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Dorothy A Apr 2012
The first time that Evan laid eyes on her, he told himself that he was going to marry her. Embarrassed by his own fantasy, he quickly dismissed that thought as fast as it came to mind, telling himself what an idiot he was. Yet, from time to time, in spite of his reasoning, the thought would invade his skull.

What a dumb idea anyhow! It was just lame, teenage fantasyland! Girls did that kind of junk all the time, saying they were going to be Mrs. So-and-so, and thank God nobody could read his mind to know what he was dreaming up! Like she would marry him! He felt like a dumb ****, great in athletics, but far out of her league. Not even having the courage yet to ask a girl out on a date, and now he was already thinking of marriage! Pathetic! Really! Only a freshman in high school, he felt he should know better, lacking the good common sense his dad always tried to drive into him and had himself.

Ginny Delgado belonged with the smart kids, the brains of the school, although she seemed to stick more by herself, away from any stereotypical clique. Evan had first seen her in his biology class, and he remembered when other students wanted to copy off of her test papers. She never allowed any of that to happen, though, even if it would gain her popularity, false popularity but attention just the same.

It was a surprise to him that Ginny seemed to have few friends. Mostly, girls who were nerdy and smart did not seem very attractive or put together. Ginny seemed to have it all. She was smart and pretty, but she never identified with any of the girls who thought they were hot—and all other girls were not—and so she stood apart as one who shrouded herself in guarded aloofness.

And now here he was at his 20th high school reunion, one he really did not want to attend, but talked himself into going anyway. Perhaps, he could shoot the breeze and run into a few old buddies, his basketball friends. He didn't think that much of Ginny since he graduated from Fillmore, much less anybody from all those years ago. There really wasn’t any reason to reminisce once high school was behind him. School was not misery for Evan Stewart, but it wasn’t a time where everything seemed magical and carefree, not like for some students who looked upon those days as some of the fondest memories of their lives.

It was the class of ’92, and a huge banner displayed across one of the walls read, “Welcome back, class of 1992! Fillmore High School rules!” There was a good turnout, and Evan recognized a lot of people, although there were fewer that he knew by name.  

Sitting under dimly light lights, around a bunch of round tables, Evan now sat with the other alumni, stuck in a crowded hall with music blaring away from the early nineties. He had his overpriced meal. He had his few beers.

But what now?

He was almost bored to death. He was beginning to watch the clock more and more, scanning the room to see if he could possibly find reason to stay longer.  But then something happened that he never expected to happen, never even would have imagined it.

And, suddenly, his heart started to pick up its pace.

Was that her?

Evan thought he had made out the vague shape of a possibly familiar figure, an amazing and sudden surprise. Was that Ginny Delgado?

He wondered if he was seeing things as he intently stared across the room at the shadowy prospective of Ginger Delgado. But with the low amount of lighting, it just might not be her but someone he never even met before. How awkward would what be?

If it was Ginny, she was sitting next to a guy who seemed obnoxious and full of himself. Even from afar, he appeared to be a guy who would be in everyone’s face, with wild hand gestures, talking away and giving nobody else a chance for a word in edgewise.  If that really was Ginny, was that her husband? What a trip that would be! All the sense he once attributed to her would have to have gone out the window, if that were the case.

Sitting at Evan’s table were several of the other guys that were also heavy into high school basketball. Most were married and came with their wives—nobody was alone as Evan was—and now they all tried to act like they were thrilled to be all gathered together to show off their accomplishments. They were all passing around stories of life after high school, after basketball—some with talk of their college days, their wives, their kids, their jobs and careers—plenty of drinks to go around, and some toasting to the good, old days and to even brighter futures ahead. Evan was never married and did not have any children, so he felt he had much less to say. Most of those guys were not even very interesting, even though they tried to make it out that they had achieved so much in their lives. They may have been out of shape and past their prime, but all of them tried to act like they were the same as they were twenty years ago. None of what they all said impressed Evan at all, even though he tried to be interested.

He kept looking at the woman across the room, and the more he looked at her, the more he was convinced he was spot on about her. She had to be Ginny! He should just get up now and have the guts to ask her! But what would she say? Yes, I am Ginny Delgado, and this pushy **** next to me is my husband?

Though he was twenty years older, Evan felt just as awkward and as scared as he did in his freshman Biology class. It was better to just let the issue be. He’d rather save face than look like a total fool.

Suddenly, the unexpected occurred, something that gave Evan’s heart even more of a stir than he initially had when he spied her presence. Was it possible? Ginny now looked like she was starring back at him, as if they had somehow miraculously locked eyes and she had an uncanny ability to notice him back, from that afar off, now being transfixed onto him!  

You’ve really lost it now. What do you think, that she really notices you and remembers you?

Ginny stopped paying attention to the obnoxious man beside her and kept looking in Evan’s direction. She even reached her hand up and gave a little wave out his way.

Timidly, Evan waved back.

Standing up, Ginny started to make her way across the room. The obnoxious guy next to her looked on after her, like he could not believe she had wanted to part company with him. Evan guessed she was not his wife—thank God for that!

No, there is just no way she is coming over to talk to you. Alright, maybe she is. Get a hold of yourself now! Stop acting like a teenager and act like you actually know something about women. Come on, Evan! Get it together! She is coming.

Evan was right. It was Ginny Delgado! But she stopped short of his table to sit a down at the table in front of him, next to another fellow classmate of theirs, a female student that he vaguely remembered, though he did not know her name.

It was almost a relief she did not come to sit with him! Yet the disappointment was equally there. Seeing her more up close, Evan knew for sure it was Ginny. She was still quite pretty, perhaps even more so now, her medium brown hair and her dark purple dress complimenting each other. Not wanting to stare, Evan couldn’t help but to shoot many glances her way, without trying to be too obvious.
          
She smiled a lot, glad to talk to another person that she knew, and probably glad to be away from the guy she was stuck with before. Her eyes sparkled, and Evan never remembered ever seeing her so unguarded. In biology class, she was quiet, like he tended to be. Now she seemed so different, seemingly freer to be herself. Evan rarely saw her smile in high school, but thought she was very serious and sophisticated.

Before long, the DJ was now playing Eric Clapton’s Tears in Heaven. Couples at all tables were making their way to the dance floor. Soon, Ginny was approached by some guy who asked her to join him for a dance. She shook her head, no. Nonchalantly, the man turned to the woman that Ginny knew and asked her. She gladly accepted, said something to Ginny as if to have her permission and understanding, and then took the man’s hand to go to the dance floor. Ginny remained at the table by herself, looking on at the dancers with seemingly little regret that she declined an offer.

This might be your only chance, idiot. Are you going to blow it and be a wuss? Go up to her and tell her that you remember her. Go on! It is your perfect chance. What do you have to lose? If she isn’t interested, just go then. You’ve spent enough time here anyway!

“Hi…Ginny Delgado isn’t it?”

Evan asked as he approached her from behind. He cleared his throat. His voice had sounded so gravelly, as if he hadn’t uttered a single word all night. And his heart was beating a mile a minute, and he swore it must have been pulsating through his shirt. He was glad he put his suit jacket back on, for he was probably sweating like crazy.  

Ginny looked up, seemed to look puzzled, but then smiled a little. “I remember you!” she said with growing enthusiasm on her face. “Oh, but I’m sorry. You are going to have to tell me your name again”.

“Evan Stewart”, he replied. “We were in biology class together Remember? We were sophomores.”

A succession of slow songs was now being played, and Ginny’s friend was enjoying the time with her new dance partner. She certainly was in no hurry to make her way back to the table to rejoin sitting and talking with Ginny.

“Oh, sure! I remember now!” Ginny exclaimed. “Evan Stewart. Of course! You were the tall, shy guy that everyone liked because you knew how to win one for us. You were big into baseball, weren’t you?”

“Well, basketball was my best sport. I liked baseball, too, and track”, he replied humbly. It was amazing! She actually remembered more him than he thought she would!  “

Can I sit down and join you?” he asked, his courage and confidence growing.

“Oh, do!” Ginny replied, eagerly.

He felt like he was in seventh heaven. How cool was this? Sitting with Ginny Delgado? It was a bonus to a fairly descent reunion.

“So what have you been up to for the last twenty years?” Evan asked. His face was flush with embarrassment, as if he was just a guy who happened to luck out, but had no real skill in socializing with a woman he once fantasized about.

Ginny laughed a little, putting her hand up to her mouth as if her response was inappropriate. She responded, “You want a few hours? Or should I just give you a one word response?”

Evan smiled, blushing, as he tried to appear smooth and confident. “A one word response?” he asked.

“Yes. I can say it in one word—roller coaster….oops, that is two words”.

They both just sat there as I Can’t Make You Love Me, by Bonnie Raitt, played on.  

“Yeah…I guess I could say that about my life”, Evan agreed. “Would you like me to get you something from the bar?” he offered. “A coke or a beer?”

Ginny stared out onto the floor, as if she never heard him. “Isn’t it amazing how everyone comes to see the same people they always used to hang out with and still intend to hang out with to this day?” she asked. “How boring and predictable!”

Evan looked at her, puzzled, “What do you mean?”

Ginny continued to look out onto the floor, the music now upbeat dance music, and said, “Well, I mean you see all the football heroes all hanging out with each other. The members of the debate team are all huddled together as if they are preparing for the next debate. The cheerleaders, the drama club, the science club geeks…nothing has changed has it?”  

Evan shrugged his shoulders. “I guess that is typical. But that isn’t me. Sure, I saw some of the guys I played ball with, basketball, but the truth is I am not really that interested in hanging out with them.”

Ginny turned to look at him, her hazel eyes intent and solemn. Evan added, “I don’t have any contact with any of them. Nothing against them. I just don’t”.

They looked at each other in the eyes for a while. The silence was awkward. It was as Evan’s watching and waiting for her reply was the cue for Ginny to open up, and open up she did.

“I went to UCLA on a scholarship. I became a history major, world history, American history, women’s history. I never intended to teach, not at first. But it just seemed a good fit for me, and I have had plenty of teaching jobs, junior high school, high school. I moved to Sacramento.  I was briefly married after I got my first real teaching job there.”

Ginny’s eyes glistened. There was a pain in them that seemed locked in deep, not really wanting to expose itself too much, but coming out nonetheless.

Evan listened on, eagerly, so she went on, her gaze towards the dance floor “It did not work out. He cheated. He did it more than once and with more than one woman.  And now that I look back, I can see how wrong it all was, especially after my miscarriage. At first, I was so crushed, and I wanted to try again, for another baby, to try to please him, Jim, my husband. Thank God, I didn’t go on and on with him. I am glad I came back here…..back to Springdale.”

She looked back at Evan. He quickly looked away from her glance, his eyes downcast to the table. She wasn’t kidding. Her life was a roller coaster. He did not know what to say, felt so inadequate.

He decided to just share, in return.

”I was engaged once. It was a long engagement. She was a friend of a friend. Lana was her name. She told me she wanted to be with me, but she just wasn’t ready to make the big leap just right away. Actually, I am kind of glad now that I look back. We both owned our own shops. She was a hair stylist and I owned my own car repair shop, but that was about all we really had in common. I mean not really, even though we both liked sports a lot. We never seemed to agree on anything.”

Like he did, Ginny just listened intently, not attempting to make any reply. Evan added, “She was willing to cut me down in a second. I see that now”.

“Well how do you like that?!”

Evan and Ginny looked up as the woman that Ginny came over to see arrived back from the dance floor. She was walking, hand in hand, with her new found dance partner, fanning herself with her hand and laughing.

“Ginny’s got some company, too!” she exclaimed, beaming at Evan.    

Ginny replied, “Rhonda Flemming, this is Evan Stewart. She used to be Rhonda Boehner back in Fillmore”

Ginny turned to Evan to introduce him to her old classmate. “Evan…Rhonda. Evan, I don’t know if you two ever met each other before when we all went to school”.

“I’m not sure I have, either”, he replied, extending his hand to shake Rhonda’s. Rhonda quickly grabbed hold of his and gave it an overly enthusiastic shake.

“Hi, Evan!” she exclaimed "This handsome man next to me  is Brian. I never knew Brian until he asked me to dance!” she said excitedly. “And I am newly divorced and so is he! How strange is that?”

Brian shook Evan’s hand and then Ginny’s. “How’s it going?” he asked, grinning with embarrassment at Rhonda’s forward frankness.

“Ginny is one of the smartest people”, Rhonda went on to Evan and Brian. “We were once partners in an English class. We had to write a paper about each other. That was so fun in an otherwise booooooring class. Remember, Ginny?”

Ginny rolled her eyes, and made a shooing gesture with her hand to convey that Rhonda did not know what she was talking about. “I’m not as smart as anyone ever thought I was. I just worked hard and did my best, but thanks anyway for the compliment” , she said, modestly.  

“Oh, you were, too, Ginny!” Rhonda disagreed. She had a gleeful glint in her eyes. “Always so serious, Ginny Delgado! “

Rhonda grabbed Brian’s hand. “Hey, Brian and I are going to go mingle and walk around and see what trouble we can get into. You two want to join us?  

Ginny and Evan looked at each other as if to say “No way!” Ginny responded, “I think we are just fine here, but thanks”

Rhonda winked at her and then tugged at Brian’s hand. The pair of them went off together, leaving Evan and Ginny to themselves.

Evan smirked at Ginny, and then they both started cracking up with muffled laughter. Evan paused and then burst out laughing again. “Where did you find her?” he asked. A tear actually began to run down his face from laughing so hard, and he quickly wiped it away.

Ginny stopped laughing, tried to compose herself, but busted out with even more laugh
Sam Winter May 2013
So, this was written to an unnamed ex a while ago. I ran across it the other day, and I might publish it in the collection I'm currently working on. To me, this is more than just a letter, it's a piece of prose. It's a pouring out of the soul in a way that few people take the time to do. Obviously written at a very rocky time in a previous relationship, I enjoy the clarity of thought that's displayed (not as an egotist, but as a stylist), and I enjoy the allusions and illustration. I'm proud of it, if not for the source or the outcome, then for the product of my turmoil. If I were to classify it? I'd label it, now, as a study of the mind. Enjoy it, and, as always, I welcome your comments and criticisms!

-###-

                Before I say anything else, I want you to know that I love you deeply, and truly. I would give anything to make you happy, and I'd do anything you ever asked me to. I don't ever want to hurt you, and I don't ever want you to be unhappy.
                But I am unhappy. I sleep next to a woman I can't touch until she won't notice, who won't - or can't, I still can't figure out which - show me the affection I crave; and when I try to explain to her the physical and mental stress this puts me through, she doesn't understand or doesn't care (still can't pin that one, either).
                I once took a "Psychology of Affection" class. Evidently, the emotion we call "love" is a conglomeration of a number of different, smaller emotions. Chiefly among them are attention and affection. Attention was always defined by my professor as "the willingness of one to give their focus in degrees, and the blatantness with which they are willing to display that focus." He went on to explain that when one is willing to give their focus but not to display it, or willing to make a display but not to give it, then an imbalance is affected, and either one or both members of a relationship become unhappy. And degrees of happiness become apparent when degrees of willingness are shown.
                In our case, I think, I am both willing to give you my attention, and unafraid to do it regardless of place or time; therefore, I think I give you a very high degree of attention. How do you think you score? How do you think I'd score you?
                Affection works on the same principle: willingness to give, and the ability to do so in a way that is apparent to the other party. Along with these two, though, Affection has a third variable: frequency. The combination of these three and the balance that must be kept determines the amount of affection given, and received at an intellectual level.
                I am entirely certain that I have been willing to show you ample affection in any venue, I am quite capable of showing you my affection in a plethora of ways, and I have done so (in innumerable combinations) with staggering frequency, despite the lack of reciprocation that should have left me hopeless.
                Well, right about now, I'm starting to feel hopeless. Any relationship requires two very basic things, hon: cerebral and physical interaction. An intimate relationship, therefore, requires an amount of intimacy in both cerebral and physical interactions. In addition, any relationship, intimate or otherwise, requires equal participation in all areas to continue over any extended period of time.
                I have been trying for God knows how long, to make this explicitly clear to you: I do not receive enough affection or attention from you for me to stay happy.
                I've laid a foundation in a universal truth for you; you have the science of our interaction at your fingertips, now. You understand what I understand, so I'm going to be as forward as I can in addressing this situation.
                In order for me to stay satisfied with our relationship, the amount of affection and attention I get HAS to change. I am, currently, both mentally and physically distressed, and I am at a breaking point. I have tried multiple times to get you to change: I've tried being subtle and hinting at things I like you to do - things I'd like to see more frequently from you; I've tried being abrasive, being a **** - telling you what I don't like, and why; I've tried being manipulative - guilt-tripping you into thinking or acting differently; I've tried (God, have I tried!) to be truthful and sweet and kind - to tell you, up front, what pleases me and what doesn't in the un-charged air of plain discussion. Any, and all (!), of these methods have been met with selfish stubbornness. I have tried, very hard, to convince myself that it's just been me. That it's something I have, or haven't, been doing. That me flipping out so often is just me freaking out. That none of my state of mind has anything to do with you. I dread putting any of the blame on you because...I worship you, I don't want your flawless image tainted by these things! But, at this point, I've done so much, and tried so hard to get you to change, to open up to me, to act (just act!) like you want me in your head and heart and *****. But you've been stubborn and you refuse to change...and it is driving me away.
                I don't want you to drive me away. I know you love me; I'm convinced you think I improve your life. And I'm convinced you improve mine in so many ways. But there is an imbalance.... I've done as much as any man can be asked: I have been kind, gentle, sweet, gracious, caring, selfless, and loving; but I cannot be these things when you will neither receive them nor give them back. My emotion, my spirit, and my love are being swallowed up in a void, and I can feel the light in this relationship fading. I can't stay in this if I'm the only one showing how I feel. If you don't love me, anymore, tell me. But I can't stay here and not know. I can't give you so much of my heart, and not get anything in return. It's my turn to be selfish.
                I am banking on the hope that you want this to work, honey. I am praying to God, Almighty that you would rather change how you act than give me up.
                I have never given anyone I've been in a relationship with an ultimatum before. Maybe that's why I've been hurt so badly before. But I'm not going to sink this ship myself. I'm giving you an honest chance. I want this, more than anything. I want you more than anything! I don't care that we don't earn enough for food, yet. I don't care that you spend oodles of time with your friends; I don't care about anything you do with your life except this. This one thing will solve so many of our problems, you don't even realize!
                My peace...my serenity with our relationship and with you as my partner in life, depends, solely, on how you behave towards me. There aren't enough Josephine Collective concerts or pills, or parties in all the world that will make me feel like you love me more than you showing me your **** self. I NEED this. It is essential to my functioning as your lover and your friend; I can't love a stone. And I can guarantee you, right now, that if you can put aside your insecurities, put aside your "awkwardness" argument, put aside your doubt that I would ever, EVER, turn you away or leave you alone, and just show me every minute of every day that you love me, I would never worry again. Reassure me with a kiss. Say "hello" with a kiss. Warm up by scooting closer. Cool down by throwing off a blanket - not pushing me away. Act like you can't keep your hands off me. There will be no nights where I ask you distressing questions; there won't be times when I'm offended by your going somewhere without me; I will not get upset when plans get upset. If I knew in my heart of hearts that you loved me and you'd make sure I knew it when you saw me, then there wouldn't be room for doubt.
                But right now...I don't know whether you love me or whether you're just going through the motions. My thinking is "if she loved me, she'd show me." But you don't show me. You know this as well as I do! One passionate kiss every couple of weeks is not showing me. A wag of the hips a couple times a month doesn't show me. Part of the psychological validation for committing to a relationship is the fact that your partner's body is yours to use. And it should be a willing use! I am a male. Three-fourths of my interaction with society is conducted physically, or visually. I need to see and feel that you love me. And that's not very much to ask from you, is it? And it's not awkwardness. You've shown me plenty of times that you're not abnormally awkward. And it's not shyness; you've been perfectly happy to make a scene in front of others before. It's not ***, either. *** isn't what trips me up. I'm fine without *** as long as I know you'd give it if you could. If I was confident that you'd jump my bones before I ever suggested it, then it wouldn't be an issue. But I'm not confident. Hell, I could go another three months if I got a BJ now and then.... I'm tempted to say it's pure selfish stubbornness, but I know that's not true. I think you're afraid of something. Maybe of opening up - spilling your guts - for me. Maybe you've been hurt a lot worse than I realize? There are so many possibilities. But you're the only one that can let me in, baby.
                I know it's not your way. That's evident enough from all my failures. But this is beyond "my way versus your way," now. This is essential to our being together. I love you, selflessly and shamelessly; but if I am going to be happy with you, I need to know you love me back. This isn't an option, anymore, dearest. You have to change. I need to know on a daily, hourly, moment-to-moment basis that you prefer me over anything else...period. My heart is breaking because I can't tell if you love me back. So, I'm going to make this easy on you. I've brought this up to you before - multiple times, actually. Each one just as memorable as the next. Each one serious enough to tell you that something has to change. But you don't seem to get it. You don't understand that this is paramount to my happiness...essential to my functioning; and you don't get that yet. You've asked me to do multiple things differently; I have changed how I act - who I am - to cater to your peace and happiness, and I am happy to do so. I have asked this one thing of you and you won't do it? I have asked this one thing because it is the one thing that I need to change. I've told you that. But the day after, and the week after, and the month after I bring this up, nothing changes. I can't handle that. I can't handle that I can be so willing to make you happy...to change my thoughts and actions through my own will to make your life simpler, less worrisome, happier and easier; yet you are so unwilling to grab your own mind and make it behave as you choose to ease my mind and my heart and give me that little validation I need from you so I can tell myself that I am your whole world the way you're mine!
                I will always love you. Always.
                But I can't be with someone who can't show me they love me.
                This is your ultimatum: Change. Put me in your mind. Think about the things you do that make me happy, and do them. Physically connect with me. Touch me on a regular basis. Visually connect with me. Get my attention, and hold it every day. Act like you are my woman the way I try to be your man. And do it now. You do not get a week or a month or a year. I am out of time. I can't wait on this any longer. If you want me here, hold me here with your own two arms.
                If you can't hold me, then I won't stay.

-###-
judy smith Feb 2017
Leading fashion stylists and casting directors have been directed by clients to avoid doing business with Trump Models, a company that promotes itself as “the brainstorm and vision of owner, Donald Trump”, several sources have told the Guardian.

Trump Models refused to comment, but according to its Twitter feed several models had made it on to the catwalk. News of such directives comes during New York fashion week, days after the president used Twitter to condemn the retailer Nordstrom for dropping his daughter Ivanka’s clothing brand, claiming poor sales.

According to one leading casting director who spoke to the Guardian on condition of anonymity, directives to avoid using models represented by Trump Modelsbegan last fall, before the presidential election. They then spread by “word of mouth”, the casting director said.

The effectiveness of any de facto boycott is hard to gauge. Trump Models, founded in 1999, is not considered a big player in the fashion business.

“It’s not a great agency, so it’s not such a big loss,” said the casting director, who was not authorised to speak on behalf of their client.

A French fashion stylist, who also requested anonymity, said she was reluctant to engage with a business that would put money in the pocket of the Trump family. When asked if they would use Trump models during fashion week, she replied simply: “Nooo!”

“People certainly look twice if a Trump model comes for a casting,” said another leading American stylist. “But a boycott wouldn’t necessarily be a big loss to the business.”

A third stylist, a prolific veteran in the industry, said he hoped there was a boycott on the Trump agency but added that “if there was a girl I wanted, I wouldn’t mind if she was represented by Attila the ***”.

On Thursday, the fashion website Refinery 29 reported that hairstylist Tim Aylward had vowed to stop working on jobs that involved “talent” from Trump Models.

Trump Models once represented first lady Melania Trump, and currently represents dozens of models from all over the world. It also runs a division for “legends”, including Paris Hilton and Carol Alt.

The agency, which claims to be at “the forefront of cultivating a wide range of innovative and vibrant talent which personify the trends of the fashion industry”, has faced claims of mismanagement.

Last year, Canadian model Rachel Blais told CNN some managers at the agency had encouraged her to skirt US visa laws. “As a model, one of the things you learn quite quickly is that … you shouldn’t ask too many questions,” Blais said. “If you want to work, you have to do as you’re told. Yet you’re kind of aware that it’s not legal.”

Last year, Canadian model Rachel Blais told CNN some managers at the agency had encouraged her to skirt US visa laws. “As a model, one of the things you learn quite quickly is that … you shouldn’t ask too many questions,” Blais said. “If you want to work, you have to do as you’re told. Yet you’re kind of aware that it’s not legal.”

Blais was also one of four women who described their experience with Trump Models to Mother Jones. The women said they were forced to live in squalor in a crowded apartment in the East Village of New York City.

The women said the apartment contained multiple bunks, for which models paid $1,600 each, and housed up to 11 people at a time. “We’re herded into these small spaces,” one former model said, saying the apartment “was like a sweatshop”.

The then vice presidential candidate Mike Pence told CNN he was “very confident that this business, like the other Trump businesses, has conformed to the laws of this country”.

In court papers filed in 2014, Trump model Alexia Palmer said she was promised full-time work and $75,000 a year. She sued after earning just $3,880 and some modest cash advances for 21 days of work over three years.

“That’s what slavery people do,” Palmer told ABC News in March 2016. “You work and don’t get no money.”

Trump attorney Alan Garten said allegations of being treated like a slave were “completely untrue” and said Palmer had simply not been in demand. The suit was dismissed. Laurence Rosen, a lawyer who represented Trump Models in the case, told the Guardian his firm “is not handling any other lawsuits or claims concerning model representation, nor am I aware that any such lawsuits or claims have been asserted” against Trump Models.

Shannon Coulter, of the Trump boycott movement #grabyourwallet, said Trump Models had not been added to its list of Trump-owned or affiliated businesses because it was not a consumer-facing business.

“What we’re seeing is that the Trump name is becoming truly toxic,” she said. “It seems that people can’t get away from the Trumps fast enough now. I think those casting directors and stylists are making the right call not doing business with them.”

Coulter rejected the suggestion that a boycott of Trump Models might end up hurting the working models it represents, rather than the owners of the business.

“When you chose not to do business with a company,” she said, “you chose to do business with other companies that do have employees, too, so I don’t put stock in that.”

Amid continued questions about Trump’s relationship with his business empire and how it fits with federal ethics regulations, Trump-owned fashion interests have suffered adverse publicity.

On Saturday, retailers Sears and Kmart removed 31 Trump Home items from their online product offerings to focus on more profitable items, a spokesman said. The collection includes furniture, lighting, bedding, mirrors and chandeliers.

Last week, retailer Nordstrom followed Macy’s and Neiman Marcus in dropping Ivanka Trump products. That prompted a furious response from Trump, whotweeted: “My daughter Ivanka has been treated so unfairly by @Nordstrom.”

Nordstrom justified its decision, reporting that online sales of Ivanka Trump products fell 26% in January year on year.

Within the fashion industry, there is speculation that while the performance of Ivanka Trump’s line was disappointing, it was not enough to merit being abruptly dropped.

At least part of the reasoning, they speculate, was pressure from other brands and labels carried by Nordstrom.

“We would not base a decision on that. Our decision was based on the performance of her brand which had been steadily declining over the year. We had discussions with Ivanka and her team and shared our decision with Ivanka personally in early January.”

However, Coulter said it was likely Nordstrom had faced pressure from other suppliers. “The Ivanka Trump sales were down but it’s possibly not the whole truth. There are studies that say boycotts work at the brand level, not the sales level, so probably both forces were at play.”

White House counselor Kellyanne Conway later urged the public to buy the Ivanka Trump brand – and faced widespread criticism that she had overstepped ethics regulations. The White House press secretary, Sean Spicer, said Conway had been “counseled”.

On Saturday, Trump said on Twitter that the media had “abused” his daughter.

In New York, protests against the Trump presidency have rippled through the fashion industry’s market week. Calvin Klein played David Bowie’s This is Not America and a Mexican immigrant designer for LRS Studio showed underwear that carried the message: “**** your wall”. Public School’s Dao-Yi Chow and Maxwell Osborne sent out red Trump-esque baseball hats spelling out: “Make America New York.”

Senior industry figures, including Vogue’s Anna Wintour and LVMH chief executive Bernard Arnault, have, however, held meetings with the president. Vogue plans to feature Melania Trump on its cover.

Designers including Dior and Ralph Lauren have dressed the first lady. Others, including Marc Jacobs, have said they will not.Read more at:http://www.marieaustralia.com | www.marieaustralia.com/cocktail-dresses
shireliiy Nov 2015
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judy smith Dec 2016
She has dressed Oscar-winning actress Lupita Nyong'o and Uganda's chess Woman Candidate Master Phiona Mutesi for the premiere of 'Queen of Katwe'. She has also designed several Miss Uganda and Miss Tourism contestants among others.

Yet Brenda Niwagaba Maraka, who is undoubtedly among Uganda's top fashion designers, describes herself as "just a simple person who loves work and fashion". She is also quick to recognise people who have inspired her, including renowned fashion designer and artist Stella Atal and Xenson Samson Ssenkaaba

In January 2007, Maraka officially launched 'Brendamaraka' as a fashion label.

"I work to represent Uganda as a tropical country through fashion and also extend Kampala's position as a fashion hub," said Maraka.

For the love of developing and inspiring others through her fashion skills, Maraka grooms two talented and interested students in fashion and design every year.

Come next year January, Maraka is set to showcase at her own fashion show marking ten years in the industry.

It will be the highest point for a woman who from way back, as a young girl, has loved being artistic. It was no surprise that she concentrated on art in school and one of her fondest memories as a student is designing costumes for school plays and beauty pageants.

"That confirmed my goal in life of creating designs through my own fashion label," she says, "I love to create new things."

At 13 years old, after completing primary education, Maraka proceeded to Namasagali College in Kamuli for O-level and these to her were years of fun and building character. She then left to a new environment of only girls at Trinity College Nabbingo for A-level and by the time she left she had forged a career path.

"It was a totally different and harder experience. However, by the time I completed Form six, I knew what I was meant to be a fashion designer courtesy of the school's arrangement on career guidance," says Maraka.

She was offered several opportunities including one on government sponsorship at Makerere University all of which were meant to grow her fashion career but Maraka settled for a fashion design program at the London Academy of Design and dress making where she completed in 2005.

Maraka chose exposure to international fashion trends at the London school at a cost rather than free education in Uganda. She rates it as a priceless decision that has paid off.

In 2014 as part of her internship program, Maraka made a maiden runaway showcase during the Uganda International Fashion Week and since then she has not looked back. She has participated in a number of fashion events both in Uganda and UK.

In comparing London's fashion industry to Uganda, Maraka says London has already established big brands and it is close to impossible for anyone starting out.

"The industry is faster, bigger and people produce too many new collections every year as the market demands," she says.

By contrast, she says, Uganda offers limitless opportunities are limitless or, in her words, "There is room to define who you are".

Maraka was born in Soroti-Teso, Eastern Uganda in 1981. She was raised by a single mother Elizabeth Maraka who worked long at the Soroti Flying School and she says is her great inspiration. She used to make dresses for her and remains her stylist to date. Maraka grew up as an only child because her twin siblings died. It is the reason she is also called Akello, meaning 'follower of twins'.

Liteside

Any three things we don't know about you?

I am an only child of my mother. I really love sports to the extent that I train for kickboxing. I had a dream of representing Uganda for RIO 2016 though it didn't come to pass. When I am confident enough to have my face punched, I will get to the ring.

I love to travel and for this year, I chose to visit every part of Uganda that I had never visited. One of them was Kidepo and it was a breathtaking experience where I realised I had made it. I also visited the pyramids in Cairo.

What is your idea of perfect happiness?

Doing what you love. If you think you can regret doing it, then it's not worth doing. Even when you fail to achieve at something you loved doing, you gain satisfaction.

What is your greatest fear?

I have a phobia for rodents. I can face anything in life but not them.

What is the trait you most deplore in yourself?

I am not a confrontational person yet sometimes I wish I could be one to give my all. It makes people walk all over me.

What is the trait you most deplore in others?

I just don't like dishonest people. I appreciate honesty.

Which living person do you most admire?

My Mother, Elizabeth Maraka; she taught me to be a strong person, believe in myself and to see good in people. I am privileged to live with her even as an adult.

What is your greatest extravagance?

Everything about improving my fashion and design career.

What is the greatest thing you have ever done?

I still have to do it and I am planning on how to achieve it.

What is your current state of mind?

I am at peace and love my life.

What do you consider the most overrated virtue?

That whole saying of 'Government should help us' or 'government has not done much' just breaks my heart. How I wish the same people would ask themselves what they have done for government as well. Anyone can start small and grow big.

What does being powerful mean to you?

Being able to make a difference in someone's life or inspire someone. It can also mean being well connected in society.

On what occasion do you lie?

I like to be real.

What do you most dislike about your appearance?

When I was young I was chubby and I didn't like it but I have since found peace in myself.

Which living person do you most despise?

Even when I see the worst in a person, I don't destroy bridges because I might need them tomorrow.

What is the quality you most like in a man?

Having a plan or purpose in life.

What is the quality you most like in a woman?

Having a purpose in life.

Which words or phrases do you most overuse?

I like saying 'you know' and 'yeah'.

What or who is the greatest love of your life?

I guess it is my Mum but there are so many other people I love.

When and where were you happiest?

There is no one single moment because there are so many things I do that bring happiness to me. Finishing School in 2006 was a happy moment but also each time I remember when I had my first fashion show during my internship in 2004, I am fulfilled.

Which talent would you most like to have?

I love music and may be one day I hope I will drop an album. I used to play a violin and hope that one day I will do it once more.

If you could change one thing about yourself, what would it be?

I am just in love with myself.

What do you consider your greatest achievement?

I am still a work in progress; I haven't yet reached there.

If you were to die and come back as a person or a thing, what would it be?

As me and fix everything I didn't do from as far as a child.

Where would you most like to live?

Uganda but particularly in Karamoja and Kidepo; the landscape and weather are amazing. It can rain so heavily and dry up so fast.

What is your most treasured possession?

I never got to see my grandfather but I was given a crucifix from his things. It has that sentimental value and makes me relate with him. But even when everything is taken away from me, I can start afresh and build-up.

What do you regard as the lowest depth of misery?

Suffering from cancer; I visited Mulago Cancer ward and witnessed people suffer in too much pain. Things like broken heart can be amended but not cancer.

What is your favorite occupation?

I always wanted to be a fashion designer.

What do you most value in your friends?

Honesty

Who are your favorite writers?

I am not a fan of any particular person but I love to read inspirational pieces.

Who is your hero of fiction?

I like Superman and how he comes in to rescue at the right time. I wish there were true supermen.

Which historical figure do you most identify with?

I may model myself to Mother Theresa but I can't come even an inch to who she was and what she did.

What is your greatest regret?

I don't regret anything.

How would you like to die?

I want to die of old age on my bed with my grand children all looking and smiling at me.

What is your motto?

Always make sure you are climbing the right hill.Read more at:www.marieaustralia.com/backless-formal-dresses | http://www.marieaustralia.com/long-formal-dresses
judy smith Jul 2016
Meeting a renowned Pinoy designer, Michael Cinco, was the highlight of my nth trip to Dubai last month. He is so unassuming that I almost forgot how famous he is. Some of his A-list Hollywood clientele include Lady Gaga, Beyoncé, Jennifer Lopez, Kylie Minogue, Mila Kunis, Paris Hilton, Tyra Banks, Rihanna, Toni Braxton, Fergie, Nicole Scherzinger and Christina Aguilera.

Michael’s regular clients are Anne Curtis, Marian Rivera-Dantes, Kathryn

Bernardo, Liza Soberano, Ruffa Gutierrez and Bea Alonzo.

Miriam Quiambao and I immensely enjoyed bonding with Michael. He treated us to an authentic Lebanese dinner at the resto below his plush condominium right across the world’s tallest building, Burj Khalifa. Kudos to Michael for being the only Filipino designer who was invited to present his collection at the Paris Haute Couture Fashion Week’s “Couturissimo,” held last July 3.

He’s world-class yet down-to-earth. That makes him all the more remarkable. Pinoy Pride is something Michael wears so well. CincOoh la la! (Visit michaelcinco.com.)

Here’s my chat (via Facebook) with Michael:

What was the Paris Fashion week experience like?

About 15 years ago I was strolling along the beautiful Jardin des Tuileries. I was so in love with the place that I had a vision and a dream… I said to myself, one of these days I’ll have my show in this stunning garden. So when Asian Couture Federation approached me to have a show in Paris, I immediately begged to hold it in Jardin des Tuileries. Showing my collection in Paris Haute Couture Fashion Week has always been my ultimate dream. Seeing your collection on the runway of your dream garden is one of the greatest achievements in my life.

Among local celebs, who are the five best-dressed on your list?

Marian Rivera, Anne Curtis, Cherie Gil, Kathryn Bernardo and Liza Soberano. They all wore my couture dresses and they all looked amazing.

Any memorable moment with the celebs?

To be honest, I never met any of them. I dressed up some of the most beautiful Filipino Celebrities and Hollywood celebrities wore my clothes on the red carpet and in their music videos. When the producers of the movie “Jupiter Ascending” asked me to go to London to meet Mila Kunis and Channing Tatum, I declined because I was too shy to meet them. The stylist of Jennifer Lopez asked me to meet her backstage. Also, the manager of Kylie Minogue asked me to go to her room for fitting but I just sent my assistant because I was scared and shy.

Who is the easiest celeb to dress up?

Most of them are easy to dress up because they all look fabulous in my couture dresses.

What are your three fashion do’s and don’t’s?

Do’s: Be yourself; create your own style; wear something that will make you feel confident.

Don’t’s: Don’t wear a dress two sizes smaller than your body; don’t follow someone else’s style; don’t try to achieve what you see in glossy magazines—they are all photoshopped!

If you were asked to design an outfit for President Duterte, what would it be like?

A bullet-proof couture barong.

What’s your advice to aspiring designers?

Young designers of today should realize that fashion is not all about glamour. The fashion world is very cruel. You will be judged, criticized and rejected.

It takes hard work, patience and strong determination to achieve your goals. Create clothes that people will wear. If you want to create art on clothes, make sure they will sell.

Lastly, be humble and never give up. Believe that anything in this world is possible. Believe in your dreams and if you have faith and confidence in God, all of your impalpable dreams will come true.Read more at:http://www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/long-formal-dresses
judy smith May 2015
Dar Al-Hekma University hosted its second fashion show on Sunday that featured the work of its second batch of fashion design undergraduates.

The event, titled “Luminosity” was held under the auspices of Princess Reem **** Muhammad Al-Faisal. President of the university Dr. Suhair Hassan Al-Qurashi said: “Providing such events to our students before graduation exposes them to industry leaders of their prospective industries and gives them a head start in their careers.

“Dar Al-Hekma University’s students stand out because of the combination of their high caliber and the opportunities the university provides for them.”

Along with industry leaders, families of participating students attended. The event started with an opening speech by the department chair for the fashion design program Dina Kattan, who then introduced the sophomore and junior students’ work.

Afterward, models wearing three-piece collection garments designed by senior students scheduled to graduate this year took the stage and were graded by four judges.

Kattan said: “I am so proud of the work my students presented today; they worked really hard and they deserve a big hand. “Everyone was impressed with the level of creativity and attention to detail they demonstrated.”

The judges were Batool Jamjoom, businesswoman in the fashion industry and manager and owner of Jamjoom Fashion House; Amra Alabdalilsharif, director of the innovation and visual merchandising department at Rubaiyyat; Dalal Al-Hasan, a fashion designer; and Aram Kabbani, Dar Al-Hekma alumna and fashion stylist.

The grades students received during the fashion show will form part of their final grade. One of the students whose designs were featured at the show, Zahar Algain, said her collection was inspired by Mexican artist Frida Kahlo.

“Studying fashion has altered my perspective. I view fashion, in the same way that I view life; it’s a matter of balance and proportions.

“My interest in avant-garde fashion has led me to believe in using creativity to solve difficult situations. Algain’s collection was meant to blur the line between art and fashion.

“It is inspired by Frida Kahlo but with a fictional twist. “The story behind my collection is a daydream, a magical love story, an artwork; it is splattered with Frida’s colorful soul and spirit.”

Following this women only event, Dar Al-Hekma is organizing a one-day fashion design exhibition on Tuesday, which is open to all. The event starts from 7 p.m.Read more here:www.marieaustralia.com/formal-dresses-adelaide | www.marieaustralia.com/long-formal-dresses
Scott Howard Dec 2013
I remember my old street. (North Overlook)
The people there never changed, like a television with the **** broken off.

I remember my boxer, Brutus. I would let him lick the inside of my mouth to freak out the other kids.

I remember eating honey suckles in the back yard. I also ate a whole bottle of Tums in the medicine cabinet. (I thought it was candy)
I once drank a whole bottle of nail polish remover, but I puked it back up.

I remember having a jungle gym and a swimming pool. My sister and I swam naked in it once.

I remember when we touched each other’s private parts in a fort we built in the closet. She made me smell my fingers afterwards. My nose crinkled upward and I thought it was gross.

I remember when my mother came home crying one day because the hair stylist cut her hair too short and she looked like a “****.”

I remember spending mornings at grandma’s house. I would watch The Price Is Right and Days of Our Lives. She would fall asleep and I would clean the wax out from her ears with a paintbrush. I remember enjoying it.

I remember my first ****** nose (I used a whole roll of toilet paper). I could taste the blood running down the back of my throat.

I remember all the other ****** noses and calling mom from the nurse’s office

I remember Mr. Iles (3rd grade) screaming at his class for being idiots. He drove a motorcycle to school everyday.

I remember doing times tables in his class. I was always terrible at math and thought I was stupid. We watched the twin towers fall on television. I didn’t know what was happening so I continued to doodle on my times tables.

I remember in middle school being the only one at my lunch table wearing yellow.  My friends became gothic. I didn’t know what that was, but I knew I was different.

I remember my first art class in high school, thinking I was better than everyone, and I was.

I remember the first time I masturbated. I don’t remember how many times I did it that day but my **** hurt for a while and I walked funny.

I remember my mother trying to teach me about God. I never told her that I didn’t believe in him. I’ve always felt guilty.

I remember my first girlfriend. We dated for 7 months. My friends hated her, and I stopped talking to them. I remember hating them for it.

I remember the first time we had *** it was **** ***. I didn’t use a ****** and my **** was covered in ****.
She was great at *******. She once ****** me off in the backseat of her grandma’s car while her grandma drove. I forgot about the time she threw up on me.

I remember she loved Disney and nicknamed my ***** “Captain Hook” because it curves to the left.

I remember the day she found out she had ******, she told me over the phone. I cried because it was my fault. In high school health class, they didn’t teach us that if you have a cold sore and eat a girl out, they could get ******.

I remember when she broke up with me and went back to her ugly ex-boyfriend (now ex-ex-boyfriend). I cried again. Her friends stopped talking to me.

I remember it was on my birthday. (Friday the 13th)

I remember the threats over texts to leave her alone. I told everyone at school she had ******.

I remember eating lunch alone. (A lot)

I remember shutting myself in my room and not eating.

I remember when I tried to **** myself with a steak knife in the kitchen. I didn’t do it right. My mother asked me what happed, so I lied and told her it was an accident. I don’t think she believed me. We still don’t talk about it but I still have the scar.

I remember making art. (A lot)
I did nothing but art (That’s all I had.)

I remember making friends in my art class and how my teacher would dress like a Jedi.

I remember meeting Bobby, and Brandon, and Tyler.

I remember thinking that art had saved my life.

I remember the first time I smoked ****. It was in the parking lot of a Best Buy with Brendan and Kristiana. I didn’t feel “high” and we ate cupcakes after that.

I remember drinking a beer for the first time and hating the taste.

I remember, “It’s an acquired taste.”

I remember, “Drink it, *****!”

I remember the first time I got drunk. It was at my brother’s house and I almost fell asleep with my head on the toilet. He carried me to the couch, emptied a bowl of pretzels and set in under my face. The smell had me dry heaving all night.

I don’t remember the first party I went to.

I remember my mother worrying if I would make it home those nights.

I remember making friends with people from Sayler Park They were in a band with my brother, but liked me more. I felt bad for him, but I was drunk. I went to other parties they had. There were always sweaty teenagers and *****.

I remember the guy who ****** on everyone in the mosh pit. The support beam broke under us that night and the floor almost caved in.

I remember ******* in the front yard. It rained so we were mud sliding in puddles.

I remember the two girls making out in the bathtub naked. Bobby took a video of them on his phone.

I remember when he tried to get this girl to sleep with me. Her name was Lauren Luckey and it was her birthday. She found out I went to art school and had me draw smiley faces on her and her friends’ *******. She started kissing me over the sink (her hair got caught in the garbage disposal.) She bit my neck and broke skin. It was 6 in the morning.

I remember she took me up to the bathroom and we had ***. I remember her taking off my boxers with her teeth. Bobby tossed me a ****** but I lost it. Curtis (he owned the house) came in and ****** anyways. He told me I had a cute ***. When he was done, he left the bathroom door open. There was a line waiting to come in that watched the two of us **** on the eggshell colored floor.

I remember waking up the next day and finding out she was engaged.

I remember the first time I had a pizza from Dewey’s and fell in love.

I remember when I started smoking. My mother gave me **** for it. I always complained when she smoked (I used to break her cigarettes.)

I remember the summer my grandmother died.

I remember staying the night at her house the day before.

I remember when my mother called everyone into the room. I remember, “It’s almost time.”
My family crowded around her.
One of my uncles fainting while the other vomited in the corner.

I remember my mother crying. I remember crying.

I remember “Amazing Grace”

I remember when time froze.
July 11th, 2013, at 1:26 p.m.

I remember my uncle walking over to her, pressing his hand against her mouth trying to feel her breathe. His brain wouldn’t let him accept that she died. I remember him looking up at me like a lost boy, looking for an answer. (I didn’t have one.)

I remember my mother told me she was with God now.

I remember.
Ma Cherie Jun 2016
I sat inside a hospital bay
in the usual uncomfortable hospital beds
feeling exposed....and cold
as they brought in a woman
who was convulsing...
my fears shifted

She was on a moving stretcher
there must have been 12 people in tow
doctors nurses and others
It's hard to remember who was straddling her chest
as they pushed the rollaway gurney
trying to revive her
I think it was an EMT..
remember his sturdy legs in dark Navy pants &  shirt with some
sort of medical cross in white
above his heart...
I just really remember this look
of sheer panic on his face

From the amount of police officers
and security guards
I could only surmise that she
was in some kind of other trouble
than just her physical distress.

At the time I was having some difficulties
with my heart and this situation did not make it any better.
I kind of felt like I was having a serious panic attack...
or that I might even have a heart attack
I really hadn't heard anything about my own condition...or cause

I just tried to breathe
the sounds around me
of machines beeping and voices yelling
so many lights flashing
the doctor pounded on her chest
...literally
trying put a tube in her throat...
attempting to force open lips that remained sealed
I felt like they were  
trying to push that airway in me....

as they worked on her behind that curtain
like The Wizard of Oz
I really couldn't see
they were trying to get a line
her veins too thin and collapsed
the sound of drilling her bone....
in her thigh...
I cupped my ears
as the tears rolled from our eyes
unable to get the medicine in any other way
I had never heard of such a method
I really wasn't eavesdropping
but I was completely drawn in

Narcon I think that's what it was called ...
that's the medicine they gave her.
Apparently it can bring you back
from the brink of death....
I was grateful that they had it for her.

As it turns out she was holding some drugs in the prison for a controlling cellmate
It was coercion and extortion
This so-called drug dealing badass chick
who made her hold the drugs
knew she had money on the outside
and dearly made her pay for it
from the sounds of it
the girl bedside me knew that she was going to be caught with whatever she had been forced to hold...
she was trying to roll a joint in the bathroom...
innocent enough for Prison
when she heard a couple guards talking and coming
it seemed this ...getting caught,
each pill a seperate offense
would be a worse offense than death ...
I thought...for her
So she swallowed an entire wax encapsulated ball of pills
Barely able to choke it down....
knowing it had been brought in by a mule
desperation won

As she slowly stopped convulsing and became dimly awakened
somewhat, aware.... felt like we all finally started to breathe
Nurses and others applauded...relief veiled the room

She was up....then WAY up
I guess you would say she was high
From the drugs and from being out of the prison I suspect

She was scared and crying and my heart went out to her.
She was confused and rambling
unsure of all the different pills inside the Wax Ball trying to recount
asking if she was going to die
Begging not to
to the doctors ...the officers as they were asking her "what did you take honey...come on?"
Over and over....looking in her eyes with a flashlight... as her spirit tried to fade but her body and soul just would not let her go yet.

After a bit of time she started to be more coherent and my heart started to feel less like it was going to burst.

I was so upset by the turn of events
that I really wanted to move to another room  
my nerves were just so terrible
  but the nurse said that people were literally lined up in the hallways .
She asked if I'd prefer that in a snarky tone... I said "no, of course not"

I asked for help  to unplug my equipment
then I went to the bathroom
our eyes met ...hers and mine
for a moment...a quick glance
of some mutual pain and understanding
and we smiled at one another.
I don't think it was difficult
for either one of us
I was looking for an escape to go to the bathroom
from my pain and problems
and get away from this mess
this noise
and she definitely was looking for a way out of her situation
we found calm and comfort in sharing...connecting

She wasn't young enough to be my daughter ...
I think she might have been about 36 or 37
but I thought about that possibility....
she had no family there
and that made me sad
I too was alone
I believe she knew
that I had compassion and true empathy for her
I saw that in her kind and sad blue grey eyes
and I think she saw that in mine....or I hope so

She was not formally educated
but she was quite intelligent and articulate....
She was quite proud of her studies while doing time....
she had a wonderful plan and how she was going to get her children back and a job as a hair stylist.
She had long golden strawberry wheat colored hair

She told how she had been in prison for 7 years away from her children... drugs that got her into Prison and drugs brought her to this Hospital this night

She told over and over
the story of this controlling cellmate
and how this whole turn of events that happened.
All because of drugs mostly.... she owned it
she knew that she used drugs to escape her life before  
and she had taken so many wrong turns
the last charges she received were for "walking off"
from house arrest... she ran... with nowhere to really run.
Now there was this...

She was friendly with the guards
they knew her well and most of them treated her decently,
calling her by her last name only
The one guard was constantly by her side and joking,
reassuring her that she would be fine.
Well there was another guard who was not so friendly,
when she was convulsing he had a smile on his face...
chuckling even....maybe out of fear...
I hoped that.... more than hate
It troubled me in ways I can't really describe.
I think he thought she deserved it.
Maybe there's others that might read this
that might think the same thing...
I do not know.

For me....I don't know her whole truth...her story...
..and I don't know how she got there
I don't know what her childhood was like
or even her young adulthood before she ended up there... I know the complexities of my own life
and except for the broken shattered pieces that she started to share
I don't know what happened in that prison either ....
not really
and my Father told us that
we should love everyone unconditionally
and so that's how I practice and live my life.

You could see her deep sadness and true regret ...
in the lines on her face
yet I also saw hope.. in her eyes and I heard it in her voice

The hours that she spent there were like heaven to her.
She got drinks and food that she would not get in prison...company of new people and a chance to feel normal whatever she perceives normal to be

she laughed nervously with the guards but I could tell that she was sort of excited to be out.
Maybe she took the drugs just so she could get out and breathe the air for just a moment.
I wondered about all the motives one might have
She said that it was because she felt she was going to get caught
but as the story went on ....
she further detailed
after the guards came into the bathroom
and found nothing
she went back and sat at a table with a few other cellmates
and waited to see what was going to happen
maybe she didn't think the drugs would seep through the wax
Or maybe they would have a slow delivery and she would just be high again
or maybe she did know
I don't think she wanted to die but just desperately wanted out
She knew that this badass chick
was going to want money for those pills
she had asked to be moved back to Delta
where she liked it....
she said she was clean there
Apparently she complained over and over and even told them what this girl was doing
She told them that she was going to be a victim in this new unit
she did not want to be there
no one was listening

I was still lying in the bed when they finally strapped her in and decided to take her back to the prison
I was kind of sad to see her go to be honest
because she wasn't completely stable
Physically or emotionally
And I don't really think she belongs there
I guess they don't worry so much about prisoners
And as she left
she had this look of longing that she wished she could trade places with me and she didn't even know what was wrong
that I was there for something wrong with my heart
I think even if it was cancer she would have traded

We again exchanged warm smiles again, an acknowledging nod
and we both added a small wave...
I think knowing
we would probably never really see each other again

My friend who had been absent
Who finally decided to come
and see how I was doing
said "do you know that girl?" and I said "no I don't we haven't even talked." I think he was puzzled....

Actually we both were there with something wrong with our hearts...
and I will probably never forget her face
I will pray for her, her families and her children
her children's children
that they can break the cycle of abuse, dysfunction and unhappiness
I am 100% certain that it's possible
I've done it in my own life
and my family's life
though some things are not always so probable

I wish it was contagious...
that she could have caught it there at the hospital but it's really something you have to dig deep to find
You have to want it more than living
More than dying
I'm not sure we ever find our ideal life or blissful happiness...
Most of us endure a lot of suffering
I have let it grip me before
though I am satisfied with being content
in my life... grateful in every moment
anything more really is a true blessing

So upon reflection
I guess again it just helped me to reinforce that every single part of life cannot be taken for granted.
The air that we breathe
the food that we eat
the music that we listen to
and dance to
the kind smile of a stranger
in a hospital bed next to you
a sad poetic story
Or one of Hope
Being able to drive to the store or walk home if you would rather
Sharing time with your family and friends and everything else it's beautiful in the world.
If I ever think my life is too much
just so bad
I always try to think about those who have it so much worse than I do
Although sometimes if I do that it's too much to bare
To think of genocide and children starving
Even if I only have a few dollars sometimes

I do this not only to gain insight ...review hindsight and if I'm lucky have some foresight in my future
or to protect myself from those potential tragedies happening in my life or in my family's life....

it is more about the fact
that I need
WE....need
to be aware
all the time
the people around us are suffering
and there are little things we can do to make their days better like those smiles and the wave we shared....

I carry her smile with me and I hope she carries mine with her.
I was really pretty scared but somehow that smile and wave was comforting and I hope it comforted her too.
The irony was that she was due to get out within a couple months so I again pondered whether she was institutionalized and wanted to actually stay.
I hope not though because she seemed so kind and so optimistic under such distressing circumstances.
If she had to stay I'm glad she had a moment to breathe the air outside her Prison Walls again even if it was just for a moment
And I sure hope she got the hell away
from that bad *** chick
who just wanted to bring her down

Cherie Nolan © 2016
This was not a real recent visit to the hospital but it did happen just a true story I wanted to share it's all I could manage for today thanks for reading
judy smith Jul 2016
Valentino has its red, Versace its Medusa logo, Chanel the tweed that lines dresses and jackets and handbags each season. In the fashion world, these nuances of texture and color, in conjunction with shape, are what help define a brand's identity, what ultimately makes them feel familiar to consumers; they are fashion's version of DNA. Designers carving out their place within the industry will often land on their own set of signatures that are built upon with each new collection—but Patric DiCaprio, the 26-year-old designer of Vaquera, isn't interested in "buy-ability" or recognizable traits. "We are obsessed with keeping people guessing" he says. "We want that to be our thing."

In the three seasons since launching the New York-based brand, DiCaprio has infused Fashion Week with the sort of Dionysian energy once felt at early John Galliano shows. For his Summer/Spring 2016 show, staged at the Church of the Ascension in Greenwich Village, models walked the aisle to the Smashing Pumpkins in baptismal baby-doll dresses and ruffled bloomers, with DiCaprio's boyfriend closing the show in a wedding gown. In February, with new partners David Moses and Bryn Taubensee on board, a debaucherous cast of models dressed in Victorian-meets-club looks danced, lifted their skirts and put their cigarettes out in audience member's drinks at the China Chalet venue in the Financial District.

"Vaquera is about constant reinvention," DiCaprio says of his no-guts-no-glory ethos. "It's about the future; the future of style and clothes, but not in the cliche of futuristic spandex and metallics."

Much like his collections, the designer's path in fashion has been far from linear. Born and raised in Alabama, DiCaprio attended a private Christian school before studying photography at a public university in the South. An internship with DIS Magazine offered him a crash course in art direction and styling, and the opportunity to draw creative fuel from New York—a city that has very much proven to be his creative elixir.

"I felt like I had been underwhelmed for my whole life," says DiCaprio, who moved to the city five years ago and taught himself to sew through YouTube tutorials. "When I first came to New York it felt like I had finally gotten my head above the water and had oxygen for the first time. This place was overwhelming in the best way." DiCaprio spoke with PAPER about his creative approach, his unconventional path to fashion and his idolization of David Bowie.

What sparked your interest in fashion?

I think it's always been about clothes for me. When I was in middle school and high school I was always in bands. I was obsessed with Screamo and David Bowie—the groups that had such strong visual aspects to their work. But I think part of me always felt like I was doing that so I could assume the look. Screamo bands would let me wear the size zero, ultra-stretch white jean. With David Bowie, I wanted to wear the gold eyeshadow; it was always about the look.

How did studying photography lead you to fashion design?

My school was very focused on the craft—the dark room and perfect exposure—but I think I was on the opposite end, I was interested in what was happening in the photo. I left college to do an internship with DIS Magazine and because they're involved in so many creative avenues like photography and styling and art and video, I was able to get a realistic vision of things. The experience [with DIS] made me realize I was less interested in photography and more interested in creating these characters.

When school ended, I moved to New York and and worked with DIS again and then with VFiles in [the archives department]. I'd go through old issues of ID and Paper and Dazed and it taught me a lot about fashion history. I had been removed from all of that when I was growing up, there was no Chanel store in Alabama, there was no Dazed And Confused at the Barnes and Noble in Alabama. Coming to New York I was able to get my hands on the clothes and study these old magazines.

How did you get that initial internship though?

I'm obsessed with Tumblr. I got on it more than eight years ago, and it was a huge part of helping me reach out to people. People that I'm still friends with now—Hari Nef and Juliana Huxtable—I met through Tumblr; they moved to New York before me and motivated me to do the same. So I emailed the team at DIS, and asked if I could show them my photography portfolio—which sounds so funny to say now—and they offered to show me the ropes. They hooked me up with Avena Gallagher, who is an inspiration and has taught me everything I know about styling.

About two years ago I started working for her and became obsessed with styling. I styled Charli XCX for a year—and it was exciting, definitely closer to what I wanted to do but it wasn't exactly it. I wanted to pull specific things—1980's Issey Miyake, but there was no way a no-name stylist like me would be able to get my hands on it. So I bought a sewing machine and started sewing the things I wanted for photo shoots. Vaquera started as an art project that wasn't about wearing the clothes or making something for Opening Ceremony—it was about making clothes that I could then shoot. The final product was the look book.

What made you decide on the name Vaquera?

A few different reasons. I was reading a book by Tom Robbins called Even Cowgirls Get The Blues and it was really informative for me at the time. I was also working in a kitchen as an expediter with a bunch of Mexican line cooks and they had a lot of pet names for me, like "el pato" which is gay slang for f—got, and "little baby doll." They knew I was from the South so they'd call me "La Vaquera" because that's Spanish for cowgirl—even though cowgirls aren't Alabama, it's more of a Texas thing. So I just called the project Vaquera. It seems so arbitrary now, I'm stuck with it for better or worse.

What's been one of the challenges of keeping things future-focused?

I've had criticism from people that it's such a bad business model to reinvent yourself each season, that no one's going to know what to expect from you. Buyers are going to be confused, you're never going to make any money. And I've just been like, "Well, I think we don't have any interest in that." We are obsessed with keeping people guessing—we want that to be our thing. I try my best to keep it a secret until the day of the show and then just let loose.

So we're going to assume you won't be giving any clues about next season's show.

Oh my god, i don't want to give it away! I think people want to see billowy-sleeves but that's out the door. We're doing something completely different. Romantic but a whole different definition of romance.

How has working with David and Bryne changed things for you and the brand?

Last season it was like a whole new brand. We came together through Avena and it feels like we're progressing, which is exciting. I got sick of doing everything alone. For the Spring show I sewed everything, produced it myself, got the location, cast it myself.

And did you collapse after the show ended?

It was a serious problem, it became impossible. I realized I was either going to have to plateau so I could get my life together or I was going to have to find a way to expand the vision. I trust Bryne and David with my life and they understand my vision but have their own ideas. It was a necessary change.

So many designers have expressed concern about the relentless pace of the industry recently.

All these different seasons—pre-fall, couture, designers showing things that are going to be available for purchase the day after the show. That's so scary for people like us who are on our hands and knees in the living room cutting the clothes and can barely get them made in time for the show.

Do you want to stay independent? What are the benefits and detriments, in your opinion?

I think we want to stay independent. I want to make money but I don't want to feel pressure to do certain things. I'm already so sick of that show we just did—already on to the next one. It's like with Demna Gvasalia getting the Balenciaga job: I was so disappointed to see him doing the same thing he did at Vetements at Balenciaga, but then I realized, with all the money that's involved and when you're working with these huge offers, there's contracts. Money complicates things in a way that I think can hurt people's creativity. Maybe you'll make a lot of money for a few years, but you might forget how to make exciting things because you're stuck with the designs that worked well one time. I want to make money, but we want to find different ways of doing it.Read more at:http://www.marieaustralia.com/formal-dresses-melbourne | www.marieaustralia.com/formal-dresses-adelaide
judy smith Sep 2016
WHEN Kylie Minogue began the process of tracking down 25 years of costumes and memorabilia for an exhibition on her (literally) glittering stage career, she had one crucial call to make.

“There were a few items the parentals were minding,” laughs Minogue. “I, too, do the same thing as everyone else: ‘Mum, Dad, can you just hold onto a few things for me?’ It’s just lucky they weren’t turfed out from under their watchful eye.”

Kylie On Stage is the singer’s latest collaboration with her beloved hometown’s Arts Centre Melbourne. She’s previously donated a swarm of outfits to the venue, going all the way back to the overalls she wore as tomboy mechanic Charlene on Neighbours.

This new — and free — exhibition rounds up outfits starting from her first-ever live performances on 1989’s Disco in Dream tour. Still aged just 21 and dismissed by some as a soap star who fluked a singing career, Minogue found herself playing to 38,000 fans in Tokyo, where her early hits “I Should Be So Lucky”, “The Loco-motion”, “Got To Be Certain” and “Hand On Your Heart” had made her a superstar.

“From memory, I was overexcited and didn’t really know what I was doing. I just ran back and forth across the stage,” says Minogue of her debut tour.

Disco in Dream also premiered what would become a Kylie fashion staple: hotpants. “Those ones were more like micro shorts, not quite hotpants, but they started it,” she admits. “There were also quite a few bicycle pants being worn around that time, too, I’m afraid.”

That first tour stands out for one other reason: Minogue officially started dating INXS’s Michael Hutchence at some point during the Asian leg.

“I had met Michael previously in Australia, but he was living in Hong Kong [at the time] and I met him again there. The tour went on to Japan and he definitely came to visit me in Japan.”

Fast-forward from Minogue’s very first tour to her most recent, 2015’s Kiss Me Once, and the singer performed a cover of INXS’s “Need You Tonight”. She remembers first hearing the song as a teenager. “I don’t think I really knew what **** was back then,” notes Minogue. “But that’s a **** song.”

Before the Kiss Me Once tour kicked off, the Minogue/Hutchence romance had been documented in the hit TV mini-series Never Tear Us Apart: The Untold Story Of INXS. Minogue said then it felt like Michael was her “archangel” during the tour — “I feel like he’s with me.”

Her “Need You Tonight” costume was also deliberately chosen to reflect what Minogue used to wear when she was dating the rockstar. “It was a black PVC trench coat and hat,” she says. “I loved that. It just made so much sense for the connection to Michael. I literally used to wear that exact same kind of thing, except it was leather, not PVC.”

By 1990, Minogue’s confidence had grown, something she’s partially attributed to Hutchence’s influence. Before her first Australian solo tour, she performed a secret club show billed as The Singing Budgies — reclaiming the derisive nickname the media had bestowed on her. It would be the first time her success silenced those who saw her as an easy target. Next year marks her 30th anniversary in pop; longevity that hasn’t happened by accident.

Minogue’s career accelerated so quickly that by 1991 she was on her fourth album in as many years and outgrowing her producers, Stock Aitken Waterman, who wanted to freeze-frame her in a safe, clean-cut image.

On 1991’s Let’s Get To It tour of the UK, Minogue welcomed onboard her first major fashion designer — John Galliano. He dressed her in fishnets, G-strings and corsets; the British press said she was trying too hard and imitating Madonna at her most sexed-up.

“Of course those comparisons were made, and rightly so. Madonna was a big influence on me,” says Minogue. “She helped create the template of what a pop show is, or what we came to know it as, by dividing it up into segments. And if you’re going to have any costume changes, that’s inevitable.

“I was finding my way. I don’t think we got it right in some ways, but if I look back over my career, sometimes it’s the mistakes that make all the difference. They allow you to really look at where you’re going. I’m fond of all those things now. There was a time when I wasn’t.

“Now I look back at the pictures of the fishnets and G-strings I was wearing ... Maybe the audience members absolutely loved it, maybe they were going through the journey with me of growing up and discovering yourself and your sexuality and where you fit in the world.”

As the ’90s progressed, Minogue started experimenting with the outer limits of being a pop star, working with everyone from uber-cool dance producers to indie rocker Nick Cave.

Her 1998 Intimate And Live tour cemented her place as the one thing nobody had ever predicted: a regular, global touring act. Released the year prior, her Impossible Princess album had garnered a credibility she’d never before enjoyed. But more credibility equalled fewer record sales.

The tour was cautiously placed in theatres, rather than arenas. Yet word-of-mouth led to more dates being added — she wound up playing seven nights in both Melbourne and Sydney, and tacking on a UK leg. All received rave reviews.

The production was low-key and DIY: Minogue and longtime friend and stylist William Baker were hands-on backstage bedazzling the costumes themselves. The tour’s camp, Vegas-style showgirl — complete with corset and headdress — soon became a signature Kylie look, but it was also one they stumbled across.

“I remember the exact moment: the male dancers had pink, fringed chaps and wings — we’d really gone for it. I was singing [ABBA’s] “Dancing Queen”. I did a little prance across the stage and the audience went wild. I thought, ‘What is happening?’ That definitely started something.”

Then came the “Spinning Around” hotpants. Minogue couldn’t wear the same gold pair from the music video during her 2001 On A Night Like This tour — they were too fragile — but another pair offered solid back-up.

“That was peak hotpant period,” says Minogue. “Hotpants for days.”

After the robotic-themed Fever 2002 tour (featuring a “Kyborg” look by Dolce & Gabbana), 2005’s Showgirl tour was Minogue’s long-overdue greatest hits celebration.

Following a massive UK and European run, her planned Australian victory lap was derailed by her breast-cancer diagnosis that May. Remarkably, by November 2006, Minogue was back onstage in Sydney for the rebooted Showgirl: The Homecoming tour.

“I look at that now and I’m honestly taken aback,” she admits. “It was so fast — months and months of those 18 months were in treatment.”

Minogue now reveals her health issues meant she had to adjust some of the Showgirl outfits: “I was concerned about the weight of the corset and being able to support it. I was quite insecure about my body, which had changed. For a few years after that I really felt like I wasn’t in my own body — with the medication I was on, there was this other layer.

“We had to make a number of adjustments,” she adds. “I had different shoes to feel more sturdy ... It was pretty soon to be back onstage. But I think it was good for me.”

The singer’s gruelling performances involved dancing and singing in corsets, as well as ultra-high heels and headdresses that weighed several kilos.

“A proper corset, like the Showgirl tour one, is like a shoe,” she explains. “It’s very stiff when you first put it on. By the end of the tour it was way more comfortable. The fact it made it quite hard to breathe didn’t seem to bother anyone except for me. But it was absolutely worth it. I felt grand in it.

“It took a while to learn how to walk in the blue Showgirl dress,” she continues. “I had cuts on my arms from the stars that were sticking out on pieces of wire. You’re so limited in what you can do. You can’t bend your head to find your way down the stairs.

“Whether it was the Showgirl costume or the hotpants, or the big silver dress from the Aphrodite tour [in 2011] that was just ginormous, they all present their own challenges of how you’re going to move and how you’re going to do the choreography. There are times the costume can do that [figuring out] for me; other times I really have to wrestle with it to do what I need to do.

“But you’re not meant to know about that,” she adds, “that’s an internal struggle.”

Minogue has spent much of 2016 happily off the radar, enjoying the company of fiancé Joshua Sasse, 28. She gets “gooey” talking about her future husband, whom she met last year when she was cast opposite him in the TV musical-comedy series Galavant. He proposed to Minogue last Christmas.

Just like the “secret Greek wedding” that was rumoured but never happened, reports of summer nuptials in Melbourne are also off the mark.

“I hate to let everyone down, but no,” she says. “People’s enthusiasm is lovely, we appreciate that, but there are no wedding plans as yet. I’m just enjoying feeling girly and being engaged.”

Minogue will be in Queensland next month filming the movie Flammable Children. The comedy, set in 1975, features her former Neighbours co-star Guy Pearce and is written and directed by Stephan Elliott (The Adventures Of Priscilla: Queen Of The Desert ).

“It’s Aussie-tastic,” laughs Minogue. And she is also planning a sneaky visit to check out her own exhibition when she’s back in Melbourne.

“I’ll probably try to move things around the exhibition,” she says. “And they’ll probably tell me off: ‘Who’s that child playing with the costumes?’”Read more at:http://www.marieaustralia.com/formal-dresses-sydney | www.marieaustralia.com/formal-dresses-2016
kyle henderson Oct 2012
The sign sun stains in the duct taped window advertising gainful employment in a part time pay by the hour washer deryer upstairs hair stylist crumbling 1960s salon.
Chipped white washed paint draws in the custom customers  offering permanates in every style and yesterday's hair of tomorrow "put it on today don't worry about it till tomorrow! The doors open to a bell and hairspray smell, something that might catch fire in a spark or cancer the lungs.
  The smock and name tag carry home the hairspray scent and ghost in store radio fades the ears from sleep. The bed reminds you of the pay check though so you push it all aside.  
Help wanted wanted help  to get out of the make me want to die lifestyle
Perig3e Jan 2011
Your lapped iPad is the perfect palimpsest,
for an intimate exchange,
with one of your stylist fingers
your lover's words become ostrich heads
whenever your husband
sallies forth for another can.
All rights reserved by the author
judy smith Sep 2015
Sep 28, 2015- A cocktail party is a fad in big fat weddings nowadays, and so have elaborate and voluminous cocktail gowns! But before you head to buy such an outfut, it's best to evaluate your body type and choose something that offers comfort, says an expert.

Divya Sisodia, fashion stylist, VioletStreet.com, an online shopping destination, has shared tips on how to choose a cocktail dress that can flatter you:

* Before picking a cocktail dress, evaluate your body type on whether it is pear shaped, rectangle shaped, apple shaped, petite, bony, boxy or full-figured.

* Instead of blindly following the trend spotters, opt for a dress which is comfortable and suits you. For example, apple shaped women, who carry most of the fat around their abdominal region and often have a large bust and waist, but narrow hips, must opt for soft fabrics rather than fabrics that would cling to their body. Cocktail dresses with flowing or A-line cuts are perfect for pear shapes, as they silhouette the hips beautifully.

* Full-figured and plus size women must choose dark coloured dresses that make them look thinner.

* Accessories are a great way to add oomph to an evening look. It can help to add one’s own flair to a dress that might be beautiful on its own. Even a simple black dress becomes a style statement when paired with a pair of edgy earrings and spiked heels. You can also use interesting or chunky neckpieces to divert attention to your upper body than to your lower body.

* Don’t try to fit into ill-fitting cocktail dresses as they will only make you feel and look uncomfortable.

* To create an hourglass delusion, highlight your waistline. Blouson dresses that gather around the waist add a curve to the upper hip and show off your perfect legs. You can further enhance your waistline with a wide belt or corset belt in a contrasting colour to your cocktail dress.

read more:www.marieaustralia.com/cheap-formal-dresses

www.marieaustralia.com/princess-formal-dresses
judy smith Oct 2015
Mandy Moore spent a casual Wednesday visiting friends at a beauty salon.

The 31-year-old actress appeared in great spirits as she left the Striiike Salon in Beverly Hills in a black midi-dress with thigh-high split and snakeskin sandals.

During the outing the Because I Said So actress shared a snap from inside the salon where she showed off her matching hairdo with stylist pal Ashley Streicher.

Mandy captioned the snap: 'Hair twins with my fav, streicherhair. #striiike'

The actress's golden brown locks fell in beachy waves to just above her shoulders while her blonde friend rocked a similar longer version.

Mandy kept her eyes covered in stylish eyewear and wore her denim jacket draped casually over her shoulders.

She dressed up her look a little with orange-red lipstick.


Smiling as she headed back to her car, Mandy carried a blush pink handbag and black fedora.

The actress was reunited with an old flame this week as she hung out at Universal City's Halloween Horror Nights.

Pictured with her ex Wilmer Valderrama, 35 - who now dates pop star Demi Lovato - Mandy smiled in a selfie with the actor and another friend and shared it on Instagram writing: 'I've know this goof since I was 15!

'So many indelible memories and stories with these 2. Always fun to catch up with an #HHN run,'

Mandy dated the That '70s Show star from 2000 to 2002.

Mandy added another snap of the trio posing with pals, including Cupcakes and Cashmere's Emily Schuman, in front of one of the haunted houses.

'At the ****** house at #universalhhn w the crew including emilyschuman, wilmervalderrama and a hidden rp1313. Quite the Sunday evening....' wrote the Because I Said So actress.

Mandy has been linked to Dawes frontman Taylor Goldsmith following her split from her husband of six years, singer Ryan Adams, in January.

read more:www.marieaustralia.com/cheap-formal-dresses

www.marieaustralia.com/****-formal-dresses
judy smith Oct 2015
MANILA, Philippines - The public knows me as the Father of Philippine Franchising but what is hidden from the public eye is that I am a father of five sons and a daughter. This fact became very real to me again recently when my youngest son, Sam Gregory, got married.

Like I said, I have five sons and all of them are achievers and successful in their respective fields. My eldest son, Sam Benedict, for example, has a master’s degree from Kellogg and works for a top American company. My fourth son, Sam Christopher, on the other hand, got his master’s degree from Oxford and used to work for a top British conglomerate.

When my other sons got married, I was happy and proud as I could be; but when Greg got married I have to admit that there was a certain tug in my heart realizing that my little Sam was finally leaving the nest. I am not the sentimental type, but I guess every parent has a special place in his heart for his youngest.

But don’t get me wrong, Greg is no pushover. Being physically small, he did have his share of bullying when he was in school. But Greg knows how to deal with his problems. He befriended a number of his bigger classmates and that solved his problem in a snap. He may be small but he has a big heart.

Greg is idealistic and principled. He usually volunteers for civic and charitable activities and contributes to fund drives for disaster victims. My wife and I have accepted the fact that every time there is a typhoon, we can expect our cupboards to be cleared of canned goods and our cabinets purged of old clothes, which Greg would donate.

He follows traffic rules and regulations even when there’s nobody watching and even if following is not convenient for him. He saves energy. He recycles. He even convinced me and my wife not to use narra wood flooring in our retirement home.

Being a careful planner, he is the most prepared among our family for the “Big One.” But what I find most admirable is that he keeps two emergency kits in his car in case he finds himself in a situation where he might need to help others.

Greg is also romantic, creative and dedicated. When he was studying in Beijing, he would organize a virtual date with Charmaine Haw (who would eventually become Mrs. Sam Gregory Lim), who was in Manila. They would watch the same movie on the web and Greg would order movie snacks, which he would send to Charmaine’s house. The couple would also have virtual dinner dates where Greg would order similar meal courses, which would be delivered to Charmaine’s house and then they would chat via Skype while having dinner.

When the time came for Greg to buy his engagement and wedding rings, he refused to let us — his parents — help him. He used his own money despite being the one among his brothers who could least afford it, being the least salaried employee among them. He did this as a symbol of his love and commitment to Charm.

But when the wedding came I insisted that it should be a grand wedding.

To guarantee a great party, we made sure to have great food, a great place and great companions. Being an avid sci-fi fan, Greg already had an idea of a unique garden wedding. He wanted to transform the New Grand Ballroom of the Marriott Hotel into the forests of Avatar. To do this, the wedding stylist had to import a collection of trees, hanging plants, shrubs, flowers and other plants. The images projected on the giant 15-meter panoramic LED screen added to the reality of the scenery. It was a unique and original “garden setting” and was certainly a sight to behold and remember.

For the food, Greg was at his meticulous best to make sure that the evening’s feast was memorable. The dinner opened with a mouth-watering appetizer, lemon-spiced pan-seared scallop with tomato cucumber timbale in creamy ginger soya sauce followed by Manhattan clam chowder with cornbread dumpling. For the main course, we had the beef tenderloin prepared by the master chef of Cru Steakhouse of Manila Marriott Hotel, sea bass with roasted shallots, dauphin potatoes in perigourdine and mustard herb sauce.

The espresso-infused tiramisu and the white chocolate cheesecake with mango salsa served with piping-hot coffee completed the culinary feast.

With 800 guests, I would have to admit that we did splurge a little. But we also wanted the wedding reception to be an opportunity to thank the people who have been a part of our family. These are our relatives, friends and associates who have inspired, mentored and helped mold my children to be what they are today.

To my youngest son, Greg, and my new daughter, Charmaine — quoting from the Vulcan salute of the Star Trek saga (of which Greg is a big fan) — may you both live long and prosper!

read more:www.marieaustralia.com/formal-dresses

http://www.marieaustralia.com
A Nony Mouse Nov 2011
A firefighter afraid of heat,
A quarterback afraid of a football,
A speaker afraid to project,
A musician afraid to perform,
A lawyer afraid of court,
A teacher afraid of chalk,
An astronaut afraid of space,
A hair stylist afraid of scissors,
A bus driver afraid to drive,
A doctor afraid of needles,
A mother afraid of children,
A lover afraid to love.

We’re told we can be whatever we want to be,
But you must see,
That it is more important to do what you want than to try to overcome fears just to live up to expectations.
Michael Hoffman Dec 2012
1. What in the world
         possessed you
to do that!?@#$%^
My god . . . that was so stupid and careless!

#2. Why? . . .
I trusted my intuition.
My heart believed,
emotional logic compelled me.
Fluid, spontaneous from the gut.

#1. You’re crazy.
I would never
put myself at risk like that.

#2. What risk?
Getting harrassed
by the mind police?
They don't own me.

#1. But they punished you.

#2. No, just a little
        desperate flaggelation.

#2. But look at yourself
all boxed up,
stigmatized and branded.

#1. You mean the labels?
Those words they use
to define me?

#2. Yes, you’re a bad person.

#1. No, I’m not.

#2. Yes, you are.

... and they argued til dawn
neither knowing
nature does not declare winners
but admires innovation....

like when Magellan sailed off no edges
when Einstein confounded everyone by sailing in his head
when the Wright Brothers lifted off
when Tesla moved electrons
when Christ embraced the centurions
when Gautama just sat down
when the librarian refused to take Catcher in the Rye off the shelf
when Lenny Bruce swore on stage
when Leary and Alpert left Harvard
when Joan of Arc refused to recant
when Gandhi and friends burned their English wool
when Jung declared a spiritual psyche
when the UFC earned a huge Neilsen

so be your own guru
take kava kava instead of Prozac
barter with your hair stylist
and when someone says
you are wrong
ask them why
there are no dinosaurs
in the Bible.
Sharon Stewart Nov 2011
I don't brush my hair or eat my vegetables.

Really, that's who I am. The tall girl
with the little cousins splashing careless
in the tissue paper leaves of fall
who climbs trees and scratches her bug bites until
they bleed and comes home giggling
with grass-stained knees and dirt in her pockets.
Mom would smile at dinner and say I smell like
Outside.

The compliment of compliments, untouchable with
innocence revered.

Somehow, with a little west coast living and
men under my belt, I've changed. With pressure to
be domestic and beautiful, ****** and *****,
flourish professional and more successful
than my mother's mother who mothered 6,  
I have forgotten this. I fall short.

I fall
in love with men who quell Outside joys and bike rides
with money and ******* and touch me in the dark,
cooing and cawing and convincing me
I'm happier to throw a pretty penny
around, and here, take this pill, smoke this dope,
to not remember the smells and scabs and stories from
when you gave a **** that made you who you are.

I'm getting my hair done today at some high end place.
I'm waiting for blonde dye to set, reading about
world hunger in my National Geographic. Wait,
that's probably not acceptable.

Okay, I'm reading
about J.Lo's *** in US Weekly, talking numbly to the stylist
about I-can't-believe-they-wore-that, while some yuppie
next to me with her face stretched too tight
is reading something ****** in Vanity Fair and
won't shut up about the Kardashian divorce.
"I mean, not like I know her or anything, but it seems
SO like her to..."

I'm surrounded by flourescent lights and floor length
mirrors and ******* with their caked on makeup
whispering of affairs and debt the way
you inexplicably can to your hairdresser alone.

I look at my face in the mirror,
framed in foil, pop music pounding overhead.
I mean, I'm not as bad off as the rest of them, right?
I couldn't be. I
remember the bug bites, piles of old leaves,
pink-cheeked simple childhood, and I can't
breathe all the sudden.

I
click my designer heels to the counter
throw my credit card at the $144 bill and
leave, speeding, to get away, don't know where
to go, I just end up at a ritzy bar where I stumble in
and, out of habit, order a martini, clean, straight up with
a twist.

Then I look down and burst into tears because
really, I'm no different from them and
truly, growing up in this town is
such a cruel, long hurricane of loss
that you can try to flee, past tangled hair and untouched
vegetables, all across the great Outside but you
just can't outlast in hide and go seek.
Kalesh Kurup Sep 2017
“Sir, this mole seems to be growing and spreading”
Suhail stopped the scissor and comb, and said
“It’s a bit grown than last month and even then, I noticed it spreading”

Suhail is my hair stylist for the last about six years
I have seen him growing from a Hair Analyst to Specialist to Senior Hair Specialist
There is something more than the generous tip that connects us
May be my willingness to abide by his experiments with my hair
Or reciprocation of loyalty that bound us every month

Surprised, I asked him, “What mole are you talking about?”
“Don’t you know the black mole on the back side of your left ear” puzzled Suhail
“You go and check with Madam, may be its my feeling only”

“How would madam know about it Suhail, she doesn’t cut my hair!”
“Arre Sir, you too!” Suhail had a vicious smile on his face
“Come on tell me” I prodded him with the same viciousness
We got into wayward pastime …

“Arre, Sir, they get to see it…
When you lay down on her lap in those afternoons
And she combs your hair with her fingers
And when you fall into that muddle of sleepiness and excitement
Her eyes would lock it”

“Arre, Sir, they get to see it…
When she comes from the back as on paws of a cat
Hugs and hold you tight with her hands
And press her face on your shoulder
Her eyes would lock it”

“Arre, Sir, they get to see it…
When those drenched lips move away from your lips
And the craving teeth leave a hickey on that earlobe,
Her eyes would lock it”

Suhail finished the haircut and I left tipping him as usual
The drive back home searched through the labyrinths of memories
Of caressing fingers, tight hugs and hickeys
Why didn’t she mention that mole, ever?

“Honey, you never told about that Mole,
Come on, let me see and let’s go to a Dermatologist quickly
We can’t take these things lightly; the doctor may even suggest a biopsy
Biopsy is fully covered in your mediclaim, isn’t it?”
“Arre” is a Hindi language term meaning “Hey”
as soon as she sees it she wants it is entitled to it while she is stealing it she begins elaborate lie everybody knows if she truly wants it she has means everybody knows she is gorgeous movie actress celebrity starlet awesome accessory genius she convinces herself she did not steal it the darling delicate chain with finely crafted handcuff clasp and accompanying key she wears it effortlessly just another imperial trifle hanging around her exquisite throat she has no idea how it got there she may have a drug problem a little dizzy even careless but she is no thief what with her magnificent beauty idyllic body prominent discography why would anyone accuse her she is submerged in deep denial why with so much to lose and absolutely nothing but tiny shimmering embellishment to gain why do tell would anyone point a finger at her she probably wasn’t even ever there at that dicey store she never tried on the astronomically overpriced bling it may have been her dodgy handlers or stylist’s suspect mismanagement and subsequent loan hypothesis she is positively not a thief it’s too insignificant an item to squabble about a mere gold necklace the whole incident ridiculously overblown cruel in fact she hates the miserable paltry piece of jewelry here take it back she insists it never graced her illustrious neck if anything perhaps a cheap ploy by Venice Beach shop to enhance it’s value oh the genuine necklace that she stole
HRTsOnFyR Jul 2017
The man on the corner stopped her short,
Signaling through the window at a pile of hats,
To a crisply woven straw fedora and satin bowtie,
He winked the remark, "I think that hat there, it was made for you, mam."
And then off he went  down the crowded walk.
Perplexed I was as I carried on for nearly three blocks
'Fore I got the nerve to turn on back,
The enthusiasm for what he said had quite convinced me,
Never mind the fact that I'd never been much into hats.
The sloping brim curved above my brow with true perfection
And the satin folds gave the bright black bow such a shiny light,
The maker's name was a Peter Grimm, near a small white rabbit,
And it brought to mind how the month before she had felt her clocks blow,
And her soul fell a-flying down that rabbit's hole,
When the baby left, and the world turned darkly unfamiliar,
And she had no pill that could turn her back to big again.
Just her tiny, tumbling figurine of selfhood,
Behind an ever shifting mirrored wall of dreaming
Lost among the lines of the angry mind of the old Red King,
But the hat felt safe, and perhaps she'd even felt a wee bit taller,
Inches feel like miles when dimensions move beyond the realms of normal time.
Plus the ornamental headwear offered comfort,
And put a snap back in her step for just a beat...
With a silent thanks for the unnamed haberdashery advisor,
She and her hat with the ******* sash,
And the rabbit stitched in,
Bobbed along the seams of Seattle streets
With a joyful heart and a big broad grin.
Aaron LaLux Sep 2019
All those years worn,
you never did make it outta The Valley,
all those feature film premieres, never did land a starring roll,
or get any recognition, let alone an Oscar from The Academy,

all those foggy eyed groggy times,  you were probably high,
all those checks you cashed, for your non refundable time,

waking up one day, wondering where it all went,
driving a car with a lease more expensive your apartment’s,

still stuck in that same apartment, off Ventura Blvd.,
still a B-List actor ******* that A-List ****,
still getting haircuts from stylist, still racking up milage,
got more clothes in your closet than dollars in the bank,

& in the end after it’s all said & done & all the time is spent,
& you’re finally spent, what’ll you have left to show for it all?

All those years worn,
spent suspended in mid air, baking in The Valley,
all those times you attended, those feature film premieres,
still no recognition, let alone an Oscar from The Academy..

∆ LaLux ∆

from The Hollywood Hearts Trilogy Vol. 3:
Dark Lights | Bright Shadows
9/9/19

I'm letting it all go, telling it like it is in Hollywood. This book is the one. Get it, or if you can't afford the $3, let me know and I'll buy it for you.
tangshunzi Jul 2014
Per quanto adoro un matrimonio moderno o rustico .io sono un vero romantico a cuore .Un amante Jane Austen che si innamora perdutamente di morbidi .fiori lussureggianti e giardino ricevimenti partito- esque che vi toglierà il fiato .Questo .amici miei .è uno di quei matrimoni.Una splendida storia drop-dead .che è tutto il romanticismo .e tutto sulla bella .Vedi tutto catturato dalle Fotografia Redfield nella piena galleria .

ColorsSeasonsSummerSettingsMansionStylesRomanticTraditional Elegance

Da Sposa.Peter e io ci siamo incontrati nella scuola media.ma non iniziare risalente fino a dopo ci siamo laureati di scuola superiore .Dopo incontri per oltre otto anni .Peter ha infine deciso di proporre .con l'aiuto del nostro cane .Dexter .Peter fece un segno da appendere al collo Dexter ' che ha dettoè èommy .vuoi sposare papà?ècon un po' di zampa di cane sul segno .363 giorni dopo che Peter ha proposto .ci siamo sposati .Se potessi scegliere alcune parole chiave per descrivere l'ispirazione complessiva



e il tema stavamo andando perché sarebbero: romantico .classico ed elegante .Niente di troppo pesanteèVolevamo una serata piena luce d'amore .risate .la famiglia e gli amici .Volevamo solo che tutto sia classico .
tocchi speciali e progetti fai da te : Abbiamo avuto un artista dal vivo (pittore ).che ogni singolo ospite pensava fosse davvero incredibile !E lei era assolutamente abiti da cerimonia taglie forti incredibile ;una giovane donna di grande talento .Inoltre .il nostro cane ha svolto un ruolo speciale .era sullo sfondo della cerimonia di nozze .e poi dopo ci siamo sposati ufficialmente è venuto avanti in modo che potessimo recesso lungo la navata come una famiglia .La nostra lista di birra è stata inoltre selezionata a mano dal padre dello sposo .

PROGETTI fai da te:zecche

èsalvavita nel cartoncino che sembravano coi libri conè e èsu di loro .o la data del matrimonio .o la nostra monogramma sposato in penna d'oro .

èLa toile e tabella navy numeri in corniciè eacquisti per telai per diversi mesi .raccogliendo una o due qui o là .poi spray dipinto tutti loro oro .Mi piace toile e volevo nel mio matrimonio in qualche modo .ma non è tutto .così ** avuto l'idea di fare la tabella numeri toile .Quindi.con avorio e carta da parati blu toile .** tagliato ogni pezzo in base vestiti da sposa economici alle dimensioni del telaio.rintracciato numeri .e poi dipinto i numeri blu navy con vernice artigianali .

èHo anche fatto ilè èr .e la signoraèfirmare allo stesso modo.ma utilizzata vernice d'oro per un tocco diverso .

Fotografia : Fotografia Redfield | Florist : Radebaugh ' fioraio e Greenhouse | Wedding Cake : Graul ' Mercato | Cerimonia Luogo : La Liriodendron Mansion | Banco Luogo vestiti da sposa economici : La Liriodendron Mansion | Scarpe : Ivanka Trump | Bridesmaids Dresses : Alfed Sung | Catering :Dean And Brown Catering | vestito dello sposo : Tux Da Chaps Ralph Lauren | Grooms Scarpe : Clarks bostoniano | Cerimonia Musicista : Miriam Joy | Day Of Coordinatore: Stephanie Day Of Dream Day Planners | Abiti Groomsmen ' : Tux Da Chaps Ralph Lauren | Hair Stylist :sally Morales Of Blondie ' Hair Studio | Inviti .programmi e Signage: persnickety Invito Studio | Jewlerey : Kate ***** | live Artista / Pittore : Leah Crumbling | Banco Gruppo: The Bachelor Ragazzi band | Videographers : Reflexion Videografia | Designer Abito da sposa: AmsaleAmsale è un membro del nostro Look Book .Per ulteriori informazioni su come vengono scelti i membri .fare clic qui
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Giardino di nozze presso il Liriodendron Mansion_vestito da sera
Marya123 Jul 2016
O Hair, o Hair, wherefore art thou dear Hair?
You stuck with me since I can remember
How come you’re leaving? Why do you not care?
Why haven’t you grown since last November?

What did I do to make you love me less?
I’ve always given you the best shampoos,
Conditioners, hair cream- why are you distressed?
I wish you could talk- for I have no clue.

‘Stress’- the doctor says that you can’t bear it
It hurts you, it makes you sad, angry, weak
How I miss your happy, active spirit
You lit up my days when the world was bleak

You were obedient, made me look good
Introduced styles of your own I didn’t know
Growing fast into a shiny mane you would
Falling tantalisingly to my brow.

You used to cooperate with the stylist
So I tried new things, innovatively
Fashionable styles I never could resist
But you danced brightly, never plaintively!

Alas! I can’t possibly understand
Why you fall away to the cold hard ground
As I brush you, in the shower, strand by strand
The sight just shocks me as you make no sound.

You don’t respond to new-fangled oils
Bought online for you in desperate attempts
To make you grow again, healthy, unspoiled
But you stare up at me with harsh contempt!

Do not desert me yet, my darling friend!
I will change myself for you, make it right
Ensuring your precious life doesn’t end
I will put up a victorious, mighty fight.

I’ll meditate to reduce stress on you
I’ll stop shampoos to use homemade products
I’ll take the required medicines, oils too
Baby, for me, increase your good conduct!

I’m so sorry for all that I did wrong
All the things that then made you want to die
I’ll take care of you now, you will be strong
Work with me now, sweetheart, don’t ever cry!
For the one part of me that's dying as the days go by :'(
It must never go away from me, as I'd be incomplete.
Aaron LaLux Oct 2017
Shook Drake’s hand,
after we touched down in New Zealand,
put my hand on my poetry book like it was the Bible,
and said “Welcome to New Zealand”,

he said “Hey Thanks,
man I really appreciate that fam.”,

gave his manager a copy of 777,
and his barber a copy of The Holy Trilogy,
see great minds think alike,
and we both have lines about enemies becoming energy,

almost wanted to ask him to put me on right there,
but my life is not decided my any other man’s course,
I’m on my own journey I’m not a groupie,
I’m on my own path I ride my own horse,

still though that interaction gave me more respect for him,
and like I told his stylist nothing is a coincidence,
and if anything Drake and Lux meeting there,
was a reaffirmation of what my vision is,

the opening of an art center,
in a place I’d like to call home,
where we’re open 24 hours,
and the mic is always on,

to this I must stay focused,
and not get too distracted,
because the arts has given me so much,
that it’s only fair I give back a bit,

and like I said I don’t believe anything is a coincidence,

all is divine nothing is random,
I am aligned in tuned to the patterns,
I life That Life and don’t know how it happened,
but I’m gonna keep writing like Drake’s gonna keep rapping,

which maybe has something to do with,
why we found each other walking through that door,
on Halloween none the less,
the last day of October,

October’s Very Own,
with this Night Owl out at sunrise,
passing through Immigration with Drake,
life is such a surprise,

he touched the carved wood entry way,
at the airport in Auckland,
I wanted to stay but I had another flight to catch,
en route to Sydney,

sometimes this life moves so fast I get dizzy,

Drizzy,
so surreal he was in how big he’s become,
kept his crew,
flies ***** with all his Day One’s,

that’s loyalty,
get your crew and move up with them,
don’t do as Judas did,
even if the weather gets rough don’t betray them,

these guys live for you,
and they’d **** for you,
walking with a living legend,
living in a fantasy that’s true,

a modern day Fairy Tale,
except there are no fairies,
goblins and ghouls yeah,
and this Fairy Tale can seem scary,

but don’t worry we’ve got this,
and if you need some reassurance,
come find me and ask me,
and I will gladly grant you some guidance,

see it seems I’ve found a bit of fame,
but in the process I lost my mind,
and I’m not the only one see I’ve got some company,
because that boy Drake is on my flight,

and it’s October 30th 2017,
sometime in the middle of the night,
which is appropriate given the circumstance,
that we’re both Libras and it’s October’s last night,

and we all wear masks sometimes,
outside like it’s Halloween,
maybe that’s why I only feel normal one day of the year,
maybe that’s why I give everything all of me,

October’s Very Own,
and yes If You’re Reading This It’s Too Late,
and yes it’s Comeback Season even though we never left,
nor will we leave but either way Sorry For The Wait,

God Man,
we are God Men,
and if you want to know how and why,
you can read my volumes,

written 8 books,
last one was entitled 777,
with the 6 God,
high Fivin’,

listening to 4:44 for real,
a living holy trinity Jay Drake & Lux that’s 3,
but I wrote this only to you,
in the name of One Love Yours Truly,

dedicated to the truth,

truth,

shook Drake’s hand,
after we touched down in New Zealand,
put my hand on my poetry book like it was the Bible,
and said “Welcome to New Zealand”…

∆ Aaron LA Lux ∆

author of multiple bestselling poetry books.
tangshunzi Jul 2014
Si può o non può avere sentito un po 'di qualcuno di nome Kelly Clarkson sono sposati lo scorso fine settimana .E il suo matrimonio?Total .TOTALE .Svenire .Le nostre LBBers talento ultra dietro Archetype Studio Inc. ha fatto gli onori di catturare il giorno e stanno dando a noi anatre poco fortunati una sbirciatina a tutti la bella .


e dire la verità .un piccolo sguardo a Tennessee fattoria matrimonio di Kelly è tutto quello che dobbiamo sapere che siamo con tutto il cuore in amore .Non siete d'accordo



?
Fotografia : Archetype Studio Inc. | Abito da sposa: " Jessamine " by Temperley London | Anelli : Johnathon Arndt | capelli: Robert Ramos | Vestito dello sposo : John Varvatos | Fascia : Maria Elena | Trucco : Ashley Donovan | Stylist : Steph Ashmore| Luogo: Blackberry Farm

Prima di testa fuori nel fine settimana .abbiamo pochi vincitori super speciale !

Emily R abiti da sposa 2014 portato a casa un paio di Wedgewood Vera **** abiti da sposa 2014 Amore Nodi tostatura flauti da Secrets abiti da sposa corti Puerto Los Cabos Golf \u0026Spa Resort !Woohoo!

E complimenti a Fiona McGregor \u0026Nick Connellan .che hanno vinto una sessione impegno libero da Adrian Tuazon Fotografia !

Buon fine settimana !xoxo SMPTemperley London è un membro del nostro Look Book .Per ulteriori informazioni su come vengono scelti i membri .fare clic qui .Archetype Studio e Adrian Tuazon Fotografia sono membri del nostro Little Black Book .Scopri come i membri sono scelti visitando la nostra pagina delle FAQ .Archetype Studio Inc. vedi portfolio Adrian Tuazon Fotografia VIEW
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Nozze di Kelly Clarkson - A Sneak Peak_vestiti da sposa
Alan McClure Jan 2012
Rebellion has many paths
to tempt unwitting youth
and none of them are new at all
to tell the sorry truth
Though every would-be anarchist
would wish it left unsaid
John Harrow makes the signposts
with a top-hat on his head

When picketing the fellowship
a friend of mine declared
"You have to know your enemy
"To have him running scared!"
dismantling the sacred text
he'd bought the day before
for every penny that he owned
from Harrow's Bible store

The scarlet headed lyricist
sent shockwaves through the nation
shattering taboos
and knocking lumps from the foundation
But Harrow wasn't shaken
by this fiercely blazing star -
he'd trained the stylist, named the songs
and sold him his guitar

A buzz is running through the streets
as people take them back
and occupy the land
in global pacifist attack
But wait - before you celebrate
the fall of governments
With factories in Vietnam
John Harrow makes the tents

Cos protest has its limits
the establishment agrees
we're free to go these tested routes
like window-bumping bees
You make your point, you go back home
another day will pass
and half-full or half-empty
Mr. Harrow is the glass
judy smith Jun 2016
James Corden’s close relationship with Burberry designer Christopher Bailey was celebrated at the 2016 Tony Awards.

On Sunday night (12Jun16) the toast of Broadway were celebrated at the annual awards show. British star James was the evening’s host, winning the crowd over with his warm sense of humour and down to earth delivery.

As well as a successful acting and presenting career, James can now also add style icon to his burgeoning resume.

“We wanted to keep the wardrobe tight and focused with a definite beginning and an end,” stylist Michael Fisher told vogue.com.

“We started with Burberry for the red carpet. James and Christopher Bailey have a long-standing relationship. I wanted a strong look that complemented the roses. The deep burgundy tux had matte black micro sequins on the lapel: very sophisticated and classic, with a technical update.”

Like any good awards show host, 37-year-old James had numerous outfit changes. Two suits from Tom Ford featured; a black three-piece design which served as a tribute to Broadway and then a teal dot dinner jacket, which James chose to wear at the after party.

A show-stopping Dolce & Gabbana look also featured, with the fashion house supplying a pair of “handmade, dark green croc shoes” to complement the green velvet and crystal jacket James wore to close the show.

Another stand out moment came thanks to a red Gucci suit adorned with a bird and butterfly motif.

“The Gucci suit was my favourite,” Michael smiled. “You can’t ignore the influence (Gucci designer) Alessandro Michele has on fashion right now. It reminded me of (musical) The Boy From Oz and in that way was very appropriate for the Tonys.”Read more at: www.marieaustralia.com/evening-dresses | http://www.marieaustralia.com/cocktail-dresses
Aa Harvey Jul 2018
Young and famous


Yeah!  We’re young and we are famous!
We’ve got money and we can love and laugh.
Yeah!  We’re young and famous!
Everyone knows us and they all want our autograph.
Yeah! We’re young and we are famous!
We are super stars who hang out in the famous bars.
Yeah! We’re young and we are famous!
We are on the T.V. and we drive fast cars.


They all want us and they all want to be us.
We have so many friends and an endless amount of love.
Happy every day and no day is ever the same;
You wish you could have my life but I would never throw this away.


I guess it beats working for a living.
All my life on screen and we are winning!
Fame and fortune; surrounded by angels and stars.
We used to see celebrities on the magazines, now that is what we are.


We’re touring the States and every other place;
We are globetrotters; we are young and we are famous!  
They all know my name
And they all want my fame.
My face is everywhere; I have a stylist for my hair
And a fashion designer gives me clothes for free to wear.


We will live forever!  Under the spotlight.
We party hard from morning, straight through to the end of the night.
Yeah, we have made it and we’re getting paid to say things;
We love our lives and this dream will never end…
We are able to buy everything.


Who needs a normal job?
I’ve got the best one.
I’m young and I am famous!
I’m a movie star, a T.V. star, a rock ‘n’ roll star
And I am having so much fun!


(C)2016 Aa Harvey. All Rights Reserved.
Joel A Doetsch Mar 2012
You spot her on the dance floor
Her milky skin reflects the glowing
light of green lasers.  Her eyes are
closed, as she absorbs the beat. The
bass travels across the floor and up
through her legs as she tilts her
head up in ecstasy.

She is in a world all her own. She
drowns out the crowd, within her
own frequency she moves her feet
to the beat that the DJ creates. Her
hips sway, creating vacuums of
energy and drawing people closer
to her essence.

She sweats  away her feelings of
insecurity, loneliness, and regret.
The acid on her tongue does not
corrode her skin, though it does
seem to melt away her inhibitions.  
Maybe her clothes, if she's in the mood

She knows all the boys are watching
her. Maybe if she's lucky, there's a man
as well. Someone who can attune
himself to her rhythm and grasp
her complexity. There will be sweet
synchronization as they create sin
waves in between the sheets.

This is her release
Tomorrow
She will be a hair stylist
She will be a nurse
She will be a lawyer

But tonight?

She's alive
drumhound Oct 2013
My mother named me
                            for no good reason.

There was no fireman hero,
     no reknown global leader,
          nor an astronaut Stephen
          setting his foot on the moon.
It wasn't even her stylist whom she honored
as he kept her trusted secrets.

The roulette wheel of monikers
whirred uninterestedly past
Michael
David
John
Robert
Mark
Mitchell
Glen
(and thankfully) Carl
and surrendered its last click
     on the formal of Steve
                                     with a "ph".

                       It was haplessly indifferent
     in the way it came be.
                  A last grasp of titles
                                       as they pushed her out
                             the hospital doors.

I have a friend whose name
was never in question.
     He was a fifth,
                       as in William V.
The Ist was proud,
             so proud that he named the IInd.
     The IInd an heir,
                so he named the IIIrd.
            The IIIrd obliged,
                          and so the IVth.
                    The IVth weary from fighting
                                the previous I's
                                and hence, the V...
as in William V,
                          as in flavorless,
                          pomposity faded,
                          worn like a hand-me-down
                                    dress shirt through five generations
                                              bereft of shape and dignity and fit.

     He wished he had his own name -

                         I did.

     And I found my name
     free to be
     designed to the only son
     my mom ever had -
                                to be as grand or plain
                       as I constructed it to be.

This one-size-fits-me tag
                      Stephen Dane Roberson
                                  is the Ist
                                              and only.
     A name that I love
          because it is filled
               with all the stuff I put in it;
and that stuff is me...

a me I wanted to be when I grew up :-)
Rangzeb Hussain Mar 2014
Something with the rotten breath of ignorance stains our city,
It was out there on a bright afternoon spitting and snarling,
The beast stepped out into the glittering sunlight without fear,
It crawled out from the coffin of a car towards Carrs Lane Church.

This beast was a cheap and violent punk of Pakistani descent,
What he did brought shame to the proud land of his ancestors,
He came with fire blazing from eyes red with the **** of waste,
His chin peppered with a designer beard which bristled and itched.

The car door lay open behind him as he ****** the air and snorted,
He stepped towards the youth handing out ‘The Stylist’ magazine,
The only sound was the blade of words which sliced the atmosphere,
He pointed, jabbed, spat, postured, and hissed at the delivery boy.

No one offered any help,
All looked away,
In a place packed with people
No one said a thing…

Until…

A schoolboy, from the lilting land of sun and calypso stepped out,
He confronted the **** who threatened the delivery boy,
The school kid stood calm and showed not an ounce of fear,
The volcanic heat and rising anger of the bully suddenly deflated.

Another door opened and another stinking blind beast stepped out,
He slithered out to aid his cowardly and quaking friend,
And that was when another schoolboy stepped in to offer help,
This lad was descended from the fair fields of faraway Pakistan.

The black boy, the brown boy, they stood together, warriors both,
They stood their ground and protected the white delivery boy,
This was brotherhood without colours, this was unity without borders,
The bullies limped back into their car, clamped the doors, and sped off.

Our kids,
They know unity,
It is we who build divisions,
We are to blame for the rising tide of suspicion.
judy smith Oct 2016
One of the more ambitious ventures in Irish fashion is taking place inWaterford at the Lismore Atelier. A social enterprise project that began a year ago to help revive manufacturing skills in Ireland, it is located in a former library building in the historic town. The workshop is now humming with state-of-the-art machines assembling clothes – cutting, sewing, overlocking, buttonholing, hemming, pressing and finishing.

Training in production and sewing skills is also given thanks to a €80,000 investment from the local council and the education and training board (ETB). Managing all this activity is Limerick School of Art and Design graduate Maggie Danaher, who lives locally.

The results can be seen in Mary Gregory’s 34-piece autumn/winter collection which has impressed all who see it for the quality, not just of its fabrics but its finish and attention to detail. An international Irish stylist based in Italy could not believe the collection had been made in Ireland, when viewing it on a recent visit.

Even calling it an “atelier”, the French word for workshop or studio, attests to its commitment to be as good internationally as any sought-after facilities inFrance or Italy. Gregory and her husband, Aidan McCarthy, a skilled tailor who worked for the fashion designer Patrick Howard in Dublin for 10 years in the 1970s, researched methods and machinery used by the top Italian companies who make for brands such as Gucci and Stella McCartney, with the aim of reproducing them in Ireland.

“I wanted to prove it could be done here,” says Gregory. “We can make clothes to this standard but it takes time, skill and investment,” she says. The plan is to attract other Irish designers to the facility which they hope will be ready by next year when a skilled production manager and sample and production machinists can provide the requisite top class service – presumably at competitive prices.

Currently Lismore Atelier has a tailor who samples for Victoria Beckham and Comme des Garçons who is brought in on a contract basis along with a production machinist. Gregory describes Lismore as the perfect place for a designer to be completely focussed and more accessible than places in Italy.

Gregory, who started making clothes at the age of six and developed a successful career in the 1980s and 1990s, was known for the strong visual effect of her designs. She moved with McCarthy to Lismore more than a decade ago and concentrated on rearing their two sons, restoring a 19th-century house in Villierstown while also working as visual and design director of the Maison & Chateau group. Her new collections remain true to her aesthetic of form and fabric with an emphasis on architectural shapes with embellishment and detail. The fabrics are luxurious and include grosgrain, double crepe, wool and silks with notable finesse of finish.

The collection is now in the International Designer Rooms in Brown Thomas where Gregory will be on hand on Saturdays to show it or by appointment.Read more at:http://www.marieaustralia.com/cocktail-dresses | www.marieaustralia.com/short-formal-dresses
Sam Temple Jun 2016
Envisioning revisions
Singing broken rhythms
Carrying misgivings about miscarriages
Disparaging pigeons
White speckled calling cards hardly
Invoke the Bard of North Korea
I be your favorite poetic stylist
Freely beguiling smiling at the Wailing Wall
Rotary phone call shopping mall sneakers
Tweekers in Arby’s bathroom break
Picking faces like lottery scratchers
Meekly begging change with blank expressions
Did I mention we offer refreshments?
One covered in dirt,
remembering the dusty trail it ran along,
the poacher with the switchblade machete,
the fingerprints still left from getting yanked
no longer pursued after evasion.

One covered in blush,
the stylist that had wanted to cut,
the look she didn't truly want,
yet now was permanent dye onto
the white that is now pink.

One covered in black ink,
the artist that showed the beauty how to paint.
Such beautiful and stylized portraits
were often created by force and greed,
when the feline decided to go by her own creed.

One covered by ribbons of all sorts,
the types the kittycat wanted,
pretty loops twirling into the air,
when the nightly run would draw
a silhouette of fleeing beauty.

One covered by braided hearts
done by a former mate,
but left in the pattern
to remember the love assumed,
the nights spent gazing into the moon.

One covered by scars that had no fur
from the attempts of self mutilation tried when life seemed gone.
Alone and craving for the jolt.
Resistance was forced by a nurse on patrol.
Death would not be an option anymore.

One covered by text reading "Hope",
For at least the one right being who
would care and love, not constantly *****
the sensitive tails that would
lead deep into her soul.

One covered by a face that smiled and frowned,
reflecting the emotional surges that happen.
Both occur rapidly and were usually
the greatest things for her, unbeknown in her mind.
As depressed as she could be, she could still be happy.

One covered by nothing,
still something more to do,
Life still young and ready.
A continued path she would lead
For the true one to be
That would mark the position of her final tale.
We were born on the same day
I was humble as he cried
I lay in a plantation, he was in a private Ward
Am a grown farmer, he is a stylist
my mom laboured on duty
Hers was a high heeled figure
I cried for porridge and given water
He cried for ribena and given juice
I leaked the soil as he was on sweets
I missed class for I lacked fees
He missed to have a break
My hustle gave me success, their money spoke
Streets give me deals
But gives them traffic
Monthly earnings are his daily
That my miles are my footsteps
My opportunities are his dislikes
I climb as he flies
Our blood is red, able parents,
Different levels of dreams
My caliber is well defined

— The End —