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Sara L Russell Sep 2009
Ch. 1.

1.

Behold, thou art dark and comely, my love;
richly hath the sun favoured thee,
delighting in thy presence.
Let me savour thy kisses of wine;
for in the gardens of the temple
the lotus furls open,
wild bees fall asleep on her face.


2.

Lilies and jasmine bloom
in the garden of my love;
falls of wisteria,
carpets of thyme.
Let us lie in the shade of the olives
to gaze on the sky.


3.

For many hours my love slept
  beneath the cedars,
couched on cool swathes of linen,
like the Lord of Midnight enthroned on a cloud.
Long tresses of willows shivered to cool his face.
I called his name but he heard me not,
being entranced in slumber,
deep in the thrall of dreams;
therefore I shall let him awaken when he please.




Ch. 2.

4.

A warm breath of nard is my master, my king,
A great golden deity haloed with stars.
Behold, the noble bearing of a king,
the finely-wrought body of a man.
In my dearest dreams he standeth before me
out of my reach, gesturing for me to follow,
calling unto me like the very embodiment of love.


5.

Night comes softly, o daughters of Jerusalem,
My king's desirous eyes have grown heavy with sleep.
His black hair ripples about his face
  like curtains of smoke,
gold bracelets entice my gaze to
the sinews of his arms.
Like roses unfurling, so open the lips of my love,
  I burn for their flavour,
yet awaken him not till he please.





Ch. 3.

6.

Out of the forest I came, with my
maidens and minions;
with carpets of hibiscus strewn at my feet.
Columns of frankincense curved into the air,
burning from lamps of copper and gold.
From the broad slopes of Edom
my soul's love stopped to observe us.
I felt his warm gaze upon me,
so soft a look as touched like caresses of hands.
I am weary with desire, my lord and king,
Bring me the looks of thine eyes, dark as midnight,
That regard me with touches of silk.


7.

Though I may stand with my legion before thee,
an army behind me,
The west wind roars to my left,
the east to my right,
a million strong with all my banners, warriors
and standard-bearers,
still my delight were only to serve thee,
see how I tremble with awe by thy side.


8.

Behold, my ladies, the noble bearing of a king,
the finely-wrought body of a man.
My king is a custodian of the sanctity of love,
see those arms with the strength to smite
yet full of the will to embrace.
Nightly cometh he to my chambers,
whispering of love,
with the stealth of a lion,
as meek as a lamb.




Ch. 4.

9.

Preparing for my beloved,
I have put on my mantle of midnight sky
garlanded with stars.
My black locks are hung with beads of gold,
my neck is anointed with sandalwood and rose.
Come, my ladies,
Bring me my white chargers,
my sedan lined with silks from Lebanon,
my heralds and cavalcades of guards;
My beloved king awaits my pleasure.






10.

When I am in the embrace of my beloved,
He is worlds of landscapes of desire,
he is all the earth, air and sky to me.
His eyes shineth as my sun and moon,
his broad chest becometh as the
cool desert dunes by night,
where I may rest my head.
Go safely in thy dreams, beloved king,
with sentinel angels, to roost with the doves.




Ch. 5.

11.

Such a turmoil of a dream
hath troubled me, my sisters,
I dreamed that my love approached my window,
Calling unto me through the
rosewood trefoils of the lattice.
Forgetful of our tryst I answered him not,
all oils and fine trappings were put away,
mine eyes were full of slumber.
When finally I rose from my bed
   he had gone.


12.

Overwrought and afraid,
I went out in the streets,
  calling unto my beloved,
receiving no answer and calling again.
  The night watchmen came and found me,
they smote me and denounced me as pagan,
calling me harlot and worshipper of false idols,
harshly they beat me with flails
and threw me into the darkest cellars
of the palace of Solomon.


13.

Awakening at last,
I felt a warm breeze,
It was my love's breath upon my face.
Let all the world suspend in time,
let hate, rage and darkness flee as a shadow,
otherwise let me die here in the arms of my king.
There is but this one hour, one place,
in one lingering moment,
When my soul's love and I are conjoined
in the petals of love.




Ch. 6.

14.

Midnight has fallen in the gardens
  of the temple of Solomon.
The moon communes with her sister in the lake,
painting the magnolias with mother-of-pearl,
turning her buds into silver doves.
Passion and beauty intertwine in my love's garden,
Like the twisted trunks of the fig trees of Judea.
Behold, my beloved,
thou art more comely even than the moon.
Come and walk with me
in the balmy air of night.


15.

Only through the love of another may
a soul come to know of itself.
My king is mine and I am his;
The sun and moon each taketh their
turn in the sky,
the shepherds go sure-footed
over their hills and valleys,
the merchants go their ways in the
spice markets of Lebanon,
while he and I are lost in one another's eyes.




Ch. 7.

16.

Love's weariness hath overcome me,
beloved lord and king.
Bring me thy pleasant fruits, thy tender words,
Lie betwixt my *******; my hair shall
be thy curtain,
these arms shall be as thy cocoon.
Let the tides cease their turning
and the winds give pause to hold their breath.
Awaken not my dearest love, until he please.


17.

Even in sleep,
such beautiful eyes hath my beloved;
his eyelashes rest upon his cheek
like the feet of a butterfly on a lily.
Come, my sisters, we shall make him
a bed of hemp and poppies,
with fruit of the lotus,
that he may languish beside me
for many days and nights.




Ch. 8.

18.

Filling my days and dreams,
here is a man with the grace of a young hart,
whose honeyed voice speaketh mantras of desire.
Arise and follow me, beloved, for my vineyards
are ripe with luscious fruits,
the doves beat their wings and fly from the cots.
Emerging from the amber of sunrise,
with a swirling of veils,
summer dances into the season of our love.


19.

Lying amid the twisting vines
My love and I are deep in each other's embrace
and his lips taste of roses heavy with dew.
I am a queen of the Red Sea,
an orchid from a sacred garden,
and my kingdom reacheth to the farthest hills.
None but my love shall pass the boundary
where my vines bear the sweetest fruit,
nor taste their heady wine.


20.

The gates of my vineyard are wrought of
iron clad with gold,
taller than cedars, decorated with
the royal insignia,
guarded by three score watchmen,
by day and night.
While other men are kept without
and the foxes are driven back by dogs,
see how swiftly they open for thee.




Ch. 9.

21.

Behold, the noble stature of a king,
the finely-wrought body of a man.
In the sanctity of love
we may walk in the realm of paradise,
undisturbed by the foibles of men.
Come beloved, awaken,
the new dawn opens as wide and fresh
as infant eyes.
Come run with me through the spice hills
  and gardens of Lebanon.
CK Baker Apr 2017
Willets cull the seawall
snapper on the grill
rock ***** swoon
in shallow lagoons
long boats pass
under quiet
palm shade

Plovers dance and flutter
handrails frayed and torn
graffiti spots
at lovers rock
frigate-birds fall
from a high
noon sun

Thatched roof on a mud wall
fish flags settle score
anchors arch
in front line march
pillar cracks form
under rust brown scars

Elegant tern and grebe
watchmen fall in cue
children play
on crested waves
whimbrels and notchers
perch above Tentaciones

Striped pelícanos
the bandits of the sea!
merchants grow
in steady flow
siblings jostle
in a tide cooled sand

Heerman gull and boobie
durango smoke in yurt
boiler shrimp
and puffer blimp
castle buckets and scrapers
under a dusk light cheroot

Six pulls on a lead line
painted toes in sand
shearwater run
in a rainbow sun
the portly mexicano
flaunts his tacos
and wares

Rooster house for swordfish
bamboo shoots and sails
broken shells
and ocean swells
rise
on the
perfect
La Ropa bay
BOX cars run by a mile long.
And I wonder what they say to each other
When they stop a mile long on a sidetrack.
  Maybe their chatter goes:
I came from Fargo with a load of wheat up to the danger line.
I came from Omaha with a load of shorthorns and they splintered my boards.
I came from Detroit heavy with a load of flivvers.
I carried apples from the Hood river last year and this year bunches of bananas from Florida; they look for me with watermelons from Mississippi next year.
  
Hammers and shovels of work gangs sleep in shop corners
when the dark stars come on the sky and the night watchmen walk and look.
  
Then the hammer heads talk to the handles,
then the scoops of the shovels talk,
how the day's work nicked and trimmed them,
how they swung and lifted all day,
how the hands of the work gangs smelled of hope.
In the night of the dark stars
when the curve of the sky is a work gang handle,
in the night on the mile long sidetracks,
in the night where the hammers and shovels sleep in corners,
the night watchmen stuff their pipes with dreams-
and sometimes they doze and don't care for nothin',
and sometimes they search their heads for meanings, stories, stars.
  The stuff of it runs like this:
A long way we come; a long way to go; long rests and long deep sniffs for our lungs on the way.
Sleep is a belonging of all; even if all songs are old songs and the singing heart is snuffed out like a switchman's lantern with the oil gone, even if we forget our names and houses in the finish, the secret of sleep is left us, sleep belongs to all, sleep is the first and last and best of all.
  
People singing; people with song mouths connecting with song hearts; people who must sing or die; people whose song hearts break if there is no song mouth; these are my people.
Lee S Kingley Nov 2014
Batman, Superman, Iron Man to I cant  fly I can not turn blue?
Captain America, Wolverine, Flash, I cant shoot lazers from my eyes or be there in a dash.
X-men, Watchmen, Xavier too, im not from krypton or mutated from a Zoo.
Im not another hero I was rasied as a zero, through words I can inspire and now retire.
I ask that you be heard, tossed about and dreamed of.
It is your thoughts, my upset energies, and nightly turbulence.
Sleep provokes night and life and darkness prevailing in us.
When we wake up we are gone as our night precedes dawn
It is always the other way, bottom up and spaces spread.
At times we hear the police van’s shrieks, in night’s iron grill.

I ask that you be heard, tossed about and dreamed of.
It is not always the stick beating the road in rhythmic silence
And olive-green overcoat with flapped pockets and heavy boots
And six months old large-sized memories of a Himalayan home
With black-lined large dove’s eyes flitting among coal fires
Their smoke towering over the pines in snow-bound peaks.


I ask that you be heard, tossed about and dreamed of.
It is the turbulence we are speaking of, in the foggy sea we are
Or on the peaks where everything is bound in fuzzy snow
At the mountain passes where vehicles duly pass oiled by hot tea
Or in the mist-filled airports where aircrafts do not take off
Of politicians who decide mankind’s future in the apocalypse.


I ask that you be heard, tossed about and dreamed of.
It is my dreams as they were and the neighbor’s dreams
In the straw-roof, in the banyan trees with glints in their eyes
And much fine-powdered dust on their thick –coated leaves,
In lonely watchmen’s houses on the bleak stony spaces
And lonely watchmen keeping vigilant eyes on boulders
Strewn in brown spaces and scraggy bushes with strange lizards.


I ask that you be heard, tossed about and dreamed of.
It is the towering tombs and the trees that enveloped them
The children playing cricket in flying bats and stone stumps
Outside the vaults where kings and queens lay dead for ages
Their cold breath felt on the broken glass of Time’s windows.
I ask that you, I and women play a game of kabaddi in the trees
When it is still not dark enough in the minarets in the west
And children are still hitting ***** visible in the green of the trees.
He was a Grecian lad, who coming home
With pulpy figs and wine from Sicily
Stood at his galley’s prow, and let the foam
Blow through his crisp brown curls unconsciously,
And holding wave and wind in boy’s despite
Peered from his dripping seat across the wet and stormy night.

Till with the dawn he saw a burnished spear
Like a thin thread of gold against the sky,
And hoisted sail, and strained the creaking gear,
And bade the pilot head her lustily
Against the nor’west gale, and all day long
Held on his way, and marked the rowers’ time with measured song.

And when the faint Corinthian hills were red
Dropped anchor in a little sandy bay,
And with fresh boughs of olive crowned his head,
And brushed from cheek and throat the hoary spray,
And washed his limbs with oil, and from the hold
Brought out his linen tunic and his sandals brazen-soled,

And a rich robe stained with the fishers’ juice
Which of some swarthy trader he had bought
Upon the sunny quay at Syracuse,
And was with Tyrian broideries inwrought,
And by the questioning merchants made his way
Up through the soft and silver woods, and when the labouring day

Had spun its tangled web of crimson cloud,
Clomb the high hill, and with swift silent feet
Crept to the fane unnoticed by the crowd
Of busy priests, and from some dark retreat
Watched the young swains his frolic playmates bring
The firstling of their little flock, and the shy shepherd fling

The crackling salt upon the flame, or hang
His studded crook against the temple wall
To Her who keeps away the ravenous fang
Of the base wolf from homestead and from stall;
And then the clear-voiced maidens ‘gan to sing,
And to the altar each man brought some goodly offering,

A beechen cup brimming with milky foam,
A fair cloth wrought with cunning imagery
Of hounds in chase, a waxen honey-comb
Dripping with oozy gold which scarce the bee
Had ceased from building, a black skin of oil
Meet for the wrestlers, a great boar the fierce and white-tusked
spoil

Stolen from Artemis that jealous maid
To please Athena, and the dappled hide
Of a tall stag who in some mountain glade
Had met the shaft; and then the herald cried,
And from the pillared precinct one by one
Went the glad Greeks well pleased that they their simple vows had
done.

And the old priest put out the waning fires
Save that one lamp whose restless ruby glowed
For ever in the cell, and the shrill lyres
Came fainter on the wind, as down the road
In joyous dance these country folk did pass,
And with stout hands the warder closed the gates of polished brass.

Long time he lay and hardly dared to breathe,
And heard the cadenced drip of spilt-out wine,
And the rose-petals falling from the wreath
As the night breezes wandered through the shrine,
And seemed to be in some entranced swoon
Till through the open roof above the full and brimming moon

Flooded with sheeny waves the marble floor,
When from his nook up leapt the venturous lad,
And flinging wide the cedar-carven door
Beheld an awful image saffron-clad
And armed for battle! the gaunt Griffin glared
From the huge helm, and the long lance of wreck and ruin flared

Like a red rod of flame, stony and steeled
The Gorgon’s head its leaden eyeballs rolled,
And writhed its snaky horrors through the shield,
And gaped aghast with bloodless lips and cold
In passion impotent, while with blind gaze
The blinking owl between the feet hooted in shrill amaze.

The lonely fisher as he trimmed his lamp
Far out at sea off Sunium, or cast
The net for tunnies, heard a brazen *****
Of horses smite the waves, and a wild blast
Divide the folded curtains of the night,
And knelt upon the little ****, and prayed in holy fright.

And guilty lovers in their venery
Forgat a little while their stolen sweets,
Deeming they heard dread Dian’s bitter cry;
And the grim watchmen on their lofty seats
Ran to their shields in haste precipitate,
Or strained black-bearded throats across the dusky parapet.

For round the temple rolled the clang of arms,
And the twelve Gods leapt up in marble fear,
And the air quaked with dissonant alarums
Till huge Poseidon shook his mighty spear,
And on the frieze the prancing horses neighed,
And the low tread of hurrying feet rang from the cavalcade.

Ready for death with parted lips he stood,
And well content at such a price to see
That calm wide brow, that terrible maidenhood,
The marvel of that pitiless chastity,
Ah! well content indeed, for never wight
Since Troy’s young shepherd prince had seen so wonderful a sight.

Ready for death he stood, but lo! the air
Grew silent, and the horses ceased to neigh,
And off his brow he tossed the clustering hair,
And from his limbs he throw the cloak away;
For whom would not such love make desperate?
And nigher came, and touched her throat, and with hands violate

Undid the cuirass, and the crocus gown,
And bared the ******* of polished ivory,
Till from the waist the peplos falling down
Left visible the secret mystery
Which to no lover will Athena show,
The grand cool flanks, the crescent thighs, the bossy hills of
snow.

Those who have never known a lover’s sin
Let them not read my ditty, it will be
To their dull ears so musicless and thin
That they will have no joy of it, but ye
To whose wan cheeks now creeps the lingering smile,
Ye who have learned who Eros is,—O listen yet awhile.

A little space he let his greedy eyes
Rest on the burnished image, till mere sight
Half swooned for surfeit of such luxuries,
And then his lips in hungering delight
Fed on her lips, and round the towered neck
He flung his arms, nor cared at all his passion’s will to check.

Never I ween did lover hold such tryst,
For all night long he murmured honeyed word,
And saw her sweet unravished limbs, and kissed
Her pale and argent body undisturbed,
And paddled with the polished throat, and pressed
His hot and beating heart upon her chill and icy breast.

It was as if Numidian javelins
Pierced through and through his wild and whirling brain,
And his nerves thrilled like throbbing violins
In exquisite pulsation, and the pain
Was such sweet anguish that he never drew
His lips from hers till overhead the lark of warning flew.

They who have never seen the daylight peer
Into a darkened room, and drawn the curtain,
And with dull eyes and wearied from some dear
And worshipped body risen, they for certain
Will never know of what I try to sing,
How long the last kiss was, how fond and late his lingering.

The moon was girdled with a crystal rim,
The sign which shipmen say is ominous
Of wrath in heaven, the wan stars were dim,
And the low lightening east was tremulous
With the faint fluttering wings of flying dawn,
Ere from the silent sombre shrine his lover had withdrawn.

Down the steep rock with hurried feet and fast
Clomb the brave lad, and reached the cave of Pan,
And heard the goat-foot snoring as he passed,
And leapt upon a grassy knoll and ran
Like a young fawn unto an olive wood
Which in a shady valley by the well-built city stood;

And sought a little stream, which well he knew,
For oftentimes with boyish careless shout
The green and crested grebe he would pursue,
Or snare in woven net the silver trout,
And down amid the startled reeds he lay
Panting in breathless sweet affright, and waited for the day.

On the green bank he lay, and let one hand
Dip in the cool dark eddies listlessly,
And soon the breath of morning came and fanned
His hot flushed cheeks, or lifted wantonly
The tangled curls from off his forehead, while
He on the running water gazed with strange and secret smile.

And soon the shepherd in rough woollen cloak
With his long crook undid the wattled cotes,
And from the stack a thin blue wreath of smoke
Curled through the air across the ripening oats,
And on the hill the yellow house-dog bayed
As through the crisp and rustling fern the heavy cattle strayed.

And when the light-foot mower went afield
Across the meadows laced with threaded dew,
And the sheep bleated on the misty weald,
And from its nest the waking corncrake flew,
Some woodmen saw him lying by the stream
And marvelled much that any lad so beautiful could seem,

Nor deemed him born of mortals, and one said,
‘It is young Hylas, that false runaway
Who with a Naiad now would make his bed
Forgetting Herakles,’ but others, ‘Nay,
It is Narcissus, his own paramour,
Those are the fond and crimson lips no woman can allure.’

And when they nearer came a third one cried,
‘It is young Dionysos who has hid
His spear and fawnskin by the river side
Weary of hunting with the Bassarid,
And wise indeed were we away to fly:
They live not long who on the gods immortal come to spy.’

So turned they back, and feared to look behind,
And told the timid swain how they had seen
Amid the reeds some woodland god reclined,
And no man dared to cross the open green,
And on that day no olive-tree was slain,
Nor rushes cut, but all deserted was the fair domain,

Save when the neat-herd’s lad, his empty pail
Well slung upon his back, with leap and bound
Raced on the other side, and stopped to hail,
Hoping that he some comrade new had found,
And gat no answer, and then half afraid
Passed on his simple way, or down the still and silent glade

A little girl ran laughing from the farm,
Not thinking of love’s secret mysteries,
And when she saw the white and gleaming arm
And all his manlihood, with longing eyes
Whose passion mocked her sweet virginity
Watched him awhile, and then stole back sadly and wearily.

Far off he heard the city’s hum and noise,
And now and then the shriller laughter where
The passionate purity of brown-limbed boys
Wrestled or raced in the clear healthful air,
And now and then a little tinkling bell
As the shorn wether led the sheep down to the mossy well.

Through the grey willows danced the fretful gnat,
The grasshopper chirped idly from the tree,
In sleek and oily coat the water-rat
Breasting the little ripples manfully
Made for the wild-duck’s nest, from bough to bough
Hopped the shy finch, and the huge tortoise crept across the
slough.

On the faint wind floated the silky seeds
As the bright scythe swept through the waving grass,
The ouzel-**** splashed circles in the reeds
And flecked with silver whorls the forest’s glass,
Which scarce had caught again its imagery
Ere from its bed the dusky tench leapt at the dragon-fly.

But little care had he for any thing
Though up and down the beech the squirrel played,
And from the copse the linnet ‘gan to sing
To its brown mate its sweetest serenade;
Ah! little care indeed, for he had seen
The ******* of Pallas and the naked wonder of the Queen.

But when the herdsman called his straggling goats
With whistling pipe across the rocky road,
And the shard-beetle with its trumpet-notes
Boomed through the darkening woods, and seemed to bode
Of coming storm, and the belated crane
Passed homeward like a shadow, and the dull big drops of rain

Fell on the pattering fig-leaves, up he rose,
And from the gloomy forest went his way
Past sombre homestead and wet orchard-close,
And came at last unto a little quay,
And called his mates aboard, and took his seat
On the high ****, and pushed from land, and loosed the dripping
sheet,

And steered across the bay, and when nine suns
Passed down the long and laddered way of gold,
And nine pale moons had breathed their orisons
To the chaste stars their confessors, or told
Their dearest secret to the downy moth
That will not fly at noonday, through the foam and surging froth

Came a great owl with yellow sulphurous eyes
And lit upon the ship, whose timbers creaked
As though the lading of three argosies
Were in the hold, and flapped its wings and shrieked,
And darkness straightway stole across the deep,
Sheathed was Orion’s sword, dread Mars himself fled down the steep,

And the moon hid behind a tawny mask
Of drifting cloud, and from the ocean’s marge
Rose the red plume, the huge and horned casque,
The seven-cubit spear, the brazen targe!
And clad in bright and burnished panoply
Athena strode across the stretch of sick and shivering sea!

To the dull sailors’ sight her loosened looks
Seemed like the jagged storm-rack, and her feet
Only the spume that floats on hidden rocks,
And, marking how the rising waters beat
Against the rolling ship, the pilot cried
To the young helmsman at the stern to luff to windward side

But he, the overbold adulterer,
A dear profaner of great mysteries,
An ardent amorous idolater,
When he beheld those grand relentless eyes
Laughed loud for joy, and crying out ‘I come’
Leapt from the lofty **** into the chill and churning foam.

Then fell from the high heaven one bright star,
One dancer left the circling galaxy,
And back to Athens on her clattering car
In all the pride of venged divinity
Pale Pallas swept with shrill and steely clank,
And a few gurgling bubbles rose where her boy lover sank.

And the mast shuddered as the gaunt owl flew
With mocking hoots after the wrathful Queen,
And the old pilot bade the trembling crew
Hoist the big sail, and told how he had seen
Close to the stern a dim and giant form,
And like a dipping swallow the stout ship dashed through the storm.

And no man dared to speak of Charmides
Deeming that he some evil thing had wrought,
And when they reached the strait Symplegades
They beached their galley on the shore, and sought
The toll-gate of the city hastily,
And in the market showed their brown and pictured pottery.
Oscar Mann Oct 2015
I spy with my little eye
Everyone and all
The faintest smile
The subtlest sign
Everything strange and worrying
And all that is normal
Perhaps too normal

And don’t feel scared
It’s in your best interest
That wicked smiles
And dangerous signs
And everything strange and worrying
Is brought under attention
Of people you can trust

And don’t ask yourself
Who is watching the watchmen
With wicked ways
And subtle methods
It’s better to sit and relax
And act normal
But not too normal
Set in this stormy Northern sea,
Queen of these restless fields of tide,
England! what shall men say of thee,
Before whose feet the worlds divide?

The earth, a brittle globe of glass,
Lies in the hollow of thy hand,
And through its heart of crystal pass,
Like shadows through a twilight land,

The spears of crimson-suited war,
The long white-crested waves of fight,
And all the deadly fires which are
The torches of the lords of Night.

The yellow leopards, strained and lean,
The treacherous Russian knows so well,
With gaping blackened jaws are seen
Leap through the hail of screaming shell.

The strong sea-lion of England’s wars
Hath left his sapphire cave of sea,
To battle with the storm that mars
The stars of England’s chivalry.

The brazen-throated clarion blows
Across the Pathan’s reedy fen,
And the high steeps of Indian snows
Shake to the tread of armed men.

And many an Afghan chief, who lies
Beneath his cool pomegranate-trees,
Clutches his sword in fierce surmise
When on the mountain-side he sees

The fleet-foot Marri scout, who comes
To tell how he hath heard afar
The measured roll of English drums
Beat at the gates of Kandahar.

For southern wind and east wind meet
Where, girt and crowned by sword and fire,
England with bare and ****** feet
Climbs the steep road of wide empire.

O lonely Himalayan height,
Grey pillar of the Indian sky,
Where saw’st thou last in clanging flight
Our winged dogs of Victory?

The almond-groves of Samarcand,
Bokhara, where red lilies blow,
And Oxus, by whose yellow sand
The grave white-turbaned merchants go:

And on from thence to Ispahan,
The gilded garden of the sun,
Whence the long dusty caravan
Brings cedar wood and vermilion;

And that dread city of Cabool
Set at the mountain’s scarped feet,
Whose marble tanks are ever full
With water for the noonday heat:

Where through the narrow straight Bazaar
A little maid Circassian
Is led, a present from the Czar
Unto some old and bearded khan,—

Here have our wild war-eagles flown,
And flapped wide wings in fiery fight;
But the sad dove, that sits alone
In England—she hath no delight.

In vain the laughing girl will lean
To greet her love with love-lit eyes:
Down in some treacherous black ravine,
Clutching his flag, the dead boy lies.

And many a moon and sun will see
The lingering wistful children wait
To climb upon their father’s knee;
And in each house made desolate

Pale women who have lost their lord
Will kiss the relics of the slain—
Some tarnished epaulette—some sword—
Poor toys to soothe such anguished pain.

For not in quiet English fields
Are these, our brothers, lain to rest,
Where we might deck their broken shields
With all the flowers the dead love best.

For some are by the Delhi walls,
And many in the Afghan land,
And many where the Ganges falls
Through seven mouths of shifting sand.

And some in Russian waters lie,
And others in the seas which are
The portals to the East, or by
The wind-swept heights of Trafalgar.

O wandering graves!  O restless sleep!
O silence of the sunless day!
O still ravine!  O stormy deep!
Give up your prey!  Give up your prey!

And thou whose wounds are never healed,
Whose weary race is never won,
O Cromwell’s England! must thou yield
For every inch of ground a son?

Go! crown with thorns thy gold-crowned head,
Change thy glad song to song of pain;
Wind and wild wave have got thy dead,
And will not yield them back again.

Wave and wild wind and foreign shore
Possess the flower of English land—
Lips that thy lips shall kiss no more,
Hands that shall never clasp thy hand.

What profit now that we have bound
The whole round world with nets of gold,
If hidden in our heart is found
The care that groweth never old?

What profit that our galleys ride,
Pine-forest-like, on every main?
Ruin and wreck are at our side,
Grim warders of the House of Pain.

Where are the brave, the strong, the fleet?
Where is our English chivalry?
Wild grasses are their burial-sheet,
And sobbing waves their threnody.

O loved ones lying far away,
What word of love can dead lips send!
O wasted dust!  O senseless clay!
Is this the end! is this the end!

Peace, peace! we wrong the noble dead
To vex their solemn slumber so;
Though childless, and with thorn-crowned head,
Up the steep road must England go,

Yet when this fiery web is spun,
Her watchmen shall descry from far
The young Republic like a sun
Rise from these crimson seas of war.
mikecccc Jun 2015
who watches the watchmen
or something to that effect
its an important thought
they keep an eye on us
but who watches them
are they their own check
a very ab-usable system
if they can't watch themselves
we get more
watchers to watch the watchmen
but that same problem pops up
their overseers get corrupt
so we must watch them
but you know you can't trust us.
Peter Cullen May 2014
The Watchmen, lonely, watching time,
upon freezing beds,
the cold, the wet, the dead,
along the River Rhine.

Flares,illuminate the sky,
young soldiers, writing letters home,
some they start to cry.
Wishing they knew why,
along the River rhine.

Those treasured tear stained letters.
A young souls last goodbye,
a flare shines in the sky.
Wishing they knew why,
Upon the River Rhine.
OUR    POVERTY   HAS   COLOUR

Alexander K Opicho
(Eldoret, Kenya; aopicho@yahoo.com)

Most illusive and elusive
Like the devils of Congo forest
Is the impish poverty
Permeating all seals with vicious wily
Into the midst of callous humanity
Biting country men and country women
With carnivorous dentalities so ruthless
Putting man to a forlorn shame
As the wife looks in desperate flaggerbastation
Putting matriarchal womenfolk to humiliation
As the expectant sire wallow in the askance of looks
Condemning communities to status ad absurdum initio
Thinning man from man, culling woman from woman
Eating flesh by flesh social koprpers of man
Eating the native flesh in the farms of Brazil
Tearing the ***** steak into ghetto lacerations of Chicago
Whizzling sombre morning tunes to the Zulus in the black tundra
Cementing pale casted clusters for the Patels of India
Commanding suave drills to poor (wo) menfolk; left! Left! Left! –abouuuuturn!
With its accomplice Mr. Hunger son of starvation, they both command drills
For black factory workers, Maids and gravediggers to dance
Watchmen, thieves and prostitutes to match
In the hinterland of Africa all the riff-raff in deep despair
Dance in a tandem to the irritating drills of the duo;
You come on! Left! Right! Left! Right!—fowaaard match!
Backward match! Left! Right! Left! Right! Sharpp uuuuuuuturn!
The duo communiqué; Go home and wait for your pay announcement.

Surely; what colour is our poverty?
filleted dreams, drip drip dripping into endless streams,
a falcon, a fisherman, a lonely seaboat with a blue stripe on white,
never ceasing, never dying, constant revelation, constant redemption,
dark nights, the tap tap tapping of raindrops on ceilings,
one leg cold and one leg warm, always reaching, never grasping,
a wine-drunken beam, a pill of golden light,
a breath, a whimper of sleep,
a drumming, a drumming, a drumming
of ever-closer watchmen on the rooftops of tenement houses,
weeping and watching and oh so silently
sewing closed their mouths with threads.

something in the darkness, something in the watchmen,
something in the drips of the tap and of the rain
and of the filleted dreams of endless streams,
cry technicolor, cry chromatic,
weep visions of paradise like water from Eden,
no, yes, my cautious child,
darling mother, sleeping father,
drunk drunk drunk on stolen nectar,  
rot, rot, rot into the sour deep,
buried under rubble,
smothered, squeezed, dissected,
infinite life, finite spirit,
cry, cry, cry,
cry stolen and pale into the screams of your indigo dreams.
By day the skyscraper looms in the smoke and sun and
     has a soul.
Prairie and valley, streets of the city, pour people into
     it and they mingle among its twenty floors and are
     poured out again back to the streets, prairies and
     valleys.
It is the men and women, boys and girls so poured in and
     out all day that give the building a soul of dreams
     and thoughts and memories.
(Dumped in the sea or fixed in a desert, who would care
     for the building or speak its name or ask a policeman
     the way to it?)

Elevators slide on their cables and tubes catch letters and
     parcels and iron pipes carry gas and water in and
     sewage out.
Wires climb with secrets, carry light and carry words,
     and tell terrors and profits and loves--curses of men
     grappling plans of business and questions of women
     in plots of love.

Hour by hour the caissons reach down to the rock of the
     earth and hold the building to a turning planet.
Hour by hour the girders play as ribs and reach out and
     hold together the stone walls and floors.

Hour by hour the hand of the mason and the stuff of the
     mortar clinch the pieces and parts to the shape an
     architect voted.
Hour by hour the sun and the rain, the air and the rust,
     and the press of time running into centuries, play
     on the building inside and out and use it.

Men who sunk the pilings and mixed the mortar are laid
     in graves where the wind whistles a wild song
     without words
And so are men who strung the wires and fixed the pipes
     and tubes and those who saw it rise floor by floor.
Souls of them all are here, even the hod carrier begging
     at back doors hundreds of miles away and the brick-
     layer who went to state's prison for shooting another
     man while drunk.
(One man fell from a girder and broke his neck at the
     end of a straight plunge--he is here--his soul has
     gone into the stones of the building.)

On the office doors from tier to tier--hundreds of names
     and each name standing for a face written across
     with a dead child, a passionate lover, a driving
     ambition for a million dollar business or a lobster's
     ease of life.

Behind the signs on the doors they work and the walls
     tell nothing from room to room.
Ten-dollar-a-week stenographers take letters from
     corporation officers, lawyers, efficiency engineers,
     and tons of letters go bundled from the building to all
     ends of the earth.
Smiles and tears of each office girl go into the soul of
     the building just the same as the master-men who
     rule the building.

Hands of clocks turn to noon hours and each floor
     empties its men and women who go away and eat
     and come back to work.
Toward the end of the afternoon all work slackens and
     all jobs go slower as the people feel day closing on
     them.
One by one the floors are emptied... The uniformed
     elevator men are gone. Pails clang... Scrubbers
     work, talking in foreign tongues. Broom and water
     and mop clean from the floors human dust and spit,
     and machine grime of the day.
Spelled in electric fire on the roof are words telling
     miles of houses and people where to buy a thing for
     money. The sign speaks till midnight.

Darkness on the hallways. Voices echo. Silence
     holds... Watchmen walk slow from floor to floor
     and try the doors. Revolvers bulge from their hip
     pockets... Steel safes stand in corners. Money
     is stacked in them.
A young watchman leans at a window and sees the lights
     of barges butting their way across a harbor, nets of
     red and white lanterns in a railroad yard, and a span
     of glooms splashed with lines of white and blurs of
     crosses and clusters over the sleeping city.
By night the skyscraper looms in the smoke and the stars
     and has a soul.
Mind the watchmen.
Mind the gate.
Mind travel. Place your name
For roulette decides your fate.
In times of trouble.
Mind the watchmen.
Lurking in the guard.
Turn your bullet into an ace of spades
And play the winning cards.
Take your winter breath
Like moons of ghost.
And make the little start.
Take your open wounds.
And bandage all the hate that breaks my heart.
Say my name.
Cradle my ego.
Call me pretty little lies.
Wonder with. Little legs that follow
Crumbs left to mark the path
I must decide.
Try to stick into the mind of evil.
Chosen. In my panic.
Set the status. Of a widow.
*** the kids just lost dad
And all that's left. Is empty glasses
There was a kingdom by the sea
that had a name
but most called it just
The Pearl of the Coast,
because that is what it was.
The riches within the city walls were more than an outsider could fathom,
and a bustling economy promised to keep it that way.
The Pearl had been led for half a century
by a wise King
and a just Queen.
Between them, they had one daughter,
who was pretty enough to truly count as one of the riches of their city.
Suiters came from far and wide, hoping to get
just
one
glimpse
of her fair beauty
before the fickle girl brushed them off her shoulders like mosquitoes.
It had no true spoken enemies,
for the walls and army were too great to conquer
but riches
bring dark men
to plotting and scheming.

There was a band of other kingdoms-
all prosperous, but not quite as much so as the Pearl
who were jealous and greedy
and coveted the jewels of the Pearl
all for themselves.
They would plan together,
but none could quite figure out how to get past the huge walls
and the spears of the watchmen.
But once, to their conniving company came
a Dark Magician
feared all around for his power and his wit.
These Kings of lesser kingdoms, though,
they saw only and opportunity to be seized.

They promised the Magician a share of the riches
if he would help them bring the Pearl to its knees.

The Magician, after little consideration,
obliged.

From their greed, he fashioned a Homunculus
shaped it like a handsome young man
more handsome than anyone could be born as
and sent him to the palace.
The Princess was vain and swept off her feet
by this new young man
and soon took to calling her.
There was one, though, who saw through him.
Perhaps it was his own jealousy that cleared his eyes,
but a young Sorcerer,
the closest friend of the Princess,
and the only man who had ever loved her truly,
warned of the Homunculus.
The Princess, smitten, was outraged.
The warning given by a friend only encouraged the relationship,
as those things often do
for children love to see themselves as Star Crossed Lovers
and the fickle Princess estranged herself from her oldest friend,
though the Sorcerer stayed loyal.

One night, however,
the King and Queen,
who themselves were quietly against the union,
were murdered.
The cause was clear:
Magic.
The guard turned to the Sorcerer,
for he had been turned down by the Princess,
and was, as they said, Hungry for revenge.
Only his past friendship saved his life,
and he was imprisoned in an empty tower a mile outside of the Pearl's walls.
He howled to be set free,
and the Princess would listen from her widow's walk.
Only when the howling stopped and was replaced
by a bitter silence
did her heart break.

After her marriage to the Homunculus
she started to wither
and hid herself in her chamber.
The guards would often see her wandering the grounds at night
wringing her hands and moaning in sorrow and paranoid fear.
"He might come back," she would whisper
and then burst into tears.
Often she was mistaken for a ghost,
and her parade of visitors slowly trickled to a stop.
Meanwhile, the Homunculus had taken control of the Kingdom.
He actually did more for the economy that the past King and Queen did,
for he had opened up trade with a shady band of kingdoms
that everyone had sworn that they had been in a Cold War with
just yesterday...

It had been nearly twenty years
when the Magician demanded that the band of kings
pay him for his work.
They had been ruling the Pearl from the shadows for some time now,
and he was ripe for his due.
The Kings' greed though had only inflated after they had their prize
as had their pride.
And they,
foolishly,
declined.
The Magician was outraged.
He called back his creation one day in March.

The Homunculus knew that the sword of Damocles was ready to drop,
and hastened in his escape
but
over the years
he had grown attached to his Queen
and it pained him to think of her suffering along with him.
He warned her himself
that the Pearl was to be destroyed spectacularly
and then he fled,
and she never saw his face again.

The Queen was horrified
and looked out over the people who she had neglected for twenty years.
No longer a beauty,
but a frightened old woman.
She knew what she had to do.
Grabbing her travel cloak around her,
the Queen rode as fast as she could
to the tower outside of the walls.
Her old friend was still sitting there,
chained to the wall.
Never had the woman seen such squalor, and it broke her heart all over again.
His hair was long and matted,
not peppered, but smeared with gray.
His robes were those that he had worn on the day he was taken away
crusted with filth.
The tower was falling down around him;
huge gaping holes where windows had been
mocked the poor Sorcerer
and the fireplace that should have been maintained by guards
was nothing more than smoldering coals.

The Queen fell to her knees and begged his forgiveness,
begged him to save the city that he had been shunned from.
But so many things about him had changed,
and all of the kindness had leaked from his eyes.
He rose onto his feet, and the rats skittered away.

"You fool!" He cried,
"I cannot save them!
The Magic coming has already been set in motion, and I,
I have not eaten more than rats and the dirt from the floor in more than twenty years.
I am hopelessly weak, with only the strength for one more spell. "
He grabbed the Queen's hands, the sorrow of his broken heart overshadowed by rage.
"You will watch this tragedy, for it is one of your own making!
I curse you so that you may never die,
never sleep,
not till you have worked the labors of every servant
of the world begins to burn!"
With that, he pushed the shocked woman aside
and, scrambling to the fire,
swallowed the hot coals
and died there in front of his betrayer.

The Queen could do nothing but watch
as the sky turned black,
and the sea rose up
and swallowed the Pearl.
The screams of her people were silenced quickly,
leaving her alone
with her thoughts
and the body of the only man
who had ever
loved her.
WHO knows what I know
when I have asked the night questions
and the night has answered nothing
only the old answers?
  
Who picked a crimson cryptogram,
the tail light of a motor car turning a corner,
or the midnight sign of a chile con carne place,
or a man out of the ashes of false dawn muttering "hot-dog" to the night watchmen:
Is there a spieler who has spoken the word or taken the number of night's nothings? am I the spieler? or you?
  
Is there a tired head
the night has not fed and rested
and kept on its neck and shoulders?
  
Is there a wish
of man to woman
and woman to man
the night has not written
and signed its name under?
  
Does the night forget
as a woman forgets?
and remember
as a woman remembers?
  
Who gave the night
this head of hair,
this gipsy head
calling: Come-on?
  
Who gave the night anything at all
and asked the night questions
and was laughed at?
  
Who asked the night
for a long soft kiss
and lost the half-way lips?
who picked a red lamp in a mist?
  
Who saw the night
fold its Mona Lisa hands
and sit half-smiling, half-sad,
nothing at all,
and everything,
all the world ?
  
Who saw the night
let down its hair
and shake its bare shoulders
and blow out the candles of the moon,
whispering, snickering,
cutting off the snicker .. and sobbing ..
out of pillow-wet kisses and tears?
  
Is the night woven of anything else
than the secret wishes of women,
the stretched empty arms of women?
the hair of women with stars and roses?
I asked the night these questions.
I heard the night asking me these questions.
  
I saw the night
put these whispered nothings
across the city dust and stones,
across a single yellow sunflower,
one stalk strong as a woman's wrist;
  
And the play of a light rain,
the jig-time folly of a light rain,
the creepers of a drizzle on the sidewalks
for the policemen and the railroad men,
for the home-goers and the homeless,
silver fans and funnels on the asphalt,
the many feet of a fog mist that crept away;
  
I saw the night
put these nothings across
and the night wind came saying: Come-on:
and the curve of sky swept off white clouds
and swept on white stars over Battery to Bronx,
scooped a sea of stars over Albany, Dobbs Ferry, Cape Horn, Constantinople.
  
I saw the night's mouth and lips
strange as a face next to mine on a pillow
and now I know ... as I knew always ...
the night is a lover of mine ...
I know the night is ... everything.
I know the night is ... all the world.
  
I have seen gold lamps in a lagoon
play sleep and murmur
with never an eyelash,
never a glint of an eyelid,
quivering in the water-shadows.
  
A taxi whizzes by, an owl car clutters, passengers yawn reading street signs, a *** on a park bench shifts, another *** keeps his majesty of stone stillness, the forty-foot split rocks of Central Park sleep the sleep of stone whalebacks, the cornices of the Metropolitan Art mutter their own nothings to the men with rolled-up collars on the top of a bus:
Breaths of the sea salt Atlantic, breaths of two rivers, and a heave of hawsers and smokestacks, the swish of multiplied sloops and war dogs, the hesitant hoo-hoo of coal boats: among these I listen to Night calling:
I give you what money can never buy: all other lovers change: all others go away and come back and go away again:
I am the one you slept with last night.
I am the one you sleep with tonight and tomorrow night.
I am the one whose passion kisses
  keep your head wondering
  and your lips aching
  to sing one song
  never sung before
  at night's gipsy head
  calling: Come-on.
These hands that slid to my neck and held me,
these fingers that told a story,
this gipsy head of hair calling: Come-on:
can anyone else come along now
and put across night's nothings again?
  
I have wanted kisses my heart stuttered at asking,
I have pounded at useless doors and called my people fools.
I have staggered alone in a winter dark making mumble songs
to the sting of a blizzard that clutched and swore.
It was the night in my blood:
  open dreaming night,
  night of tireless sheet-steel blue:
The hands of God washing something,
  feet of God walking somewhere.
Sound the deep waters:--
  Who shall sound that deep?--
Too short the plummet,
  And the watchmen sleep.
Some dream of effort
  Up a toilsome steep;
Some dream of pasture grounds
  For harmless sheep.

White shapes flit to and fro
  From mast to mast;
They feel the distant tempest
  That nears them fast:
Great rocks are straight ahead,
  Great shoals not past;
They shout to one another
  Upon the blast.

O, soft the streams drop music
  Between the hills,
And musical the birds' nests
  Beside those rills:
The nests are types of home
   Love-hidden from ills,
The nests are types of spirits
  Love-music fills.

So dream the sleepers,
  Each man in his place;
The lightning shows the smile
  Upon each face:
The ship is driving, driving,
  It drives apace:
And sleepers smile, and spirits
  Bewail their case.

The lightning glares and reddens
  Across the skies;
It seems but sunset
  To those sleeping eyes.
When did the sun go down
  On such a wise?
From such a sunset
  When shall day arise?

"Wake," call the spirits:
  But to heedless ears;
They have forgotten sorrows
  And hopes and fears;
They have forgotten perils
  And smiles and tears;
Their dream has held them long,
  Long years and years.

"Wake," call the spirits again:
  But it would take
A louder summons
  To bid them awake.
Some dream of pleasure
  For another's sake;
Some dream, forgetful
  Of a lifelong ache.

One by one slowly,
  Ah, how sad and slow!
Wailing and praying
  The spirits rise and go:
Clear stainless spirits,
  White,--as white as snow;
Pale spirits, wailing
  For an overthrow.

One by one flitting,
  Like a mournful bird
Whose song is tired at last
  For no mate heard.
The loving voice is silent,
  The useless word;
One by one flitting,
  Sick with hope deferred.

Driving and driving,
  The ship drives amain:
While swift from mast to mast
  Shapes flit again,
Flit silent as the silence
  Where men lie slain;
Their shadow cast upon the sails
  Is like a stain.

No voice to call the sleepers,
  No hand to raise:
They sleep to death in dreaming
  Of length of days.
Vanity of vanities,
  The Preacher says:
Vanity is the end
  Of all their ways.
jeffrey robin Nov 2010
little islands of sanity

sacred the tenements
sacred the janitors
sacred the night watchmen

little islands of sanity

-----

little places of refuge

tiny hearts still beating

children play for real

amid people
who **** for fun and glory

-------

i dance!

-------

little islands of humanity

sacred the simple
sacred the honest
sacred the poverty

sacred tenemets
amid our shame
and greed

-----

come!
dance!

------

little islands
tiny lovers

the world
Reece May 2013
The misty morning moaned through great spiritual fogs, while the dogs lay exhausted on the tombstone curbs. A black car crept and the driver had no hands. In the purple screaming clouds were the faces of a thousand dead birds, hawking about, calling inscrutable names, grasping at imaginary worms from the trees of the burning wood.
Where have I gone?
The grey meandering man licked his lips as sullen death encapsulated the brittle bones and every step was bringing him closer to the ashen ground from whence the monsters came. A phosphorescent haze would whirl and dance in sweet contortions, a dance for the dead, as the night fought day with ecstatic swords.

The sun is crying.
The son is crying.

Halt for the watchmen, bats in hand and gloves hanging from belt loops. Halt while the lands are molested and the peasant sneers at waves that hum and bring about simultaneous life and death.

Open the door! Open it wide.
Life is the eternally beating drum
The drum from which we hide.
Tonight Guy Fawkes might get it right,
it's bonfire night.
Westminster,
the stage is set,
place your bets before the bang or hang old ***** high.

At Mansion House before fine fare,
sit politicians gorging there and getting fat from this,my land and I stand here with hand held out,
a teapot of a man with drooping spout and wilting will,
still,
Fawkes the hawk may walk the walk and then we'll see the ******* talk, when Parliament goes up in smoke,

Oh *****,***** take a match
don't let the watchmen catch you creeping,with lit taper,or you'll be 'sleeping with the fish'
It's bonfire night tonight
I do wish Guy Fawkes gets it right
and one more time,
't would be no crime
to light the fuse
and run.
Pastell dichter Sep 2015
The watchmen sits at the darkest hour waiting for the morning shower.
Wade Redfearn Jun 2010
On my bed night after night I
sought him who my soul loves, I sought him
but did not find him...

I sought this morning
a handful of domestic tools.
I raked, I shoveled, I let fly
a gust from my mighty
two-stroke gas blower, which
shuddered to death in my hands,
before all of the leaves reached
the end of the ******* driveway.

I adjure you, O daughters of Jerusalem
that you do not awake my love until
the motor has had a chance to cool off,
or you might flood the engine.

David was anointed with the
oil of myrrh and cassia. My wrists
are caked in Havoline from
1998. Solomon ate banquets,
loved Sheba, three hundred
concubines and boats of perfumed wood.

Ramen at lunchtime. Sixty yards of two-by-fours.

If I never resemble a king,
let me sup of television dinners
let me work my hands in the valleys
of a clogged fuel line, let my bed
fill with the twin odalisques of
leisure reading and ***** sheets,
and give me never three hundred concubines.

And if I go about the city at night,
pleading with the watchmen, have they seen
she who my soul loves, let them answer:
"There."

The driveway is clean, now,
all the leaves left at the end to rot,
or be swept away.
Just ask me.
brandon nagley Jun 2015
Misty hair
Of angels fair
Cimmerian astrals
To kings and empress's
Slaves to eachother
For as god to be the watchmen

Snow white
Of Spain
Calling
Her king again
Shy
But as for him
All open
In back door hush-hush
For their marble's meet
In focus!!
Ben Jones Jun 2013
There's a tale that's spoken
When dawn has broken
By gateman and watchmen and guards
And it's echoed by thieves
As the night time leaves
As they shuffle their crooked cards

Of a demon disguised
And a doctor despised
So be weary of coaches at night
There's a roaming physician
Of the devils tuition
A curse and a bringer of plight

Oh, Doctor Sinestre
The butcher of Leicester
A man with a hunger for pain
With top hat and tails
And talon-like nails
There are many he's happily slain
He travels by night
And is fast out of sight
And away by the first light of day
He takes eyes and ears
As grim souvenirs
And your body is left on display

It's said he was born
With a singular horn
Which he uses to gouge his prey
And my grandmother swears
He was brought up by bears
Which he killed in a grizzly display

He's a magical voice
A remover of choice
To beguile the strongest of wills
He can tear you apart
And pull out your heart
So quickly the blood never spills

Oh, Doctor Sinestre
The gory molester
An animal dressed as a man
If you hear him approach
In his ebony coach
Then away just as fast as you can
He feeds on the weak
On souls of the bleak
And seekers of fortune and strife
He removes your afflictions
Diseases, addictions
As swiftly he cures you of life

He has eyes in his ears
So he sees what he hears
His teeth once belonged to a snake
The soles of his feet
Don't meet with the street
Not a print or a sound does he make

There are maps of strange lands
On the palms of his hands
And thick purple hair on the back
There's a bat in his hat
All sluggish and fat
For if ever he fancies a snack

Oh, Doctor Sinestre
The mayor of Chester
And prince of the circles of hell
He giggles and gloats
As he fiddles with goats
He dabbles in chickens as well
A spaceship he flies
Through Lancashire skies
He can turn you to gold with a kiss
He's a ghost driven mad
By his alien dad
And.... Are you TOTALLY sure about this?
Mark Toney Mar 2022
wasting well water wishes
while in wastewater wading
waiting waist-high wailing
weeping, wailing—
what a waste!

wasting well water wishes
while we're waxing waning
waning waxing waging
waging, wasting—
wherewithal!

wanting well water wishes
while whole world wishing
wasting wishing wanting
wanting wishing—
whole wide world!

welcome well water wishes
while we're wakeful watching
wakeful watchmen warning
warning watching—
wonderful!

whew!!

Mark Toney © 2022
Poetry form: Alliteration - Mark Toney © 2022
today its vast,
leadlike heaviness,
caught in a web for years,
a river of tears,
knowing not to touch mercury,
never to touch lead,
but all this lumpen, toxic, metal,
here now,
the painful, real circumstances,
a life unravels horrific,
watch the watchmen,  
politicians reliant on  crazy logic,
journeying headlong with coboclos, and shaman bundled and secreted, in rabbit warren, their pronouncements,
She amazed the vastness of the labyrinth, like tendrils that surmounted her, all her lonely long life, her mother, her father, her brothers, her sisters, baby Jesus, God the Father, church, other parents of schoolfriends, the watchmen, hippies, engineers, pretend girlfriend trapdoors, pretend boyfriend trapdoors,watchmen, irish, americans, english, russians, coboblos, shaman, germans, dutch, irish, english, americans, chinese, spanish, portuguese, italians. worldwideweb
one woman  an island, allegedly.  
her strenght from the biggest Daddy the one above,
He sent her his Son ,
He filled her with Love,
she hopes for his return,
others  burn and condemn themselves in the safety of numbers,
they are numbered....
right now, she cannot find hope or love for them ,
she did love when it counted,
all that too is from God.
Christ told his disciples when they asked about demons, to look on the inextinguishable, inexaustable light of God, this is a light worth feasting the eyes on.  I ignored the shadow, got caught in it's whirl, maybe that was meant to be, why it all happened to me, I ignored it, maybe dissociation illness is not an illness, a divine strategy to keep going, despite the pain.
Christ also said be like children, I definitely was naive.
Nat Lipstadt Jun 2015
for lovejunkie...amidst this parliament of words,
I am selfish,
but not always blind...

~~~


from our bed, I see witnesses,
a small stand of trees,
no parliament these,
but a scattering of
oak~men and birch~women,
who shade and defend us,
a few good marines on duty,
standing between us and
our beloved but ever
dangerous tempestuous changeling child,
the one we call,
with well-mixed trepidation and affection,
the sea change

this small stand,
throws all caution to the wind,
remnants of a once great army
upon my forested isle,
these proud stragglers,
refuse to desert their
human worshipers and century renters,
giving them aid and comfort,
from the sum of
sun, wind and the
ever encroachment of waves,
who would and
will
own all
eventually

they look out,
this stand of trees,
facing away,
lookouts for us,
watchmen of the day
and still on duty,
even when the day's nethered nemesis
returns

this stand of trees,
they look back as well, upon me,
even as I catalogue them,
distinct even now in the tomb of midnight dark,
facing me simultaneously,
self-appointed witnesses
to a man's thinking
of his:

binding and unbundling,
the tumult of the fusion
of the pros and cons
at the intersection of
love and memories

where ancient needs and memories
clash to rehash past victories and Waterloo,
all the while, the cries of the
perpetuity of future desires,
incessant demanders of
fresh refreshments of love,
shout out
"more, more,"
ever so softly

perhaps this is why they stay...

voyeurs,
to be amused by selfish humans,
denying their very built-in natures,
addicted to the elusiveness of romance,
wearing pretend masques of self-blindness
to the devil-may-care,
unpredictable seasonality of loves
comings and goings

and yet how clear recalled the
unconcealed passion and gleeful gratitude
when we tuck a beloved's locks from
their eyes, to the safety of the
crook of their ears

the stand of trees,
strong tall, plain big,
compare and contrast
to the infinite smallness
of merest seconds
of loving tenderness
etched upon the firmament permanency
of the
mind's eyes

perhaps this is why they stay...

perhaps this is why we cannot renounce
our never wreaking addiction to love
and its cocktail of
torments and fulfillment

trees - perhaps,
they better understand our frailty
than we do,
do trees love humans so much in return
for all this love we give them?

we chop in hurry fury down,
only to repent and replant tenderest of seedlings,
like human love,
we chop in hurry fury down,
only to repent and replant tenderest of seedlings

for are we not all selfish, all blind,
all needy, all defenseless,
all cautiously defensive,
so much
and then again,
not so much
not so blind or selfish,
that we cannot use our word tools
to grant ourselves,
we aching creatures,
grant ourselves
a few small chances,
to pry open both
recollections of our heart's delight
and the seeds
for its
renewal

perhaps we are all witnesses?

~~~~~~~~~~~~~
"but oh if fate threw caution to the wind
giving
this parliament of trees their hearts' delight
how wondrous to these eyes would those boughs be
smashing through that firmament, that light."

"and oh if fate threw caution to the wind
granting
this aching creature just one wish,
i'd be content with much less than your kiss...

for i am selfish, but not always blind;"

**from "wish I may wish I might"
by lovejunkie
You can see my stand,
beside my name,
protecting and surrounding
our little cottage

read lovejunkie on HP!
Why?
for he is among the very few who craft and hew their words
with care and great love...and who writes of the
elements
of love in beauteous ways I can only vague recall, and never hope to ever replicate..

amidst this parliament of words,
I am selfish,
but not always blind...

June 21 2015
2:00am
He comes out of his house, off into his ****** limousine,
The pride and glory of American handicraft,
Drives away past his main gate, guarded by a Luhyia national,
The nation from which watchmen are mass manufactured,
The gate is banged closed with a sharp emblem dominating;
tafadahli umbwa kali, please fierce dogs are in don’t dare enter,
when no piece of a dog is in, hen pecking husbands perhaps,
He drives away in low spirit, like the tail of a snake,
Sharply contrasting his tiger thoraxed debates in the parliament,
In defence of state corruption; Anglo leasing and her sisters,
The wife has chased out our state officer, his sole Succor,
of the night and chilly loneliness so nameless ,in the streets of Nairobi,
Is the epiphanous street of koinange, after Mbiu Koinange
The colonial orchestrator of intellectual globalectics,
He sired political immorality that sired social depravement,
To rove his avenues as the state and money capitalist
Convert beautiful daughters of the poor peasants
Into defenseless protégés of class misfortune
Roaming the back streets minus
Any lingerie in their bosoms.
René Mutumé Oct 2014
The Thames rides high in the city's red wheel!
the indigenous birds of one country are moored no longer
the night is worth its ride, and castrates each reason
to not sell: the freshest cut mind: its only state: its only guest  

Babes milked by dunes, growing giants from their anima palm
low nebulae of sea anklets, by the cooling of patience
by the stored morning of vittalic kin, usherette grasps
shatter spite, at the risk of all peaceful vibrations in humour
where the roads connect to all amor fati, amor fati, Amor fati!
la chimère d’amour; where rhythms are shared by all animals,
unflexed in the skull by denizen skull: the populace melts

So passed the point of brinking-worlds, there are only elements
so no rapier can slice through dream like the scent of day,
and we scream in melodious waves of diving accident;
which brings notions back of extending fire sighs so opaquely,
happiness cherishes the chaotic mirror of booming children
the figureless dance of the last disgrace, which has no pity
and is the travelling word for success against liberty

We are no longer life, or its blushing ripped condescension
only my shadow and yours are the freeing muscle
where man has shattered space into the thousandless voice
of solitudinal stars in the androgyny of light-
hemisphere of binary pleasure; jealous boys and girls drink smoke
we the haphazard twin of darkness and light forget, wilfully
as if destiny is a circular pleasure, of both stomach and sky

By the watering mortars of the watchmen from Soho dancing again
and to this city the agile mouth of a field is awake
where the sad winds entwine with the yeasts of the hare
the smallness of light balancing on your cheek, gargantuan
to everything through the hymns of a car choking, to spirit
two moments transmit all there is, by the third, death emigrates
or it does when we dress each other by the charm of time

I have no idea where this music begins, and perhaps our DNA laughs
as do my fathers, your mothers, in the emergence of reversing gods
the birthing of make-up, the evening day mobbed by innocence
where purity is less magnetic than a sliver of fish, dead in a dog's heart
even that now, même que maintenant, even this now
même ce maintenant, is a better howling blood of choice
where a little fatter and choicer- rage is the sonata of calmness

And much dusk where the glimmer is, the ****** drool of half
heartedness is your soft wolf walking in, the silk of your bating voice
my only vice, and the point of all tantric scent
the murals of our past are now the sculptures of changing grip
like early and significant horses enduring the guilt of eating
all tribes in all ice and fire, the fastest cars cannot beat the tram
the tram and old bust marriages of constant grace

Fundament, infallible, mercurial, wholesome in lie
there being no flea with enough backs to carry us all
no poem in hell can survive without being saliva
too much **** and not enough road makes a dull car of us all
but, there is only one liver waiting on the ground
what is the perfect song to let it breathe? Tonight
you are my attire, and I am yours

We soak the ribbons with massacred blood, we say
to the absolute: no, I choose my partners carefully
I am yours, you are mine, our habitual skin
blowing leviathans training the wind
and chokes as we stroll releasing our hands upon its neck
but let ours fly together and apart, nothing holding the world
in the divinity of wood, your translucent perfume, our body

The dogs have blown into darkness
The moors create hybrids from themselves
Wild garlic ferments in fields of skin
Texas leans into Vertigo’s kiss
An ape is born smelling of you
My sweat is your blue June
Armed only by light.
brandon nagley Jul 2015
centelleo, centelleo, mi amour',
I shalt travel by foot, right to thy door!
Up above the moon so high,
I shalt exhilarate thee in thine mind.

When the colorful universe hath passed,
And All the glacier's melt so fast,
Then thou wilt illuminate,
centelleo, centelleo, on ourn impresionante date.

Than the watchmen in the dusk
Giveth thee thanks, of aloe and musk:
He couldst not seeith which way to flyeth,
But thine own light to all inviteth.....

In those dark brown eyes thou keepeth,
And always in mine soul thou peepeth,
For please don't ever close thine eye's
Until mine lips art met with thine own so fine....

As thy centelleo glints mine room,
And as thy centelleo is flared by thee mine muse,
I shalt continue to be thy poet
Writing a million poem's a day for thee so everyone shalt know it.


©Brandon nagley
©Lonesome poet's poetry
centelleo- means twinkle Spanish tongue

Twinkle twinkle Little Star originally done by a Jane Taylor as a lullaby I redid it for mi amour (:
impresionante- means awe-inspiring or awesome in Spain's tongue  (: either way
brandon nagley Jun 2015
The pilgrim's pull ashore....

Strange glass waves smash their feeble ships...

In the meanwhile upon land
In the distant abyss.....

The wildmen dance in song singing....
Ya ha ha-way!
Ya ha ha-way!
Ya ha ha-way!

Ha ha ** ha ha ha-way
Ha ha ** ha ha ha-way...........

Connecting to the creator
Hellion's to sojourner men
Outlandish semblance
Blush maroon colored skin...

Pinna's stitched into costume
As bead's wrap their neck
Efflorescence garbs their smiles
As sage smokes their chest's

Trace bouquet Smell's as oak
As the Willow's they do gather
Pinecones and nut's the both
Are used, eaten, and slathered

Tis
Their friends with the forest
Watchmen of Cimmerian adumbration
Not thy average native
Not found on t.v stations

They follow not the world
Nor the things of material crud
They gallop exposed
All unclothed painted in by the mud

Their mundunugu's and isangoma's
Their healer's of sickened loma's
Their future reader's
And old time Greeter's

They hash up balm pharmaceuticals
And mix in remedy anesthetics
Antibiotic doctors
Believer's in angelic medic

The pioneers come in
Scratching their heads
Bearing babies of far distance
Bringing disease with no end

They park their Vessels on edge
Of those wild men they call beasts
They plant their flag of hatred
And the redskin's are forgiving treat's

The ivory men draws gun
Whilst the natives draw their god
The pale man doth run
This is native land didst the whitened did trod

The natal men's Architect was stronger
Against the real true brutes
As the shaman sent home those foreigners
Back to England and Europe's coupé

As when the bleached beau's had left them
They went into different song
It goes like this
Please don't miss

These are the original's of the law!!!!

They Carol in fire hot dance...


Wee hee nah wee hee nah hee nah
Wee hee nah hee nah

Wee hee nah
Wee hee nah hee nah
Wee hee nah hee nah

Hey **!!!!!!!!
CK Baker Apr 2017
pear leaves strum the high wire
fern roots claw a sun drenched bank
creep vines mount the hedgerow
sow bugs jump a grated worn step

picket wall stain on cedar
mountain stream brisk at lush green pass
four legs down the foot path
biscuit brown trailers fill the pipe

spiders march on dew web
knots and rivets cut hard at the seam
maples cover the forest floor
sap ***** ping the front gate

dandelions drift on west breeze
blue berries plump at shepherds grove
wood sill holds a stained glass
letter box lined above the scrub

delft ware on the mantle
(with petals and script for a promised guest!)
junior poised with mouth agape
birds and squirrels whistle jovial tunes

goldfinch darts the sea ranch
tabby cat rests in a white wicker chair
a crafters window in the alpine
follies await the summer task!

queen bee on the flutter
airedale set on a woven grey mat
watchmen of the hollow (+ earwig and mite!)
scurry, under rustled moist leaves

frogs leap at trickle creek
shutter bugs mount on gryphons lair
still water ripples in the shaded pool
folding fingers on corner bridge

foragers cut the high shelf
silver fish come to life
whiskey jack sings on indian green
elijah and xavier pause...
at a long days end
david jm Jul 2014
at the sight of you
moons are dull grey spotlights
flat, dimensionless, and known.
which could make us akin
if i let the end begin.

but i drag it out and twist it tight
all strapped in place
i dig a tunnel in my soft spot.

stretch the truth until it breaks its back.
bones of sugar
clumped together like lonely hydrogen
in a coronal marsh.
i thought i could tame it.

i see
silver and black wind
builders and watchmen.
your world famous carousel hugs
turn to languorous shrugs
but they both make me dizzy.

a gaze eclipsed for the moment
you're less a mind, more a slogan.

when his eye meets yours
it leaves behind
sunspots.
Marshall Gass Apr 2014
We met on the morning when the sun waded
through the window
mopping up the nights shadows as it invaded
every corner of my working space.

I was ready to react to other poets at work on AP.
She came along with a blistering title
and abundance of words, beguiling
and packed with imagery, dark and dense,
laced with succinct and sinful metaphors
wolves and watchmen, ****** energy swirling
around in thickets and primroses
promises broken and bleeding on the threshold
of their hearts, but gone, each on their own
sun and sin  sprinkled pathways to other partners.

Only she wrote poems
He wrote her off!

Who was this stranger, tearing her heart out
on these pages, soulful and sinful, unheeding,
unashamed at being beaten and bruised
by her lovers tantrum now
migrated  to a new nest of instant *******.
She bled her words out in rhyme and rhythm
Holding on to fragments of a dream
fast fading at the edges.

I wrote her some lines of happiness
instinctively telling her to calm down
and think about what freedom meant
and where it lead  in the rocking horse world
of thin relationships.


She replied with two words
in acid structure: *******!
I never heard from her again.

The sunshine continued to invade the day.

Author Notes

True story. Old story. Love story are born and die this way. There are hundreds of poems on this site that used just those words when either gets dissed. Bad luck goes good luck comes. The sun continues to invade the day.
© Marshall Gass. All rights reserved.
Dalton Bauder Apr 2013
if you don’t have the map
then what is it i’m trying to find?
you’ve left me deep within
the corridors of your uncharted mind.

without a single room unlocked,
engulfed by boldly ticking clocks
your shadows come to strangle me
and cover every step i walk.
...
i’m choking; as i gasp to breathe
these demons tower over me,
your mind is locked from the inside;
no doorway out, no way to flee

these moving walls are closing in
they’ve got to swallow me up whole.
the sacrifice that must be made
shall claim my body as it’s toll.

yet even still i’m in your head
the lucid harbinger of dreams;
a watchmen over blackened hearts;
the life within the planted seed.

if i were you,
how could it be,
that we would stand as enemies?
if you were me,
we’d clearly see
the roots of every
selfish deed.
gnossienne
n. a moment of awareness that someone you’ve known for years still has a private and mysterious inner life, and somewhere in the hallways of their personality is a door locked from the inside, a stairway leading to a wing of the house that you’ve never fully explored—an unfinished attic that will remain maddeningly unknowable to you, because ultimately neither of you has a map, or a master key, or any way of knowing exactly where you stand.
Blitz T Dec 2012
Once, i had love and music.
But people come, people go
but the few that stay ..
if any stay.. who wants to
stay?

A head full of breezes,
nothing
   that lingers
No one that
   lingers
Nothing that
   matters.

Poor emo ***** *****,
lost in their houses.
If wishes were fishes i might do the dishes
but domesticity kills.
(Paralysis too)
I'd rather do nothing than
something i might lose.

Out look is everything
Look in the mirror
and what do you see?
You really are who
you want to be.
I want to be ****.
I want to mean
nothing.
Cause nothing from nothing beats nothing from something

"What of the morning?"
The watchmen he said,
"This morning is this evening and this evening ill be dead."


I find my self
lost inside a home,
not my home,
my home is with you.
You make me feel like a crazy fool.

I'm childish
I'm selfish,
immature to boot.
You would think all this knowledge would give me something to do.

Art requires heart, and a heart I don't have.
See i gave it away to this lovely young man.
Art with out heart, is like Bell with out Beast.
When they dont come together, nothing is complete.
Joseph Martinez Mar 2011
Deep in the heart of trying times;
weighty presence of the end announced
comfort and confusion begging guidance
carried out only in subtle progressions of ideas; the formation of new worlds

wayfaring watchmen of all tomorrows!

bring me to the security of nascent breath!

render me helpless before, finally, I rest and invite nothing further!
that which might delay subconscious affirmation
-of deeply hewn desire
to accept in burning glory the self-searching odyssey within

parallel returns to unmanifest self
in this world of sight and senses

I have seen it too!
-as if to climb the pyramids like slow-growing ivy
choking sunlight
and in it's figure
obscuring all beyond it

— The End —