The very topmost, towering height
Of miss's bonnet.

My word! right bold you root, contrary,
As plump and gray as any gooseberry.
Oh, for some rank, mercurial resin,
Or dread red poison;
I'd give you such a hearty dose, flea,
It'd dress your noggin!

I wouldn't be surprised to spy
You on some housewife's flannel tie:
Or maybe on some ragged boy's
Pale undervest;
But Miss's finest bonnet! Fie!
How dare you jest?

Oh Jenny, do not toss your head,
And lash your lovely braids abroad!
You hardly know what cursed speed
The creature's making!
Those winks and finger-ends, I dread,
Are notice-taking!

O would some Power with vision teach us
To see ourselves as others see us!
It would from many a blunder free us,
And foolish notions:
What airs in dress and carriage would leave us,
And even devotion!



A Red, Red Rose
by Robert Burns
modern English translation by Michael R. Burch

Oh, my love is like a red, red rose
that's newly sprung in June
and my love is like the melody
that's sweetly played in tune.

And you're so fair, my lovely lass,
and so deep in love am I,
that I will love you still, my dear,
till all the seas run dry.

Till all the seas run dry, my dear,
and the rocks melt with the sun!
And I will love you still, my dear,
while the sands of life shall run.  

And fare you well, my only love!
And fare you well, awhile!
And I will come again, my love,
though it were ten thousand miles!



Comin Thro the Rye
by Robert Burns
modern English translation by Michael R. Burch

Oh, Jenny's all wet, poor body,
Jenny's seldom dry;
She's draggin' all her petticoats
Comin' through the rye.

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

Should a body meet a body
Comin' through the rye,
Should a body kiss a body,
Need anybody cry?

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

Should a body meet a body
Comin' through the glen,
Should a body kiss a body,
Need all the world know, then?

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.



Auld Lange Syne
by Robert Burns
modern English translation by Michael R. Burch

Should old acquaintance be forgot,
And never brought to mind?
Should old acquaintance be forgot,
And days for which we pine?

For times we shared, my darling,
Days passed, once yours and mine,
We’ll raise a cup of kindness yet,
To those fond-remembered times!

Getting through the choas surviving all these unsettle emotion
The rage from the past comes into the light
Did everything ends up being wrong
I pray to come out strong and whatever
Better off without over feeling shut out
Try to keep it simple road blocks full of complication
Venting out frustration much needed closure
Thought long term everything was short term
Thought how can I change when I've progressed
All I wanted to do is get past being broke
Not a joke others can keep down for long
Its ***** she's gone like must be hatd as a single mom
The way it ended ticking time bomb
Not ready but willing to try
The hurt inside stay strong don't give up and die

Pulling flowers out of the grass,
Holding them in the sunlight,
Then let them fall ,
Past those deep eyes which hold me,
And that sparkling smile.
The mouth that spins that voice,
So unsuspected but enchanting.

Sitting there for hours on end,
Content to bask in optimistic sunshine.
There is no breeze,
To unsettle your hair,
Or to send a shiver
Arcing through my back.
But that needed no breeze.

Is it Such A Crime To Speak Your Mind … ?    
      
Because ….      
It Seems To Be If You're NOT WHITE ... !!!    
      
I Hear This Said So MANY Times … !!!      
      
"Virge, you scare folks with words you rhyme !"      
      
And That's NO JOKE But Words I Quote ...      
Are NOT  The Type To Start A Fight … !!!      
      
But May UNSETTLE Those Who … " Settle " ...      
To Hide Behind A … "LIE FILLED Life" … !!!      
      
Can Someone DEFINE Why It's …. " Such A Crime " …. ?      
To Criticise ... Political Types …. !?!      
      
In Times Like THESE FREEDOM of SPEECH ...      
Is NEEDED …  Just Like Poetry … !!!      
      
If We're To Ease Pain And Misery … !!!      
And Crimes of More FATAL DESIGNS … !!!!!      
      
MURDERS ... RAPES Crimes Based On Race …      
And Crimes Inclined To Keep The Masses ... "Blind" ... !!!      
Like Those In Folds Who Make Mistakes …      
Do THEY Pay A Toll For CASH THEY TAKE … ?!?      
      
MISTAKES … THEY SAY That Pay For Homes … ?!?      
      
"It was merely a loan, from a chap I know !      
No more questions now, i've got to go !"      
      
"A chap you know, can't we know his name ?"      
      
"Are you insane, is it such a crime      
for you to find, that friends of mine,      
help out in times of financial strain ?"    
      
"Of course not sir, but don't divert, what is his name,      
and did he donate to your friends campaign ?      
Need I ask you again, the question is what is his name ?      
Let me make it plain, are you quite sure he hasn't bought,      
A Peerage, and is now a lord ?"      
      
"I will not answer any more !      
What do you take, politicians for ?      
Anyone would think, our dealings stink !"      
      
"Well, no more than a poor street ***** !    
Is it such a crime to want to know more ?"    
      
Could This Be Why Government Guidelines ...      
Are Trying To Stem ... Peoples' Questions ... !?!      
      
If Free Speech ENDS What'll Happen To THEM … ???      
And ALL THEIR Pre-Planned Arguments … ?!?      
      
It Seems That THEY Will Carry On …      
Airing Views Even If They're WRONG … !?!      
      
Isn't That A Crime It Would Seem NOT … !?!      
So How Can It Be A CRIME To Speak Your Mind ... ?!?      
ESPECIALLY When You're PROVEN RIGHT … !!!      
      
I Find This ATTITUDE At …. " Poetry Nights " …. ?!?      
      
if You Speak About Your Life That Seems To Be FINE …    
Or Express FRUSTRATION At The State of The NATION … !!!      
Through Words You Write ….      
If You Are WHITE And They Make Folks SMILE ... !!!      
      
But If You're BLACK And Make ATTACKS …      
On RACISTS ... Or On Western Plans …      
You're Treated Like An ….. ALIEN …… !!!!!      
It MUST BE A Crime To Be A BLACK MAN ... !???!      
      
ESPECIALLY When You Have A MIND …      
Inclined To WRITE Poetic Rhymes That Spread Insight … !!!    
      
"But, SOME BLACKS DO !"      
      
"Well, if that's true, let me ask you who ?      
Mr. Zephaniah, okay, that's one !      
But, he's spent time inside prison !"      
I'm talking about a black without,      
a history of dodgy deeds !"      
      
I Think You'll Find THAT MAN Is ME … !!!      
NO Prison Time Has Big Virge SEEN … !!!      
      
But May Well Do For Words I Speak …      
Even When My Record's … CLEAN … !!?!!      
      
Well …. Clean ENOUGH … !!!      
      
I HAVE BEEN Cuffed ... !!!!!      
For Slapping A Girl For DISRESPECTING MY MUM … !!!!!      
      
And ….. " Driving Drunk " ……      
But Both Misdemeanours Were Just The ONCE … !!!!!      
And Like Benjamin ... Were When I Was YOUNG … !!!!!      
      
But The Point I'm Trying To Make …      
Is … Black Americans Are Deemed To Be GREAT … !!!!!      
For Taking A STANCE AGAINST Racial HATE … !!!!!      
      
WHICH English Black Can Make The Claim THAT …      
They've Gained RESPECT For … Taking THAT STANCE … !?!      
      
What Does That Say About Those Who CLAIM … !!!      
      
THAT …….      
      
"Blacks are treated just the same,      
as every other race on, English Shores !"      
      
"Are THEY QUITE SURE ?!!!? "      
      
I'm NO Malcolm X But DO HAVE A Cause … !!!      
My Cause DEPLORES These Government Laws … !!!      
      
Cos' If You're Black And POOR …      
You're Gonna ... SUFFER For SURE … !!!!!      
      
Even If You're NOT …      
Police Now Plot To Shoot You Down … !!!!!      
Or Question You ... Even If They Doubt … ?      
      
THAT You ARE THAT Drug Dealer … !?!      
OR The ONE Who STOLE That Car … !!!!!      
      
Laws They PASS Are Now PURE FARCE … !!!!      
It Seems They've Moved But …. NOT TOO FAR …. !!!!!!!      
AWAY From Keeping Us ……….. Apart ……….      
      
Ask Yourself WHY Are They Inclined ... ?      
To RESTRICT Those Who EXPOSE LIES … ?!?      
      
Creatively ...  Or Otherwise …      
Through Simply Saying What's IN Their Mind … !?!      
      
PLEASE Ask Yourself WHY … ?      
      
..... " Is It Such A Crime ? " ......

waiting weightless
waitless
1/18/15
8:43am

' hand rest chest
thumpthump
thump ''

' that heartbeat is a
metronome of waxing and waning
rhythmic tides and it's an '
everchanging time signature
to my overture overture and '
hand off and unsettle and '
thrown into uncontrolled rubato~ ''

' fizzy brain
spinnin dizzy
spinnin circles
spiral spiral ''

' life over my shoulder
strapped to my back and
I'm flowing like a river
down the elevator ''

' opening down
the seam and out ''
I step and roll heel toe
heel toe '
eyes flick side and side
glass door push open and
box and glass door push open and
push open push open and
open... ''

' cold streets are
the downbeat to sleet '' — '

it's frozen roads going backwards
and I'm going backwards with all my lackwords ''

...slushroadslick. '

I'm returning and leaving
like a medicine wheel spinning
and there's a dead grackle soaking
next to the curb slippery
with toxic runoff... '

...crystal water
melting '

my shoes slide from left
to left and I've up and left and
I'm climbing down the
right side of a staircase
and it's a case and it's a way
that stairway

and that last step
is 9:13am last step flat
and platform dead and
sleepy benches waiting for
the listless waiting
for the waitless ''

' waiting , waiting ''
I hop on and hide... '

the silence is sacred ''
the eyes are averted
and it's one of the
thousand different silences '
it's one of the rumbling ones
but then it's broken and
it's broken by an angry one '
and we're all alone in a railcar
with seven others, we're all alone
and she breaks it, ' she breaks it by
spilling angry nothings into the phone
that she pushes tightly to her skull '
and she grips it and she breaks it and '
and she breaks it and '
I hop off and run...

and once again I'm a
thousand different faces waiting '
but right now we're two
watching watching the
hopping sparrow ' and
it is so alive with it's
warm fluffy feathers
soaked with life ''
'

and everyone is shuffle shuffle pacing ''
' but every body stands still with eyes saccading...
sweep sweep, '

stay where you are,
in your lateness ''
and your action
is in your inaction
weightless... '

waiting to
hop on

i've digested crimson tiles off your bathroom floor just to get a reaction;
an influence for the perception of acceptance.
does it at least hinder or unsettle you, the red that runs down my face?
lower than low; close to invoke
even when the color’s close to my chest,
it ceased to disturb.
i've only existed behind someones else's eyes for so long  
i need to shut my own lids next to you till I’m out of a blur.
your sphere of smeared wallpapers close in on you,
i claim what you walked out of —
a circle that rounds your comfort.
you’re boiling in a shade that reflects what I’ve stained myself with.
the room is in fragments; a gore and scene of demolishment
reminds you of a cancer burnt unseen.
hands of guilt washed with mournful streams of survival
you find drops of me left in the sink
i’m a mere nosebleed,
you recollect me off your floor thrown
into the blackness of the back of your head,
that you rest and rest, as you lie down,
until you’ve forgotten all about me

Spacemen, cavorting, ridiculous jollity,
Fuzzing stars buzzing in the fabric
Space-time, folding, holding on
Spin, seven, nine, four,
Okay,
Just try to hold on.

Spinning lights flee by feeling
Hurry on Sunday
Slow
Circles.

Why? Why?
Why?
Why? Why?

You have no air.
You didn’t listen.
You had a warning…

Strap yourselves into the spin
Dazed and conned
Fused into your seat
Dancing in madness
Whistles, flutes and shakers
Unsettle your
Muted rhythm.

We sing for blessed distortion
Then drop away
Away
Who did
and
Why?

Why? Oh, God…

Bridge.

Wonder threw four bidden streets
and re-jet, the Prince Palls,
Ash on faced the walls.

Bridge.

Why? Why?
Why?
Why? Why?

Causes her arm.
Cause is her harm.
Cause is arm.
Arms are the cause of her harm.

Then-

Bridge.

Then-

Begin again…

You should not have done that.

My face is made of stone
It never really changes
Some scratches here and there
But mostly it holds true
It's natural form seems to unsettle
People are always asking
If I'm heartbroken

I never really think too much
About things I think are sad
They just seep through the cracks
In my head and take over
I guess I am heartbroken
But I've never trusted a woman
Enough for her wrap her love
Around my heart too tight

I always like to breathe
I guess you could call me a fan
Oxygen is life
But then again
What is life?
What is my life?
How is it significant?
Is it the love of others
That makes a life worth living?

In my dreams...
I ride barebacked on a white stallion,
Across the plains
I behold with vigilance
Where desert meets azure, sand meets sky.
There is no pollution; no smoke stacks
To **** and penetrate,
To change blue to violated gray.
The heavens are pure.
I ride barebacked on a white stallion,
By peaceful streams,
Along mountain ridges,
Where nature and I have communion,
There is no war, no rumors of war,
To depress and intimidate,
To make life insensible.
The world is harmonious.
I ride barebacked on a white stallion,
Among the wild horses;
They are my brothers.
Eagles and hawks fly together.
There is no hunter, no pursuer,
To **** and capture,
To infringe upon freedom.
The Earth is free.
I ride barebacked upon a white stallion,
Within my mind,
Into feigned sunsets,
Where Utopia is real to me.
There is no unreason, no absurdity,
To bewilder and unsettle,
To eradicate my certainty.
The dreams are real.

Often in life,
People come and go.
Things happen and stop.
While the coming , the happening is always the beginning of something.
The going and the pause is just not the end.

Father's Day 2015 in Charleston, SC

When the murderer goes numb,
Thinks actions imply no consequence,
No need for forethought,
No heaven to approve nor disapprove,
No yearning hell to shun,
The act of killing becomes amusement,
A way to unsettle the ennui.

Drape a twisted mind in a Confederate flag,
Lace every thought in outrageous racism,
Give time and means and venue...
Turn the other way as percolating HATE
Photographs himself burning the Nation's flag,
Cradling symbolic rebel colors,
Proudly displays the vestiges of apartheid,
Rants villainy on the web,
Mind sick, and gifted with a gun...
The perfect recipe is prepared
For hellish fun.

Indoctrinate
This weakened mind,
Stir in a diatribe or two,
Look the other way,
Avoid the warning signs...
And wait...
Hope for the best,
Don't intervene...
We'll see results again
That we have seen....

The pastor greeted him at the door,
Invited him to join the Bible study.

Sitting through the heart-deep prayer,
Embraced by kindness as a stranger,
He chose to follow through,
A snake in the house of innocence...
Firing and reloading...
A coward's calculated act
To incite rage,
To challenge Haters everywhere
Race war to engage....

Looking into the killer's eyes,
Survivors speak of deadness:
No emotion, no elation, no remorse....

And so on Father's Day,
I weep and pray
For brothers and sisters
I have not met,
Mourning the dead (in Christ),
Who died at Mother Emmanuel.


(On Father's Day, 2015)

TRANSLATIONS OF SCOTTISH POETS

These are my modern English translations of poems by the Scottish poets William Dunbar, Robert Burns, William Soutar and Hugh MacDiarmid.

Ballad
by William Soutar
translation/modernization by Michael R. Burch

O, surely you have seen my love
Down where the waters wind:
He walks like one who fears no man
And yet his eyes are kind!

O, surely you have seen my love
At the turning of the tide:
For then he gathers in his nets
Down by the waterside!

Yes, lassie we have seen your love
At the turning of the tide:
For he was with the fisher folk
Down by the waterside.

The fisher folk worked at their trade
No far from Walnut Grove:
They gathered in their dripping nets
And found your one true love!



The Watergaw
by Hugh MacDiarmid
loose translation/interpretation by Michael R. Burch

One wet forenight in the sheep-shearing season
I saw the uncanniest thing—
a watergaw with its wavering light
shining beyond the wild downpour of rain
and I thought of the last wild look that you gave
when you knew you were destined for the grave.

There was no light in the skylark's nest
that night—no—nor any in mine;
but now often I've thought of that foolish light
and of these irrational hearts of men
and I think that, perhaps, at last I ken
what your look meant then.



Sweet Rose of Virtue
by William Dunbar
loose translation/interpretation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue men hold most dear―
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet nowhere one leaf nor petal of rue.

I fear that March with his last arctic blast
has slain my fair rose and left her downcast,
whose piteous death does my heart such pain
that I long to plant love's root again―
so comforting her bowering leaves have been.

If the tenth line seems confusing, it helps to know that rue symbolizes pity and also has medicinal uses; thus I believe the unrequiting lover is being accused of a lack of compassion and perhaps of withholding her healing attentions. The penultimate line can be taken as a rather naughty double entendre, but I will leave that interpretation up to the reader! 'Sweet Rose of Virtue' has been described as a 'lovely, elegant poem in the amour courtois tradition' or courtly love tradition. According to Tom Scott, author of 'Dunbar: A Critical Exposition of the Poems, ' this poem is 'Dunbar's most perfect lyric, and one of the supreme lyrics in Scots and English.' William Dunbar [c.1460-1530] has been called the Poet Laureate of the court of King James IV of Scotland.



Lament for the Makaris [Makers, or Poets]
by William Dunbar
loose translation/interpretation by Michael R. Burch

i who enjoyed good health and gladness
am overwhelmed now by life's terrible sickness
and enfeebled with infirmity...
how the fear of Death dismays me!

our presence here is mere vainglory;
the false world is but transitory;
the flesh is frail; the Fiend runs free...
how the fear of Death dismays me!

the state of man is changeable:
now sound, now sick, now blithe, now dull,
now manic, now devoid of glee...
how the fear of Death dismays me!

no state on earth stands here securely;
as the wild wind shakes the willow tree,
so wavers this world's vanity...
how the fear of Death dismays me!

Death leads the knights into the field
(unarmored under helm and shield)
sole Victor of each red mêlée...
how the fear of Death dismays me!

that strange, despotic Beast
tears from its mother's breast
the babe, full of benignity...
how the fear of Death dismays me!

He takes the champion of the hour,
the captain of the highest tower,
the beautiful damsel in her tower...
how the fear of Death dismays me!

He spares no lord for his elegance,
nor clerk for his intelligence;
His dreadful stroke no man can flee...
how the fear of Death dismays me!

artist, magician, scientist,
orator, debater, theologist,
must all conclude, so too, as we:
'how the fear of Death dismays me! '

in medicine the most astute
sawbones and surgeons all fall mute;
they cannot save themselves, or flee...
how the fear of Death dismays me!

i see the Makers among the unsaved;
the greatest of Poets all go to the grave;
He does not spare them their faculty...
how the fear of Death dismays me!

i have seen Him pitilessly devour
our noble Chaucer, poetry's flower,
and Lydgate and Gower (great Trinity!) ...
how the fear of Death dismays me!

since He has taken my brothers all,
i know He will not let me live past the fall;
His next prey will be — poor unfortunate me! ...
how the fear of Death dismays me!

there is no remedy for Death;
we all must prepare to relinquish breath
so that after we die, we may be set free
from 'the fear of Death dismays me! '



Comin Thro the Rye
by Robert Burns
translation/interpretation/modernization by Michael R. Burch

Oh, Jenny's all wet, poor body,
Jenny's seldom dry;
She's draggin' all her petticoats
Comin' through the rye.

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

Should a body meet a body
Comin' through the rye,
Should a body kiss a body,
Need anybody cry?

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

Should a body meet a body
Comin' through the glen,
Should a body kiss a body,
Need all the world know, then?

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.



To a Mouse
by Robert Burns
translation/interpretation/modernization by Michael R. Burch

Sleek, tiny, timorous, cowering beast,
why's such panic in your breast?
Why dash away, so quick, so rash,
in a frenzied flash
when I would be loath to pursue you
with a murderous plowstaff!

I'm truly sorry Man's dominion
has broken Nature's social union,
and justifies that bad opinion
which makes you startle,
when I'm your poor, earth-born companion
and fellow mortal!

I have no doubt you sometimes thieve;
What of it, friend? You too must live!
A random corn-ear in a shock's
a small behest; it-
'll give me a blessing to know such a loss;
I'll never miss it!

Your tiny house lies in a ruin,
its fragile walls wind-rent and strewn!
Now nothing's left to construct you a new one
of mosses green
since bleak December's winds, ensuing,
blow fast and keen!

You saw your fields laid bare and waste
with weary winter closing fast,
and cozy here, beneath the blast,
you thought to dwell,
till crash! the cruel iron ploughshare passed
straight through your cell!

That flimsy heap of leaves and stubble
had cost you many a weary nibble!
Now you're turned out, for all your trouble,
less house and hold,
to endure cold winter's icy dribble
and hoarfrosts cold!

But mouse-friend, you are not alone
in proving foresight may be vain:
the best-laid schemes of Mice and Men
go oft awry,
and leave us only grief and pain,
for promised joy!

Still, friend, you're blessed compared with me!
Only present dangers make you flee:
But, ouch! , behind me I can see
grim prospects drear!
While forward-looking seers, we
humans guess and fear!



To a Louse
by Robert Burns
translation/interpretation/modernization by Michael R. Burch

Hey! Where're you going, you crawling hair-fly?
Your impudence protects you, barely;
I can only say that you swagger rarely
Over gauze and lace.
Though faith! I fear you dine but sparely
In such a place.

You ugly, creeping, blasted wonder,
Detested, shunned by both saint and sinner,
How dare you set your feet upon her—
So fine a lady!
Go somewhere else to seek your dinner
On some poor body.

Off! around some beggar's temple shamble:
There you may creep, and sprawl, and scramble,
With other kindred, jumping cattle,
In shoals and nations;
Where horn nor bone never dare unsettle
Your thick plantations.

Now hold you there! You're out of sight,
Below the folderols, snug and tight;
No, faith just yet! You'll not be right,
Till you've got on it:
The very topmost, towering height
Of miss's bonnet.

My word! right bold you root, contrary,
As plump and gray as any gooseberry.
Oh, for some rank, mercurial resin,
Or dread red poison;
I'd give you such a hearty dose, flea,
It'd dress your noggin!

I wouldn't be surprised to spy
You on some housewife's flannel tie:
Or maybe on some ragged boy's
Pale undervest;
But Miss's finest bonnet! Fie!
How dare you jest?

Oh Jenny, do not toss your head,
And lash your lovely braids abroad!
You hardly know what cursed speed
The creature's making!
Those winks and finger-ends, I dread,
Are notice-taking!

O would some Power with vision teach us
To see ourselves as others see us!
It would from many a blunder free us,
And foolish notions:
What airs in dress and carriage would leave us,
And even devotion!



Auld Lang Syne
by Robert Burns
translation/interpretation/modernization by Michael R. Burch

Should old acquaintance be forgot,
And never brought to mind?
Should old acquaintance be forgot,
And days for which we pine?

For times we shared, my darling,
Days passed, once yours and mine,
We'll raise a cup of kindness yet,
To those fond-remembered times!

Have you ever wondered just exactly what you're singing? 'Auld lang syne' means something like 'times gone by' or 'times long since passed' and in the context of the song means something like 'times long since passed that we shared together and now remember fondly.' In my translation, which is not word-for-word, I try to communicate what I believe Burns was trying to communicate: raising a toast to fond recollections of times shared in the past.



Banks of Doon
by Robert Burns
translation/interpretation/modernization by Michael R. Burch

Oh, banks and hills of lovely Doon,
How can you bloom so fresh and fair;
How can you chant, diminutive birds,
When I'm so weary, full of care!

You'll break my heart, small warblers,
Flittering through the flowering thorn:
Reminding me of long-lost joys,
Departed—never to return!

I've often wandered lovely Doon,
To see the rose and woodbine twine;
And as the lark sang of its love,
Just as fondly, I sang of mine.

Then gaily-hearted I plucked a rose,
So fragrant upon its thorny tree;
And my false lover stole my rose,
But, ah! , he left the thorn in me.

The poem 'Comin Thro the Rye' by Robert Burns may be best-known today because of Holden Caulfield's misinterpretation of it in The Catcher in the Rye. In the book, Caulfield relates his fantasy to his sister, Phoebe: he's the 'catcher in the rye, ' rescuing children from falling from a cliff. Phoebe corrects him, pointing out that poem is not about a 'catcher' in the rye, but about a girl who has met someone in the rye for a kiss (or more) , got her underclothes wet (not for the first time) , and is dragging her way back to a polite (i.e., Puritanical)  society that despises girls who are 'easy.' Robert Burns, an honest man, was exhibiting empathy for girls who were castigated for doing what all the boys and men longed to do themselves.



Comin Thro the Rye
by Robert Burns
modern English translation/interpretation by Michael R. Burch

O, Jenny's a' weet, poor body, // Oh, Jenny's all wet, poor body,
Jenny's seldom dry; // Jenny's seldom dry;
She draigl't a' her petticoattie // She's draggin' all her petticoats
Comin thro' the rye. // Comin' through the rye.
Comin thro the rye, poor body, // Comin' through the rye, poor body,
Comin thro the rye, // Comin' through the rye.
She draigl't a'her petticoatie, // She's draggin' all her petticoats
Comin thro the rye! // Comin' through the rye.

Gin a body meet a body // Should a body meet a body
Comin thro the rye, // Comin' through the rye,
Gin a body kiss a body, // Should a body kiss a body,
Need a body cry? // Need anybody cry?
Comin thro the rye, poor body, // Comin' through the rye, poor body,
Comin thro the rye, // Comin' through the rye.
She draigl't a'her petticoatie, // She's draggin' all her petticoats
Comin thro the rye! // Comin' through the rye.

Gin a body meet a body // Should a body meet a body
Comin thro the glen, // Comin' through the glen,
Gin a body kiss a body, // Should a body kiss a body,
Need the warld ken? // Need all the world know, then?
Comin thro the rye, poor body, // Comin' through the rye, poor body,
Comin thro the rye, // Comin' through the rye.
She draigl't a'her petticoatie, // She's draggin' all her petticoats
Comin thro the rye! // Comin' through the rye.



A Red, Red Rose
by Robert Burns
modern English translation/interpretation by Michael R. Burch

Oh my luve is like a red, red rose // Oh, my love is like a red, red rose
That's newly sprung in June: // that's newly sprung in June
Oh my luve is like the melodie // and my love is like the melody
That's sweetly play'd in tune. // that's sweetly played in tune.

As fair art thou, my bonie lass, // And you're so fair, my lovely lass,
So deep in luve am I; // and so deep in love am I,
And I will luve thee still, my dear, // that I will love you still, my dear,
Till a' the seas gang dry. // till all the seas run dry.

Till a' the seas gang dry, my dear, // Till all the seas run dry, my dear,
And the rocks melt wi' the sun; // and the rocks melt with the sun!
And I will luve thee still, my dear, // And I will love you still, my dear,
While the sands o' life shall run. // while the sands of life shall run.

And fare thee weel, my only luve! // And fare you well, my only love!
And fare thee weel a while! // And fare you well, awhile!
And I will come again, my luve, // And I will come again, my love,
Tho' it were ten thousand mile! // though it were ten thousand miles!


Keywords/Tags: Scot, Scotland, Scottish poem, modern English translation, translations, Robert Burns, William Dunbar, William Soutar, Hugh MacDiarmid

Oh how I’m glad to have seen you at last!
At least to have seen my inscrutable belief
flash once in the flesh, rushing intense  
like the coming to be of an immemorial dream.
Your look towards me called forth my sea
and shook its floor of live ships that’ve dwelled
too long on the forgotten, spiritless bottom,
so that they rose again to breathe their sails.

But sure enough it was just one! One breath to live.
Just one to hold above because there was just one to give.
I wonder if they’ll remember that still clear sun.
The whole out of the blue before it moved and shuddered
under the fickle ripples as they bowed out and sunk.
To return to the mud where the yearnings are stuck
while the purpose still lies on the surface to be touched.

Oh, if I had not seen you! My ocean still would be.
With no billows to unsettle the pellucidity.
And my ships, they could have seen the bright light of the beam
through will alone at home at the bottom of the sea.
But now? To watch the light, remember heat, to feel the cold—
It’s all the same when the dream’s untold!
But I’ll listen to the silence and endure not knowing I’ll survive,
if you promise to forever give me that culminating smile.