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Nat Lipstadt Dec 2013
In my real life,
not a poet,
just an astronomer,
an observer of
universes, bodies,
places, faces,
visited, discovered,
named and oft,
best forgot.

I observe:

Some never find true love.
Some never fly first class.
Some of us
never see the
South of France.

Some of us wear
hand-me-down pants,
white lined creases when “let down,”
mocked, we never forgive ourselves
the shame of it.

Some never experience
reckless abandon.

Yet, some of us are
recklessly abandoned,
and never forget,
and never forgive.

Some of us lose
children, husbands,
avanti nel tempo,
before their time,
and
the anger is
forever, palpable,
costly.

Some of us
were raised by
someone else's parents,
and never rest easy,
the abandoned taste
always nearby,
a cruel living, breathing
teasing wasting

Some we can pass over
with ease,
as new tissue grows,
those cuts marked -
emotionally healed.

But the ones that scar,
the ones that visible scar
permanent reddened,
are the
holocaust deniers
that there is a real
promised land of
peace of mind.

Peace of mind -
not even for a second,
foretold but
unrealized,
a biblical myth,
a promised land,
a capitalist paradisal hoax.


Some never feel
public victory,
adulation, adoration,
always wearing the T-shirt labeled
Property of Someone Else.

Most of us remain
unpublished, undiscovered,
unremarked, blanketed,
cloaked in bills to pay;

Living a triumvirate of
heart ache, loneliness, worry,
our normal table fare
consists
of hand to hand
into the mouth
combat MRE's,
we engage,
to survive,
just stay alive.

We are not digitalized,
nonetheless,
we are
but digits,
our faces hidden, and
in no one's heart book
are we recorded,
friended,
yet our viewing habits,
purchases, secret sites
are enumerated, captured.

Some of us live
exclusively
in the real life,
never to escape to the
province of Wifi,
in the landscape
of the electronic mind,
an option for which
we are
untrained.

Perhaps sanctity of separation,
safety of text, email,
avec the ******* intrusion
of tweets are
the real life today,
games are always won,
and what we don't enjoy,
we just delete away

But In My Real Life
getting up is trying,
IMRL,
the trying is trying,
IMRL,
delete buttons don't exist      
in the keyboard
of our brains,
IMRL,
all we have is a
measly twenty six aleph bets
to find new ways to say
that living is striving and
what we feel is
oh so real,
not digital

IMRL,
when I laugh out loud,
the neighbors
beat the walls,
complainants,
registering their feelings
in my face,
in my book,
so to speak.

IMRL,
I got a friend,
maybe two,
all I need,
voices to help soften
the 400 blows of RL.

Their synthesized silence
of their breathing
on the phone
is precious unto me.

IRL,
limp from Friday
night to
Friday
night,
a bottle of Medoc
my weekend reward,
my bedrock cushion
in order to sleep.

After all these years,
gains and losses,
conversations with God,
I look up,
see the risk,
the slightest breeze
is a
hurricane wind.

The shaft,
of the
the sword
hanging above me
the hilt,
swaying in living color,
is no legend.

But what I have is
the ability
and maybe
the responsibility
to let anyone know
that
in my real life
anyone who touches me
with fine and good intent,
a momentary glancing blow
or a gunshot to the ventricle,
is part and parcel of
my real life.

This makes you real too,
savior, and hereby notified,
that you are not
just an observer, but
a poet of me,
an astronomer of my heart,
and namer of
a secret universe
inside of me.


Sept. 1, 2010

_____________________________
US Army jargon: meals ready to eat
nine  years ago I wrote like this.
betterdays Apr 2015
words fall
like hapless fledglings
tossed from a cliff edged nest

with much screeching, squawking,
countless feathers lost

and then an awful thump
or hopeful, glorious flight

first love is tachycardiac love
all adrenaline, sweating palms
and stutter-stumbling sqeakings,
ungainly gropings,
when not with you, mopings
unrealistic hopings
for happy ever after endings,
breakings, bendings,
awkward mendings,
repeated leavings,
repented lovings.
heartfelt givings,
of broken hearted rendings.
lendings,
of time stolen from life
tearing, teasing,
tantalising teamings
crying, begging,
pleading strife
and then,
the metaphorical knife
cutting, slashing,
wordblow bashing,
screaming, reaming,
end to loves life.

til eventually, words fall,
like old birds leavings
to settle, unremarked upon
at the base of the tree of life.

first love's loss, is slow dying.
arrhythmia to flatline
in a multitude of laboured breaths
and long lingering sighs.
a loss of warmth,
from breast and thighs
and water copious,
falling from red rimed eyes.
sobbing, murmuring,
don't know whys?
from lips turned
toward,
bleakset skies.
as one settles firmly,
into black dog muck
no longer able to give a f▼ck.
tucked in tight to sadness,
lost all sight of former gladness,
caught up and shackled tight,
to the badness
around and around,
the carousel goes.

then,
at last,
the blessed silence,
as you die
one of many of....
                    life's little deaths
prompt: write an anti-love poem...
not sure whether I met or muffed the brief....... but it is the first piece I have written in a fair while that had an easy rhythmic flow for me...so I am considering it as a crack in the big white wall that is the creative block that I am battling with.
Tony Luxton Nov 2015
Two living statues,
a man of silver
and one who sits mid-air.
Crowds pause wonder stare.

A trench foot Tommy
stands lonely unremarked,
bronzed as his medal,
braced for our next war.
Sally A Bayan Jan 2014
"A Tribute To Nat Lipstadt"

Found myself leafing through
A luscious garden of poems,
Found some  lines worth dwelling on...
Read of a man
Who writes effortlessly
Who gives himself away, too often,
Too obvious, sometimes...
While he teaches us to write
About daily motions, daily commotions...
We learn these wise words from this man:
I quote...
"write about what we know best...
"we, all feel
we, all believe in
the primacy,
the rightness of I.
but then, one must begin to observe others..."

This man writes about simplicity...
Simple thoughts. simple truths...
"No complexity nor trickery employed..."

He reads all about sadness, tragedy,
All kinds of pain, depression,
Every emotion captured in his mind...
And so he tells us---
"Let's write of joy,
celebrate reunification, singularity,
of our place,
our happy collision,
our universal location.
For where you are,
I exist,
no where else."

When we run out of things to write,
He is always around to remind us- - -

"I lifted up my eyes to the mountains—
From where will my poetry come from?

From men.
From women.
From you-reminding me,
It is where it is, not where you are...

It is here in the unread tragedies,
The wails so plain, repetitive,
The screams that never cease, the
Poems, yours, that deserve ten thousand likes,
But die ignored, despite, my best efforts."

"Let the diet begin,
no more food for thought,
no more dreams

wrought and recorded,
permit the ambient calm
of the still of the night
that engulfs,
to harmonize with the flatline
dreamless sleep that the
mind monitor machine
etchingly, quietly records..."


He appeases our restlessness,
Through these golden thoughts from him- - -

"Place your ****** hands upon thy chest.
Let them melt thru and come to rest,
Inside, the battle ongoing, under thy breast.
Watch, eyes open, knowing, fearful.
Swiftly, with no hesitation, from within,
Rip open your body, exhaling the best,
And the worst of what you got.
nobody knows the silences
kept in my treasure
box."


We can find ourselves in his poems,
If only we read on and on,
Let us find the time
To skim through his words,
And read between the lines:

"Some never find true love.
Some never experience
reckless abandon.
Some of us are
recklessly abandoned,
and never forget,
and never forgive."

"Most of us remain
unpublished, undiscovered,
unremarked, blanketed,
cloaked in bills to pay;

Living a triumvirate of
heart ache, loneliness, worry,
our normal table fare
consists
of hand to hand
into the mouth
combat MRE's,
we engage,
to survive,
just stay alive."

And, he tells us further, for our own sake:

"Be forever young n
humble;
Feel ancient and royal;
Ride tall in the saddle;
Do something nifty;
Take someone's hand unexpectedly.
Drive home in the slow lane;
Do the minimus;
Do the maximus;
Leave a book on a park bench;
Use pen n paper, write a letter;
Take a chance, make people laugh;
Barrel into contention;
Show mercy to the confused,
Show anger to the
abusers.
Bless a child with both hands;
Grasp your soul, thrown it down,
And raise a child to the sky
Straight up,
A continuum, you and they,
A ladder to heaven..."


To this great man, we would
like to say:

"You sir, are an electrician
of words, a verbal technocrat,
Plumber of the depths where
Few fear to tread, explorer of the head,
Restorer of human paintings unmatched,
Without your ilk,
this world would be unbearable,
Your heart's warming silk
Comforts bodies and souls,
Speaking from experience personal."

He has his eyes, his ears open,
Ever-compassionate,
Ready to help,
When we are like a river run dry,
When there is not a strand of hope
Left in our bodies...
Let us read his poetry,
It is a kind of music that...

"arrests and rests me,
miracle each time
I walk on its waters..."

So, let us go on and on,
Never get tired of
Picking up bits and pieces
Of these
Precious  poem crumbs
We gather all times
From his garden so green...
We bask in its paths
Brimming with pearls of wisdom,
Of unheard truths, from him,
We learned first times,
R-e-v-e-r-b-e-r-a-t-e-s
Loudly, in our ears,
In our hearts,
In our minds,
These golden Nat-ty poem crumbs.

(January 29, 2014  5:02 PM)

~~~~~

Sally

Copyright 2014
Rosalia Rosario A. Bayan
My way of saying, "Thank you, Nat M. Lipstadt,  for your kindness to everyone, for always being around."
Helen Sep 2013
Yesterday morning you woke me
with a kiss, and a question
words were totally irrelevant
my body answered
Yes, oh my, please... Yes
I totally forgot what you asked

and time moved on

and unremarked upon issues
morphed from mosquitoes
to white elephants in the room
into the first lie you had to hide

Your J'adore is contemplative
and fueled my emotion
not complacent was my J'taime
Wasted, such is our devotion

I don't miss you

Body heat and trembling hands
feed my ****** dreams
highlighting such duplicity
Empty sheets and rainy days
feed my reality
wouldst you in the mist of my confusion
have me become a white mosquito boy
that by a grafted tongue would
mould powerful changes
around bliss and ecstasy
that by garb and candor grafts defying gender roles
causes by his spaces openness
a sexuality, moulding, mounting new and explosive intimacies
and yet my fevered brain
hotter than the hottest summer
wishes to embrace  a white mosquitoe boy
become the cannibal of his dimensions
be subject to his unremarked experiments
Oh, will I become a native of these everyday practices
a white mosquitoe boy
evolving into a public ethic
a dangerously obscure central truth
the ink lies still wet on y confused thinking
while the white mosquitoe boys call me ” Le Mome”
shall I enter their grand boulevards
the ink drys, it speaks
its beautiful wondrous notation
says “YES”, yes it says, it says yes
you don’t become a mosquitoe boy
YOU ARE BORN ONE
ogdiddynash Apr 2017
Mr. Condiment Man

he arrives around 10:30am,
after the morning rushers and multiple malingerers
have surrendered to the clocker's red glare stare,
the little dictator of time that rules lands far and wide,
and the lunch crush is but a restauranteur's faraway dream

most days, to the last counter stool, he beelines,
the most least desirable seat in all of diner-land,
adjacent to the noise of kitchen,
and its associated higher risks perilous,
a two way swinging door "entera-ance,"
a residency to be avoided most studiously

though hardly a corner for one to go unnoticed,
by virtue of its iffy existence,
unless one likes the increased chance of
being a  victim of a crashing accident,
Mr. Condiment Man goes in and out, silently unremarked
but very noticed

in our land of spacious skies and amber waves of plastic,
customarily any "regular" is happily accorded a
rousing Sousa welcome, but that mistake now twice made,
is a historical hurry up-to-be-please-be-forgotten incident,
and the Condiment Man's cloaking invisibility second only to the
NYC's Famous Actors seeking breakfast amidst the common people

no words are passed, no pleasantries are planted,
the rule of incommunicado silence, for both sides now,
most happily observed, like a UN peacekeeping boundary

quick appears Cream of Tomato soup accompanied by
ever multiplying handfuls of packages of Nabisco
crackered packets, freshly fracked, with a ketchup Heinz handy,
a soupçon of five iodized salt shakes in the soup then interred,
salt released from the prototypical glass shaker whose universality usage seems to be a Federal law o' the land

the meal in silence arrives,
silently but oh-so-slowly-consumed,
it's extenuating circumstances lengthily enhanced by intermittent deliveries of additional cracking crackers,
and an occasional lip smacking,
and an unrequited unrequested unremarked
  "topping off" soup refillament,
this one act play presented daily
with a free tall glass of water in red plastic also refillable,
as needed

a play with no official ending,
no white topped, green lined, ripped from the ubiquitous diner pad, scribbled, billing ever presented,
but the loose change precisely, scrupulously counted then
upon the counter left, materializes by the hands
of the unacclaimed Mr.  Condiment Man,
which he sources from pockets various
in places where no pocket rightfully  belongs

you can set you watch by his timed departure
at five minutes of Twelve, he is no longer,
the play thus ended, the audience to feet leaps,
relieved and appreciative of the quiet man's drama
and his most excellent silent soliloquy

some strange human need satisfied and pleased
for all parties concerned, when the New York Times
revealed that this C.C. man left a 50 million dollar estate donated
to Meals-on-Wheels,
a fortune amassed by speculation in
condo's (ha!),

there was no shocked groaning,
only some perfunctory observing that frugality has its place,
and that this fantastick show, now closed, would be
sorely missed, for it had become a
condiment itself
a spice in the lives of so many


~
O.G.D.N.
Wk kortas Aug 2017
There is, or so I am told, a debate raging
In fashionable rooms and the halls of government
Which concerns snowflakes: specifically, whether each one
Is of a unique and heretofore unknown shape and formation,
Or whether God sees fit to send down identical reproductions,
Like so many Wilton Diptychs being flogged at market.
I have, on the odd occasion, have seen the snow
As it piles up in billowing waves or lumpy bluffs
In the Alps and the Pyrenees,
And, although I lack such learning
Sufficient to dispute the notion of their individuality,
I can say that, in collections of the thousands or millions,
They are indistinguishable from one another,
And, I suspect, all of their like that has come before.

Like so many of her age, barely beyond the blush of childhood,
My poor sister saw her world in stark colorations;
Thunderclouds of black, endless sunbeams of white,
With no room in her orbit’s spectrum for anything in between
(Sadly, she left this life before she could learn to embrace
The beauty to be found in fine raiments of beige, gray, and taupe).
I have buried siblings, buried husbands and lovers,
Buried memories and mistakes,
And in the endless cycle of embrace and bereavement
I have learned of life
That it is the process of accommodation and compromise,
And that it is only dark, austere death
That refuses to give itself unto the joys of negotiation.

It has lately come to pass that the wretched and lovelorn have,
Seeing no way out of their particular predicament,
Began writing my long-dead sister letters
Asking for her advice, indeed her blessing.
Can you imagine such a thing?
The postmaster of Thurn and Taxis (a very old and dear friend)
Has taken to bringing me some of these abjectly weepy epistles.
I’ve long since stopped reading them, of course;
They sing no new song, tread no new ground.
I simply feed them to a good strong fire,
As anyone seeking the aid of a dead young girl
Has already passed beyond the refuge of last resort.
The author acknowledges that the era of the historical antecedents of Shakespeare's ubiquitous lovers and the that of the house of Thurn & Taxis' hegemony is matters postal are not one and the same, and that the existence of a second Capulet daughter is woven out of whole cloth.  The author hopes this does not distract from the meaning or enjoyment of the piece
Nat Lipstadt Mar 2014
So many poems in shallow graves lay,
unremarked, disfigured by inattention,
undistinguished, death by ignorance,
yet all distinguishable,
in merited manner
and winsome way

numerical weight of observations
marks only quantity,
nor is it a critical mass
connoting value, criticality
only idol worship, pop rock popularity

are you genuine,
do you value place
on any handworked lettered trace,
its silver hallmark
even ever,
ever even,
magnifying glass faint?

does the fear, the knowing,
that the greatest poem
ever penned and ever posted,
has escape your inward glance,
laying stillborn and yet
just a click away?

are you truthful poet,
do you imbibe
from the word~waterfall,
poems sky-endless falling,
within which,
by their virtue,
you, too,
permissioned to
survive and be nurtured?

if you drink and think of but
the issue of your own spawn,
see in a one way mirror,
a contained reflection,
see then a limited version of one self,
a half-formed wordsmithy,
incapable of healthy mutation,
a child, unfully grown,
poisoned by reaching for only
only one's self from the bookshelf of
this miracle,
called poetry

integrate your integrity
with integers and alphabets,
from spice islands and faraway places
infect yourself
with dots and dashes
of other's mind,
thus your own composings,
healed, improved with injected
doses of vive la différence!
a verbal literary interferon

are we all laureates? no
are we all kith and kin?
assuredly yes,
assuredly no

Vive la Différence,
the only commandment,
the ruling motto,
sup with me

once I was a young man,
a younger man than now,
unaware the road less traveled
the veritable choice of the chosen few,
vanity from the page
reflected falsely upon me

I learned to be not~me~poet,
in the company of
scribblers and scribes,
who strove and tried,
some better, some for worse,
all enshrined

once he wrote:
***** your courage to the sticking point,
Begin to write then with reckless courage,
Unfettered abandon, make a fool of yourself!
Scout the competition.
Weep, for you and I will never surpass
The giants who preceeded us, and yet,
Laugh, cause they thought
the same thing as well...^


so these souls
to thee I do commend,
it is just the first snowfall,
I am buried neath drifts Minneapolis deep,
so help me,
lend me thy scalpel eyes,
thy tiny toy shovel,
six feet ain't much,
dig we must,
alert me to the names of
those who
must be uncovered, discovered,
rightfully celebrated
Spend too many hours reading poems.
I am a free heart giver, a list keeper
of the names that stumbled once upon,
I am instant devotee

lest I offend by absence decided to keep their names to myself,
but I crown their efforts with this poem and my unfettered
desire to bring them to your attention

^ http://hellopoetry.com/poem/379313/do-not-put-a-poem-here-until-you-have-bent-your-ear-to-shakespeares-sonnets/
Nat Lipstadt Oct 2014
"the sacred geometry of chance,
the hidden law
of a probable outcome"^

so many days,
composing years of a book
of empty days
unlined with lines,
white on white pages,
subtitled
no joyous fear
of the
life changing chance taking

wrenching a thing past,
mostly forgot,
except for periodic
ache stabbing

you can't recall
the choices
that you didn't take
that got you here,
nowhere

the road split,
highway and river path,
always chose
incorrectly,
now
so past the younger days
question the lack,
no courage flaw,

what does it matter
anymore,
safe until death,
death having arrived
early on

always bore right,
when left was
the soul
go go
the chance right
un un taken

wanted needed accidents,
trip wires,
incendiary kisses
that rebirth
you one more time,
over over to
alive confirm

but fears of
breaking pain,
made you a broken man

the angles of life
obtuse,
the planes of life
flat fuzzy,
irregular, smudged,
flatlined

days drone by silent,
not a single word
out loud uttered,
three hundred and sixty degrees,
volume measured and
zero summed value

every normal distribution
has a tail,
some fat, some skinny

even this lonely man
has a tale
where the
improbable
is the most unlikely
day of likelihood

his days
were numbered,
they were,
each one had a number...

that day arrived,
calendar unremarked and unremarkable,
when
the hidden law of a probable outcome
saved,
the sacred geometry of chance
was rightly computed,
his number chosen

don't know this man personal,
heard the story from a mate,
third mate third
so third hand,
cause the other two were busy
one, holding her hand
and the other occupado
writing this poem
-----------------------
A lyric from "Shape Of My Heart," as sung by Sting
0ct 18 2015
lmnsinner Jul 2017
he arrives around 10:30am,
after the morning rushers
and multiple malingerers
have surrendered to the orange clocker's
rocket red glare stare,
that little dictator of time that
rules lands far and wide,
well before the hoped for lunch crush,
every restauranteur's faraway *******

most days, to the last counter stool,
he beelines,
the least desirable seat in all of diner-land,
adjacent to the noise of kitchen,
and its higher risk perilous,
two way swinging door "entera-ance,"
a residence to be avoided most studiously
though hardly a corner to go unnoticed,
by virtue of its iffy existence,
unless one likes the increased chance of
being a victim of a crashing accident

Mr. Condiment Man
goes in and out,
silently unremarked
in our land of spacious skies
and amber waves of plastic

customarily any "regular" is
happily accorded a
rousing Sousa welcome,
but that mistake now twice made,
a historical hurry up-to-be-please-be-forgotten incident,
the Condiment Man's invisibility
second only to the
Famous Cinema Actors
seeking breakfast
amidst the common people

no words are passed,
no pleasantries are planted,
the rule of incommunicado silence,
for both sides now,
most happily observed,
like a UN peacekeeping boundary

quick appears Cream of Tomato soup
accompanied by  ever multiplying handfuls
of packages of Nabisco crackered packets,
with a ketchup Heinz handy

a soupçon of five iodized salt shakes
into the soup interred,
released from the prototypical
stainless topped, glass shaker
whose universality of usage seems to be
a Federal law o' the land

the meal in silence arrived,
silently but oh-so-slowly-consumed,
it's extenuating circumstances
lengthily enhanced by intermittent deliveries
of additional cracking crackers,
and an unrequited, unacknowledged,
"topping off" soup refillament

this one act play presented daily,
with a free tall glass of water in red plastic
also refillable,
as needed
a play with no official ending,
no white topped, green lined,
ripped from the ubiquitous diner pad,
scribbled, billing ever presented

but the loose change precisely,
scrupulously counted then
upon the counter left,
materializes by the hands
of the Condiment Man,
which is sourced from pockets various,
in places where no pocket belongs

you can set you watch by his timed departure
at five minutes of Twelve,
he is no longer,
the play thus ended,
the audience to feet leaps
relieved and appreciative
of the quiet man's drama
and his most excellent
silent soliloquy

some strange human need satisfied,
sated, and pleased
for all parties concerned,
when the New York Times
revealed that this condo man
left a 50 million dollar estate
to Meals-on-Wheels,
here was no shocked groaning,
only some perfunctory observing
that frugality had a place,
and that this fantastick show,
now closed, would be
sorely missed,
for it had become a condiment itself
in the lives of so many
March 2017
Wk kortas Nov 2017
She is the living embodiment of the cliché,
The song where the male sub-lead
Returns from some second shift, some third drink
To find she has gone, leaving some scrap-paper note,
Hastily scribbled and wholly incomplete,
Some variation upon Don’t try and find me,
And so she is suitably unfound herself,
As she has given great thought to her froms,
But rather short shrift to her tos,
Finding herself north of the Thruway,
Looking for somewhere to spend the night
(The twin motors of adrenaline and anxiety running on fumes)
Happening upon, as if almost by some beneficent magic,
A Travelodge bordered by an expanse of cornfield
(Long since gone to seed, the stalks bowed and spent,
Waiting for the patently overdue cob harvester)
And after she is checked in and somewhat unpacked
(The bored, bemused woman who slumps about the front desk
Mercifully sparing with the small talk)
The skies, which had been late-October slate blur-gray,
Slightly malevolent but only implicit in their threats,
Open up in a cold and unwelcome drizzle,
And, whys and wherefores being things for a later date,
She runs outside and begins dancing in the parking lot,
Unseen and unremarked upon,
And even though the rain is cold, soaking, grim in portent
(The forecast dourly noting the possibility of wet snow,
Nattering that accumulation is possible at higher elevations.)
She is seemingly unaware and unconcerned
As to the upshot of this drenching,
Any whispers of the two or three other occupants of the motel,
Any judgments passed upon her mad danse pour un,
As she has passed beyond any notion of admonition.
I like the way she holds my arm when walking…

up high, under the shoulder,
firm grasp on muscle, feeling
the blood beat acoustically, in joy,
sensually sensing a thrumming
thrombosis messaging, this is a
full bodied animation, liquid life,
“strong to drink”
“strength to break
off pieces and keep,”
a supporting mutuel
pillar column post,
given, taken, entrapped,
enwrapped, ensnared,
and
enshrined, mighty fine
feeling
“indeed”
pieces to mine,
pieces of mine

her taking is acceptable
my taking reciprocal
for her needs fulfill,
I,
walk taller, straighter,
in fuller strides, and when
she stumbles in the obstacle
course of nyc crack-ed sidewalkslop,
her whoosh of breath expelled
when saved by the arm firmament,
goes unremarked, for this is my
purposed occupation and the
occlusion of our skin cells
in tight bandwidth is certification
that our love is so much more than
mere skin deep,
or as she so oft summarizes, life is,
“indeed,” or in deed.

olp
Fri Mar 22-2024
lmnsinner Jul 2017
Man who made the Cubs world champs 2016 Series winner, named best leader.
Upon being named greatest leader in the world by Fortune, Theo Epstein, president of baseball operations at the Chicago Cubs, had this to say to an ESPN reporter: "Um, I can't even get my dog to stop peeing in the house. That is ridiculous."
<•>

humble,
lives in the spaces in between our toes and eyes,
where a nightly miracle occurs,
linty dirt returns magically of its own free will  

we wash our mornful faces dailies,
off with the night's crusted leavings,
gifts of The Elfin Elusives,
who come and go unremarked and uncaught,
with a kind of kissy poke in your navel 'n eyes,  
a finer reminder,  
don't ever get a prideful notion of a clean start - ha!

the stubble assiduously removed morning prior,
returns with a scratchy salutation,
"good morning and ***** off, you ain't the boss"

just in case you think u got it rightly wrongheaded,
by a passing stray notion filling your
grateful deadheaded,
master of the universe, egotistical bred

YOU,
the
greatest leader in the world,
go back to bed, it's the weekend  
but only after you have walked the dog,
Mr. Master of the Universe,
or suffer a
humbling reminder"


<~~~>
Jamesb Nov 2023
I am the invisible man,
You do not see me,
I am the invisible man,
The things I have done for you, are unseen,
I am the invisible man,
The heart that aches for thee aches unseen,
I am the invisible man,
The worth I lost in you is out of sight and mind,
I am the invisible man,
The miles I drive are unnoted and unremarked,
I am the invisible man,
The love I feel is uncomprehended,
I am the invisible man,
My hurt is of no import,
I am the invisible man

However those sins of mine,
My fallibility and humanity,
My faults
My misunderstandings,
My occasional rant,
My anger,
My self centredness,
My frustration,
My expectations,
My misdemeanours,
My poor behaviour,
Every
Single
Thing
That I do wrong,
Those things and only those,
ARE seen!
I think this speaks for itself. I am
Nat Lipstadt Mar 2017
~dedicated to Robert Lepage^, a master at remembering~

~
we enumerated our days thusly,
each one was commenced with skyward glance,
eliciting an epithet, a blessing or a curse,
none passed unremarked, the plainest even,
acknowledged with an indecipherable glancing
mmmm* from the chest cut or purred,
quick withdrawn and quietly shared

thus recorded, our history disordered,
who can recall if it rained or snowed
on the last Sunday of July of 1998,
or even the sunset fabulous
that was its global signature signing of au revoir

of course, agreed, we remember the great hurricanes
as if they were births or deaths of our most intimates,
but the vast attended, unto mounds collected,
the ticket stubs of dead leaves, sunburns,
rain showered soaked ruined silk blouses
and pairs of good shoes, are not recycled,
but forlorn forgotten condemned men in
a life's imprisonment of an unmarked grave,
with no epitaph possible for no one knows what here lies

~~
written on Sunday March 26th, 2017  9:08am
inspired by the happy happenstance intersection of
this poem and Robert Lepage's memory play 887,
but of course in no way equal to either.

Dead Leaves
by
Georgia Douglas Johnson,
1880 - 1966

The breaking dead leaves ’neath my feet
A plaintive melody repeat,
Recalling shattered hopes that lie
**As relics of a bygone sky.**

Again I thread the mazy past,
Back where the mounds are scattered fast—
Oh! foolish tears, why do you start,
*To break of dead leaves in the heart?*

~~

887 is a journey into the realm of memory. The idea for this project originated from the childhood memories of Canadian director, actor and playwright, Robert Lepage; years later, he plunges into the depths of his memory and questions the relevance of certain recollections. Why do we remember the phone number from our youth yet forget our current one? How does a childhood song withstand the test of time, permanently ingrained in our minds, while the name of a loved one escapes us? Why does meaningless information stick with us, but other more useful information falls away?

How does memory work? What are its underlying mechanisms? How does a personal memory resonate within the collective memory?

887 considers various commemorative markers—the names of parks, streets, stelae and monuments—and the historical heritage around us that we no longer notice. Consequently, the play also focuses on oblivion, the unconscious, and this memory that fades over time and whose limits are compensated for by digital storage, mountains of data and virtual memory. In this era, how is theatre, an art based on the act of remembering, still relevant today?

All of these questions are distilled into a story where Lepage, somewhere between a theatre performance and a conference, reveals the suffering of an actor who—by definition, or to survive—must remember not only his text, but also his past, as well as the historical and social reality that has shaped his identity.
Christian Bixler Nov 2016
We walk through life,
blind,
knowingly,
and not;
willingly,
and not.
We see the
world,
and let it
pass,
unremarked,
taken as
a fixture
of eternity,
for the
most part.
This, is not
the truth.
The world
is not a thing
of diamond,
not a thing of
light, or
of spirit, wholly,
although it is
all of these
things,
in part;
It is also an
earthen world,
a fragile world,
a beautiful
world,
and one which
we are quickly
stripping of
its beauty,
and its life.
Our world is
dying, and
we are the
cause.
But, there is yet hope.
There is still
time, to
turn back,
to leave behind
us, all this
pain, and
desecration,
and soul-wide
apathy;
there is yet time,
but not for
much longer.
Therefore, I
charge you,
all who read
these words,
and feel them
within your
heart,
change.
Now.
Revitalize your
lives,
revitalize
the world.
Every action
has
significance;
think, before
you act.
I charge you,
do this
thing,
for yourselves,
and for the
world;
and I swear
to you, before
God, and
all the infinite
immutable
and yet
ever-changing
light,
of eternity,
there is yet time.
There is still hope.
the world will
change,
and flower,
for all of
time.
I promise you.
It will.
The world is a thing of beauty.
will you help to preserve this light,
to heal this suffering, inflicted
in the greed of our race?
Or will you not.
There is no other
option.
aurora kastanias Oct 2017
Improvising, accepting, closing eyes, my smiles
Unbeseeched for each awakening deserves its own,
Spontaneous distortion of expression suggesting
Fondness in being me, a human amongst others,
Permanently contradicting prospects of random sadness.

On occasion ineluctably dejected, as now,
On a plane fed, duty-free shopping done. Miniature
Liqueur bottles reminding me the depressing nature
Of alcohol eliciting my present gloom, submitting
To its essence, without the shadow of a fight.

Experience gave some the opportunity to declare
Me mentally unstable, talks of chemical imbalance
As tears roll down my eyes, salty taste on my lips,
Drops of ocean when even rain is sweeter than me.
Though familiar, grief has altered its character.

Uncalling for despair nor asking me to change,
This sorrow rises from the ashes of evolution, as I
Pretend not to see while nothing passes unremarked.
My eyes recognise the futility of their bogus openness,
While blindness is unable to encourage willed ignorance.

Consciousness alone compels to absorb the scenery
For scenarios retinas refuse to grasp, neglecting mind’s
Solitary drive, to live withstanding all and comprehend,
Embracing realities encompassing humankind, so that I
Have no excuse and remain obliged, to see.
On reality
The house, positioned randomly
At a squat, awkward angle to the road
Isn’t the prettiest sight
I could have hoped for
And yet, it looks like home

Three steps rising to a porch
That looks like a wart
Incongruous and ugly
Slapped on in a fit of
‘well, the neighbours have one’ pique

and wide, sightless eyes of windows
too much glass
in a pale face of peeling, cracking,
***** white weatherboarding

and yet, it pulls me in
invitingly beguiling
in a hideous, ill-at-ease
kinda way

old lady roses on the hallway walls
faded carpets, bare at thresholds
worn by old lady slippers
and too much pacing

and still, I venture onwards
wrapping around myself a cloak
a warm, comfort of ages
cosy in the past laughter
of fuss-less lives

simply living
a simple life
unremarked upon
by any measure of glory

some houses have a way
of turning nothing into everything
and making it sparkle
with special grace

this home, this house
has waited for me
and, while waiting,
has given itself over
unselfish and whole
to the lives of others.
Duncan Brown Apr 2018
The lady and her sorrowed blues
She’ll be dead in time Christmas
It’s written in her sacred shoes

Morrisons’s never gonna make it
Not even sure if he wants to
Young and beautiful, he’s had it

Jimi was crucified dead mortality
Waiting on a day for it to beckon
His life the stuff of immortal Deity

John Lennon knew it would happen
The appointed time the only mystery
A name writ on solid sidewalk stone

Brian had it stolen from him and us
Epstein’s almost unremarked upon
The consequence of quiet dignitas

Bolan won’t be rolling enviously
The electric elf was nailed on the shelf
By jealously wrapped posthumously

Kurt Cobain we hardly knew him
Nirvana’s loss is earth’s pain
Only the beautiful are self slain

Syd and Nancy in macabre dance
Punk’s Montagua and Capulet
Never had their loving chance

Nothing rises so strangely at all
As perishing young so beautifully
There’s the descent’s ascending fall

Even kings can be holy sacrificed
Upon the altar of a brokers pawn
By majestic majesty’s indifference  

Sacrifice is what makes us sacred
That’s what Death will never tell us
The Collector only does posthumous

So it says an’ maybe even so it goes
Who can tell of that heavenly hell
This side of knocking on those doors.
Starlight Mar 2020
Under the moonlit stage
a stagnant rhythm plays
and my tiger hears the call
folding out his teeth
and I luck the words I know
and this pulsing fury grows
until all sound is shouts
all heard and left unremarked
I am the tiger in the dark
MsAmendable Sep 2021
I suffered a quiet death
And in its quietness I was left
Filled with the sensations of
Displacement and non-existence

I graduated alone in a small room
From where I have now been evicted
All my cumulations of efforts
Have crumbled, unremarked, into dust

My sandcastles have been swallowed quietly by the ocean
And I, their queen, drown with them
philosophy Jan 2020
He said nothing of her as there was nothing to be said.
          She was unremarked upon because she was unremarkable in every way.
          Her hair was bland, coloured and styled as every girl her age, her makeup done so as to make her features as indistinguishable as possible from all the others. Her attire was inorganic as well, and even the chains around her neck and wrists were standard.
          She lived in a void, not blanketed in the darkness of ignorance, nor in any particular hue of morality, but instead covered by a blinding white mist. It clouded her judgement like a film across her eyes, obscuring all colours and turning them a hazy grey. It was a mixture of every idea ever conceived, every judgement ever placed, every mercy every extended, every war ever started, and every life ever ended.
          She was inoffensive in every way, and whenever a flaw was found in her, she laboured the sweatless work or removing that part of her and thowing it to the ravenous void.
          Eventually all of her would be erased, and she longed for the perfection of her new body, given and created, of and by, the void.
          She was close, so close, and was otherwise indistinguishable from the milky air she clothed herself in, her form vapour-like and pale itself.
          She discarded her own name and carved upon herself a new one, the only thing left that she had chosen for herself.

          "Philosophy"
Kurt Philip Behm Apr 2019
Can you ever really lose
  what you’ve never really had
  
Can you ever be good
  if you’ve never been bad

Can you ever pose a question
  that’s never been asked

Can the answer prove elusive
  when the future is past

Can the moments live on frozen
  if only in your heart

Can the love you give unspoken
  shout the loudest unremarked

Can you ever really finish
  what was never yours to start

Can your light shine on eternal
  —without passing through the dark

(Villanova Pennsylvania: April, 2019)
      ‘From The Book Of Prayers’

— The End —