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judy smith Apr 2015
With designers like Iman Ahmed, HSY and Sania Maskatiya all showing, it was standing-room only at the venue. Many of the crowd of fashion insiders and socialites ended up sharing seats, with the chivalrous Zaheer Abbas giving his seat to Iman Ahmed after her show and sitting on the floor himself. So much for designer egos!

It was an evening that lived up to its billing.

Iman Ahmed may not be a designer who makes her clothing easily available, but in fashion terms she reaches heights that few other designers can reach. Her “Sartorial Philology and the New Nomad collection” was breathtaking.

The best fashion shows have a narrative — the clothes, styling, music and progression of the outfits blend seamlessly into a whole that portrays the designer’s artistic vision.

It’s hard not to gush about Iman Ahmed’s show last night because it was exactly what a fashion show should be.

Starting with a series of outfits in white and gradually adding tribal colours, Iman used fringing, embroidery and a range of fabrics to great effect. From the inspired detailing to the juxtaposition of texture and silhouette, this was a class act. The tribal white-dotted makeup and beaten silver accessories added further depth to Iman’s stunning layered ensembles.

Levi’s uninspired showing of their new 501 jeans and other stock provided the audience with a pause to process the previous collection. It’s difficult to make a interesting fashion week presentation out of high street wear and something that Levis struggles with.

They used better music than they did at their autumn show but the styling was still painfully lacking. They did manage to make everyone sit up and take notice at the end of their show though — Wasim Akram walked the ramp as their showstopper amid cheers from the admiring audience.

Somal Halepoto was next, with collection that looked distinctly amateur. She seemed to be aiming for a bright kitschy collection but ended up looking merely tacky. The shiny, synthetic-looking fabrics and gaudy embroidery were particularly woeful. Somal’s digital neon animal prints and some of the harem pants were funky but the rest of the collection had little to recommended it.

YBQ’s LalShah collection, meanwhile, was in a different league. An ode to 3 Sufi Sindhi saints, the collection was as much about the artistic impression it made on the ramp as it was about the clothes. The distinctly theatrical presentation relied on the slow beat of sufi music and plentiful accessories for much of its impact.

YBQ sent his models down the ramp in huge pagris, holding flags on poles and garlanded with prayer beads. He used only three colours - red depicting rage, white for peace and black for mourning. Most of the outfits were draped red jersey tunics or gowns with white lowers, braided belts and black turbans.

Rubya Chaudry wore a black gown with red roses but otherwise the outfits were all about subtle plays with drapery and cut. From jodhpur style chooridarsto asymmetrical draping, the outfits had interesting touches but needed all that heavy styling to make an impact. HSY was YBQ’s showstopper and added glamour to the theatrical presentation that he had choreographed.

Wardha Saleem was first up after the break and her Lotus Song collection showed how this talented young designer has been upping her game over recent years.

She used digital flamingo prints, 3D embroidery, gota embroidery and lasercutting in a pretty formal fusion collection. The detailing on the collection was simply stunning. Wardha used gota in delicate patterns that gave her outfits shimmer and paired this with three dimensional embroidery. The outfits featured flowers, fish, elephants and birds picked out in silk thread and beads.

She showed a variety of shift dresses, jackets, saris, capes and draped dresses. The styling was also great fun – the models wore shoes featuring spikes and 3D flowers while the multi-talented Tapu Javeri provided some gorgeous jewellery and music for the show. While there was nothing groundbreaking about her silhouettes, this was a beautiful collection that showed skill and artistry.

Sania Maskatiya, who presented her luxury pret on Day 1, now showed her lawn collection for AlKaram. As far as designer lawn goes, this is something of a dream collaboration.

Textile and print are Sania’s forte and she uses print extensively in her luxury pret. In this collection for Al-Karam she has taken print elements from her pret collections throughout the year including the Sakura, Lokum and Khutoot collections.

The prints are different from those used in her Luxe pret but are based on the same principals. She’s even used the paint splash embroidery from this season’s Khayaat collection in one of the outfits. Designer lawn should be affordable way to wear a designer’s aesthetic and this Sania Maskatiya Al Karam collaboration certainly is.

As for the show itself, showing lawn is always tricky on the ramp. Sania pulled it off with an upbeat presentation using fast music and trendy cuts, throwing a few conventional shalwar kameez in the mix. She fashioned the lawn into jackets, kaftans and draped tunic, using the sort of cuts that are a hallmark of her pret. It’s not how most people wear lawn but it was a great way to show off the prints on the ramp.

Naushaba Brohi’s Inaaya burst onto the fashion scene last year with a spectacular collection. Following up on a dramatic debut is difficult but Naushaba proved that she is not a one hit wonder with this collection. Inaaya’s SS15 collection continued with the theme of using traditional Sindhi crafts in contemporary wear. Naushaba used both touches of Rilli and some stunning mirror work in her collection.

What makes Inaaya noteworthy is the way that she takes unsung traditional crafts that we’ve seen badly used and gives them a high fashion twist. Standout pieces included a bolero with unusual mirror work and a rilli sari that glittered with tiny flashes of mirrors.

Although the collection included many beautiful outfits, there was a lack of focus. The simple tunic with a rilli dupatta didn’t work with knotted purple evening wear jacket. The inability to make a definitive statement let down an otherwise accomplished collection.

Naushaba added a characteristic touch at the end of her show. She’s committed to social responsibility and supports local craftswomen with her brand. Accordingly, Inaaya’s showstopper was Mashal Chaudri of the Reading Room Project along with Naushaba’s daughter Inaaya. She held up a plaque saying “I teach therefore I can” while Inaaya wore a T-Shirt with the slogan “super role model”.

HSY brought the evening to a close with a high-speed presentation of his Hi-Octance menswear collection. The unusual choreography featured the models zipping along the catwalk, pausing briefly on their second round. The energetic presentation complemented a collection of sharp suits and jackets, leavened with quirky polka dot shirts and bold stripy ties.

There was the requisite shirtless model in distressed jeans and an ice-blue jacket but also some appealing suiting fabrics. HSY used only Pakistani fabrics and included solid colours as well as self-checked and striped suits. This was wearable, classy menswear presented creatively.

Day 3 was undoubtedly the best day of TFPW so far. Iman Ahmed undoubted takes the laurels but she was ably supported by HSY, Wardha Saleem, Inaaya, Sania Maskatiya and YBQ.Read more here:www.marieaustralia.com/formal-dresses | www.marieaustralia.com/short-formal-dresses
judy smith Apr 2015
After months of preparation — sketching and making patterns, finding and fitting models, cutting and sewing fabrics, arranging makeup and accessories — Cornell University senior Ellen Pyne this weekend will send her fairy-tale themed “Crimson” line down the Cornell Fashion Collective (CFC) runway in a matter of minutes.

Anticipating their moment to shine, Pyne and 35 other student designers have been laboring since last fall to perfect their creations for the 31st CFC runway show, Saturday, April 11, 8 p.m., in Barton Hall. For first-year designers, the event allows them to present a single look on the big stage, whereas seniors like Pyne plan a full collection, hoping it will launch their fashion careers.

“I eat, sleep, go to class and sew,” said Pyne, whose showstopper is a seamless Snow White-inspired dress made entirely out of hand-felted wool. “The collection is a statement of my artistic aesthetic and the culmination of everything I’ve learned over the past four years.”

Working just as diligently are show planners, led by senior CFC president Megan Rodrigues, who are remaking the cavernous Barton Hall field house to host a night of glamour. Since shortly after the curtain closed on last spring’s show, Rodrigues and the CFC executive board have been organizing ticket sales and a heap of other details, including a new runway design will give the expected 2,500 guests a better view of the Cornell student models on the catwalk.

“Through this process, I’ve learned a great deal about leadership, learning to delegate and being able to inspire others to a common goal,” said Rodrigues, who hopes to work in event planning after graduation. “Mostly, I’m excited to see the growth of each designer leading up to the show.”

Designers come largely from the fashion design major in the College of Human Ecology, but students from the College of Engineering and the College of Arts and Sciences will also contribute pieces. A multidisciplinary team will present “Irradiance,” a wearable technology collection that uses sensors and luminescent panels to detect and respond to audio—glowing and dimming in sync with surrounding music. Lead designer and junior Eric Beaudette said that team, which includes Lina Sanchez Botero and Neal Reynolds, doctoral students in fiber science and physics, respectively, hopes to inspire a vision for smart clothing of the future.

In the sesquicentennial spirit, the show will also include a nod to the past. Recalling campus styles dating back to 1865, Denise Green, assistant professor of fiber science and apparel design, will air a short video about an exhibit, “150 Years of Cornell Student Fashion,” currently on display in the Human Ecology Building.

Inspired by art and culture she observed studying abroad in Paris last fall, junior Linnea Fong will present “Infatuated,” luxury evening wear she described as taking on “individual obsession with physical perfection and how that manifests in the fashion industry.” Just days before the show, she’s still modifying parts of her collection, noting that “you just have to figure out how to make your ideas come to life, which is the fun part.”

Concluding the show will be a line by senior Blake Uretsky, recipient of a 2015 Geoffrey Beene National Scholarship from the YMA Fashion Scholarship Fund. Her “Crested Butte” collection of women’s outerwear, a modern twist on vintage 1950s ski clothing, includes “distinctly wearable, yet visually exciting pieces,” she said. Presenting 10 looks, Uretsky’s line incorporates classic silhouettes and wool, corduroy and denim fabrics embellished with laser cuts and other modern techniques.

“Ultimately, I want to design clothes that people love and have a desire to wear,” Uretsky said. “The show will be such a wonderful experience with my family, friends and the Cornell community all supporting my work.”Read more here:marieaustralia.com | www.marieaustralia.com/cocktail-dresses
Laugh, and your day will be brighter,
laugh, and your burden will be lighter.

Laugh, and make it contagious,
laugh, and become courageous.

Laugh, and the pain becomes bearable,
laugh, and anything is wearable.

Laugh, deep down from your belly,
laugh, till your legs turn to jelly.

Laugh, and tell something funny,
laugh, and don't worry about money.

Laugh, and create joy around you,
laugh, and touch if only a few.

Laugh, and create an instant bond,
laugh, and even pygmies will respond.

Laugh, and if you don't remember how,
let me know and I will teach you now.

Laugh, and if you need some inspiration,
laugh, and try anti-frustration.
Selena Irulan Oct 2013
Laugh, and your day will be brighter,
laugh, and your burden will be lighter.

Laugh, and make it contagious,
laugh, and become courageous.

Laugh, and the pain becomes bearable,
laugh, and anything is wearable.

Laugh, deep down from your belly,
laugh, till your legs turn to jelly.

Laugh, and tell something funny,
laugh, and don't worry about money.

Laugh, and create joy around you,
laugh, and touch if only a few.

Laugh, and create an instant bond,
laugh, and even pygmies will respond.

Laugh, and if you don't remember how,
let me know and I will teach you now.

Laugh, and if you need some inspiration,
laugh, and try anti-frustration.
Nat Lipstadt Feb 2016
~~~


in a four lion pawed,
old fashion
bathtub,
soaping and playing
with my two boys,
then, young children,
splish splashing,
playing games,
a wet version of capture the flag,
the winner gets to scrub someone else's back
with a flag
of the slipperest bar of soap,
ever,
in a game we called,

catch the cockroach cuckoo

***.

the floor is totally soaked,
your mom's gonna **** someone,
the bath mat weighing now 'bout five pounds,
not including the no tears shampoo that miraculously
is bubbling up from it,
an actual
groundswell of
shining eyes

and oh crap,

your pj's!
on the floor!

we all gotta go hide real quick
in the crazy better-be-on-high dryer,
more happy shouting, tumbling,
to get them and
our selves
back to a
ready-to-wear- state,
with a wearable, Johnson & Johnson sham-poo,
sweet-smelling encasing,
ready to be swept beneath a talcum powdery snow-angel coverlet,
into a slippery ready-to-sleep state

"quit all that screaming you guys,"

a piercing late entrant
to our Las Vegas gaming bath~table,
heard through the door,
deserving of a ten second
almost silenced,
fearful, giggled appreciation

then some one sang out

catch the cockroach cuckoo

and the fun and games recommence,
all of us,
soap search engines,
began again,
fully reenergized

don't gotta clue,
why this old fool fills
his memory sac this day,
with this silly,
refried-ain't-worth-a-hill-of-beans
peyote poem-visions from
decades older(1)

nowadays, he still plays,
still a super soaker bath man,
reliving old-fashioned soapy games
with a new Kingston trio,
me, myself and I,

and still hearing voices,
absent and present,
coming thru the walls

"you making a mess in there? better quiet down!"

but today's voices heard
are from within born,
not real,
an updated, revised recollection of the
went, and now,
gone gone gone

these voice now mocking the messes made
of bathrooms and
lives,
his own,
and the other players,
their lives
that this man sealed and help fashion,
for better and some,
for worse

and the
updated "better quiet down" sound heard,
well, that's jes me trying
to convince the too familiar new trio,
that the
harmonies of that vision,
ain't real
no more

and he finds-the-soap game
nowadays,
can't give you relief,
cannot remove,
the uncleansed residue of them
other
oldest soap **** guilty memories,
consisting of too many undisclosed,
then, unrealized mistakes,
that any parent,
all parents,
or this particular parent,
raises up,
seals and makes


~~~
5:21pm
1/30/16 NYC

(1) I subsequently realized that Pandora
played Crosby, Still and Nash singing
"teach your children well.
their father's hell,
will slowly go by"
judy smith Mar 2017
The streets of Paris were clogged by rallies and demonstrations on the Sunday of fashion week. At the Trocadero, a pro-rally for embattled French conservative presidential candidate Francois Fillon, blocking the route between the Valentino and Akris shows; at Bastille, an anti-Fillon demonstration.

The French elections — and ever-increasing security — were providing a tense backdrop to the autumn-winter collections, much like Donald Trump, Brexit and Matteo Renzi did on the fashion circuit of New York, London and Milan this season. Politics and the changing of the guard, women’s rights and diversity may make fashion seem irrelevant until you add up the value of the industry to the world economy. In Britain it is £28 billion ($45bn) — and that is small fry next to France and Italy.

Perhaps politics and social change have influenced the French designers for there was much less street style this season and a lot more tailored, working clothes on the catwalk. They used mostly masculine fabrics but worked in such a graceful way. You need only look at Haider ­Ackermann, Chanel, Alexander McQueen, Christian Dior, Lanvin, Akris and Ellery to see this — lots of great wearable clothes.

Karl Lagerfeld wanted to fly us to other worlds (to abandon the mess here perhaps) in his Chanel space rocket. There were checks, cream, silvery white and grey tweeds, for suits and shorts and dark side of the moon print dresses that cleverly avoided the 60s’ ­futuristic cliches. Silver moon boots, space blanket stoles and rocket-shaped handbags were as space-age-y as it got. There was quiet, seductive tailoring at Haider Ackermann — tapered silhouettes in black wool and leather softened with a knit or the fluff of Mongolian lamb for a blouson or skirt. At McQueen the asymmetric lines of a black coat or pantsuit were ­inspired by the fluid lines of ­Barbara Hepworth’s sculptures, whereas David Koma reclaimed the soaring shoulderline of Mugler’s 80s silhouette for pantsuits and mini-dresses for the brand.

Christian Dior’s uniform-inspired daywear was produced in tones of navy blue with 50s-style navy belted skirts suits, long pleated skirts and some denim workwear. “I wanted my collection to express a woman’s personality, but with all the protection of a ­uniform,” explained Maria Grazia Chiuri before the show.

There was more suiting at ­Martin Grant with voluminous trousers, cummerbunds and men’s shirting. The cut was more mannish at Ellery and Celine with ­Ellery balancing her masculine oversized jacket looks with feminine bustier tops with giant puff sleeves. The mannish look at ­Celine was styled with sharp ­lapels, slim-cut trousers under crushed textured raincoats, whereas ­double-breasted jackets (a trend) and peacoats over loose-cut trousers appeared at John Galliano.

Checks jazzed up the tailoring at Akris where there were more sophisticated double-breasted jackets and swing coats, and at ­Giambattista Valli from among the flirty embroidered dresses a dogtooth coat emerged with a waspie belt and a suit with a peplum skirt.

Stella McCartney displayed her Savile Row skills in heritage checks for her equestrian-themed show. Of course, she is crazy about riding and her prints featured a famous painting by George Stubbs, Horse Frightened by a Lion. It turns out Stubbs was another Liverpudlian, like her dad Sir Paul.

Of course Hermes’s vocabulary started with the horse and there were leather-trimmed capes and coats that fitted an equestrian, or at least country theme worn with woollen beanies and big sweaters, offering a different way of tailoring, in an easier silhouette with a soft colour palette.

The highlight of the week for Natalie Kingham, buying director at MatchesFashion.com was ­Balenciaga. “Great accessories, great coats and great execution of ideas,” she says of Demna Gvasalia’s off-kilter buttoned coats, stocking boot and finale of nine spectacular Balenciaga couture gowns reinterpreted in a contemporary way. “It was wearable, modern and the must-see show of the week.” It was also, she pointed out “the must-have label off the runway with every other person on the front row decked out in the spring collection”.

Although tailoring worked its subtle charms on the catwalk, there were flashes of brightness, graceful beauty and singularity. Particularly bright were Miu Miu’s psychedelic prints, feathered and jewelled lingerie dresses and colourful fun fur coats with furry baker boy hats. Then there was the singular look evoked by Austrian-born Andreas Kronthaler in his homage to his roots, with alpine flowers, Klimt-style artist smocks and bourgeois chintz florals worked in asymmetric and padded silhouettes for Vivienne Westwood — some of it modelled by the Dame herself.

Pagan beauty, the wilds of Cornwall, ancient traditions such as the mystical “Cloutie” wishing tree led to Sarah Burton’s enchanting Alexander McQueen show, which was another of Kingham’s favourites with its unfinished embroideries inspired by old church kneelers and spiritual motifs. “I loved the artisanal threadwork and the spiritual message that was woven throughout,” she says. The artisanal and spiritual she considers an emerging trend around the shows. “It had a slight winter boho vibe but much more elevated.”

Chitose Abe shared that mood for undone beauty with her Sacai collection of hybrid combinations of tweed and nylon for an anorak, and deconstructed lace for a parka, and puffers with denim re-worked with floral lace for evening.

There was more seductiveness at Valentino and Issey Miyake. The latter’s collection shown in the magnificent interiors of Paris’s Hotel de Ville, shimmered with the colours of the aurora borealis and used extraordinary fabric technology to create rippling movement as the models walked.

Valentino was a high point. On a rainswept Sunday Pierpaolo Piccioli cheered us with high-neck Victoriana silhouettes and long swingy dresses in potentially (but not actually) clashing combinations of pink and red in jazzy patterns of mystical motifs and numerology inspired by the Memphis Group of Pop Art. The sheer loveliness of the collection was enough to drown out the world of politics only a few blocks away.Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/blue-formal-dresses
M Clement Jun 2013
There's a plethora of albums in my mind
And a good deal weighing on my heart

My brain desires fluctuation
Bipolar fixations based around emotion
And Unicorns with rainbows on blue,
wearable ocean

And everything is a microcosm
seemingly inconsequential
When looked at solely from
the view of entrusting it to You
And all the fear that rides the
coattails of such a decision.
Wrote this in the car after a trip to the bookstore.
The Pleated Skirt  by Brandy Channing


It was in San Fran,
a destination chosen for
its variety of vicarious distractions,
romance was in the ebb stage
of ebb & flow, and there was
a sufficiency of distraction there,
that my mind
could be there,
in actuality,
in the present,
in the moment,
accounted for,
and the cancer of
rooted sadness,
that wastrel feeling,
was temporal boxed,
in my traveling attic.

On a cable car,
of which
the hills, insisted,
when the
lactic acid, persisted,
be re~viewed as an actual
conveyance methodology.

A-man got on,
sitting
near enough, but not
invasively too near,
and began a
study of me;
perhaps an exercise
in memorization
for a sculpture or a painting,
that would be shown,
in a gallery quaint,
nearby in Benicia,
and destined to be
displayed (dis~splayed?)
near a picture window in a
big old home overlooking
the North Bay, as the
She~Muse mused amusedly.

Or it was just another
inspection by “a man,”
common enough that
it was noticed and noted,
but attended to with a
practiced nonchalance,
which is a French word,
meaning nonchalance.

Ah! descending near the Wharf,
He~too, as he was now labeled,
stored and forgettably tabled,
He~too descended as well.

A meandering into familiarity,
of ancient memories of smells,
of clam chowder,
gulls and sea lions
the inhabitants of Pier 39,
all traced my face with
a grimacing smile,
for sometimes one lives
in a state of duality.

But a voice from behind,
gently inquired if permission
was grantable to recite a poem,
yes, directed to me,
yes, from He~too,
who, awkwardly shifted
his stance from side to side,
as if performing a
pantomime dance routine,
while waiting for
my pithy or pissy,
but always well considered
R.S.V.P.,
which is four french words(!),
meaning, “sure, why not, try me”).

Alas this Techi-he
as he was subsequently
re and de-nominated,
recited a variant of
roses are red etc,,
but concluded with
“your pleated skirt.”

(Roses are red, violets are blue,
when I observed your pleated skirt,
my heart pleaded with me, DO NOT!
let this woman ever escape your purview)

Now this navy medium wooly weight
(always chilled in SF)
somewhat too short skirt,
was a hand-me-down
from my mother (mom!)
who in a prior decade,
dressed like everybody else,
but with a panache,
(yes, a French word meaning panache)
that declaimed and declared,
“I do it my way”
and was in truth,
a fav of mine when
accented with dark tights
and preppy but comfortable
matching navy penny loafers
(mais non! pas de béret ridicule).

By now, you know, I know,
how to deal with men, whose
onslaughts are like the beaches
of Normandy, littered with death &
destruction from my hot herbal tea,
heated by rapid fire of my
machine gun fire,
my bullets of verbosity
from an old, original ***,
used by my grandfather.

But this reference to my pleated skirt,
flattering me when accompanied
with a beautiful French blouse,
sunglasses, and my heart and hair
openly parted down the middle
in a nod
to Haight~Ashbury
hippie history,
was off kilter,
or as Techi-he would later
joke that I was off-kilted (a pleated skirt),
and taken prisoner, a POW, which
under the rules of the Geneva Convention,
would be guaranteed all the necessities
of a good loving.

We are California Commuters,
me in LA, he in SF,
an unlikely combination,
he and me,
of milieux, personality,
yet not dissimilar:
harmonized when
he writes code snippets
on diner napkins, and
I,
snippets of poems
on diner napkins,,
he clears my laptop’s cache,
I clear his heart and vision,
a blending of

vive la différence!


and we see each other often,
as in as often as we can,
we vacation in the South,
of France, where he learns
of Impressionism, and a
different sea coastal ocean
environment.

I, learn from him,
his remarkable human fondue,
of intensity and concentration,
which melts into gentility and
a softness natural that steals my
heart, accompanied by the ridiculous
rhymes he passes me beneath the table,
notes toujours,
always perfect
for that moment,
like my pleated skirt

*(which now resides in his closet,
lest
its magic work again, thus,
kept safe by him, in a wardrobe,
to which he has locked and keyed,
and is worn upon request, my bequest,
it, a whirling twirling dervish of a poem enshrined,
a wearable honoring
our commencement,
our commitment,
our pleated,
plaited hearts.)
judy smith Oct 2016
At any given moment, it seems there is a fashion week happening somewhere in the world - be it Sydney, Istanbul, Dubai, Seoul, Moscow, Toronto, Copenhagen or Lagos (to name a few).

But the latest entrant may be the most surprising: Silicon Valley.

Or, as the organisers style it: Silicon Valley Fashion Week?!.

The punctuation marks as part of the title are a self-aware nod to the incongruity of marrying the location, known for its allegiance to hoodies, Tevas and T-shirts, to a fashion event.

But that does not mean they are any less serious about its potential.

The three-day annual event, which finished its second turn over the weekend in San Francisco, bills itself as "part fashion show, part variety show, part trade show" and is open to the public, unlike the usual fashion industry events. This year, about 30 brands were featured and tickets, at US$20 (S$28), sold out, with about 500 people attending each day.

It was staged by Betabrand, a San Francisco company that builds its clothing catalogue by crowdsourcing design ideas and, after seeing which take off, crowdfunding the production of the prototypes to see which ones people will actually want to buy. Examples include a "mind the gap" blouse that stretches to fit the body's contours and a dress that uses a trademarked reflective material.

The event exists at the nexus of Burning Man, wearable technology and the Maker Movement, home of inventors, designers and other do-it-yourself types. Pebble Smartwatch presented a Smarthole Hoodie, a standard hoodie design with sleeves that extend over the thumbs and have a movable panel around the wrist to make gaining access to the company's device easier; and Tinsel offered headphones that can be worn as a necklace.

Alison Lewis, who holds a design and technology master's degree from Parsons School of Design in New York, showed three items: a lambskin leather handbag embedded with LED bulbs that can be rearranged in different patterns with an app; a T-shirt that does the same; and a dress with lights that undulate with the wearer's heartbeat.

"Technology is a tool. It's how we use it that's really exciting," she said. "We could have less clothing in our closets and have pieces that change and work with our moods and personalities on a daily basis."

Lewis has not had a chance to present her work in other fashion shows and, so far, she has not been able to mass-produce her items. She commended the fashion week as a place to experiment.

She was not the only designer struggling with the challenge of manufacturing what she displayed.

However, as wearables increasingly enter mainstream fashion, with designers from Ralph Lauren to Zac Posen dipping their creative toes into technology, the idea of clothing patterns controlled by apps, of drone delivery, and of customisation that allows - maybe even asks - its wearers to make a choice each and every day, seems less far-fetched and more like fashion's possible future.

Which, unlikely as it may be, puts the Silicon Valley event on the style front line.Read more at:www.marieaustralia.com/backless-formal-dresses | http://www.marieaustralia.com/red-formal-dresses
Sometimes,
I am afraid there are so many
People In this world,
So many crowds to
Walk through,
That eventually I might never
Recover the body (and mind) that are
My own.

Some days,
Even when I am alone in the
Pale light of my very own
Thoughts,
I seem to lose myself in the
Vastness –
I seem to lose myself in the
Narrowness.

Do you ever wonder if it is
Possible that a person could get
So lost inside their own self that
No matter how hard the trying
Hands grasp through the
Darkness of the soul,
It could never truly be found again?

It’s funny –
The places a person will discover himself,
Not in the back of the mind,
Usually,
But in the back of the hand,
In the back of the throat, ending
At the tongue and the
Slightly-open lips.

Occasionally,
I climb up an ancient wooden staircase that
Ascends into an attic,
And I gather the thoughts and pieces of
Myself I have hidden there.

And, just for a challenge,
I try and assemble the pieces together,
Like a necklace-
The kind of necklace that looks
Interesting enough,
maybe even beautiful,
but is never quite wearable.
it was the
summer
of 13

when a city
consumed in a
Cronut crazed
heat wave

amped
the tenderloin

slicing the underbelly
of Hell's Kitchen

packing meat for
Russian oligarchs
pouring fistfuls
of petrol rubles
down the
thirsty gullets
of glutinous
developers

their distended
bellies welling
with aching
avarice
from an
extended
stay at an
All You Can Eat
zero interest
smorgasbord
courtesy of
Uncle Sam’s Diner
somewhere off the
West End

getting fat
on the land
reclaimed
and rebuilt
on the dust
and detritus
of an expired
Great Society

Bloomie's metropolis
rising on the rubble
of razed neighborhoods....

the vertical leaps
shooting ever upward
the heady windows
framing portraits
of endless replication
offering the amenities
of the vain comfort
found in ghettos of
soulless high rises
and the billowing
gray perspective
of blanched out
street cafes
brewing $9 lattes
and big box
boutiques busy
busking the
latest rage
of sweat repelling
yoga mats and
wearable apps

America’s Mayor
Giuliani paved the way
he arrested all
the squeegee men
confiscated their Windex
dumped it down
the sewers and filled all
vacancies at Rikers

a year after Sandy
rolled up the Hudson
breaching the banks
of West Street
licking the streets
clean of urban
flotsam the
surging boom
bloomed

Bloomie bankrolled
a red carpet
for his global
fraternity of
plutocrats
unleashing a
tsunami of
shekels

washing away
the fading
memories of
Captain Sully’s
cool headed
lunch pail
heroism proving
that 727’s can
walk on water
was now passe

Lou Reed
left town
the wild side
monetized by
the belching
banality of
Urban Hipsters

millennial
babes in toy land
embarked on an endless
shopping spree
where credit limits
never expire and
giddy narcissism
greased with entitlement
orders up room service
as the next course
in this endless
movable feast

Music Selection
Philip Glass
The Hours



9/8/13
NYC
jbm
walking the High Line in NYC.....
fragment of extended poem
posted today in response to NY Times article
on the anonymous purchase of NYC high rises
by global oligarchs
http://www.thetakeaway.org/story/new-investigation-reveals-corrupt-foreign-money-flowing-us-real-estate/
Jacob Oates May 2014
Oh, so you want to be a writer?

You've fashioned yourself a little world independent of the rat race

You've steeped yourself in craft, in how to spin a phrase

You know that you could "speak truth to power" for days and days and days

Oh so you want to be a writer?

Oh that's nice, are you aware that it's all been said before?

Oh not with you because you're different? Oh how could I ignore

With such a compelling argument from someone who I've never heard

You've really got me hooked on your every single word

So if I listen will you tell me how I can live my life

or maybe give me another parable to make this all more bearable

Make a mantra that is wearable, or something incomparable

Just like all the ones I've read in my studies

Oh someone liked it? Oh I suppose it's probably derivative

Because you're working with themes, freethinking probably prohibited

See I'm the guy who'd say you're unoriginal for painting with red

Because all things are stemmed from other things, I want all frameworks dead

Why is there structure? You're repeating words on the end rhyme

Let me guess, at the end there's gonna be some clever end rhyme

to keep your verbiage in time, to spicen up the headlines?

to give it another direction defending pretending to benefit people by lending a second inflection preemptively bending in time to the beats of the hearts of the blended?

You're clever, you rhymed something multisyllabic, electric your voice, saying "**** the volt I am magic" not grounded to reality you've claimed to be Zeus's mortal form inhabited

Simmer down baby you're on a roll with yourself

I wonder how long you think it'll be before you break the mold

of pretentious defenders of needs and false interpretations of dreams

You had a dream about music, well I guess we can see what that means

"To dream about Disco suggests you need to be more sociable"

Have you ever stopped to think it might just mean "where did the coke go?"

"To dream that you are in a musical suggest you need to be careful with your emotions"

Because musicals are for sissies, ya da ya da grab the lotion

Stroking myself is my greatest profession

Because I'm learning about me, yes I'm writing this for me, and the only voice that I can have is authentically my confession

I can sell you an image and hope you can relate to that

You'll interpret the meaning, and I'll hide behind the praise while I sit back

I'll let you watch shadow puppets while I'm doing my dancing

I can build up my world, I can hold you entranced in

I'm breaking too many fourth walls to have a building to glance in

I want to give some expression, I need to show you what I hid

*Oh yeah, that's nice, are you making any money at this yet kid?
Still Crazy Nov 2014
run the hands over every
tissued cell,
race the tongue upon and under every
unsealed pore

linger, tarry,
only if you must,
here, there and where
you stop only to drink
my body's must...

lid to lobe,
crevice to mound,
uncover the obvious,
reveal the infinitesimal,
finite the desire,
end at the beginning,
fire up the cool hearth,
emblazon the shields ofordinary,
exit and enter
simultaneously

refill the apertures
with~not~my
peptones, enzymes, amino acids,
replenish my
well

then drain
well
the abscesses and repair
the wearable wounds ,
reminder remains
of prior contests,
won and lost

make me better
than well

know before,
realize afterwards
that ceasing,
never and always,
is an always never*

for this route
forever changing,
for your hands and tongue
redraw me
every time
they run the course

every time,
ever and when you
exit and enter
always and ever
simultaneous,
the course of
my flesh
11-1-14
Alexis Martin Aug 2015
summer was my favorite yellow sweater
a poly blend of cotton, mental stability, and personal triumphs from the previous months
my summer sweater was the best I ever had
smelling of campfires and kisses and travels and euphoria
but, it had one fatal flaw
the loose thread
the loose thread that I chose to ignore until it got snagged on his car door handle the night he kissed me
the loose thread that then began to unravel the sweater
for a little while, it was still wearable
I could keep it together with the assistance of safety pins and wishful thinking
but now I sit here, naked on the hard wood floor
clinging to the big bright yellow mess that was once my favorite summer sweater
wishing I could go back to the beginning and just tie that ******* loose thread a little tighter
so that I would never have to let go of my favorite summer sweater
-
Angel Friend
He is an Angel Friend.
Old, Wise, and Designed to have a huge heart


A hard working soul that never quits or did such weaken to bend.
Upon his birth..
Designed for brilliance - the bigger, brighter, and more
significant  of life purposes..

A legacy forged
At his birth
An energy made itself A great and bright start
Elderly ages equals wisdom and a fatherly care
Energy in a heart forged from gold - such strength shared and Naturally    grown
Such vines to sprout and bond
Connections created and they never detach
Away from the one's who have shared such energies, in return.
A beautiful artistic creation
Created through heart's truer matches..
Selfless gifts
Formed from the kindred spirits - like the silk worm's
Carefully generated stitches of silk
From their gratefulness and directed sharing of portions of their life's force

These fibers are  woven into  unmeasurable
Dime Worthy estimated or appraised "trinkets"
of breathtaking Tapestry Blankets or  "clothe windows.."
Joined forever as one, from one starting love's warmth to another,
train on "crazy rails in need of redirection.."
Such souls see and hand over irreplaceable rider tickets

Clothe pieces of spirits joined as one - as  tapestries .
Quilted  generations bonded by their loving and sharing connections in Golden Spirited   worth .
Heirlooms handed down between life's generations
New births of fresh spirits
Climbing the ladders of time
as cherished timeless gifts
Given to those whom he cares for
Bonded to even those outside a "family" pool
until the very last breath.
Spending not a dime.
He shall toil until his spirit leaves the Earth
Then such energies stay with those whom he cared for
All timeless and unmeasurable ticks of the clock
or sands of the hourglass
Light shines upon the extension of the cared one's family births

Therefor , he has always been earning a defined role
"The eternal force of caring.."
"The warrior's toll."
In edition to the medals of honor
Golden Wearable awards, given unto him, by the Creator.
Titled  as the "Creator's Golden Heart" and "Love's earned Crown."

As written in the Latin Life's Wisdom Scrolls" as:

per "Creator aurei cordis" et "coronam meruit amor est scriptor
per "Creator aurei cordis" et "coronam meruit amor est scriptor
Dedicated to a wonderful friend and supporter Mace Rubinstein. Your spirit is Immortal. To James Sutrina, a true friend and God-Brother. To all who support me, unbiased and unselfishly. Last, to all who have gone unnoticed and misunderstood in this life, who had the heart as detailed in this poetic illustration.
Daniel Talavera Feb 2015
He once laughed and brought joy to my soulful,wearable heart but now my heart is no longer wearable or soulful it's pathetic and deficient.  Yet you wore it once.
Miss Masque Apr 2010
The only time
you take to say
I love you
is at the end of the day

Only when all else
is done
do you think to
pick up the phone
to say

"How was your day?"

Five minutes
here or there
then I'm out
to

Bear:

these wounds
that you have left behind
forgiveness I have tried to find
in my heart I cannot see
what this possibly means to me

Cold as frost
on this glass of tea
ice cubes clanking
as my eagerness
ceases

To Be:

capable of believing
your stories
they just end up
to be
tentative sorry's

What am I to do with you
in the balance
hangs a shoe

a shoe that should fit
me and you
one all-inclusive
cinderella duo

Glass slippers
and tux shoes to match
no more for the while

To Catch:

the sinister glance
of a passerby that
gets the chance

To See:

That my pain is real
that this ongoing feeling
is starting

To peel:

back these layers of true love
what lies beneath
is something gloved
with black and coarse
material, it sickens me
sometimes,
to see,
this connection so wearable

Wearing thinner and thinner
to see right through the center...
from you to me

I hope with all hope's hope
that this love will love and last
and be amazing love,
the kind that lasts forever.

But:
if the chill
refuses to leave,
then I'll have to grab my jacket
and leave,
and check out of your hotel
Written: January 26, 2010
oh let me breathe you in
you are not the sort of flimsy thing
to be hung slack behind the cupboard door

but to be worn
even if holes interrupt your skin
or a merlot stain looks like dried blood

on the front
but believe me when I say I might
need this more than what I thought

I might have needed before
so please let me hold this hold you
inhale you from the collar and down

the cosy black sleeves and maybe
that’s enough to keep me breathing in your arms
I want to know a little then a lot and start over again
Written: October 2021.
Explanation: A poem written in my own time. A link to my Facebook writing page and Instagram page can be found on my HP home page. Feedback welcome as always.
judy smith Mar 2017
The line between technology and fashion is blurring. Brands and designers are now using electronics to make cutting-edge wearables and experiences, while companies like Amazon are trying to break into a space that hasn't until now been very welcoming of outsiders. Intel is another tech company that's set its sights on the fashion world, with various smart garments and accessories, including dresses, glasses and bracelets. In an interview at SXSW, Intel Vice President of Wearables Sandra Lopez said her team's mission is to be an enabler first and foremost rather than trying to become a fashion brand unto itself.

Lopez pointed to last year's New York Fashion Week, when Intel teamed up with 13 designers to livestream a runway show in virtual reality -- a medium that's being embraced by many fashion houses. Another example, she said, is Tag Heuer's Connected Modular 45 smartwatch, which Intel helped build with Google and the Swiss watchmaker. "Our strategy is focused on collaboration and empowering leaders in the fashion industry to push the boundaries of fashion with technology," Lopez said. "We are constantly working to make our technology smaller, faster, more energy efficient and more capable than ever before to help our partners succeed."

One of the challenges for brands is figuring out how to make the most out of technology, she said, especially in terms of the data they're collecting through connected garments, other types of wearables and at their retail stores. "There is a real opportunity to help the fashion industry harness the power of data," Lopez said. "How can you analyze what consumers are doing in store, online and through every interaction you have in real time to maximize sales and open up new revenue streams?" That's something designers like Rebecca Minkoff are already trying to do with in-store features like smart mirrors, self-checkout and RFID tags that let the brand know more about customers' buying habits.

"Personalization and customization is only beginning to be tapped into," Lopez said about the potential of both industries working together on wearable products. "Technology has the ability to transform industries, and fashion is no different."Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
judy smith Oct 2016
Designer Mandira Wirk gave actress Nimrat Kaur a regal look when she showcased her New Royals collection at Amazon India Fashion Week on Saturday.

Wirk showed 20 ensembles, including Kaur’s ivory drape concept sari with just a zipper, panelled gown with mother of pearls and dori work paired with a sheer cape.

“Her collection is so pretty and feminine,” said Kaur. “I love her clothes. This collection is called the New Royals... it’s bringing pretty back, beautifully enhancing the female body form. It makes you feel so light and pretty.”

Panelled anarkalis, jackets and capes, crop tops, jumpsuits and tapered trousers appeared alongside designer’s signature drape saris and dhoti pants.

Wirk, in a beautiful off-shoulder powder pink dress, said: “I wanted to get pretty back to the runway. It is pretty feminine, wearable and an extremely versatile collection.

“I have done lots of pastels...lot of capes, sleeves. So basically a very feminine and romantic collection.”

The range saw a heavy use modern details like wide pockets and deep waistbands paired with layers of French knots.Read more at:http://www.marieaustralia.com/plus-size-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
Judy Moskowitz Mar 2016
In the darkest of blue
Looking out on my patio
Through old vertical blinds
The umbrella is in disrepair
along with six weather beaten chairs
Things are different now
Under quarter moon's fraction
To drown the sound of quiets
Intrusion
I go to my computer and type
All I hear is the tapping of my fingers
As they hit each key
Wishing you were next to me
Through my cloth to my skin
The evidence is clear
You've left your imprint
Of love shared
In this space
Like wearable art
To be seen
To be felt
Inside folded pages
Of love letters hidden
Collective thoughts
You make me swing
Rise to the creme
THANK YOU GUY FARMER THEPOETCOMMUNITY.COM FOR PUBLISHING THIS POEM.
John F McCullagh Jan 2015
My Daughter has a fitbit that records her every move.
She wears it daily on her wrist in her efforts to improve.
Her every step, lap and jump thus are duly noted.
To self-improvement and fitness, she surely is devoted.

Me? I can get tired watching football on T.V.
The treadmill in my basement is piled high with clean laundry.
I can’t resist a chocolate bar, my diet isn’t great.
Does rising from my easy chair still count as lifting weights?

Still, there should be a wearable for the chubby hubby set.
To monitor the quality of the sitting time we get.
To count each doughnut we consume, to list each chocolate bar.
To note the steps avoided when we choose to take the car.
A wearable fatness device
I snap back to attention, but my body tells a lie
when my mind is on vacation far away and so
am I.
They never spot the missing link
I think because I'm good at blending in
or it might be the chameleon skin
that colours me and I fit in, do not
stand out nor raise a hand or smile, don't shout
just stand, be there but on vacation too, you can
do as I do to make the babble bearable, to
blend in and make life more wearable,
to snap back when you're far away
to span the gap from yesterday and
jump away from any day, I do it all the time,
Who, does it too but he has a Tardis,
I do not.
Someone stained the sweater
So you soak it into the water
it's clean and wearable
that's how you feel

She wears you recklessly
and you remain calm
keep her warm
suffer the same stains
over and over

Acceptance
I'm a ball of yarn
no, that's not right
I'm a sweater to her
scarf for the mother
socks for the baby
hat for the lover
blanket for the stranger

Acceptance
A ball of yarn is useless
yet the strands come together
Grandma knits and knits and knits
and you find use
in comforting another

Could I be accepted
even when I am not a comfort
Always moving and improving
yet remaining the same to the ones I love
death comes for us all
and before it does
I want to live
To not be a means to everyone's end
To be selfish sometimes
And to feel loved
Don't you want to live
and still be accepted
(I do)
~M
Sometimes . . .
Such as a Who
. . . at Leeds ,
Or a dream unfullfilled
. . . in Alabama
Or the conflict
. . . daily in Dallas
or the absurd
. . . "Free at last ! Free at Last! Thank God free at last !

The more it changes
The less I recognize
. . . and there you elbow me
saying ,"It remains the same!"

Poetry is like underwear
It's wearable but not necessary
Comes in all shapes and sizes
Any color you would want
with printed statements of facts
Some wear well
Some have holes
Some rise to the occassion
Some barely make it waste deep
nawke Jun 2018
Says a wearable eastern parable
A distance reveals a horse's strength
And man’s true character comes at length
Why are you making it so unbearable
Nay, in a sense an enfant terrible
sofolo Nov 2022
My guy is a west coast demon that got caught up. Layer caking lies like…”oh hey surprise!” This is your device. Your peeps are App Store updating. Beta testing and eviscerating. Family member separating. Six beers and a warm bed kinda celebrating.

My guy is a doorknock. It’s the cops. Courtroom evading. Mercedes Benz. Third-world countries are exasperating. Let’s stay home and cash out. How liberating. Cult curating. A fun playlist jam-packed with hits. Queer shaming and fatphobic anthems from the pulpit.

My guy. He’s a lie.

But wait. Isn’t he a miracle? A prophet? I regret to inform you he’s nothing more than a spectacle. A hall of mirrors. His technology is wearable. It’ll only cost you two Gs. But don’t worry…there are payment options that’ll make it a breeze.
zebra Sep 2021
plum plunk-ums
no placid Eden
yet as delicate as cigarette paper
always beautiful
but not without a touch of disaster
like a fetching girl with a milky eye
and a cross around her neck
a wearable god
a tiny, tarnished truth trinket
religion's armor
as ancestral glooming lights judgment
hammers guilt
and implores prayers to be saved
in dystopian lore
for priests' sake in temple prostobulaes
of hanging dark shapes wicked trace
drooping black
bat-like
caped and heaped upon each other
like runged downward chandeliers
of stalactite falling knives
in caves of primal fear
MEDITATE...FREE YOURSELF
em Feb 2020
you press your lips into mine
like whistling grass.
they taste like blood.
there is a white t-shirt on the floor
if only I could reach it.
to be myself again.
I promise myself to stay silent.
like I always do, trust me, it works.
and it's over before you know it.
my hands, so much smaller than yours
are pressed still behind my back
and little do you know
the plan they are hatching.
I pretend i am stronger than most,
maybe enough that I could **** you.
I know, in my heart, that it could never be.
your grief is so much that it's a wearable
coat, large enough to fit both of us.
I'm better now, stronger with each of your thrusts,
I am not the girl under the sheets
or the one in the bikini or the seven-year-old
huddled on the bathroom floor.
I am fresh-faced and venomous,
one bite and all this **** will cease
with the beating of my heart,
and the deafening orchestra of my
mind.
Norbert Tasev Apr 2020
The man curls up. Available. And then he shrinks suddenly like a servant who has served a definite time. Or a gentle, benevolent mother reciprocated her gifted existence with her immortal cells: The tears of wearable vulnerability on our faces shine like the insignia! He works like a dragged workhorse for ten to twelve hours a day, and if, even as a candlelight, his sober mind consciously shines into the winding, serpentine eternity of loans, it never culminates. Tie a tie. He chases his strangling, uncomfortable, tight spacesuit out of compulsion, tolerantly: Maybe he'll have the long-awaited dream job. Safe money-screaming job, hard-working, livelihood investment!
the missed, never-returning immortal minutes of Being, he deliberately wasted: Swollen, his pretzel-back in fatal Time, - not only Morality can straighten it out! He explains his extravagant waste against hopeful and legitimate happiness — he finds only the hinterland of extinct, uninhabited pillows — and as a nuclear nucleus he is already terrorized by certain recognition:

He is Alone forever! - A prison camp of lonely stars illuminates a gaping dark hole-sky infected with empty indifference: Silent continents of space shattered into glass, like billions of stars, orbiting like heads as floating astronauts!

He keeps morphing and pondering: He cherishes the eternal truths of heralds: Heritage, as salvation, which changes in the security of birth, is transcended! The great scam, in which you find yourself dripping during your eternal work - how Nonsense in the greedy, incomprehensible insatiability of people, in the petty world of profit-making! Only what is careful, modestly always humble, scientist-hand-preserved, must and can have the eternal right to survive, while we also know the Masterpieces deep in the trash cans - there is a second possibility as the universality of Humanity!
CharlesC Jul 2019
religion is a garment
is it not..?
although its roots
may lie deep in memory
it is wearable today..
as I see it
very often the
garment gains import
and that which houses
diminishes in scale..
in other words
religion only flourishes
when its housing
shines with knowing
that all garments
can only express
what shines within..
Rebhi Jul 2018
Every morning I dress myself with a smile.
Which needs no detergent to clean?
I don’t need to buy the materialized clothes to cover this mortal body.
I don’t need colors to fix my face,
I don’t need high heels to please.
No, I don’t need any of these.
I just want myself to wrap up with my sincerity and politeness.
I want to paint my face with truth.
I would better choose positive attitude over heels.
My wearable’s need no wash and perfume to increase its value.
These are visible and long lasting which I no need to be doubt of.

— The End —