Submit your work, meet writers and drop the ads. Become a member
(To Marcel Schwob in friendship and in admiration)

In a dim corner of my room for longer than
my fancy thinks
A beautiful and silent Sphinx has watched me
through the shifting gloom.

Inviolate and immobile she does not rise she
does not stir
For silver moons are naught to her and naught
to her the suns that reel.

Red follows grey across the air, the waves of
moonlight ebb and flow
But with the Dawn she does not go and in the
night-time she is there.

Dawn follows Dawn and Nights grow old and
all the while this curious cat
Lies couching on the Chinese mat with eyes of
satin rimmed with gold.

Upon the mat she lies and leers and on the
tawny throat of her
Flutters the soft and silky fur or ripples to her
pointed ears.

Come forth, my lovely seneschal! so somnolent,
so statuesque!
Come forth you exquisite grotesque! half woman
and half animal!

Come forth my lovely languorous Sphinx! and
put your head upon my knee!
And let me stroke your throat and see your
body spotted like the Lynx!

And let me touch those curving claws of yellow
ivory and grasp
The tail that like a monstrous Asp coils round
your heavy velvet paws!

A thousand weary centuries are thine
while I have hardly seen
Some twenty summers cast their green for
Autumn’s gaudy liveries.

But you can read the Hieroglyphs on the
great sandstone obelisks,
And you have talked with Basilisks, and you
have looked on Hippogriffs.

O tell me, were you standing by when Isis to
Osiris knelt?
And did you watch the Egyptian melt her union
for Antony

And drink the jewel-drunken wine and bend
her head in mimic awe
To see the huge proconsul draw the salted tunny
from the brine?

And did you mark the Cyprian kiss white Adon
on his catafalque?
And did you follow Amenalk, the God of
Heliopolis?

And did you talk with Thoth, and did you hear
the moon-horned Io weep?
And know the painted kings who sleep beneath
the wedge-shaped Pyramid?

Lift up your large black satin eyes which are
like cushions where one sinks!
Fawn at my feet, fantastic Sphinx! and sing me
all your memories!

Sing to me of the Jewish maid who wandered
with the Holy Child,
And how you led them through the wild, and
how they slept beneath your shade.

Sing to me of that odorous green eve when
crouching by the marge
You heard from Adrian’s gilded barge the
laughter of Antinous

And lapped the stream and fed your drouth and
watched with hot and hungry stare
The ivory body of that rare young slave with
his pomegranate mouth!

Sing to me of the Labyrinth in which the twi-
formed bull was stalled!
Sing to me of the night you crawled across the
temple’s granite plinth

When through the purple corridors the screaming
scarlet Ibis flew
In terror, and a horrid dew dripped from the
moaning Mandragores,

And the great torpid crocodile within the tank
shed slimy tears,
And tare the jewels from his ears and staggered
back into the Nile,

And the priests cursed you with shrill psalms as
in your claws you seized their snake
And crept away with it to slake your passion by
the shuddering palms.

Who were your lovers? who were they
who wrestled for you in the dust?
Which was the vessel of your Lust?  What
Leman had you, every day?

Did giant Lizards come and crouch before you
on the reedy banks?
Did Gryphons with great metal flanks leap on
you in your trampled couch?

Did monstrous hippopotami come sidling toward
you in the mist?
Did gilt-scaled dragons writhe and twist with
passion as you passed them by?

And from the brick-built Lycian tomb what
horrible Chimera came
With fearful heads and fearful flame to breed
new wonders from your womb?

Or had you shameful secret quests and did
you harry to your home
Some Nereid coiled in amber foam with curious
rock crystal *******?

Or did you treading through the froth call to
the brown Sidonian
For tidings of Leviathan, Leviathan or
Behemoth?

Or did you when the sun was set climb up the
cactus-covered *****
To meet your swarthy Ethiop whose body was
of polished jet?

Or did you while the earthen skiffs dropped
down the grey Nilotic flats
At twilight and the flickering bats flew round
the temple’s triple glyphs

Steal to the border of the bar and swim across
the silent lake
And slink into the vault and make the Pyramid
your lupanar

Till from each black sarcophagus rose up the
painted swathed dead?
Or did you lure unto your bed the ivory-horned
Tragelaphos?

Or did you love the god of flies who plagued
the Hebrews and was splashed
With wine unto the waist? or Pasht, who had
green beryls for her eyes?

Or that young god, the Tyrian, who was more
amorous than the dove
Of Ashtaroth? or did you love the god of the
Assyrian

Whose wings, like strange transparent talc, rose
high above his hawk-faced head,
Painted with silver and with red and ribbed with
rods of Oreichalch?

Or did huge Apis from his car leap down and
lay before your feet
Big blossoms of the honey-sweet and honey-
coloured nenuphar?

How subtle-secret is your smile!  Did you
love none then?  Nay, I know
Great Ammon was your bedfellow!  He lay with
you beside the Nile!

The river-horses in the slime trumpeted when
they saw him come
Odorous with Syrian galbanum and smeared with
spikenard and with thyme.

He came along the river bank like some tall
galley argent-sailed,
He strode across the waters, mailed in beauty,
and the waters sank.

He strode across the desert sand:  he reached
the valley where you lay:
He waited till the dawn of day:  then touched
your black ******* with his hand.

You kissed his mouth with mouths of flame:
you made the horned god your own:
You stood behind him on his throne:  you called
him by his secret name.

You whispered monstrous oracles into the
caverns of his ears:
With blood of goats and blood of steers you
taught him monstrous miracles.

White Ammon was your bedfellow!  Your
chamber was the steaming Nile!
And with your curved archaic smile you watched
his passion come and go.

With Syrian oils his brows were bright:
and wide-spread as a tent at noon
His marble limbs made pale the moon and lent
the day a larger light.

His long hair was nine cubits’ span and coloured
like that yellow gem
Which hidden in their garment’s hem the
merchants bring from Kurdistan.

His face was as the must that lies upon a vat of
new-made wine:
The seas could not insapphirine the perfect azure
of his eyes.

His thick soft throat was white as milk and
threaded with thin veins of blue:
And curious pearls like frozen dew were
broidered on his flowing silk.

On pearl and porphyry pedestalled he was
too bright to look upon:
For on his ivory breast there shone the wondrous
ocean-emerald,

That mystic moonlit jewel which some diver of
the Colchian caves
Had found beneath the blackening waves and
carried to the Colchian witch.

Before his gilded galiot ran naked vine-wreathed
corybants,
And lines of swaying elephants knelt down to
draw his chariot,

And lines of swarthy Nubians bare up his litter
as he rode
Down the great granite-paven road between the
nodding peacock-fans.

The merchants brought him steatite from Sidon
in their painted ships:
The meanest cup that touched his lips was
fashioned from a chrysolite.

The merchants brought him cedar chests of rich
apparel bound with cords:
His train was borne by Memphian lords:  young
kings were glad to be his guests.

Ten hundred shaven priests did bow to Ammon’s
altar day and night,
Ten hundred lamps did wave their light through
Ammon’s carven house—and now

Foul snake and speckled adder with their young
ones crawl from stone to stone
For ruined is the house and prone the great
rose-marble monolith!

Wild *** or trotting jackal comes and couches
in the mouldering gates:
Wild satyrs call unto their mates across the
fallen fluted drums.

And on the summit of the pile the blue-faced
ape of Horus sits
And gibbers while the fig-tree splits the pillars
of the peristyle

The god is scattered here and there:  deep
hidden in the windy sand
I saw his giant granite hand still clenched in
impotent despair.

And many a wandering caravan of stately
negroes silken-shawled,
Crossing the desert, halts appalled before the
neck that none can span.

And many a bearded Bedouin draws back his
yellow-striped burnous
To gaze upon the Titan thews of him who was
thy paladin.

Go, seek his fragments on the moor and
wash them in the evening dew,
And from their pieces make anew thy mutilated
paramour!

Go, seek them where they lie alone and from
their broken pieces make
Thy bruised bedfellow!  And wake mad passions
in the senseless stone!

Charm his dull ear with Syrian hymns! he loved
your body! oh, be kind,
Pour spikenard on his hair, and wind soft rolls
of linen round his limbs!

Wind round his head the figured coins! stain
with red fruits those pallid lips!
Weave purple for his shrunken hips! and purple
for his barren *****!

Away to Egypt!  Have no fear.  Only one
God has ever died.
Only one God has let His side be wounded by a
soldier’s spear.

But these, thy lovers, are not dead.  Still by the
hundred-cubit gate
Dog-faced Anubis sits in state with lotus-lilies
for thy head.

Still from his chair of porphyry gaunt Memnon
strains his lidless eyes
Across the empty land, and cries each yellow
morning unto thee.

And Nilus with his broken horn lies in his black
and oozy bed
And till thy coming will not spread his waters on
the withering corn.

Your lovers are not dead, I know.  They will
rise up and hear your voice
And clash their cymbals and rejoice and run to
kiss your mouth!  And so,

Set wings upon your argosies!  Set horses to
your ebon car!
Back to your Nile!  Or if you are grown sick of
dead divinities

Follow some roving lion’s spoor across the copper-
coloured plain,
Reach out and hale him by the mane and bid
him be your paramour!

Couch by his side upon the grass and set your
white teeth in his throat
And when you hear his dying note lash your
long flanks of polished brass

And take a tiger for your mate, whose amber
sides are flecked with black,
And ride upon his gilded back in triumph
through the Theban gate,

And toy with him in amorous jests, and when
he turns, and snarls, and gnaws,
O smite him with your jasper claws! and bruise
him with your agate *******!

Why are you tarrying?  Get hence!  I
weary of your sullen ways,
I weary of your steadfast gaze, your somnolent
magnificence.

Your horrible and heavy breath makes the light
flicker in the lamp,
And on my brow I feel the damp and dreadful
dews of night and death.

Your eyes are like fantastic moons that shiver
in some stagnant lake,
Your tongue is like a scarlet snake that dances
to fantastic tunes,

Your pulse makes poisonous melodies, and your
black throat is like the hole
Left by some torch or burning coal on Saracenic
tapestries.

Away!  The sulphur-coloured stars are hurrying
through the Western gate!
Away!  Or it may be too late to climb their silent
silver cars!

See, the dawn shivers round the grey gilt-dialled
towers, and the rain
Streams down each diamonded pane and blurs
with tears the wannish day.

What snake-tressed fury fresh from Hell, with
uncouth gestures and unclean,
Stole from the poppy-drowsy queen and led you
to a student’s cell?

What songless tongueless ghost of sin crept
through the curtains of the night,
And saw my taper burning bright, and knocked,
and bade you enter in?

Are there not others more accursed, whiter with
leprosies than I?
Are Abana and Pharphar dry that you come here
to slake your thirst?

Get hence, you loathsome mystery!  Hideous
animal, get hence!
You wake in me each ******* sense, you make me
what I would not be.

You make my creed a barren sham, you wake
foul dreams of sensual life,
And Atys with his blood-stained knife were
better than the thing I am.

False Sphinx!  False Sphinx!  By reedy Styx
old Charon, leaning on his oar,
Waits for my coin.  Go thou before, and leave
me to my crucifix,

Whose pallid burden, sick with pain, watches
the world with wearied eyes,
And weeps for every soul that dies, and weeps
for every soul in vain.
Mymai Yuan Sep 2010
It all began when someone left the window open.
The love bird cocked its bright green head at the shut door of Woodren’s third floor bedroom, perched on her bedpost. Its bright black eyes glittered, listening for the sounds of Woodren’s footsteps. None came. It ruffled its feathers impatiently; waiting for Woodren to come back with some water for its thirsty beak.
The love bird’s first memory was of Woodren: her clear gray eyes expressing her great happiness through them and not through the tiny curve of a smile on her thin pale lips. Her small white fingers pressed on the syringe gently, and a hot, mushy substance that tasted of apples and bananas went down its throat. The tiny black beak clattered against the plastic syringe greedily. “Aw, you poor baby. You’re hungry aren’t you, my Hoopsie-girl?” she murmured.
She then later taught her baby lovebird to fly with the patience of a mother. As soon as its wings started flapping feebly, she lifted Hoopsie up on the palm of her hand above her head and drew her hand away quickly, teaching the lovebird to fly and landing on Woodren’s soft bed. On cold nights, Woodren would wrap her favorite emerald green scarf around Hoopsie and place her behind the television where it was always warm and sellotape the electric sockets and wires so that Hoopsie was safe.
Woodren never even considered snipping the feathers of Hoopsie’s wings; she would never hurt her darling creature, and snip of its greatest glory. She would comb the feathers with a miniature pink Barbie brush, noticing how blue feathers had started to appear on Hoopsie’s wings and red ones slowly layered beneath the blue as time went by.
Showering Hoopsie was the hardest of all. Aunt and Uncle Palmer had no idea that Hoopsie even existed and revealing her presence would leave both Hoopsie and Woodren with no home. Late at night, Woodren would have to sneak out to the bathroom on the first floor (not on the second floor because that one was right next to Aunt and Uncle Palmer’s bedroom), down the stairs (taking care to step over the thirteenth stair that groaned so loudly), turn on the taps quietly and wash a sleepy Hoopsie with warm water.
Her two youngest cousins often made fun of her for the funny smell that stuck on her clothes sometimes. Linda and Lucy, her bratty twin cousins, asked in their scornful sing-song voices, “Why do you lock your room Woodren? Scared we’ll find all your old ***** clothes under the bed that you wouldn’t let Ma throw away?”
“No, maybe she’s scared we’ll find naughty magazines? If we do, we’ll tell Pa and you’ll have nowhere to stay ‘cause Pa says that type of behavior is sinful and he won’t tolerate it in his house!”
Woodren found it in her heart to look upon her silly cousins as childish entertainment. What did they know of the love she had for Hoopsie? “No, I’m scared you’ll find the monster under my bed and start crying for your Ma”
Linda narrowed her blue eyes, “I’m telling Ma you mentioned Lucy’s fear of the monster under the bed to her face! Besides, you don’t have anywhere else to go. You live on Pa’s charity. Ma said so.”
It was the lowest of insults based on a harsh truth. Woodren’s mother had died of cancer when Woodren was very young and her father followed her mother not a year after with heart grief. Her mother had asked her younger sister to take in Woodren; they were her only relatives and had stopped being fond of her once their own two twin daughters arrived and Mr. Palmer started to have to work harder to feed the six bellies at his dinner table. She just became another mouth to feed.
The only person Woodren got along well with in the household was her eldest cousin, Max. Max rarely spoke in anything but grunts, thought of his two little sisters as annoying brats, refused to say more than two sentences at a time to his simpering mother and loudly obnoxious father and often came and sat in Woodren’s room with his large feet against the wall, stroking Hoopsie’s head in silence. She really was fond of Max sometimes. He could be so thoughtful. Just two weeks before, for her birthday, Max had bought her maroon silk curtains with white birds imprinted upon them. He had even gone further than that and stitched in white thread, “Happy birthday. I love you” a red wonky heart followed and then “From Hoopsie.” Simply imagining him sitting there with a huge, thick curtain holding a tiny needle in his bear-like paws, cursing as he stabbed his rough fingertips and fumbling clumsily made her shout with laughter.
It was Max’s idea to buy Hoopsie a big metal cage and attach it to a branch on the big tree in their garden with a piece of shoelace, hidden among all the green leaves. That way, when Hoopsie sang Woodren wouldn’t have to blast her music and radio at the same time or pinch Hoopsie’s beaks shut when her Aunt or Uncle come to  yell at her if she was deaf or crazy or both. And that way, Woodren’s room wouldn’t have its twangy smell of bird **** and Woodren wouldn’t have to be paranoid all day long at school, wondering if nosy Aunt Palmer had broken into her room and found Hoopsie. And that way, she could leave her window open during the day, trying to rid her room off the nutty, sugary smell.
Max’s room was on the same floor as Woodren, the third floor. Every morning, bright and early before school, Woodren would run with a small lump in her sweater and the keys to her locked room jingling on her wrists to Max’s room. Max would barely acknowledge her as she ran across his room, opened his window and climbed out like a monkey to the branch that pushed against his window sill. She crawled along it with speed and sat there, with her legs hanging down and the branch between her legs, fumbled for the cage door above her head, made sure there was enough water and food to last Hoopsie for the day, popped Hoopsie inside with a quick kiss, arranged the fan-like fresh morning-smell leaves to cover the cage completely and skate back towards Max’s window.
Hoopsie mourned with a few high whistling notes. She hated being away from Woodren during the day- waiting for the moment when the sun was getting hot, and Hoopsie was tired of chatting to the birds in the nearby trees, when Woodren’s sharp little white face with its explosion of frizzy black hair would appear in between the leaves with her happy grey eyes and let her fly around the tree before calling, “Hoopsie” followed by her signature tilting whistle. But for now, and for every morning till noon, Hoopsie would have to wait.
“You don’t think they’ll find her do you?” Woodren would ask Max as she clambered back into his window. It was their daily morning ritual.
“No. Pa told Ma that it’s all about privacy now that I’m a growing-up boy. I’ll lock my door; promise.” He would reply back, completing their ritual.
“Are you still eating lunch with that Ed kid?” he asked, completely breaking their ritual this morning.
“Yes.” She was completely surprised. Not only was Max breaking a routine, Max of all people, he was doing so by asking her a question about her personal life.
Woodren eyed Max strangely. To her, Max was her huge cousin that somehow managed to communicate with a variety of different grunts and hated cutting his hair because of his fear of sharp objects; but to the rest of the school and neighborhood, she knew Max was the “strong and silent” handsome tall boy, every girl’s dream, with his shaggy blonde hair.
“Why?” her gray eyes grew rounder when suspicious instead of narrowing.  
“You don’t have many friends at school.”
“You know I don’t get along with any of them but Ed. I don’t like being friends with people unless I actually like them… unlike all the other girls at school.”
“I don’t like you staying around the Ed kid too much.”
Woodren felt a little glow of affection for Max in her heart. She understood why Max was worried. Ed was unstable with the rest of the world. He did what he wanted to, he said exactly what he wanted to and he wasn’t afraid of anything because he didn’t care what anyone said. He was the kid that the no parents wanted their children to stay near. There wasn’t anything Ed hadn’t done before.
Despite what everyone else thought, Woodren knew that his morals and sense of good and justice were strong in his heart. And when it came to Woodren he was always there for her since he moved to the neighborhood more than half a year ago. No matter how many offending remarks he made, she felt he had become the only stable thing in her life in spite of him being so apt to change. She had learned to depend on him.  
At the breakfast table, Woodren’s gray eyes slid over from Linda to Lucy to Aunt Palmer to Uncle Palmer and rested on Max the longest. Until she had come to look at Max, all four of them were identical in their attractive features and identical in their pinched-up, suspicious and petty expressions glazed over with a courteous mask. Max’s blue eyes, though the same shape as Aunt Palmer’s and the same color as Uncle Palmer’s, expressed a good heart and sincerity.
Her first subject of the day was an art lesson. All she had to do was sit comfortably, a palette with swirls of colors, paintbrushes, charcoals and pencils, a *** of water, and a fresh-smelling page. Usually she drew herself as a monster, or Linda as the devil- disturbing pictures that made people believe she was “talented”. But today, it came to her all of a sudden she’d never done a good, worthwhile painting of Hoopsie. Sure, her tables and notebooks were filled with carvings she’d doodled in class but never something she would want to keep.
She started to sketch Hoopsie on her bed post, eyeing the nuts Woodren had stolen from Aunt Palmer’s snack cupboard. She drew Hoopsie in the big tree and painted a metal cage around her. Somehow, the silver cage ruined the picture completely, making Woodren grimace. When the paint dried, she erased Hoopsie from inside the cage and drew her beside it, her small black feet gripping a twig.
Woodren remembered how elegant birds looked when she looked up into the sky, and saw them with their wings spread out and imagined feeling the wind rush through her feathers and ripple down her head and spine, with a heaven of azure blue surrounding her, shooting through clouds cold and refreshing like a sprinkler in the garden. Maybe that’s what freedom tasted like. She tried drawing Hoopsie soaring in the sky before she realized she’d never seen Hoopsie soar like other birds do, because Hoopsie had never done so.
Broodingly, she packed up when class was dismissed, slowly and thoughtfully. Somehow, that small beginning of a painting had darkened her frame of mind completely. Still ruminating, she headed down the hall way to eat lunch.
“Woody!” Hearing the sound of that voice, she momentarily forget her unease and Woodren’s thin, pale lips spread in a smile even before she turned around to him. Ed was the only one who ever called her that. His oval head was covered in small black bristles and one of his black eyebrows rose as he smirked with his pink lips curving down. The diamond earring in his ear glinted like his teeth did. He caught her eyes with his hazel ones; his eyes were warm and lively.  His mouth formed words that were witty and charming and could always make Woodren laugh.
Woodren put a look of amazement on her face. “You came to school today.”
“What are you talking about? I’ve been coming to school nearly all month.”
“That’s why I’m surprised.”
He hit her arm lightly. A few girls nearby turned around and giggled when they caught Ed’s eyes. Woodren remembered when Ed had first come to school. All the prettiest girls at school kept sidling over to him and batting their eyelashes. Ed had taken one look at the curves on their bodies; his eyes flickered over their face, a little bored, and continued his conversation with Woodren as if there had been no interruption.
It was a mark of their friendship three weeks later when she told him about her family. His hazel eyes had burnt hotly. When he was angry, his voice was quieter, but strained as if the passionate anger behind the words were being controlled with the greatest effort, “People who ruin other people’s happiness on purpose and with joy are just plain evil.” He told her that he hated the monsters that kidnapped children, crippled them, not only in body but mind too, and forced them to beg, far away from those that loved them. Here followed a stream of facts, all said in the same tone that both scared and impressed Woodren.
“How do you know so much about it?” she had once asked him.
He looked at her with an odd gleam in his eyes, “Because I care.”
Now he was looking at her without breaking his gaze, the same odd gleam in his eyes, searching her face. “What’s wrong?”
“Nothing.” She had still been brooding over Hoopsie in a cage, and why the picture upset her so much.
“Woody, tell me what’s wrong.”
Every time Woodren mentioned Hoopsie, Ed would go silent or make an offending remark about the way that Woodren took care of Hoopsie. Over a very short time, Woodren had learned never to mention Hoopsie’s name and though it drove her crazy with frustration, she knew Ed would never tell her reason the why if she tried to pry it out of him. Knowing not to answer truthfully, “I told you, nothing”
“I can tell when you’re lying. Your eyes grow whopping and your mouth pouts to the right.”
“Shut up.”
He looked at her searchingly before giving up with an irritated sigh.
“Come with me.” The chair scraped as he pulled out and pushed the table away from him. His tall frame dwarfed her.
He brought her to the back of the school where teachers and students never went, leaned against the wall and lit a cigarette. “You want to try one?”
“I don’t smoke, Ed”
“Why won’t you even try it?” The tone he used when he was about to state something that began an argument leaked into his voice smoothly, like oil. Woodren opened her mouth to list the damaging things it did to your lungs and heart but his voice had begun in its rapid, silky tone:
“Because society has brain washed you so that if you smoke when you’re a child, you’re a horrible ungrateful creature that will never go far in life. But when an adult smokes, it’s okay. You don’t smoke because people and teachers tell you not to try it. Well I say, **** them. These are the best years of your life. Do what you want, try everything so you can make the choices of your life later with a rounded experience and knowledge. I’m not saying get addicted. You have to be strong if you’re gonna be a risk-taker…” he inhaled deeply and exhaled in a husky voice, “I just thought you always went on about how you were such a strong risk taker.” He blew a cloud of heavy smoke above her head. “Oh, and of course you won’t try it because Aunt and Uncle Palmer said it’d be sin, isn’t that right?” he asked with a tantalizing grin in a mocking tone. He watched her face contort with anger, his hazel eyes dancing with glee. He knew he had hit at the bull’s eyes. No one ever jeered at Woodren’s inner power and then put her on the same note as her Aunt and Uncle.
A sudden snarling sound flared from her. She didn’t have to listen to anything Aunt and Uncle Palmer said… they never did anything worthy intentionally. She knew that. He was just stupid. She swore at him and knocked the cigarette out of his hand with a smart slap before storming away. An amused laugh from behind her made her ears tingle pink.
As soon as school was over, she pushed pass Ed who was waiting for her and ran back home. Opening the front door of the house, she scurried up the stairs to the third-floor and knocked on Max’s door. When she opened it, Max was already holding Hoopsie in his big hands. Hoopsie sang with joy when she saw Woodren.
“Hoopsie-girl” Woodren whistled with a tilting note that Hoopsie identified instantly. Hoopsie flapped over and landed on her shoulder.
“By the way,” said Max, “she must have knocked over her water because it was wet on the bottom of the cage. She kept trying to drink it. She’s thirsty.”
“Oh you silly Hoopsie! Why did you knock over the water? You know I’m supposed to have 8 cups a day?” she pampered the lovebird with caresses and endearing words before hiding Hoopsie in her shirt and running back to her room.
Woodren placed Hoopsie gently down on the bed post
I

He would drink by himself
And raise a weathered thumb
Towards the high shelf,
Calling another ***
And blackcurrant, without
Having to raise his voice,
Or order a quick stout
By a lifting of the eyes
And a discreet dumb-show
Of pulling off the top;
At closing time would go
In waders and peaked cap
Into the showery dark,
A dole-kept breadwinner
But a natural for work.
I loved his whole manner,
Sure-footed but too sly,
His deadpan sidling tact,
His fisherman's quick eye
And turned observant back.

Incomprehensible
To him, my other life.
Sometimes on the high stool,
Too busy with his knife
At a tobacco plug
And not meeting my eye,
In the pause after a slug
He mentioned poetry.
We would be on our own
And, always politic
And shy of condescension,
I would manage by some trick
To switch the talk to eels
Or lore of the horse and cart
Or the Provisionals.

But my tentative art
His turned back watches too:
He was blown to bits
Out drinking in a curfew
Others obeyed, three nights
After they shot dead
The thirteen men in Derry.
PARAS THIRTEEN, the walls said,
BOGSIDE NIL. That Wednesday
Everyone held
His breath and trembled.

II

It was a day of cold
Raw silence, wind-blown
Surplice and soutane:
Rained-on, flower-laden
Coffin after coffin
Seemed to float from the door
Of the packed cathedral
Like blossoms on slow water.
The common funeral
Unrolled its swaddling band,
Lapping, tightening
Till we were braced and bound
Like brothers in a ring.

But he would not be held
At home by his own crowd
Whatever threats were phoned,
Whatever black flags waved.
I see him as he turned
In that bombed offending place,
Remorse fused with terror
In his still knowable face,
His cornered outfaced stare
Blinding in the flash.

He had gone miles away
For he drank like a fish
Nightly, naturally
Swimming towards the lure
Of warm lit-up places,
The blurred mesh and murmur
Drifting among glasses
In the gregarious smoke.
How culpable was he
That last night when he broke
Our tribe's complicity?
'Now, you're supposed to be
An educated man,'
I hear him say. 'Puzzle me
The right answer to that one.'

III

I missed his funeral,
Those quiet walkers
And sideways talkers
Shoaling out of his lane
To the respectable
Purring of the hearse...
They move in equal pace
With the habitual
Slow consolation
Of a dawdling engine,
The line lifted, hand
Over fist, cold sunshine
On the water, the land
Banked under fog: that morning
I was taken in his boat,
The ***** purling, turning
Indolent fathoms white,
I tasted freedom with him.
To get out early, haul
Steadily off the bottom,
Dispraise the catch, and smile
As you find a rhythm
Working you, slow mile by mile,
Into your proper haunt
Somewhere, well out, beyond...

Dawn-sniffing revenant,
Plodder through midnight rain,
Question me again.
vircapio gale Jul 2012
exude the moment;
you are a transformative fulcrum

of intersubject's rent and awe:
anthropomythic ecolaw

the dream cascades into words,
birds fly little crisps of meaning
into morning light. last night's
snow leaves a crystalline spark
of you subdued, become a finer point
of tantric sight, gazing rose-blue pulsar
lashing through a cosmic garden,
delicious fruit of spacious letting be.
i'm grasping for that pleasure,
vermillion moan of lifestring vibrance,
but the wind carries on outside,
swirling pieces of the mind in
flux of upturned joy~
our heartbreeze summoned,
now whispersssoulsounds to come
and earthly darkness grips the future frost,
thaw, break and steam as it wills;
the churning ground sings to us
of bear-sleep and jackal-howl,
of seasons transpiring,
one lost sled of memories
leaves us empty, pressing crystal sky:
my aching ideality trounced in bliss-meanders
!stunning revelation! you! You! yOu!
bringing all to be a second time,
as it was.. in me.. now new,
sweet novelty of union,
this gathering of nervure self,
gliding insights, sudden soundsss.

like a node of forest-echo swirls
it dazzles: unseen colors for my inner eye;
ancient tones of fog ripple
off something you are,
creaking center easing of my sidling,
spirit drop and wavelet growth:
as if you were a branching greenery
of my own once lost other-self,
last gasping there as what i pictured 'you'~
swayingss.. sun-spikes speaking,
sky-gaze and soaking barky iris sssuck,
moulding into me the wisdom of our past leavings,
those raspy kites of sap-filled yearnings
shadow sunshower evening.
i would be a tree with you and
let you pierce our foundations
with roots of gaiasight slipping though
our primal urgings, concrete deference
under sun arch, spin of moon. let
ignorant insistence on fetishized divides~
slipping past my grounded darkness
still unknown, remain
my underself unleashed
my silent trunk-swilling soothed,
stable chaos-other, self regiven,
life renewed in leaf,
the touch of you imbued.

the whole vision lost
but for that glimmer~
it finds me writhing unknown spirals:
ringing wonderment in a seed,
or dormant sporocarpic lineage of life,
the vast hyphae-humming cups of death-born
nethergenesis of cycled hyle me.
a womb that never knew of pain
or being evertorn in dessicated spectre-sea.

the burning desert-storms helixify our rain,
a heaving hiss-like suncry
from that dark, sandy baobabic throat.
the earth consumes in shifts,
and blossoms toward the alterbliss of you, too,
an expanse of solar flare
its beautific reach engulfing terribly,
nepho-logos spanning all the air.

ssssunlit boughs of winds' remembrance
grow soft across this window,
then shift with forest breath,
their snowlace puffed before
an azure true expanse,
the burdened greens stirring a needlish depth
of metawinter, all-too-human
starfields constellate in hiding
far behind my starshine there a curtain blue,
whose prismatic humor lights more
than scenic treescape, frigid dust.
hair, nose, glass enframed by sapless wood
of window cut to square my void revision of the world.

the colors whirl into mindflow,
inter-material upsurge-undulate,
abyssal cauldron seething passions stilled by
comic symbols of a secular mystic;
dancing eddies convey my sense of sight
just thought, then lost into a wider dance
of tensions eased and drawn,
of geometric visions seemly here and gone,
inner, outer: conveyed by stroke of
spinal eidos, its rhythm set
before my time, its tone the vital,
draping earthverse
recited in my veins, the sinews of my
life in other lives,
the song of us expressive in my gaze~
one blink()a single point of beauty
fades into another haze,
lighted icedrift iridescing evanesce.
anthropos (religion, Gnosticism) Man. (From Ancient Greek) [cf. Anthropogenesis, (an thro po jen’ e sis) n. Study of the development and origin of man]

myth·os/'miTHos/ Noun: A myth or mythology. (in literature) A traditional or recurrent narrative theme or plot structure.

*derew(o)- Indo-European root meaning "tree" or "wood"

Tantra, "weave, loom, warp"; or "principle, system, doctrine", from the two root words tanoti "stretch, extend, expand", and trayati "liberation"

Sporocarp (in fungi, known as fruiting body or fruit body): a multicellular structure in certain algae, lichens, and fungi on which spore-producing structures are borne.

Hypha · (plural hyphae). (mycology) Any of the long, threadlike filaments that form the mycelium of a fungus. The hyphae are used for reproduction and nutrient gathering.

hyle, In philosophy, refers to matter or stuff [fr. Gk "ulh" (üleh, where the ü is as in German or "lune"]

baobab, A short tree with an enormously thick trunk and large edible fruit. Other common names include boab, boaboa, bottle tree, upside-down tree, and monkey bread tree.

ne·phol·o·gy. n. The branch of meteorology that deals with clouds. [Greek nephos, cloud; see nebh- in Indo-European roots + -logy.]

logos, multivalent term fr. the Gk verb legein (soft g - modern greek lego ) "to say, speak" and also "to gather and lay down" ;  traditionally meaning "word, thought, principle, or speech"; also ratio (latin for reason), pre-linguistic language (phil.), the principle governing the cosmos, the source of this principle, or human reasoning about the cosmos. origin of  "(o)-logy." the active, material, rational principle of the cosmos; nous.  logos is marked by two main distinctions - the first dealing with human reason (the rationality in the human mind which seeks to attain universal understanding and harmony), the second with universal intelligence (the universal ruling force governing and revealing through the cosmos to humankind)

eidos, a term used by Plato for the abstract forms or ideas. fr. the Indo-European root *weid-, "see" is determinative of a substance; it is the key aspect expressed in the thing's definition as the essence or whatness of the thing. also (anthropology) the distinctive expression of the cognitive or intellectual character of a culture or a social group.
Pellets of rain pestered the cotton swagged
sky, cloudy purses grew black with scowls
coldly spelling their injustice. A chapter of
sunrays shot shamesless shards, irony perched

between chaperones; a truce maybe, rains restless
pathways of rays bleating their appeal, rooming in,
black balaclavas, rooting for blue beams,
itching bony beads of cloudy sweat, out of reach

In turn, limbs colour coated grassy spaces
tides of sun worshippers laughed out loud
their inner duets, hand in hand the sweltering
dance floor bathed them, sidling cotton clouds

Swiftly passing the sunscreen, laying back, beckoning
the sun from beneath neatly positioned cloud baubles.
Within an inch of our lives the splodges began, light
heavy, heavier, to the swell of April in full tune

Instantly the greedy green spaces groaned, ejected
sweet harmony, rolled out goodbyes, tongued stiff
breeze longing for its thirst to be quenched, and so
torrents rushed in where fools once lay

A lonely sunscreen bottle, remnant of warm
minds soaking heat, long days teasing into belief.
Yet April fooled us once more with beguiling banter,
chorused a chanting cheating lullaby of lamentation
st64 Jun 2013
to be
or
not to be...


he stands at the lamppost, screened from view
evening light slopes across the street
and cuts an oblong square of light
from the *Hotel de Ville
lobby-entrance.

she wonders who he is, standing there so
almost melding into post, his nondescript shadow sidling alongside
while early eve strolls through Le Parc des Céléstins
steady presence, half but not quite menacing.

he gazes down at his silhouette, Gauloise alit
and it, in turn, looks into the kerb...or up at him...
he turns his head up slowly, hazy wisps
as bewilderment draws reredos.

she hears footsteps clack across the parquet floor
as someone leaves the rez-de-chaussée
she wonders what he wants; why he stands there
who he waits for; and why so long.....

she can never see his face, ponders much on this
she longs to understand, yet feels afraid
as if she's seen that shade before, across the road
moving slowly, as the hours steal away...

visible from her second floor, she eyes
daddy-long legged limbs and dangly shapes
he has merely wandered into his past
seeking only the one he hopes to find.

traveled so far and sought so wide
crossed oceans, traversed treacherous terrain
perseverance the clutch word of the day
only to linger long to recover dashed prize.

later, as she peers into the heavy night
from windows shut, all her eyes can pierce
are nought but empty shadows 'neath that solitary lamp post
seems the mist carried off her spectral fear.... as well.


or...

did it?





S T, 28 June 2013 (Fry-day:)
.....look behind you, baby...!


(Writ on 28 may '13)

night after night, the man in the shadows waits.

he but seeks the one who was lost to him, most unexpected and so sudden....

so, he stands and waits, forever in hope.

in fervent hope....

/ / /

(all from a dream...all from a dream....)


/ / /






sub-entry: "sun in dungeon"


1.
cheery sun pokes its head into my head
says a vibey hello
blinding me so
shoo, man!


2.
ok, ok then :)
come the hell inside
whatya want now?
oh, spring-cleaning..


3.
fine, fine!
just do yer **** thing already
if ye can:
sift through some trying trash
dust out corners of my torrid thoughts
clean the cobwebs of my ridiculous rambles
weigh the persimmons of my dreaded discomfit

all drab and dreary stuff, really
in wake of abrupt section


4.
just don't you DARE go ....there
where the polygon splintercat lives
that place has no entry
its gritty lock lies on the seabed
of an ocean
whose waves arch
beyond nocturnal dreams
over lactic plains


5.
eclipsing all defeat
of dark, velvet desire
and reaching places
you can't see, bright eye

weaving endless mystery
dream-salad of secret ingredients

scouring reams of lines
in search of ...the one

skiing unknown trapetisers
uncaptured foto, still in negative

captivating me in brown study
rêve-eternae

but that corner-chamber
is sealed..
that sought dungeon
is quite closed.


5.
restless shadows
pariah's paradigm
highest price paid

normandy relies on hues
paler than thought
amidst
fierce wrestling of ambagious answers
from reluctant guardian
in
recklessly-forsaken skies

yielding but
fruitless harvest..
in a forgotten garden


6.
so, vamoose
oh, you pretty solar coin
afore ye do get trapped
in here ...soundless

but for the din
of
this
fool-stop.
XIX. TO PAN (49 lines)

(ll. 1-26) Muse, tell me about Pan, the dear son of Hermes, with
his goat's feet and two horns -- a lover of merry noise.  Through
wooded glades he wanders with dancing nymphs who foot it on some
sheer cliff's edge, calling upon Pan, the shepherd-god, long-
haired, unkempt.  He has every snowy crest and the mountain peaks
and rocky crests for his domain; hither and thither he goes
through the close thickets, now lured by soft streams, and now he
presses on amongst towering crags and climbs up to the highest
peak that overlooks the flocks.  Often he courses through the
glistening high mountains, and often on the shouldered hills he
speeds along slaying wild beasts, this keen-eyed god.  Only at
evening, as he returns from the chase, he sounds his note,
playing sweet and low on his pipes of reed: not even she could
excel him in melody -- that bird who in flower-laden spring
pouring forth her lament utters honey-voiced song amid the
leaves.  At that hour the clear-voiced nymphs are with him and
move with nimble feet, singing by some spring of dark water,
while Echo wails about the mountain-top, and the god on this side
or on that of the choirs, or at times sidling into the midst,
plies it nimbly with his feet.  On his back he wears a spotted
lynx-pelt, and he delights in high-pitched songs in a soft meadow
where crocuses and sweet-smelling hyacinths bloom at random in
the grass.

(ll. 27-47) They sing of the blessed gods and high Olympus and
choose to tell of such an one as luck-bringing Hermes above the
rest, how he is the swift messenger of all the gods, and how he
came to Arcadia, the land of many springs and mother of flocks,
there where his sacred place is as god fo Cyllene.  For there,
though a god, he used to tend curly-fleeced sheep in the service
of a mortal man, because there fell on him and waxed strong
melting desire to wed the rich-tressed daughter of Dryops, and
there be brought about the merry marriage.  And in the house she
bare Hermes a dear son who from his birth was marvellous to look
upon, with goat's feet and two horns -- a noisy, merry-laughing
child.  But when the nurse saw his uncouth face and full beard,
she was afraid and sprang up and fled and left the child.  Then
luck-bringing Hermes received him and took him in his arms: very
glad in his heart was the god.  And he went quickly to the abodes
of the deathless gods, carrying the son wrapped in warm skins of
mountain hares, and set him down beside Zeus and showed him to
the rest of the gods.  Then all the immortals were glad in heart
and Bacchie Dionysus in especial; and they called the boy Pan
(32) because he delighted all their hearts.

(ll. 48-49) And so hail to you, lord!  I seek your favour with a
song.  And now I will remember you and another song also.
Maple Mathers Jan 2016
She frolicked through trouble, and dandled with mischief. Alison Wonderland; everything I wished I was and so much more. Ever emanating her doe-eyed façade; proclaiming our jests mere “mischief.”
Yet, an unspoken verdict (Foretaste? Conception? Notion?) had cloaked the truth: wickedness rippled beneath our parade.
I nuzzled her contours; my peripheral eye – nailed to her profile, her blueprints, her chassis. I stalked her mirage – dancing with vapor.
She glissaded about, no fool to my truth, varnishing my mantle.
I belonged to Alison: perpetually at her side. Our couplet became a “we.” So, We regretted nothing. We veered for the pyre: caroming(skimming?) those embers alit with vice.
She narrated my mental seminar. Discarding my dogmas to uphold her own; and thus, my mind was hers.
My mind was her mind.
Alison made heads turn, and mouths water, as we sidled – hand in hand – down the street. She was my Christmas morning: each colloquium – giftwrapped with finesse. She personified paradise, she illustrated utopia. Hatching our Carnival; netting us, enamored, sidling the Carousal. We’d skim, we’d sail, her halo – my fossil. Her lips, her eyes, her hands… they echoed the innocence of a child. Niave, innocent, and giftwrapped in wonder.
Little Miss Wonderland: my very own fairytale. She was mine alone; she was mine to keep.
Did I want her, or did I want to be her?
Alison Wonderland.
Her aura – so celestial – paralleled my prose. When she banished my husk – Maple Thatcher – I cackled good riddance… And I grew a new personality to accommodate her own.
For, without Ali – devoid of our we – I doubted the very existence of me.
On my composition, she bestowed rhythm. She gave tune to my silence; her chimes, her cadence. My ink was her song – fusing a symphony. A symphony of Alison: the melody to solidify our tryst.
My mind was her mind.
And yet… somehow, I missed a carriage – or two – aboard her train of thought. For, the same felon spiting my existence, was the angel I loved to life. Gladly, I huffed, and I puffed, and I blew Maple down.
Fused against Alison, I needed none of Maple.
Carnival infatuations…

Alison Wonderland.
(Carnival Infatuation)

(All poems original Copyright of Eva Denali Will © 2015, 2016.)
Andrew T Aug 2016
You painted your eyelids with green velvet and ruby red. The fractured mirror kept your insecurity at bay, as sparkle blue glitter poured all over your head from a little tin can.

We drove across the bridge, and through Shocko bottom, stopping at a nearly deserted parking lot sanctioned by an honor code. We double parked behind an Acura sedan, and waited as you snorted half a gram of Molly off your manicured fingernail into each
nostril.

You took in a deep breath, smoked a Parliament, and blew smoke out the
window. After ten minutes we shambled out of the car with our purses tucked under our armpits, and red fire dying in our eyes. When we reached the Hat Factory venue, the line disappeared from our view and we walked to the entrance where two bouncers were posted up. The tall giants marked our hands with black sharpie ink, drawing a large, bold “X” on each one.

Once inside the spacious warehouse, we ascended a white marble staircase and paid a ten dollar entry fee. Another doorman took out his marker and drew a red line, crossing through the dark black “X” that was drying on our hands. You broke off and away, going
straight to the bar. The bartender asked what you wanted to drink, and you requested water. She smiled and gave you a red solo cup filed with tap water and ice-cubes. After you thanked her, she handed you a bright pink glow stick that you wrapped around your forearm, fitting a figure 8 around your skin like a cloth sleeve.

On the stage was a young man dressed in neon colored plaid and skinny jeans. He climbed up a tall stepladder and jumped from the top, belly flopping on a beautiful African Queen bodacious gluteus Maximus, daggering deep into her soaking black spandex, the decadent bodies swimming on top of each other, stroking and staining the pink gymnastic mat with hot sweat and salt. A huge beach ball colored with red, white,
yellow, and blue pinwheel stripes sailed through the air over the balcony, smacking into a deathly thin model who was smoldering her Parliament cigarette into a clear glass
ashtray.

Mollywopped undergraduates gathered around circles where reggae artists harpooned inflatable black and white killer whales with thrift store bought switchblades.

Laying flat on his stomach was an Asian photographer snapping away with his Nikon digital SLR camera, pale hipsters in ***** black blazers and black fedoras hurling red and purple plastic assault rifles into the intense mass of worry-stricken college students carefree for the moment, gyrating and grinding to the womp-womp bass booming from rectangular speakers that squished in a disc jockey and his hardwood stand with his mixer and two turn tables. He scratched the needle along the worn edge of a battle-scarred vinyl record. His fingers zigzagged the sliders, pressed down on buttons, turned up the volume knobs.

Some hyper-maniac golden child bounced around the dance floor, sneaking up behind university sophomores mesmerized by the makeshift floodlights in the rafters blinking on and off. Conversations were made in the head, but never opened up when the girl approached. Stuck up super senior girls with heavy black mascara and matted eyelashes raised their eyebrows and swatted away ***** flies with a wave of their lotioned hand.

***** girls dress in high heels and septum piercing, their ear cartilage stabbed through by unclean metal. A rude person bumps into the Hyper-maniac golden child, causing the golden child to shove squarely into the rude person’s back. Name-calling ensues, threats fired and received, looks exchanged and bitterness rose over any other tension in the fuming room.

In the far right corner were a couple of kids making out; they’d just met.

Walking away from the fight, sidling between sweaty ugly people, the golden child swayed upstairs to the second floor, passed another bar and balcony tables, chairs, and dance platforms.
He went through a swinging door and joined a conversation between
a bunch of strangers. Wary around the golden boy, he starts practicing his standup Comedy routine, almost bombing on the first joke. Cheap jacks burned bright orange after a blue flame ignited the tapered paper end. Arms snared around the golden child’s body. Oh how nice! It was his friend from Modern Grammar class, he used to sit next to
her in the second row and copied homework answers from the blackboard with her.
She was happy.
And he was happy.
We caught the tread of dancing feet,
We loitered down the moonlit street,
And stopped beneath the harlot’s house.

Inside, above the din and fray,
We heard the loud musicians play
The ‘Treues Liebes Herz’ of Strauss.

Like strange mechanical grotesques,
Making fantastic arabesques,
The shadows raced across the blind.

We watched the ghostly dancers spin
To sound of horn and violin,
Like black leaves wheeling in the wind.

Like wire-pulled automatons,
Slim silhouetted skeletons
Went sidling through the slow quadrille,

Then took each other by the hand,
And danced a stately saraband;
Their laughter echoed thin and shrill.

Sometimes a clockwork puppet pressed
A phantom lover to her breast,
Sometimes they seemed to try to sing.

Sometimes a horrible marionette
Came out, and smoked its cigarette
Upon the steps like a live thing.

Then, turning to my love, I said,
‘The dead are dancing with the dead,
The dust is whirling with the dust.’

But she—she heard the violin,
And left my side, and entered in:
Love passed into the house of lust.

Then suddenly the tune went false,
The dancers wearied of the waltz,
The shadows ceased to wheel and whirl.

And down the long and silent street,
The dawn, with silver-sandalled feet,
Crept like a frightened girl.
Don Bouchard Jan 2016
Just up ahead is a trail
Where people seldom go,
Sidling down the gravel hill
Into growths of ash and birch and elm,
Thickets of wild plums,
Chokecherries, leaves turning dusty,
Verdant armies of stinging nettles
Protecting coveted stands of juneberries.

Bittersweet vines entangle aged elms,
Siphoning life, to produce four petaled reds
As summer goes down to autumn.

Leaving the wind above
To batter the old truck,
I descend into the silence,
Trees stand tall, but low
Below the breeze.

Down in this steep place
The wind cannot come,
The sun, when it finds its way,
Warms gently on the coldest day.

The spring my father dug
Before I was born,
Set into the weeping gravel hill,
Runs steadily,
Strong enough
To fill the battered tank,
To keep a goldfish or two alive,
To host strange crustaceans:
Tiny shrimp, just larger than ants,
Pebble crusted creatures
More insect than fish,
Frogs in the tank,
Toads out...,
Mosses and mud
Thirty years or more
At home.

Deer come to this tank,
On hot days or cold;
Coyotes, too.
Porcupines dine on treetops
Swaying quietly
A hundred feet below
Wild Montana winds.
Cattle in winter find life
In the quiet, constant water
Flowing here.

I am taken back
To a stifling July afternoon,
But cool here in this protected place,
Dragonflies floating
And cicadas sawing in the trees,
My mouth full of juneberries
As I circle my way,
Eating more than picking...
Coming face to face with a coyote.

Was he dozing?
Passing through?
Or, do coyotes eat
Juneberries, too?

We stop hard,
Stunned.
Then bolt in opposite directions,
My juneberries flying
From the milking pail;
His tongue between his teeth,
Tail low,
Feet flying into the brush beyond.
True story that happened nearly 40 years ago. The vivid recall sets this into one of my favorite episodic memory lists.
Kendra Canfield Oct 2012
you are a pause

you are the second
before the air raid
an anticipation so loud it's deafening

you are the stillness, the static,
pins and needles between lightening
and thunder. 1. . . 2 . . . 3. . .

you are the heartbeat, last blink
separating bullet and flesh
crescent cuts bleed from empty hands

you are red lights. stop
knuckles white through a
raindropped windshield

you are elevators
early morning coffee stains
shifting eyes. look away.

you are the dead air
on a faraway radio station
bent antenna. turn the dial. silence

you are the needle
on that half broken phonograph
sidling arthritically away, back to sleep

you are the skip a beat
nervous lip bitten hesitation, envelope stamped
staring into the letter box. just let go

you are punctuation. . .

you are the hyphen
splitting words in two
leaving lonely nothings on different pages

you are 0:00

you are the force that
draws our eyes together
if only for an instant
I made some changes. I never edit... but I guess. Anyway, deleted the old one, here's the new one
Mary E Zollars Sep 2017
I love you
what more can I say?
You're brilliant, wonderful
A new kind with every line
I write about you
you're the base of my heart
I tend to you, nurture you
take care of you with every breath
you're scarred though
shattered, scratched, tortured
in every way possible
your heart's been broken
your mind's been cracked open

she's busted you

busted my lover, my pride
I walk on a thin line
don't pull it open
don't leave it closed
how far can we go
on this path an inch off the cliff
sidling by, barely holding on
we'll fall if you don't hold on to me
on to my hand, my heart
the soul you breath upon
which I have given to you
all those years ago

that you have ignored

you're hanging onto a thread
I'm grasping the other side
you either let me pull you up
and stand close by my side
or you let yourself fall down
and fall dead to the ground
I want to save you, I swear I do
saving you is what I'll do for eternity
an angel, I've told you
a guardian knight
you have to trust me, princey
trust me your life for which I live
no matter who is pulling you down
I'm always there to pull you back up

because I love you

and I always have
I've said it countless times before
yet you never listen to me
stop crawling in the lion's den
stop following trouble around
you're no use to me if you're dead
come live with me, and let it be
forget about this history
I don't care if it's haunting me
stand above land and sea
broadcast all your magesty
although it's one small step into my arms
it's a giant leap away from all harm
Cameron Haste Jul 2014
Crystalline gliding.
Clippin' cuticles in cubicles
& itching for a kaleidoscope
dance
with The Phantom
sidling ridged in the ceiling's fold.

Glazed eyes from a friend.
honey crueler.
Polymerization twists coffee sweats with briny tears
& my pores breath the calcification.
Beet red eyes sting like molten hiss
& pollen still buries it's way deep  
into the tree trunk,
Bleeding like a sour calf
just to stroke a
coconut leaf
in the musky village.

I live inside a cantaloupe
so I can't elope with status quo.
Sipping puddles & licking groggy mud spots
so the Queen calls me swamp belly.
She looked like she was carved out of rice.
bitten & frail steps
with gentle linger
teased soft grass
in the concrete canal
where the streets glistened
with mustaches  drenched
in honey brown ale.

His brain is a tickled cauliflower
encased in Papier-mâché,
Lima bean boogers
&
nicotine stained chestnut shells.
Gears torque and crudely animate
his sluggish form and peanut butter
body.
Diabetic eyes,
that bark like a sloth &
lay a thick layer of custard over their
last nerve,
intrigue mine own to stare
into the vague emptiness.
make up your own meaning
Luka Love Sep 2012
Tired
Brain spits words in fits and starts
The internal running commentary misfiring badly
Ideas stuck in bottlenecks
Traffic backed up and down the on-ramps
Leading off the congested thoughtways
Tired
Stormwater overflow pours out of blocked drains
Sidling up the gutters of fallen leaves
And other assorted detritus of modern existence
Spewing out over footpaths and under cars
And over the tops of the boots of downtrodden dawn treaders
Tired
Mountain pass impassable under it’s mercurial precipitate mask
Features only glimpsed in snatches
Like looking through a white picket fence while running
Thought trees bunching up around the middle
Warping under the sun and the scrutiny of others
Tired
Collapsing under the weight of the wave function
Subatomic particles currently in a state of nonexistence
Abandoned altogether by the Higgs, thoughts vibrate and dissipate
In extraordinary frequency and noise
Drowned out by the audible hum of the big bang
Tired
As if running a marathon in treacle
Start with a whimper then dribble to a halt
Running barefoot on salt flats
Or over pillows in stilettos
More time spent on face than feet
Tired
Once more unto the breach, dear friends, once more
The court jester prances for the Big Queen *****
And her merry King of Fools with his band of merry drunkards
Quickly losing the point of it all
As words start tumbling down in random order
Staccato signal messages like binary or Morse code
Information overload threatens to upend the boatload
Like the military dumping refugees into the harbour
Buckle up armour and wait for the onslaught
Of somnatic visions, twisted psychedelic impressions
Land mine concussions in the fevered dreams of veterans
Who witnessed limb torn from limb
In the name of something nobody remembers
Lose their tempers and start a war on home turf
Jungles petrified into concrete monstrosities that blot out the sun
From the flowers that feed in the cracks of the pavement
Everywhere bereavement and none shall take leave
From the cold, impassive logic of Death
Who comes knocking as you read this
Wired
No chance of sleep now
This is why one shouldn’t write poetry late at night
Smith Oct 2013
Flush-faced, his broad chest full of might
In such mellow growth so slow and sure
Abides he like the yellow moon at night
Hung sidling by in silence evermore

A flame that struggles ‘gainst the cutting gale
Then hides inside so that its force conserves
Or rather like the wax that waits to melt
For light that burns until its last exhale

Oh Love of mine, who glows and warms
So softly that he almost can’t be felt.
Joe Butler Nov 2010
Sonorous sensation seething sorrowful


                                      Sagacity serendipitous

     Sing-song similes sidling southward

Seemingly slipping ******

spectacular symmetry shows sputtering soul



                       Fallacies

                                   fall

          fluttering

                          fecundity fearlessly flaunting

former friendships foundered



                 narcissistic

N u a n c e s

                                                                                            nearing

nightshades
      nymph-like nuptials

                                                             nocturne

destiny Disposes

                damaged defenses

duly dramatizing

             dour dowager dreams

declaiming drowsy doleful deeds


                      Euphemistic

elegiac

            embargo/encounter

exiled emissary

endless
               ecstatic
                              echoes
                                            echoes
                                                          echoes
                                                                        echoes
                                                                                      echoes

                                           .............................................
Kendra Canfield Dec 2011
I'm thinking out of order
last things first,
the middle at the end.
help me stay alive
my eyes are open wide
images are blurred,
ideas, they collide

I'm hoping
that somehow
out of this
I can write out my
indecision and my crippling over-inspiration
beauty and detail
are leaves
shivering and sidling
up to me in the wind
trembling, and swiftly
only just out of my grasp
when i reach out to muse
upon their frail lace,
veins of understanding
an intricacy for which I am greedy

distractions are taking me
on paths I never desired
to walk
they're dark
and unfeeling
though endearing,
engulfing, whispering, promising

I find wonder
in nothings
diction is taking me
I am kidnapped
the ransom is specificity

I'm falling further
into impermanence
reaching for reality
Daniello Mar 2012
I was just the summer to you.
Just the easy bloom and
the easy blue and
easy heat.
I was only the flowers that
opened to you
as you walked, a light sundress,
delicately, tenderly,
the grace of your thighs
warmly anticipating
the tender youth full
brightening day.
I was
the colors sidling nicely  
in flitting spots along
the periphery of living life
like lavender, cerise, and
cerulean smiles
blushing,
the dripping
geraniums and chamomile
sprinkling you with
fondness, that
dote upon you
adoringly
and would even
ingratiate themselves for you.
I was the kiss only of
a sensible sunlight, the
embrace of a
quick breeze, and
your pleasant thought
of your legs
knee-deep in your ocean’s
cupped hands
to cool for a day
your flushed skin
in turquoise, swirling coolly
salt fresh.

Will someone be
your four seasons ever?
Will someone be
the cold silence too,
of a winter that can keep you
staring lucid and glazed by
a fire?
Will someone be
the frost
that nips your skin to remind you of
the fire
in your own skin?
Will someone ever be
the color of fallen
leaves spread over a
hidden field like
a hidden retreat
of dreaming flowers
before waking
ever?
Or the snow
before it releases
itself
as moving water
resting
upon the yearning bud
before it
releases from itself
promise
chris spedding May 2010
belie the notion that one is complete
uncompromised, unmodified,
in thought and in motion.
as we reenact and memoralialize
ourselves with our past and
our wholesomeness of ego
we walk towards a chasm
of chaotic disruption
put there by our inner consciousness
as we progress we are
filled with trepidation,
avoidance and reticence
our thoughts
sidling around the task at hand
procrastination taking its cold grasp
upon our reasoning
our forward compelling movements
appear unnatural and stilted
as we slowly progress
our inner bearing pretentious
all thought and motion merged into
a lifetime of physical mental torture
a prison of our own making
so who in this blinding darkness
dares to step forward into
the unknown future that we have
woven for ourselves with the strips
of blue and crimson flesh we have flayed from
our own portals entwined
into the tapestry that depicts the epic battle
that we have fought and won over time immeasurable
who will take the double edged sword from
the lady in the lake and strike it once again
into the backbone of our mother
where we will lay cradled against her bosum
till she weans us from her suptle breast
and sends us once again to do her bidding
without our capacity for love
our understanding and compassion are
tools we still have yet to master
I built this desk higher than was reasonable.  
Apparently, I wanted the pleasure of my own excitement
more than a comfortable writing life.

The legs rise, Dr. Seuss spindling, a long
way toward ceiling, and I bungee corded an aviator
seat onto a tall stool at a  breathtaking angle so that
I have to be very careful sidling my **** up and finally,
oh, er, off, on!   This batting about of language, at great
heights is not for the faint of heart.  It’s much
warmer up here, and I’m too high
to get down.  So I stay a course through powerful urges
for Chips with Dip or One More ******* Load of Laundry
and occasionally, in my bored
willingness, I stumble

upon some shimmering confluence
of words that makes me want to rip out
my hair and buy a new howl, or spend
my life trying to become
a white sheet, hanging alone all day
with the sun and the wind and then the stillness of night

and the dew, leaping from blades
of grass to sway a ways with me in this
soft shiver of not yet morning.
chris spedding May 2010
belie the notion that one is complete
uncompromised, unmodified,
in thought and in motion.
as we reenact and memoralialize
ourselves with our past and
our wholesomeness of ego
we walk towards a chasm
of chaotic disruption
put there by our inner consciousness
as we progress we are
filled with trepidation,
avoidance and reticence
our thoughts
sidling around the task at hand
procrastination taking its cold grasp
upon our reasoning
our forward compelling movements
appear unnatural and stilted
as we slowly progress
our inner bearing pretentious
all thought and motion merged into
a lifetime of physical mental torture
a prison of our own making
so who in this blinding darkness
dares to step forward into
the unknown future that we have
woven for ourselves with the strips
of blue and crimson flesh we have flayed from
our own portals entwined
into the tapestry that depicts the epic battle
that we have fought and won over time immeasurable
who will take the double edged sword from
the lady in the lake and strike it once again
into the backbone of our mother
where we will lay cradled against her bosum
till she weans us from her suptle breast
and sends us once again to do her bidding
without our capacity for love
our understanding and compassion are
tools we still have yet to master
am i ee Sep 2015
the big fat bus
with the big fat yellow bootay
soon
began to see
steam billowing
out
from under her
big fat yellow hood.

so trembling,
and idling rough
she pulled into the first stop,
a rough-looking roadhouse
to set a while and cool off.

sidling up next to
a brand new big shiny
new tour bus,
she
rather pleased,
for he,
was a
sweet lookin',
and kinda handsome lookin',
kinda thing,
till he opened his mouth.

reminded immediately
of an old song,
her enamor
did not last long.

"when i need something to help me unwind
i find a six foot baby with a one track mind.
smart guys are nowhere
they make demands
just give me a *****
with talented hands.
i go bar hopping
and they say last call.
i start shopping for a
neaderthal.
i like em big and stupid
i like em big and real dumb.”

ah that Julie Brown…
there’s a girl who knows how to belt ‘em out!

she cast a furtive glance
at Mr. Oh SO Brand New Bus  
the big galoop,
waiting for his load,
when out of that rough
roadhouse spilled,
THE drunkest,
MOST obnoxious,
herd of redneck cowboys,
she had ever seen
or would care to ever
see again.

hootin' and hollerin'
shootin' off their guns,
just narrowly missing
her big fat yellow face.

a shovin' and a punchin'
blood flying here and there,
sounds of a cracking
bone or two.

shaking her bumper gently
from side to side,
quietly eased she,
her way
back on to the throughway.
and off she shot!
into the night!

pedal to the metal!
like a bat out of hell!

another
romantic fantasy disaster
narrowly
averted!
if you have a hankerin' to read from the beginning... see the Collections,  The Manly Cowboy & Chronicles of a Big Fat Yellow Bootay
Kari Oct 2015
I have not indulged in any liquid vices yet I am enchanted into a drunken stupor.
I have not driven my bottom limbs 6 miles yet I am exhausted into endless days in bed.
I have not excused myself from privilleged meals yet I am starving, scouring around my
establishment for staples to satisfy my belly.

Two days locked in my bedroom and my skin has lost its colour, a white sidling pallor the
housekeeper.
I gape at the immaculate grey walls and soon their mouths emerged. Tales of fantastical
fancies lulled me into a ghostly realm in the state of my insensibility. My ivory marbled legs  
gradually stood rooted to the ground, lifeless logs longing for bustle. Stiff buttocks molded  
into the cheap cushions of a black swivel chair.

My head feels heavy and my eyes feels heavier.
Will you take me to solace?
Don Bouchard Feb 2019
The groomed dog lies
Clean upon my sofa,
Resting,
His reward.

Resisted he
The urge to flee
Or bite the handler
While the groomer
Plied over the sopping ****,
Clipped the carpet-ripping nails,
Coiffed and primped him
Head to tail.

Waking,
He nuzzles me
With a brown-eyed stare,
Sidling close to my old brown chair.

This canine friend,
Just a dog in mien,
Communicates his needs,
Comforts me in loneliness,
Amuses me with dog-face grin,
Reads and responds
To the state that I'm in.
Dogs, if not human, are in many ways better than humans.
Julian Apr 2023
4/8/2023 WRITING
https://www.dropbox.com/scl/fi/l8njruxa73yee9b0jzmhd/The-Ultimate-Unabridged-Guide-to-Esoteric-Working-English-2.docx?­rlkey=kunoar7ghpfkb7fjk5xkdgx95&st=i84ornny&dl=0

THE JUDOGI YOUTHQUAKE YESTERTEMPEST YARAKS THAT SCALD THE BRIMBORIONS OF SCALARIFORM PEDIGREE IN CORDWAINER CONTORTIONS OF VAURIEN ELITISM THAT THE SCHMEGGEGY OF SCHWARMEREI BECOMES THE RADICALISM OF ABSORBED NUTRITION IN VENOSTASIS FOR THE VENOCLYSIS OF SYRINXES THAT DEFEAT THE PODEX OF PNYX BECAUSE THE SYRINGES OF TIME ELECT THE ENCHANTMENT OF FUTURE RESOFINCULAR DISTRACTIONS AND DIVERSIONS OPERATIVE IN FLUX BETWEEN STEREODIMENSIONAL FIDELITY AND THE FENNEC OF FEALTY TO THE LANDLORDED PLOUGHSHARES OF DEADSTOCK DEASIL CONTORTIONS FOR SCARAMOUCHES OF SACRILEGE TO FIND THEIR FINIFUGAL DEFEAT IN THE MYOPIC HEDONISM OF THEIR FOISONS OF FRANIONS BECAUSE OF FRIGORIC LORE CONTAMINATED BY ALGEDONIC IMBALANCES SCREWBALL IN ANTITICHTHON FOR THE AURILAVES OF OPTIMIZED ARCHITECTONICS. THE SCRIVELLOS OF CELLARER RHADAMANTINE RANCORS OF TRUCULENT DRACONIANISM BECAUSE OF WIELDLESS INSUFFICIENCIES IN BROWBEATS OF EARWIG VANGERMYTES TRYING WITH PHUGOID GROUNDPROX MIGHT THEY STOKE THE STOKEHOLD BRITSKAS OF ELEMENTAL ALCHEMY AGENTIC AGAINST THE ACORIA OF ACCIDIA IN THE WILELESS AISLINGS OF HANDSPIKE UTILITARIANISM FOR GHAWAZIS THAT SUBORN IN ETCHED CAMOUFLETS OF WALDFLUTES IN ENCHANTMENT TO BECOME BARNSTORMS OF BARRULETS THAT THE BARCAROLE OF CATAPLEXY BECOMES MORE IMMUNE TO FUTURE SHOVELS OF DISCORD IMMERGENT IN ALL AUTOGNOSIS DEPRIVED FROM HAUBERKS OF DISPLAY AND GLORIFIED FILEMOTS OF GOVERNED DURATIVE PILLORIES THAT BECOME A SOLDIERED IGNOMINY. THERE IS A RAREFIED AVINOSIS ENCOURAGING THE STELLIONS OF SYNAPHEA IN ENCAUSTIC GRIDLOCK BECAUSE OF SALAMANDROID CORDWAINER VERSATILITIES THAT ARE THE TAXIDERMY OF SKELETONIZED CRENELLATED ANTEPONES THAT BECOME BERSATRICES FOR PAST GLAMOUR DISTORTED BY INTRORSE AUGENDS OF ARENAIDAN STATOLITHS THE BROCKFACED ENDEAVORS OF RECTITUDE IN RETROSPECTION BECAUSE OF RETROMORPHISIS FOUNDED BY THE DISCRETION OF THE FUTURE SUCH THAT THE ANGARY OF DEBILITATION ACCELERATES A SYSTEM OF DIMINISHED CASUALTIES AMONG THOSE THAT FUNNEL THROUGH FORESIGHT REFRACTED BY PRISMS OF OMPHALISM THAT THE OUTGENERALED CAPACITY TO SARANGOUSTY BECOMES THE CENTRAL HARBINGER OF DEFALCATION THAT  DESTROYS THE BASTIONS OF EVIL LURCHING IN CLAMBERED AUSPICES TRYING TO INVAGINATE THE IATRALIPTIC JARVEYS TRYING THE CADRANS OF RETCHED SPODIUM IN CLADOGENESIS NOW AUTHORED BY THE PARTIAL VICTORS OF WORLD CONFLICTS BECAUSE THEY TUNNEL THROUGH THEIR WIDESPREAD REACH OF RECONNAISSANCE THAT THE MIGHT CONQUER NATIONS JUST TO BURROLE  EVERY SECRET DENEHOLE IN EVERY GREATER CONFLICT SUCH THAT THE RICHES OF THE TROVES OF THE PERJURED IGNOMINY OF CONQUEST WILL NEVER BELITTLE ITSELF AS A PREROGATIVE WAGERED PAXILLOSE UPON THE TRENCHANT ORTHODOXY OF WAR AGAINST THE ATTRITION OF ATTINGENT AND ATTEMPERED TITRATION OF VILE VIOLENCE IN THE HEYDAY OF KRISTALNACHT WHICH BECAME THE HARVEST OF MAIDEN NOVANTIQUE IN AN ERA THAT NOW KOWTOWS TO CALIPACES OF ABIGAILS WITH GAMMERSTANG NOTORIETY THAT SPHACELATES ITSELF VERTIGINOUS BUT PROTECTED FROM SPIRACULATED SUBINTELLIGENTUR MAINLINED BANDELETS BECAUSE THE SUTLERS OF A SECTILE WORLD HAVE RENOWN UPON THEIR OWN RECURSIVE ELITISM BECAUSE OF THE UMLAUTS OF WHITTAWERS RATHER THAN WITTOLS BEREAVED BY WHISKERANDAS WHO EARN CIPPUSTURE FROM ULTRAGEOUS RAGE APPLIED TO THE HEAPSTEAD OF MOULIN VEESES THAT STRENGTHEN THE INCUMBENT ECONOMETRIC ANALYSIS OF ALL PAST STRIFE CULMINATING IN UNIVERSAL EUDAEMONISM BECAUSE THE UMBRILS OF TERRORISM IN UMBRACIOUS SUFFRAGE MIGHT AMOUNT TO THE GREATER CRUCIBLE OF ESBATS BECOMING ROTUND IN THEIR CONCEALMENT OF THEIR OLM PEDIGREE IN APIKOROS STATURE WHICH BOWED TO THE PRESENT RATHER THAN ACKNOWLEDGING THE ENNOMIC REVULSIONS OF THE REVANCHE OF PAST LITTORAL EMBANKMENTS. IMPORTUNATE SQUALOR OF JAWHOLES IN CAMARADERIE OF JURYMASTS THAT ESPOUSE THE VENIREMEN OF RHABDOMANCY WHICH ARE SUSSULTATORY BECAUSE THE FEWER PROMONTORIES OF PRICKLY CULVERTAGE RAISING A TRIBULOID CARTHAGE OF THE CARNAGE OF REVELING RAVISHES OF ULTIMATUM BECAUSE OF BRONTEUM THAT IS SPECULAR IN ITS OWN DISDAIN BECAUSE IT ROUSES THE CHARLATAN TO DISMOUNT UPON HIS PLUMAGE TO THE PENMANSHIP OF A WORLD ON THE BRINK OF ICEBLINKS REGISTERED BY CLAVIS AND THE CLAVATE OF RIGMAROLE ROUNDED BY TIMMYNOGGIES OF SATRAPS THAT SPARTAN EMPLOYERS OF CEMENTUM SPAR WITH THE BARGEMASTERS OF BARKENTINE BALLASTERS OF HAUBERKS OF THE SPELEOTHEM OF STUPULOSE SEQUESTRATION IN RAGDOLL REMIGATIONS THAT SWIRL INTO VERTIGO BECAUSE OF VORAGINOUS CENTRIFUGE EMBALMED BY TITANISM IN ENGROSSED TRAPEZE OF TRACTION IN TRAMONTANE GROOMERS OF LIVID LORE RATHER THAN BUTTRESSES OF HORRIFIED MASKIROVKA IN BALATRONS OF BEAMISH BOUNTIES CAROUSING THE CAJOLE OF CONTUMELY BEYOND THE CARNAPTIOUS FITS OF CATAPLASM IN METAPOLITICS BECAUSE OF THE FISSION OF NUCLEOTIDES INTO THE PERCOLATED CARAPACE AND TESTUDO TESTIMONY TO THE ARCHAEOLATRY OF DISCOVERED INNUENDO BERGAMASK RIJUICE IN PARCHMENT CORRADED FROM RUNAGATE FLAKMENTION BECAUSE OF BELLETRIST FOUND IN THE SUMPTER OF SUNDOGS BECOMING MORE PALATABLE TO THE CULTURAL IMPERATIVES OF TIMEWORN FENESTRAL WANIGANS FOR THE CAREWORN ANTIPATHY TO RECEDE BENEATH THE CRAVEN CAVERNS OF CAMISOLE DENTICLES OF IMPUDENCE. THE RATCHET OF SUBACTION WHICH IS NEVER AN INTEMERATION OF BRITSKAS OF  SCHMEGGEGY BECAUSE OF RANCID NEUTROSOPHY WHICH IMBREVIATES THE RADICALIZED IMPERTINENCE OF GLOWERING IMPOSTURE OF WHIGGARCHY BECAUSE OF MASCARONS THAT DRIVE MAHOUTS TO THE BRINKS OF DESTRUCTION MIGHT THE SCALARIFORM REPUTE OF PEDIGREE AMONG DOOMSTERS OF DRAGOONING WHIPSTAFFS THAT FORM THE UNDERBELLY OF TAFFRAIL PREROGATIVES THAT UNDERGOES RETROMORPHISIS WHEN IT IS FETED BY PRIMIPARAS OF RAISONNEUR DISREGARD PRIMARILY BECAUSE OF TITANIC NOYADES OF FOLLY BROWBEATED BY LIFEBOATS AT THE EDGE OF KATABOTHRONS BECAUSE OF THEIR TRENCHANT FORESIGHT RATHER THAN RUDDY COMPLEXIONS OF INTRANSIGENCE UPON GRAVID MOUNTENANCE ABOVE THE RALLYING CAUSES OF THRUSH AND THRESHING GNATS OF TRIBAL SHIBBOLETH SUCH THAT THE TOWERING DEMASSIFICATION OF THE VENEREAL SIDLING TILT OF TORMENTS OF ABARTICULAR TERRORISM IN REVANCHE AGAINST THE BARNSTORM OF OUTSIDE MALCONTENT RATHER THAN INTERIOR BONFIRES OF BONHOMIE THAT STRENGTHEN THE NUCLEAR FAMILY FOR AN AGE OF STOPING STULMS THAT SERRATED SOCKDOLAGERS FAIL TO BREAK NETTLESOME NESH REGARDS PRIMARILY INCIDENTAL TO THE METAPLASM OF ALL DISCORD DIFFUSIONS THAT TROUNCE ULTERIOR DAYS OF YESTERTEMPEST BECAUSE OF YIRDS AGAINST THE PEOPLE THAT ARE SWORN TO UPHOLD THE YOGIBOGEYBOX THAT IS THE SWORD THAT DESTROYS THE BASTIONS OF EVIL WHENEVER THEY ARISE BY DISCOVERING EVERY SERENDIPITY AND AGGREGATING EVERY TRIBULATION CHALLENGED BY DEGREES OF INSUFFICIENCY BEYOND THE OLIMS OF REMIGATION RELEGATED BENEATH THE CAVERNS OF INTREPID TORCHIERS OF LAMBENT LOVE AND BRINKMANSHIP. ISOVOL MAZUT BECOMES A MAZOPATHIA OF ABIGAILS TOWERING IN THE VERTIGO OF THEIR OWN CELSITUDE MIGHT THEY REVANCHE ALL THE MAJOR PREROGATIVES OF HIERARCHICAL SUFFICIENCY OF PATRIARCHY BECAUSE THEIR BROCKFACED BRONCHOS AGAINST INTREPID AND PIONEERING BRITSKAS IN ALL OF THE SOCIAL SCIENCES REMANDING THE IZZAT AND IVRESSE OF EVIL NEUTRALIZED POLTROONS THAT THE STOMACHERS OF TRINKLING RETROGRESSION IN REMOTION OF TOURBILLONS BECAUSE OF EDGY FLOWERING BUMBOATS OF BUMICKY BADIGEON WHICH ELECTS THE NOMOGENY AND NOMENCLATORS WHO SUSTAIN THE ETHOS OF A TIME OF TRIMLY HEDGED BLUDGEONS OF CARNIFICINE YELTINGS THAT SPAR AGAINST SPARTAN YELMS IN THE YIPS OF JUMART DEBAUCHERY THAT NEEDS TO BE REDRESSED BY THE ADVANCED UMBRILS THAT SUSTAIN THE GROWING CATAPULT OF ISOTHERMOBATH THAT ENDANGERS EVERY HOLOBENTHIC AUTHENTICITY THAT THEY MIGHT MALINGER AROUND PROVINCIAL VINEGAROONS WHO TWIRE WITH THE TYMPANY OF RESONANCE AMONG RALTENTION FOR THE UPPER HOUSE OF JORDANS TO BURROLE THE JEOPARDIZED DEPTHS OF SPODOMANCY THAT IS OFTEN IGNORANT OF CLADOGENESIS FOR REASONS OF EGALITARIAN MISTETCHES THAT FAIL TO ENCOUNTER STOCKINETTE PRIMARILY BECAUSE THE PURBLIND RECTOPATHIC AGENCY OF THOSE SUBLIME TITANS OF TITANISM MIGHT SWERVE AWAY FROM A USEFUL JAUNDICE BECAUSE SUCH A TRIBULOID OPTIMUM MIGHT BE THE DISCOVERED SPRINGBOK WHICH IMPROVES BY STULTIFYING THE SKELETONS OF JAMDANI THAT THEREBY THE RAGGED RAGDOLL JOLLY RANCHER SOCIETY OF INDOLENCE BECOMES MORE AMBITIOUS BECAUSE OF THE STANHOPE OF GROWING  STANNARIES OF THIGMOTAXIS IN CAREFUL TRIAGE AROUND STANDPIPES THAT COUNTERACT ENTHYMEMES OF NIVELLATION AMONG THE GROWING REGARD OF SUSSULTATORY SPAVINEDS THAT GROW IMPATIENT BECAUSE OF THE WROTH OF MUGIENCE IN WHEATENED CITIES EMBEDDED BECAUSE OF THE WHEELHOUSE WHEALS THAT SUSTAIN THEM INTO BRACKISH OLIVASTERS OF THE PERFORMATIVE GRACES OF OUR HERALDED HEYDAY OF TIME INFORMING PAST ZEITGEISTS WITH FUROR AND MACROBIAN MEGALOGRAPHY TO ISSUE THE  GROWTH OF TIMES HONORED BY THE GHAWAZI AND THE JARABE ALIKE. THE STANG OF BANGTAILS OF THE ARENAIDAN ERAS WHERE THE ARGALI OF ENCHANTMENT WAS A VEXATIOUS ***** OF FULGURANT NOMOGRAPHY BECAUSE IN THE MANIFEST DESTINY OF THE SOCKDOLAGER EDICTS OF THE PAST THAT SCORCH FROM THE SQUALLS OF FREEBOOTER WALLETEERS THAT USE WHELKY IN THE BARNSTORM OF GROWING WALDGRAVES WHICH BECOME CENTRIPETAL TO BYRE IN THE NEUTROSOPHY OF ACELDAMA IN CONTENTIOUS VIVAT BECAUSE OF VARSAL VISCIDITY WHICH DECLARES ITSELF THE HONORIFIC CAPTAIN OF ALL BETOKENED TIMES BECAUSE WE CANNOT WITHSTAND THE BEBLUBBERED MAUDLIN PATINAS OF WHIGGARCHY BECAUSE OF BRAZEN BOLDFACED BALD EAGLE PATRIOTISM BECAUSE OUR BLINKERED AGE IS ONE REGNANT UPON NEBBICH PALLOR OF CETACEAN EMBRACERY WE MIGHT DISCOVER THAT OUR PAST BRONCHOS OF THE CELEBRATED PARAGONS TOO LUMINOUS TO BE REGARDED PROPERLY BY THE CONTRITION OF MERCY IN MERCILESS TIMES WE HONOR THE PEOPLE THAT DEMARCHE FOR FUTURE POLITY BY EXHIBITING THE BOLD FRONTIER OF REVOLUTIONARY WIREWOVEN SCIENTIFIC AUTARKY THAT BECOMES MORE AND MORE ENTRENCHED IN PRAGMATIC REFORM IN CONSERVATION OF RESOURCES AND SCALED AND SCOPED ECONOMIES THAT UNDERSTAND THE PROBLEMS THAT AFFLICT BODACHES AND THE PROBLEMATIC JAUNDICE OF SENICIDE BECAUSE OF A NIDOLOGY INCOGNIZANT OF REVERENT DOYENNE AND SITHCUNDMAN WHO WEATHERED THE IGNORANCE OF TIME LIKE GROGNARDS THAT ARE OFTEN DISPLACED BY THE WAINAGE OF WAPENTAKE AND MANIPULATED INTO POPULAR FUROR BECAUSE OF THE NIVELLATION OF THEIR ATTENTIVE CANVAS OF PURBLIND PUTRID OSSIFICATIONS OF RAGMATICAL RANTIPOLE HATRED THAT MOBILIZES AGAINST AGENCY AND INVOKES LACKADAISICAL RAMSHACKLE ELASTANE LAZINESS. IN OSTENTATION WE BELEAGUER EMPTYSIS PRIMARILY DERIVED FROM FRACTURES IN THE SCAFFOLDED ARCHITECTONICS OF AURILAVE INDOCTRINATION TOWARDS THE SCHMEGGEGY THAT DEFILES MANY HONORED ARGUMENTS WITH THE PLUMAGE OF DISTRACTION FOR PRIMORDIAL BALUSTRADES INCULCATING PAST SARVODAYA ATTEMPTS INTO THE POPULAR SCOURGES OF IMAGINATIVE GLEE THAT BECOMES THE SPECTER OF ALL ATTENUATED FORESIGH THAT DENOUNCES THE UPSTARTS WHO ATTEMPT TO MODULATE MERCURIAL ENVIRONMENTS WITH AUTHORITATIVE SQUALLS THAT SPAWN SEMINAL MOVEMENTS THAT OFTEN YIELD UNHINGED CLOVERYIELDS THAT ARE COMPLETELY FINIFUGAL AND RAMBUNCTIOUS BECAUSE OF THE TAMARAWS WHO SEEK TO ENDEAVOR BEYOND CLIFFHANGER JUSTICE TO ENTHRONE A NEWER INSIDIOUS DIKEPHOBIA BECAUSE OF NIDIFUGOUS INSISTENCE OF NANCIFULLY NIDAMENTAL DISAGREEMENTS THAT DISDAIN THE POSTCENNIUM WITH IDEOLOGY GLISTENING BY FACADE BECAUSE IT FAILS TO SHIMMER IN THE DEEPER AND DARKER RETROSPECTION OF HINDSIGHT CORRADED ONLY FROM ELEMENTS OF PARVANIMITY AND BARYEICOIA. THE DIFFUSE PROTRACTION OF THE DIESTRUS BY THE UPSTAYS OF COACERVATED DIABLERISM CHARGING RACKRENT FOR PETTY PRESBYTERY PRIVILEGES IS A GOUGED HUCKSTER OF URCEOLATE TIMBERLASK JAMDANI STEENBOKS TRYING WITH URGENT URCHINS TO DESICCATE THE ENVIRONS IN EVERY SPANERIA TO ENSURE THAT THE RHADAMANTHINE ENVY OF THE GAUNTLET OF EVIL BALATRONS PARADING THEIR COSTERMONGERS TO BODACH VEGETABLES TREATED OFTEN WITH GERRYMANDERED SENICIDE MIGHT THEY RIG EVERY ELECTION WITH THE PSEPHOLOGY OF AN EVIL JUMART THAT WORKS AGAINST MESSIANIC TRIBUNES OF TRUTH BECAUSE OF THE BALDERDASH OF CRACKJAW MACROPICIDE PRIMARILY OUSTED BY THE ENTRYISM OF MEHARIS PREPOSSESSED AS WALLETEERS OF THE BILKEY OF WHELKY TO EMBATTLE THE SOCKDOLAGERS OF ISOLATION AS A TRIBULOID STOCKINETTE IN PURBLIND RECENSED REVERSAL OF RETROMORPHOSIS. WE CANNOT STAND APART IN APARTHEID BECAUSE OF THE DIACOPES INFLICTED BY THE ENVIRONMENTAL SKULLDUGGERY OF THE ELECTIVE PRIVILEGE OF TESTUDOS OF AILING MALADROIT AISLINGS OF ONEIRODYNIA BECAUSE OF LOLLOPING AND LOIMIC PLAGUES OF WANIGANS OF WANCHANCY RIGGED FOR FRIGOLABILE VANGERMYTES ATTEMPTING JATOS OF LICENTIOUS LICENSE AGAINST THE KENSPECKEL MEGALOGRAPHY OF PROMACHOS SUFFRAGE BECAUSE OF RIBALD AND COARSE ENVIES ABORIGINAL ONLY TO DULLARDS THAT PERVULGATE MYTHOS IN THEIR CORROSIVE WORLDVIEW SEEKING THE WIDEST FOOTPRINT OF CRETACEOUS BOWDLERIZATION IN A WEAK AND PALTRY INTEMERATION FOISTED BY THE WORST SORORICIDE OF FRATERNAL TRUST BECAUSE OF BROCKFACED VILLAINY TO TEMPESTUOUS TO IGNORE OR FLOUT BECAUSE THE STOKEHOLD SPOKESHAVEN WIDDERSHANCY OF CIPPUSTURE IS THE MIGHTIEST FORCE FOR UPHOLDING INTEGRITY EVER WAGERED ON CHRONOPSYCHOLOGY BECAUSE THE UPRIGHT URCEOLATE OCREATED CREATURES THAT EVADE EVERY NOYADE AND ANTICIPATE EVERY CHANDELLE MIGHT THEY REBUKE THE EVIL WEGOTISM CRIPPLING OUR TIMES WITH JIMSWINGERS THAT USE RAGMATICAL WHIPLASH AGAINST DRAMATIC WHIPSTAFF TO PARALYZE THE PROGRESS OF THE LONGEVITY OF TIME ITSELF PROTENSIVE IN DURESS TO SCAFFOLD THE BRIMBORIONS ABOVE THE BARRULETS BECAUSE OF CARDIMELECH PRAXEOLOGY. WE LIVE IN A VERY DISEASED WORLD THAT SEEKS IN ITS SICKEST HUES OF REVANCHE IN THE EXCLAVES OF TYRANNY OF MENTICIDE BECAUSE OF ORGANUILLES WE FIND THE DESPOTIC DESPERATION OF THE SURQUEDRY OF SURDOMUTE RETARDATION THE NEW APLOMB OF THE COUNTERCULTURAL DIABLERISM OF ALL SECULAR FORCES WORKING TOGETHER FOR DESTRUCTION RATHER THAN CIVILIZED CAMARADERIE WHICH IS BRAZEN ENOUGH TO SURVIVE EVERY WOODSHEDDER AND EVERY CHOMPING SHARK OF RADICATED TYRANNY OF TINSELLATED ABEYANCE BECAUSE OF OBROGATIONS IN INTERREGNUM. WE NEED TO DESTROY THE PEOPLE THAT INSEMINATE IN THE SEMINAL A CARNAL LUST THAT DEPRAVES ALL PERCOLATIONS SUCH  THAT THE HALKEND BECOMES A PARASELENIC PRACTICAL JOKE OF STULTIFICATION BECAUSE OF ROORBACKS ROARING AGAINST YERNAGE FOR SPECIOUS SOPHISTRY THAT MANACLES THE ONEIROCRITICISM OF AN UPRIGHT AGE OF OPHILIOPHILISTS RATHER THAN DECADENCE INSTRUCTED BY THE WORST MONGERY OF MONSTERS WHO CAROUSE AS INSOUCIANT PURVEYORS OF ADAMANTINE RIGORS OF STRAIN AND STRENUOUS DIVERSION. WE CANNOT STOMACH THE EVIL DIABLERISM OF GOETICS DERIVED FROM THE PERCEIVED SAMIZDAT WHICH PREVENTS ALL GEZELLIG AS A SICK CABALLINE PRACTICAL JOKE OF MOUNTAINS OF EVIL DISTRUST THAT WHERRET ALL MUSICIANS OF THE IAMATOLOGY AGAINST NOSOCOMIAL WHICKERS AND NEIGHING CAULDRONS OF MUGIENCE IN WROTH AROUND THE ISOLATION OF ONE PERSON FOR THE BOODLE OF ONE DERANGED ORGANIZATION WORKING IN EVERY ATTEMPT TO SABOTAGE ALL FREE MOVEMENT TOWARDS ENTELECHY AGAINST THE BETTER ASPECTS OF WHIGGARCHY OFTEN DEFAMED BY THE PERJURORS OF EVIL FLAMBEAUS THAT SEEK COMESTION AND CONFLAGRATION REGARDLESS OF THE NIDOR BECAUSE OF THE INTRANSIGENCE OF THE SUBTERNATURAL COSSETED PETS OF AUTHORITARIAN REGRESS IN THE STENCH OF  RANCID TRUCULENCE TRUCKLING ITSELF TO ROTUND EVIL OBLATE NUTATION IN MENDACITY.
anilkumar parat Jan 2021
like a smithy's bellow
my chest blows and puffs
stoking the embers of life
which burst into flame
with every other stroke
roaring in mild anger
yet playfully dancing.

my limbs lie dead
my face too
not even a hint
of movement
to punctuate
Life

and yet im soaring
through labyrinths
gliding, sliding,
sidling, sailing
seeing all,
touching all,
living.
here and now.

and at this very point
I am.
and at the next
and the one following
in the continuum.
I see you
everywhere.
and i know you
as i know myself.

how about you
my love?
have you been
through your own labyrinths too?
soaring, sailing like me
looking for me
at every momentary stop?

I know this
and i think you do too
that somewhere
at one of those points
we meet.
and then
nothing else matters.

we'd be wide awake then, won't we?
MRQUIPTY May 2016
sliding excuse
again
sidling nearer
gin
in hand.

a mess. sodden
and part ******
for what
you call you
or what
they call you.

matters naught
to innocents.
eyes tell hearts
only what is
taught

by mind.

my child knows
only of tumbling
and faces messy
from trembling
in joy.

you are the happiest
person in the world
of his heart.

— The End —