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There stood a crow outside my window
With hard coals for eyes that peered straight through to limbo
At times it seemed it could see straight through me
Into some futuristic omen only it could foresee.

This reaper so grim, dark, stately, and trim sat there quiet patiently high perched on a limb.
It was such a curious yet an eerie sort of bird, just gawking at me while not saying a word.
And if it opened its mouth what words would it speak, perhaps some wisdom of Plato, or some poetry from Keats?

I admit the strange creature I found a bit curious, yet its boisterous silence made me nothing but furious.
So on opposite sides of the window we remain,
With it picking its plumage and I wracking my brain.

At length could I no longer stand my callers silent duration,
So I pulled up a chair to make light conversation.
Finally, I came to myself and thought it absurd, to sit at a window and talk to a bird.

Quickly I grew weary of my persistent guest, and with a wave of my hand yelled “away with you pest”!

With that the crow returned with a courteous bow, there followed by a flapping of its wings
It let out a loud caw!!


I thought to myself, what could all of this mean,
Surely subconsciously I’m having a dream?

Till out of deep contemplation I abruptly was shaken
By a sound so familiar it could not be mistaken.
For above me frantically fluttering to each corner of my room
This bird like a banshee pronounced prophesies of doom.

Caw, caw! Caw, caw!
It repeated the same, as the first time it came calling at my window pane.

For a moment it sat there just gawking at the foot of my bed, frantically flapping its wings and bobbing its head.
Just for a moment peered I through those embers for eyes, and got a flicker of a glimpse of my foretelling demise.
Cursed me! I thought, this is the telling of my end, for over my head my shadow descends.

To my feathered reaper I pleaded and prayed that by some miracle this death sentence might somehow be stayed.
Has my plea come too late, Has Death sealed my fate?
At last I am making provisions for my own funeral wake.

Suddenly, in relief my visage was lifted, for from the claim for my soul, that reapers focus soon shifted.

It was there in the corner of its eye by the flicker of candle light,
That something slick and shiny caught fancy to its sight.



Suddenly, it swooped upon it without a moment's delay. Seizing the object in its beak and out the window it flew away.



Since then I sit and ponder how once I cheated death
Now the nightmares haunt me no longer, and the crow has long since left.

And so I sit here waiting at the spot where it all began for the call of an old feathered acquaintance whom once I invited in.
But no more upon that branch would the shadow of those black wings descend.
No more would the crows caw, caw! Come calling,
No more at my window again.
James M Vines Aug 2020
Caw caw caw cries a black bird in a tree. From a like high up in a weathered lifeless oak, the bird stares at me. A cold wind blows by and a chill runs down my spine. Caw caw cries the black bird as it takes flight. Down the bird descends beneath dark and dreary skies, landing on a solitary Grey rock caw caw caw it calls to me. I stop and stare into the dark messengers eyes. Now I understand the Ravens purpose and why the Ravens cries. Come come come is what it says to those who are about to die.
Mike Adam Dec 2019
Crow on my shoulder

Caw caw

What are you waiting for?
Obadiah Grey Dec 2013
Sphincter factor nine approaches
food for the fish n roaches
methinks its time for me perhaps
to open up the rearward *****.


------------------------------------
AAChoo !!

Oh, liddle sister, Josephine,
you sure don't keep your
nose real clean.
got stalactites
o' pure pea green
my infectious sibling
snot machine.
----------------------------------------
I thought that I might shoot the breeze
with God or Mephistopheles
and ask them please to ease my wheeze
of my bad back and dodgy knees
---------------------------
Croak with the raven
bluff with the crow
the urchin
the field mouse
beneath the hedgerow
in a flurry they scurry
away away go.
Yelp with the *****
howl with the hound
and bay at the moon
till the sun comes around.
------------------------------------------
Gino's bar and grill.

Away, away afore Bacchus
doles out befuddlement
and Morpheus has his way,
lest I awake to find myself
in the company of
sodamistic bedfellows
with buggery in mind.
---------------------------------
Harry Potter has grown a beard
he lives alone and turned out weird.
Dumbledore, Albus, no more
turned his toes and 'ad a snore,
Voldemort, who's *** is taut
has no nose with which to snort.
====================

Ahem !!

Behind two Lilies- sits Rose,
then Daisies
for two and a bit rows.
with Poppy, and *****
Petunia, Primrose.
and Bryony - who gets up
- my nose.
----------------------------------------------
Amen.
God bless the Cows - for beef burgers.
God bless the Pig - for their bacon.
God bless the wife n her sharp knife
for the slice of their **** she's taken.

-------------------------------------------------
We can, no more fetter the sea to the shore
nor the clouds to the sky
or tether the glint
in a lovers eye,
As sure as the shore loves the sea
so shall I love thee, together,
together for eternity,

-----------------------------------

It bends for thee
sweet chevin,
the cane thats cleaved
by three,
wilt thou now
sweet chevin
yield, my friend ,
for me.
-------------------------------------------------
There's Marmalade then Marmite
and Jams thats jammed between
the buttered bread of bard-dom
a poets sweet cuisine.
---------------------------------------------
I took up campanology
and fired up my ****.
I rang that bell
to ******* hell
till the busies
came along.
--------------------------------------------
so, I've been whittling away
at a buoyant ****-
fashioned something approximating
a poo canoe-
in it, I intend to
surf the **** tsunami of old age
to-- death;
I have named it Public - Service - Pension.


----------------------------------------------

A surreptitious delightful tryst,
with my honey, my sebaceous cyst.
she's my pimple, my wart,
my gumboil consort.
she's the zip, in which
my *******, got caught.
--------------------------------------
Frayed at the bottoms
ripped at the knee.
baggy and saggy
big enough for three.
faded and jaded
and stained with ***
but I'm due for a new pair--
Yippeeeee!!

---------------------------------------

Ther­e's Cockerel in my ear
and he bills and coo's for you
whenever you are near
goes - **** a doodle doo !!!!!,,,,,,,,

---------------------------------------------

Oh,­ for the snap shut skin
in the blue twang of youth
and to un-crack the spine
on the book of love.
now the gulping years
have flown away
we take sips of the night
and are spoon fed the day.

-----------------------------

Zeus made the Moose to be somewhat obtuse,
a big deer- rather queer- I fear.
then God gave him the nod to look funny and odd
the spitting image of you - my dear !!!

---------------------------------------

Knobbly Nobby.

Nobby has a great big nose
a great big nose has he,
and nobby knows
that his big nose,
is big, as big can be,
nobby has two knobbly knees
two knobbly knees has he,
his knobbly knees,
are as knobely
as knobbly knees can be,
don’t pity dear old nobby
for soon it’s plain to see,
that nobby has a great big ****
as big, as big as three !
now nobbys **** is knobly,
as knobly as a **** can be,
so nose and knee and ****
make three,
and we - are ****- ely.

----------------------------------

The Woman that wouldn't eat meat,
had reeaally, reeaally big feet,
her **** was as big as an hermaphrodite brig
and her **** were as hard as concrete….


--------------------------------

Hearken the clarion call of the crows
afore the snow-
they caw,
hey, get your **** into gear lads-
we gotta feckin go !!!

-----------------------------

Gods pad

I took a peek within
your house
wherein on pew, I spied
a mouse,
and in his hand,
a Bible clasped,
and out his mouth,
a parable rasped,

---------------------

I'd say she had
a pigeon loft in
her eyes and
bluebells up
her nose.

But then again
I wear a flat cap

and stroll through meadows.

----------------------------

Would you care to buy our house?
It's minus Mouse n devoid o' Louse,!
Spiders, Roaches, Bugs or other,
have all been eaten by my brother,
snaffled up n swallowed down
then jus' crapped out a - yellowish brown.
so would you care to buy our house?
from an oddly pair -- devoid of nous

-------------------------

Though the Crows got her eyes
and the Worms got her gut.
comes as no surprise
death can't keep her mouth shut.

-------------------

Bevelled slick edges
and reeaal eeaasy slopes.
Chilli dip wedges
with fresh artichokes.
Wanton loose wenches
and swivel hipped ******
Daft dawgs and dentures
and granddad - who snores.

-------------------

Been whittling away at a buoyant ****
and fashioned something approximating a canoe,
in it, I intend to surf the **** tsunami of old age;
I named it, "Public service pension"

-------------------------------

.
Well,
     I could wax on the wings of a butterfly
but, I ain't that kind o' guy.
rather kick the nuts off ******* squirrels
pluck the wings off - blue assed fly.
I'm the stuff that flops off dog chops
when he's up for it and high.
an infection in your sphincter,
a well
that's jus' run dry.

----------------------------------------------

befeathered­ and bright scarlet
is my ladies bonnet,
jauntily askew and -
lilting on a paramours
grin.

"- Gladlaughffi -"

I'm reliably informed that dear ol' Muma
sported a goatee around his **** sphincter,
now, whilst this is merely educated speculation
from my esteemed friend his "groom of the stool" ! 
who was in fact required to wear a mask,
ear muffs and a blindfold whilst he went about his business,
He did possess reeaaally sensitive fingertips
somewhat akin to a blind man reading brail,,
and, swore blind that said "**** sphincter' spoke him in Arabic
and asked him for a quick trim, (short back and sides)
I myself being a practising proctologist of some repute
am inclined to believe my friend the "groom of the stool"
as I've come recognise -- Arsolian when I hear it !!!!!!!!
-------------------------------------

In a Belfast sink by the plughole
where hair and gum gunk meet
'erman the germ-man  and toe jam
bop the bacillus beat.

________

Doctor this I know as fact
that I have a blocked digestive tract,
I'm all bunged up and cannot go
my trump and pump is - somewhat slow.
I need unction jollop for junction wallop
some sorta lotion to give me motion.
If you could please just ease my wheeze
then I needn't grunt and push and squeeze.

-----------------------------

They are breaking out the thwacking sticks
and sparking Godly clogs
pulling tongues through narrowed lips
at the infidel yankee dogs.

------------------------------------

As a paid up member of the
lumpen bourgeoisie poetry appreciation society
I can confirm without fear of contradiction
that poetry is indeed baggy underwear
with ample ball room, voluminous in the extreme
and takes into account
the need for the free flow of flatulent gassiness
that is the want of a ****** up poet.

-----------------------------------------------

She's a rough hewn Trapezoidal gal
a gongoozler o' the ol' canal.
She's copper bottomed n fly boat Sal.

I'll have thee know that
that there hat
is a magic hat,
it renders me invisible
to the arty intelligentsia
and roots me firmly
in the lumpen proletariat .
-------------------------------------------------------
Said the sneaky Scotsman, Jim Blaik.
if the pension, you wish to partake,
bend over my son, lets get this thing done
and cop for this thick trouser snake !!

I met my uncle Albert,
down at Asda, in aisle three;
he got there in a Mazda,
jus' a smidgen after me,
said he'd traversed Sainsburys,
Tesco Liddle n the Spar,
but not one o' them flogged Caviar
Truffles or Foie gras.


He sidled past the pork pies
streaky bacon turkey thighs
a headin for the french fries
n forsaken knock down buys,
shimmied 'round the ankle biters;
expectant mums to be,
popin pills for bloated ills
in the haberdashery.

Fandango'd o'er the cornflakes
and the spillage in isle four

-----------------

I'm linier and analogue,
a ribbon microphone man
mired in the dust of the monochromatic,
the basement, the attic.

------------------------------

Simple simon met miss Tymon going to the fair,
said simple simon to miss Tymon - "pfhwarr what a luverly pair"
of silken thighs and big brown eyes and scrumptious wobbly bits,
Said simple Simon to miss Tymon---------- shame about you **** !!!

So sad sweet Shirl thought she'd give a whirl to clubbercise n pound

Squat, slightly,
tilt head 45°
and squint.
See the shimmering blurry
dot in the distance?
That, timorous ****,
is ME !
Fast twitching my
narrow white ****
to the pub.

There was a young lady named Sue.
whose ***** and **** was askew,
whilst taking a ****
she'd aim it and miss
and she lifted 'er hat when she blew.


Oh Mon Dieu !!

Obi.
"The past is a bucket of ashes."

            1

THE WOMAN named To-morrow
sits with a hairpin in her teeth
and takes her time
and does her hair the way she wants it
and fastens at last the last braid and coil
and puts the hairpin where it belongs
and turns and drawls: Well, what of it?
My grandmother, Yesterday, is gone.
What of it? Let the dead be dead.
  
            2

The doors were cedar
and the panels strips of gold
and the girls were golden girls
and the panels read and the girls chanted:
  We are the greatest city,
  the greatest nation:
  nothing like us ever was.
  
The doors are twisted on broken hinges.
Sheets of rain swish through on the wind
  where the golden girls ran and the panels read:
  We are the greatest city,
  the greatest nation,
  nothing like us ever was.
  
            3

It has happened before.
Strong men put up a city and got
  a nation together,
And paid singers to sing and women
  to warble: We are the greatest city,
    the greatest nation,
    nothing like us ever was.
  
And while the singers sang
and the strong men listened
and paid the singers well
and felt good about it all,
  there were rats and lizards who listened
  ... and the only listeners left now
  ... are ... the rats ... and the lizards.
  
And there are black crows
crying, "Caw, caw,"
bringing mud and sticks
building a nest
over the words carved
on the doors where the panels were cedar
and the strips on the panels were gold
and the golden girls came singing:
  We are the greatest city,
  the greatest nation:
  nothing like us ever was.
  
The only singers now are crows crying, "Caw, caw,"
And the sheets of rain whine in the wind and doorways.
And the only listeners now are ... the rats ... and the lizards.
  
            4

The feet of the rats
scribble on the door sills;
the hieroglyphs of the rat footprints
chatter the pedigrees of the rats
and babble of the blood
and gabble of the breed
of the grandfathers and the great-grandfathers
of the rats.
  
And the wind shifts
and the dust on a door sill shifts
and even the writing of the rat footprints
tells us nothing, nothing at all
about the greatest city, the greatest nation
where the strong men listened
and the women warbled: Nothing like us ever was.
Hilda Nov 2012
You must wake and call me early, call me early, mother dear;
To-morrow 'ill be the happiest time of all the glad New-year;
Of all the glad New-year, mother, the maddest merriest day;
For I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

There's many a black, black eye, they say, but none so bright as mine;
There's Margaret and Mary, there's Kate and Caroline:
But none so fair as little Alice in all the land they say,
So I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

I sleep so sound all night, mother, that I shall never wake,
If you do not call me loud when the day begins to break:
But I must gather knots of flowers, and buds and garlands gay,
For I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

As I came up the valley whom think ye should I see,
But Robin leaning on the bridge beneath the hazel-tree?
He thought of that sharp look, mother, I gave him yesterday,--
But I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

He thought I was a ghost, mother, for I was all in white,
And I ran by him without speaking, like a flash of light.
They call me cruel-hearted, but I care not what they say,
For I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

They say he's dying all for love, but that can never be:
They say his heart is breaking, mother--what is that to me?
There's many a bolder lad 'ill woo me any summer day,
And I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

Little Effie shall go with me to-morrow to the green,
And you'll be there, too, mother, to see me made the Queen;
For the shepherd lads on every side 'ill come from far away,
And I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

The honeysuckle round the porch has wov'n its wavy bowers,
And by the meadow-trenches blow the faint sweet cuckoo-flowers;
And the wild marsh-marigold shines like fire in swamps and hollows gray,
And I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

The night-winds come and go, mother, upon the meadow-grass,
And the happy stars above them seem to brighten as they pass;
There will not be a drop of rain the whole of the live-long day,
And I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

All the valley, mother, 'ill be fresh and green and still,
And the cowslip and the crowfoot are over all the hill,
And the rivulet in the flowery dale 'ill merrily glance and play,
For I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

So you must wake and call me early, call me early, mother dear,
To-morrow 'ill be the happiest time of all the glad New-year:
To-morrow 'ill be of all the year the maddest merriest day,
For I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

New Year's Eve

If you're waking, call me early, call me early, mother dear,
For I would see the sun rise upon the glad new-year.
It is the last new-year that I shall ever see,—
Then you may lay me low i' the mold, and think no more of me.

To-night I saw the sun set,—he set and left behind
The good old year, the dear old time, and all my peace of mind;
And the new-year's coming, mother; but I shall never see
The blossom on the blackthorn, the leaf upon the tree.

Last May we made a crown of flowers; we had a merry day,—
Beneath the hawthorn on the green they made me Queen of May;
And we danced about the May-pole and in the hazel copse,
Till Charles's Wain came out above the tall white chimney-tops.

There's not a flower on all the hills,—the frost is on the pane;
I only wish to live till the snowdrops come again.
I wish wish the snow would melt and the sun come out on high,—
I long to see a flower so before the day I die.

The building-rook'll caw from the windy tall elm-tree,
And the tufted plover pipe along the fallow lea,
And the swallow'll come back again with summer o'er wave,
But I shall lie alone, mother, within the mouldering grave.

Upon the chancel casement, and upon that grave of mine,
In the early morning the summer sun'll shine,
Before the red **** crows from the farm upon the hill,—
When you are warm-asleep, mother, and all the world is still.

When the flowers come again, mother, beneath the waning light
You'll never see me more in the long grey fields at night;
When from the dry dark wold the summer airs blow cool
On the oat-grass and the sword-grass, and the bullrush in the pool.

You'll bury me, my mother, just beneath the hawthorn shade,
And you'll come sometimes and see me where I am lowly laid.
I shall not forget you, mother; I shall hear you when you pass,
With your feet above my head in the long and pleasant grass.

I have been wild and wayward, but you'll forgive me now;
You'll kiss me, my own mother, upon my cheek and brow;
Nay, nay, you must no weep, nor let your grief be wild;
You should not fret for me, mother—you have another child.

If I can, I'll come again, mother, from out my resting-place;
Though you'll not see me, mother, I shall look upon your face;
Though I cannot speak a word, I shall harken what you say,
And be often, often with you when you think I'm far away.

Good night! good night! when I have said good night forevermore,
And you see me carried out from the threshold of the door,
Don't let Effie come to see me till my grave be growing green,—
She'll be a better child to you then ever I have been.

She'll find my garden tools upon the granary floor.
Let her take 'em—they are hers; I shall never garden more.
But tell her, when I'm gone, to train the rosebush that I set
About the parlour window and box of mignonette.

Good night, sweet-mother! Call me before the day is born.
All night I lie awake, but I fall asleep at morn;
But I would see the sun rise upon the glad new-year,—
So, if you're waking, call me, call me early, mother dear.

Conclusion.

I thought to pass away before, and yet alive I am;
And in the fields all around I hear the bleating of the lamb.
How sadly, I remember, rose the morning of the year!
To die before the snowdrop came, and now the violet's here.

O, sweet is the new violet, that comes beneath the skies;
And sweeter is the young lamb's voice to me that cannot rise;
And sweet is all the land about, and all the flowers that blow;
And sweeter far is death than life, to me that long to go.

I seemed so hard at first, mother, to leave the blessed sun,
And now it seems as hard to stay; and yet, His will be done!
But still I think it can't be long before I find release;
And that good man, the clergyman, has told me words of peace.

O, blessings on his kindly voice, and on his silver hair,
And blessings on his whole life long, until he meet me there!
O, blessings on his kindly heart and on his silver head!
A thousand times I blest him, as he knelt beside my bed.

He taught me all the mercy for he showed me all the sin;
Now, though my lamp was lighted late, there's One will let me in.
Nor would I now be well, mother, again, if that could be;
For my desire is but to pass to Him that died for me.

I did not hear the dog howl, mother, or the death-watch beat,—
There came a sweeter token when the night and morning meet;
But sit beside my bed, mother, and put your hand in mine,
And Effie on the other side, and I will tell the sign.

All in the wild March-morning I heard the angels call,—
It was when the moon was setting, and the dark was over all;
The trees began to whisper, and the wind began to roll,
And in the wild March-morning I heard them call my soul.

For, lying broad awake, I thought of you and Effie dear;
I saw you sitting in the house, and I no longer here;
With all my strength I prayed for both—and so I felt resigned,
And up the valley came a swell of music on the wind.

I thought that is was fancy, and I listened in my bed;
And then did something speak to me,—I know not what was said;
For great delight and shuddering took hold of all my mind,
And up the valley came again the music on the wind.

But you were sleeping; and I said, "It's not for them,—it's mine;"
And if it comes three times, I thought, I take it for a sign.
And once again it came, and close beside the window-bars;
Then seemed to go right up to heaven and die among the stars.

So now I think my time is near; I trust it is. I know
The blessèd music went that way my soul will have to go.
And for myself, indeed, I care not if I go to-day;
But Effie, you must comfort her when I am past away.

And say to Robin a kind word, and tell him not to fret;
There's many a worthier than I, would make him happy yet.
If I had lived—I cannot tell—I might have been his wife;
But all these things have ceased to be, with my desire of life.

O, look! the sun begins to rise! the heavens are in a glow;
He shines upon a hundred fields, and all of them I know.
And there I move no longer now, and there his light may shine,—
Wild flowers in the valley for other hands than mine.

O, sweet and strange it seems to me, that ere this day is done
The voice that now is speaking may be beyond the sun,—
Forever and forever with those just souls and true,—
And what is life, that we should moan? why make we such ado?

Forever and forever, all in a blessèd home,—
And there to wait a little while till you and Effie come,—
To lie within light of God, as I lie upon your breast,—
And the wicked cease from troubling, and weary are at rest.

**~By Alfred Lord Tennyson 1809—1892~
LET the crows go by hawking their caw and caw.
They have been swimming in midnights of coal mines somewhere.
Let 'em hawk their caw and caw.

Let the woodpecker drum and drum on a hickory stump.
He has been swimming in red and blue pools somewhere hundreds of years
And the blue has gone to his wings and the red has gone to his head.
Let his red head drum and drum.

Let the dark pools hold the birds in a looking-glass.
And if the pool wishes, let it shiver to the blur of many wings, old swimmers from old places.

Let the redwing streak a line of vermillion on the green wood lines.
And the mist along the river fix its purple in lines of a woman's shawl on lazy shoulders.
Ottar Dec 2014
the dark air cool against skin,
the fireplace,
is waiting to light, start again,
a reflected face,
a window framed in pain,
such a place,
where the flat voice strains
echoes supplant,
the sharp notes replaced, it is plain,
by many faces
in the window, join as a refrain,

for this moment is just so,
how the voice hits those notes,
when the image, the man and the tune
are all alone,
but song after song, poet becomes a bard,
he finds his voice which, was impossible or hard,
in a crowded mind of a crowded room,
he takes on a song that fills his empty.

For alone, he sings,
the joy it brings, even if in a lament
to the lonely friendless place he recog-
nizes and fill with song, as home.

No snow, falls,
rain and tears spill
he has had his fill,

of rejection, but thrown
to the ground with harm-
less words, birds get treated better.

This crazy figure chases crows,
from his balcony, by singing opera,
caw caw....cawcaw.....caw caw ca-caw,
he ***** not his arms,
he stops and goes back inside,
bereft of pride, really lost,
so much giving has cost,
him dearly, he needs to sleep,
so to get up early, after all truly,
there is no one else to walk the dog.
Sister and I loved to play, to run and twirl and roll in grass all day. Momma gets mad when we go too far but our yard is massive we live on a farm! Running on rolling fields of prairie, singing and laughing and acting merry, shot right through the tree line that marks our abode, slid across the rocks on Old Joser Road, saw an old lady who walked with crumpled toes and spoke too and listened too a pack of crows, plucking weeds and picking a thorny flower she called out to us that fateful hour;

  “Oh my and how lovely, two twins so cute! I had thought no one lived so far out here, away from the town and its charming cheer? Why don’t you come over and meet my pet crows and I’ll show you two a trick that nobody knows!”

  I leaned down to consult with sister you see, she being younger she’s littler than me, I told her to stay close while we watched the show, then we’d be off and away we’d go;

  “Okay old lady my name is Tim and this here’s Tam and this place you’re in, is our family farm and that guy in the field, well that’s our Dad, and if you mess with us he gets real mad, so no funny business in this game and we’ll be nice to you just the same.”

  “Agreed indeed you little man and I can’t wait to see you in my pan!”

  Now I had to think on this real hard. Did that mean something about being able to see or was she talking about eating me? No matter, no problems and boy those crows, did they sure put on some funny shows and acted like they had lots of smarts and seemed just like pets and warmed our hearts;

  “Thanks old lady we gotta go we’re almost late for dinner you know?”

  She moved too fast and came right up and pulled out an odd-looking wooden cup;

“Wait there dearies, not so quick, about that dinner and my sweet shtick, you see you owe me a trick too, two coins I’m asking there of you, you bring them up to my cabin on that hill and I’ll teach you some magic and give you a thrill!”

  “Okay lady!”

  I agreed as we ran, if we don’t get home soon it’s gonna be my can! ‘Cause I know my pops he’ll beat my **** and I’ll be sent upstairs with nothing to eat, so I told little sister to move those feet!

caesura

  Whisk you down the road of boiled toad, and singeing hair, of whispered things and fires' flare, of evil looks from open books, pigeon’s toes and a chicken gizzard, while around your legs it crawls and creeps, my hungry lizard that never sleeps! You gawk! You stare! My wrinkly-face, the dank rank air in my dingy place, the dusty shelves a-lined in books and creepy crawlies in every nook, cobwebs and spiders at every corner, piggies run squealing while the chickens banterer, ravens caw at strange green light from lantern but back to all those shadow corners where little bad things spy and salivate, thinking on what they had last ate, and there you are shaking, nervous, trembling; a porky little piece of meat and something we all want to eat!

  “Oh don’t be scared my little one, I’m kidding, teasing, just having fun. Hand me the coins I asked for earlier, when we crossed paths along Old Joser, draw near to me, come here, come a bit closer!”

  Be careful will I not to bare my teeth, or lick my lips or stare too deep, for one is easy, two a dangerous feat and I so want to have my little porky piece of meat! I stood on a ladder with little Tam on my shoulder, so she could see the *** as it smoked and it smoldered, I directed little Tim over there to a seat and he saw me lick my lips as I thought about their meat.

  “Aha ha ha ha ha!”

  I laughed out loud as I cast in the dust and the billows changed color and kiddies made a fuss, but then the sparkly things popped and shimmered in their eyes, while both of them let out marvelous sighs, bewildered, bemused and tricked by my lie, I threw Tammy in to my cauldron to die!

  “Nooooooo!”

  Little Tim, little Tim did he let me in and punished will he be for that little sin, I whispered a spell and took up my broom and zapped a hole in the floor out in the room, where Tim was running and dropped him in a hole, down a tunnel he went that saved his soul, for out he shot back on Old Joser Road, no wiser no worse for the trick I showed!

Now listen up children or this is your lot,

For I’m out there always lurking with my ***,

I’m always hungry and so are my crows,

We’ll eat you up all the way to your toes,

“Jimson and sassafras, morning glory, woodrose seed,”

“A ***** of my finger, lock of my hair, a thimble and tweed,”

“Two coins, a cauldron, my cunning and your breed,”

“Whenever I’m hungry that’s all that I need!”
(Joser: Joe-Sir) rhymed with (Closer)
This is a retelling of the Sumerian story of Tim-Tam which is the origin of Hansel and Gretel. This entire piece came to me in a dream and I wrote it down in one sitting over ten minutes. Grimm's Fairy Tales are about warnings to small children...warnings that not ALL adults are good people and sometimes starving old people in the woods use trickery to eat kids. The phrase 'two twins' is a reference to the dual nature of myth as both actual events and cosmic. Gemini and the two earthly children.

Two coins to pay the boatman who takes your soul across the river Styx.
am i ee Feb 2016
tall red rubber boots on this rainy morning
bring me joy, happiness.
stomping in the puddles,
hiking in the wet wet leaves.

standing still as the raindrops
pour down over umbrella,
drops pounding the pond with intensity,
watching mother nature in action.

still winter but with little
signs of spring emerging.
green green shoots of jonquil leaves,
a bit of sun and warm will bring color.

for now the trunks of the trees are grey
and branches bare.
crows caw on this quiet wet morning
flitting from branch to branch before taking flight.

raindrops mix with creek water,
rushing down over rocks
and logs,
dams created.

such beauty and peace
on this raw morning,
such profound love is found
in the stillness and silence...

in Mother Nature
in the Tao.....
I torment the salt of the earth,

~"Who am I?"~

Eat up the children from unholy birth,

~"Who am I?"~

The ravens caw and come to pick,

~"Who am I?"~

Off woeful ones that I've made sick,

~"Who am I?"~

See travelers on the road of pain,

~"Who am I?"~

Rider on the clouds drive you insane,

~"Who am I?"~

I'm coming for you, I'm coming quick,

~"Who am I?"~

My art deception, my craft, -the trick...

~...Anatu...~
The Sumerian storm god was a goddess adopted by the Hebrews as, "Lilith," or in the original, "Li-Li-Tu." She was part of a cadre of evil sky spirits who could manifest themselves inside animals and humans and due to some ancient wrong were particularly found of killing or making suffer; men and male babies. She was considered a daytime goddess and her thundering storms gave her the epithet, "Rider on the clouds." She is related to the Greek Artemis(as a huntress), Phoenician Astarte, Ishtar, Hebrew Lilith, Sumerian Anatu, Egyptian Anit, Aryan Tiamat, the Hindu Devas and the prototype for ritual witchcraft. She was a completely evil character.

Tu is action, Ana is sky so her name represents the ACTIONS of the SKY!
Emily Snow Apr 2016
Caw
My angel, my brave bird
Bursting perfect with words,
Let me hear them softly sung.
My strong one, come closer,
Let me hold you in chilled
Moon-glowed embrace.

My lover, my dark water
Give me a taste, a lick
Of your fire, of your desire.

Like a siren I caw for you,
Like a bird of paradise lost.
I beg you to break me;
My soft feathery neck
That crooks to your name
And howls in the night

Like a dog— my love,
Fire me like a pistol.
Bury me in your clamoring heart.
Obadiah Grey Jul 2010
“ Crow “

Whatcha stearin at ye scrawny bird
Ah’ll  draped in black en
wi  malachite  eyes,
Whitcha  Feathers in tatters
ah’ll covered  in crud
Hoppin en skippin en lookin so wise,

Whydja  squawk et  mi in that orible  way,
Whydja  caw en caw en  caw  et mi
Ahs’tha  reely  got  summat to say
Ah’stha  reely  got  summat  to  say,

GEERCHA yer self  bak up in’te  sky
En leave mi alone wi  mi beer,
If  ye  stay round ere  
yel end up  dead
yon   fox  el  av  yer i fear,
yon   fox  el  av  yer i  fear
so leave mi alone  wi  mi  beer.

Alan nettleton......... + bottle n arf o' whine...
Isaace Oct 2023
We can hear: "Caw! Caw!" as the crow flies.
Caw! Caw!
Ping! Ping!
And we revisit the bust of The Wiygg—
The Wiygg who knowest thou.
He who sings when we deliver a burning sword to Sanjeet and Romesh Singh,
Those who beat their blood-soaked wings.

Once that particular door has been shut, and twilight begins,
Lang, Rita, Jamal and Hatesh P. Benjahmin,
Where will you call home once the end of the night begins?
Lexander J Nov 2015
Silence is the comfort of a conflicts hush
silence is the sound of a dead crows caw
silence ain't abatable, so don't even try
silence is thy lord's voice and his word is law

It's unquestionable, deadly, doesn't care what it kills
a force gradual and steady, from the dark our night it fills
it reeks of loneliness whilst exhuming sweet beauty
modest and loyal, quietly it does its hidden duty

crying through eyes non-existent
it's love invisible, so painfully distant
all alone, comfort gone from that old favourite song,
it's presence tranquil, opening your eyes to where you went wrong

It's neutral, doesn't take sides or excuses
a poignancy so strong, bitter and raw
twisted, life and death somehow entwined
I gazed upon its face and 'twas the most beautiful thing I've ever saw

- - - -

a vision flickering like a fuse in an abandoned house
it's rooms gas filled, primed for explosion -

I sleep and walk amongst the fields of dreams
as silence drips upon life and starts its graceless erosion.

AJ
Bodhi May 2017
It was so cold. Snow fell constantly, and ice formed over all the waters. The animals had never seen snow before. At first, it was a novelty, something to play in. But the cold increased tenfold, and they began to worry. The little animals were being buried in the snow drifts and the larger animals could hardly walk because the snow was so deep. Soon, all would perish if something were not done.

"We must send a messenger to Kijiamuh Ka'ong, the Creator Who Creates By Thinking What Will Be," said Wise Owl. "We must ask him to think the world warm again so that Spirit Snow will leave us in peace."

The animals were pleased with this plan. They began to debate among themselves, trying to decide who to send up to the Creator. Wise Owl could not see well during the daylight, so he could not go. Coyote was easily distracted and like playing tricks, so he could not be trusted. Turtle was steady and stable, but he crawled too slowly. Finally, Rainbow Crow, the most beautiful of all the birds with shimmering feathers of rainbow hues and an enchanting singing voice, was chosen to go to Kijiamuh Ka'ong.

It was an arduous journey, three days up and up into the heavens, passed the trees and clouds, beyond the sun and the moon, and even above all the stars. He was buffeted by winds and had no place to rest, but he carried bravely on until he reached Heaven. When Rainbow Crow reached the Holy Place, he called out to the Creator, but received no answer. The Creator was too busy thinking up what would be to notice even the most beautiful of birds. So Rainbow Crow began to sing his most beautiful song.

The Creator was drawn from his thoughts by the lovely sound, and came to see which bird was making it. He greeted Rainbow Crow kindly and asked what gift he could give the noble bird in exchange for his song. Rainbow Crow asked the Creator to un-think the snow, so that the animals of Earth would not be buried and freeze to death. But the Creator told Rainbow Crow that the snow and the ice had spirits of their own and could not be destroyed.

"What shall we do then?" asked the Rainbow Crow. "We will all freeze or smother under the snow."

"You will not freeze," the Creator reassured him, "For I will think of Fire, something that will warm all creatures during the cold times."

The Creator stuck a stick into the blazing hot sun. The end blazed with a bright, glowing fire which burned brightly and gave off heat. "This is Fire," he told Rainbow Crow, handing him the cool end of the stick. "You must hurry to Earth as fast as you can fly before the stick burns up."

Rainbow Crow nodded his thanks to the Creator and flew as fast as he could go. It was a three-day trip to Heaven, and he was worried that the Fire would burn out before he reached the Earth. The stick was large and heavy, but the fire kept Rainbow Crow warm as he descended from Heaven down to the bright path of the stars. Then the Fire grew hot as it came closer to Rainbow Crows feathers. As he flew passed the Sun, his tail caught on fire, turning the shimmering beautiful feathers black. By the time he flew passed the Moon, his whole body was black with soot from the hot Fire. When he plunged into the Sky and flew through the clouds, the smoke got into his throat, strangling his beautiful singing voice.

By the time Rainbow Crow landed among the freezing-cold animals of Earth, he was black as tar and could only Caw instead of sing. He delivered the fire to the animals, and they melted the snow and warmed themselves, rescuing the littlest animals from the snow drifts where they lay buried.

It was a time of rejoicing, for Tindeh - Fire - had come to Earth. But Rainbow Crow sat apart, saddened by his dull, ugly feathers and his rasping voice. Then he felt the touch of wind on his face. He looked up and saw the Creator Who Creates By Thinking What Will Be walking toward him.

"Do not be sad, Rainbow Crow," the Creator said. "All animals will honor you for the sacrifice you made for them. And when the people come, they will not hunt you, for I have made your flesh taste of smoke so that it is no good to eat and your black feathers and hoarse voice will prevent man from putting you into a cage to sing for him. You will be free."

Then the Creator pointed to Rainbow Crow's black feathers. Before his eyes, Rainbow Crow saw the dull feathers become shiny and inside each one, he could see all the colors of the rainbow. "This will remind everyone who sees you of the service you have been to your people," he said, "and the sacrifice you made that saved them all."

And so shall it ever be.
~ Lenni Lenape Tribe
Nat Lipstadt Jun 2016
~

<>


nearby distant,
the soft thrash of warm waves
lapping interlocking,
happily wet tongue kissing,
sun-oven precision-crisping
the Long Island striped bass
and porgies, at a surreal cooling
77 degrees

Pandora synced to his eyes,
shuffling freely,
by saying
we too see!!
playing for him,
Stairway to Heaven (Led Zeppelin)

poor, poor poet,
strains to brain drain one more time,
conducting an ogling googling word search
for those combinatory storied ones that
sailboat glide
all the while
wildly bursting with Pellegrino effervescence

compromising sounds sights,
to present
properly the balance,
to preserve
properly this moment,
peaceful alive for all times,
as poet has tried,
and failed so many times before...

the caw caw caw of the crow mocks the illiterate human,
for the bird calls it, in single sound perfect and
the human a laughingstock,
for not in his possess,
to capture this perfect moment
of human sabbath.

a Roman Saturn day of rest,
on this day that itself,
is perfection,
perfect for celebrating our common creation,
on a day that our
almost-all-agreed-upon calendar
is marked for us to
forte rest,
from an existence of just laborious

the chubby checkered cheeked squirrels
laughingly pauses,
watching, enjoying a poet's struggle,
mind boggle,
the poet's chubby cheeks
stuffed with discarded words,
all insufficient to capture
the absolution of
absolute beauty

bathing in the noisiest of nature's sounds,
all that contravene the silence of living things,
breathing prayerful thoughts that all
summary end,
with a common gesture of
forefinger upon the lips

a human acknowledgment of
utter obeisance to the forces
calling out by example

listen, see!

silently presenting,
this,
this!!


a day that demanded perfection
S R Mats Mar 2015
"Handsome fellow,"
She said.  Blue-black,
Eyes of knowing, cocked
Head, he is peering
At her with certainty.
"Caw!" His answer of love.
For a Child of 1918

My grandfather said to me
as we sat on the wagon seat,
"Be sure to remember to always
speak to everyone you meet."

We met a stranger on foot.
My grandfather's whip tapped his hat.
"Good day, sir. Good day. A fine day."
And I said it and bowed where I sat.

Then we overtook a boy we knew
with his big pet crow on his shoulder.
"Always offer everyone a ride;
don't forget that when you get older,"

my grandfather said. So *****
climbed up with us, but the crow
gave a "Caw!" and flew off. I was worried.
How would he know where to go?

But he flew a little way at a time
from fence post to fence post, ahead;
and when ***** whistled he answered.
"A fine bird," my grandfather said,

"and he's well brought up. See, he answers
nicely when he's spoken to.
Man or beast, that's good manners.
Be sure that you both always do."

When automobiles went by,
the dust hid the people's faces,
but we shouted "Good day! Good day!
Fine day!" at the top of our voices.

When we came to Hustler Hill,
he said that the mare was tired,
so we all got down and walked,
as our good manners required.
Kewayne Wadley Mar 2017
I was a shirt filed with straw and rags.
Pants that hang loose. Jeans cuffed pinned uncomfortably.
Nothing to think of; a hat filled with straw.
The inability to walk. Pinned to a board.
Hickory oak.
Chest disproportionate to a small waist.
Sleeves flung in the wind.
Left standing still; a face motionless.
Pinned to hickory oak.
A shadow left in an empty field, the boundaries of a checkerboard shirt.
The insecurity of straw hands.
Pickett fences to the feet of crows,
Still she'd visit often.
Distance cut short by dark heavy wings.
She'd caw in my silence,
Not knowing the ability to smile I stood against purpose.
She refused to run, poking fun at my hat.
The clothes that hung loosely in the wind, scurf tied tightly around my neck.
Feeling her ***** the strings of my chest.
Strands of straw filled by her need to find a home.
Was there anything there at all before that moment.
Becoming shelter to the way she pried.
The Ravens caw.
Starry sky.
Black and raw.
Im not a bird but can I fly?
____
Dark n Beautiful Apr 2016
Whilst I was walking down the street this morning
I tried to be polite and inconspicuous to a passing stranger

He stares directly into my eyes;
My brown eyes speak louder than my husky voice
without the spoken words or improvisation.

What was he looking for?
Did he like what he saw?

The pain, shame or a sense of connection
Love, is nowhere to be found in my eyes,

It's ruthless, it deems, it disappoints
By now we all know the stories about the pain
Of lost-love,

It begins with a smile
A kiss a warm embrace,
The tears and fears during the last years
of something that was once so beautiful..

Did he love the raven in my eyes?
Sorry stranger! ,
I played the game of love and lost
I paid my tithes, sorry stranger!

Caw, caw, caw!
Did the stranger love the looks of the raven in my eyes?
Michael Jul 2021
Caw
An eagle calls on the dawn's sun rise.
As the living waken from their beddy-byes.
The hunter waits and sits and pries,
and sneaks to even skip surprise.
Feathers fall as the thunder strikes.
The crows, they caw at the bird's demise.
Crysta Gingras Dec 2015
Caw! Caw! Calls the crow on a crisp fall morning
Nevermore! Nevermore! Yells the ravens forewarning
The mist lifts into the air
As the sun begins to rise
The priests are sending up a prayer
Babies shouting out their cries
The dog down the street going bark! bark! bark!
The canary next door gives a little whistle
Out of the brush in a hurry ***** a swift lark
Away dashes a bunny, straight into the thistle
A squirrel chatters away
At a cat prowling close
Diving in, a daring jay
Caught by the cat, almost
Never was there a morning
So busy as this
To hear the birds all chirp and sing
To describe in a word…bliss
Good Morning to my angel
WHAT was the name you called me?-
And why did you go so soon?
  
The crows lift their caw on the wind,
And the wind changed and was lonely.
  
The warblers cry their sleepy-songs
Across the valley gloaming,
Across the cattle-horns of early stars.
  
Feathers and people in the crotch of a treetop
Throw an evening waterfall of sleepy-songs.
  
What was the name you called me?-
And why did you go so soon?
Secretly believing someone is watching
And will benevolently arrive, relieve the pain
When planets collide, lots of stuff goes awry
Every breath you take implicates you deeper
The constant cry of babies being born
Expect monsters worse than you can conceive
There is a dark alley deep in hell

Where strangers go
She was swallowing a horse who
Stomped its hooves
Kicked her in stomach pregnant with you
As soon as you enter
Someone points a finger
Hollers, “Horse child, *****’s child!”

Hen-pecked men and angry haughty women
Shame is the only love i know
A murdering mob descends upon
Somebody lynching Christmas tree ornaments
Why isn’t there God?
It’s disturbing to think
We’re all acting out of chump sensibilities

Explain to me again about sociology and greater good
How long can a smell last?
A week? A month? Thousands of years?
What if higher powers exist
Unbeknownst to themselves?
Death fashionably attired without face
The importance in showing teeth

“Caw, caw!” old crow calls, anticipating winter’s squalls
I fire up cigarette, blow smoke in the faces
Of those who said no to my dreams
I’m glad i didn’t know then what i know now
The cost of joy
Tomorrow is magnificent new beginning
If only everything hadn’t happened
Michael Amery May 2014
My words are not my own,

Nor do they belong to my totem frog
Which hippity hops
His way trough my life,
Guiding me towards a metamorphosis,
From drunkard
To enlightened.
He (I) sure am taking his time,
But should/could this journey be rushed?

My poems are not the caw of the crow and/or raven,
She does not sing a song so beautiful that I am moved to purge it least it take up too much of the spare space I have inside of me.
She is my spirit guide,
Turn this way, choose that one (with the pretty smile which makes you ever so nervous),
Do not wear that ridiculous outfit,
Don't even think of-
Too late, now live with the repercussions, idiot.
A ****** of voices.

My muse tickles my lust and embraces my love
But is neither.
She/he dons many faces none of which I have ever seen.
Whimsical *****, ******* of emotional release
I do not know you!
I write your words as they come into my head.
Or I would,
If I could keep up with your maniacal laughter;
You spew nonsense rapid fire, child slaying zombies with Cheetos stained fingers,
And with all the elegance therein.
Yet,

I am thankful indeed.
Liz Apr 2014
The wild blackberry
plume bursts,
effervescent under briar
and brambles,
brilliant indigo and magenta prior.

We picked the posy
and sweet fruits
which scalloped along the ditch
until our baskets were full and rich.

The bronzey leaves quiver gently
but do not fall
however thick thorns plenty
tear our long skirts
and scratch our pasty legs.

Stained with dirt
And blood and mud
We skip home through thyme.
Through our childhood as
The blackbirds caw.
1659

Fame is a fickle food
Upon a shifting plate
Whose table once a
Guest but not
The second time is set.

Whose crumbs the crows inspect
And with ironic caw
Flap past it to the
Farmer’s Corn—
Men eat of it and die.
rsc Apr 2015
An uneasy knowing:
Hand on the doorknob,
Intuition hinting at what's
Through the keyhole.

Excuse me, while I
Make my way back to the womb
And coalesce into an egg once more.

I must relearn everything I was ever taught.

I must rethink everything I ever thought.

"My soul shall not be bought,"
Is a declaration not an "Oh, I ought to."
Tangled in some narrative, stuck like glue;
Convention is convention
Regardless of where it's acted out,
Chugging a cheap beer or slinging back a stout.

Let the wild eyed lemurs out!

Femurs shriek ****** ******,
Shin splits from sprinting to get coffee creamer.

Benz,
Bentley,
or
Beamer?

Out of place in small town USA,
But the monster makes itself the new normal.
Wear jeans to the semi-formal, but
The after party is her call.

To make the future or **** it all?
Is life an experiment or a free for all?
Is it neither? Is it nothing at all?

Squeezing the eyes out of a stress ball,
Touch pleasing thighs as the curtains draw...

Ka-caw! Ka-caw!
I am, I am a triumphant toucan!
Flapping wings flowing fluttery alchemy,
Making circles out of straight lines,
Crafting stories out of blank mind.

It comes in time, I guess,
The mess of me cleaning itself up gradually
Only to regress under sea level again
And again, becoming a canyon,
The slow deposition, the bearer of men.

Redheaded and clucking mother hen
Drinking hot water, honey, and lemon,
Patronizing old explorers like Magellan.

Tune into the past, oh sugar sweet one,
Inflicting beatings with flagellum,
Stealing treats and eating them,
Mountain peaks and chewing gum.

Puh-*** puh-***-***!
Our heads make good drums,
And our bleating makes good melodies.

Can you teach me the song of the trees?
Can we at least save the bees?

Nectarine mornings and small, knobby knees..
Mommy, please, put my hair in pig tails!
Pick up the worms off the sidewalk,
Watch out for the snails.

Lay me down into a hay bale;
I'll send you snail mail from
My heavenly little hell.

What's that smell;
My baby blanket or an ex-boyfriend
Lingering underneath my nose hairs?
In smoking scents do memories construct their lairs.

Do I have a care?
Do I have to care?
Is it a curse to be aware?
Is it a curse to think that, to dare?

Something fragile hangs in the air.

Teeth grind, sweaty night mares,
Water and oil, oh! What a pair.

Fingers uncoil from around your neck:
Slender ghostly feelers beckoning,

"Come destroy yourself with me."

Cast my body out to sea,
Playing saccharine melodies, but
Send my soul out separately.
Says I to my Missis: "Ba goom, lass! you've something I see, on your mind."
Says she: "You are right, Sam, I've something. It 'appens it's on me be'ind.
A Boil as 'ud make Job jealous. It 'urts me no end when I sit."
Says I: "Go to 'ospittel, Missis. They might 'ave to coot it a bit."
Says she: "I just 'ate to be showin' the part of me person it's at."
Says I: "Don't be fussy; them doctors see sights more 'orrid than that."

So Misses goes off togged up tasty, and there at the 'ospittel door
They tells 'er to see the 'ouse Doctor, 'oose office is Room Thirty-four.
So she 'unts up and down till she finds it, and knocks and a voice says: "Come in,"
And there is a 'andsome young feller, in white from 'is 'eels to 'is chin.
"I've got a big boil," says my Missis. "It 'urts me for fair when I sit,
And Sam (that's me 'usband) 'as asked me to ask you to coot it a bit."
Then blushin' she plucks up her courage, and bravely she shows 'im the place,
And 'e gives it a proper inspection, wi' a 'eap o' surprise on 'is face.
Then 'e says wi' an accent o' Scotland: "Whit ye hae is a bile, Ah can feel,
But ye'd better consult the heid Dockter; they caw him Professor O'Niel.
He's special for biles and carbuncles. Ye'll find him in Room Sixty-three.
No charge, Ma'am. It's been a rare pleasure. Jist tell him ye're comin' from me."

So Misses she thanks 'im politely, and 'unts up and down as before,
Till she comes to a big 'andsome room with "Professor O'Neil" on the door.
Then once more she plucks up her courage, and knocks, and a voice says: "All right."
So she enters, and sees a fat feller wi' whiskers, all togged up in white.
"I've got a big boil," says my Missis, "and if ye will kindly permit,
I'd like for to 'ave you inspect it; it 'urts me like all when I sit."
So blushin' as red as a beet-root she 'astens to show 'im the spot,
And 'e says wi' a look o' amazement: "Sure, Ma'am, it must hurt ye a lot."
Then 'e puts on 'is specs to regard it, and finally says wi' a frown:
"I'll bet it's as sore as the divvle, especially whin ye sit down.
I think it's a case for the Surgeon; ye'd better consult Doctor Hoyle.
I've no hisitation in sayin' yer boil is a hill of a boil."

So Misses she thanks 'im for sayin' her boil is a hill of a boil,
And 'unts all around till she comes on a door that is marked: "Doctor Hoyle."
But by now she 'as fair got the wind up, and trembles in every limb;
But she thinks: "After all, 'e's a Doctor. Ah moosn't be bashful wi' 'im."
She's made o' good stuff is the Missis, so she knocks and a voice says: "Oos there?"
"It's me," says ma Bessie, an' enters a room which is spacious and bare.
And a wise-lookin' old feller greets 'er, and 'e too is togged up in white.
"It's the room where they coot ye," thinks Bessie; and shakes like a jelly wi' fright.
"Ah got a big boil," begins Missis, "and if ye are sure you don't mind,
I'd like ye to see it a moment. It 'urts me, because it's be'ind."
So thinkin' she'd best get it over, she 'astens to show 'im the place,
And 'e stares at 'er kindo surprised like, an' gets very red in the face.
But 'e looks at it most conscientious, from every angle of view,
Then 'e says wi' a shrug o' 'is shoulders: "Pore Lydy, I'm sorry for you.
It wants to be cut, but you should 'ave a medical bloke to do that.
Sye, why don't yer go to the 'orsespittel, where all the Doctors is at?
Ye see, Ma'am, this part o' the buildin' is closed on account o' repairs;
Us fellers is only the pynters, a-pyntin' the 'alls and the stairs."

— The End —