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RAJ NANDY Aug 2016
SECRETS OF THE STONEHENGE IN VERSE
Dear Readers, I present a simplified version of the true story of the Stonehenge, on the Salisbury plains of Southern England, with over a million visitors every year. Declared as a World Heritage Site since 1986.Left out many technical details to curb the Length!
Hope you find this interesting to read.  Thanks, - Raj

SECRETS OF THE STONEHENGE IN VERSE
                     BY RAJ NANDY
                
                     INTRODUCTION
Shrouded in ancient legend, rituals and mystery,
Forming a part of ancient History, in the County of
Wiltshire on the rolling Salisbury plains,
Thirty miles north of the English Channel, stands the
megalithic structure  - The Stonehenge.
Dating back to some 3000 BC during the Neolithic Age,
Long before the Egyptian pyramids got made!
Some of its secrets have finally been unraveled by
Archeologists of our time and age.
It was a period when early humans changed over
from being nomadic hunter- gatherers,
To cultivate land and domesticate animals, to
become settled farmers.
This ushered in a new social change in the history
of Human progression,
Which got reflected in huge stone structures to
mark this advancement and occasion.
For these megalithic structures were bigger than
the tribes of men or the community;
Marked burial mounds and places for performing
sacred rites and magical healing rituals, for the
entire community.
Stonehenge was aligned to the mid-Summer and
mid-Winter Solstice, with the rising and the setting
Sun.
Served as an astronomical calendar for the turning
of Seasons, when crop cycles also begun.
Some scholars opine that it was used as a Lunar
Calendar as well,
Since Moon worship predates Sun worship by
Pre-historic men!
It was long before the invention of the wheel,
written script, and even metal implements.
This monumental structure speak of Stone Age
Briton’s greatest achievement!
(
Period covered is from Late Stone Age to the brink of
Bronze Age.)

BRIEF LAYOUT OF THE STONEHENGE
Cutting across myths and legends archeologists
and geologists have tried to piece together the
Stonehenge Story,
Which stood like an enigmatic puzzle for the
last Five Thousand Centuries!
Scholars say construction commenced around
3000 BC, but progressed only in stages spread
over the next fifteen centuries.
Initially, a large earthwork or a ‘Henge’ with a
circular ditch and a bank was made,
With 56 timber posts around the inner perimeter
on the windy Salisbury plains.
Used by primitive man as a burial place, but for
rituals later got linked to other smaller sites.
With processional avenues leading to River Avon,
to honor dead ancestors with sacred rites!
Entrance to the ‘Henge’ was marked by a pair of
upright Slaughter Stones weighing 28 tones, and
6.6 meters tall.
But only one remains today lying flat on the ground
after its fall!
Some 256 feet from center of the ‘Henge’ on the NE
Avenue once stood the Heel Stones 7.6 meters high!
As a marker for the Summer Solstice showing the
position of the rising Sun in the Midsummer sky!

          BLUE STONES FROM WALES:
Some 1000 years later, 82 Blue Stones were brought
from the Prescelli Mountains of Southern Wales;
And the earlier timber posts with these Blue stones
was replaced.
Each stone weighing around 4 tones, was brought
over a distance of some 250 miles to the plains of
Salisbury,
Loaded on hollowed out log boats fashioned like a
mini barge, to sail during high tide into the Bristol
Estuary!
Pulled over land on greased wooden rollers, and
loaded again on mini barges down the River Avon.
Since Avon flowed closer to the ‘Henge’ site in those
ancient days, which is now known!
(Some Scholars feel that the Blue Stones were swept down
closer to the Salisbury plain, during the close of the last Ice
Age! These Stones were believed to have powers of magical
cure too!)

              THE SARSAN STONES
During its final phase of development came the larger
23 ft tall Sarsan Stones, weighing some 44 tones.
From 20 miles north of the ‘Henge’ area dragged on
sledges and rollers from Marlborough Downs.
These stones now formed the outer ring capped with
stone lintels, replacing the Blue Stones;
And the Blues Stones were moved inwards and
rearranged in the horseshoe and circle shape, as
presently seen and known!
(NOTE: Sheer muscle power used to drag the stones with ropes
made from plant fiber of the indigenous lime bark soaked in
water for weeks. Stone lintels were sculpted in the shape of an
arc to cap the SARSAN Stones to form the outer circle. Wooden
scaffolding & ramps were used to hoist and position the heavy
stone lintels horizontally on top of upright stones! Sarsan Stones
were hard sandstones tougher than granite! However many of the
stones of this Ancient Ruin are missing, leaving some unanswered
questions behind.)

        CONCLUDING THIS TRUE STORY
Archeologists and scholars using radiocarbon dating
have tried to recreate the Stonehenge Story.
This ancient ruin with many unanswered questions,
now remain protected as an Iconic Monument of
British History!
It stands as an astronomical time clock and is also of
spiritual significance;
It also symbolizes the ingenuity of Human Mind, its
power, and endurance.
I conclude with a an extract from a poem by TS Salmon
about the STONEHENGE here below:-
“Warpt in veils of time’s unbroken gloom,
Obscure as death and silent as the tomb.
Where cold oblivion holds her dusky reign,
Frowns the dark pile on Sarum’s lonely plain.

Yet think not here with classic eye to trace,
Corinthian beauty or Ionian grace.
No pillored lines with sculptured foliage crowned,
No fluted remnants deck the hallowed ground.
Firm, as implanted by some Titan’s might,
Each rugged stone up rears its giant height.
Whence the poised fragment tottering seems to throw,
A trembling shadow on the plain below.”
(*Sarum = old name for Salisbury.)
Thanks dear Readers for your kind attention span ,
I have simplified by cutting short many details the
best as I can!
ALL COPYRIGHTS WITH RAJ NANDY OF NEW DELHI
E-mail: rajnandy21@yahoo.in
Keith J Collard Jun 2013
The Quest for the Damsel Fish  by Keith Collard

Author's  Atmosphere

On the bow of the boat, with the cold cloud of the dismal day brushing your back conjuring goose bumped flesh you hold an anchor.  For the first time, you can pick this silver anchor up with only one hand and hold it over your head. It resembles the Morning Star, a brutal medieval weapon that bludgeons and impales its victims.  Drop it into the dark world beyond the security of your boat--watch the anchor descend.
        Watch this silver anchor--this Morning Star--descend away from the boat and you, it becomes swarmed over with darkness.  It forms a ******-metallic grin at first as it sinks, then the sinking silver anchor takes its last shape at its last visible glimpse.  It is so small now as if it could be hung from a necklace.  It is a silver sword.  
Peering over the side of the boat, the depths collectively look like the mouth of a Cannibalistic Crab, throwing the shadows of its mandibles over everything that sinks down into it--black mandibles that have joints with the same angle of a Reaper's Scythe.  

I am scared looking at this sinking phantasm.  I see something from my youth down there in this dark cold Atlantic.  I see the silver Morning Star again, now in golden armor.  I remember a magnificent kingdom, in a saltwater fish tank I had once and never had again.  A tropical paradise that I see again as I stare down into the depths.  This fish tank was so beautiful with the most beautiful inhabitants who I miss.  Before I could lift the silver anchor--the Morning Star--over my head with only one hand, turning gold in that morning sun-- I was a boy who sat indian style, cross legged--peering into this brilliant spectacle of light I thought awesome.  I thought all the darkness of home and the world was kept at bay by this kingdom of light...

Chapter  1 Begins the Story

The Grey Skies of Mass is the Name of This Chapter.

                                                      ­­                        
    
 Air, in bubbles--it was a world beauty of darkness revealed in slashes of light from dashing fluorescent bulbs overhead this fish tank.
Silver swords of fluorescent energy daring to the bottom, every slash revealing every color of the zodiac--from the Gold of Scorpio to the purple of Libra combining into the jade of the Gemini. 
In the center, like a dark Stonehenge were rocks. The exterior rocks had tropical colors like that of cotton candy, but the interior shadows of the rocks that was the Stonehenge, did not possess one photon of light. The silver messengers of the florescent energy from above would tire and die at their base.  The shadows of the Stonehenge rocks would stand over them as they died.

 
          When the boy named Sake climbed the rickety wood stairs of the house, he did so in fear of making noise, as if to not wake each step.
   Until he could see the glowing aura of his fish tank then he would start down that eerie hall, With pictures of ghosts and ghosts of pictures staring down at him as he walked down that rickety hallway of this towering old colonial home.  He hurried to the glowing tank to escape the black and white gazing picture frames.
                    The faint gurgling, bubbling of the saltwater tank became stronger in his ear, and that sound guided him from the last haunt of the hallway-- the empty room that was perpendicular to  his room.   He only looked to his bright tank as soon as he entered the hallway from the creaky wooden steps.  Then he proceeded to sit in front of this great tropical fish tank in Indian style with his legs folded over one another as children so often would sit.
  The sun was setting.  The reflections from the tank were beginning to send ripples down the dark walls. Increasing  wave after wave reflecting down his dark walls.  He thought they to be seagulls flapping into the darkness until they were overcome as he was listening to the bubbling water of his tank.
                " Hello my fish, hello Angel, hello Tang, hello  Hoomah, hello Clown and hello Damsel … and hello to you Crab...even though I do not like you," he said in half jest not looking at the crab in the entrance of the rocks.  The rocks were the color of cotton candy, but the interior shadows did not possess a photon of luminescence.  All other shadows not caused by the rocks--but by bright swaying ornament--were like the glaze on a candy apple--dark but delicious.  Besides the crab's layer in the rock jumble at the center of the tank which was a Stonehenge within a Stonehenge--the tank was a world of bright inviting light.
                The crab was in its routine,  motionless in the entrance to his foyer, with his scythe-like claws in the air, in expectation of catching one of the bright fish someday.  For that reason the boy tried to remove the crab in the past, but even though the boy was fast with his hand, the optical illusion of the tank would always send his hand where the crab no longer was.  He did not know how to use two hands to rid the crab in the future by trapping and destroying the Cannibal Crab ;  his father, on a weekend visit, gave the Crab to the boy to put into the bright world of the saltwater tank, which Sake quickly regretted.  His father promised him that the Crab would not be able to catch any of the fish he said " ...***** only eat anything that has fallen to the bottom or each other..."

         A scream from the living room downstairs ran up the rickety wood and down the long hall and startled the boy.  His mother sent her shrieks out to grab the boy, allowing her to not have to waste any time nor calorie on her son; for she would tire from the stairs, but her screams would not, allowing her to stay curled up on the couch.  If she was not screaming for Sake, she was talking as loud as screams on the phone with her girlfriends.  The decibels from her laugh was torture for all in the silent house.   A haughty laugh in a gossipy conversation, that overpowered the sound of the bright tropical fish tank in Sake's room that was above and far opposite her in the living room.
               " Sake you have to get a paper-route to pay for the tank, the electricity bill is outrageous," she said while not taking her eyes off the TV and her legs curled up beside her.  He would glad fully get a paper-route even if it was for a made up reason.  He turned to go, and looked back at his mother, and a shudder ran through him with a new thought:  someday her appearance will match her voice.  

              Upon reaching his tank,  Hoomah was trying to get his attention as always.  Taking up pebbles in his big pouty pursed lips and spitting them out of his lips like a weak musket.  The Hoomah was a very silly fish, it looked like one of Sake’s aunts, with too much make up on, slightly overweight, and hovering on two little fins that looked incapable of keeping it afloat, but they did.  The fins reminded him of the legs of his aunt--skinny under not so skinny.’

               The Tang was doing his usual aquanautics , darting and sailing was his trick.  He was fast, the fastest with his bright yellow triangular sail cutting the water.  Next was the aggressive Clown fish, the boy thought she was always aggresive because she didn't have an anemone to sleep on.  The Clown was strong and sleek with an orange jaw and body that was built like a tigress.
  Sake thought something tragic about the body if the  orange Clown and the three silver traces that clawed her body as decoration -they reminded him of the incandescent orange glow of a street lamp being viewed through the rainy back windshield of a car.   The Clown fish was a distraction that craved attention.
The Clown would chase around some of the other fish and jump out of the water to catch the boy's eye. 
                 Next is the Queen Angel fish, she is the queen of the tank, she sits in back all alone, waving like a marvelous banner, iridescent purple and golden jade.  Her forehead slopes back in a French braid style that streams over her back like a kings standard waving before battle, but her standard is of a house of beauty, and that of royal purple.

                    Lastly is the Damsel Fish, the smallest and most vulnerable in the tank.  She has royal purple also, rivaling the queen. Her eyes are lashed but not lidded like the Hoomah.  Her eyes are elliptical, and perhaps the most human, or in the boy’s opinion, she is the most lady like, the Hoomah and the Queen Angel come to her defence if she is chased around by the Clown.  Her eyes penetrate the boys, to the point of him looking away.  

                      Before the tank, in its place in the corner was a painting, an oil painting of another type of Clown donning a hat with orange partial make-up on his face (only around eyes nose and mouth there was ghost white paint) and it  had two tears coming down from its right eye.  The Clown painting was given to him by his mother, it seems he could not be rid of them, but Sake at first was taken in by the brightness of the Clown, and the smooth salacious wet look of the painting. it looked dripping, or submerged, like another alternate reality.  The wet surreal glaze of the painting seemed a portal, especially the orange glow of the Clown's skin without make-up.  .  If he tried to remember of times  before the Clown painting that preceded the Clown fish, he thought of the orange saffron twilight of sunset, and watching it from the high window from his room in the towering house.  How that light changed everything that it touched, from the tree tops and the clouds, to even the dark hallway leading up to his room.  The painting and the Clown fish did not feel the same as those distant memories of sunset, especially the summer sunset when his mother would put him to bed long before the sun had set.  
Sake did not voice opposition to the Clown.
Then he was once again trapped by the Clown.  
            The boy was extremely afraid of this painting that replaced the sunsets , being confined alone with it by all those early bedtimes.
Sake once asked his mother if he could take it down, whereas she said " No."  That clown would follow him into his dreams, always he would be down the hill from the tall house on the hill, trying to walk back to the house, but to walk away or run in a dream was like walking underwater or in black space, and he would make no distance as the ground opened up and the clown came out of the ground hugging him with the pryless grip of eight arms.  He would then wake up amid screams and a tearful hatted clown staring somberly down at him from the wall where it was hung.  Night made him fear the Clown painting more;  that ghost white make-up decorating around the eyes and mouth seeming to form another painting in entirety.  He could only look at the painting after a while when the lights were on, and the wet looking painting was mostly orange from the skin, neck, and forearms of the hat wearing clown.  But the painting is gone now, and the magnificent light display of the tank is there now.  

                Sake pulled out the fish food, all the fish bestirred in anticipation of being fed.  The only time they would all come together; and that was to mumble the bits of falling flakes: a chomp from the Clown, a pucker from the Hoomah, the fast mumble of the Tang, and the dainty chew of the Damsel.  The Queen Angelfish would stay near the bottom, and kiss a flake over and over.   She would not deign herself to go into a friendly frenzy like the other fish; she stayed calm, yet alluring like a flag dancing rhythmically in the breeze, but never repeating the same move as the wind never repeats the same breeze.  She is the only fish to change colors.  When the grey skies of Mass emit through every portal in the house at the height of its bleakness, her colors would turn more fantastic, perhaps why she is queen.

                 He put his finger in the top of the watery world; the warmth was felt all the way up his arm.  After feeding, his favorite thing to do was to trace his finger on the top of the warm water and have the Damsel follow it. She loved it, it was her only time to dance, for the Clown would descend down in somewhat fear ( or annoyance) of the boys finger, and the Damsel and he would dance.  The boy, thought that extraordinary.

                     Sake bedded down that night, to his usual watery world of his room.  The reflective waves running down the walls like seagulls of light, with the rhythmic gurgling sound and it's occasional splash of the Clown, or the Hoomah swooping into the pebbly bottom to scoop up some pebbles for spitting making the sound "ccchhhhh" --cachinging  like a distant underwater register.  The tank’s nocturne sound was therapeutic to the boy.

                      Among waking up, and being greeted by his sparkling treasure tank--that was always of the faintest light in the morning due to the grey skies of Mass coming through every portal to lessen the tropical spectrum-- the boy would render his salutations " Good morning my Hoomah.....good morning Tang, my Damsel, and your majesty Queen Angel.....and so forth.  Until the scream would come to get him, and he would walk briskly past the empty room and the looming family pictures of strangers.  His mother put him to work that day, to "pay for the fish tank" but really to buy her a new cocktail dress for her nightly forays.  The boy did not care, the tank was his sun, emitting through the bleak skies of Mass, and even if the tank was reduced to a haze by the overcast of his life, it only added a log to the fire that was the tropical world at night, in turn making him welcome the dismal day.
                  On a day, when the overcast was so thick, he felt he could not picture his rectangular orb waiting for him at night. He had trouble remembering what houses to deliver the paper.  He delivered to the same house three times.  Newspapers seemed to disappear in his hands, due to their color relation to the sky.   Leaves were falling from the trees—butterfly like—he went to catch one, he missed--a first. For Sake could walk through dense thorned brambles and avoid every barb, as a knight in combat or someone’s whose heart felt the painful sting of the barb before.  He would stand under a tree in late fall, and roll around to avoid every falling leaf, and pierce them to the ground deftly with a stick fashioned as a sword.  He could slither between snow flakes, almost like a fish nimbly avoiding small flakes.  
                  After he finished his paper-route , he went to his usual spot under an oak tree to fence with falling leaves.  As the other boys walked by and poked fun he would stall his imagination, and look to the brown landscape of the dry fall.  The crisp brown leaves of the trees were sword shapes to him.  He held the battle ax shape of the oak leaf over his eye held up by the stick it was pierced through, and spied the woodline through the sinus of the oak leaf lobe.  The brown white speckled scenery, were all trying to hide behind eachother by blending in bleakfully; he pretended the leaf was Hector’s helmet from the Illiad—donned over his eyes.
“ Whatchya doing Sake?” asked a young girl named Summer.  Sake only mumbled something nervously and stood there.  And a pretty Summer passed on after Sake once again denied himself of her pretty company.  He looked to the woodline again, a mist was now concealing the tall apical trees.  It now looked like the brown woodland was not trying to retreat behind eachother in fall concealment, but trying to emerge forth out of the greyness to say "save us."

“ Damgf” he uttered, and could not even grasp a word correctly.  His head lifted to the sky repeatedly, there was no orb, and the shadows were looming larger than ever; fractioned shadows from tree branches were forming scythes all over the ground.
             He entered the large shadow that was his front door, into the house that rose high into the sky, with the simplicity of Stonehenge.  He climbed the rickety petrified stairs and went down the hall.  Grey light had spotlighted every frame on the wall.  He looked into the empty room, nothingness, then his room, the tank seemed at its faintest, and it was nearing twilight.  He walked past the tank to look out the w
Shofi Ahmed Mar 2017
Before long the summer sun will rise in London
Like the half of the Ge meets the other half.
Like a magic by the Lamp of Aladdin
The love flame hidden in the chest lights up!

Like a blooming rose in a glowing beam of light,
Like a smiling face speaks a gentle word,
Like a beautiful sunrise colour in the first light!

The summer in London will pop and sizzle
We will see a threshold in our land.
The rose for a while is tucked away
Off the winter and is given to the sun
Winter is not forever spring is on the corner
Come back in the sun with the early bird
Before Cinderella takes on the primrose path.

Keeping an eye on a thriller is in the winter’s field
Oozy ozone misty land gets a gingerly seasoning
What on earth will it strike, will it dish out?
Ah, the sun will pop out like a river breeze.

Like a southern song singing on a dream scene.
a smooth fairy dance facing the Moon
a thrill of exposing Stonehenge once and for all
a melodious raindrop in the serene pond
a butterfly dance on the rose
a turned on tall tale of the blue peacock
Like a pure belief in heaven without a pinch of salt!
This is a poem from my book Zero and One available on Amazon.
The builders of Stonehenge
Were pelvicly challenged
So they erected a monument
In such a way
That it could be interpreted
As a displacement activity.

And the rest as they say
Is pre-history.
brandon nagley Jun 2015
Consort shadows
Nakedly romping to mirage of sunset sun
Celestial beings encountered
By druid's they've just begun
They dance around the stonehenge
Whilst speaking and chatting verses
They've left the inner world
Trampled the duney surface
They write upon those stones
Ogham scripted writing
Leaving marks amongst moss
Their heaviness of sweat inviting
Though one cameth from Spain
A foreigner to the stonehenge barbarian
Her moonlight giveth him warmth
On the shores of valedictorian!!!!
Jim Davis Apr 2017
In the last
three decades,
after we became one,
I touched
amazingly beautiful things,
horribly ugly things,  
unbelievably wondrous things

I touched nature's majesty;
hued walls of the Grand Canyon,              
crusty bark of the
Redwoods and Sequoias,
live corals of the
Great Barrier Reef,
dreamlike sandstone of the Wave

I touched magical and strange;
platypus, koalas and
kangaroos Down Under,
underwater alkali flies and
lacustrine tufa at Mono Lake,
astral glowing worms
in the Kawiti caves

I touched holy places;
Christianity's oldest churches,
the Pope's home in the Vatican,
Hindu and Sikh temples and
Moslem mosques in India,
Anasazi's kivas of Chaco canyon,
Aboriginal rocks of Uluru and Kata Tjuta

I touched glimmers of civilization;
uncovered roads of Pompeii,
fighting arenas of Rome,
terra cotta armies of Xian,
sharp stone points of the Apache,
pottery shards from the Navajo,
petroglyphs by the Jornada Mogollon

I touched fantastical things;
winds blowing on the
steppes of Patagonia,,
playas and craters of Death Valley,  
high peaks of the Continental Divide,
blazing white sands of the  
Land of Enchantment

I touched icons of liberty
and freedom;
the defended Alamo,
a fissured Liberty Bell,
an embracing Statue of Liberty,
the harbor of Checkpoints
Alpha, Bravo, and Charlie

I touched glorious things
made by man;
the monstrous Hoover Dam,
an exquisite Eiffel tower,
a soaring St Louis Arch,
an Art deco Empire State Building,
the sublime Golden Gate Bridge

I touched sparks from history;
the running path of an
Olympic flame just off Bourbon,
the last steps of Mohandas Ghandi
at Birla House before Godse,
******'s Eagle's nest and the
grounds over Der Führerbunker

I touched walls of power;
enclosed rings of the Pentagon,
steep steps of the
Great Wall of China,
untried bastions of
Peter and Paul's fortress,
fitted boulders of Machu Picchu

I touched strong hands;
of those conquering
Rommel's and ******'s hordes,
of cold warriors of
Chosin Reservoir,  
of forgotten soldiers of Vietnam,
of terrorist killers of today

I touched memories of war;
the somber Vietnam memorial,
the glorious Iwo Jima statue,
the cold slabs at Arlington,
the buried tomb of USS Arizonians,
Volgograd's Mother Russia  

I touched ugly things;
shreds of light in
Port Arthur's prison,
horrible smelly dust
in the streets from 9/11,
ash impregnated dirt
in the pits at Auschwitz

I touched oppressed freedom;
open ****** plazas
of Tiananmen Square,
smooth pipe and concrete
of the Berlin Wall,  
tall red brick walls
of the Moscow Kremlin

I touched constrained freedom;
heavy ankle and
wrist slave chains
in the South,
little windows
in Berlin's Stasi prison,
haunted cells in Alcatraz  

I touched remnants of madness;
wire and ovens of Auschwitz,
stacked chimneys and
wooden bunks of Birkenau,        
Ravensbruck, and Dachau,
the tomb of Lenin,
toppled Stalins

I touched hands of survivors;
of Leningrad's siege,
of German POWs and
of Russian fighters
of Stalingrad's battle,
of Cancer's scourges  

I touched grand things;
deep waters of the Pacific and Atlantic,
blue hills of Appalachia,
towering peaks of the Rockies,
high falls of Yosemite Valley,
bursting geysers of Yellowstone,
crashing glaciers of Antarctica and Alaska    

I touched times of adventure;
abseiling and zipping in Costa Rica,
packing Pecos wilds and Padre isles,
flying nap of earth Hueys to Meridian,
breaking arms in JRTC's box,
fighting Abu Sayyaf, and Jemaah
Islami in Zamboanga City

I touched through you;
wet sand beaches of  Mexico and Jamaica,
mysterious energy of the monoliths of Stonehenge,
rarefied air in front of the
Louvre's Mona Lisa,
ancient wonders of Giza,
Egypt's tombs and pyramids

We shared soft touches;
drifting in Bora Bora's
surreal waters,
joining hands camel trekking the
Outback's dry sands,
strolling along Tasmania's
eucalyptus forest trails

basking in swinging hammocks
under Fiji's bright sun,
scrambling in
Las Vegas' glittering and
red rock canyons,
kissing under the
Taj Mahal's symphony of arches

We shared touching deep waters;
propelled in gondolas
through the city of canals,
Drifting atop Uru cat boats on Lake Titticaca,
Swooping in jet boats
up a wild river in Talkeetna

Racing in speed boats
around Sydney's great harbour,
skimming in pangas in Puerto Ayora,
paddling the Kennebec for
East's best petroglyphs,
cruising Salzbergwerk's underwater lake

We touched scrumptious things;
Beignets and chicory coffee at DuMonde's in the Big Easy,
Hot *** with sesame sauce
in the walled city of Xian,
Peking duck, dimsum, scorpions,
snake and starfish on Wangfujing Snack Street

We touched delicious things
Crawfish heads and tails at JuJu's shack
and ten years at Jeanette's,
Langoustine at Poinciana's, Fjöruborðinus and Galapagos,
Cream cheese and loch bagels
at Ess-a' s in the Big Apple

I touched your hand riding;
hang loose waves of Waikiki,
a big green bus in Denali's awesomeness,
clip clopping carriages of Vienna, Paris,
Prague, New Orleans, Krakow,
Quebec City, and Zakopane,
the acapella sugar train of St Kitts

We shared touching on paths;
the highway 1 of Big Sur,
the Road of the Great Ocean,
the bahn to Buda and Pest,
the path to the North of Maine,
the trail of the Hoh rainforest,
and time after time, the way home

Yet,
I could spend
the next three decades,
in simple bliss,
having need for
touching nothing,
other than you!

©  2016 Jim Davis
A poem I wrote last year for my wife!  Posted now since it matches the HP' theme for today - "Places"
RAJ NANDY Apr 2015
Dear Poet Friends, being fond of Art, I wanted to compose on
this topic for a long time in a simplified form! Egyptian Art and
Architecture influenced the Early Greeks, who in turn influenced the Romans and other civilizations! Initially Art and architecture, religion and culture, were all closely inter-related! Real distinction emerged with the Italian Renaissance. Here I have used only a portion of my personal notes. Hope you find this interesting to read! Sorry for the length! Kindly give Comments after you have managed to read the entire portion in your spare time. Thanks, -Raj

INTRODUCTION TO THE STORY
OF WESTERN ART IN VERSE:
          PART ONE
    * BY RAJ NANDY

INTRODUCTION
Art over the centuries has been variously defined,
But an all embracing definition is rather hard to find!
Ayn Rand defined Art as a recreation of reality according to
artist’s values, his view of existence, and choice;
Who recreates by a selective rearrangement of the elements
of reality, and not simply out of a void!
Study of Art History is a study of man’s creative evolution;
A progress of his wakened consciousness, and a restless
striving towards perfection!
The progress of his mind, taste and skill, which has gradually
evolved through past traditions;
Finding ultimate expression in his multi-faceted creations!
I commence this story from its earliest days, and mention those
Ancient Civilizations which influenced Art in many ways.
Art has been greatly influenced by religion, culture and history;
Therefore, knowing these aspects becomes necessary to
fully appreciate this Art Story!

PREHISTORIC STONE AGE ART:
Let us take a ride on the magic carpet of History, down
past millenniums to begin our Art Story;
Right into the ancient Paleolithic, Mesolithic and Neolithic
Eras of the Stone Age,
When early humans left their creative imprints on rock
surfaces and on walls of caves!
Long before the evolution of any proper coherent speech
or communication,
In some 350 caves of France and Spain are seen paintings
of large wild animals like horses, antelopes and bison;
Bearing witness to the story of gradual human evolution!
The cave paintings of Chauvet, Cosquer, and Lascaux, date
between 8000 and 1700 BC,
Drawn by nameless and faceless people who emerged from
an inhospitable Ice Age;
Those nomadic tribes who were hunter-gatherers living in
pre-historic caves!
The Story of Art therefore begins before recorded History,
Pieced together by scholars with the help of science and
archeology!
During the Neolithic Period beginning around 8,000BC,
Ancient man became gradually sedentary, engaging in
agriculture and animal husbandry!
With these nomads settling down in small communities,
Art became mystical and monumental in range;
As seen in the megalithic (large stone) structures of the
famous Stonehenge!
This type of post and lintel structure is also found in ancient
Egyptian architecture, and later in Greece as its special
feature!
Art History spans the entire history of mankind,
Right from the pre-historic days, up to our modern times!
Man’s everlasting quest for immortality lies etched on
rocks and raised stone edifices, defying marauding Time!

MESOPOTAMIAN ART (3500-300BC) :
Let us now travel fast forward on our magic carpet to reach
the Fertile Crescent,
Where the Tigress and the Euphrates Rivers flow, to the
Ancient Civilization of the Sumerians! (3500-2300BC)
The birth of civilization has been traced to Southern
Mesopotamia, where the Sumerians built their first cities,
As the earliest River Valley Civilization around 3500 BC!
It was a period when writing got invented in its earliest
Cuneiform form;  (around 3400 BC)
When Patriarch Abraham established the worship of a Single
God, in a revolutionary religious reform! (Judaism)
Mesopotamian Civilization as the source of our earliest
surviving Art dates back to 3500BC;
When major civilizations like the Sumerian, Akkadian,
Babylonian, Hitties, Assyrian, and the Persians, in this
chronological sequence, contributed to Art History!
Mesopotamian Art in general glorified their powerful rulers
and their connection with divinity;
Reflected on their city gates, palace complexes and ziggurats,

are scenes of both victorious wars and their prosperity!
Art was then highly functional and repetitive; depicting
love of beauty, a sense of order, and power of hierarchy,
- in their sculptures and motifs.
However, no signatures were ever found bearing the name
of the Artist!
It is interesting to note that both the potter’s wheel and the
cart wheel, made their first appearance around 3500 BC
and 3200 BC respectively;
With the Sumerians contributing to art and culture, and the
progress of Human Civilization immensely!
(Ziggurats are semi-pyramid like structures with steps, a temple complex located in the center of all ancient Sumerian cities-states! Saragon the Great of Akkad from the North, defeated the Sumerians in the South, & united entire Mesopotamia around 2300 BC, for the first time in Mesopotamian History, & they ruled for 200 years.)

ANCIENT EGYPTIAN ART :(3000 BC -500BC)
Next we travel to an isolated area of north-east Africa,
Where the White Nile flows down from Lake Victoria.
The Nile enters Upper Egypt traveling through Sudan,
Is joined by the Blue Nile at Khartoum to become one!
Continues its flow north through Egypt Lower, flowing
into the Mediterranean as the World’s longest river!
Historian Herodotus had called Egypt ‘the gift of the Nile’;
Ancient Egypt became a rich treasure trove of art and
architecture for all times!
The Nile valley area was protected by the desert on its
east and the west;
In the north by the Mediterranean, and towards the
south by a rugged mountainous terrain!
Annual flooding of the Nile along with an effective
irrigational network,
Ensured Egypt’s prosperous stability, congenial for her
many innovative architectures and art works!
Egyptian Art got shaped by her geography, mythology
and her polytheistic religion;
Also by their preoccupation with after-life and belief in  
the immortal soul’s continuation;
Thus elaborate funeral rites were performed by priests for  
the body’s preservation by mummification! *
(
’KA’= was a real astral twin or stellar double of an Individual, which continued to exist even after death, requiring the same sustenance as the humans, so food offerings were made in the coffins! ‘BA’= shaped like a human-headed bird, composed of non-physical attributes of an Individual. ‘BA’ collected the deceased’s personality after death from the mummified remains & united it with the ‘KA’, making a person complete; thereby making it possible for the person to be reborn as ‘AKH’ (Star), - in its ultimate unchanging form, to join Osiris in the ‘Happy Fields’! Since this journey to the next world was fraught with danger, magical funerary spells & rites were performed by the priests, with incantations from the ‘Book of the Dead’, inside the funeral chamber of the Pyramid!)

Art During Old, Middle, and New Kingdom Period:
Egyptian Art was concerned with ensuring continuity of the
universe, their Gods, the King and the people;
A projection into eternity a version of reality pure and free
from all earthly evil!
Therefore in ancient Egyptian society, conformity over
individuality was always encouraged;
Artists worked in groups with conservative adherence to
rules, order and form,
And all individual artistic initiatives strictly discouraged !
Their earliest pyramids the Mastaba, the Step, and the Bent
Pyramids were all prototypes;
While the Great Pyramid of Giza built for Pharaoh Kufu,
- was the first true pyramid which still survives!
Art comes down to us as ‘funerary art’ designed for the tombs,
Which was to accompany the royalty in their journey to an
afterlife, with its symbolic forms!
This symbolism is seen in their paintings, statues and architecture;
In vibrant color codes of their paintings as a special feature!
Where White was the symbol of purity, Black for death and night;
Green for vegetation or new life, Blue for water and the sky;
Red for life and victory, and Yellow like Gold as the flesh of the
Gods and also the Sun God ruling the sky!
Thanks to Jean-Francois Champollion’s translation of the Rosetta
Stone, (1822)
We are able to decipher many mysteries of the Ancient Egyptian
with the cracking of the Hieroglyphic Code!
Larger than life statues with poise and austere harmony at the
Luxor Temple complex survive;
Symbolic of the individual’s status, while creating zones of
strangeness for imagination to thrive!
(
’Matsaba’= Egyptian for ‘bench’, referred to bench shaped pyramids;
“Step Pyramids” = were like benches placed one on top of the other in
a tapering form going up vertically!)

The Old Kingdom Period covers a five hundred years span
of Ancient Egyptian History, (2686-2181BC)
Known as the ‘Age of Pyramids’, with Pharaohs from the
Third to the Sixth Dynasty!
“The World fear Time, but Time fears only the Pyramids”,
- is an Ancient Egyptian Proverb;
Whose ‘heterogeneous structure’ made it earthquake
proof, making Time to reluctantly serve! #
Here we find formalized figures with long slender bodies,
idealized proportions and large staring eyes;
Where Kufu’s Great Pyramid of Giza raises its mighty head
as the highest, on the west bank of the Nile;
And the mighty Sphinx guard the entrance to those ancient
royal tombs, though defaced, still survive!
These pyramids were like Pharaoh’s getaways to eternity,
An insurance to an afterlife of peace and prosperity!
(# Pyramids with stone blocks of different sizes & shapes made them
Earthquake resistant; & use of pink granite in the inner chambers
made them erosion resistant against Time!)

The Middle Kingdom Period (2040-1650 BC) :
Following 150 years of civil disorder Theban ruler Mentuhotep
the Second, reunified Egypt and ruled up to Nubia, (Sudan)
And began the Classical Era when Block Statues appear,
indicating political stability;
When artisans worked with bronze and copper alloys, designing
exquisite jewelry!
Kings now preferred to be buried in secret tombs, Pyramids
having lost their appeal,
And work began on the west bank of the Nile, in the Valley of
Kings!
(
Inside those rock cut ‘funerary temples’ on the East bank of the
Nile, opposite Ancient Kingdom of Thebes ; Pharaohs from the
Early and Late New Kingdom Periods were buried, including
Tutemkhamen.)

Early New Kingdom Period (1550 -1295 BC):
Between the Middle Kingdom and this Era, Art remained
static for almost a hundred years,
When the Hyksos from the Near East fought the weak Theban
Rulers!
In 1550 BC Theban Prince Ahmose reunited Egypt, and was
succeeded by able rulers, who ushered in the Golden Age!
Art works continued to maintain its basic traditional style,
With successive Kings from the 18th Dynasty consolidating
their kingdom’s wealth and power all the while!
But Egypt witnessed a change with an innovative style in Art,
When Amenhotep IV in 1353 BC became King, initiating a
fresh start!
This king changed his name to ‘Akhenaten’, the spirit of Aten,
-- ‘The disk of the Sun’;
Abandoned the pantheons of Gods with Aten as the ‘sole God’,
and a religious revolution had begun!
His new capital city of Amarna, 200 miles north of Thebes,
Got decorated with a new kind of art work to make it complete!
The statues now appear more realistic displaying emotions,
With fluidity of movement, unlike those rigid earlier creations!
The artistic talent of this Amarna Period gets best exemplified,
In the exquisite bust of Nefertiti, Akhenaten’s Great Royal Wife!
Regarded as ‘icon of international beauty’, a great archeological
find ! **
(
Discovered by a German team of Archeologists in 1912 at Amarna! This 19 inch long limestone Nefertiti statue weighs around 20 kg, now housed in Berlin Museum; comparable only to the artistic Golden Mask of Tutankhamen!)

King Tutankhamen (1336-1327 BC):
Akhenaten’s unpopular rule was short-lived, with those humiliated
Theban priests calling him the ‘Heretic King’!
A nine year old boy Tutankhamen (‘The living image of Amun’),
was next to succeed him!
King Tut restored the worship of Amun, in a back-lash against
Akhenaten;
Shifted the royal palace back to Thebes, with the religious center
at Karnak once again!
King Tut’s short ten year’s rule remained buried in 3000 year’s
of Egyptian History,
Till Howard Carter found his richly laden intact tomb, in the
Valley of the Kings! (1922)
King Tut’s priceless and exquisitely carved golden face mask,
reflected the exalted standard of art work;
Weighing ten kilos, inlaid with semi-precious stones, and eyes
made of obsidian and quarts!
With the King’s early death, the 18th Dynasty of Pharaohs came
to an abrupt end,
And the 19th and 20th Dynasties of the Late Kingdom Period
commenced!
The famous rock temple of Abu Simbel now got built, under the
warrior and builder Ramses II, one of Egypt’s greatest Kings!


Pharaoh Ramses-II of the Late Kingdom Period :
Here I sweep across centuries of Egyptian History, to mention
King Ramses-II’s contribution to our Art Story!
In Shelly’s famous poem titled “Ozymandias of Egypt” he is
immortalized; (Greeks called Ramses-II “Ozymandias”!)
And as the Pharaoh associated with Moses in the movie “The
Ten Commandments”, he is popularized!
Egyptian Art is intrinsically bound with its religion, pyramids,
hieroglyphs, and architecture;
With a concentrated focus on ‘afterlife’ as its special feature!
In 1270 BC young Ramses took over from Seti the First,
And his rule for a period of 66 long years did last!
As the third Pharaoh of the 19th Dynasty, he had ruled with a
firm hand;
Recovered lost territories from the Hittites and the Nubians,
- earlier captured Egyptian lands!
He enlarged the territories of Egypt ensuring prosperity and
stability;
Became renowned as the famous Warrior and Builder King
of Ancient Egyptian History!
Ramses-II had expanded most of the temples, as recorded in
the artistic motifs and hieroglyphic symbols;
Here a special mention must be made of the Temples of Luxor,
Karnak, and Abu Simbel !

Temples of Luxor and Karnak in Ancient Thebes:
Ancient Thebes was located on the eastern bank of the Nile,
where the modern City of Luxor stands;
Thebes was once the capital of the 11th and 18th Dynasties,
And the power and religious center of all Egyptian land!
Gets mentioned in the 9th Book of Homer’s ‘Iliad’ where “heaps
of precious ingots gleam, the hundred-gated Thebes”!
Excavation work began in Thebes during the late 19th century;
And the gradual unearthing of the Temples of Luxor and
Karnak, added a new dimension to Egypt’s Art Story!
It must be remembered always, that the Ancient Egyptians in
those early days,
Structured their temple architecture to the point of ‘Sacred Art’!
With their knowledge of astronomy and geometry, they
aligned their temples so perfectly,
That the light of the rising sun fell on the temple’s innermost
sanctuary! (Temple of Abu Simbel is a great example,)
Where the Egyptian priests, who were also the artists, healers,
mathematicians, astronomers and scribes;
In dimly lit incense-filled sanctuaries performed the sacred rites!
The temples symbolized the cross roads of the cosmos, where
the divine and the mortal met in perpetual harmony!
These divine scenes were integrated into the very fabric of the
Egyptian society through chants and rituals;
With cosmological symbols of magical hieroglyphs, which
priests alone could transcribe in those days!
(
Thebes began to decline rapidly after Alexander the Great
established the port-city of Alexandria as Egypt’s new Capital
around 332 BC !)

Luxor Temple built by Amenhotep-III, was dedicated to God
Amun, his wife Mut and son Khonsu, - the Theban Triad;
Tutankhamen and Ramses-II expanding the temple during the
New Kingdom Period!
Creator God Amun became assimilated with the Sun God Re;
Was worshipped in Thebes, and in the cult centers of Luxor and
Karnak, - as Amun-Re!
The walls and columns of these cult temples were decorated
with carved and painted relief,
Depicting the interaction with Gods, and military exploits of
Egyptian Pharaohs and Kings!
The sun temple of Amenhotep-III at Luxor has many columns
resembling papyrus bundles,
Symbolic of the primeval marsh from where Creation was
believed to have unfolded !
A Sphinx Alley excavated between Luxor an
Set of cave genes If you could read... pluri freedoms of the dark light of ignorance teach understand that breathe under the Naturality Natural Nature is not necessary to have an understanding heart and store on their empty heads of knowing ancient rain where wisdom possess. If dance on every grain of chickpea for each foot plant what could a plant obey; foot, Plant, and Plantation...

Resulting in kingdoms on my animals, fungi, plants, and protists, media freedom as a seed to reach our evolutionary lack of ceased hopeness...

First  Ellipsis Angle loneliness"God felt Chained"

Chained down by dragging the last link of its multiple arcane freedom in which transfigured recent swings where he collapsed with the latter being of himself whose life lies lifeless alive but lost. The latter that child not to know and deprived of nascent freedom that will never be born and come knowledge in our genome of Independence.

When the caveman thought to be a complement to the world is enslaved by the mystery of lost in himself... The born and born, never dies, that's so naive and innocent... is still full unaware of their free will, rather it is he who must re-literate and be a living part of the ancestral genome Cavernario component. Oh Heavenly Lord of the steppes I look because more of you today without having lived what you lived, as he would have played with my gaze to succor and keep you had fallen into the fangs of an animal, or you had fallen on the glacier cliff where he has separated you from your Clan Cave.

Emancipation means to be always innocent, my blood runs through yours,
I read and understand any phenomenon of deprivation exist without you lack wisdom satiate if all your generations crushed by the ignorance of falling subject will be well, me and my being I take my precognitions as a tormented child's worst nightmare before about sleeping. Sixth Papal almost, almost kneel before the creation of memorizes creation. This prerogative Lord lives Bread’s God Minor remaining....of whose iconography will not leave this fifth fraternal dimension will not come, if not more will enter the latter end of absolute solitude... and shorter than the last thousand years of Neandertal.


Cavernary Political and Ellipsis:

On a day of gentle wind and tense rain proclaiming Clan joined, they all shouted running, the ground shook and the children slept in terror... the 10 infants who were talking about the Sign from above, but the nines they crossed his arms remaining to create solidarity roof that protects the man in your imagination...
The eighth child of the clan ran quickly into the arms of his mother and she imagined how far, how far would never come... uncharacteristically who came with his brother seventh had in their hands the word of entertainment of Being, to be a plaintiff political all of braiding them together with lines enabling the hermit may decide that creation is a mass of lines of certain fashions together, everything sings like the slightest cyclamen dew on the line pointy rough fallen fungus. All arms folded on the upper porch of the Vatican Macario in Franconia, saying that many who unite in their fevered requests large modern man ceased to be autonomous when it came out of their caves and charnel pit.

Ran all she enjoyed doing that almost without knowing whether or not they fall...
Ran because of every day the sun ahead of them a lesson for a man of the future...
They are running to be released the day of his birth chained to stars of light, to carry him to his mother and father, sneaking to his brothers.

Brother worn eleventh birth to her existence as another being evolved Eukaryotic: Surely those provided beings of cell membranes rhizomes reflected in higher liberty lives purged of ectoplasm walk without a discounted subsidiary. Shakespeare in Helsingor appeared immune to a blood brother to all that limits the Draconian feel in the pinnacles drawn 700 greened steeds. From the deepest swoon in the underworld subway Helsingor, follow the prevailing souls presided over by the great ear of the hard sandcastle, stressed hard Ghosts of Stratford upon Avon.

Freedom plague spits words of pancreatic poisoned exordium, spits verses of confusion disorders without permission, without solid bass sound without liquid sea that resists mad edges followed by solid sound...
But smaller stones give priority to conjugate final sentence and noble verses Guardian
to mission how important would Liberation:

Maybe it's a synonymy of Astral Solar...
It is not Solitude, is a free nation that has its own kind prosecutor's office for even when Euthanasia closes your eyes to the astral, will run the stones of the Sea of joy believing that neither you dare if there is no healthy grass to clarify the rainy day terror.


Reverse walk creeks aggravated birds feet, walking great playful ruse.
Reverse run my comrades preparing festivity meals with chandeliers and singing lay plenary., Singing Avenue pine port Firenze, Second run subtracting minutes and hours the minute is enough for me with your face in my arms to recognize your longevity anathema times oblique faces for lip-smacking hailstones Templars.

In 1297 in northern Italy nearby rural families migrate to chalky Venice, Perugia came the exiles walked to find their independence south of the Iberian Peninsula. They were so atoned as in the echoing flutes, harps, zithers, and harpsichords field temperate; They invited the blunting of intemperate monocordio.

Golden Chariot Carrenio

The golden carriage carrying them came without a single space rather than inheritances acquired goldsmiths of ancient noble and chaste solid shine. Carrenio; the coachman wore on his left arm bracelet thousand mobile travel without stopping to drink more water and to feed their horses. After revamping its gold pieces bartered by a slave who was getting Carrenio Christians fleeing the Romans. Well, they fled as far as the plains of great earthly squandered his memory and that end of the end should come.

How am away from my land more I learn it's back to her,
There is no ground for the first time, but that which is foreign
Carrenio of Perugia and sensed that ****** was Jewish ashes,
Luther King black paste of burnt forest,
Mandela and Biko Ogre garage from Victorian Empire,
Gandhi in his humility is always put behind the Sun
to figure out the small
Tagore trashed my heart caressing the entire universe uncorrupted
Hölderlin together in the cabin waiting for his mother at Zimmerman,
That my beloved Borker forest should shine gold teeth with black resin,
Theresa of Calcutta was eaten and swallowed all diseases lepers knowing good taste proverbial dessert psalm,
Jose Miguel Carrera was more than a trench, clay bullets in each of his temples where he received
To be doubly Lonco is to be halved, lacerated by lay his head on his land, not galloping on his back throngs of wit and hope out Nazareth trembles when an F-16 diluted ***** covering landless caravans Heritage continues to lead the people killed but the mosque wall has been Fe Erecta.
Helena plenipotentiary Kowalska at Vilnius, Faustina Divine Mercy Diadema
The agonizing deprivation of millions of people with cancer in every continent of private well-being analgesic, weighed down by increased pain, almost as strong as the Master Hammered Golgotha, so it was that Joshua has cancer always to slow it down on us. Benigno whether metastasis, malignant albeit benign finance.
The death of an innocent little angel devoured by the beast remains as a fluff hairless sardine in the jaws of a shark baron.
Khalil Gibran writes that with both hands to support the reviewer behind in Bicharri and bohemian Paris,

Salvador Allende Gossens was born since he was deceived by his parents who would heal politics, would rather dig their ancestors in their brains scattered in the currency in face seal or tail of.

Frei Montalva that today has to receive the Macro Augusto Heaven their arms, their sorrows, and regrets, although his worst military executioner.

Legion is an offshoot of liquid central gray material, which defers well done becoming but not defeated, it is the decree of the divine threshold space Living or ceases to live, that failure does not exist, it is the postponement of success - success.

The Genocide September 11 in New York was a ritual, who produced was a small wrath strength of the Rotary world, as the camshaft is upset in the history of trying to make more alphabet in schools where the flag hoisting and found scholars in West and East, so they can learn more than reading of both unlettered, lip and water to possess it to write with it. The worst disaster is read with the memory that will never happen... I write my greatest need with lipstick and my greatest need I write eagerly to participate. Yesterday I passed by a boutique and buy lipsticks that are closer to the language, written with the mouth and not the hand. !

Freedom, debauchery, libration, drawer, Bookstores..! Carrenio..: he said see I'm right! Raise and educate has a great synonymy with autonomy because the ancestors wrote everything that deprived them and made them fear, but do not have to eat the autumn gives me to dress the return of spring, bread orchid, and cineraria. Hence by that inner syllabic singing hunger sated that sought sheet to sheet rid of everything until the end of the book as the encounter between night and day without considering oblivious to anything or anyone on the track window swing wind, wind seeping.


It was old Zeus or Hera of Antique,
Cavern to house geometric polyphonic, angular seeds to create fashions kiss kissed everything that any vertical plane does not fit with the closed horizon
For hands and angels, Hebrews the inner soul of every carpenter and stonemason shrunk, wash their eyes and cheeks with songs of vibration and idyllic comfort,
Everything resembled and sounded Bethlehem 2.0 deities choirs sweeping grasslands,
The similarity of this clairvoyant child is born in a cave...
Rising motherly free Soliloquy Papini sitting to the right of ruminant cattle,
So archaic that to be born is not born in a clinic mega Cristus but hundreds of kilometers and hundreds who are born with the undergirding whispers and servitude being.
Where the multi gray impetuous born star is a healthy gauze story in the present tense... this angelic child grows by Miriam washes his feet in a belligerent abolished stone. His father must wash their hands on a stone which is where measured his ecclesiastical mystical stature, stone Madonna to heal his feet where he leaves to free himself, to free us... Marble gamete fémina vault, where he sleeps without knowing whether it is due, the ***** fell from the sky.
How wise is the Wise, it makes permissible for much more than two thousand years we stone quarry wheel and wheel, homily, and blessing to not wake at night to sleep startle middle and uphill.

Me of the referent of antiquity is not me of today is polished cobble stone,
Useful weapon quarry road there and backtrack to have blisters stone and soft thoughts under my pillow soft stone as a whole.

If you're ****** private living and have a free soul choosing coexist, then you are low in the cemetery on a tombstone of heresies.

Neolithic early 4500 after Hildegard von Bingen and his entourage and prowled full and channeled, swooning in her swoon with flowers in his hands and his followers planting forests on top of Stonehenge.

Carrenio says...: you see I'm right, we coexist, I die like the worst ****** cancer and then put a tombstone Stonehenge conspire in my honor black pain prayers of Salisbury. It blooms in vibrant red rubies that detonate in chromaticity and life. The stream itself is exceeded the aquatic plant Macarenia.

Call us and civilize us, outdated as far as my tired feet though I come not ashamed to see my new tracks.

Carrenio says...; see I'm right Joshua has traces of gold from other Caterpillar shod feet. Antique everything is prescribed according to their legacy today is Lent Pro that came before it was Lent vestige Pentecost came to be a nickname of the mystery of the passion in less than a rooster crows.

Beside it is the mystery of the disappointment of stubborn demon, which helps you all carry the cross, but not the entire load. Fire and Light at dawns where the splendor born...


Genome Freedom, even today every centimeter of my witness of each component, if the basic origin of the signs of the primitive world, is that we have lost the bark of the lexicon, which does not allow us to understand the meditations to ask for something, not You need to ask something. Today genome is requesting something because thousands of people who asked for millions of years, now it's time to cater to them. They were wrapped in cloth shroud of spiritual sacredness, today cemeteries mega dance their souls leave no sleepers both much grass on their heads not yet sullied by the puppet Azrael.


Impossible not to decorate the rocks forged empires that fall into the rubble, they bring 476 d. C., a new opening Middle age freedom of travel both in history thousands of years begins a new axis Golden Carrenio’s Chariot.

Carrenio Wagon

This great colossal ship Carrenio time is a timber that holds the sky, a beam that does not faint or distended thousands a. C, and the old age of King's large musings that were forgotten. It is astride ship millennium, their history of oppression has seen in the wheel, instrument wise rolling like a wheel before 5, 000 years ago, here  We fought and prostrated to distant lands millennium after millennium him away.

Golden Chariot is the structure that freedman us to enforce a new life on earth, even the Gods prided themselves move the stars to constellations called her noble Auriga sailing in full the Universes and Cartwheel Galaxy or cart Wheel. As if to say that when the Universe and its own mythology, were visited between them inch by inch by wherever they shine.

Carrenio mask and frame used had strength, temper, and tittle. When the first libertarian squall of antiquity came closer, Rome was already small and nobles populate what is a quote, Piccola. The executioner always frightened and starts out of his own wickedness. Markos Botsaris as did in Greece, and surrounding towns Messologhi remote, they were free more than tuned in massif Arankithos high wind. He was riding to Kanti once again with the golden rider Etrestles of Kalavrita. According to the Chronicle that came from distant millennia has envisioning promote its neighbor's heroic to free Messolonghi of ****** wars. All this I saw with his own eyes Carrenio, every thousand years styling with Etrestles, cleaned their nostrils so that new breed of horses to thrive,

Avignon, in the necropolis, witnessed as Azrael was cleaning his wings Jade antipopes, another story begins... even he seeks to candela who can read this story, and who can provide it from hand to hand cutting semicolons who disclosed.


Second  Ellipsis Angle  New Era:

Ara released the ropes throwing a big ship, History makes a man is at the center of the world. Revolutions, thinking, communication, and especially vindicate man in his right-libertarian. artists with their creations flowing all over the world, mutating classic Renaissance to abstract overlook. Family appearing welfare and needs. A ramble and so many broken laws. Mankind is distracted l film and theater artist of tradition. Art now has sound and movement, then social and political revolutions are industrial that unite everyone behind the pivot deployment of social classes.


Everything evolves until we get tired of doing so. It rests and then continues. This is modern reality, we wrote about the history of events on facts that have never been told. The world has tired all the Eras, but each pause time that has happened has been recharged, nothing finished if not started again. After so many wise lawyers, clergy plunged into great towers bound books. Is evident again can not read or understand. Our realities are missing valid without knowing I close and then open another door. human and civil rights, fair wages, so excessive autocracy monarchy. Freeman can walk along the paths, even if they were trenches.

Zephyr soft murmur which clutters in the Irises by Van Gogh, the painter is the biggest star trek, called with his feet images and colors that would make his own liberty to live naturally insane. And many others Brueghel "Triumph of Death" that roam the countryside, perhaps a medieval piece of Tarskovski; Andrei Rublev in futile painters decorating steps in the fontano chignon Androniko Monastery Moscow, extinct Rublev 70 years, Tarkovsky 54.

Early ellipsis - Campo dei Fiori in Rome to see die at the stake Giordano Bruno by order of the Holy Inquisition. The irruption of the Inquisition, but their feet are touching the flowers, the seasoned cassock continues to haunt the universe of Faith Dominica Trastevere, it is seen to lectures on how to be bold with the informers and the Whistle Blower dies without shade in spring, you resist the star on the asphalt on the magical island of holiness.

Carrenio says: Come I'm right, we can not read, because the brutality of the Cosmos is manure per ton weathered in the backyard of the aristocracy. I will continue with respect and crosed in Crete. Lila Kedrova means the fear of bunk bed tied to her bed and is free in foreign lands leg. Queen insular matriarchy, she lives more than any Greek Goddess, waiting for his Adonis, to fill out honors. Win an Oscar but lost to Zorba, he loses his house but won a Tony Awards. How many women teach us that to win you have to give everything to lose his brains, and thus count as the lost number remains to be retained. Zorba whines in her arms, she moans in the arms of her husband Zeus Steve, proof of a new era. Onyx for his tomb, plate of this great tragedy.

On the evening of December 14, 1964, attended the premiere. Soul of Carrenio was with them but was denied his attendance at the banquet, finally running out and watching the glasses lips and stoles spent his neck.

                                          
          ­                      Numbered Mysterious Death
                                                  Mané

If I have to feel floe on my feet and cold in my prayers will be the Dark Glory. What is slimming rays of the day, everything smelled of silence, maybe it was Kennedy, or better was The Mané.

Closure of my glory suffers the wind...
Flowers lying silence my soul alight,
Thick square displays the song of my voice...
When they speak Quadratils one to one order their
Spirituous voice.

And the spirit singing fiber of my heart told me:
Never you say I Exist ¡ not exist because they do not exist!
Only face daily the different reflection of your body
In front of yourself with another face and another body...

I want to talk with the thought
And this same subtract my little silhouette,
Lavishes wingless bird that flies only in their theology...
That is the duty and melt with my look,
Solid colors components
Crunching the altars of heaven retaining its pale warmth of anorexia.

Yellow Glory hair good event...
If you receive yellow lights, plus I do not sing my own game here in my empty veins,
Yellow my heart...
Yellow my heart
Yellow my collective heart.

They are run by large green and sunny meadows, children who had Mane in this major milestone in its last gasp. Now she is the mother of his children; it up and them in the last temptation of the mystery of death.

Carrenio keeps rolling, the brightness offered his Golden wagon to the ground. Gold grooves ago, and looking at where it realizes that it's landmass light mud. Since he felt whispers from the confines of time he had never felt as if you were finishing your journey or the world. It raining years and years and continues because nobody mends the mysterious death Numbered.

Heaven and Earth did not hold, the bottom fell precipitously pocket Lord and denied several times uncontained. She shivered in the World and the rooster crowed several times to never be heard or the Pentagon.

He is walking and knees bent,
we embraced by the golden chariot and oxen nor held
we bent us all lying on his knees,
up shoulders not hear from where came the bad grace of his departure,
numbered all the time of complaints of how then she would come,
It is unknown who would be but brought wine in his hand on the crispy mask
We ran from side to side and nothing was real

Everything seemed to sing in the chapel on a sad day,
But I hear loudly like Latin and watchfulness,
Those who know his mystery is no stranger to them
They all look but transgress the sin of silence.

Carrenio still absorbed in the hallway,
Angulo ellipsis she comes winged like a star burning tar,
A high speed to give us the new
No garden can deprive greet in speed visit
Dome comes, it comes on the eve of the new moon.

Numbered Widow mysterious,
Mané is a land of golden color and no celestial whoever wants in his cell,
A breath test, and feeding the Toffy and his henchmen
That sustaining more lively detail, there is no one that can not be targeted

It was modern, it was night, it was his torn life as an accomplice of his exile abandonment in his allegory of tender dismissal. Carrenio achieved so say goodbye to the beams of light that told him of the mysterious death Numbered. He sat on the roadside and drank some wine. Then dry with his handkerchief his neck, and have never wanted to experience such an event in a toast ever drunk.

Third Ellipsis Angle  of  New Era

Independence of Chile, it concerns Mapuche atingent case. Araucania pound, then 1818 central Chile. In Brief, Earth makes free an entire nation. His naive and primitive braves inhabitants emancipated themselves from all sides, they came to save a people who were just following where nobody can reach. Independence of the United States separates us for approximately 42 years, breaking up owners of nowhere. Industrial Abolitionist and South Slaver and Agraria. The biggest event that more than 640, 000 men and fallen activists planted safely from repression fields.

In Chile all rule resembled this secession in today's Araucano man prays for his fallen by almost more than 3 centuries in Chilean lands of Araucanía’s men. Lautaro genius and his supporters the heart of Pedro de Valdivia ate; Map ever made to your battle mapping Tucapel. "Initiation and final symbol occurred after 282 years of fierce war" and Mapuche land forever their independence from the Spanish Empire Captain-General important in foreign lands never subjected to foreign rule would eat.

The Machis and Loncos make supplications in native forests falling on them pollen on its back as if nothing out 10 times better...

To Libertas strengthen in the west is necessary to push the limits of the earth beneath his tongue and penance for the greedy entangled in the lines of bloodied sky, rebellions Chieftains death-defying all together at the edge of a cliff. 1769 The Pehuenches led by Lebian Cacique, joined the Mapuches razing Yumbel and Laja, the most peaceful Huilliches also joined mass alerting perhaps innocent people land blood-stained war and the Mackay Luchsinger.

No doubt portals military rebellion trigger blood, where they opened a tip and swords in the past. Here's reading concern is that the succession is timeless time, a sword without a sword, but on the tip of her blood is seen where there were herds and warriors crushed by their own footsteps. Here the phenomenon of freedom begins; Humanity runs treading his own footsteps, to save his family from a threat, but not strange forces that force you to use your defenses, because in the groves populate many helpless souls with his sword unused at the expense of being forced to use.

Freedom genome; It aims to reach where it has not come without looking back,
Chalices pour out is where the troubadours do not cuddle her close looks like time, singing while watching the changes are not of a new life


Heaven star,
Come to me,
I ask a sign to see them arrive,
Because I want to thus been dragged
Being together Eager to feel...
Those respites without being comforted
going to the mouth of the serpent.

About the Garden,
My home is to put my love,
He has to put the days imagining close...
To enjoy yourself is nonexistent...

Oh, my house tormenting me...!
Because in it I feel your smell
They are alone lights
Where I would wait for me to be in the dark...

In the coming future,
You will not see or hear my anger...
Perhaps my happiness nor peace praying
As the spear in the hands of the perpetrator.

You know a storm of whispers
I do sow your name in the wilderness,
It's because my judgments of hope
They mount up arable land deposited in my frenzy
Misled by a love which is my love.

But you never understand,
Because time has invaded my dwelling,
Invading my brain to give
It has invaded my choosing to love...

On the grass path,
Every time I move away from you,
I turn to see if you have not been...

Love came,
And I think that leaves us alone to avail ourselves
Ranging in our time...


But I can not resist his silence,
For my house want the noise of its action,
Why keys to the gates that serve my understanding.

Tramples my heart the fragmenting oddities into smaller pieces,
Your answer that call.

Tur love be like if I had created...
As if only you had appreciated your beautiful creation.

Do not destroy your work expresses in his mystery give life to your dreams!
Man aiming better earth, ask some of you to join your dreams...

! Your wife of this land does not procrastinate your misfortune,
I discover far peaceful landscapes like an echo in the spring,
As large and deep as your forgiveness for loving me more


It tells the Earth to the Sun in its perky tear benefactress of new opportunities as good and healthy smile rainbow on the back of Oviedo sheep valleys of freedom of Pietrelcina life.

To be continued…
Genoma Freedom , by Jose Luis Carreño Troncoso - Under Edition
nivek Jun 2014
many times I danced around the Glast festival
and I travelled in a van living
but in the end when reality set
I knew I had to make for the North Isles
a sustaining freedom where the Stone Circle of Stenness
Is a place to lay your head whatever the season
And Stonehenge sits alone in its field
a forlorn rebuffed dancing circle ended
Paul Hansford Sep 2018
Many people write a "bucket list" of things they want to do before they die.  Now in my 80th year, I don't have the time or the energy to do things that others might aim for, but I have during my life visited many places, seen many things, and enjoyed many experiences that I would have been sorry to miss. There have also been some events that I would have preferred not to experience, but which have enriched my life in different ways, and which I remember with a kind of sad affection.  
Some of these are very personal to me, and would not be interesting to most people, but read the note if you wonder why I chose them.

Here then is what I might call  
                                                My Reverse Bucket List

Towns and cities – architecture & atmosphere
   Barcelona, Spain
   Venice, Italy
   Oxford, England
   Jerusalem, Israel
   Luxor, Egypt
   Varanasi, India
   Hiroshima, Japan
   Pompeii, Italy

Other locations
   Galápagos islands, Ecuador
   Great Barrier Reef, Australia
   North Woolwich, London

Churches
   St Paul's Cathedral, London
   Sagrada Familia, Barcelona
   Coventry Cathedral
   Córdoba Cathedral, Spain
   Blue Mosque, Istanbul

Other structures
   Taj Mahal, Agra
   Auschwitz concentration camp, Poland
   Royal Festival Hall, London
   London underground system (because it was the first, and I rode it for a long time).  Also the more splendid underground railways of Mexico City and Moscow.
   Avebury Ring, Wiltshire, England (the largest prehistoric stone circle in the world, and much more primitive than Stonehenge)
   Bayeux Tapestry 
   "Angel of the North" statue, Gateshead, England
   "Christ the Redeemer" statue, Rio, Brazil

Events
   Messiah at Royal Festival Hall, Feb 1959, with the girl later to be my wife
   St John's night, Spain, early 1990s (?)
   Death and funeral of Diana, Princess of Wales, Aug 1997
   Oberammergau passion play, 2010
   Destruction of World Trade Centre, Sept 2001
I haven't added explanatory notes, but a lot of them are easy enough to look up, and if you message me about any mysterious items, I'll answer as best I can. There are poems in my stream connected with some things on the list, though not all are obvious.
Laura Williams Jul 2015
There's a party on the hill,
Yet my heart yearns for more still,
Is it an eclipse? Should we have a barbecue,
What about Stonehenge? That's one hell of a view,

Take some alcoholic drinks,
We'll have a great time me thinks,
Have a laugh, make some friends,
The laughter never ends.
something simple not flashy to think on
SG Holter Aug 2014
I wish I was there with you,  
Watching the ocean break its green
On white Australian rock.

I wish I was there with you,
Seeing a thunder storm form,  
Knowing the only shelter we had

Was our rental car parked
On an Arizonan desert roadside,  
As we opened our bottles and prepared

For the night.
I wish that was your hand in mine,  
As we counted crows landing on

Stonehenge. That that was you
I shared a snow cave with
In the deadly sub-zeros of the Finnmark

Plains. I wish that was you with me.
Even going for walks here, under the
Northern Lights on a January night,

Both dimmed with dad's home brew and
What not, content with the fact
That we'd wish

We were there with
Each other, if with
Anyone else.
Mateuš Conrad Mar 2016
if charles chooses a coronation name that isn't his baptismal name, he'll be ******, after all: we need that name for a hope of patronage and idiocy when politicising saudi arabia as a "reliable" ally.*

why is it that
cats love listening to handel?
well, when
active during charles ii's
reign he was the cream
of the crop, and a cherry on top;
the cats say: handel over bach
any daydream to come!
they should have never
renamed big ben (after benjamin
disraeali) as the queen elizabeth tower...
she's got the ****** bridge
at dartford!
what's next, Lizzy of Stonehenge?!
Keith J Collard Jan 2013
Resident Facebook by Keith Collard

{remnants of a blood and ice coffee stained diary}


23april1996,

Been working at this mansion for at least four months now. Fellow co-workers are friendly enough. The pharmeceutical researchers are very pompous with their exact demands. Im in charge of the food storage and refridgeration for the mansion. It is the only modernly powered facet of this mansion. Besides the labs in the basement(from which I only heard).


26april1996,

This mansion is too creepy, the architect designed the living quarter and main facade of the mansion in a 1920 neo gothic fashion--with gas lamps and gothic paintings. Every device, even the typewriters in the mansion are old fashioned mechanical. A top researcher told me in casual conversation that these doors and clocks are more durable than current electronic means, built in the same fashion as the pyramids and stonehenge--he was pointing out all the clocks and engraved doors in the dining hall as he was speaking,while I was putting out the food. He's the usual eccentric for as these researchers go, he told me the company president paid him to design classical mantraps along the mansion and guardhouse to keep workers from straying, encrypted with runes and riddles as keys(some odd ducks).


2may1996,

Mansion workers were given each a laptop today by the head researcher Albert Wesker. This guy is like the James Bond of scientists, dashing and suave with a 9mm berreta at his side(wish we were allowed guns). He wears sunglasses--even at night. He said they experimented with a comunications app the scientists have been using to communicate expeiremental data. The only app available on there is something called Facebook, which the scientists call "fbproto."


5may1996,

The f.bproto is neat, we can watch movies , talk to eachother, and to workers at the pharmaceutical's sister facilities. Everything is monitored by the companies security admins Ive heard. The company will be holding raffles via f.bproto for staffers who could win a chance to participate in "beneficial lab trials" from ***** extension treatment to magnetic wave reducing therapy. Sounds unappealing to me...I put my name down on the site just in case.


6 may1996,Been talking to girl who works in sanitation department underneath the guardhouse, her name is Ada, she said there was an important goverment official flying in to the helipad today. She is pretty cute, and one bright light in this shadowy mansion. message from company, we should join democratic party on fbproto. whatever they say,they're the scientists.


10may1996,

Been stayin up too late posting on f.bproto,the company is posting alot of links, of visual images and sentences I don't quite understand. Ben from mansion cleanin services keeps hitting on Ada,I want to defriend him but want to know what he's doing. I put my cat in fbproto company pic contest,with everyone else who was given lab pets by the scientists, I put little gloves on her paws--Im sure to win.


11may1996,

Karl sent me a message on fbproto that he saw a researcher go into his room, and never saw him leave, and when he went to clean his room the researcher was not in there. This mansion is creepy, I mean a statue of a woman cutting her own throat with the inscription "only death shall set you free,"is that a little gloomy or what. fan of smiley faces on fbproto.;)


12 may 1996

man, the doors are like eight inches thick, solid wood, I locked myself out of my room and tried to shoulder the door in. Well, the door with its inlaid wood carving just laughed at me, it resembles a dragon or snake or someshit with two fern looking wings, red and blue. Spooooky stuff. I had to go get the security admin for the mansion staff living quarters. He unlocked the door, and told me that all the doors are solid oak. I asked him what the words at the bottom of serpent meant, he said it says in latin “ the two wings of the beast are red and blue.” I asked him what the hell that means, he says he didn’t know, but that it has to do with the research the scientists are doing.

I stayed up almost all night on fbproto, at first because my shoulder was killing me, but then it went away, and I kept finding myslelf with a ciqerette in my fingers all the way burnt down and my skin charred, geez, fbproto really takes your mind off things, especially this mansion which reminds me of a sepulcre. That Dan thinks he’s hot stuff, posting himself in his living quarters in the guard house, which is better than the mansion staffs. He get’s to go to the guardhouse recreation room, his profile pic is a bottle of Johnny Walker Red in it’s high end package that looks like a coffin, that him and the guards won at dart’s. It’s not hard to win that when Albert Wesker is on your team, that guy sunk three darts WilliamTell style into the bull’s eye. He tagged me in the picture of the Johnny Walker, *******.


13 may 1996

Locked myself in the walk in freezer today by accident, forgot the code….a researcher let me out finally, and asked if I was alright, I said I was fine, he just looked at me curiously. I was in there to clean out these blue vines, that kept on growing into the ducts and stuff, kept on turning the temperature down. But I won’t lie, I had my laptop with me to pass time, but after a while I couldn’t scroll down because my fingers stopped working , so I pressed the keyboard with my tongue. Ada’s pictures kept me warm, oh how I love her…..I want her so bad.


13may1996

Had a dream about the helicopter ride in and how the dense forest resembled a corpse’s face as we flew past it fast overhead. We touched down on the helipad, and there were dead bodies in the razor wire, they were shaking as if they were in a laughing frenzy from the rotor wash of the helicopter. Then as I entered the main façade (my footstep's echos on the tile seemed to walk away and disapear into the mansion)and stepped on the black and white checkered hall floor, Albert Wesker was there, and he was nicely dressed as a bartender or sumthin, and he asked if " I wanted a ****** mary," and he was squeezing a heart into the glass, then I looked down and there was a hole in my chest where my heart was supposed to be. Then there was a giant ice coffee and dancing with a mirror to moonlight sonata….****** stuff, this mansion is getting to me.


14may1996

dan is such a ****, keeps posting pics of himself shirtless, he was given some experimental hormone from a researcher and is relleshing in it It was some form of energy drink called Red Bull.

Him and Ada are talking more. Message from company to like republican party page(whatever)Daves three eyed frog won fbproto pic contest,grrrr.


15may1996,

there's been more accidents in the mansion and in the labs below. Fred from the kitchen staff cut off his fingers today,and Ive heard through Chris' post that someone fell into the live feed area where they feed animals to their experiments. Bob put his fbproto password(instead of mansioncode) into the mechanical lock at the observatory springing a trap of spikes that spiked his hand to his head and his head to the wall, the featherduster was still in his hand(or face).;(


16may1996,

the scientist with the always grave look has disapeared, the guards said he transferred,but a fellow researcher said he was fired, shame, I liked him.

There is a plant living in my radiator, keeps growing vine-like tendrils, and is turning up the heat...230 friends on f.bproto,woot woot.


17may1996,

the company is handing out promotional ice coffee that they created in the labs to staffers via f.bproto,I wasn't picked, dang,its said to give you "10x human energy and vitality".I became a fan of Backstreet Boys on f.bproto.


18may1996,

karl found a memo from the missing researcher under his bed when he was cleaning out his room, sent me a message via f.bproto,it read that the researcher concluded that the f.b proto had negative effects on living tissue, decreased brain function,increased tendencies for violence,and not worth the sublimal control contract with the goverment, and that both pre-cambrian ferns pose to much liability for a biohazard and show signs of sentience.........hmm,im up to 300 friends now.


19 may 1996,

more accidents in mansion, Albert Wesker sent message to staffers that he was just promoted to Head of Security,and that if anybody is caught leaving the premises they will be shot. I wouldn't even dare to go out in the surrounding forest, I hear the wild dogs howlin all night amid those dense woods.just became a fan of Ace of base, they are awesome.


20may 1996,

my roomate looks like a hot messs, his skin looks pale with black blotches and he has pitch black circles underneath eyes, he's been taking the labs new painkillers, man he should change his profile pic. I poked Ada.


21 may 1996

message from f.bproto, "outside guards replaced by Hunters.".....man, def would not go out there now, I fed one of those ape reptile thingy's live feed the other day( Phil went missing, I had to do his job, always doing other peoples work), and the feed for that day was a cow, and this thing just poked the cow to death with its razor claws.

Everyone of those brute raptor things have a skeleton key has their middle razor claw, a researcher said they can hear every door open and shut in the mansion, " If you see one, turn around and go out the door you came, if you enter a door your not supposed to, well....." he didn't finish what he was saying, only walked off muttering "what have I done....".....I friend requested him on fbproto, his last post was "god forgive me." His profile pic was his mansion room, with replicas of insects and a fishtank(that is rumoured to be a model of a giant one in the basement). He disapeared soon after and his fbproto was deactivated.

Joined Labville on fbproto.;)


22may1996,

message from company, the labs are combining expieramental ice coffee,painkillers,and steroids,anyone on f.bproto can partake, and we should document how we feel and what we do on fbproto multiple times a day. Took a pic of myself shirtless, can see spine coming thru skin, and I keep catching the red plant from the radiator posing in the background, or giving me bunny ears......grrrrrrrr.;(


23may1996

went to smoke a spleef on the stone balcony, near the greeen house over looking the forest the other night, they grow all kinds of red and blue marjiauna there.....but there was one of those reptile hunter things, standing guard there, blocking the path, it screamed and almost blew my eardrums out, " okey dokie" I said, and slowly backed away and left......friggin nazis these pharmaceutical people are.

I got rid of the Labville app on fbproto, that game is too hard, I keep running out of butlers to feed my experiments, and my humans keep escaping into the woods. But mostly, Im sick of seeing

Albert Wesker's name with the highest score everytime I play......



25may1996,

Ben said he saw a handfull of scientists and guards on the helipad taking a chopper out. There is more plants decorating the halls, no one knows who put them there, some rooms are blazing hot, others are ice cold. Ben said to not go to the library, everyone who went upstairs to that room has not returned, that the blue ones have took over the cobblestone path to the courtyard where the armory is. Said he saw Kevin in the tangles running up the stone wall on the side, he had a vine going in his mouth and coming out his eye; and he said that the researchers call the red ones "evaginates," for how they trap and slowly eat you(sounds ******). Im not on Ada's top friends list anymore, angry.


26may1996,

the mansion is awash in accidents and fighting, roomate looks like zombie, others look like reptilian muscled gorillaz, others just a blur they move so fast.eyes hurt from staring at f.b proto. Moaning alot. everyone is playing "I Saw the sign" from Ace of Base. Vines keep stealing my hat, and eating people.


25...,

no food, ate cat,mittens and both hearts,gas lights out, dark,everyone walking around with laptops to see,blue fbproto reflections on walls.fml.


2aprol

took chris' ice cofee and killed ben before he took steroids,lol,ate steroids,no one cooking food, getting hungry,guards came,ate em.....bullet hole in my chest......chaaange f.bproto profile pic to facee....my quote is mooohaha... just. saying


23...,

feel strong, fast,gruntin alot, hungry, no food, ate carl, ate red plant, carved him with my skeleton clah....I hate mondays was post on f.bproto,yum ice cofee.


43

oooohhhh, lol,lol, top ada friend list, ,ate benny...b.esisde armpits....he stink.....roarrrrr......oohhh....bullel wond in cheeek....see benny in thar......moving quick......hunman bones everyware....stain carpits....helicupter....mur guards......no.....pulice.....wesker is wit em....ace of base now.....bed of blud..I wit...fur em.....fbproto sez **** starssss ......


2..........rooooooahhhhh,yum, ohhhhhhh,lol,raohh.fml............[rest of transcript unintelligible]
Tord Mar 2014
if i could express
my love in stones
i would have
bought you diamonds

but
it is even stronger
and harder

*

all i want is to be
a rolling stone

moving with your lips
(T.S.B)
Michael R Burch Apr 2020
Stonehenge
by Michael R. Burch

Here where the wind imbues life within stone,
    I once stood
and watched as the tempest made monuments groan
    as if blood
boiled within them.

Here where the Druids stood charting the stars
    I can tell
they longed for the heavens ... perhaps because
    hell
boiled beneath them?

Keywords/Tags: Stonehenge, standing, stones, sarcens, bluestones, Druids, star, charts, charting, blood, heaven, hell
tread Mar 2013
only a few
epochs old!
you've got
our whole
lives ahead
of you.
Shofi Ahmed Jun 2017
Like a southern song singing on a dream scene.
a smooth fairy dance facing the Moon
a thrill of exposing Stonehenge once and for all
a melodious raindrop in the serene pond
a butterfly dance on the rose
a turned on tall tale of the blue peacock
Like a pure belief in heaven without a pinch of salt!
Kaitlyn Phillips Sep 2014
I've never seen a statue built to praise the broken;
I suppose it'd be near impossible to make stone that beautiful.
Instead, I've seen a thousand things carved ugly into stone like scars,
seen monuments to monumental mess-makers,
seen their war hero waste-lands build bars around the hearts
of a thousand cast-iron shackled slave saviors, but
I've never seen a statue built to praise the broken;
I suppose it'd be near impossible to make stone that beautiful.
Mateuš Conrad Nov 2016
could you ever, with your ears, express a piece of music, as: fluffy? dark soho's piece is fluffy; and by god i was the pretentious one at the beginning of the 20th century critical of the emerging music... but i'm the one merging at the beginning of the 21st century: and it's a T.S. Elliot scenario: the overload of rhythm: industrial core due to the industry being foetal sieg heil! and so many have fallen for the nostalgia trap... it's not coming back: against the thump thump gyroid reproductive muscular we emerge from... for whatever lack of drums in the orchestra: we're paying for it with an excess of techno techno Bob the goldfish cardboard box dance sequence... or as some would suggest: filling in the gap about the joke concerning a triangle being a part of the orchestra and the person educated in it, rather than the harp.

ah, the blank, and i have to work on it: let's imagine i was just
cooking a pork stew for my father and you don't
bother to ask why someone's surname is written
Raßer - and you don't know how
to pronounce it: and you end
up with razors - which you end up saying
racer - or how about sharpening
the s into a zed - how's that?
this is surgical activity while you you're
at at the butchers: necromancy aplemty:
when god speaks, the devil whispers -
American divergence of the pronoun
y'all / you all -
                           we the safeguard
and they the paranoia -
                                    take it slow,
imagine yourself living in Alaska:
you're exposed to the elements
and Prometheus isn't handy:
  all you have is west London drool
that later translates into easter in London,
Ld: isn't even an postal code:
given Greenwich, bellybutton on the world
they're bound to abuse / feel special
                 about, it's just a John Bishop
          Scouser type of beating.
                  ya - i say i aye, you frostbite of
culture, ya yarn ball of ****!
    oh 'ere we go: the red-coats are hunting
foxes: sort of scenario -
   the sooner they ******* a killing
the better for me: 'ave that one with a grizzly:
             some say the longer the yawn
the greater the applause -
      yo! Yogi! turntable of Las Vegas
says you better gamble on hibernating in the
effing Hermitage!
  - we say a lot of y'all when we imply the
plural, don't we? terrible, ****** thuggish
'n' all, to say it.
   i have five pages worth of notes,
and even though i'm drunk,
i came across a foundation, i'll never be ask happy
at i am right now,
   i signed a copy of my book (look! i don't
have a publicist, i don't have the ******* swagger,
i have the inferno that says:
  when the writing dries up, get a proper job;
if the writing doesn't dry up?
             you're less than necessary than a
supermarket shelf-stacker...
                 there are succumbing reasons that
explain the affair later) -
      no i'm about to sell my first copy -
  i say to her: when you working this circuit next?
Friday night? i'll tell you how much i'm selling
for, well: i'll never be this happy: ever -
it really doesn't matter how much for how little:
   i'm not exactly a family animal: farmed -
i'm political: through and through -
   by the time i finish this whiskey i'll be
demanding something new...
    i don't think your able limbs do idle chores:
i just think admire that they do them
and hardly complain: i blame it on the workers'
encouraged banter - and that's called solidarity.
still, right now, it's all about
dark soho's: dark moon in stonehenge -
       or why you never take l.s.d.
   question arises with Bach...
and polyphony - again, non-linear polymers:
   back when the Germans were at it
music sliced through the air
                   - or the modernity of lost
string (quartets) and woodwinds -
          only the thing plucked rather than in slicing
stroked kept from the strings:
    it was truly a devolution via brass -
   you can have the iron age,
but this is the brass age -
                   and subsequently the evolution
or filling the void of orchestral percussion,
which began with jazz: how orchestra was stripped
of woodwinds and strings and elevated
the humble triangle and enforced drums
and the rhythmic transcendence of limb and heart
and less ear and mind -
           oh the spontaneity thus involved:
forever the enigma of the composer's ability
to say much more than *A
, when saying in A# -
oh hell: music used to be the Mongolian horde
of all things imaginable,
                  the screams, all the entrenching
embodiment of battle: soothed -
  but in our apathetic guises: music is a variant
of the once exfoliated, thus hushed:
music is expressing a war in waiting - or a war
that's not to be - once music music ascribed
wind and tornado toward its elemental composition -
these days there is less wind, and more earthquake:
we are exposed to a trembling -
           an overt percussion methodology:
that's not fire and the storyteller / poet by
the lonesome huddling of nomads by the fire
with oud and recitation of the to come Quran:
we are experiencing a complete reversal of wind:
here we have dark soho's tectonic cardiovascular:
over stating the percussion until the eventual
obliteration of breath, and subsequently
the flatline of the heart's rhythm: to reach the zenith
of a flatline: beehive musicology.
         it's all earth: and the quaking
rather than a waking into.
                  sure: to the alien ear outside the populace
of those that listen to that kind of "****":
but let me assure you:" you can intellectualise
anything beyond the guilty pleasure:
or else - care to disclose your opinions about doggy?
once we were slicing and ******* -
these days? we're hammering, Soviet committee
said: hammer hammer hammer...
            gravitational drilling against the Catholic
lessons of worldly-detachment akin to a Gagarin:
and all the world's problems morphed into
an image of moving away from earth...
    far far away...       well: we're grounded, like it
or not.
              i love that: y'all -
                          it's as if we all need to agree, ~.
and what better way to actually open a poem up
if not to say how prose is a miser and poetry
the mad spender, or compose: he had / another thought
he wished to take / but...
           originally
                    he had
                  another thought he wished to take
                 but...
saving an Amazonian tree, suggesting that: one by one.
i'll sell my first copy on Friday,
i just need to know how much money was put
into printing it -
   and it will be the happiest i'll ever be -
who cares that it's only 1... if i were selling
100,000 copies i'd be thinking of buying a Mercedes
to do away with the capital...
      oh right, the poem (six pages of notes):
the question, what does it all mean?
       i'm thankful that the all means very little,
or at least enough for physicists to take a bother
in answering:
               i'm just thankful to say that at least
bites / bytes / isolated units have more meaning
than the whole... i.e.?
do i care what the universe means, more so
than i known what the word darkened means?
                 pause for thought -
the well established organic search engine that memory
is: and never will be: an algorithm (engine) -
           still the organic variation of accessing it
reveals Rodin's statues -
                        post-Rodin (Rho-dan: ****** iota!
why so naked in the first place?!) -
            the point where it's not so much enigmatic that
you wish to replicate: but entomb, and mould
a statue worthy of the perpetuated cut-short
and mediating the idea that thought has also
the faculty of imagining and memorisation
that hardly translate into being via ergo...
       if that's the case: you're demented via the
ergo of memory... and deluded via the ergo of
imagining -
                      or Frankenstein / Disney respectively:
but never the extinguished cogito, somehow,
oddly enough:
                          and by the way - no one is going
to question my opinions because dialectics was
giving the hemlocks... my opinions
will only become passed around like Bulgarian
Versace copyright thefts, or because they
were never ideas: attachment .pdf
                   will never entertain someone else's thought,
or because they were originally always opinions
will be consecrated on the attachments of .jpeg:
ever wonder why the crucifix always
mobilises so much emotional foundation to
react and protect a torture-filled instrument
worthy of worship? me neither.
                but that's the whole beginning:
we ensured our memory is eroded by an easily
accessed algorithm - we prefer the goggles to
mensa -
                   and if i were a technophobe: e ah e ah oh...
McDonald would turn out to be McTrump:
'cos' i wouldn't be using it.
              then how to synchronise the senses:
you surely can't leave one the prime consumer of
all the things around you:
     i guess that as stated: you can't live out a life
whereby one is polarised, and the others recessively
make your thinking into potato -
   then again: not polarising one of your senses
will leave you thinking that old fantasy that
you live in a hologram "reality": which i mean by saying:
if one of your pentagram limbs isn't polarised
like a blind person, your thought will claim a sixth
sense status - and subsequently you'll experience
either a second chance of allowing one of your senses
to be stressed / polarised, or all your senses will become
overpowering your non-sense: that's thought into submitting
to a polarity / vector: kindred of
the manual worker feeling his trade take
perfect replication -
a composer polarised by "hearing" -
a painter polarised by "seeing" -
a poet polarised by "speaking" -
a chef polarised by "tasting" -
   a perfumer polarised by "scenting" -
and within the sixth sense extension:
a politician polarised by "thinking" -
  the first antonym suggestion comes within the latter's
parameter: mobilising or puppeteering:
would i care to find variations for the latter? no.

     interlude... opening of page 3 of notes on a windowsill...

and how often is soul ascribed a sensual dimension?
i guess as many a time thought isn't ascribed one:
necessarily made into nonsense.
soul? what do i mean by that? the part of you
that isn't indestructible, but, rather,
the part of you that feels that ease: the uninhibited
correlation (verbiage necessary, darling,
if you want the gist of it) -
when at ease you're not really ascribing to yourself
thinking, but a narrative -
  hence your notion of being indestructible,
or young.
      when thinking is easy we're not actually thinking,
we're narrating, hence the majority of us
are clogs in the machine, and once the machine works
we're upbeat about it, because we prefer to narrate
ourselves into life than think ourselves into it:
primarily because (even i included):
we lack a public addressal attache to make
vague concerns over our: inhibitions -
we are entrusted with inhibitory encrusting
for the sole purpose (we should be afraid of
suggesting): let's see who falls off the ferris wheel
first and we can entrust our congeniality toward
the joke: thank **** it wasn't me, later...
          but still:
if were were really intended to think
rather than narrate we'd be given global warming
solutions everyday...
   there's nothing in us that suggests an 'ought',
a moral choice to later say: thought
                      that could fish-hook us out of
kissing the narrative goodbye -
  narration is an undisturbed faking of thought -
as such the 'ought' is never thought of:
because there's a narrative going on
that's more important than anything requiring
even the most basest obligation.
       we are never obliged to be, because we are
never obliged to think: it's strange how the
two are anti-synonymous due to the ergo disparity:
as if one produces the other, or the former
the latter.
              thinking you're good never precipitates
into being good - and vice versa:
   for all i know i know fake rather than falsifiable
saintliness: the power of the scientific
  suggests that i should be Baron von Scorn
when it comes to the ignorance of testifying
         against people who abhor science
and reproduce, nonetheless, with failure to
transcend deformities: because deformities are
glorified and all forms of ability demonised:
so it looks quasi-Vatican-e.
                   preface to a Michelin star:
start with a ******: work your way down:
enjoy your meal, bygones-be-bygones:
you very happy people.
                  but i never understood why
the idea of thought has never the opinionated phrase:
me, exponentially, to no book's avail!
        p.s. as to be ever written!
    thought conscripts man to rubrics -
for example? examinational candélabre -
  some call it i.q., other's call it: for god's sake man,
****** shoot! shoot!
                        and the flying toes and digits:
thumbs away: booh booh Blitz.
                        first thought: that Jersey song:
fifth of November - that Fawkes ****
who almost.... n'ah.
                            in case you're narrative:
thought has its narrative: it's transcendental -
phenomenology comes into play with
narratives and Lady Gaga and how you're an
"individual": thought is acquired trying to transcend
atomic electron orbits that says: electron clouds -
or it's there, but it isn't there, but it's not there,
but it's there: huh?
                         narration conscripted to the rubric
of school exams at school: palpitations, sweat,
nerves... in this scenario thinking is actually
regurgitation -
                          actually we're still doing the Elvis
Costello hope: while narrating we pass from
these shackles of having to think lessons through
when in fact: we're gearing to having no need
in having to learn them primordially, period!

the paranoiac "they" are eroding our protective
membrane -
    they begin with memory -
         it's not that we care to remember certain things,
but by educating us in the Pythagorean theorem
they're not necessarily dressing us in bow ties either -
they need to implant an abstract educational
thought to replace our natural assimilation into
a narrative that we ourselves have created -
       they need to create erosion within our
memory to stop us coagulating our sense of memory
within a framework of us imagining backwards
rather than forwards:
      the cinema of the mind means memory utilises
imagination to do cartwheels backwards
rather than forwards: because forwards is always
a Disney pharmacology of the neon hyper colouring.

or how they made us escape the "Alcatraz"
of the couch of cognitive narration into an
iron maiden of thinking -
                    in this realm narrating is disparaging
from thinking: narrative is a comfort zone:
thinking is a discomfort zone -
                       but neither me nor you will
become a Newton in terms of narrating the ideas:
so why the hell would they want us to think?!
       concerning Heidegger:
the problem is not that we're not thinking -
the solution is that we're narrating and have
no urge to write books, and thank god for that!
               or man, as the pentagram of the senses,
reversed into thought as the sixth sense calamity
and reversed back as that sense missing
and the tetra exemplified...
         when learning what is the weakest point,
the audio or the optic-receptive stimulation?
                         i mean, the senses over accuse
thought's complexity as if it were a sense akin
to them, hence the suggestion nonsense;
well of course, thought is actually non-sensory -
     i just suggested that when thinking
i'm not polarising any of the penta -
         i'm suggesting that when thinking i'm
invoking the tetra - as if blind or deaf -
but that means i'm deviating from the superstition
that a sixth correlative mediatory balance exists
between the two dichotomies -
                            the senses will always treat
obscure thinking as if obscure narratives:
even though i know how much a price of bread
costs in the 21st century -
                              what i'm saying is that
the nonsense assertion is also true for the other:
not having had the chance to polarise one
of its senses to point toward the artefact use of
wh
r Apr 2014
Led down from the tower
Head high and hands bound
Blindfold declined against the wall
Black square pinned to his heart
Eyes afire and shining proud
He sang...

He sang of Caruso, Townes Van Zandt
Pavarotti, Bocelli, Mercury,
Carreras, he sang of Antoine,
Of Sinatra, Lennon, Morrison, Redding
He sang and songbirds paused in flight
He sang like them all

He sang a song of himself
Of leaves of grass, of second comings
Of Byron, and Bharti, and Cummings
He sang of Neruda, and Plath, Tagore
Dickinson, Kamala Das and Naidu
Oh, he sang of them all

He sang of art and beauty
Of Mona Lisa and starry nights
Girls in green dresses and pearls
He sang of Van Gogh, of Picasso
Of Rembrandt, da Vinci
He sang of Michelangelo

He sang of sadness, pain
He sang of My Lai, Sand Creek
Of Guernica and Krystallnacht
He cried and sang of Wounded Knee
Of Katyn Forest, Sabra and Shatila
Oh, he wept as he sang

He sang of history and wonders
He sang of Olduvai and pyramids
Machu Picchu, Tikal, and Angkor Wat
He sang of a great wall, the Taj Mahal
Stonehenge, Easter Isle, Mesa Verde
His song took us to them all

He sang of courage
A song of Bunker Hill, Gettysburg
Of the Alamo, Normandy, Stalingrad
Of Lincoln, Guevara and Dr. King
He sang of Bolivar, Bhutto, Ghandi
He shamed us with their song

He sang his song...
As women sighed and peasants cried
He  sang until the rifles fired, he died
Songbirds fell from the sky
Soldiers broke their guns on stones
And marched into the deep blue sea.

r ~ 4/12/14
Jen Grimes Dec 2015
The stubble left on your chin brushed my cheek and I couldn’t ignore the burning in my chest any longer. Our lips held a conversation without words and your hands found pieces of me that I forgot existed. I swore you were the one, but maybe it was just the tequila.
here is something I have been working on in my writing class as a professional writing major, called a stonehenge. A stonehenge is a story that is only made up of three sentences. I hope you enjoy it, and maybe write a few of your own!
jake aller Mar 2020
Corona Virus Poems


Index
The virus from hell is amused
End of the World
Every Day I Turn on the New
Irony Meters Blow Gaskets
Chaos
Corona Virus Fears Tanka
My Phobias Overwhelm Me
Fear Fills the Air
Is this the best we can get?
More Trouble Every Day
by pass the alarms spreading across the land
corona cinqku
Taking a Walk in the Corona Era
A lone man stands in an empty parking lot
hell of a world we live in ain’t it?
Pause for a moment amidst the media madness
I feel as if the whole world needs to be cancelled
The Virus King Cried
Bring out your dead
the Virus Came From Hell
The Delivery System of the Virus is Round
the corona virus is testing us all
the call goes out
the horsemen begin to ride
nature spirits revolts against humanity
Last Human on Island
Corona Virus Haiku
the virus came from hell
bring out your dead cries
Be Afraid  haiku
Death Comes Knocking
the virus from Hell haiku



the Virus from Hell is amused
the Virus from Hell is amused
laughing at the world’s panicked reaction
as it marches through the world unabated
infecting everyone in its wake
as the world awaits its fate
the virus smiles he ain’t no fake
he is the real deal
he is death itself
he is the end of the world
the grim reaper is smiling
god is silent as usual
the world’s leaders
dither and rather
as the economy craters
everyone hoping that God
will save them
the virus does not care
insults and orders do not work
the virus simply does its virus thing
infecting everyone it encounters
and thousands will die
equal opportunity offender
killing the rich and the poor alike
but more poor people
just so many more poor people
than the few billionaires
the virus smile
his work is done
and mankind is doomed
so be it the virus thinks




that is the way of the world
and the virus is the new king
of the world

End of the World
end of world
the fears world-wide
soon find us dead
bring out the dead
ll the dead die
death lies here there
there goes here
as death here comes
soon here death comes


Every Day I Turn on the News
debunking the bioweaapon conspiracy theories
every day I turn on the news
nothing but news about the virus
the virus from hell
the world is filled with fear
and my anxiety levels rise
every time I turn on the news
oh my god I say
we are all going to die
and I am so afraid
afraid of everyone
afraid of everything
dreading the latest news
and nothing relieves my fear
I watch the world
loosing its collective mind
wondering how much more of this
can  we all take
I scream out
Dear God save us all
god is silent as usual
and so I realized
we are doomed
perhaps it is the end times
perhaps not
I turn off the TV
try to stay calm
hoping the madness
will not overwhelm us all


Irony Meters Blow Gaskets
the Irony meter gasket
is blown again and again
with every statement
of our chaos president
and his endless surrogates
promoting the latest Presidential
on spot guidance by our great leader
that must be true
because our dear leader
says it is so
The President accuses his democratic rival
of being senile and needs to be in home
and will be run by his radical left allies
and the right wing media
echoes the presidential absurd comments
refusing to acknowledge
that the president himself
is rapidly fading into dementia
and his radical right cronies
are looting the government
driving out expertise
even in the midst of pandemic
Oh  yeah the irony meters
are blowing gaskets
every single day

Chaos
the world descends into chaos
as our world leaders
led by the chaos president
are overwhelmed
by the smallest
enemy of all
a simple virus
straight out of hell
blows through the crumbling
third world public health infrastructure
living proof of the decline of America
and no one is prepared
and panic ensures
with every Presidential tweet
as people don’t believe
a word he says
conspiracy rumors spread
everyone believes their own reality
as the world spins out of control
the chaos king is in his element
convince that only he knows
the deal
and everyone else
is iust a bit player
in the reality show
that he presides over
and so the rest of us
hunker down
just hoping for the best
as the panic and
chaos spreads faster
than the virus
are we doomed
can we survive
will God save us?
he is silent as always

Corona Virus Fears Tanka
Corona virus
lurking fears all around me
we all will die
the TV screaming nonstop
Must be afraid be afraid

My Phobias Overwhelm Me
lately I have become scared
of everything
the news scares me, the corona virus scares me, the presidential race scares me, fears of gun men in the street, terrorism, fears of getting sick, fears of dogs, fears of other people, fear of loosing money, fears of becoming demented old man, lost in his nightmares on the street just another invisible homeless *** in the end of his life
all these phobias overwhelm me
time to walk away from my fears
and realize
it will be alright
everything will be alright
As long as I have you
by my side

Fear Fills the Air

watching the news
CNNMSNBCFOXBBCKOREANNEWSJAPANESENEWSBLOOMBERABCCBSNBCGOOGLEA­PPLEREUTERSAPIRUSSIANTVCHINESTVFRENCHTV
blather on and on
the world is ending
pandemic is coming
we are going to die
and the fear grows
and the restrictions grow
travel comes to stop
the economy comes to  a stop
everyone is so afraid
our leaders fret
say that everything is fine
as the world enters
the second great depression
and we are faced
with the reality
all over the world
idiots in high places
the masters of the universe
are in charge
the internet spreads
the wildest rumors
must be true
I read it on the internet
the truth is lost
in the shuffle
no one believes anyone
everything thinks
that they know
it is all a conspiracy
the thought comes to mind
we are all so ’S….
end of the world
is upon us

is this the best we can get?
watching the news
one wonders
how in this great country
of ours
335 million people
among the most educated
richest people in the world
we can end up
with such idiots in high places
running out country?
these idiots in charge
no disrespect intended
both political parties
all corporations
and our institutions
except maybe the military
has been infected
by this virus
of epic incompetence
greed and indifference
to the general good
who loudly constantly proclaim
that they are Christians
while violating
all of Christ's teachings
Jesus if he came back
would scream out
I am not Christian
it is all about me
and mine
and you can go
to hell
if you dare to disagree
and so we tweet and titter
and watch the news
reading the latest rumors
and I wonder
if there is a god
or if there is a devil
and are we overwhelmed
by the dismal news
why can’t we have better
leaders
better people
in our leaders
around the world
has god abandoned us
are we in hell
or did god ever exist
except in our fevered imagination
will god save us all
or will the world
just go around the sun
indifferent to our pleas?
no answer
must watch the news
consumed by the need
to see the latest news
and so it goes
and I wake up
the sun is up
and the nightmares
fade away
until I watch the news
and the madness consumes
us all again and again
as the corona virus
marches on and on
consuming us all
as the world falls apart
these must be the end times
I hope I will be raptured away
even if I am not a Christian

More Trouble Every Day
The Old Zappa song plays
on in my head
every time I turn on the news
and see more trouble every day
no one can delay
the trouble coming every day
Frank Zappa died too soon
before the horrors of the Trump era
and the corona end of the world plague
that he would have foreseen
if he had lived on
he was truly a prophet
crying in the wildness
while making money
as an over night sensation
as he saw the slime
oozing out of the TV sets
we will do what we are told
for the rights to us have been sold
And Jesus too
has been sold
to the highest bidder
nothing but a business deal
in America
the land of the constant deal
and so I turn off the TV
and realize that
the torture never ends
the torture never ends

Trouble Every Day
more trouble every day  Frank Zappa
Well I'm about to get sick
From watchin' my TV
Been checkin' out the news
Until my eyeballs fail to see
I mean to say that every day
Is just another rotten mess
And when it's gonna change, my friends
Is anybody's guess
So I'm watchin' and I'm waitin'
Hopin' for the best
Even think I'll go to prayin'
Every time I hear 'em sayin'
That there's no way to delay
That trouble comin' every day
No way to delay
That trouble comin' every day
Wednesday I watched the riot...
I seen the cops out on the street
Watched 'em throwin' rocks and stuff
And chokin' in the heat
Listened to reports
About the whisky passin' 'round
Seen the smoke & fire
And the market burnin' down
Watched while everybody
On his street would take a turn
To stomp and smash and bash and crash
And slash and bust…

The Torture Never Stops
Frank Zappa
torture never stops
Flies all green and buzzin'
In this dungeon of despair
Prisoners grumblin
**** they clothes
Scratch their matted hair
A tiny light from a window-hole
Hundred yards away
That all they ever get to know
'Bout the regular life in the day
'Bout the regular life in the day
Slime and rot and rats and snuck
***** on the floor
Fifty ugly soldier men
Holdin' spears by the iron door
Stinks so bad, stones are chokin'
Weepin' greenish drops
In the den where
The giant fire puffer works
And the torture never stops
The torture never stops, torture
The torture never stops
The torture never stops
Flies all green and buzzin'
In this dungeon of despair
An evil prince eats a steamin' pig
In a tumbers right near there
In the chambers right near there
He eats de snouts an trotters first!…


by pass the alarms spreading across the land
to bypass the alarms spreading across the land
the circuit breakers are breaking down
as the alarms go on and on
with the end of the world
the end days approaching
spreading the alarm far and wide

corona cinqku
corona
it came from hell
we must be all prepared
meet God


Taking a Walk in the Corona Era
every day I go for a walk
in the spring time woods
near my house
braving the weather
and the dreaded corona virus
wearing masks and gloves
keeping a distance
from anyone we encounter
that is life it seems
in the era of the corona virus
when will it end
no one knows
until then
I will brave the viral threat
and confront my fears
and walk in the park
with the love of my life
my bride my wife
by my side
in these challenging times
that is all we can do

A lone man stands in an empty parking lot

contemplating the new normal
social distancing run amuck
as fears of the corona super plague
plague the land
driving everyone inside
sheltering in place
afraid to go out
afraid of the deadly c virus

It is a hell of a world we live in ain’t it?
It is a hell of a world we live in ain’t it?
said the old man to me
sitting on a bench
in the park in the woods
as we both sought shelter
from the spreading chaos
the pandemic swirling around us
Yes I said
standing up
to enforce the proper distance
between us
don’t want to give the virus a chance
to spread between us
he smiled and said
relax I already went through it
I am fine and you will too

Pause for a moment amidst the media madness
Pause for a moment amidst the media madness
All around us fears and chaos
Unlike the end of the world approaching us
Sadness overcomes us dooming us to our fate
Every we go nothing but death awaits

I feel as if the whole world needs to be cancelled
I feel as if the whole worldneeds to be canceled
due to rough times ahead
due to the corona madness
and the thread of pure craziness
that it inspires in us all

The Virus King Cried

the virus king smiled
as the politicians lied
saying that the end was near
the virus king infected thousands more
and killed hundreds of people
the virus king sneered
as people panicked
and partied on the beach
the virus king infected thousands more
and killed hundreds of people
the virus king laughed
as the markets crashed
millions became unemployed
the virus king infected thousands more
and killed hundreds of people
the virus king roared
as the world slid into chaos
people turning on one another
the virus king infected thousands more
and killed hundreds of people
the virus king smirked
knowing that there was nothing
that they could do to stop
his army from infecting millions
and killing thousands
the virus King begin to realize
that soon there would be no one left
no one for his army to infect
as everyone was dying
the virus King yelled
remaining defiant
as civilization collapsed
billions were infected
millions died
the Virus King at last cried
when he saw that he was defeated
as one by one
people began to recover
and his reign of terror came to an end

Bring out your dead
the call bring out your dead
spreads around the world
as millions die
all over the world
the virus has spread
mutated and killed
all over the world
bring out your dead
the mournful cries
echoing in the wind
of the dying cities
mass starvation
as no is working
in the fields
as more people die
and the world spins
around the sun
with the politicians lying
and the dead still dying
as civilization dies
and humanity flee
into the wilderness
chased by the killer virus
straight down to hell

the Virus Came From Hell
the virus came from hell
straight out of a mad lab
born and raised in China
the virus spread from Dinah
all over to carolina
it spread from the lab
the mad virus of Hell
was mad as hell at humans
who it blamed for everything
seeing itself as cleansing everything
killing the world and everything
revenge against humans
perhaps virus came from God
more likely came from Satan
part of natures’ revenge
all designed to avenge
the damage to Stonehenge
virus came from Satan

The Delivery System of the Virus is Round
the delivery system of the virus is round
very simple system
the virus spreads around
and all must pay the price
death and destruction

the corona virus is testing us all

the corona virus
is testing us all
is it a plague
sent by God

if we have faith
will we recover

or it is beyond our control
the end of the world

does god hear our prayers
does god even exist

the virus from hell
spreads around the world

and test our faith
will god save us all

I have no answer
but perhaps if god exists

we will recover
from this plague
from hell



The call goes out

the call goes out
stay at home
to beat the dreaded c virus

will we live
or all die?

the four horse men ready to ride

the end of the world is upon us
as god unleashes the corona virus
which is spreading across the land

the four horse men are ready
to begin their grim journal
announcing the end of the world

the white horse comes first
offering peace and hope
in the midst of death
and despair

the red horse rides second
ushering in war
throughout the world
as nations turn on each other
and civil war looms

the Black Horse is ready
unleashing famine
on a starving world
as people stay at home
and food rots in the field

no one is able
to work any more
as the virus kills more
and more

the pale horse rides last
bringing death
in his wake

death all around us
as the virus kills us all
and civilization ends

the four horse men
have done their job
the virus finishes its reign of terror
and the few survivors
beging to recover

end of the world
came and went
and they are still alive
thanks to God

who remains silent
as always

nature spirits revolt against humanity

all around the world
nature's spirits
are on the move

the world is changing
as the nature's spirits
rise up
in revolt against humanity

is this the end time
is nature on revolt
against humanity

is this the end for us all
will the virus **** us all
will nature rise up
and **** us all?

Last Human on Island

Last human on an island
in the deep blue sea
nothing there
but death and destruction

virus all around
pandemic plague
Apocalyptic views
end of times
death of civilization




corona virus

corona virus
staying home waiting for death
Afraid everything  
the virus came from hell

the virus came from hell
staying home waiting for death
Afraid everything  
Bring Out Your Dead

bring out your dead cries
break out all over the world
we are waiting death



death comes knocking

death comes knocking
on our doorsteps tonight
will God hear prayers



be afraid afraid

be afraid afraid
Must be afraid every one
Death is at our door


The Virus Came From Hell


the virus came from Hell
ravaging the entire world
all waiting for death
my take on the corona virus pandemic  for more check out my blog, https://theworldaccordingtocosmos.com
aar505n Dec 2014
Sunrise at Newgrange
and
Sunset at Stonehenge.

Value those precious
hours of light
before it is devoured
by the devious night.

The dense darkness
can sense your fears
and hear your tears

Soon to devour
your sour flesh
Leaving a fresh
carcass in the darkness

And where is my
Great Dark Hope?
Gone to get the rope
Or
hiding in the shadows
waiting
baiting her time
Until we are at our weakest

The last thing we will see
are the Darkest Eyes
then hope no more
As our door is closed
and locked

This is the Winter Solstice
This bitter hiss
Death's long and last kiss
Dear Dec 2013
dystopian dream filled with wilhelm screams, in his head, perfection is bursting at it's seems. I the adviser, broke a glass over his head, blood all over the handsome head, my knuckles as hard as stonehenge, and we made love?
Omnis Atrum Sep 2013
A lachrymose ebullition,
unable to be muffled by its producer,
is postulated idiosyncratic,
and erupts behind locked doors of each abode.  

Remembrance trailing each hastily inhaled sob
of each adolescent informed of responsibility,
and of how appearances are more important
than actualities,
but not the stones it chains to their feet,
nor how they must repress sentiment.

If the building blocks of Stonehenge
were to frolic and wriggle voluntarily,
what force would fight the gravity
always pressing downwards on those below,
from collapsing the entire structure?

Without convenience to focus on sentiment
the neglected portion of our humanity
congeals until it can no longer be contained,
until it metastasizes from heart to brain.

Until the bulldozer rolls through you without resistance,
to create a more scenic landscape,
or else,
a multistoried parking garage for others to leave
their possessions they do not require at the moment.

Inaudible to distracted passers-by
wrapped up in their causeries,
of the scores of their preferent Colosseum teams,
or else,
sensational stories relayed by jovial faces
from the teleprompter directly to their subconscious.

This outburst,
anticipated to reverberate only within the confines
of the relative safety of this shelter,
until the sound waves of each echo
slowly
lose
momentum.

Who could be expected to hear each cog,
slowly being worn down,
while hidden within a working machine?

When those that convince the populace
that their lament will be heard and mended
urgently cram currency into their ear canals
when their position has allowed their own
muffled cries to cease.

This begs a question from the masses.
A question, muffled, and without words.
Each raised hand stretched upwards
as the inattentive teacher ignores,
causes another hand to reach skyward.

This populace never intended for their own
whimpers to be heard,
not heard, but heeded.
While the torment of their tear filled convulsions
bulldozes through them,
not heeded, but auscultated.

Yet, these proceedings were never attended.

Not even by those same
that attempt to muffle their own ebullition
within the sound-proofed walls of the shelters
that they conceal themselves in.

Each, alone, quietly succumbs to the pressures
of waiting out
jovial sentiment with uncomfortable contentment.
Waiting,
to not exhale each murmur,
but to consume the promises they are fed
by those same whose ears are plugged with green,
until the protecting walls grow bars
and all are provided with solitary confinement.

Until it is only logic that guides the thought
that each is truly and irreversibly alone.

Until all are singled out in their struggles,
until they are uncomfortable recognizing
that they exist.

Until, separately, each attempts to smooth
their worn edges,
as to not break down the machine.
To hide the nicks that they have endured
lest they should cause,
a momentary lapse,
in productivity.

Each gear is further deformed
by this bending and contorting,
as the fear of protest causes them
to endure the pressure of warping
to try to fit a position
that they were not molded for.

Until they believe that unrepressed sentiment
has been made illegal,
and that unmuffled voices
will only cause more harm.

Yet, there are those that hear,
and heed,
and auscultate,
each muffled cry.
Each weeping convulsion,
and the pressure caused by keeping them in.

For those,
each turn they make within the machine,
is made with the sole purpose
of removing mufflers.

Until each muffled sentiment is uninhibited,
moved by the tsunami of a zeitgeist,
and ascends toward the empyrean.
Until each cultural center covered by a filter
inverts the filter's position
to collect sentiment from the base,
and send the congealed, concentrated,
neglect of humanity to the precipice.

Each syllable combining with the next,
working in unison,
as those that participate in primal dances,
to take a new form.

Not even those that release this unmuffled sentiment
know the form this conglomeration will adopt,
but it will move from one coast to the next.
A tidal wave of tears that will push
from one corner of humanity to the next,
until we again understand that it is acceptable
to feel our pain in unison.

So that we can begin to make progress
on the alterations that are necessary to the machine.
So that we are once again able to produce something,
besides awkward struggle.
So that we can stand on the highest precipice
of every unmuffled sentiment,
with unimpeded hope that one day we may relearn how
to hear, and heed, and auscultate,
happiness in unison.
Curt A Rivard Sr Jun 2013
The smoke signals are rising higher and higher
Spelling out the truth after you had lit the fire
now your spirit soars high above the funeral pyre
And In a matter of split seconds you’ll be living out all your heart’s desire.
Looking for why screams fill the night and how the madness steals the light
Because when you close your eyes your seeing floating smiling skulls and with no death fright
No matter what you do, no matter how hard you try, you know you have seen them all before
Faces in morgue room when they were gone asking them why did they not put up a fight and decide to go into the light?
Was I marked before and just didn’t know it then? But it’s now seen on my right hand
I’m an aimlessly wondering nomad who can see everything I even see the Promised Land
Standing looking deep inside, holding a black mirror to a silver mirror forever I will walk that pathway
A path I know I can control with the slightest turn of my hands and I can never look behind
When the smoke came billowing out I felt that I now have a new passion for life and that’s now where I want to always stay.
A secret hiding in the jungle rainforest is buried deep away from the sun’s rays, it’s under the dirt
Put negative thoughts aside, your life is not broken and you’re not going to lose your mind
Focus on what you really want and know your only a one of a kind, trust me, believe me, it won’t hurt.
A foul smell is in the air, a pungent taste is on your tongue, snowflakes are forming inside the glass as you chase the holy smoke
Never felt this way ever before, so fast it rushed up apon me I closed my eyes tight but why  can I still see?
Now I know another one of his magic tricks and also how he made the blind once again see.
Prisms of colors in a kaleidoscope,  laser precision lines atop of pyramids  
The truth to what Stonehenge really is, the asteroid belt being formed right before me
Easter Island being nothing more than just the people who were turned to salt for looking back
It gave upon me the gift of prophesy, the answer to Samson’s riddle and it also showed myself being conceived, what more will it show me?
The greatest euphoria I now have felt to date, it’s in my system, it’s in me, its in you, is my brain having  another overload dumping or
am I having a DMT hallucination?
Please someone hurry and please tell me.
(SirCARSr 6-12-13)
NuurSeraph Apr 2014
Given up, deluxe in Essex
Cornwall, seaside Fortress
Stonehenge, felt the Vortex
One Vision, one idle Apex

Kiss the Haven Sanctum ******
Diligently Lingers the Finger Remix
Vibrate the ring tho Rung Her Nexus
Into New Blue , You beg the Context
Of seeming NonSense, hum my Edifice

I'll give You This, oh humble Tread
I've past the Veil, many lives I've Led
Memory to Full to sustain, Unfurled
This Nomenclature not of this World

Do you want Me? Come then, Explore
Rich, sweet, then Sour, Drink More
Intoxicate, bubbled deep risen the Core
She is Ancient, She is bled, of Iron Ore

Cleanse your Palette, taste must never
Mix, or coagulate, congeal, or Root
Fluidic Fauna, Flower Sauna, Resolute
Cleanse, release into Her, Ashen Soot
Absolute Sanctuary, must enter, Barefoot
Explanation will come Later
Here are my eyes
my fried eggs
teal lily-pads floating
on white albumen.

Here are my elbows
like deformed peaches
my knuckles the peas
wrist corn on the cob.

Here are my teeth
my frosty Stonehenge
a ring of slabs
solid halibut.

Here are my ankles
four gobstoppers
cracking as rocks
under her size-five feet.

Here is my nose
fastened to my face
the garbage chute
meets hoover hybrid.

Here are my knees
two wrinkled potatoes
mashing in their sockets
as waves crumble on me.

Here is my hair
my straw candyfloss
unlike her buttered popcorn
curly-wurly waterfall.

Here are my tonsils
squashy strawberries
wedged at the back
of the cave I once made.

Here are my lips
azalea-pink sweets
flecked with salt
from our slice of sea.
Written: May 2014.
Explanation: A poem written in my own time that does (sort of) fall into my ongoing beach/sea series. Could've been stronger, but I am satisfied with the end product. Note 'size-five feet' refers to the UK measurement. The full-stops were a late addition, though I left out the commas.
Born to an Italian father
and a dreaming,
wide-eyed American,
travel was my fortune,
my life before I chose it.

One late September evening,
my wide-brimmed
velvet hat and I  
discovered
what it was to fly.

Surging through moving sculptures
of clouds,
riding the Pan Am night
flight to London,
I was nine, and I was hooked.

Peter Pan was my secret love then.

I had saved my loose tooth
for the English tooth fairy, wishing
and hoping for an English penny.

Scones and bridges from my books
were real now to taste and see.

I began to write then, mostly
in my mind.

That was how I lived then,
and still do.

Finding and forming
words within for everything.

A sacred artesian spring,
i Fonti del Clitunno.
Perfection at Paestum.
Stonehenge,
when one could still
walk among those holy stones.

The early church of Santa Sabina,
whose high windows
transmit light
through membranes of mica.

The abiding silence
of these ancient, sacred places
  held me transfixed.

Continuity of time flowed,
like invisible honey,
all around me.

I wanted to taste it with my mind.
Know it with all of my being.
And one day, find the right words.
©Elisa Maria Argiro
The meaning of the trustees and the ablution of the signs respectively were based on the word ficare "in the proportion of providing signs and building", as a complement to the concept, in the case of Zefian's Virola, it is given to the ring that rotates in its elliptical as a virtual particle, similar to the Muon. But always in a semantic ring or circle look. Linguistics will attribute both the Virola and the Fero; in this case "leading or leading" The dissociation here is the semantics in the object not entrenched to be used as a common kind of language, but rather as "Virolifero", it is understood that this word will forge the Zefian Arrow into the amalgamation of the ring that leads, to abduct all energies towards a Central Whole. The product of all this energy will be called channeling of the mental representations of the "sign" of signifying, evoking independence in each terminology by itself and represented, rather in the theological physical elementality, associated with the Virolifera plane.

As the treatise of this codex suggests, a term between terms, to assign mnemonic and etymological chaining of meaning most of the appropriation of terminologies attached to a properly vernacular word. The horizon that is stipulated is of a Vernathian nature, where the average life-turning receptacle is of enormous proportions in its multi dynamics, especially in the moral, ethical and theological, especially in matters of emotional articulation associated with a significant meaning. Vernarthian dreams are of Speed of Quantum Physics, therefore they are pure metaphysical and meta-biological, appending to restricted spaces of stimulus and impulse speed, hiding in the residual mass of the unknown, to attribute to them chromatics that is settled in the Corpus Callosum of both hemispheres. Neuroscience yes, but that deposits physical values in the concentration of rest and active energy in areas of the cerebellum, to unleash a choice of names or anthroponyms. Where all the names with a certain alacrity of reason, meaning is attached according to their toponymy, in this case, Virolifero, could be a factor of canceling choices and adaptation of higher energies, on the universe, as a patronage of the Universe "called Rings of Zefian ”endowed with electron elliptical Muon particles.

The signifier of Virolifero will be its phoneme, perhaps more associated with the subject being the ring, associated with its mental representation. This force of Vernarthian thought indicates semantics and phonetics of speculative endowment, for becoming of building rings associated with an eco-physical and eco-environmental scheme. The entire philosophical Vernarthian range has a Sacred Geometry in its verbal and numeral composition, either in the connotation of concepts-ideas and of signs that represent the mental cultural heritage.  Literality will advocate the chronology of gap and verbal-linguistic space, contributing figurative, Greco-Latin barbarisms, such as Virolifero's verbal vigor if we place it in the reference of a building ring, being able to be figurative as a ring that makes or leads according to its practical verbal use dialectical. And in context, it would appear as something sacred in what will be referred to in this Codex of Nuraga Complexes, where each fold of lithosphere will be of the geological relationship between Stonehenge or Nuraga in Sardinia, each one appropriating age in what could be more or less an archaeological conflict of origins, or of comparative aspects of the referenced union, for the end of times, nations, civilizations, political states, and generations of socio-economic persistence. Making an archaeological contextual fact as in these terms, of such references of reception or political exile, but also cultural, adding the terminology of the intracultural contribution of the region. In the argument of Pythagoras and his self-exile in Italy, it is said that he had been condemned to exile from Samos because of his aversion to the tyranny of Polycrates. Around 530 BC settled in Crotona, a Greek colony in southern Italy, where he founded a movement with religious, political, and philosophical purposes, known as Pythagoreanism, and which generated duplicity of context in his sacred mathematical pilgrimage, towards a process of exercise contrary to his own Pythagorean School, expropriating a persona non grata in internal conflicts with personalities from Crotona itself, where he had to flee later. Here ipso facto the verbal exercise exemplifies his transliteration by an unfailing fact, in favor of what emerges from a coercive task, abandoning the same in what placidly sheltered him, and virtually ostracized as an immigrant from Samos.

Hosted the Pythagoreans in Sardinia, Italy.  Being in the colorimetry of the 6th century BC. He was peering into a universe that wasted infusion, clinging to the unknown roots themselves, with undulating harmonies in what we inhabit as an ethical and religious wave and vibrational entity. The prefix Vilori will indicate sacred mathematics, adapting to the numeral and algorithmic harmony of three plus three + 1, which would be the suffix, Fero. The external exaltation of numerical sensations will lie in human sensations already pre-established as a socio-environmental existential order, towards a divine-human being. What is strictly formative is a sacred legacy, since its equivalence is composed of mathematical formulas and figures that all point to the creation of an ambivalent whole, upward and downward proportionate. Focusing on originality of thought and work, embodying the prose, prophecies,  and intensely solid parables.

Vernarth and Etréstles began the attached Rituals in these megalithic complexes. On each Solstice, they arranged sectarians related to this phenomenology, in such a way as to incorporate them into this millenary civilization. They always attacked the archaeological area of Orroli, which is in the center of the soft plateau of Pran'e muru, in a strategic position to control the territory along the middle course of the Flumendosa River. Normally here they performed twilight liturgies similar to those perpetually held in La Mandragora, Sudpichi, Horcondising Region - Chile. Vernarth, always got all the provisions and utensils off the sailboat. Pyramid Torches, Oil Fuels, Sacred Drums, Proved Firewood, Stonework for Obsidian Workshops. Mapuche  wind instruments such as Trutruca, Cultrún and trompe. Buzzers to repel zoomorphic beings of the Bestiary, Alchemy, and Esotericism. Etréstles, coordinated content and other related duties by illuminating all the souls who once lived here. To which Vernarth masterfully adhered, filing them with impressive themes of the prehistoric world. To consider more than five volumes by concept before departure, to then break into the sacred space and meaning, limpid and originating from the session of totem animals and trance with Navajo drums. Each oar looked like a Karibu daunting a maple or a conifer that wanted to change its bark skin for those of the goring of the Karibu or the Moose him. While the eagle with its claws dropped crashing down on the Rehue line to Gnegechen, on the Cultrun, whose plural palpitations of the mandrake wanted to seem to be more than a hallucinogenic thrilling herb.

Describes Vernarth in Regression of him: Theater and Aeschylus, Dance and Athena, gifts from Stonehenge and Borrehaugene in Norway on Viking ships. They walked over the suspicious stones of the Nuragas.  In each ritual in these sets, they concelebrated next to the gorges, through which said river ran, being globally submerged in two artificial lakes until today. A territory deeply marked by man since prehistory, confirming the extraordinary concentration of remains found; from the Neolithic to the Bronze and Iron Ages, Roman times, and the Middle Ages. The Arrubiu was the main bastion, around it, satellite Nuragas gravitated, dominating strategic points and access roads. Near the complex is the tomb of Giants from the Sword, here they would consecrate their dynamics of the Xiphos Hoplite sword, to develop the bronze rites,  as a heritage from the linear insertion of Sardinia with Patmos,  to which they will go after the Solstice from the Nuraga complex. In his prehistoric speeches, he always had to stand out and go back to years prior to 1000 BC. Today it has become the symbol of Sardinia and its distinctive culture. The typical Nuraga is located in a panoramic place and has the shape of a tower with a geometric shape of a truncated cone or divided in half, some higher, others very low, reminiscent of a Tholos (Ancient Greek circular construction). Right here Vernarth, they poured milk and Pranayama, to delineate the points of the Sun to align them with the whims of Brahma and Xifos; swords that are gleaming over the eyes of a stingray. Vernarth, as post-frontal poetry, in treachery that decorated such a hendecasyllable, undertook to rescue the largest real estate fire, from where his own subsistence will hang. In the main protocol, in a drumming trance, he pierced the brains of all those present. Fragments remained everywhere ever imagined, on the timeless Nuragha ruins under the treetops and their Templum. Misleading beings that attacked the underworld of Persephone, and the Nuragic Gods who were elemented, by prevailing in this ceremony that they did not know if it was their own, not knowing that they were included.

Isaías sings (bis): “The presence in the corresponding versed folio makes it relative to the prophecy of the Immanuel born of a ******, which is associated with a similar Virgilian prophecy of Cumana, justifying its prophetic symbolism. Here is the warning that blackens the skies where the light retracts, thousands of attendants in the Nuragas are chained during the announcement of a thousandth that climbs abysses like the fateful Strigoi, and only tribulated pasture will have to transplant rebellions, which lie asleep for the wind of the ideal of incipient spiritual ******* dressed in execration. Has the conflagration of the heart that resists death and agonizes several times in the Templum ritual been unleashed ... The conditions await for the apostates when they refuse the water that does not make them optimal, and makes the radius of obedience of the Vernarthian heart elliptical, full of granules of lumpy Physconia, whose frequency will become embedded in bodies of treacherous, kingdoms and fungal lineages. The reign of the saints will judge diversity on the thrones with devastation in the fatuous beatifications in Pergamum, already admonished by me also in Sardinia”
Codex XIX -  Ultramundis  Nuragas
Michael R Burch Apr 2020
Poems about Leaves and Leave Taking (i.e., leaving friends and family, loss, death, parting, separation, divorce, etc.)


Leave Taking
by Michael R. Burch

Brilliant leaves abandon
battered limbs
to waltz upon ecstatic winds
until they die.

But the barren and embittered trees
lament the frolic of the leaves
and curse the bleak
November sky.

Now, as I watch the leaves'
high flight
before the fading autumn light,
I think that, perhaps, at last I may

have learned what it means to say
"goodbye."

Published by The Lyric, Mindful of Poetry, There is Something in the Autumn (anthology). Keywords/Tags: autumn, leaves, fall, falling, wind, barren, trees, goodbye, leaving, farewell, separation, age, aging, mortality, death, mrbepi, mrbleave

This poem started out as a stanza in a much longer poem, "Jessamyn's Song," which dates to around age 14 or 15, or perhaps a bit later. But I worked on the poem several times over the years until it was largely finished in 1978. I am sure of the completion date because that year the poem was included in my first large poetry submission manuscript for a chapbook contest.



Autumn Conundrum
by Michael R. Burch

It's not that every leaf must finally fall,
it's just that we can never catch them all.

Originally published by The Neovictorian/Cochlea, this poem has since been translated into Russian, Macedonian, Turkish, Arabic and Romanian.



Something

for the children of the Holocaust and the Nakba

Something inescapable is lost—
lost like a pale vapor curling up into shafts of moonlight,
vanishing in a gust of wind toward an expanse of stars
immeasurable and void.

Something uncapturable is gone—
gone with the spent leaves and illuminations of autumn,
scattered into a haze with the faint rustle of parched grass
and remembrance.

Something unforgettable is past—
blown from a glimmer into nothingness, or less,
which finality swept into a corner... where it lies
in dust and cobwebs and silence.

Published by There is Something in the Autumn, The Eclectic Muse, Setu, FreeXpression, Life and Legends, Poetry Super Highway, Poet's Corner, Promosaik, Better Than Starbucks and The Chained Muse. Also translated into Romanian by Petru Dimofte, into Turkish by Nurgül Yayman, turned into a YouTube video by Lillian Y. Wong, and used by the Windsor Jewish Community Centre during a candle-lighting ceremony



Leaf Fall
by Michael R. Burch

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth's gravitron―
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.

And nothing in our laughter as we fell
into those leaves was like the autumn's cry
of also falling. Nothing meant to die
could be so bright as we, so colorful―
clad in our plaids, oblivious to pain
we'd feel today, should we leaf-fall again.

Originally published by The Neovictorian/Cochlea



Herbsttag ("Autumn Day")
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

Lord, it is time. Let the immense summer go.
Lay your long shadows over the sundials
and over the meadows, let the free winds blow.
Command the late fruits to fatten and shine;
O, grant them another Mediterranean hour!
Urge them to completion, and with power
convey final sweetness to the heavy wine.
Who has no house now, never will build one.
Who's alone now, shall continue alone;
he'll wake, read, write long letters to friends,
and pace the tree-lined pathways up and down,
restlessly, as autumn leaves drift and descend.

Originally published by Measure



Flight
by Michael R. Burch

It is the nature of loveliness to vanish
as butterfly wings, batting against nothingness
seek transcendence...

Originally published by Hibiscus (India)



Less Heroic Couplets: ****** Most Fowl!
by Michael R. Burch

"****** most foul! "
cried the mouse to the owl.

"Friend, I'm no sinner;
you're merely my dinner! "
the wise owl replied
as the tasty snack died.

Published by Lighten Upand in Potcake Chapbook #7



escape!

for anaïs vionet

to live among the daffodil folk...
slip down the rainslickened drainpipe...
suddenly pop out
the GARGANTUAN SPOUT...
minuscule as alice, shout
yippee-yi-yee!
in wee exultant glee
to be leaving behind the
LARGE
THREE-DENALI GARAGE.

Published by Andwerve and Bewildering Stories



Love Has a Southern Flavor

Love has a Southern flavor: honeydew,
ripe cantaloupe, the honeysuckle's spout
we tilt to basking faces to breathe out
the ordinary, and inhale perfume...

Love's Dixieland-rambunctious: tangled vines,
wild clematis, the gold-brocaded leaves
that will not keep their order in the trees,
unmentionables that peek from dancing lines...

Love cannot be contained, like Southern nights:
the constellations' dying mysteries,
the fireflies that hum to light, each tree's
resplendent autumn cape, a genteel sight...

Love also is as wild, as sprawling-sweet,
as decadent as the wet leaves at our feet.

Published by The Lyric, Contemporary Sonnet, The Eclectic Muse, Better Than Starbucks, The Chained Muse, Setu (India) , Victorian Violet Press and Trinacria



Daredevil
by Michael R. Burch

There are days that I believe
(and nights that I deny)
love is not mutilation.

Daredevil, dry your eyes.

There are tightropes leaps bereave—
taut wires strumming high
brief songs, infatuations.

Daredevil, dry your eyes.

There were cannon shots’ soirees,
hearts barricaded, wise . . .
and then . . . annihilation.

Daredevil, dry your eyes.

There were nights our hearts conceived
dawns’ indiscriminate sighs.
To dream was our consolation.

Daredevil, dry your eyes.

There were acrobatic leaves
that tumbled down to lie
at our feet, bright trepidations.

Daredevil, dry your eyes.

There were hearts carved into trees—
tall stakes where you and I
left childhood’s salt libations . . .

Daredevil, dry your eyes.

Where once you scraped your knees;
love later bruised your thighs.
Death numbs all, our sedation.

Daredevil, dry your eyes.



The People Loved What They Had Loved Before
by Michael R. Burch

We did not worship at the shrine of tears;
we knew not to believe, not to confess.
And so, ahemming victors, to false cheers,
we wrote off love, we gave a stern address
to things that we disapproved of, things of yore.
And the people loved what they had loved before.

We did not build stone monuments to stand
six hundred years and grow more strong and arch
like bridges from the people to the Land
beyond their reach. Instead, we played a march,
pale Neros, sparking flames from door to door.
And the people loved what they had loved before.

We could not pipe of cheer, or even woe.
We played a minor air of Ire (in E).
The sheep chose to ignore us, even though,
long destitute, we plied our songs for free.
We wrote, rewrote and warbled one same score.
And the people loved what they had loved before.

At last outlandish wailing, we confess,
ensued, because no listeners were left.
We built a shrine to tears: our goddess less
divine than man, and, like us, long bereft.
We stooped to love too late, too Learned to *****.
And the people loved what they had loved before.



Talent
by Michael R. Burch

for Kevin Nicholas Roberts

I liked the first passage
of her poem―where it led
(though not nearly enough
to retract what I said.)
Now the book propped up here
flutters, scarcely half read.
It will keep.
Before sleep,
let me read yours instead.

There's something like love
in the rhythms of night
―in the throb of streets
where the late workers drone,
in the sounds that attend
each day’s sad, squalid end―
that reminds us: till death
we are never alone.

So we write from the hearts
that will fail us anon,
words in red
truly bled
though they cannot reveal
whence they came,
who they're for.
And the tap at the door
goes unanswered. We write,
for there is nothing more
than a verse,
than a song,
than this chant of the blessed:
"If these words
be my sins,
let me die unconfessed!
Unconfessed, unrepentant;
I rescind all my vows!"
Write till sleep:
it’s the leap
only Talent allows.



Davenport Tomorrow
by Michael R. Burch

Davenport tomorrow ...
all the trees stand stark-naked in the sun.

Now it is always summer
and the bees buzz in cesspools,
adapted to a new life.

There are no flowers,
but the weeds, being hardier,
have survived.

The small town has become
a city of millions;
there is no longer a sea,
only a huge sewer,
but the children don't mind.

They still study
rocks and stars,
but biology is a forgotten science ...
after all, what is life?

Davenport tomorrow ...
all the children murmur through vein-streaked gills
whispered wonders of long-ago.



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and―spent of flame―
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies―
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None―winsome, bright or rare―
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew―
each moonless night the nettles grew

and strangled hope, where love dies too.

Published by Penny Dreadful, Carnelian, Romantics Quarterly, Grassroots Poetry and Poetry Life & Times



Ordinary Love
by Michael R. Burch

Indescribable—our love—and still we say
with eyes averted, turning out the light,
"I love you," in the ordinary way

and tug the coverlet where once we lay,
all suntanned limbs entangled, shivering, white ...
indescribably in love. Or so we say.

Your hair's blonde thicket now is tangle-gray;
you turn your back; you murmur to the night,
"I love you," in the ordinary way.

Beneath the sheets our hands and feet would stray
to warm ourselves. We do not touch despite
a love so indescribable. We say

we're older now, that "love" has had its day.
But that which Love once countenanced, delight,
still makes you indescribable. I say,
"I love you," in the ordinary way.

Winner of the 2001 Algernon Charles Swinburne poetry contest; published by The Lyric, Romantics Quarterly, Mandrake Poetry Review, Carnelian, Poem Kingdom, Net Poetry and Art Competition, Famous Poets and Poems, FreeXpression, PW Review, Poetic Voices, Poetry Renewal and Poetry Life & Times



Are You the Thief
by Michael R. Burch

When I touch you now,
O sweet lover,
full of fire,
melting like ice
in my embrace,

when I part the delicate white lace,
baring pale flesh,
and your face
is so close
that I breathe your breath
and your hair surrounds me like a wreath...

tell me now,
O sweet, sweet lover,
in good faith:
are you the thief
who has stolen my heart?

Originally published as “Baring Pale Flesh” by Poetic License/Monumental Moments



At Tintagel
by Michael R. Burch

That night,
at Tintagel,
there was darkness such as man had never seen...
darkness and treachery,
and the unholy thundering of the sea...

In his arms,
who is to say how much she knew?
And if he whispered her name...
"Ygraine"
could she tell above the howling wind and rain?

Could she tell, or did she care,
by the length of his hair
or the heat of his flesh,...
that her faceless companion
was Uther, the dragon,

and Gorlois lay dead?

Originally published by Songs of Innocence, then subsequently by Celtic Twilight, Fables, Fickle Muses and Poetry Life & Times



Isolde's Song
by Michael R. Burch

Through our long years of dreaming to be one
we grew toward an enigmatic light
that gently warmed our tendrils. Was it sun?
We had no eyes to tell; we loved despite
the lack of all sensation—all but one:
we felt the night's deep chill, the air so bright
at dawn we quivered limply, overcome.

To touch was all we knew, and how to bask.
We knew to touch; we grew to touch; we felt
spring's urgency, midsummer's heat, fall's lash,
wild winter's ice and thaw and fervent melt.
We felt returning light and could not ask
its meaning, or if something was withheld
more glorious. To touch seemed life's great task.

At last the petal of me learned: unfold
and you were there, surrounding me. We touched.
The curious golden pollens! Ah, we touched,
and learned to cling and, finally, to hold.

Originally published by The Raintown Review



The Wild Hunt
by Michael R. Burch

Near Devon, the hunters appear in the sky
with Artur and Bedwyr sounding the call;
and the others, laughing, go dashing by.
They only appear when the moon is full:

Valerin, the King of the Tangled Wood,
and Valynt, the goodly King of Wales,
Gawain and Owain and the hearty men
who live on in many minstrels' tales.

They seek the white stag on a moonlit moor,
or Torc Triath, the fabled boar,
or Ysgithyrwyn, or Twrch Trwyth,
the other mighty boars of myth.

They appear, sometimes, on Halloween
to chase the moon across the green,
then fade into the shadowed hills
where memory alone prevails.

Originally published by Celtic Twilight, then by Celtic Lifestyles and Auldwicce



Morgause's Song
by Michael R. Burch

Before he was my brother,
he was my lover,
though certainly not the best.

I found no joy
in that addled boy,
nor he at my breast.

Why him? Why him?
The years grow dim.
Now it's harder and harder to say...

Perhaps girls and boys
are the god's toys
when the skies are gray.

Originally published by Celtic Twilight as "The First Time"



Pellinore's Fancy
by Michael R. Burch

What do you do when your wife is a nag
and has sworn you to hunt neither fish, fowl, nor stag?
When the land is at peace, but at home you have none,
Is that, perchance, when... the Questing Beasts run?



The Last Enchantment
by Michael R. Burch

Oh, Lancelot, my truest friend,
how time has thinned your ragged mane
and pinched your features; still you seem
though, much, much changed—somehow unchanged.

Your sword hand is, as ever, ready,
although the time for swords has passed.
Your eyes are fierce, and yet so steady
meeting mine... you must not ask.

The time is not, nor ever shall be.
Merlyn's words were only words;
and now his last enchantment wanes,
and we must put aside our swords...



Northern Flight: Lancelot's Last Love Letter to Guinevere
by Michael R. Burch

"Get thee to a nunnery..."

Now that the days have lengthened, I assume
the shadows also lengthen where you pause
to watch the sun and comprehend its laws,
or just to shiver in the deepening gloom.

But nothing in your antiquarian eyes
nor anything beyond your failing vision
repeals the night. Religion's circumcision
has left us worlds apart, but who's more wise?

I think I know you better now than then—
and love you all the more, because you are
... so distant. I can love you from afar,
forgiving your flight north, far from brute men,
because your fear's well-founded: God, forbid,
was bound to fail you here, as mortals did.

Originally published by Rotary Dial



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!

Until the great & mighty heron
brandishes his fearsome sword.



Truces
by Michael R. Burch

We must sometimes wonder if all the fighting related to King Arthur and his knights was really necessary. In particular, it seems that Lancelot fought and either captured or killed a fairly large percentage of the population of England. Could it be that Arthur preferred to fight than stay at home and do domestic chores? And, honestly now, if he and his knights were such incredible warriors, who would have been silly enough to do battle with them? Wygar was the name of Arthur's hauberk, or armored tunic, which was supposedly fashioned by one Witege or Widia, quite possibly the son of Wayland Smith. The legends suggest that Excalibur was forged upon the anvil of the smith-god Wayland, who was also known as Volund, which sounds suspiciously like Vulcan...

Artur took Cabal, his hound,
and Carwennan, his knife,
    and his sword forged by Wayland
    and Merlyn, his falcon,
and, saying goodbye to his sons and his wife,
he strode to the Table Rounde.

"Here is my spear, Rhongomyniad,
and here is Wygar that I wear,
    and ready for war,
    an oath I foreswore
to fight for all that is righteous and fair
from Wales to the towers of Gilead."

But none could be found to contest him,
for Lancelot had slewn them, forsooth,
so he hastened back home, for to rest him,
till his wife bade him, "Thatch up the roof! "

Originally published by Neovictorian/Cochlea, then by Celtic Twilight



Midsummer-Eve
by Michael R. Burch

What happened to the mysterious Tuatha De Danann, to the Ban Shee (from which we get the term "banshee") and, eventually, to the druids? One might assume that with the passing of Merlyn, Morgause and their ilk, the time of myths and magic ended. This poem is an epitaph of sorts.

In the ruins
of the dreams
and the schemes
of men;

when the moon
begets the tide
and the wide
sea sighs;

when a star
appears in heaven
and the raven
cries;

we will dance
and we will revel
in the devil's
fen...

if nevermore again.

Originally published by Penny Dreadful



The Pictish Faeries
by Michael R. Burch

Smaller and darker
than their closest kin,
the faeries learned only too well
never to dwell
close to the villages of larger men.

Only to dance in the starlight
when the moon was full
and men were afraid.
Only to worship in the farthest glade,
ever heeding the raven and the gull.



The Kiss of Ceridwen
by Michael R. Burch

The kiss of Ceridwen
I have felt upon my brow,
and the past and the future
have appeared, as though a vapor,
mingling with the here and now.

And Morrigan, the Raven,
the messenger, has come,
to tell me that the gods, unsung,
will not last long
when the druids' harps grow dumb.



Merlyn, on His Birth
by Michael R. Burch

Legend has it that Zephyr was an ancestor of Merlin. In this poem, I suggest that Merlin was an albino, which might have led to claims that he had no father, due to radical physical differences between father and son. This would have also added to his appearance as a mystical figure. The reference to Ursa Major, the bear, ties the birth of Merlin to the future birth of Arthur, whose Welsh name ("Artos" or "Artur") means "bear." Morydd is another possible ancestor of Merlin's. In Welsh names "dd" is pronounced "th."

I was born in Gwynedd,
or not born, as some men claim,
and the Zephyr of Caer Myrrdin
gave me my name.

My father was Madog Morfeyn
but our eyes were never the same,
nor our skin, nor our hair;
for his were dark, dark
—as our people's are—
and mine were fairer than fair.

The night of my birth, the Zephyr
carved of white stone a rune;
and the ringed stars of Ursa Major
outshone the cool pale moon;
and my grandfather, Morydd, the seer
saw wheeling, a-gyre in the sky,
a falcon with terrible yellow-gold eyes
when falcons never fly.



Merlyn's First Prophecy
by Michael R. Burch

Vortigern commanded a tower to be built upon Snowden,
but the earth would churn and within an hour its walls would cave in.

Then his druid said only the virginal blood of a fatherless son,
recently shed, would ever hold the foundation.

"There is, in Caer Myrrdin, a faery lad, a son with no father;
his name is Merlyn, and with his blood you would have your tower."

So Vortigern had them bring the boy, the child of the demon,
and, taciturn and without joy, looked out over Snowden.

"To **** a child brings little praise, but many tears."
Then the mountain slopes rang with the brays of Merlyn's jeers.

"Pure poppycock! You fumble and bumble and heed a fool.
At the base of the rock the foundations crumble into a pool! "

When they drained the pool, two dragons arose, one white and one red,
and since the old druid was blowing his nose, young Merlyn said:

"Vortigern is the white, Ambrosius the red; now, watch, indeed."
Then the former died as the latter fed and Vortigern peed.

Published by Celtic Twilight



It Is Not the Sword!
by Michael R. Burch

This poem illustrates the strong correlation between the names that appear in Welsh and Irish mythology. Much of this lore predates the Arthurian legends, and was assimilated as Arthur's fame (and hyperbole)grew. Caladbolg is the name of a mythical Irish sword, while Caladvwlch is its Welsh equivalent. Caliburn and Excalibur are later variants.

"It is not the sword,
but the man, "
said Merlyn.
But the people demanded a sign—
the sword of Macsen Wledig,
Caladbolg, the "lightning-shard."

"It is not the sword,
but the words men follow."
Still, he set it in the stone
—Caladvwlch, the sword of kings—
and many a man did strive, and swore,
and many a man did moan.

But none could budge it from the stone.

"It is not the sword
or the strength, "
said Merlyn,
"that makes a man a king,
but the truth and the conviction
that ring in his iron word."

"It is NOT the sword! "
cried Merlyn,
crowd-jostled, marveling
as Arthur drew forth Caliburn
with never a gasp,
with never a word,

and so became their king.



Uther's Last Battle
by Michael R. Burch

When Uther, the High King,
unable to walk, borne upon a litter
went to fight Colgrim, the Saxon King,
his legs were weak, and his visage bitter.
"Where is Merlyn, the sage?
For today I truly feel my age."

All day long the battle raged
and the dragon banner was sorely pressed,
but the courage of Uther never waned
till the sun hung low upon the west.
"Oh, where is Merlyn to speak my doom,
for truly I feel the chill of the tomb."

Then, with the battle almost lost
and the king besieged on every side,
a prince appeared, clad all in white,
and threw himself against the tide.
"Oh, where is Merlyn, who stole my son?
For, truly, now my life is done."

Then Merlyn came unto the king
as the Saxons fled before a sword
that flashed like lightning in the hand
of a prince that day become a lord.
"Oh, Merlyn, speak not, for I see
my son has truly come to me.

And today I need no prophecy
to see how bright his days will be."
So Uther, then, the valiant king
met his son, and kissed him twice—
the one, the first, the one, the last—
and smiled, and then his time was past.



Small Tales
by Michael R. Burch

According to legend, Arthur and Kay grew up together in Ector's court, Kay being a few years older than Arthur. Borrowing from Mary Stewart, I am assuming that Bedwyr (later Anglicized to Bedivere)might have befriended Arthur at an early age. By some accounts, Bedwyr was the original Lancelot. In any case, imagine the adventures these young heroes might have pursued (or dreamed up, to excuse tardiness or "lost" homework assignments). Manawydan and Llyr were ancient Welsh gods. Cath Pulag was a monstrous, clawing cat. ("Sorry teach! My theme paper on Homer was torn up by a cat bigger than a dragon! And meaner, too! ")Pen Palach is more or less a mystery, or perhaps just another old drinking buddy with a few good beery-bleary tales of his own. This poem assumes that many of the more outlandish Arthurian legends began more or less as "small tales, " little white lies which simply got larger and larger with each retelling. It also assumes that most of these tales came about just as the lads reached that age when boys fancy themselves men, and spend most of their free time drinking and puking...

When Artur and Cai and Bedwyr
were but scrawny lads
they had many a ***** adventure
in the still glades
of Gwynedd.
When the sun beat down like an oven
upon the kiln-hot hills
and the scorched shores of Carmarthen,
they went searching
and found Manawydan, the son of Llyr.
They fought a day and a night
with Cath Pulag (or a screeching kitten),
rousted Pen Palach, then drank a beer
and told quite a talltale or two,
till thems wasn't so shore which'un's tails wus true.

And these have been passed down to me, and to you.



The Song of Amergin
by Michael R. Burch

Amergin is, in the words of Morgan Llywelyn, "the oldest known western European poet." Robert Graves said: "English poetic education should, really, begin not with The Canterbury Tales, not with the Odyssey, not even with Genesis, but with the Song of Amergin." Amergin was one of the Milesians, or sons of Mil: Gaels who invaded Ireland and defeated the mysterious Tuatha De Danann, thereby establishing a Celtic beachhead, not only on the shores of the Emerald Isle, but also in the annals of Time and Poetry.

He was our first bard
and we feel in his dim-remembered words
the moment when Time blurs...

and he and the Sons of Mil
heave oars as the breakers mill
till at last Ierne—green, brooding—nears,

while Some implore seas cold, fell, dark
to climb and swamp their flimsy bark
... and Time here also spumes, careers...

while the Ban Shee shriek in awed dismay
to see him still the sea, this day,
then seek the dolmen and the gloam.



Stonehenge
by Michael R. Burch

Here where the wind imbues life within stone,
I once stood
and watched as the tempest made monuments groan
as though blood
boiled within them.

Here where the Druids stood charting the stars
I can tell
they longed for the heavens... perhaps because
hell
boiled beneath them?



The Celtic Cross at Île Grosse
by Michael R. Burch

"I actually visited the island and walked across those mass graves of 30, 000 Irish men, women and children, and I played a little tune on me whistle. I found it very peaceful, and there was relief there." - Paddy Maloney of The Chieftans

There was relief there,
and release,
on Île Grosse
in the spreading gorse
and the cry of the wild geese...

There was relief there,
without remorse
when the tin whistle lifted its voice
in a tune of artless grief,
piping achingly high and longingly of an island veiled in myth.
And the Celtic cross that stands here tells us, not of their grief,
but of their faith and belief—
like the last soft breath of evening lifting a fallen leaf.

When ravenous famine set all her demons loose,
driving men to the seas like lemmings,
they sought here the clemency of a better life, or death,
and their belief in God gave them hope, a sense of peace.

These were proud men with only their lives to owe,
who sought the liberation of a strange new land.
Now they lie here, ragged row on ragged row,
with only the shadows of their loved ones close at hand.

And each cross, their ancient burden and their glory,
reflects the death of sunlight on their story.

And their tale is sad—but, O, their faith was grand!



At Cædmon's Grave
by Michael R. Burch

"Cædmon's Hymn, " composed at the Monastery of Whitby (a North Yorkshire fishing village), is one of the oldest known poems written in the English language, dating back to around 680 A.D. According to legend, Cædmon, an illiterate Anglo-Saxon cowherd, received the gift of poetic composition from an angel; he subsequently founded a school of Christian poets. Unfortunately, only nine lines of Cædmon's verse survive, in the writings of the Venerable Bede. Whitby, tiny as it is, reappears later in the history of English literature, having been visited, in diametric contrast, by Lewis Carroll and Bram Stoker's ghoulish yet evocative Dracula.

At the monastery of Whitby,
on a day when the sun sank through the sea,
and the gulls shrieked wildly, jubilant, free,

while the wind and time blew all around,
I paced those dusk-enamored grounds
and thought I heard the steps resound

of Carroll, Stoker and of Bede
who walked there, too, their spirits freed
—perhaps by God, perhaps by need—

to write, and with each line, remember
the glorious light of Cædmon's ember,
scorched tongues of flame words still engender.

Here, as darkness falls, at last we meet.
I lay this pale garland of words at his feet.

Originally published by The Lyric



faith(less), a coronavirus poem
by Michael R. Burch

Those who believed
and Those who misled
lie together at last
in the same narrow bed

and if god loved Them more
for Their strange lack of doubt,
he kept it well hidden
till he snuffed Them out.



Habeas Corpus
by Michael R. Burch

from “Songs of the Antinatalist”

I have the results of your DNA analysis.
If you want to have children, this may induce paralysis.
I wish I had good news, but how can I lie?
Any offspring you have are guaranteed to die.
It wouldn’t be fair—I’m sure you’ll agree—
to sentence kids to death, so I’ll waive my fee.



Villanelle: Hangovers
by Michael R. Burch

We forget that, before we were born,
our parents had “lives” of their own,
ran drunk in the streets, or half-******.

Yes, our parents had lives of their own
until we were born; then, undone,
they were buying their parents gravestones

and finding gray hairs of their own
(because we were born lacking some
of their curious habits, but soon

would certainly get them). Half-******,
we watched them dig graves of their own.
Their lives would be over too soon

for their curious habits to bloom
in us (though our children were born
nine months from that night on the town

when, punch-drunk in the streets or half-******,
we first proved we had lives of our own).



Happily Never After (the Second Curse of the ***** Toad)
by Michael R. Burch

He did not think of love of Her at all
frog-plangent nights, as moons engoldened roads
through crumbling stonewalled provinces, where toads
(nee princes) ruled in chinks and grew so small
at last to be invisible. He smiled
(the fables erred so curiously), and thought
bemusedly of being reconciled
to human flesh, because his heart was not
incapable of love, but, being cursed
a second time, could only love a toad’s . . .
and listened as inflated frogs rehearsed
cheekbulging tales of anguish from green moats . . .
and thought of her soft croak, her skin fine-warted,
his anemic flesh, and how true love was thwarted.



Haunted
by Michael R. Burch

Now I am here
and thoughts of my past mistakes are my brethren.
I am withering
and the sweetness of your memory is like a tear.

Go, if you will,
for the ache in my heart is its hollowness
and the flaw in my soul is its shallowness;
there is nothing to fill.

Take what you can;
I have nothing left.
And when you are gone, I will be bereft,
the husk of a man.

Or stay here awhile.
My heart cannot bear the night, or these dreams.
Your face is a ghost, though paler, it seems
when you smile.

Published by Romantics Quarterly



Have I been too long at the fair?
by Michael R. Burch

Have I been too long at the fair?
The summer has faded,
the leaves have turned brown;
the Ferris wheel teeters ...
not up, yet not down.
Have I been too long at the fair?

This is one of my earliest poems, written around age 14-15 when we were living with my grandfather in his house on Chilton Street, within walking distance of the Nashville fairgrounds. I remember walking to the fairgrounds, stopping at a Dairy Queen along the way, and swimming at a public pool. But I believe the Ferris wheel only operated during the state fair. So my “educated guess” is that this poem was written during the 1973 state fair, or shortly thereafter. I remember watching people hanging suspended in mid-air, waiting for carnies to deposit them safely on terra firma again.



Insurrection
by Michael R. Burch

She has become as the night—listening
for rumors of dawn—while the dew, glistening,
reminds me of her, and the wind, whistling,
lashes my cheeks with its soft chastening.

She has become as the lights—flickering
in the distance—till memories old and troubling
rise up again and demand remembering ...
like peasants rebelling against a mad king.

Originally published by The Chained Muse



Success
by Michael R. Burch

for Jeremy

We need our children to keep us humble
between toast and marmalade;

there is no time for a ticker-tape parade
before bed, no award, no bright statuette

to be delivered for mending skinned knees,
no wild bursts of approval for shoveling snow.

A kiss is the only approval they show;
to leave us―the first great success they achieve.



Sappho's Lullaby
by Michael R. Burch

for Jeremy

Hushed yet melodic, the hills and the valleys
sleep unaware of the nightingale's call,
while the pale calla lilies lie
listening,
glistening . . .
this is their night, the first night of fall.

Son, tonight, a woman awaits you;
she is more vibrant, more lovely than spring.
She'll meet you in moonlight,
soft and warm,
all alone . . .
then you'll know why the nightingale sings.

Just yesterday the stars were afire;
then how desire flashed through my veins!
But now I am older;
night has come,
I’m alone . . .
for you I will sing as the nightingale sings.

NOTE: The calla lily symbolizes beauty, purity, innocence, faithfulness and true devotion. According to Greek mythology, when the Milky Way was formed by the goddess Hera’s breast milk, the drops that fell to earth became calla lilies.



Piercing the Shell
by Michael R. Burch

If we strip away all the accouterments of war,
perhaps we’ll discover what the heart is for.



Premonition
by Michael R. Burch

Now the evening has come to a close and the party is over ...
we stand in the doorway and watch as they go—
each stranger, each acquaintance, each unembraceable lover.

They walk to their cars and they laugh as they go,
though we know their forced laughter’s the wine ...
then they pause at the road where the dark asphalt flows
endlessly on toward Zion ...

and they kiss one another as though they were friends,
and they promise to meet again “soon” ...
but the rivers of Jordan roll on without end,
and the mockingbird calls to the moon ...

and the katydids climb up the cropped hanging vines,
and the crickets chirp on out of tune ...
and their shadows, defined by the cryptic starlight,
seem spirits torn loose from their tombs.

And I know their brief lives are just eddies in time,
that their hearts are unreadable runes
to be wiped clean, like slate, by the Eraser, Fate,
when their corpses lie ravaged and ruined ...

You take my clenched fist and you give it a kiss
as though it were something you loved,
and the tears fill your eyes, brimming with the soft light
of the stars winking sagely above ...

Then you whisper, "It's time that we went back inside;
if you'd like, we can sit and just talk for a while."
And the hope in your eyes burns too deep, so I lie
and I say, "Yes, I would," to your small, troubled smile.

I vividly remember writing this poem after an office party the year I co-oped with AT&T (at that time the largest company in the world, with presumably a lot of office parties). This would have been after my sophomore year in college, making me around 20 years old. The poem is “true” except that I was not the host because the party was at the house of one of the upper-level managers. Nor was I dating anyone seriously at the time. Keywords/Tags: premonition, office, party, parting, eve, evening, stranger, strangers, wine, laughter, moon, shadows



Survivors
by Michael R. Burch

for the victims and survivors of 9/11 and their families

In truth, we do not feel the horror
of the survivors,
but what passes for horror:

a shiver of “empathy.”

We too are “survivors,”
if to survive is to snap back
from the sight of death

like a turtle retracting its neck.



Child of 9-11
by Michael R. Burch

a poem for Christina-Taylor Green, who
was born on September 11, 2001 and who
died at age nine, shot to death ...

Child of 9-11, beloved,
I bring this lily, lay it down
here at your feet, and eiderdown,
and all soft things, for your gentle spirit.
I bring this psalm ― I hope you hear it.

Much love I bring ― I lay it down
here by your form, which is not you,
but what you left this shell-shocked world
to help us learn what we must do
to save another child like you.

Child of 9-11, I know
you are not here, but watch, afar
from distant stars, where angels rue
the evil things some mortals do.
I also watch; I also rue.

And so I make this pledge and vow:
though I may weep, I will not rest
nor will my pen fail heaven's test
till guns and wars and hate are banned
from every shore, from every land.

Child of 9-11, I grieve
your tender life, cut short ... bereaved,
what can I do, but pledge my life
to saving lives like yours? Belief
in your sweet worth has led me here ...

I give my all: my pen, this tear,
this lily and this eiderdown,
and all soft things my heart can bear;
I bring them to your final bier,
and leave them with my promise, here.



The Locker
by Michael R. Burch

All the dull hollow clamor has died
and what was contained,
removed,

reproved
adulation or sentiment,
left with the pungent darkness

as remembered as the sudden light.



Tremble
by Michael R. Burch

Her predatory eye,
the single feral iris,
scans.

Her raptor beak,
all jagged sharp-edged ******,
juts.

Her hard talon,
clenched in pinched expectation,
waits.

Her clipped wings,
preened against reality,
tremble.



Day, and Night
by Michael R. Burch

The moon exposes pockmarked scars of craters;
her visage, veiled by willows, palely looms.
And we who rise each day to grind a living,
dream each scented night of such perfumes
as drew us to the window, to the moonlight,
when all the earth was steeped in cobalt blue―
an eerie vase of achromatic flowers
bled silver by pale starlight, losing hue.

The night begins her waltz to waiting sunrise―
adagio, the music she now hears;
and we who in the sunlight slave for succor,
dreaming, seek communion with the spheres.
And all around the night is in crescendo,
and everywhere the stars’ bright legions form,
and here we hear the sweet incriminations
of lovers we had once to keep us warm.

And also here we find, like bled carnations,
red lips that whitened, kisses drawn to lies,
that touched us once with fierce incantations
and taught us love was prettier than wise.



To the boy Elis
by Georg Trakl
translation by Michael R. Burch

Elis, when the blackbird cries from the black forest,
it announces your downfall.
Your lips sip the rock-spring's blue coolness.

Your brow sweats blood
recalling ancient myths
and dark interpretations of birds' flight.

Yet you enter the night with soft footfalls;
the ripe purple grapes hang suspended
as you wave your arms more beautifully in the blueness.

A thornbush crackles;
where now are your moonlike eyes?
How long, oh Elis, have you been dead?

A monk dips waxed fingers
into your body's hyacinth;
Our silence is a black abyss

from which sometimes a docile animal emerges
slowly lowering its heavy lids.
A black dew drips from your temples:

the lost gold of vanished stars.

TRANSLATOR'S NOTE: I believe that in the second stanza the blood on Elis's forehead may be a reference to the apprehensive ****** sweat of Jesus in the garden of Gethsemane. If my interpretation is correct, Elis hears the blackbird's cries, anticipates the danger represented by a harbinger of death, but elects to continue rather than turn back. From what I have been able to gather, the color blue had a special significance for Georg Trakl: it symbolized longing and perhaps a longing for death. The colors blue, purple and black may represent a progression toward death in the poem.



Komm, Du ("Come, You")
by Rainer Maria Rilke
loose translation by Michael R. Burch

This was Rilke’s last poem, written ten days before his death. He died open-eyed in the arms of his doctor on December 29, 1926, in the Valmont Sanatorium, of leukemia and its complications. I had a friend who died of leukemia and he was burning up with fever in the end. I believe that is what Rilke was describing here: he was literally burning alive.

Come, you—the last one I acknowledge; return—
incurable pain searing this physical mesh.
As I burned in the spirit once, so now I burn
with you; meanwhile, you consume my flesh.

This wood that long resisted your embrace
now nourishes you; I surrender to your fury
as my gentleness mutates to hellish rage—
uncaged, wild, primal, mindless, outré.

Completely free, no longer future’s pawn,
I clambered up this crazy pyre of pain,
certain I’d never return—my heart’s reserves gone—
to become death’s nameless victim, purged by flame.

Now all I ever was must be denied.
I left my memories of my past elsewhere.
That life—my former life—remains outside.
Inside, I’m lost. Nobody knows me here.



This is my translation of the first of Rilke’s Duino Elegies. Rilke began the first Duino Elegy in 1912, as a guest of Princess Marie von Thurn und Taxis, at Duino Castle, near Trieste on the Adriatic Sea.

First Elegy
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

Who, if I objected, would hear me among the angelic orders?
For if the least One pressed me intimately against its breast,
I would be lost in its infinite Immensity!
Because beauty, which we mortals can barely endure, is the beginning of terror;
we stand awed when it benignly declines to annihilate us.
Every Angel is terrifying!

And so I restrain myself, swallowing the sound of my pitiful sobbing.
For whom may we turn to, in our desire?
Not to Angels, nor to men, and already the sentient animals are aware
that we are all aliens in this metaphorical existence.
Perhaps some tree still stands on a hillside, which we can study with our ordinary vision.
Perhaps the commonplace street still remains amid man’s fealty to materiality—
the concrete items that never destabilize.
Oh, and of course there is the night: her dark currents caress our faces ...

But whom, then, do we live for?
That longed-for but mildly disappointing presence the lonely heart so desperately desires?
Is life any less difficult for lovers?
They only use each other to avoid their appointed fates!
How can you fail to comprehend?
Fling your arms’ emptiness into this space we occupy and inhale:
may birds fill the expanded air with more intimate flying!

Yes, the springtime still requires you.
Perpetually a star waits for you to recognize it.
A wave recedes toward you from the distant past,
or as you walk beneath an open window, a violin yields virginally to your ears.
All this was preordained. But how can you incorporate it? ...
Weren't you always distracted by expectations, as if every event presaged some new beloved?
(Where can you harbor, when all these enormous strange thoughts surging within you keep
you up all night, restlessly rising and falling?)

When you are full of yearning, sing of loving women, because their passions are finite;
sing of forsaken women (and how you almost envy them)
because they could love you more purely than the ones you left gratified.

Resume the unattainable exaltation; remember: the hero survives;
even his demise was merely a stepping stone toward his latest rebirth.

But spent and exhausted Nature withdraws lovers back into herself,
as if lacking the energy to recreate them.
Have you remembered Gaspara Stampa with sufficient focus—
how any abandoned girl might be inspired by her fierce example
and might ask herself, "How can I be like her?"

Shouldn't these ancient sufferings become fruitful for us?

Shouldn’t we free ourselves from the beloved,
quivering, as the arrow endures the bowstring's tension,
so that in the snap of release it soars beyond itself?
For there is nowhere else where we can remain.

Voices! Voices!

Listen, heart, as levitating saints once listened,
until the elevating call soared them heavenward;
and yet they continued kneeling, unaware, so complete was their concentration.

Not that you could endure God's voice—far from it!

But heed the wind’s voice and the ceaseless formless message of silence:
It murmurs now of the martyred young.

Whenever you attended a church in Naples or Rome,
didn't they come quietly to address you?
And didn’t an exalted inscription impress its mission upon you
recently, on the plaque in Santa Maria Formosa?
What they require of me is that I gently remove any appearance of injustice—
which at times slightly hinders their souls from advancing.

Of course, it is endlessly strange to no longer inhabit the earth;
to relinquish customs one barely had the time to acquire;
not to see in roses and other tokens a hopeful human future;
no longer to be oneself, cradled in infinitely caring hands;
to set aside even one's own name,
forgotten as easily as a child’s broken plaything.

How strange to no longer desire one's desires!
How strange to see meanings no longer cohere, drifting off into space.
Dying is difficult and requires retrieval before one can gradually decipher eternity.

The living all err in believing the too-sharp distinctions they create themselves.

Angels (men say) don't know whether they move among the living or the dead.
The eternal current merges all ages in its maelstrom
until the voices of both realms are drowned out in its thunderous roar.

In the end, the early-departed no longer need us:
they are weaned gently from earth's agonies and ecstasies,
as children outgrow their mothers’ *******.

But we, who need such immense mysteries,
and for whom grief is so often the source of our spirit's progress—
how can we exist without them?

Is the legend of the lament for Linos meaningless—
the daring first notes of the song pierce our apathy;
then, in the interlude, when the youth, lovely as a god, has suddenly departed forever,
we experience the emptiness of the Void for the first time—
that harmony which now enraptures and comforts and aids us?



Precipice
by Michael R. Burch

for Jeremy

They will teach you to scoff at love
from the highest, windiest precipice of reason.

Do not believe them.

There is no place safe for you to fall
save into the arms of love.
save into the arms of love.



Love’s Extreme Unction
by Michael R. Burch

Lines composed during Jeremy’s first Nashville Christian football game (he played tuba), while I watched Beth watch him.

Within the intimate chapels of her eyes—
devotions, meditations, reverence.
I find in them Love’s very residence
and hearing the ardent rapture of her sighs
I prophesy beatitudes to come,
when Love like hers commands us, “All be One!”



Keywords/Tags: Rilke, elegy, elegies, angels, beauty, terror, terrifying, desire, vision, reality, heart, love, lovers, beloved, rose, saints, spirits, souls, ghosts, voices, torso, Apollo, Rodin, panther, autumn, beggar

Published as the collection "Leave Taking"
sarah minks Apr 2012
I’d Love to go to France
And sail upon the Sine
I’d love to go to Germany
And Sail upon the Rhine
I’d love to see the castles
Of England and of Spain
To see the royal Princess Kate
And her lovely husband William,
Oh, to have Prince Charming as a mate
And then the rain that stays mainly in the plane
Having traveled there in luxury by lavish gilded train
I’d love to see the mountains
In Switzerland and Austria
And see the vast rice fields
In Countries like Korea
And drink frothy bubbling ale
From a tavern near a windmill in the Netherlands
And climb a tiny mountainous hill
In enchanting charming Whales
I’d love to see the canals
In a Gondola in Venice
Or maybe go to China to watch some table tennis
I’d love to see the pyramids
Of Egypt and Peru
And see the Ancient Monoliths
On Easter Island too
And feel the spirits of Celtic and Norse Gods rise inside of me
At magical stunning Stonehenge
While far off in the distance Scottish Bagpipers play for free
But Alas, Alas sadness ensues
These things I’ll never see
Poverty always haunts me
And I won’t win the lottery
I’ll never see the breathtaking things
That others take for granted
Though they will always be here
Part of this amazing planet
I’ll have to take in what I can
And not hope for what cannot be
I’ll have to imagine all these things
In my own special way
and see all I can see
Watching shows like, “Rick Steve’s Europe”
Scheduled to air, everyday
On PBS TV

Sarah Hall Minks Copyright 4/28/12
I love watching shows like "Rick Steve's Europe" because there are so many many things to learn from them.  If you can afford it please support Public Television so that those who can not support PBS can continue to see programs they would never otherwise see.  The undereducated, under privileged, and under cultured deserve this kind of programing from programs like "Rick Steve's Europe" to "Phantom Of The Opera"  People who have never been to the theater or a museum should have the choice to be exposed to the things and ideas that the educated and wealthy take for granted.
Mosaic Jun 2015
I'll be on the front lines
Fighting fireflies on a Golf Course
With a butterfly net

Collecting ghosts in mason jar
to plant back on the cemetery
The crows are making nests
in the skull of your family

They accidentally put
the wrong name on yours
And in Latin!
It's ok though, because you're
(were) Are?  a nihilist

The river Nile is the
best stream of consciousness
Known to man and of
Course that's where you drowned
your metaphorical thoughts
While you hung yourself above
a treadmill trying to pretend
you wanted to be a better
man

But you only ran away

The Stonehenge is the front gate
to your home
          It's made from
      billboards and
Pictures of static
When you're dead you
                        Live in White Noise

You're turning my lights
on and off
               as I'm trying to sleep
haunting me in
my over easy eggs
making the yolk run
in words "Miss me?"

And of course I do
But you are as good a my imaginary friend

When I'm walking in the
park with all the scarecrows
you make the dandelions
float, no amount of
wishes is bringing you back

I know boards of wood are
easier to you than the termites
eating the tumor in my brain
          from the insanity you're causing me

So instead I paper mache my
room with love letters from you
that got lost in the mail
because you stole them for me
A banksy bankrupt in original thought

I'm building a tiny forest
             of matches
If I can't sleep I'm joining you

So you pack your bags, hobo
style but with
Picnic baskets and dead leaves
Seancing yourself
With the crystal ***** of my eyes

I lost you in some newspaper ad
about a Home for sale
Does it come with a family?
How is that legal?
But I lost you because I bought the wrong copy and couldn't find that one blurry word that was you saying
Good morning

I lost you at sea
  And in my dreams
      And to your own hands
   And to my own memory

I'm dancing with wolves
Called Alzheimer's
because I'll die
with a disease of age
Instead of house burning, building leaping
Front Page

Then we'll go live in abandoned
amusement parks with creaky
Ferris wheels turning
Like you in your grave
And me with the Cycle of Life
There's always a love story with death
a mcvicar Nov 2019
inherently demoted
passion waning in Stonehenge
studying the ancestors below me
(abhors me)
no longer needing the satisfaction, i'm guessing
you'll be needing the ever after
when clinging to the clingfilm of thy emotion
lust for the green light of capitalist torsion
but we're fine,
we made it
we're rosemary
and thyme
did she even make it through or did she just forget me
altogether, i get why she'd renounce me
the pretty lady now's in paralysis
international
clinging onto
the crevices
of the menaces
of the surrogates
mind shifting through plain fields of evergreen men
bottles upon bottles of ***** autumn drinks
guilty smokes, alternative facts and poltergeists
cloud my gaze
renounce my place
forgotten wee daisies were born in this place
but i didn't
and i don't
sister is trembling
sorry, she's alone
repenting for foreign perversions
preventing the invasion of thy nation
crossing the borders with thy translation
simply insane,
simply old age
it's bad, i need to get back into my old writing habits
Alessander Dec 2016
Your tears are so light
Like cheetah paws over puddles
Tepid and quick
Below ivory moons

And your hands though small
Massive on my chest
Each finger
A Stonehenge slab

Your words don’t quite reach
Muffled like some ancient wind
Low and distant
Falling off the Himalayas

But the ache is intimate
Like burning sage spreading
Touching every empty corner
O ashen holiness

Smoldering inside
That night your great guns, unawares,
Shook all our coffins as we lay,
And broke the chancel window-squares,
We thought it was the Judgement-day

And sat upright. While drearisome
Arose the howl of wakened hounds:
The mouse let fall the altar-crumb,
The worm drew back into the mounds,

The glebe cow drooled. Till God cried, “No;
It’s gunnery practice out at sea
Just as before you went below;
The world is as it used to be:

“All nations striving strong to make
Red war yet redder. Mad as hatters
They do no more for Christés sake
Than you who are helpless in such matters.

“That this is not the judgment-hour
For some of them’s a blessed thing,
For if it were they’d have to scour
Hell’s floor for so much threatening. . . .

“Ha, ha. It will be warmer when
I blow the trumpet (if indeed
I ever do; for you are men,
And rest eternal sorely need).”

So down we lay again. “I wonder,
Will the world ever saner be,”
Said one, “than when He sent us under
In our indifferent century!”

And many a skeleton shook his head.
“Instead of preaching forty year,”
My neighbour Parson Thirdly said,
“I wish I had stuck to pipes and beer.”

Again the guns disturbed the hour,
Roaring their readiness to avenge,
As far inland as Stourton Tower,
And Camelot, and starlit Stonehenge.
Catrina Sparrow Jan 2015
he always insisted
i needed something to believe in
     yet he scoffed
          attempted to laugh it off
when i promised that i built stonehenge
     and the great pyramids
    
     ground his teeth as i whispered
that the world found cuneiform by my hands

     and he dropped me off
when i elaborated on the day
i walked away from babylon's tower


so
     off he galloped forever
          destined never to understand the factual weight of one's dreams
zzzzz.


sleep sweetly, kittens.

— The End —