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"zimmer" poems
I can’t wait to be a hundred; turning over the thoughts and plots, of Caledon floating on Zimmer inserts and dusted Florsheims three steps forward in a dream woven summer afternoon Through the barn doors and bee keeper flats assimilating voices from Sachems and Forbes and Hope Healers coming and going as the countryman comes and goes You can feel it in a place like this the 3 in the tree memories of Allis Chalmers and combine parts of Sundrim poppers and shallow carp fields of patterned lawsons and fading caulk (on the ripped and rolled frontier seats) it’s a wishing well for the peddler and bold hydrangea... both peeking their way through the rusted grinders wheel
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Jan 24, 2017
Jan 24, 2017 at 11:55 PM UTC
The plots of Caledon
The missus bought a Paperback   ...at Val Village, Saturday,   I had a look inside her bag;   ....T'was "Fifty Shades of Grey".   Well I just left her to it,   And at ten I went to bed.   An hour later she appeared;   The sight filled me with dread…..   In her left she held a rope;   And in her right a whip!   She threw them down upon the floor,   And then began to strip.   Well fifty years or so ago;   I might have had a peek;   But Mabel hasn't weathered well;   She's eighty four next week!!   Watching Mabel bump and grind;   Could not have been much grimmer.   And things then went from bad to worse;   She toppled off her Zimmer!   She struggled back upon her feet;   A couple minutes later;   She put her teeth back in and said   .....I am the dominater !!   Now if you knew our Mabel,   You'd see just why I spluttered,   I'd spent two months in traction   For the last complaint I'd uttered.   She stood there **** and naked   Bent forward just a bit   I went to hold her, sensual like   and stood on her left ***   Mabel screamed, her teeth shot out;   My god what had I done!?   She moaned and groaned then shouted out:   "Step on the other one"!!   Well readers, I can't tell no more;   About what occurred that day.   Suffice to say my jet black hair,   Turned fifty shades of Grey.
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Sep 4, 2014
Sep 4, 2014 at 8:30 PM UTC
50 shades of gray - a husbands view written by john summers
Here I am, leg in plaster Nurse with a needle, after me Forgot the brake, can't go faster Now all I get is woe and misery CHORUS I got those wheelchair blues Suffering those wheelchair blues Hear my wheelchair blues I'm singing those wheelchair blues Rushing to get that elevator again Going quick and my hands are sore I'm just too slow, because then I end up crashing into the closed door CHORUS I got those wheelchair blues Suffering those wheelchair blues Hear my wheelchair blues I'm singing those wheelchair blues Showing off and think I'm clever Should have taken my painkiller pill You won't stop and wish I never My fault for trying to go down hill CHORUS I got those wheelchair blues Suffering those wheelchair blues Hear my wheelchair blues I'm singing those wheelchair blues At last I can get out of the chair But things will never be the same Because now it just ain't fair They've given me a Zimmer Frame CHORUS I got those wheelchair blues Suffering those wheelchair blues Hear my wheelchair blues I'm singing those wheelchair blues I got those wheelchair blues Suffering those wheelchair blues Hear my wheelchair blues I'm singing those wheelchair blues copyright Chris Smith
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Nov 8, 2009
Nov 8, 2009 at 12:16 AM UTC
Wheelchair Blues
From the House Of Ali -Najaf to the House Of Hussain-Kerbala, Swarms of people walk 80kilometres for threes days- united, The largest peaceful gathering in the world with free services, An experience like no other. Blessed are those who walk, More blessed are those who serve. No discrimination, Regardless of sect, profession or social status, Rich or poor, Young or old, Men or women, In wheel chairs, crutches or with Zimmer frames, Prams or hand carts, All march with respect and dignity, With one thought in mind, To pay allegiance to Hussain, Who sacrificed his head for humanity. Every eye is moist, Every heart torn in grief, Chanting"Labbaik Ya Hussain." With an iron will to complete the walk. A nation, war-torn, wounded, Embraces the whole world in the name of Hussain, The longest dining table, Where every zuwar is honoured and treated like royalty, To pay in currency, none, Only love and kindness and an urge to serve the zuwars. Along the roadside are set up Mowakebs (tents), That provide every kind of facilities and amenities , Food,beverages medicines,toiletries, Fresh clothes if need be, shower rooms and toilets, A massage of your feet, Services to charge or repair your phone's,zimmer frames or prams, Anything for the zuwars, All in the name of the Ahle bayt, Mohamed,Ali,Fatema,Hassan and Hussain. What Hussain and his followers were denied is served with outstretched arms, The aftermath  of Kerbala was more tragic and callous, The tears of Binte Zainab that retold the tragedy again and again, Has born fruits, The zuwars multiply in numbers every year, The rewards greater.
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Oct 20, 2018
Oct 20, 2018 at 12:22 PM UTC
Arbaeen-A Spiritual Walk
From the House Of Ali -Najaf to the House Of Hussain-Kerbala, Swarms of people walk 80kilometres for threes days- united, The largest peaceful gathering in the world with free services, An experience like no other. Blessed are those who walk, More blessed are those who serve. No discrimination, Regardless of sect, profession or social status, Rich or poor, Young or old, Men or women, In wheel chairs, crutches or with Zimmer frames, Prams or hand carts, All march with respect and dignity, With one thought in mind, To pay allegiance to Hussain, Who sacrificed his head for humanity. Every eye is moist, Every heart torn in grief, Chanting"Labbaik Ya Hussain." With an iron will to complete the walk. A nation, war-torn, wounded, Embraces the whole world in the name of Hussain, The longest dining table, Where every zuwar is honoured and treated like royalty, To pay in currency, none, Only love and kindness and an urge to serve the zuwars. Along the roadside are set up Mowakebs (tents), That provide every kind of facilities and amenities , Food,beverages medicines,toiletries, Fresh clothes if need be, shower rooms and toilets, A massage of your feet, Services to charge or repair your phone's,zimmer frames or prams, Anything for the zuwars, All in the name of the Ahle bayt, Mohamed,Ali,Fatema,Hassan and Hussain. What Hussain and his followers were denied is served with outstretched arms, The aftermath  of Kerbala was more tragic and callous, The tears of Binte Zainab that retold the tragedy again and again, Has born fruits, The zuwars multiply in numbers every year, The rewards greater.
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43
right now i'm thinking about angry older gals at the supermarket, i'm thinking: shave the bush, start a razor "wildfire"... let's see your neck and your chin, shave off that beard... the crazy much older than your supermarket attendees are dropping the word viking while you shop for whiskey, onions and tomatoes, even the security guard is looking at you funny... your excuse of: i became bored of shaving is not going to work on these women, in their late 50s, making all the talk the talk and the talk being small talk and trebling in: i really just came in here for a purchase, i don't have the ***** to do the small talk... of course that's always besides the point... viking?! how about a zimmer frame? god, small talk kills me, i don't know how to make a chair out of it to sit on for much longer than feel comfortable longer than 5 minutes on it... and there's always one of these women in the supermarket, she just knows small-talk - kleinsprechen... while i know the großsprechen - alternatively: stille (silence); but she just insists upon her solipsisms, and she does so perfectly, she talks, and even manages to reply for me... at least a monologue of a madman is less claustrophobic when you spot a solipsistic woman in her antics, at least the madman in his monologue feeds you not claustrophobia... given he's so self-engrossed in imaginative cursor workings... a madman's monologue never morphs into a solipsistic claustrophobia intimidation, notably within the guise of women... i'd prefer a madman oblivious to me in his externalised monologue, than a woman in a supermarket, oblivious to her solipsistic take on dialogue intimidation by restraining the other in a pseudo-claustrophobia; that famous echo chamber... please, throw me into the cushioned room with a madman, i'd rather hear his monologue, than her attempt at a dialogue in a supermarket!
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Oct 12, 2017
Oct 12, 2017 at 10:33 PM UTC
right now i'm thinking about angry older gals
right now i'm thinking about angry older gals at the supermarket, i'm thinking: shave the bush, start a razor "wildfire"... let's see your neck and your chin, shave off that beard... the crazy much older than your supermarket attendees are dropping the word viking while you shop for whiskey, onions and tomatoes, even the security guard is looking at you funny... your excuse of: i became bored of shaving is not going to work on these women, in their late 50s, making all the talk the talk and the talk being small talk and trebling in: i really just came in here for a purchase, i don't have the ***** to do the small talk... of course that's always besides the point... viking?! how about a zimmer frame? god, small talk kills me, i don't know how to make a chair out of it to sit on for much longer than feel comfortable longer than 5 minutes on it... and there's always one of these women in the supermarket, she just knows small-talk - kleinsprechen... while i know the großsprechen - alternatively: stille (silence); but she just insists upon her solipsisms, and she does so perfectly, she talks, and even manages to reply for me... at least a monologue of a madman is less claustrophobic when you spot a solipsistic woman in her antics, at least the madman in his monologue feeds you not claustrophobia... given he's so self-engrossed in imaginative cursor workings... a madman's monologue never morphs into a solipsistic claustrophobia intimidation, notably within the guise of women... i'd prefer a madman oblivious to me in his externalised monologue, than a woman in a supermarket, oblivious to her solipsistic take on dialogue intimidation by restraining the other in a pseudo-claustrophobia; that famous echo chamber... please, throw me into the cushioned room with a madman, i'd rather hear his monologue, than her attempt at a dialogue in a supermarket!
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72
What do you see, people, what do you see? What are you thinking, when you look at me? Do you see a grouchy old man, reading my book? Lonely on the doorstep, drinking my beer. Is that what you're thinking, is that what you see? Then open your eyes; you're not looking at me. I'll tell you who I am as I sit here so still! At 20 I have wings for feet and fly like a bird At 30 my dreams of love, Bound to each other with ties that should last. At 50 I contemplate the future alone. At 60 I think of the years, the loves I have known, A life that passed me by. What do you see when I struggle on my zimmer frame To buy my Bulmers ? So you see a body broken, A man of poor character. Well let me tell you this, Inside this lumbered body, lives a young mans heart, And now and again my battered heart swells. I remember the pleasure and the pain, I think of the years all too few – gone too fast, And accept the stark fact that nothing can last. So open your eyes, people, open and see, Not a sad old man, LOOK CLOSER, SEE ME A man of memories and dreams, A Life story to tell.
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Feb 11, 2014
Feb 11, 2014 at 2:41 PM UTC
Paddy
Fly so fast the years they do and my mind is not as once it was, forgetting things such as dates and names and going round as though I´m lost, in every room I stop and wonder why did I come in here, what is it, that I´m looking for, not a clue I fear. Have you seen my reading glasses Yes! she says, you´ve got them on your head, and what about my car keys I´ve looked everywhere, including in the shed, and when I bend, why is it that I always grunt and groan, and my back today, is not the best of backs I am so racked with aches and pains. My eyesight´s not as sharp these days and my hearing, Sorry, what d´you say, no longer do I walk upright and my thinning hair is turning grey, but although the body´s ageing and the memory´s fading fast, my brain still thinks I´m eighteen and I can do things, as I did in the past. So I´m off to run a marathon and the channel I shall swim and when I get home from clubbing I´ll be heading for the gym, I´ve parked my zimmer in the corner and my pillows I have plumped, the douvet I have pulled up tight as I start to snore and dream, and trump.
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Jun 12, 2018
Jun 12, 2018 at 3:51 PM UTC
Ageing, But Not So Gracefully
All the world's a ********* And all the lads and ladettes mere defecators, Gratifying oozing exits and entrances; And one man perforce enacts too many roles, His acts being seven deaths. D'abord, the baby, ******** and ******* on his mummy's frock. Then, the errant truant with his rucksack And pock-marked wanker's face, creeping like death Foul-trouser'dly to school. Next a teenager, Panting like mad dog, with an oozing pustule Dripping oe'r his girlfriend's pubics. Then a hoodie, Full of strange oaths, and dressed up like a freak, Lacking in honour, decency, and up for aggro, Seeking the respect of loathsome peers Even on the street corner. And then the adult With bulging beer belly, and ample burgers stuff'd, With eyes dulled by unfulfilled promises, Mortgaged to the hilt, and indebted to Visa, And so he wastes his life. The sixth age dawns Before he knows it, bald futility, With ****** in pocket, five quid a pill, His youthful hopes well fuck'd, the world too much For his ignorance, and his vain butch rantings Reverting soon to teenage curses, coughs And tobacco'd wheezings. Last we see him, Ending a pointless and useless existence, Clutching to his piss-stained Zimmer frame, Sans teeth, sans eyes, sans taste, sans pension fund.
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Mar 23, 2015
Mar 23, 2015 at 4:54 PM UTC
The Seven Ages of Modern Life
Ich ging durch den beschmutzten bevölkerten Korridor mit den Reben, die drinnen und draußen wuchsen, entlang und ich sah in jeder Tür mein Spiegelbild, während ich vorüberging. Ich wohnte genau zum Zimmer – nicht einhundertfünfzig Zentimeter weg; die Entfernung war fast nicht größer, als ich war, und nicht alter. Ich erläuterte meine Angst vor dem Dunkel mit einem Frösteln. Meine Zähne klapperten und klingelnden Münzen, die in meiner Tasche blieben, schrien in meinem Ohr gewohnte Lieder. Eine Tür öffnete und einen Moment lang hörten wir das Weltall. Wir allesamt waren in dem Korridor. Ein krystallener Stab wie einer, den Leute in der Versuchsansalt oder in der Kneipe benützten, zerbrach. Der Stabinhalt floß in die Hand des Mannes, der sein Zimmer verließ, eine silberne Flüssigkeit. Das Echo des Wortes „Quecksilber“ klang in dem Korridor. Jedes Zimmer ist gleichbedeutend wie das Letztere, aber es ist auch unterschiedlich. Jedes beinhaltet grenzenlos Fähigkeiten, und unterschiedliche Chemikalien, unterschiedliche Chemie, und unterschiedliche Emotionen. Ängstlich öffnete ich meine Tür und trat in einen millionsten Anteil von mir selber und ich war ich selber. Symphonien flossen von meinem Kopf weiter, und von den Symphonien kamen fliegende Fische. Es war nicht wichtig, dass andere Menschen ähnliche Zimmer wie mein Zimmer hatten; es war nur wichtig, dass ihre Zimmer verschieden waren. Ihre Zimmer waren Käfige, genau wie ihre Herzen und auch ihre Hände. Der Mann im Korridor, der hirschartige Augen hatte, blies das flüssige Metall, das seine Hand fasste weg. Die Flüssigkeit wurde Staub und glitt zu mir wie Backpulver oder Schnee im Schneesturm. Ich konnte alles hören und ich musste mich von dem Weiß, das der Staub brachte, trennen. Ich hasste den öden Morgen, den das hervorbrachte. Ich wollte meine Tür öffnen und wollte den silbernweißen Straub vorzeigen, dass ich auch Sachen in der Luft erschaffen konnte. Ich wollte, aber ich konnte nicht. Ich konnte Sachen in der Luft meines Zimmers erschaffen, aber nicht im Korridor. Man braucht Ressourcen, um etwas zu ändern oder zu formen. Ich besaß Keine. Die Welt schüchterte die Leute ein, die Verstand hatten.
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Oct 15, 2010
Oct 15, 2010 at 1:28 PM UTC
A Megalomaniacal Look on Creativity (German)
Ich ging durch den beschmutzten bevölkerten Korridor mit den Reben, die drinnen und draußen wuchsen, entlang und ich sah in jeder Tür mein Spiegelbild, während ich vorüberging. Ich wohnte genau zum Zimmer – nicht einhundertfünfzig Zentimeter weg; die Entfernung war fast nicht größer, als ich war, und nicht alter. Ich erläuterte meine Angst vor dem Dunkel mit einem Frösteln. Meine Zähne klapperten und klingelnden Münzen, die in meiner Tasche blieben, schrien in meinem Ohr gewohnte Lieder. Eine Tür öffnete und einen Moment lang hörten wir das Weltall. Wir allesamt waren in dem Korridor. Ein krystallener Stab wie einer, den Leute in der Versuchsansalt oder in der Kneipe benützten, zerbrach. Der Stabinhalt floß in die Hand des Mannes, der sein Zimmer verließ, eine silberne Flüssigkeit. Das Echo des Wortes „Quecksilber“ klang in dem Korridor. Jedes Zimmer ist gleichbedeutend wie das Letztere, aber es ist auch unterschiedlich. Jedes beinhaltet grenzenlos Fähigkeiten, und unterschiedliche Chemikalien, unterschiedliche Chemie, und unterschiedliche Emotionen. Ängstlich öffnete ich meine Tür und trat in einen millionsten Anteil von mir selber und ich war ich selber. Symphonien flossen von meinem Kopf weiter, und von den Symphonien kamen fliegende Fische. Es war nicht wichtig, dass andere Menschen ähnliche Zimmer wie mein Zimmer hatten; es war nur wichtig, dass ihre Zimmer verschieden waren. Ihre Zimmer waren Käfige, genau wie ihre Herzen und auch ihre Hände. Der Mann im Korridor, der hirschartige Augen hatte, blies das flüssige Metall, das seine Hand fasste weg. Die Flüssigkeit wurde Staub und glitt zu mir wie Backpulver oder Schnee im Schneesturm. Ich konnte alles hören und ich musste mich von dem Weiß, das der Staub brachte, trennen. Ich hasste den öden Morgen, den das hervorbrachte. Ich wollte meine Tür öffnen und wollte den silbernweißen Straub vorzeigen, dass ich auch Sachen in der Luft erschaffen konnte. Ich wollte, aber ich konnte nicht. Ich konnte Sachen in der Luft meines Zimmers erschaffen, aber nicht im Korridor. Man braucht Ressourcen, um etwas zu ändern oder zu formen. Ich besaß Keine. Die Welt schüchterte die Leute ein, die Verstand hatten.
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7
Her name was Elsie she came from Chelsea with a Zimmer walking aid she would dance when she was paid clicking teeth and hips pouting her dry lips and she would shake her bingo wings and her saggy ****** rings the O A P's would cheer for this geriatric dear Trying to touch her wrinkled *** with their free bus pass At the Darby...     Darby and Joan Club.
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Nov 20, 2012
Nov 20, 2012 at 8:37 PM UTC
Darby & Joan Club ( To the tune of Copacabana )
We like to dance Feet moving in a trance Transition to a different stance All of us jump and prance We get in a groove People’s rhythmic motion is smooth The head banging is proof Dancer’s enjoying the beat and ***** With Deejay YouTube on rotation Music revives the good sensation As boys and girls pair up to charleston The vibe is lively in Camden Everyone is revelling In the style of crip walking Zimmer frames towards the ceiling As the old start break dancing
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Jun 11, 2016
Jun 11, 2016 at 10:59 AM UTC
Dancing By Raul M Murray Friday 10 June 2016
(a poem I wrote for Auntie Annie’s funeral). Well you’ve all taken your time… while I’ve been waiting here. I’m about to trip the light fantastic in all this sparkly gear. And, because the aches and pains have gone, I’m about to strut my stuff. I’m dressed in Rose Organza with feathers and pink fluff. I’m surprised at how well I feel settling into this ‘other’ side. I’m sure I’ll calm down after some frivolity, then take things in my stride. For now though the spirit is upbeat testing my wings; making appearances near & far. First though, a dance contest, tonight at Bridlington Spa! Yes, I’ll be tripping the light fantastic… I’ve two partners in the wings. Both husbands in smart tuxedos, brushing up their moves and things. And I’m hoping we’ll cut a dash on that shimmering stairway to heaven… Well, Wally was probably a six point five. And *** (my first love)… A SEVEN! But seriously…my body had reached the bitter end and my memory was little better. Who was who  - and what was what - was touch and go, and… let a ninety two year old tell you with chair, zimmer frame or stick… that the thought of stepping comfortably - toward that light… FANTASTIC! … and even more seriously… I’ll look out for all you kids… with a word or voice on the wind as it whistles through the trees. Catch a glimpse in a crowd… “Was that?” NEVER?!. But It might be just my scent on the breeze. But for us to be in touch again, however brief, we must be ready and enthusiastic. I’ll prompt you to think of me as I trip toward that light… FANTASTIC!
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Dec 29, 2018
Dec 29, 2018 at 5:10 AM UTC
Tripping the Light Fantastic
(a poem I wrote for Auntie Annie’s funeral). Well you’ve all taken your time… while I’ve been waiting here. I’m about to trip the light fantastic in all this sparkly gear. And, because the aches and pains have gone, I’m about to strut my stuff. I’m dressed in Rose Organza with feathers and pink fluff. I’m surprised at how well I feel settling into this ‘other’ side. I’m sure I’ll calm down after some frivolity, then take things in my stride. For now though the spirit is upbeat testing my wings; making appearances near & far. First though, a dance contest, tonight at Bridlington Spa! Yes, I’ll be tripping the light fantastic… I’ve two partners in the wings. Both husbands in smart tuxedos, brushing up their moves and things. And I’m hoping we’ll cut a dash on that shimmering stairway to heaven… Well, Wally was probably a six point five. And *** (my first love)… A SEVEN! But seriously…my body had reached the bitter end and my memory was little better. Who was who  - and what was what - was touch and go, and… let a ninety two year old tell you with chair, zimmer frame or stick… that the thought of stepping comfortably - toward that light… FANTASTIC! … and even more seriously… I’ll look out for all you kids… with a word or voice on the wind as it whistles through the trees. Catch a glimpse in a crowd… “Was that?” NEVER?!. But It might be just my scent on the breeze. But for us to be in touch again, however brief, we must be ready and enthusiastic. I’ll prompt you to think of me as I trip toward that light… FANTASTIC!
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22
I have always dreamed and hoped for a Princess, a princess so priceless not worthless, Someone magnetic not robotic Someone with a gigantic and elastic figure, So I can be less dramatic, and be more romantic, As I take her to Atlantic, With my loyalty, Someone I can wake up to with my poetic poem, Placing her head on my chest, Reciting a magnificent poem, deep down from my heart, As the melody of my voice , trigger through her veins, Making it sweet and sour to the beat of her soul, As it sails, Feeding her with some chicken alfredo, to prove to her am not a ****** As we Sip together from a jug full of gip juice, I may not be Rod Zimmer, But I will take you to Zimmerberg As we linger away in my hummer , Sooner, all through the whole summer, As the sun rises, u put on your giant over sized sweater, While I pull off my tuxedos, Putting on my tommy Hilfiger Boxer, Holding hands, On one lane, making each steps count , As the memory stays, having a sunset walk on the beach, Gazing deep down at the sparkle in your liquid blue eyes, As it radiates to my soul, You can't deny, My smile warms your heart, Under your sponge bob cover, We are two heart beating on one rhythm, Let my rhymes be your wine , as u read every line , always get high, relent on my lines at bedtime cause they wil never decline. As they will always fill the unspoken words that were never said within time.
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Jul 7, 2013
Jul 7, 2013 at 5:30 AM UTC
SOMEDAY WITH YOU
Die Tuer ist geoeffnet und leer Im Zimmer liegt Kopf um Kopf Und Dunkelheit ueberall Im Tiefsten, am tiefsten Der Herzschlag, ich Schlug, der Schlag Durch die Tuer Doch die Tuer ist schon geoeffnet Und leer [The Open Heart The door is opened and empty in the room lies head upon head and darkness all around in the deepest, most deeply the heartbeat, I beat, the beat through the door of course the door is already opened and empty]
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Feb 10, 2011
Feb 10, 2011 at 10:24 PM UTC
Das offene Herz
Figure this may help someone today. One never knows. Have you ever felt lost Unsure of where to turn Wondering which bridge to cross And which one to burn Pondering every decision Like it may be your last The inner turmoil leaving All emotions on blast Becoming our own enemy We turn them inward Swallowing it all down We become quite disturbed Here comes the doubt Bringing us to our knees Begging for someone to hear our silent pleas Begging in silence As we watch the world turn It is for one person to hear us Our savior for which we yearn Yet they never come We find our own strengths Realizing nothing more than ourselves testing us at length So we stand up and rise above Ready to fight another day Ready to cross the bridge Or burn it either way That first step we smile Our journey has begun To find ourselves in chaos We will no longer run
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Mar 18, 2015
Mar 18, 2015 at 3:37 PM UTC
By Aaron Zimmer
Waltzing Matilda But not so ****** easy In a Zimmer frame
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Dec 19, 2014
Dec 19, 2014 at 7:29 AM UTC
Waltzing Matilda Haiku
The waiting room is full of 'dope' zimmer frames filled with no hope and I am on the slide. They lied to me, the ******** said, 'retirement's good, and you'll have time to tend the flower bed' but they never told me,that arthritis and gout would put me out to grass, well they can kiss my ***
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Oct 18, 2014
Oct 18, 2014 at 4:57 AM UTC
In sickness and....
Haifische schwammen Schwammen, schwärmten In einem Kreis, und gingen Durcheinander Wieder und wieder Und wider meine Angst Und meinen Willen. Plötzlich änderte sich alles Und ich wusste gar nicht mehr Wo ich stand. In Wirklichkeit saß ich, glitt, trieb ich in der Luft oder zwischen den Etagen. In dem Boden bewegte Mein Körper sich. Du warst nicht da, aber sie. Sie manifestierte sich Im Zimmer vor mir. Ihr Geist tanzte Und füllte mich, Körperlich Ein. So schnelle wie Sie kam, war sie Wieder auf Einmal Weg. Sie fiel weg. Ich existierte Und zitierte Im Dunkeln. Er machte die Lichter, die Sonne, aus und die Geister, ihrer, kamen und uns fehlten Die Worte. Ich kann es nicht Beschreiben, aber Ich verlief mich und Befand mich in einer Neuen Welt Füllend und überlaufend mit ihrer Stimme.
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Mar 10, 2016
Mar 10, 2016 at 4:40 PM UTC
Taub Rauchgeschwängert
It's about anatomy. You might think, An atom, me? But that's not what I said. Astronomy is nothing to do with food nor gastronomy stars. We have. sat together in too many taverns and isms to get tangled up in the anatomical caves and the caverns within 'em. At sixteen I was rampant and now I'm almost dormant. A Zimmer frame by any other name is as heaven knows not only not a rose it's not a babe magnet either. I am driven by demons that hole up inside me, the joke that they see is me, but there are saints sent to guide me while the Vatican city sleeps.
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Apr 14, 2016
Apr 14, 2016 at 5:17 PM UTC
Drilling in Durban
Inspired by Time by Hans Zimmer slogging through the snow weighed under the weight of all i know baggage on my back in desperate need of anything but facts and there she stands the wind whistling through her hair and the fingers of her outstretched hands her face is flushed but her legs are pale i must work harder work faster she'll catch cold in that billowing pink sundress unless i run fast and grab her fully in my strong embrace and kiss her sweetly spreading my warmth to her numb face but these bags won't let me act or else not fast enough she collapses landing rough on her delicate knees i can tell that she needs me so i cast aside all on my back the suitcases the backpacks and dufflebags pounds and pounds leave my shoulders and drop to the white ground with a quiet, crunchy thump her face is falling im growing frantic taking off everything and anything that might slow me down it seems as though the snow is getting deeper the closer i get to her she's still falling as if in slow motion long curly hair swirling behind her like one million crescent moons im leaping snow drifts now but i will get to her soon her face slaps the ground and the cry of one billion snowflakes echos magnified in my ear i reach her and turn her over and see a face blue and quiet with frozen tears stopped halfway down her cheek and suddenly mine are flowing free if only... if only i had dropped everything sooner i thought as this living man cradled someone who was not
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Sep 11, 2012
Sep 11, 2012 at 2:24 PM UTC
A Lighter Load in Heavy Snow
The last time I saw Fred..... On his last leg’s zimmer- framed & proudly vertical The fist of cankered gristle removed at a cost but he noble soldier farmer grand-father man was insistent He would walk with me to the toilet And he did with dignity a joke & splendid bravery
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Dec 21, 2011
Dec 21, 2011 at 9:26 AM UTC
Ward Walk
The old man, grey, bespectacled, with difficulty, rose from his chair. If he’d come to plead for mercy, I doubt he’d find it here. He struggled to stand steady with his Zimmer walking frame As he gave his testimony we all felt his sense of shame. “I was there when all this happened; I saw the smoke rise to the sky. I saw the piles of ashes that were once like you and I. I counted stolen valuables; Money, watches, gold. I dared not speak objection. I did as I was told.” He asked for a glass of water; this much he did receive. He testified an hour without asking for reprieve. He spoke about those distant days we see in black and white. Of a Germany destroyed by debt and burning for a fight. He then was young and good with numbers He was the bookkeeper of Auschwitz; He can’t un-see all he did see. Although he never shot a girl or stabbed a sleeping child, He’d tallied up their worldly goods to add them to the pile. When the Russians over-ran the camp, he and the others fled. They left behind warehouses full of the possessions of the dead. The Jury must deliberate about what punishment is due For this ninety year old **** who kept track of baby shoes.
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Apr 21, 2015
Apr 21, 2015 at 8:36 AM UTC
The Bookkeeper of Auschwitz