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Amulets and Talismans
Hide your daughters, arm your sons
Something wicked this way comes
There's evil o'er the land

Coats of grey and coats of blue
Pick a side, which one are you?
The dead are many, survivors few
Freedom is at hand

The fields are littered with the dead
What once was gold, now bleeds red
Corpses now grow here instead
What cost does freedom bring?

Crimson now does paint the earth
The blood of boys scant years from birth
They gave their lives, for what it's worth
Hear the bells of freedom ring

Two hundred years and more since then
The tides of war begin again
An endless circle with no end
Arm your daughters, arm your sons

Talismans and Amulets
Don't protect from fighter jets
It's sad how soon the world forgets
Something wicked this way comes....
Thousand minstrels woke within me,
"Our music's in the hills; "—
Gayest pictures rose to win me,
Leopard-colored rills.
Up!—If thou knew'st who calls
To twilight parks of beech and pine,
High over the river intervals,
Above the ploughman's highest line,
Over the owner's farthest walls;—
Up!—where the airy citadel
O'erlooks the purging landscape's swell.
Let not unto the stones the day
Her lily and rose, her sea and land display;
Read the celestial sign!
Lo! the South answers to the North;
Bookworm, break this sloth urbane;
A greater Spirit bids thee forth,
Than the gray dreams which thee detain.

Mark how the climbing Oreads
Beckon thee to their arcades;
Youth, for a moment free as they,
Teach thy feet to feel the ground,
Ere yet arrive the wintry day
When Time thy feet has bound.
Accept the bounty of thy birth;
Taste the lordship of the earth.

I heard and I obeyed,
Assured that he who pressed the claim,
Well-known, but loving not a name,
Was not to be gainsaid.

Ere yet the summoning voice was still,
I turned to Cheshire's haughty hill.
From the fixed cone the cloud-rack flowed
Like ample banner flung abroad
Round about, a hundred miles,
With invitation to the sea, and to the bordering isles.

In his own loom's garment drest,
By his own bounty blest,
Fast abides this constant giver,
Pouring many a cheerful river;
To far eyes, an aërial isle,
Unploughed, which finer spirits pile,
Which morn and crimson evening paint
For bard, for lover, and for saint;
The country's core,
Inspirer, prophet evermore,
Pillar which God aloft had set
So that men might it not forget,
It should be their life's ornament,
And mix itself with each event;
Their calendar and dial,
Barometer, and chemic phial,
Garden of berries, perch of birds,
Pasture of pool-haunting herds,
Graced by each change of sum untold,
Earth-baking heat, stone-cleaving cold.

The Titan minds his sky-affairs,
Rich rents and wide alliance shares;
Mysteries of color daily laid
By the great sun in light and shade,
And, sweet varieties of chance,
And the mystic seasons' dance,
And thief-like step of liberal hours
Which thawed the snow-drift into flowers.
O wondrous craft of plant and stone
By eldest science done and shown!
Happy, I said, whose home is here,
Fair fortunes to the mountaineer!
Boon nature to his poorest shed
Has royal pleasure-grounds outspread.
Intent I searched the region round,
And in low hut my monarch found.
He was no eagle and no earl,
Alas! my foundling was a churl,
With heart of cat, and eyes of bug,
Dull victim of his pipe and mug;
Woe is me for my hopes' downfall!
Lord! is yon squalid peasant all
That this proud nursery could breed
For God's vicegerency and stead?
Time out of mind this forge of ores,
Quarry of spars in mountain pores,
Old cradle, hunting ground, and bier
Of wolf and otter, bear, and deer;
Well-built abode of many a race;
Tower of observance searching space;
Factory of river, and of rain;
Link in the alps' globe-girding chain;
By million changes skilled to tell
What in the Eternal standeth well,
And what obedient nature can,—
Is this colossal talisman
Kindly to creature, blood, and kind,
And speechless to the master's mind?

I thought to find the patriots
In whom the stock of freedom roots.
To myself I oft recount
Tales of many a famous mount.—
Wales, Scotland, Uri, Hungary's dells,
Roys, and Scanderbegs, and Tells.
Here now shall nature crowd her powers,
Her music, and her meteors,
And, lifting man to the blue deep
Where stars their perfect courses keep,
Like wise preceptor lure his eye
To sound the science of the sky,
And carry learning to its height
Of untried power and sane delight;
The Indian cheer, the frosty skies
Breed purer wits, inventive eyes,
Eyes that frame cities where none be,
And hands that stablish what these see:
And, by the moral of his place,
Hint summits of heroic grace;
Man in these crags a fastness find
To fight pollution of the mind;
In the wide thaw and ooze of wrong,
Adhere like this foundation strong,
The insanity of towns to stem
With simpleness for stratagem.
But if the brave old mould is broke,
And end in clowns the mountain-folk,
In tavern cheer and tavern joke,—
Sink, O mountain! in the swamp,
Hide in thy skies, O sovereign lap!
Perish like leaves the highland breed!
No sire survive, no son succeed!

Soft! let not the offended muse
Toil's hard hap with scorn accuse.
Many hamlets sought I then,
Many farms of mountain men;—
Found I not a minstrel seed,
But men of bone, and good at need.
Rallying round a parish steeple
Nestle warm the highland people,
Coarse and boisterous, yet mild,
Strong as giant, slow as child,
Smoking in a squalid room,
Where yet the westland breezes come.
Close hid in those rough guises lurk
Western magians, here they work;
Sweat and season are their arts,
Their talismans are ploughs and carts;
And well the youngest can command
Honey from the frozen land,
With sweet hay the swamp adorn,
Change the running sand to corn,
For wolves and foxes, lowing herds,
And for cold mosses, cream and curds;
Weave wood to canisters and mats,
Drain sweet maple-juice in vats.
No bird is safe that cuts the air,
From their rifle or their snare;
No fish in river or in lake,
But their long hands it thence will take;
And the country's iron face
Like wax their fashioning skill betrays,
To fill the hollows, sink the hills,
Bridge gulfs, drain swamps, build dams and mills,
And fit the bleak and howling place
For gardens of a finer race,
The world-soul knows his own affair,
Fore-looking when his hands prepare
For the next ages men of mould,
Well embodied, well ensouled,
He cools the present's fiery glow,
Sets the life pulse strong, but slow.
Bitter winds and fasts austere.
His quarantines and grottos, where
He slowly cures decrepit flesh,
And brings it infantile and fresh.
These exercises are the toys
And games with which he breathes his boys.
They bide their time, and well can prove,
If need were, their line from Jove,
Of the same stuff, and so allayed,
As that whereof the sun is made;
And of that fibre quick and strong
Whose throbs are love, whose thrills are song.
Now in sordid weeds they sleep,
Their secret now in dulness keep.
Yet, will you learn our ancient speech,
These the masters who can teach,
Fourscore or a hundred words
All their vocal muse affords,
These they turn in other fashion
Than the writer or the parson.
I can spare the college-bell,
And the learned lecture well.
Spare the clergy and libraries,
Institutes and dictionaries,
For the hardy English root
Thrives here unvalued underfoot.
Rude poets of the tavern hearth,
Squandering your unquoted mirth,
Which keeps the ground and never soars,
While Jake retorts and Reuben roars,
Tough and screaming as birch-bark,
Goes like bullet to its mark,
While the solid curse and jeer
Never balk the waiting ear:
To student ears keen-relished jokes
On truck, and stock, and farming-folks,—
Nought the mountain yields thereof
But savage health and sinews tough.

On the summit as I stood,
O'er the wide floor of plain and flood,
Seemed to me the towering hill
Was not altogether still,
But a quiet sense conveyed;
If I err not, thus it said:

Many feet in summer seek
Betimes my far-appearing peak;
In the dreaded winter-time,
None save dappling shadows climb
Under clouds my lonely head,
Old as the sun, old almost as the shade.
And comest thou
To see strange forests and new snow,
And tread uplifted land?
And leavest thou thy lowland race,
Here amid clouds to stand,
And would'st be my companion,
Where I gaze
And shall gaze
When forests fall, and man is gone,
Over tribes and over times
As the burning Lyre
Nearing me,
With its stars of northern fire,
In many a thousand years.

Ah! welcome, if thou bring
My secret in thy brain;
To mountain-top may muse's wing
With good allowance strain.
Gentle pilgrim, if thou know
The gamut old of Pan,
And how the hills began,
The frank blessings of the hill
Fall on thee, as fall they will.
'Tis the law of bush and stone—
Each can only take his own.
Let him heed who can and will,—
Enchantment fixed me here
To stand the hurts of time, until
In mightier chant I disappear.
If thou trowest
How the chemic eddies play
Pole to pole, and what they say,
And that these gray crags
Not on crags are hung,
But beads are of a rosary
On prayer and music strung;
And, credulous, through the granite seeming
Seest the smile of Reason beaming;
Can thy style-discerning eye
The hidden-working Builder spy,
Who builds, yet makes no chips, no din,
With hammer soft as snow-flake's flight;
Knowest thou this?
O pilgrim, wandering not amiss!
Already my rocks lie light,
And soon my cone will spin.
For the world was built in order,
And the atoms march in tune,
Rhyme the pipe, and time the warder,
Cannot forget the sun, the moon.
Orb and atom forth they prance,
When they hear from far the rune,
None so backward in the troop,
When the music and the dance
Reach his place and circumstance,
But knows the sun-creating sound,
And, though a pyramid, will bound.

Monadnoc is a mountain strong,
Tall and good my kind among,
But well I know, no mountain can
Measure with a perfect man;
For it is on Zodiack's writ,
Adamant is soft to wit;
And when the greater comes again,
With my music in his brain,
I shall pass as glides my shadow
Daily over hill and meadow.

Through all time
I hear the approaching feet
Along the flinty pathway beat
Of him that cometh, and shall come,—
Of him who shall as lightly bear
My daily load of woods and streams,
As now the round sky-cleaving boat
Which never strains its rocky beams,
Whose timbers, as they silent float,
Alps and Caucasus uprear,
And the long Alleghanies here,
And all town-sprinkled lands that be,
Sailing through stars with all their history.

Every morn I lift my head,
Gaze o'er New England underspread
South from Saint Lawrence to the Sound,
From Katshill east to the sea-bound.
Anchored fast for many an age,
I await the bard and sage,
Who in large thoughts, like fair pearl-seed,
Shall string Monadnoc like a bead.
Comes that cheerful troubadour,
This mound shall throb his face before,
As when with inward fires and pain
It rose a bubble from the plain.
When he cometh, I shall shed
From this well-spring in my head
Fountain drop of spicier worth
Than all vintage of the earth.
There's fruit upon my barren soil
Costlier far than wine or oil;
There's a berry blue and gold,—
Autumn-ripe its juices hold,
Sparta's stoutness, Bethlehem's heart,
Asia's rancor, Athens' art,
Slowsure Britain's secular might,
And the German's inward sight;
I will give my son to eat
Best of Pan's immortal meat,
Bread to eat and juice to drink,
So the thoughts that he shall think
Shall not be forms of stars, but stars,
Nor pictures pale, but Jove and Mars.

He comes, but not of that race bred
Who daily climb my specular head.
Oft as morning wreathes my scarf,
Fled the last plumule of the dark,
Pants up hither the spruce clerk
From South-Cove and City-wharf;
I take him up my rugged sides,
Half-repentant, scant of breath,—
Bead-eyes my granite chaos show,
And my midsummer snow;
Open the daunting map beneath,—
All his county, sea and land,
Dwarfed to measure of his hand;
His day's ride is a furlong space,
His city tops a glimmering haze:
I plant his eyes on the sky-hoop bounding;—
See there the grim gray rounding
Of the bullet of the earth
Whereon ye sail,
Tumbling steep
In the uncontinented deep;—
He looks on that, and he turns pale:
'Tis even so, this treacherous kite,
Farm-furrowed, town-incrusted sphere,
Thoughtless of its anxious freight,
Plunges eyeless on for ever,
And he, poor parasite,—
Cooped in a ship he cannot steer,
Who is the captain he knows not,
Port or pilot trows not,—
Risk or ruin he must share.
I scowl on him with my cloud,
With my north wind chill his blood,
I lame him clattering down the rocks,
And to live he is in fear.
Then, at last, I let him down
Once more into his dapper town,
To chatter frightened to his clan,
And forget me, if he can.
As in the old poetic fame
The gods are blind and lame,
And the simular despite
Betrays the more abounding might,
So call not waste that barren cone
Above the floral zone,
Where forests starve:
It is pure use;
What sheaves like those which here we glean and bind,
Of a celestial Ceres, and the Muse?

Ages are thy days,
Thou grand expressor of the present tense,
And type of permanence,
Firm ensign of the fatal Being,
Amid these coward shapes of joy and grief
That will not bide the seeing.
Hither we bring
Our insect miseries to the rocks,
And the whole flight with pestering wing
Vanish and end their murmuring,
Vanish beside these dedicated blocks,
Which, who can tell what mason laid?
Spoils of a front none need restore,
Replacing frieze and architrave;
Yet flowers each stone rosette and metope brave,
Still is the haughty pile *****
Of the old building Intellect.
Complement of human kind,
Having us at vantage still,
Our sumptuous indigence,
O barren mound! thy plenties fill.
We fool and prate,—
Thou art silent and sedate.
To million kinds and times one sense
The constant mountain doth dispense,
Shedding on all its snows and leaves,
One joy it joys, one grief it grieves.
Thou seest, O watchman tall!
Our towns and races grow and fall,
And imagest the stable Good
For which we all our lifetime *****,
In shifting form the formless mind;
And though the substance us elude,
We in thee the shadow find.
Thou in our astronomy
An opaker star,
Seen, haply, from afar,
Above the horizon's hoop.
A moment by the railway troop,
As o'er some bolder height they speed,—
By circumspect ambition,
By errant Gain,
By feasters, and the frivolous,—
Recallest us,
And makest sane.
Mute orator! well-skilled to plead,
And send conviction without phrase,
Thou dost supply
The shortness of our days,
And promise, on thy Founder's truth,
Long morrow to this mortal youth.
Jenette DeBarge Feb 2012
Part I:
When hibiscus bloom, graceful stamens tickling the sky,
hummingbirds swarm in hoards to sunnier climes.
Where they drink sugar water from feeders in ladies' backyards.
they will not drink artificial sweetener,
to them, saccharine has the bitter taste of poison.

Hummingbirds originated in South America,
where the Aztec's thought them to be gods on Earth.
For certain ceremonies Aztec slaves were forced to sew
thousands of tiny hummingbird feathers to priest's long capes.
Hummingbirds were an instant sensation in European society.
Fashionable ladies would to embellish their hats, homes, and meals,
with tiny jeweled bodies, wings outstretched as if to take flight.
Today in certain parts of Mexico women wear remarkable necklaces,
which showcase lifeless hummingbirds encased in resin.
These talismans symbolize the search for true love.

The Hummingbird-man doesn't believe in love.
He stares down his hyper-extended nose
at the grey mosaic of the sidewalk
and ponders the bleak prospect
of humanity.

Part II:
The Hummingbird-man's first word was 'death'.
He can still remember the fish that ruined his life.
She had big dark, infinite eyes, but he could never hear her voice.
She was all ribbony tail and bubbles, all cloying looks and temptation.
All he wanted was to hold her and kiss her pursed lips,
but she struggled, She fought his embrace. He loved her,
and she chose to die rather than succumb.
She fell from his arms onto the floor and her trashing finally ceased.

Then the toddler who would become the Hummingbird-man, fled.
He ran to his mother's lilac caress, bewildered and seeking comfort.
Her soft hands wiped away his tears. He smelled coffee and liquor on her lips
as she kissed his forehead and asked what was wrong, why he was crying.
He gripped her familiar hand in both of his tiny fists and led her
back to the still body, the first victim, his heart filled with regret.
The now-dead fish, his first and last pet, stared at him without once blinking,
eyes suffused with accusation, kissable mouth agape, useless gills flared,
organs and segments of veins visible through translucent skin.

Part III:
The hummingbird-man was not always the menace he is today.
He was once innocent and in love with a girl who had eyes like twilight.
They were both young, still children really, but they love they shared was feverish.
To him she was perfect, except for the gap in her teeth and her irrational fear of ants.
An artist in every way: every word she spoke was a song, her every movement
a dance, stargazing with her was like listening to the sky read poetry.
Her smile lit up the world. She played the xylophone because she said it mimicked
the sounds of children laughing –  the happiest sound on earth.

The only time he ever saw her cry was when she learned children laugh 300 times a day
but adults are lucky to laugh 300 times a year. She told him she never wanted to grow up
and he quietly fed her crisp frozen grapes. They never fought – she hated arguing
she said every fight was like a miniature war between two people.
That's probably why she never said goodbye … one day she was just gone.
Her friends said she left with a band that passed through town.
The lead singer saw her, and wanted her like he'd never wanted anyone before,
so he wooed her and convinced her to go away with him. She never looked back.
It was selfish of her but she was just a child, with a child's fickle whims.

Without her, he felt dead inside, numb as if she'd blown out the fire inside him.
What he does now isn't her fault, she was merely the final straw for him.
When he closes his eyes now he can see the dreams and hopes of others,
and he finds them wanting. Pathetic insipid creatures, he thinks, as he kills.
He is trying to cleanse the earth of selfish people,
in his twisted mind this goal is somehow noble.
Gabriel Gadfly Oct 2011
I.
I wonder if you remember me.
You said, “Go out. Find me
that universe, and take these
with you.” Talismans.
Good luck charms like Mozart
and fifty-five ways to say hello.
Navajo night chant,
Peruvian wedding song,
diagrams of ribcages, gender,
bushmen and bones.
Gifts for a people you said
I may never meet.

It has been thirty-four years
and I wonder if you remember me.

II.
Less and less,
we call across the distance:
sixteen-point-twelve hours
between transmissions
and I wonder if you remember me.
I nearly kissed Jupiter for you,
nearly skimmed Saturn’s bright rings,
but you said, “Go out.
Find me that universe,”
so I sail out into the dark for you.

I keep a photo of you,
twenty years ancient,
to keep away the quiet
between your calls:
pale pixel, distant dot,
my origin receding,
I wonder if you remember me.

III.
I know now,
you never meant
to call me home.
Dutifully, I will go out,
but I wonder if you forget me.
I am still here, sailing.
This poem and more can be found at the author's website, http://gabrielgadfly.com
eileen mcgreevy Oct 2009
She sits at night, spinning spells of love and luck,
Splashes inscense over hair and hides it under a rock,
Chanting affirmations through a darkened midnight mirror,
Making talismans with earthly blessings for the wearer,
Waxing moon, waning moon, full or half or crescent,
She will make pain go away, or teach someone a lesson,
Your deepest wishes she will grant, for that is what she does,
She draws upon the ocean tides without a hint of fuss,
But never will she use her power to hurt, or maim, or ****,
A hedge witch only beckons love, but not against the will,
An alter made from beauty with the softest female touch,
And vestments worn with good intent, to teach us all so much,
Next time you see a hedge witch, tilt your head and say hello,
As she may find you love some day, and you might never know...
Marieta Maglas Aug 2013
(Frederick entered the room. He told them that he found a treasure into the castle’s cave.)

'I found the rarest treasure of all today. What can I do with that gold?
'Surah hid it.'Mary said,' hence, some mining activities are uncontrolled.'
'The finders and the landowners are entitled to these valuables,'
The cleric said,’ hence, it may help John to adjust the budget balances.'
(Mary wanted to tell Frederick the truth about Surah.)

'Surah is an alchemist, and she loves to do this with fierce intensity.
Her studies about substances, their composition, their density,
About purification by dissolution and by crystallization are rife.
She hopes to discover, someday, the formula for the elixir of life.'

'Summa Perfectionis and the emerald tables of Hermes', said
The cleric, 'this alchemy explains why her statues have lizards on head.'
'Maybe she gave Jezebel a strange substance to drink,' Frederick
Said. 'Go to her castle to search this substance, dear. I am so sick.'

(It was Mary, who told Frederick to go to Surah’s castle to find the antidote. Frederick and Matthew went to the castle. )

The turrets of the castle crumbled under the slow pressure of time,
Their glory has disappeared because of poverty and cold clime.
The falling wall stones, the ill-paved courtyards, the dusty moat,
The sagging floors, the worm-eaten wainscot had a blue note.

The faded tapestries within, all tell a gloomy tale of fallen grandeur.
The alchemy chamber in the remaining tower showed Surah was poor.
She spent the hours of her life in poring over the ancient tomes.
The occult studies made Surah first focus her attention on fomes.



Her belief in all the dark power was firm and deep-seated.
With burning small peasant children, the demon she greeted.
Many times, she was busy over a violently boiling cauldron,
Where many substances spewed out their thick concoction.

She searched a spell to release her life from its terrible burden.
She used to work only when the alchemy room began to darken.
She should never wed, she might, thus, end the curse with herself.
She kept cobwebs and bats. Strange things were on her shelf.

Frederick entered that room and saw her manuscripts and studies
In the field of alchemy. She had bottles, their colors being so muddy.
He opened those books, where it was written how to prepare
Elixirs from herbs, gems, and metals while using a devilish prayer.

The books instructed in the casting of spells, invocations, rites,
Talismans, amulets, and sigils. He found how she spent her nights.
On the altar, a doll-representing Jezebel had needles in her head.
There was a paper, where it was written, 'nor alive, nor dead.'

Near it, he found Kratom leaves and bottles-containing naloxone.
He took the bottles because he understood what Surah had done.
While feeding the horses, Matthew was waiting near the castle.
Clayton was in a stable, but working there became such a hassle.

He thought that something happened, when tools dropped on the floor.
A bottle dropped over another one, when Frederick closed the door.
An explosion was heard in the castle, which sounded like a sonic boom.
Surah was in a hurry to see what happened into the alchemy room.

Another explosion was heard being more loudly than the first one.
Surah gazed at her reflected face within the mirror instead of run.
Huge deformations of her new face formed a monstrous being.
An illusion shifted her identity. Believing is not always seeing.

She had sensations of otherness, when her new face appeared
To be a stranger looking at her, beyond the mirror, then disappeared.
A monster was watching her, and smiling with an enigmatic expression.
Clayton embraced her while crying, 'My dear, you have an obsession!'

Frederick told Matthew, ‘I took the potion, let's straddle the horses.'
'The castle is burning. To get out of this wood, we need strong forces.'
'My horse sped up. ‘What does he feel in front of fire and crack?
'He's fearful, because he feels trapped. Don't pull him back!'

'Being scared, his reaction is flight and run away from the fire wallop.
'You're scared, and instinctively you urge him to go into a gallop.'
'The horses are not thinking. It’s all out of the instinct to survive.
You can help your horse, when you know how to ride and to drive.'

(They rode their horses to the castle of Jezebel.)

They entered the castle, and climbed up the stairway to Jezebel.
'I came here in a hurry to save you, and my way to you was a hell.
Drink the potion, and wake up. I wonder how you feel in my arms.
I'm in love with you and still so deeply captivated by your charms.
(Jezebel had opened her eyes for the first time since being asleep. ‘I know that you love me!’ She told Frederick.)
(Clayton had managed to extinguish the fire. After that, he held his precious Surah in his arms while crying. Her face was burned by acid during explosion.)

'Nothing happened to your face. You're the same beautiful woman.'
'Why my face is in pain? ‘It’s because of the heat. Lie on the divan.
Let me take off your clothes, and flush your skin with cold water.'
'You're so gentle, Clayton. In your arms, I feel safe like a little daughter'.

'I lost the potion I prepared for Richard. He's my last chance.
It was destroyed by the explosion. I feel like I am in a trance.'
'I gave you morphine for treating your pain. He wouldn't help you.
Richard is like John, and you cannot change their point of view.'

(Clayton loved her, because he thought she was vulnerable and incapable to adopt the situations. Her soul was very fragile, even she masked this so well. She wanted to be more than she could be in life, and this was the reason her ways weren’t always the best chosen ways. He hoped someday his love would change her. He wanted to save her life. Surah closed her eyes, and fell asleep.)

To be continued...
I. St. Luke The Painter

Give honour unto Luke Evangelist;
For he it was (the aged legends say)
Who first taught Art to fold her hands and pray.
Scarcely at once she dared to rend the mist
Of devious symbols: but soon having wist
How sky-breadth and field-silence and this day
Are symbols also in some deeper way,
She looked through these to God and was God’s priest.

And if, past noon, her toil began to irk,
And she sought talismans, and turned in vain
To soulless self-reflections of man’s skill,
Yet now, in this the twilight, she might still
Kneel in the latter grass to pray again,
Ere the night cometh and she may not work.

II. Not As These

‘I am not as these are,’ the poet saith
In youth’s pride, and the painter, among men
At bay, where never pencil comes nor pen,
And shut about with his own frozen breath.
To others, for whom only rhyme wins faith
As poets,—only paint as painters,—then
He turns in the cold silence; and again
Shrinking, ‘I am not as these are,’ he saith.

And say that this is so, what follows it?
For were thine eyes set backwards in thine head,
Such words were well; but they see on, and far.
Unto the lights of the great Past, new-lit
Fair for the Future’s track, look thou instead,—
Say thou instead ‘I am not as these are.’

III. The Husbandmen

Though God, as one that is an householder,
Called these to labour in his vine-yard first,
Before the husk of darkness was well burst
Bidding them ***** their way out and bestir,
(Who, questioned of their wages, answered, ‘Sir,
Unto each man a penny:’) though the worst
Burthen of heat was theirs and the dry thirst:
Though God hath since found none such as these were
To do their work like them:—Because of this
Stand not ye idle in the market-place.
Which of ye knoweth he is not that last
Who may be first by faith and will?—yea, his
The hand which after the appointed days
And hours shall give a Future to their Past?
(20 minute poetry)

I navigate, I
swear I do.

This crew will not believe me.
I have charted far and wide across the seas,
but now I hide down in the doldrums.

'twas foolish of me,
this motley crew would like to do me in,
hush
was that a pin that dropped?
the silence stops my breath.

Nearer to and to thee I ask
to let me curl up one more cask
before this day is through,
before this scurvy crew discover me.

'Land **', I hear,
a cheer topside,
I hide no more and am
instead
feted by this crew and
led to be
yet once again.
the Master of
the sea.
Mon aimée, ma presque feue
Chatte masquée
Qui se délecte à se faire désirer !
Je veux te mater.
Je suis désolé d'avoir à te le dire
Mais je vais devoir, oui, te mater
Avec et sans accent circonflexe
Ou plutôt te démâter d'abord
De poupe en proue
Pour te remâter ensuite.
Seul ainsi entre nous
L'extase sera envisageable.
Tu dis que tu m'aimes malgré toi
Mais tu refuses obstinément
De te montrer nue à distance
La nudité selon toi est affaire de présence
Quand je serai physiquement à portée de tes lèvres
Tu exauceras toutes mes volontés
Te bornes-tu à ma dire.
Tu m'invites même à venir sans tarder
Auprès de toi et là tu te montreras sous toutes les coutures
Et je pourrai te prendre sans limite, c'est promis.

Alors que nous pouvons rire à distance
Nous fâcher à distance, nous émouvoir et rêver de nous à distance
Tu te refuses à accéder à mon délire de te voir nue à distance
Nue et sincère nue et sincère nue et sincère.
Il te serait impossible de me montrer l'objet de mon désir fatal
Que je puisse boire des yeux jusqu'à la lie
Le calice de ta chatte démasquée, ta vulve fraîche et bombée
Nue et sincère
Dépouillée de toutes ses parures.

Sais tu ma chatte que l 'amour
C'est une steppe de petites morts
Et que pour chaque petite mort
Il faut franchir les sept portes de l'Enfer ?

Oui, je sais, tu te dis immortelle et divine
Tu es la Muse, les lois de l'Enfer ne s'appliquent pas à toi, penses-tu.

Voilà ce qu'il en coûte de s'acoquiner à un mortel !

En vue de notre premier congrès amoureux
Tu t'es déjà dépouillée de six de tes talismans
Tu as tour à tour,
Porte après porte,
Délaissé tes parures.

A la première porte tu m'as laissé
Ta couronne de buis odorant
Et j 'ai souri d'aise

A la deuxième porte tu m'as abandonné
Tes lunettes de vue et de soleil
Et j'ai souri d'aise

A la troisième porte tu t'es débarrassée
De tes boucles d'oreille en forme de piment rouge
Et j'ai souri d'aise

A la quatrième porte tu m'as décroché
Ton collier de perles noires
Et j'ai souri d'aise

A la cinquième porte tu as envoyé valdinguer
Ton soutien-gorge en velours côtelé
Et j'ai souri d'aise

A la sixième porte tu as désagrafé
Le collier de coquillages qui ceignait tes hanches
Et j'ai souri d'aise

Tu es désormais coincée entre la sixième et la septième porte
A cause de ce string où volettent de petits papillons farceurs
Ce string qui me prive de la jouissance visuelle de ton être intime.

Vas-tu enfin m'enlever cette toilette,
Prendre pied résolument dans l 'Enfer
Et laper les flammes de la petite mort primale ?

Vas-tu enfin me laisser m'assurer
Que tu n 'es ni satyre ni hermaphrodite
Mais au contraire femelle chatte muse
Dégoulinante de cyprine ?

Toi, tu me parles de blocage.
Moi, nue, au téléphone, jamais
Nu non niet
Moi, jouir, au téléphone, jamais
Nu non niet
retire ce cheval de la pluie !
Je t'aime malgré moi
C'est tout ce que tu trouves à me dire !
Accepte donc, ma chatte
Que je te mate malgré moi.
Car je te veux
Obéissante et docile
Apprivoisée
Je veux que tu couines, que tu miaules que tu frémisses
En te montrant à moi en tenue d'Eve
Je veux que tu t'exhibes à moi ton ******
Que tu sois impudique
Je veux j 'exige, ma presque feue,
Je suis Roi, souviens-toi !
Je ne te donne pas d'ultimatum !
Je suis avec mon temps ! Je suis post-moderne !
Car il est écrit dans les livres
Depuis plus de mille ans
Que les lois de l 'Amour
Sont comme les lois de l'Enfer
Incontournables et implacables :
En Enfer on arrive nu,
En Amour aussi !
Alors bien sûr je sais, tu trouveras bien quelque part
Une exégète pour me prouver l'exact contraire
Que l'amour c'est le paradis et la feuille de figuier
Et surtout pas l 'Enfer.
Alors explique-moi, je t'en conjure, mon archéologue,
Pourquoi l 'amour est fait de petites morts.

Moi, ma chatte, je te propose
Non pas une petite mort par ci, une petite mort par là
Mais un enterrement festif de première classe
Un Te Deum
Dans un sarcophage de marbre blanc
Sculpté de serpents et de figues
Evadés des prisons d'Eden.

Je veux t'aimer nue et sincère
Mortelle et vibrante de désir
Je veux jouir de toutes les parcelles de ta chair et de tes os
je veux pétrir ton sang sans artifices et sans blocages
Et je n 'ai d'autre choix
Que de te mater de ma fougue
A moins que tu ne préfères
Rester bloquée sempiternellement
Dans la solitude confortable
Entre la pénultième et l'ultime porte
Qui nous sépare de nos sourires d'aise

Complices et lubriques.
Dre G Sep 2013
you fall like umbilical cords
for the purpose of befriending
bacteria at the site of your
bloated corpse collection.

the way you make me vibrate is a
witch trial, my talismans shaking
as i grasp the embryonic roots. do you
know what kind of flora we found
in the red maple swamp today? do you
wrap around the left horn of dionysus?

there is a space between your lips,
not the upper, not the lower, but the
plane at which they meet. this is where i
want to stir my cauldron, this is what i
want to bathe in poison.

water bearer! do not bring me
indica, do not bring me purple orchids,
i am only pleased by small mammals
writhing from the corners of your fangs
(a secret that can only be sealed sanguinarily).

and now tell me: when your veins
turn like supernovas, when your minions
dance for you in throngs, do you exhale
the debris? do you eat the coral berries?

do you remember when we hunted that
mammoth in full cryogene, in full rhapsody?

i held you at the sun's eclipse as time slid by like timid snakes.
Tori Hart Nov 2013
Please do not wear your scars as labels
They are not your identity
They are not your name tag
They are not your talismans
You are so much more beautiful
Than a sad part of your story
And I’d much rather see
You embrace your Fighting Warrior
Than for you to cower
Before your personal hurricane.
Written: October 29, 2013
Revised: November 12, 2013
Julian Nov 2016
Titanic barnstorms the Tennessee plain through jet powered airplane
As though the Lusitania New York City could hardly proffer a contradictory profane
Nevertheless the intricacies of gamboling and gambling garble too many dice
Listerine rinses a whitewashed flaw until it singes gravity sawed twice
Three pieces of would form a tripartite could, that can’t because beggars are mute and rude
That beggars whisper the hymns of an immemorial festivity churlish upon listless attitude
So we hearken the classics and drop the ink quill upon that pile of effluvium and molasses
We invent friction just to pass a fall’s worth of failed jack-*****
“No more” he exclaimed just as the leaky faucet marginally contained
“Know more reason and you will be fully redeemed”
So I cannot pinpoint the provenance of despair among discrete colonies with barter too unfair
With ***** dens conflagration’s dead blank stare
The pit of the useful and the heap of the useless sorted into neat piles on either side of the River Nile
And each pottery keepsake is a husk of a land long ago defiled
But the hunters that talismans comfort shadowed into a grave crypt
They marooned a contact with pedigree to become flimsy with vogue equipped
So they lament on an August morning, lugubrious in toil and minatory in warning
The darkest nights yet seen by sirs yet sheen rollicking in mourning
We skedaddle the limited spectrum of shallow rust becoming hard work’s dross
Draining the swamp of career politicians that prefer the aroma of cod over the swagger of skunks with high sunk costs
Filch me a new coast Bill the Butcher and secure my passage for bonanzas of wealth
A fool’s card is now the traipsed parliament of one world stealth
Among the aristocracy an impediment to change locks all race in internecine game
Racecar palindromes offered as sacrifice to winsome but momentary glares aglow with disdain
Neuter the profligate, neutralize the builder’s set, stain the chastity of the Marmoset
Suddenly the zero-sum game adds up to twenty
With every dime and dozen going to infinity beyond debt with prosperity aplenty
As the laggards play dominoes on quaint tables frittering at the surface
Foment the disregarded rage and wrangled page into a classic Ace of Base
But who really is Walter White?
Does he live in camouflaged tents next to trees daring an alien but mutual fright?
Is he the kind of Wizard that never had consanguinity with alarmist rite and expeditious lies that aleatory fate is somehow too proximal to become in lambent sight?
Questions answer themselves over time with droned litanies of every conceivable tome
Forgotten in an ash heap in Alexandria more so than Rome
Supersonic flight that hedges prizes qualified kites
Encyclopedias of knowledge won’t even decode ghastly ghoulish capes of an off-color might
Now we simper at the glowering ignorance of menial men
Swimming with sharks and synchronized with the obnoxious hen
They won’t learn nearly as much from the Sun as warmth as they would the Moon for guidance
They won’t plaster Paris with the vandalism as counseling for pilfered tridents
So maybe the Anglophones have a menagerie yet seen
Maybe the game was introduced so early the royalty knows explicitly of beatific beams.
All is lost can never be forgiven in the land before time
In the land before precise minutes, seconds and momentary fragrance of threadbare design
So horology is horrific, when the jaws of the aliens in time thresh galloping headless horsemen Revered in this part of town
The imperial switchboard was stocked to the brim
The counterbalance of a Washington winter was equally grim
Embittered by the bellicose autonomy of fledgling families with endless land but limited prosperity
The dragooned riposte resounded among church bells with alarmism in sincerity
But the attrition of winter and the conditions of every primordial printer
Staged the coup that led to the walloped whimper
As the world shrank and wealth enlarged
As the shark tank of time plowed through shares like an ice threshing barge
We found that history is the caretaker of fringe reason becoming indomitable arbitrage
And for ever space that exists from now to the beginning of time there has always been space that begins with a luxurious spa and thereafter credit charged.
Lin Ostler Mar 2012
Where are we, Kaya?  
                               

Landscapes pock like amanita muscaria, fly agaria
the long-legged mushrooms, scarlet
and foot-cloven
and languages rage and quicken like seeds

Seated at the empty table
bloated from unrequited intentions
we refrain from embrasures

Your Garingau voice &  throaty laugh
ripple over our eyes
Ha liya youn dabib?
You ask: Where
are we
going?

from here, with Lighthouse Caye in sight
on this sea of blighted corals beyond Seine Bight

where you were born as a footling--
inked though it became-- sole dark, Soul bright
emerging from the long dive
talismans training in your toothless mouth
foretelling the deeper plunges

off Billy Hawk Caye at Solstice
soulfully spearing our Sole--food without strife

And there is richer fare
where
we
are
going
into the night Kaya.

~ Lin Ostler
December 23. 2011
all rights reserved
Solitaire Archer Apr 2010
FIRST ONES


She sits by the fire and stirs her ***
the day has been a long one and tonight's new moon means no sleep tonight
for there are times right for harvest and can be done no other time
The folks of the village depend on her art for to bring new life
and easing the pain of the living as well as honouring the dead
There is no Rede or three by three here
no shiny wands or talismans
she is elder here and thus respected perhaps feared
but she lives her life alone
She was the beginning
a first footer here
seeking only to serve
little profit is found outside of the town
What would she thinks of our books and our Rede
She who never learned to read
Was She more or less then I?
Did She seek to lead?
Would she smile at our toys our trinkets and beads
or shake her head and turn to leave

I wonder what the First Ones would see looking now at me and thee

Solita - 2007
- From A Crone  Recalls
Tammy Boehm Oct 2014
Cast one more stone
In a well void of water
To sustain you
As if your trebuchet barrage
Scattered talismans at my weathered feet
Will bring the deluge
Pour out sacrifice
Redolent offering to the god in you
I want nothing more
Than to sharpen my sword on the bones
of your unreachable dreams
Draw this blade across your saline skin
Etch my grievances in blood and mortar
The panacea of fools
Are you even capable of feeling pain?
What a waste
This dance
Your ineffable demesne
Is nothing but gossamer threads
Smoke and mirrors
Cannot contain me
I refuse to move to your
Susurrous litany any longer
I'll cut out your tongue
For my standard
And leave you silent
To decay
TL Boehm 11/09/12
Alert the Ankobeahene and Kontihene
To secure the women and children,
For the language is war,
Remind the Kyidomhene,
Nifahene and the Benkumhene
To caution their men
For a possible storm,

Men of war!
Fill the mighty *** of fire
With the water fetched
From the Godstwi river,
Do not forget to mix it
With the divine talismans,

For the pale-skin men
Who knocked our doors
With their good news,
Are now knocking our
Doors with their gun news,

Represent their commanders with stones,
And place them in the boiling mixture,
Has the omnipotent Kwame and
Mother Earth approved of this?

My servants, check on the ***
Whether it has disintegrated,
Then we expect defeat,
If not, play the drums
And blow the horns of war
In delight and strength,

War!
War!
War!
Who is to lead us?
For the *** on the fire has
Expressed our defeat by
Wailing and disintegrating,

Oh yes, nevertheless the
Gods and ancestors have chosen
The vibrant queen mother of Ejisu,

Ah, though we are fighting
A war of contempt,
Her Royal majesty,
Nana Yaa Asantewaa
Shall lead the entire Ashanti army,

Weep for your children,
Oh, great Krobea Asante Kotoko,
For they are going in
For an unpleasant defeat,
But for the sake of
The courage of Yaa Asantewaa,
We shall fight!

Fight!
Fight!
Fight! Till we see defeat,
For the moon moves slowly,
But by daytime it crosses the sky.


© PRINCE NANA ANIN-AGYEI
Email: nanaspeaks@gmail.com
Sombro Jun 2017
We
We're not human
Riding on what waves
The length of our spines will flex to
Shiff ff fting focus as if from congealed lenses, blushing crimson worries

I forgot what I was meant to be told
I lost the talismans given me
Pupils leave glass classrooms
And can't be hoped for any more
Than in the grim mission they're handed, but we're not human

For we aren't sorry, not grieving the passing off of pleases
And the absence of grace
No churches, ties or classrooms push us forth no more
We're no longer human
For we forgot how to spell that word
With every ounce of our body
Q Aug 2013
I think it's okay
That I romanticize you
Because I will never have the chance
To be disappointed
With reality

We will never waver
Awkward unsure of a hug
So I see you through a sun-exposed camera
Laughing brilliant smiling
Shaggy black hair

I scoffed when people
Wore crosses like talismans
But my idea of you lives likewise in a necklace
You gave me as a joke while
I was falling in love

'Q
8/28/13
It was an unknowing spot
In the fight between good and evil
As many such places are
The walls won’t keep you safe
Or protect you
There are no talismans at work
The humours
Swirl

One night upon descending the stairs
My heel
Caught my hem
My hands both full
A cigarette in one and wine in the other
I began to fall
It would have been a tumble
I was leaning severely to the left
No balance likely
one foot in the air
Going nowhere good

At the foot of the stairs
Yes
There was a dreadful man
His arms opening wide
His legs spread
Ready to catch my calamity
I tried to prepare
An impossibility about to occur
And how would it end?
Me on the floor, wine stained and puddled
In the arms of


And yet
I felt a push on my side
Straightening me out
Pushing me over
Up and down
Tip top
I lowered my foot, set free by my dress
And with both hands still fully occupied
Stepped down the stairs in quiet saucy triumph
He was awful
That night I knew that there were indeed angels.

As for evil and
Stairs
Years later the winds began to change
I sat above on the second floor with
a wine glass and a full bladder
I decided it’s time
Watch your step
I was slow
Cautious
Looking straight into the darkness
And despite just two steps down
total
I fell

The arc of red wine
Flew across the gallery hitting the north wall
Already hung
Yes wine on the wall
Between the paintings
Me on the floor
But the glass still in hand

I began to think
That there is something here.
Unseen.
Something’s around.
miranda schooler Jul 2013
the year we dissected a squid and ate its tentacles piece
by piece down at the pier next to your house was the year
you expanded while I grew into myself .
we kissed one another
like good luck charms ,
like talismans , and used
our bodies in place of
fortune tellers .
I read your palm lines
and came to the conclusion that we would be together forever .
you hated the word forever and settled for a long time .
as we grew more familiar
with one another’s skin ,
I watched my intake .
I wanted nothing but you ,
would inhale nothing but you ,
counted my calories
like sheep before
drifting off to sleep .
the less I ate , the more
room I saved for you .
you wanted to swallow me whole
so I fed myself to you
piece by piece , the tender red flesh of my thumbs
and ******* until they grew bruised
by your mouth .
In those days I ate nothing
but a cup of cold cereal .
when we watched the whales dive in the surf ,
slapping the water like winners of an arm wrestling match ,
you were almost as giant as their cavernous ribs .
I was smaller than the smallest school of fish .
I wanted to fade into you, into the house of your lungs ,
so I spent hours ******* in my ribs in front of the mirror .
we became opposites of one another .
but in the end , my wish to become part of you failed ,
and I simply became the skeleton in your closet instead .
Xavier Salti Dec 2012
What is mind?
Do we fall into a black hole of subconscious influence
ever to wonder if we are truly in control
The ideals we hold
Our aspirations
Our fears
Do these institutions we put faith in make us who we are?
The self, one, being, pure,
Us
Many bodies with one mind
The downfall of modern-day civilization
Colors flash talismans of control
Shrouded in esoteric deceit
A call to all who are aware of the esoteric agenda!
Overwhelmed Jul 2011
it’s amazing the sheer number
of supernatural powers people
have attached to things over the
course of history

charms, temples,
talismans, totems

all forms of the same
misguided ignorance and
fear

it is funny to me that
I feel something when
given one myself

water

that’s all

water from the south of france
dug out of the moat of some a
church that’s older than legend
that surrounds it

supposedly, this vile of *****
fluid can heal, better than any
doctor or medicine

now I, and the person who gave
it to me, both doubt it’s powers

that doesn’t shake
it’s meaning

it was a token,
a gift,
from one sickened
soul to another

that’s touching

that
is
real

so perhaps that’s why
humanity has been giving
gifts like this since the
dawn of time

it’s not a magic, unnamable,
but the simpler wizardry of
friendship
Granite and marble talismans , sugar white sandbars and felled Oak
bridges .. Smallmouth bass explode with hunger at the surface , soft shelled turtles in meditative bliss , fill driftwood and sun drenched rock islands , dancing waters and bank head flora lend a thousand different colors to the afternoon palette of a Kelleytown Summer ...
Water striders communicate with dance to the ballad of a bold Bluejay .. Young anglers test their skills with creek minnows in search of Yellow Perch and Black Crappie as the last hour of daylight swiftly begins to pass ..
Copyright February 23 , 2016 by Randolph L Wilson * All Rights Reserved
Solitaire Archer Mar 2010
FIRST ONES


She sits by the fire and stirs her ***
the day has been a long one and tonight's new moon means no sleep tonight
for there are times right for harvest and can be done no other time
The folks of the village depend on her art for to bring new life
and easing the pain of the living as well as honouring the dead
There is no Rede or three by three here
no shiny wands or talismans
she is elder here and thus respected perhaps feared
but she lives her life alone
She was the beginning
a first footer here
seeking only to serve
little profit is found outside of the town
What would she thinks of our books and our Rede
She who never learned to read
Was She more or less then I?
Did She seek to lead?
Would she smile at our toys our trinkets and beads
or shake her head and turn to leave

I wonder what the First Ones would see looking now at me and thee

Solita - 2007
Pauline Morris Jun 2016
Born of cosmic dust and fire
The curse on her would never expire
She had been born out of rage and fear
Her mother taken at the point of a warrior's spear

Given to the gypsies to raise
It was the start of her dark days
Passed around from man to man
Each one imprinting their own brand
Making her feel less than
Her skin is burnt with all their marks
They scream out to the spirits dark
One kind gypsy branded one to let the bright rebound
So even in darkness, the light could be found

She had her mother's chants
She had her father's rants
And the agony of her years made her something to fear

She was not afraid of pain
To her that was a daily game
Don't threaten her with death
She'll show you how easy it is to take that last breath
She begs for it just as much today as then
Her want for the reaper's release is written from within

They thought the darkness would take her over
It would make it easier for them to control her
But that one magic symbol for the light was powerful
It would not let the darkness be her downfall
She learned the chants, she studied the plants
She knew what all the talismans ment
And how to control and use the elements

Till she was strong enough then she broke free
And the gypsies in terror before her flee
She stepped over the bodies of those that had done her wrong
She did it singing the sweetest song
That made even the bravest of them wish their life would not be prolonged

She now wanders the woods clothed from head to toe
So all of the symbol branded scars don't show
With people she has no use
Alone she suffers no abuse
She prefers the solitude
She's always in a sullen mood
The curse on her is still to be shown
Because no good deeds has she yet sown
My first time at writing a short story. It's set in the dark ages. It has 16 parts, hope you enjoy it!
Third Eye Candy Apr 2013
it all adds up
but you can't love
what you can't
have mock
you.

you most certainly can’t do that.

you will not consume.

Consumption will usurp you epically.
your talismans are annulled eventually.
your bulimic heart will divide shadows
with darker shadows.
a darker
dark.

cut them like cake. divide your passing into long spikes of utter void.

it all adds up
but you can’t love
what’s not there
to love
you

but quite the opposite.

and the opposite
of love
is watching Nothing
die -
but you thought
it was something
before it devoured
you
like a morsel
of speck.

like a light.
Grim,grim and looking down within the valley far so far below
I watch as arms swing to and fro
and dreamers hope that all is well as marching one by one, they step into their heaven or is it hell?

All is well as profiteers sell talismans to men of learning,burning with desire to not fall and burn inside the fire.

And galley slaves,another time and still the drum beats to that time,another song, the galley slaves still row along and dream until the dream has gone and then the time begins once more.

Grim so grim and yet I lean to look within, for I am not a man who knows no sin and thus I need to peer within to set the course that I must take.
It was the sin that led me to this rim above the valley,where the quietness of death is matched only by the quickening of my own breath,

I stand alone to watch the rag and bone men going to their fate and wonder what's in store for this lazy good for nothing sore that is my life.
Susan Wilson Nov 2015
Four-leaf clover, rabbit’s foot, horseshoe from the barn,
Wishbone, even black-eyed peas, all these have luck’s good charm.

Good Luck! We shout to those we know, entrenched in tests of skill.
Good Luck! We hope for those whose hearts are set to climb the hill.

Cross your fingers, close your eyes, make a wish and blow;
Don’t wait too long, wish on a star, good luck is there you know.

Don’t walk under a ladder – No! And don’t step on a crack!
Bad luck is there, be mindful or you’ll break your mother’s back.

Ten long years of luck undone in broken mirror shards;
Your future told of good or bad in talismans and cards.

Luck ‘O the Irish, Leprechauns, and all such magic things;
We’re told of wondrous luck and wealth all these to us will bring.

I wonder if ‘tis luck at all or choices made at will?
Is luck the thing that guides my feet to riches or to nil?

Do I not choose which path to take, decide what’s right or wrong?
Those choices made, good and the bad, to me must all belong.

Not luck, I think, our future rules, but One who bids us well.
In Him we find the choices that will keep us out of Hell.

If suffering comes, tis not bad luck, instead -- a chance to grow!
To understand that He, not luck, is Sovereign of this show.

No lucky charm can truly bless or guide our steps for good;
The look, the sound, the feel of luck deceives us like a hood.

He gives us skill and aptitude to make our own lives bright;
We’ll trust in His design for us and look to Him for sight.

Our future’s too important to trust in lucky charms;
Eternity’s a choice we make, in that we’ll find no harm.

So let’s expect the best from Him, we know He wants to give;
Though life is hard, we need no luck, for in His truth we live.
Pauline Morris Mar 2016
Nights solid blackness is closing in fast
I keep thinking of a great spell to cast
Maybe if the white dragon was simply asked

Off we ride on what is now unfortunately my journey too
I can feel the dark horse muscles flow so smoothly under me as we flew
Out loudly I pray to Goddess Athene, that this nightmare we will both live through

We emerge from the security of my forest, at the foot of the mountain
The knight tells me we must find Pirene the inspirational fountain
On the speed of this steed I was counting

Because I can feel the darkness creeping
And my branded skin is calling out to the evil, it's weeping
I whisper to my knight so our darkened ride can't hear, "this speed we must be keeping"

The thought of my quest crosses my mind
My mother was what I wanted so much to find
But I'm afraid that dream I'll have to leave behind

The demons horse starts the steep rocky climb up the path
We are heading toward the white dragons wrath

It is starting to break dawn
The feeling of evil chasing is gone
So now I start chanting the Dragons sweet song

" LEANA sister of the dragon moon
Please fly down from your heights, we need your help soon
Please heed my chanted tune
And meet me by the fountain Pirene by noon
Or the earth may soon lay in ruin"

Me and the knight reach the fountain's wondrous water just after mornings light
The sky was a beautiful redish orange sight
I know by the sky's tinge today is going to be a fierce fight
That is going to lead well into tonight

We dismount and I use one of my strongest talismans to secure the beast so it can not flee
I stoop by the old crumbling fountain to drink in the cool liquid nectar, so like the poets I can be

All the greatest poets come to this magical spot
To gain unimaginable inspirational thoughts
And this kind I so desperately sought

I took I deep cool long drink and looked to the sky
And in that moment I seen the the silver streak of the dragon's body fly
And to my horror a crystal clear vision flashed before my eyes
In it the noble dragon's pure white body was coverd in thick blood it looked like she would die
Pauline Morris Jun 2016
I looked upon this scourge of a man
I decided to build a fire here, he couldn't stand
At first I thought he was a scribe
But old filthy armor his cloak did hide
A knights is what is he's true brand
Maybe once he was a noble man
But now he smelled of smoke, despair, and other lands

His sword was layered thick with what looked like rust
But I could smell it was fear, blood and guts
Made me wonder if he was the evil ones hire
I crouched beside the blue licked fire
Trying to decide this mortal souls fate
Maybe I should leave him at death's soothing gate
When he awakens I will force him to explain
I'll make him tell me to who, and what he has caused pain
Because as I look upon him I feel my empathy grow
He unknowingly will decide the final blow

I call upon Nyx to hide me in her darkened misty veil
I'm afraid with the gaping wounds he is to frail
To see my branded scared body from hell

But as I sit and wait for him to wake
I feel the ground shake
And hooves that had the sounds of thunder
What I seen was a beautiful evil wonder
It was his horse, I caught it and tethered it to the biggest tree
It took a great talismans to make sure it didn't break free
It's coat was like diamonds dark as ink
On it's haunches was an evil stink
This beast was as strong as a thousand demons
It's fiery red eyes where just beaming


Why is he on his feet?
How can he see me?
I guess it's time to meet!
Pauline Morris Jun 2016
Nights solid blackness is closing in fast
I keep thinking of a great spell to cast
Maybe if the white dragon was simply asked

Off we ride on what is now unfortunately my journey too
I can feel the dark horse muscles flow so smoothly under me as we flew
Out loudly I pray to Goddess Athene, that this nightmare we will both live through

We emerge from the security of my forest, at the foot of the mountain
The knight tells me we must find Pirene the inspirational fountain
On the speed of this steed I was counting

Because I can feel the darkness creeping
And my branded skin is calling out to the evil, it's weeping
I whisper to my knight so our darkened ride can't hear, "this speed we must be keeping"

The thought of my quest crosses my mind
My mother was what I wanted so much to find
But I'm afraid that dream I'll have to leave behind

The demons horse starts the steep rocky climb up the path
We are heading toward the white dragons wrath

It is starting to break dawn
The feeling of evil chasing is gone
So now I start chanting the Dragons sweet song

" LEANA sister of the dragon moon
Please fly down from your heights, we need your help soon
Please heed my chanted tune
And meet me by the fountain Pirene by noon
Or the earth may soon lay in ruin"

Me and the knight reach the fountain's wondrous water just after mornings light
The sky was a beautiful redish orange sight
I know by the sky's tinge today is going to be a fierce fight
That is going to lead well into tonight

We dismount and I use one of my strongest talismans to secure the beast so it can not flee
I stoop by the old crumbling fountain to drink in the cool liquid nectar, so like the poets I can be

All the greatest poets come to this magical spot
To gain unimaginable inspirational thoughts
And this kind I so desperately sought

I took I deep cool long drink and looked to the sky
And in that moment I seen the the silver streak of the dragon's body fly
And to my horror a crystal clear vision flashed before my eyes
In it the noble dragon's pure white body was coverd in thick blood it looked like she would die
A life form resembling our trees ,  filled with talismans , hanging precariously from an orchard as far as the human eye can see ! Dreams ? Brilliant gold colored entities ? Memories ? Silver comets , red orbs cast across the Universe ! Deep blue seas , chartreuse skies , mahogany colored diamond encrusted firmament with two bright red satellites ! Violet Dawns and lavender sunsets ! Bipedal winged , reptilian type inhabitants with vastly superior intellect , well above what we could ever possibly conceive ! The bastardization of human beings from first contact , low grade semi -intelligent life forms with very little to offer ! The equivalent of Apollo astronauts dumping out a bag of moon rocks ...Conversation with a cockroach ...Collected , analyzed , sent back to Earth post haste , tucked away in an alien file cabinet ! Uneventful . Refocused ..Yawning....Earth ! Enchanted ! Amazed ! Stupefied ...
Copyright October 25 , 2015 by Randolph L wilson * All Rights Reserved
Dani Feb 2018
If I was a witch
I’d make
lavender soup,
with milky eyes,
basil leaves,
wide pink rose petals,
crystal shards,
and a touch of lapis lazuli.

Forget toad warts
or salamander tails,
burned sage,
obsidian talismans,
stolen hairs,
rusted earth
or the eyes of newts
and tongues of dogs.

If I was a witch
I’d make
love potions,
luck potions,
and everything in between.
Take fools gold
and make it gleam
brighter than a diamond.

Forget curses.
If I was a witch
I’d take the blackened grimoires,
drown them in their
bloodied words
and keep the poor
old frogs
as friends.
Unrelenting
they came to be
words
cementing lunacy
and talismans
for all to see
this madness
that's afflicting me.

It's a dictionary to dine upon
one more sedation
then I'm gone,all
quiet in the infirmary with the
madness that's afflicting me.

The doctor said I'm doing well,but
what the hell do doctors know
with their fake degrees and sky high fees
no minimum,no need for glum
just take the happy pill,ooh
what a thrill
***** me down please,Jack and Jill
and leave this hill alone.

They won't let me home, and say
I've got to stay
until they reach a moratorium and
then I'll end up down
the sanatorium.

More than Bethlem,
less than some men and
some men are less.

I profess to know which way this wind will blow and
like the weather vane
I'll spin again,I suppose
eventually I'll be insane.
A self fulfilling prophecy,or
just reinvented lunacy,
all the same to me,
I'll keep taking medication,
pray hard and wait for some salvation.

And then the graveyard waits for me,and for
other lunatics,
I see them lining up against the fence.
The fence that's no defence.

In the words which play with me,
lunacy or not,
it seems
these words are all I've got,them and
the doc
G May 2018
it's a low-grade panic
lurking in the soul
simmering in silence

i distract
my restless hands
coat my neck in talismans
each layer, a clear gloss
but cracked

reflecting back
what i have lost

i have trained
my train of thoughts
to avoid things that cause
maladies

but something deep
inside of me
rebels against
what i've been taught
seeks out the stops
that ******* me
twists around my limbic tree
so i am left in knots
Pauline Morris Mar 2016
I looked upon this scourge of a man
I decided to build a fire here, he couldn't stand
At first I thought he was a scribe
But old filthy armor his cloak did hide
A knights is what is he's true brand
Maybe once he was a noble man
But now he smelled of smoke, despair, and other lands

His sword was layered thick with what looked like rust
But I could smell it was fear, blood and guts
Made me wonder if he was the evil ones hire
I crouched beside the blue licked fire
Trying to decide this mortal souls fate
Maybe I should leave him at death's soothing gate
When he awakens I will force him to explain
I'll make him tell me to who, and what he has caused pain
Because as I look upon him I feel my empathy grow
He unknowingly will decide the final blow

I call upon Nyx to hide me in her darkened misty veil
I'm afraid with the gaping wounds he is to frail
To see my branded scared body from hell

But as I sit and wait for him to wake
I feel the ground shake
And hooves that had the sounds of thunder
What I seen was a beautiful evil wonder
It was his horse, I caught it and tethered it to the biggest tree
It took a great talismans to make sure it didn't break free
It's coat was like diamonds dark as ink
On it's haunches was an evil stink
This beast was as strong as a thousand demons
It's fiery red eyes where just beaming


Why is he on his feet?
How can he see me?
I guess it's time to meet!

— The End —