I can imagine her in Aarhus Kunstmuseum coming across this painting, adjusting her glasses, pursing her lips then breaking out into a big smile. The gallery is almost empty. It is early in the day for visitors, but she is a tourist so allowances are made. Her partner meanwhile is in the Sankt Markus Kirke playing the *****, a 3 manual tracker-action gem built in 1967 by Poul Gerhard Anderson. Sweelink then Bach (the trio sonatas written for his son Johann Christian) are on the menu this morning. In the afternoon she will take herself off to one of the sandy beaches a bus ride away and work on a poem or two. He has arranged to play the grand 83-voice Frobinus ***** in the Cathedral. And so, with a few variations, some illustrious fugues and medley of fine meals in interesting restaurants, their stay in Denmark’s second city will be predictably delightful.
       She is a poet ‘(and a philosopher’, she would say with a grin), a gardener, (old roses and a Jarman-blue shed), a musician, (a recorder player and singer), a mother (four girls and a holy example), but her forte is research. A topic will appear and relentlessly she’d pursue it through visits to favourite libraries in Cambridge and London. In this relentless pursuit she would invariably uncover a web of other topics. These would fill her ‘temporary’ bookcase, her notebooks and her conversation. Then, sometimes, a poem would appear, or not.
          The postcard from Aarhus Kunstmuseum had sat on her table for some weeks until one quiet morning she decided she must ‘research’ this Sosphus Claussen and his colleagues. The poem ‘Imperia’ intrigued her. She knew very little Danish literature. Who did for goodness sake! Hans Christian Anderson she dismissed, but Søren Kierkegaard she had read a little. When a student, her tutor had talked about this author’s use of the pseudonym, a very Socratic device, and one she too had played with as a poet. Claussen’s name was absent from any online lists (Were there really on 60 poets in Danish literature?). Roge appeared, and the painter Willumsen had a whole museum dedicated to his work; this went beyond his El Greco-like canvases into sculpture, graphics, architecture and photography. He looked an interesting character she thought as she browsed his archive. The one thing these three gentlemen held in common was an adherence to the symbolist aesthetic. They were symbolists.
         For her the symbolists were writers, playwrights, artists and composers who in the later years of the 19C wanted to capture absolute truth through indirect methods. They created work in a highly metaphorical and suggestive manner, endowing particular images or objects with symbolic meaning. Her studies in philosophy had brought her to Schopenhauer who considered Art to be ‘a contemplative refuge from the world of strife’. Wasn’t this what the symbolists were all about?
         Her former husband had introduced her to the world of Maurice Maeterlinck through Debussy’s Pelleas and those spare, intense, claustrophobic dramas like Le Malheure Passe. It was interesting how the discovery of the verse of the ancient Chinese had appeared at the time of the symbolist project, and so influenced it. Collections like The Jade Flute that, in speaking of the everyday and the natural world, held with such simplicity rich symbolic messages. Anyway, she didn’t do feelings in her poetry.
           When she phoned the composer who had fathered three of her children he said to her surprise ‘Delius’. He explained: C.F. Keary was the librettist for the two operas Delius composed. Keary wrote a novel called The Journalist (1898) based on Sosphus, a writer who wrote plays ‘heavily laced with symbolism’ and who had also studied art and painted in Paris. Keary knew Claussen, who he described as a poet, novelist, playwright, painter, journalist and eventually a newspaper owner. Claussen was a close friend of Verlaine and very much part of the Bohemian circle in Paris. Claussen and Delius’ circle intersected in the person of Herman Bang, a theatre director who produced Claussen’s Arbedjersken (The Factory Girl). Clauseen wrote an important poem on Bang’s demise, which Delius set to music.
          She was impressed. ‘How is it that you know so much about Delius?’, she asked. He was a modernist, on the experimental edge of contemporary music. ‘Ah’, he replied, ‘I once researched the background to Delius’ Requiem. I read the composer’s Collected Letters (he was a very serious letter writer – sometimes 10 a day), and got stuck into the letters of his Paris years when so many of his friends were Scandinavian émigrés. You once sent me a postcard of a painting by Wilhumsen. It was of Clauseen reading to two of his ‘symbolist’ colleagues. I think you’d picked it up in Denmark. You said, if I recall, that you’d found it ‘irresistible’’.
          And so it was, this painting. Irresistible. She decided that its irresistibility lay in the way the artist had caught the head and body positions of reader and listeners. The arrangement of legs, she thought, says so much about a man. Her husband had always sat with the care embedded in his training as a musician at an instrument. He could slouch like the rest of us, she thought, but when he sat properly, attentive to her words, or listening to their sweet children, he was beautiful. She still loved him, and remembered the many poems she had composed for him, poems he had never seen (she had instructed a daughter to ‘collect’ them for him on her passing). Now, it was he who wrote poetry, for another, for a significant other he had said was his Muse, his soul’s delight, his dearly beloved.
          The wicker chair Sophos Claussen is sitting in, she decided, she would like in her sitting room. It looked the perfect chair for giving a reading. She imagined reading one of her poems from such a chair . . .
 
If daydreams are wrecks of something divine
I’m amazed by the tediousness of mine.
I’m always the power behind throne.
I rescue princes to make my own.
 
‘And so it goes’, she thought, quoting that American author she could never remember. So it goes, this strange life, where it seems possible for the mind to enter an apartment in 19C København and call up the smell of brilliantined hair, cigar tobacco, and the samovar in the kitchen. This poem Imperia I shall probably never read, she thought, though there is some American poet on a Fulbright intent on translating Claussen’s work into English. In a flash of the mind’s miracle she travels to his tiny office in his Mid-West university, surrounded by the detritus of student tutorials. In blue jeans and cowboys boots Devon Whittall gazes out of his third storey window at the falling snow.
 
There is nothing in the world as quiet as snow,
when it gently descends through the air,
muffles your steps
hushes, gently hushes
the voices that speak too loud.
 
There is nothing in the world of a purity like snow's,
swan's down from the white wings of Heaven,
On your hand a flake
is like dew of tears,
White thoughts quietly tread in dance.
 
There is nothing in the world that can gentle like snow,
quietly you listen to the silent ringing.
Oh, so fine a sound,
peals of silver bells,
rings within your innermost heart.
 
And she imagines Helge Rode (his left arm still on his right shoulder) reading his poem Snow in the quiet of the winter afternoon at Ellehammersvej 20 Kastrup Copenhagen. ‘And so it goes,’ she thought, ‘this imagination, flowing on and on. When I am really old like my Grandmother (discharging herself from hospital at 103 because the food was so appalling) will my imagination continue to be as rich and capable as it is today?’
          Closing her notebook and shutting down her laptop, she removed her cat from its cushion on the table, and walked out into her garden, leaving three Danish Symbolists to their readings and deliberations.

Abela
doesn't like
Schopenhauer
she finds him
depressing

why read him?
she asks me

I like him
he gives me
another
perspective
of the world

but why him?
who told you
about him?

some old dame
I once ******
talked of him

might have guessed
Abela said
who was she?

just a friend
I once had
I tell her

she's quiet
sips white wine
looks around
the street scene
around us
sitting in
the café

she's musing
quite deeply
as dame's do
of other
dames I’ve had

was she good?
she asks me

an ex-nun
I reply

an ex-nun?
she echoes

as a girl
not right now
I tell her

she's silent
sips her wine

Dubrovnik
has its charm

I sip beer
smoke my smoke
read my book
of old man
Schopenhauer

Abela
purred last night
like a cat
after ***
I like that.

Dubrovnik seemed
a second home,
and you, in a street

cafe, sat drinking coffee,
with that book on
Schopenhauer open

on the table, a cigarette
smoking in an ashtray
unattended, thinking

of the girl in the hotel
restaurant the night
before, the waitress

who smiled at you as
she served and went
by your table, and your

brother said, I don’t
fancy yours much,
indicating with a nod

of head, another
waitress over by a
nearby table, plump

and spotted, wearing
a scowl instead of a
smile, and all the while,

he eyeing, as young
men do the beauty
that had caught your

eye going by, but all is
fair in love, so men
have said, so picking

up the book on
Schopenhauer, and
further reading,

holding the cigarette
between the fingers
of the hand not

turning pages, you
inhaled with deep
concentration the

smoke and words
spread across the
page, written by a

philosopher of a
foreign tongue
and different age.

Early morning
book on Schopenhauer
under your arm
cigarettes

in your pocket
you sat in one
of the cafes
in Dubrovnik

having ordered
a coffee
and lit up
to smoke

the book
put on the table
the ashtray
set so

you observed
the passing people
the females mostly
the gentler ***

as is said
the sway of skirt
or dress
the fine legs

the shape of foot
the figures
slim or plump
the mental study

of the shape of ***
the tightness
of ****
and all the while

at the back
of the mind
the idea of God
the faith required

seemingly lacking
the St Augustine view
wanting to be saved
from sin

but not just yet
the waiter
brought coffee
and cake

just the nibble
for the breakfast’s sake
and you thought
on the night before

the walk in the City
the lights lit up
the passing crowds
the concert

some pianist
playing Chopin
you and your brother
side by side

taking it all in
making the most of
and the indulgence
of wine

and the chatting up
of the waitresses
at the hotel
with no success

and you opened
the Schopenhauer book
the print of page
the scatter of words

ideas too deep
for the morning sun
you closed it up
and sipped the coffee

took a drag
on the cigarette
viewed the cute ***
as it passed you by

summer dresses
short skirts
tight tops
in all colours

shoes or bare feet
to please the eye
and the idea of God
observing

listening in
secretly pleading
maybe you do
or do not

to be absolved
from sometime
the deeper sin.

On this tan cutting board
You earn your corrupted name:
“Alligator pear.”

The serrated blade
Punctures your hide—a balloon
Under a pin’s pressure,

Shades of green furling out.
I’m sure you’d prefer
Vegetable status if you developed

Self-awareness; or maybe
You’d withdraw from knowledge
Of the human type.

I trust my cooking songs—
Slowdive and Chaka Khan—
Can’t hurt you anymore

Than your predestined obliteration;
Mastication via your domesticators:
It all ends in fertilizer.

(Where you began!)

O, avocado, phantom “fruit”
Born of the self-same Life Source,
Schopenhauer’s Will,

My transient enjoyment of you
Within this vegetable salad—
An Achaean enclosed by Trojan blades—

Suffices for a life of sanctity.

Atara loved Dubrovnik
loved the old city walls
the shops and cafés
the churches and narrow streets

she liked sitting
drinking coffee
outside the restaurant

reading her
Schopenhauer book
a cigarette held
between fingers
watching now and then
people passing

Naaman had gone
to see a few sites
he said
rid himself
of his hangover
more like
she mused
by the sea edge
thinking
of the previous night
and too much wine
or Slivovitz

she sipped her coffee
even ***
had to be aborted
room swaying
he pronounced
although it was doing
no such thing
least not
in her head
lying in bed
wanting to sleep
not ***

she heard him snoring
some time after
from the bathroom
sprawled on the floor

the Schopenhauer book
was good even if
somewhat pessimistic
with that Eastern perspective
regarding the Will
and negation

she sipped the coffee
once more
but held the mouthful
sampling the flavour
the sense on tongue
the sensation
on the inner skin
of cheeks
warm and wet
and strong
but not bitter

she swallowed
and smiled
good
better than
the attempted ***
or that achieved
in recent months
and days

she loved Dubrovnik
and Naaman too
but he must
she mused
inhaling smoke
change his ways.

There was a dream here. It passed over in the night; a blur that burnt a fever into the earth. It died in the gap between. Fingers unlaced. Hand to the side. The sun runs soft tendrils through thick curtains. Or something like that.

Have you seen the new Star Wars movie? No. You’d like it. It’s the same thing all over again, but with a black guy and a chick as the main characters instead. I guess that’s what you call progress.

There was a dream here. A thick, unfurling mass of potentialities. Sartre once wrote existence precedes essence. Schopenhauer believed the essence of a chair was as much willed into being as the essence of a man. There was choice once, but it died when we chose. The breath you took before your last smoke. The air is stirred by a passing train. A woman steps off a bridge, into the mourning blue of an autumn lake. There is an empty car on fire. There is a man inside. His brother sleeps through his exam, doped up on too much codeine. There is the stench of lack. There is death passing a mirror, seeing herself in haste, but too rushed to make sense of it.

He runs fingers down the scars of her arm. A trickling, stream awakening from a long winter thaw. Vessels blue. Oceans of laughter tucked deep in the folds of her skin, so faint you can barely see them any more.

The sheets are black. The city folds itself. The sky collapses into the gutter; Jupiter bleeds into the apartment block on east side. A man leaves his home, but never reaches his destination.  There is a movie Face Off, where the identity of Nicholas Cage is challenged through the transplantation of his face. If reincarnation were possible, would we even be capable of recognising our reincarnated selves, stumbling through the visage of a billion other, unknown vessels? The skip collectors come at 4am. Metal grinds against metal until all that is left is dust.

Hands shaking a pit of coal. Shake shake. Shake shake. Your mother is dead. Shake shake. Shake shake. Jesus working at a shoe store. Shake shake. Shake shake. An atheist. Hah hah, hah.

The channels fill. Ink drops on water. Fireworks blackening the contours. There is a sun in Peru. Waste water pumps through the vessels of the city. The mayor drinks punch. The catacombs crumble like desert bones. The roads split above. Traffic stalls. Shadows stretch. Meet at the centre. A core. Slender fingers. The infinite. A hollowed heart. A heritage.

Drink your punch, says the mayor, try the grape and cheese.

There is a comic. Five or six woodland friends play grab the tail. After one round, they look over to find friend raccoon sleeping. They laugh and shout next round. Friend scorpion looks at his tail with tears in his eyes. It is funny, because death is boundless, amoral, and imminent.

A group at a party. Someone brings up the right-wing branch of their government. Everyone begins laughing, red in the face, spit flying from their mouths, arms noodling into the sky. Yeah, yeah. Hella. It is an imitation game. A laugh track on repeat. Maybe someone scratched it on purpose, or the sound guy fell asleep on the button. Now everyone is stuck, laughing. They begin to doubt themselves, but look up, reassured by the glowing sign above their heads that displays the text laughter, in bold black Helvetica. The sign is faded from heavy use, a sickly cream that looked bad before it left the factory. They were made in batches of a thousand and shipped across the country. One begins to choke, spilling her drink, bunching the cloth on the table beside her. They keep laughing. She is purple now. Another group spots them and joins in. The party next door. The whole neighbourhood. It is broadcast across the city. A wave of hysteria sweeps the nation. An online celebrity creates mugs. A famous rapper uploads himself eating pancakes. The sound guy wakes up and turns off the display, but everyone keeps laughing.

God died today. Crumpled jacket at the foot of an apartment block. Creased ticket. Crooked can rolling down suburbia. American dream wakes up. Finds herself an amnesiac in a foreign land. Catches bus downtown. Wanders vacant sun. Blood trickles from wrinkles. So many now. Creased, crumpled, crooked. Drinks from gutter. Chokes. Stumbles into abandoned church. Blood dries into grotesque mask. Hard to feel through it. Like second skin. Tired. Rests head against wall. Waits for pulse. Finds nothing.

A joke to break the gloom. Two crows are perched opposite one another, partitioned by a one-way mirror. Both break into laughter.

No, wait. Maybe tears.

My Library

my library is crammed full, some of it ****,
somethings in there, I don't even get,
but that's who I am, and what I'm about

stories, movies, books and such,
all overflowing into the living room hutch,
I even found an old jar of sauerkraut  

Plato, Brokaw, and Chaos's Gleick,
Saving Private Ryan, and Naked Gun shtick,
I'm here, there and everywhere on the map

Sagan, Obama, and General Powell,
who here remembers, Thurston Howell,
Gilligans Isle, now that was some goofy crap  

and if you know me, my music's the bomb,
some loud as hell and some really calm,
Mott the Hoople, All the Way to Memphis and back

I'll listen to Bethoven, I'll listen to Bach,
but my favorite of course, is kick-*** rock,
Nectar remembered the future, it's in my stack

Sabato likes politics, and Roberts the past,
Dan Brown's novels, has the action real fast,
Schopenhauer had little regard, for the girls

Schindlers's list was a gripping tale,
Titanic was cool but had a horrific sail,
I always really loved, Shirley Temple's curls

Sherlock Holmes, was a real tricky dude,
I remember when I saw, Mary Poppins ****,
Shawshank Redemption, was a powerful flick

Monty Python's search, for the Holy Grail,
old time rock with J.J. Cale,
the first Alien story was really slick

now I've barely opened, the door inside of me,
there's a hell of lot more, of me to see,
so I'll probably be back, with much more to tell

my poetry of course, when I find the time,
always looking for, a reason or rhyme,
see y'all later, come back, sit a spell    

Gomer LePoet...

the blatant frustrations of live feed editing.*

enter the tablet, joystick free, one touch games,
quiet interesting that it’s so hard
to get a gaming addiction with such games
as candy crush soda, family farm,
bubble witch 2...
you will not see an adrenaline tornado on these
platitudes, no movie like involvement,
no plot... just time contraints, money constraints,
the adequate reflection of life: hey mort! when you coming?
hey forthnight debility cheque! when you coming?
(i too thought tetris originated in japan,
but it was actually of soviet design!
so in conclusion: games designed to be as reflected
by someone doing a crossword - i'm crap at
those, being bilingual is obstructive -
i'm in constant translation mode looking
for picturesque synonymity - or doing sūdoku -
which i'm not too bad at.)
a bit like that jesus debacle, so gott insisted on giving
proof of his existence to a baby... bad move...
the kid grew up in a bubble and thought he could do anything...
elijah just said to the priests: but if your god doesn’t exist,
what’s the point of having you? later he repented
on mt. sinai where god was but a whisper...
like the whisper of the dream of what rome was at first:
a republic. i believe in republicanism, i don’t believe
in that shamble that’s known as democracy, and is currently
the biggest export from america... exported to usurp
other nation’s republicanism - the elders of afghanistan
will never be modern family mr. jason wordsmith and
mr. jack wordsmith, raising an adopted / surrogate mother’s
kid... not in a million years... nor will revised buddhism
in western europe ever be original shinto of japan...
not in a million years... we’re not a monochromatic people.
back to jesus: there’s not one shred of christianity in
jurisprudence (philosophy of law /
etymology: prudence of having a jury) - but when you’re faced
with an enemy who’s a lawyer, and has connections...
and you’re a poor idiot who was forced into a paranoid schizophrenia
simulation for 7 years... you don’t set out to attack
and get compensation like that woman schopenhauer pushed
down the stairs... you set out to prove god -
and subsequently leave the ******* in his own waiting
line for karma - i hardly think there will be an oliver twit
in him to ask for some more.

At the fountain
by Nelson’s Column
you met Julie
in mini skirt

and bright
red top
her hair hugged
into a ponytail

a copy of Sgt Pepper’s
under her arm
you in jeans
and open necked shirt

came across to her
standing there
looking into the fountain’s water
sorry I’m late

you said
missed my train
no problem
she said

bought my own Beatles' LP
and she held it out to you
friends say it's neat
and way out

she added
as you scanned
the sleeve
where we going?

you asked
drink I must have a drink
she said
how’s things

at the hospital?
usual stuff: treatment
drugs to get me
off drugs

therapy
psychiatrists
nurses
and so on

you?
she asked
I’m ok
you said

ok is crap
ok is boring
is mediocre
life either *****

or it’s exciting
and over the top
she said
the Square was crowded

people
and pigeons
and water
and sun

and sky
and mixture
of perfumes
and bus fumes

let’s get that drink
she said
and so you went off
to a bar off

Trafalgar Square
and ordered two drinks
and sat outside
in the sunshine

I think the fat nurse
on my ward suspects us
she said
suspects what?

you asked
you and me
and that small room
o that

you said
she took out
a cigarette pack
and took out

two cigarettes
and gave one
to you and lit
them both

think she’s jealous
or envious
Julie said smiling
free love

makes some women angry
Schopenhauer said
somewhere
that wives and ******

despise women
who give ***
away free
it undermines
their contracts

how’s Jamie?
you asked
still locked up
she said

they claim
he was supplying
but he wasn’t
they ******* him up

she inhaled
and searched
your eyes
you still playing

your saxophone?
yes
you said
I practice everyday

annoys
the neighbours
sometimes
but got to

keep up with it
and hone the skills
she sat legs crossed
her thighs exposed

her footwear bright
her fingers holding
the cigarette
the lips red

her eyes
like small mirrors
small **** pressed
against the red top

the memory
of that small room
off the ward
she and you

and brooms
and boxes
and such
and kisses

and ***
and on edge
for the door to open
but not overmuch.

Every thought you have ever had
Whether good or bad
Sprung from the recesses of your mind
A deliberating consciousness that is blind.

Every feeling you have ever felt
Was wound tightly with a deterministic belt

Every word you have ever written
Was written with a hand wearing a causal mitten.

Free-will is an illusion and always has been,
However, this is perhaps one elephant in the room
best left unseen.

Dualism is a false philosophy.
We are a causal system,
In a Universe governed by a causal piston.

Libertarian free will is a delusion.
However comforting it may feel to be free,
I had no other option that to write these words,
And be me.

“Man can do what he wills but he cannot will what he wills.”
― Arthur Schopenhauer, Essays and Aphorisms

I see a world of people insisting
Upon absolutes
Within the current of perpetual
Change and uncertainty

I too am lost among
Those
That insist upon the moment truth
Though they are constantly falsified

Those that have too much faith in science
And
Give not enough credit to faith and intuition

Too many souls seeking absolute answers
And
Too many souls only accepting absolute answers

“There must be a reasonable explanation”

Or reasonable within the current paradigm

Yet, perhaps what you needed to see a
Wider world is to take that leap of faith
To the next paradigm

There will be no “Theory of Everything”

If you are not considering everything


‘Truth’ can become mockery
And
Within mockery there’s often more truth
Than
We are willing to accept

As Arthur Schopenhauer said:

“All truth passes through three stages. First, it is ridiculed. Second, it is violently opposed. Third, it is accepted as being self-evident”

Violent opposition to ridicules
Are evident of acceptance
Disguised as its antithesis

Often such mockery is not intended
But interpreted by a self holding truth
Afraid to be exposed to the world
Thus fighting back whenever it is touched
Leading to its unintended manifestation

Perhaps it is the dearth of a deeper love
In the absence of a truly unconditional love
That gives me fear in what it is to be accepted
There is no ‘Truth’
There is no ‘absolutes’
There will not be the 'acceptance'
That I seek and sought

Where I am going?

From the pens of wisdom and prolific wit,
Voltaire, Krishnamurti, Schopenhauer, now I sit,
trying to compose words, that can help me explain,
how you bring me such joy, how you bring me such pain,

I feel like I'm tumbling, not understanding my fate,
I reach out to touch you, but you tell me to wait,
where I am going, is a mystery to me,
it's always been that way, yearning to see,

my weary heart and mind are in need of peace,
I'm like a small white dwarf, waiting to release,
all this suppressed energy, exploding in space,
yet I sit here now, with tears on my face,

I feel like I can grasp, understanding Adams' plea,
when he asks the question, “Whatayawantfromme”,  
so simple, so pure, this inquiry, words flowing,
still with no answer, Where I am going?

Gomer LePoet...

You followed Julie
in and out
of book shops
along Charing Cross Road

watching
as she picked out
a book to view
a few pages

or run a thin finger
down the book’s spine
studying her face
as she took out

a Sartre or Wittgenstein
her eyes running
along the lines
mouthing the big words

she talking
of her parents
the doctors
how they were pretty much

shot out of the sky
when they discovered
she was stabled up
in some hospital wing

for drug plunging
or pill popping
and you should have seen
my mother’s face

she said
like daddy
had ****** her ****
she picked out

a book by Schopenhauer
the old philosopher’s face
on the cover
staring out

you searched her eyes
the depth of them
the colour
the changing hue

from what appeared
green to blue
and green again
or so it seemed

when have you got
to be back
in the hospital?
you asked

6pm or so
she muttered
pushing the book back
on the shelf

wiping her hands
on her jeans
her small ****
indicating their presence

as she moved
toward you
what are your parents
going do about you?

you asked
keep out of sight
of their posh friends
say I’m abroad

or someplace else
you noticed her lips
as she spoke
her tongue

moving over them
like some waking snake
then she moved on and out
of the shop

and along the road
you kept up beside her
sensing her hand
seeking yours

taking one
of your fingers
she put it
to her mouth

and gave a ****
and eyed you
sideways on
with that grin

she sometimes wore
that young middle class
English  girl
playing the *****.

Vernarth's term overage was not exhaustive, as Vernarth would return to Alikantus after his journey to Kanthillana for the Winter Solstice and Patmos in spring. He was collecting each time in the decantation of each corollary of texts, images, narrations, and epigraphs that were being deliberately written on the flames of the Apokálypsis. All the experiences of the tragic characters in Vernarth were embedded in the papyrological Datum once it was detached from the Dragon's snout. This result and action verse became the reconstruction of the cessation of a physical body, whose final living objective was to legitimize everything in which it was uniting in the nomenclature of written prosopography, advanced in all the roles of the ruler of their own history. parapsychological incorporated in its own self-analysis until reaching Everism that reconciles its mythology as something secondary to the Tragedy for all societies that evolve in a focused technocratic aspect and the rhetorical unsaying of attacking the world that was destroyed under a redoubled dose of anesthesia of the disgruntled ideological of being judged by the entire world as a being spawned in the papyrology of Pergamon in ruins. The visibility of him as an actor drags her with the vision of him asleep under hypnosis that allows him to combine the periods of antiquity more than six thousand years ago. C. allowing him to build a person from low to high visibility in a consequence where totalitarianism was exclusive to a millenary East, in pursuit of a nascent South America suffering from the birth of itself from the geological split 120 or 150 million years ago that did not they would be enough to bring about the consequences of Spílaiaus when he allows, hears and tells me to give him the world that only he had been chosen to live in.

Vernarth welcomes and obeys his command to divide N times as a normal body could run and fall into this current maelstrom that would take him throughout Greece, Judea, Central, and Eastern Europe, from a place of origin called Kanthillana which resists the intermodal phenomenon of quantum that would overwhelm him to the point where his entire genealogy would follow him wherever he went if need be. All this was mending and composing itself in those alternating impurities of some paradigm, reinstating the constitution of the random present of Greek mythology already alive in the blood that unites the same rivers that are born of a narrator, always disposed of in the eminence of inspiration either in Olympos, Profitis, Ophel, Kantillana or any tomb that constitutes the format of electric actual mobility where it distills rapidly at the speed of emotions that will always be directed by gods who feel it before they are received by a distant reader. The elaboration design of the works is spaced from the hand of the argument that sometimes tries to hold on to the runaway reins since they are commanded by real emotions provided by unknown forces, generating a great collision and incomprehensible data header for an eye or ear human that needs the neat pause to attend to the discretions that are intertwined and accelerate with solidified sources of extemporaneous mythology diverging from prosopography components of Literature Heritages Sites.

The chattering of the monuments will be of great superiority as an addition to the compiled history never told or narrated where it intertwines with two dissimilar, dissonant geographical zones, distant in such a way that they themselves react to a thunder of life, which makes up those zones that are individualized and inanimate as sources of multidimensional fervor, causing high-sounding narrative imbalances that at times were made as a great source of the power of what makes sense or what could mean at times that could continue progressing in the potential wealth of beings that were never geographically rooted in a system of use or group accent that could be immersed in the biography of that which has never been told, since there is no record. The information that is unknown could not be collected as well as a concept that survives the networks of a shipwreck of the passing of the centuries that run between even and odd centuries of today in the antiquity of the Middle Ages, however, all this traceability leaves us in micro spaces that are not perceptible, nor in the incorporation of chronicles that can be driven by the linear ordering method. Vernarth is in itself a precipitous advance, a quantum of dissimilar interests of civilizations that survive and will survive from where they were forged, perhaps integrating the second face of a life that manages to detach itself from the vital circle, to experiment with its canceled free will and redirect its life. revived canons of a new nuance that concelebrates within the face of an unknown character of prosopography; to the same one who imposes the laws of everything he should for each own individual having the opportune world of him that receives him lavishly.

After the seventh century, the phenomena of the Mediterranean between what simply promotes a turn of the page leaves the hemisphere of each empire more distant from the social phenomena that distinguish us once the stumble of generations cannot count what is not could mend in the subsequent generation. This is why Vernarth's hybrid containing allows you to travel between immemorial times, allowing you to store them and tolerate periods that do not fit the scale of all their wills deployed towards an administration that manages to revitalize their monuments and ally them with other geographical areas that could not strictly speak of the same contemporary, having taken more advantage of them. Such efforts would make a great providence and closeness of all the garments that represented suitable characters who are still looking in their wasteland for the true chronological process that should fit their conditions. Vernarth is a great enlargement of prosopography that he has or ambitions excessively, and that may heavenly tempt him to build vaults that can fit the figure of himself equivalent, of the libertine whims that could stipulate the crosses of the early and late periods, eager and differentiated for everything that could fit in a bunch of flowers like a bunch of verses that would be destined for the available that waits to be presented from the incorrupt mound of Olympus with the chain of being repeatedly presented in the Kanthillana before the god Spilaiaus.

The tool will allow the reconstruction of each elapsed period of time, which is exactly what the submithology intends, to return to live with the villagers who tend to trace their lines of traditions, customs, and much-needed etymology to revive the peripheral description where some manage to to be protagonists, leaving aside those who should be participants in silent actors that intends to expand the euphemism that is only revived in the courts of the emperor that is not even established in an ironclad draconian family monograph, as could be seen with the vast majority of the descendants of the Merovingians. The portrait tends to allocate budgets from the treasury of who should be the budget of the vast majority of true Labrador Hoplites as true ascendants of the great hidden treasure that will provide the eloquent looks of Medousa. This is how much of the vindication of cinnabar must have been established as a burial of many individuals from the Middle Ages in the vast majority of Europe to daub the bodies in sulfur or Cinnabar to try to keep them in the underworld with their entire body in linen shrouds or substitutes, and how to preserve or how to return to an organic chemical environment from which was the union of two beings when they engendered a being by the chemical explosion of a body in the autonomous cycle of procreation. Linguistic guidelines will undoubtedly make the entire Middle Ages the creation of a symbol of faith entrenched in unionized social spheres, made up of guilds of families that were never registered in a regime or corporation to supplement the lack of the Datum that in this work is It aims to decorate, uniting all classes, latitudes, and sectors that could well deserve complete the spaces that should have been executed by intercontinental clans, offering them a history that is part of their emblematic ancestor.

I would dare to name the Hoplithography, as the archaeological social fabric forging the question that establishes the Hoplites as sowing cultures of the significance of their prosopon of military body, contemplating further than all the nations of a way of life that probably would have been perhaps univocal to a pious being of the science that surrounds him, with the loneliness of a being that does not admit that he is overcome by science that submits to autonomous man such as Diogenes of Sinope or Archimedes who join an axial connection in the evidence of the senses, but in the Solstice of Sinope 412 a. C. specifically in the efforts of Vernarth to make them participate that the free man belonged to a Don who was more removed from his gaps of mistakes or successes since the free man was going to be imprisoned in the urn that joins him to his body and not to the illusion of your senses. The gates of truth or otherwise are just a few steps away from this Vernarth Tragedy that asks for a little hint of space-time movement. All the paradoxes that linear time will persevere in great calculation errors that could be an Aporia as speculative logic, followed by the fiction that exceeds reality where the paradoxes will be unresolved inconsistencies, essentially with what untimely arises from an indication of life in a common being that is related to quantum mutes as exhibited by the explosive Parapsychology or "Paraps" that are subdivided from the different scenarios of Aporías or enclaves of logic that are conjugated with the non-existent reality, given to the mechanics of Submythology of heroes, gods, and others coming back to life in a passage of time that is not explained in some expired history book that had more to tell than what its own ruins hid from the truth that could be told. This is a wealth of objectives that this Thesis proposes, to discover in the immensity of the unknown what was and could never be told, and that the past genetically survives in varieties of classes of organic species that continue to be assembled by worlds that tend to clear and rethink what any storyteller, philosopher, historian or archaeologist can interpret.

Physics is made of a servile space or instrument of the paradox, in such a way that the events point to reopen doors that are of the unknown History that could be part of a god that did not exist until the shelves documented him as part of a living culture associating it with its patterns of daily life, politics and the chores of common human life. It would be like the Arrow of Flight with Achilles, perhaps leaving a great inheritance to Alexander the Great in the dichotomy of how it would be Zefian by instituting the balance of the world with the geodesy of the world of Vernarth, not alluding in between the time that dictates it for its governance, but rather the cosmic heart that allows guessing where the thoughts will be directed more than the elliptical of ascent, and descent how far the arrow will arrive because even so whoever finds it will be of the mental times that elapse in different fractions as it is Parapsychology not moving, but more than the time that only moves where it is not or rests to give primary indications of intelligence in which thought must establish the concrete fact that everything takes place in its elliptical, but not in dissociated thought. Perhaps the singularity of this polished rule could show that this Paradox of Zeno that everything that exists could outline that the line that divides Achilles from Alexander the Great is the elliptical of thought because in the rhetoric of parapsychology there are no contradictions if it is that in the Dimension of Hellenic History find in it a distant today that communicates with this faction of the dimensional medium. The infinitesimal calculations of the Duoverse aim to link or reconcile what is being advanced in parallel in the mechanics of neuroscience, without the need to have practical scientific vestiges to determine what inhabits the intersection of a circle of quantum with respect to another that it occupies, a classic example of Vernarth when carrying out the flashing Kenósis of his Kli or Vessel that reunites his independent non-parallel lifelines, but that of belonging to a Hellenic trunk with the mathematics that exceeds infinitesimal numbers moving all the lamps of the Universe when both demi-gods walked through the relevant infinity.

Vernarth is a paradox that begins with the analysis of his initial "V" of Lacedaemon with the intention of traveling in supposed time, more remotely than a word can be subordinated to what could reconstruct an infinite regress, which is what will happen with the Apokálypsis in question where he is the threshold section of analysis of the genesis of this work in the Kanthillana, then with the reissue of the Medico in Piacenza by recognizing the constitution of the area that is more than what any specialist can understand; that is, much further from any speculative stealth before Vernarth or after that other prototypes could arise that are indirectly related to the concretion or invisibility of Non-Visible characters, but with the arrival of the submithology genre, its structure will generate conciliatory physical fields of what that he could never refer to or know if a beginning began when the end of the prototype of an invisible being was just being gestated. Perhaps the genesis of the world is a great paradox that was looking for the beginning of the end that manages to meet with a definitive beginning allied to that of an indivisible that indefinitely and infinitely creates micro spaces where time has no place, only physics links that overlap quantumly and represent the truth of purpose.
The argument goes beyond the linear narration that tends to describe who was or was, supplanting it in that of who will be and will be whenever the bonds of a timeless continuous reality remain in all assumptions. Here it is clear the axiom of the infinity of divisibility that is predisposed by an objective to achieve an unforeseen event that is forceful as much as it is likely to plan, from the Duoverse and its composition of everything including all the magnitudes and tendencies to his feet what will add up and will be charged with what has not been built or discovered making this hypothesis of the conceptual that displaces the historical because the conceptual occurred and occurred in outdated times not altering its objective since parapsychology in its infinity of regression will annex him in every Greek, Hebrew and Western dimension and latitude in an ancient world that will always be composed of addends that incorporate it into the Vernarthian World that in turn dares to challenge that the importance of the world of emotions are not part of the study of this Thesis of Literary Heritages Sites, as an infinite potential to achieve when the Apokalypsis is definitely triggered, prior to the ascension of the Vernarth when it leaves the Megaron and its living vibrating magnetic body. The regimes are not egalitarian with the fall of the determined slave democracy of 404 a. C. It could perfectly have been ruled, making the political destinies of an entire nation that is subjugated to attract and implement political and economic experience unclear, that those who would never be sustained by a regime determined by the inclusion of quantum paradoxes would be migrated more than any political-administrative order, which never led to the development of a new dawn of science of the infinite regressions of Parapsychology that unites everything multidimensionally.

The best choice is the equivalent of Prosopography, which results from an anomaly to the rule where Vernarth's Mythology regulates the organization of prosopography, claiming to demonstrate that there are gods who intercommunicate like Spilaiaus with Zeus, claiming to establish that what is going to happen is what that he wanted for his regency the prolongation of one mythology towards another, but without it being written but "Live" this is a postulate that Submythology proposes, substituting all the method rather experimenting for the superimposition of everything to the lesson of everything that is interconnected, although maintaining the univocal root that represents all the structural, cultural, historical and sociological components that intervene at times as an entity belonging to a reality of legends that border on the reality that must be preserved vividly. The compilation lists of Greek mythology is the product of enormous processes of years that have been developed in their territorial regions, a cultural union since Christianity displaced paganism from the year 391 AD. C. tormenting virgins and nascent creeds from a multi-paganism step that was based on the diversity of their daily lives to a universal expression that surpassed all excessive freedom or nullified free will that contended with the delicate slave democracy or dissuasive militarism based on the Oracles, who never had a real interpretation of what originated from a real god or nature that governed itself, rather than a god that questioned others that only individualized their own dramas to represent them to a god that pro-tradition that he freed them or condemned them to live at the expense of a Dramatis Personae. Here is the prosopography that with the well-formulated passage and sense of defining that the Ardors of the Drama make sense of being systematized from the gods of Olympus, but also in social stratifications in part to the worldview of their own ancestors to be the most faithful interpretive of the wealth that makes up the source that structures those of us who are not destined to be deities, but if we could exist before them with a recognized pattern in average reports that could be placed when Vernarth leaves the confused division of a body that will remain in the Iridescent Hydor of the Mashiaj or when the prophetic appearance of his Mother Luccica is sustained by such a portion of a physical world, rather totally petrified before the hecatomb or end of the world, generating in her a stony and inanimate being, but if sufficiently existing to define her new role in the universe "Ab Initio" of a general objective of uniting eternity of the competo of existing of unifying the geomorphological latitudes of mythological existence with other unknown vertical cultures (Submitology) and hypothetically pool the experience of the elements of the universe as a whole to empower roles among themselves. Then unify everything that can be narrated as an imminent truth to lavish it on those who could not exist at the same time, but rather describe it with the quantum channel, as it is here that Vernarth remains conjugated to his literature, history, theory, and quality of his speech. focused on a fully portrayed and defined system of Patio V of Hellenika as the Fifth Dimension as comparisons that are rationalized with space-time, geographic-chronology submerged in a theme of Political History as the axis of states that exert social change for numerous characters who recently there they come to life, as is the case of the new stage of Zacchaeus and the Sycomoro or Saint John the Evangelist in the Hegira to Judah provided by Vernarth to rediscover its roots, and reduce what could have been but the journey of Judah if there had not been ended in a conclusive in Jaffa where the metaphor that returned to Limassol would exceed the metaphor of Rhodes as an intermediate point that perhaps nu It could never have ended.
The interrelation of conceptions is due to a Primogen of the sixth dimension that was established as it was in Izzana with the Unicorns or Uilef that carried them to Genoa, or of the Giant Camels that were transfigured in Jaffa when the Ghosts of Shiraz had an impartial interference in the successful sea off the eastern sea. The relationships of the primogeniture allow a timeless mobilization led by Eurydice as a living figurehead that structures her Orphic proselytism, further than a conventual desire to compensate for all the unfocused in the elite and the outcome in the Profitis Ilias as the maximum height of reception. Trinitarian back with the ecstasy of Saint John the Apostle as the mobile center of the Hexagonal Primogeniture, the similar inspiration of living images of Ein Karem and its shepherds.

The Birthright is a family that composes them in their faith that guides them by themselves, whose goals are primarily directed by their sacramentals from the first to the seventh Giga Camel. In the imaginary and cultural reference that is delimited by its monotheistic ideology, acquired from a Hebraic-Hellenic scientific connection, whose postulates will survive the unusual phenomenon from generation to generation, but rather infinite inter regressions that could sometimes revolutionize the entire creation from scratch interpolated by an alpha, being the same for its intended end. Behold, the crossover element of this theme alludes to objects, events, or phenomena such as the reopening of the Kassotides as a central element from which the hypothetical support of all faith could be shipwrecked, if it is put at risk of re-raising culture to save the fate of the world at risk from climate change. If two sages met in limits without knowing Schopenhauer or Nietzsche with the relevance of ideologies that would offer more factors, expanding both systems or theories as alternative areas to think free from humanism or intellectualism that somehow reveals itself at the end of the times reconciling all time of action subsequent to his potential periods, more than his written legacies because his potential lies in his social prototype more than his work, given that his virtuosity is deeply rooted as an atheist believer, more separated from any intellectual root of wisdom What if it denotes the non-existence of a Pagan or Divine Enlightened God, what would provoke the indirect means that persists of calling a society whether or not it was a believer? In the specific case of Vernarth, his entire biography revolves around a Supreme Being who appears before him as a god of mythology, and who then takes him to the portal of Saint John the Evangelist as a being of compassion who alternates with him to embrace him and your arms. Everything there is that allows to treasure, store, or interrelate in different social strata uses the divine work that a character that sheds light that can even give more brightness than any star that can be demonstrated in a written work as an essential starting base reliability of an author who is inspired, and is not inspired.

Submithology also replaces prosopography, to say the least, that unites in general circles that cease to be physical until the ethereal limen that converts them into micro translation spaces such as quantum, in the same reciprocity of a point A-B and B-A and vice versa as it stipulates the connectivity of what exalts thought, and its inheritance when rising to the point that would be the “Intellectual Heaven”. Vernarth in the present time of any researcher could attribute that it will depart from the Iridescent Hydor photo-duct by seven channelings of the spectrum of the refracting luminaire but of the concomitance of the observable Vernarth, or rather of what little remains to be able to observe of man after leaving It is sighted by the masks that caustically protect or envelop it as a waste of what is not attributable to a Politai, having conditions of dense interests of a destiny that will never be recognized or belong to it. It is because of this reluctance that the proposal of free will offers greater perspectives in a series of misunderstandings such as Empowering two famous atheists like Nietzsche or Schopenhauer at the service of believers who would never object to the full range of possibilities that they could implement from scratch, to convert a Christian who is like himself to a convert who will purge and reverse all his permissible externally in the farthest destinies that allow him to ascend in freedom of annulled will, not only on the earth with one more differentiated, but as a tender being who saves the world so that the world does not forget him. This thesis offers the man who has been bastardized or discriminated from a social marginal depriving him of alternating with nobles or well-to-do who circulate under the same roof of half humanity that allows the common man to dispense with all humanist beliefs, opposition, syncretic, etc. .) To detach from all vanity that is limited in the abandonment of any of it progressing with all creation that if it is when every living organism ceases to be on Patmos.

The Patmos reef may contain inventories, archives, demographic indexes, religious spheres, congregations as repertoires of those that will form when an external being arrives to build a society that imposes its character of contribution to society, and tends to adapt to particular aspects that the that they will be until today on the island itself, in itself demanding the leadership of an elite of the Passional of Iahvé through Saint John the Apostle in conception of qualifying him with the great stratified of the species that compromises in the optics of converting his followers, as an essay of an illusion made real ad honorum of a residual fragmentary that does little to unify the eras in which the rich and poor will be relatives not because of their genealogy, but because what the poor lead of the other to save him from an end that has another handle of his heraldry and portraits of his game that is deactivated in the collective imagination of all his progeny highlighted as a representative of mutations of numer dark ales, where nothing will be recorded only in this untrammeled probability of granting a life that resides in everything that cannot be seen or named, that transgresses all sources of prosopography as something deductive in this case Deus Ex Machina; as will be embodied in the final tableau of Vernarth's Trilogy III "Like the god who will descend from the machine or in this case from Hydor to Vernarth to take him to Alikantus with his mended golden hooves"
To conclude where it remains to argue that it can attract us from the Intuition of being more than a human who can actually live more than what can be budgeted, without prejudice to common sense that is quiet and distant from the epilogue of this work when whoever looks at it and hold on to a legacy of Heritage Site Literature, and manage to embrace it so that its pulse can be felt in each character it is in, and in each episode of a post-classical story. The derivations of a critical analysis of psychological Vernarth is greatly affected by an independent reaction of a real regime to which his fellow Hoplite Soldier leads him to the event of Arbela in the great battle of Gaugamela, integrating himself into the analysis of a reality that did not belong to him due to because he came from another remote erudition, and was only recognized for defending common acts that reflect the awakening of a new seed of value and temperament of a whole baggage of anthroponymy that could fit in all the spontaneous civilizations that manage to transgress the barriers of time and normal space, here is Vernarth who manages to fit in the names that substantiate in others that revalues them, and could appear as a perfect leadership name to access a Helot, Hoplite or Politai housing space in the same way as It could be transmitted from a leader who, together with Wonthelimar, was able to cross the Pyrenees or the heights of Ida or Kanthillana. as a high descendant of the Arakynthos Mountains of Messolonghi destined for the Koumeterium of the same name where the genealogical table of Vernarth is carved together with his brother Etrestles, under the invisible courtesies of a man when he is condemned being born from here from the numb invincible spirit of the Heroes of the Independence of Greece 1830. Finally, in this penultimate episode that Vernarth qualifies the sense of not being affected by an oppressive cause as being influenced by supremacies of ideas, creeds, philosophies, or governmental order, rather by a divine general scientific exordium that is from where he manages to interpret when the Mashiach or Messiah, will take his hands to carry him to meet the Hydor and dwell in that place with Him. The archivist will have the possibility to investigate and study in situ the paranormal events referred to as mega parapsychology, This way he will allow his vast merciful heart to be a strategist to carry in his inventory everything s the petitions of the living who remain in the land of Greece to take them to those who remain in the land via Patmos. Vernarth from the 6th century AD. in search of his genealogy he can create a meritorious dignity of giving funeral rites to his ancestors, the long-standing family coat of arms became returnable to the Reign of Horcondising: Spílaiaus and Aiónius with the major gods who waited for him to reside in the entire fringe of the invisible beings that in eternity will take chronological charge of a revolving time that will recirculate from all that is not dimensioned like a spiral dragging all the empires that request the renovation of their ruins, and of their beings that cry out for the misuse of this world and new coverage of a new world of replacement; as Vernarth's Strategoi legacy through all the reigns between Justin I and Justinian I of the sixth century, since previously a large part of Vernarth's family was exiled to the South of Spain by the then Roman Empire from the north of Venice to the Mediterranean, from here he transfers all the families of his lineage with his Coat of Arms of Lacedaemon to protect them over the course of more than 700 years. In this way, a large part of those who had to protect the family raft that was protected by Vernarth in the revolt of Constantinople after signing peace with Persia. The Apoinandros preserved all his lineage along the paths of an enthronement ritual that protected the distinctions but also the families of the world in the Mediterranean regions, curiously where a large part of this Trilogy navigates the Triacontero Eurídice together with Vernarth as Strategoi of expeditionary forces in glorious parapsychologies of the Middle Ages moving periodically from south to north of all of Hispania, even alternating with Nordic and German elites, such as Greek-Hebrew nominating Vernarth as a dignitary that will be preserved in the coat of arms Strategikon that managed to be collaborated with the Emperors the century VI, attributing that some of the most robust could be part of the elites of the Roman legions as exclusive Praetorians. In this way, all the family trunk and his insignia were migrated from the north of Venice, then to Lombardy to be redirected to Spain later in the coming centuries to South America. The Strategikon has presented as relevant to the present elaboration thanks to its representativeness regarding the egregious existence, compilation, and hoarding of relevant technical information for the performance of the distinguished tasks of ex-military, being able to be verified with absolute certainty within its family traits with its existence, and continued use as a source of the great Taktika of Alexander the Great and Saint John the Apostle as Magister Militum.

contemplations of an angsty agnostic
otherwise known as the subtitle to my lengthy biopic
or the fumbling intellectual journey
the endless search to find
the divine reality behind,
to trace, pinpoint exactly what lies
at the center of the cosmos
at the crucified heart of all humankind
some days i feel there is no God
no chance of a higher power
i'm resigned to spewing cliched aphorisms as nihilistic as Schopenhauer
fragmented theories and meditations on life
consuming my thoughts and flooding my mind
ideas tessellate and twist as i'm crumbling, stumbling to try and make sense of all this
i find
the existential condition that burdens the shoulders of the wonder filled kids
from the blinkered blues of the beats
to the hopeful hedonism of the hippies
and the time tick ticks
regardless of the passing ecstasy of our dream-filled kicks
i feel there must be something more than this.
absurdity has the tendency to consume the very core of me
ultimately, does that not make me more free?
like Sisyphus, i stagnate
repetitive routines threaten to enchain me
but i believe i know the path i'm on
and i have to know it will save me
we live in times
of overwhelming, reeling uncertainty
is it true that one day the gleaming, spinning light will find me?

Somewhere in the background in the light waves that swallow all sound there's a girl with a tambourine,
she lives in another dream where the music's written on the screen, the notes remind her that's she's single and behind her is the orchestra playing Schopenhauer
albeit silently,
the aesthetics pleasing me, the silence teasing me, she asks me out to tea and I agree.

In the background where the foreground falls away into the light waves that swallow all sound, she plays her tambourine and we start another dream,
silently at first until we thirst for more than this.

What are you reading?
Atara asked.

Book on Schopenhauer,
I said.

Dull reading.

Depends on what you like.

She sipped her coke,
her eyes studying
the cover of the book.
Is that him?

Yes, old photograph.

She looked at me.
Why do you read
such dull books?

Maybe I'm a dull guy.

She smiled.
Not last night.

I closed the book
and laid it
on the table.
I sipped my beer.

Does he talk
about ***?
She asked.

Not that I’ve read
so far.

If a book doesn't mention ***
it isn't worth reading.

Maybe I should read Freud.

Why read?

I looked at the waiter
passing the table,
his clipped moustache,
his deep eyes.  

You read,
I said,
not heavy stuff,
but you do read.

I like my books
like I like my men:
not too deep and fun.

I said nothing
about my books
and women.

She didn't have
the depth
and she taught me
nothing,
although
that session
in the bathroom
had insight.

The way she had it
right down
to a fine art,
the subtleness
of her limbs,
her gyrations,
her lips and tongue.

What now?
She asked.
I fancy a walk
on the beach,
catch some sun.

You go,
I said,
I want to chill out
with a cold beer
and watch life go by.

She pulled a face sulkily,
but went off,
her hips doing
that thing they did
when she was annoyed.

I watched her go,
sipped the beer,
icy cold
like I enjoyed.

Don't trust him! He's nuts,

he even confuses Kant --


with Schopenhauer!

It was the third day of my madness caused by your doom
And my inner poet was lying with glooms
trying to perish
But your force was so strong and refreshing,
I felt his endless will to rise again and live
I was afraid to look his eyes even a moment
I had deprived him of worth, had left him to die
I was afraid hereafter of his conviction
I knew he was stronger because he had you...
But what I had my own, except my paltriness?!
What I did to save you
when you relentlessly put an end to yourself inside me?!
He said that he lived more vividly and worthily
And he deserved to live even more than me...
He asked what I had achieved more than ten years?
I shut up only, like before you had also made me
You had called all that I felt only complaints
But in fact, I had perceived you had also been afraid
To face the damages which you had caused to me...

Yes, my dear friend, I often have heavy damages
I was always traumatized in dimensional clashes
As I betray my eigen* and leave myself alone,
I begin to acknowledge my all emptiness
You can just exist in vain with your mind and logic
But you can truly live only by accepting your feelings valuable...

I got my strength with fire in my heart,
I was watching my growing power,
Which was circulating  along my freezing veins
I hugged my innocent, suffering poet,
I promised to create - my own highest values,
My predecessors, my sufferer poet and me
would live hereafter disregarding yours!
But yet it was not fair, yet it was not worthwhile,
I had to cling to my dimensions much more deeply
I was full of energy and had everything to fight,
There appeared a dream to share my horizons I would gain thereafter...
But I lacked you... Who deserved to see it most than others...
As the one who was able to do the impossible
which no one had been able to do before...
You had to see my intentional life you had presented...

I wandered among the graves in my "graveheart",
Resurrected my all soulmates lying in chaos,
Who we shared our sacred dimensions of solitude
Who were craving to be felt and to be understood
Nietzche, Schopenhauer, Cioran lead them of course...
I brought them to life with the laughter you had taught me,
We marched side by side to the source of vitality,
We saluted Martin Eden
and vowed to avenge his suicidal also!

We movingly reached the end of my heart,
where your awesome grave was lying
I kept your cold remedial hands,
As I smiled, in return you smiled warmer than me,
You know, I can never smile or laugh as deep as you do,
I faithfully said that I wanted to live,
I promised one day I would laugh even more deeply than you do.
I understood you had wanted me just to be strong,
However, you hadn't been able to understand me again once more...
As women represent themselves as a tool to strong ones,
contrary they represent themselves as a present to the weak
That is why I was brawling and trying to withstand,
Could I accept you as another worthless thing rather than a present?!

I embraced you and internalized your
spirit,
All my soulmates exulted in it...
I and my pale poet set my new universe,
In company with the souls of our dimensions,
we raised you...
We raised you above all of the tortures and fears,
We raised you above all of the dimensions.
We raised you above all of the meanings,
We sacrificed the meaning of life for you
and I made you the center of my universe
You began to shine like the sun in my life,
Then all separated values and meanings
began in harmony to whirl around you
Around the sun of my worthwhile universe...

Do we have free will
You asked me
We do
Absolutely
Even under the dome of
the Almighty, the willpower
still exists, hiding somewhere
in our brain——
Tour de force
The great virtuosity
The strength to envision
The power to make
Our ambitions a reality
Will
So it's called
The property of mind
"The Will to Power"
Nietzsche elaborated on it
"The World as Will and
Representation"
Schopenhauer spent his
Whole life obscuring it more
Than enlightening the world
Unlike Aristotle, who had a saner
View on ethics and personal choices
But wait until Freud was here
Who took half of the gist
In philosophy with him
And made it all psychical
At least
He convinced most people
To maneuver will
We need to wade through
Dark waters
——The maze in
Subconscious, the power within
To reign, we have to know
Our mind by studying it
And practicing
For until it's free
Under consciousness
We can't wield the will still...
I wish I've showed you
My long journey
Of searching

¡De qué sirve al triste la filosofía!
Kant o Schopenhauer o Nietzche o Bergson...
¡Metafisiqueos!

                       En tanto, Ana mía,
te me has muerto, y yo no sé todavía
dónde ha de buscarte mi pobre razón.
¡Metafisiqueos, pura teoría!
¡Nadie sabe nada de nada: mejor
que esa pobre ciencia confusa y vacía,
nos alumbra el alma, como luz del día,
el secreto instinto del eterno amor!

No ha de haber abismo que ese amor no ahonde,
y he de hallarte. ¿Dónde? ¡No me importa dónde!
¿Cuándo? No me importa..., ¡pero te hallaré!
Si pregunto a un sabio, "¡Qué sé yo!", responde.
Si pregunto a mi alma, me dice: "¡Yo sé!"