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Slow sinks, more lovely ere his race be run,
Along Morea’s hills the setting Sun;
Not, as in northern climes, obscurely bright,
But one unclouded blaze of living light;
O’er the hushed deep the yellow beam he throws,
Gilds the green wave that trembles as it glows;
On old ægina’s rock and Hydra’s isle
The God of gladness sheds his parting smile;
O’er his own regions lingering loves to shine,
Though there his altars are no more divine.
Descending fast, the mountain-shadows kiss
Thy glorious Gulf, unconquered Salamis!
Their azure arches through the long expanse,
More deeply purpled, meet his mellowing glance,
And tenderest tints, along their summits driven,
Mark his gay course, and own the hues of Heaven;
Till, darkly shaded from the land and deep,
Behind his Delphian rock he sinks to sleep.

  On such an eve his palest beam he cast
When, Athens! here thy Wisest looked his last.
How watched thy better sons his farewell ray,
That closed their murdered Sage’s latest day!
Not yet—not yet—Sol pauses on the hill,
The precious hour of parting lingers still;
But sad his light to agonizing eyes,
And dark the mountain’s once delightful dyes;
Gloom o’er the lovely land he seemed to pour,
The land where Phoebus never frowned before;
But ere he sunk below Cithaeron’s head,
The cup of Woe was quaffed—the Spirit fled;
The soul of Him that scorned to fear or fly,
Who lived and died as none can live or die.

  But lo! from high Hymettus to the plain
The Queen of Night asserts her silent reign;
No murky vapour, herald of the storm,
Hides her fair face, or girds her glowing form;
With cornice glimmering as the moonbeams play,
There the white column greets her grateful ray,
And bright around, with quivering beams beset,
Her emblem sparkles o’er the Minaret;
The groves of olive scattered dark and wide,
Where meek Cephisus sheds his scanty tide,
The cypress saddening by the sacred mosque,
The gleaming turret of the gay kiosk,
And sad and sombre ’mid the holy calm,
Near Theseus’ fane, yon solitary palm;
All, tinged with varied hues, arrest the eye;
And dull were his that passed them heedless by.
Again the ægean, heard no more afar,
Lulls his chafed breast from elemental war:
Again his waves in milder tints unfold
Their long expanse of sapphire and of gold,
Mixed with the shades of many a distant isle
That frown, where gentler Ocean deigns to smile.

  As thus, within the walls of Pallas’ fane,
I marked the beauties of the land and main,
Alone, and friendless, on the magic shore,
Whose arts and arms but live in poets’ lore;
Oft as the matchless dome I turned to scan,
Sacred to Gods, but not secure from Man,
The Past returned, the Present seemed to cease,
And Glory knew no clime beyond her Greece!

  Hour rolled along, and Dian’******on high
Had gained the centre of her softest sky;
And yet unwearied still my footsteps trod
O’er the vain shrine of many a vanished God:
But chiefly, Pallas! thine, when Hecate’s glare
Checked by thy columns, fell more sadly fair
O’er the chill marble, where the startling tread
Thrills the lone heart like echoes from the dead.
Long had I mused, and treasured every trace
The wreck of Greece recorded of her race,
When, lo! a giant-form before me strode,
And Pallas hailed me in her own Abode!

  Yes,’twas Minerva’s self; but, ah! how changed,
Since o’er the Dardan field in arms she ranged!
Not such as erst, by her divine command,
Her form appeared from Phidias’ plastic hand:
Gone were the terrors of her awful brow,
Her idle ægis bore no Gorgon now;
Her helm was dinted, and the broken lance
Seemed weak and shaftless e’en to mortal glance;
The Olive Branch, which still she deigned to clasp,
Shrunk from her touch, and withered in her grasp;
And, ah! though still the brightest of the sky,
Celestial tears bedimmed her large blue eye;
Round the rent casque her owlet circled slow,
And mourned his mistress with a shriek of woe!

  “Mortal!”—’twas thus she spake—”that blush of shame
Proclaims thee Briton, once a noble name;
First of the mighty, foremost of the free,
Now honoured ‘less’ by all, and ‘least’ by me:
Chief of thy foes shall Pallas still be found.
Seek’st thou the cause of loathing!—look around.
Lo! here, despite of war and wasting fire,
I saw successive Tyrannies expire;
‘Scaped from the ravage of the Turk and Goth,
Thy country sends a spoiler worse than both.
Survey this vacant, violated fane;
Recount the relics torn that yet remain:
‘These’ Cecrops placed, ‘this’ Pericles adorned,
‘That’ Adrian reared when drooping Science mourned.
What more I owe let Gratitude attest—
Know, Alaric and Elgin did the rest.
That all may learn from whence the plunderer came,
The insulted wall sustains his hated name:
For Elgin’s fame thus grateful Pallas pleads,
Below, his name—above, behold his deeds!
Be ever hailed with equal honour here
The Gothic monarch and the Pictish peer:
Arms gave the first his right, the last had none,
But basely stole what less barbarians won.
So when the Lion quits his fell repast,
Next prowls the Wolf, the filthy Jackal last:
Flesh, limbs, and blood the former make their own,
The last poor brute securely gnaws the bone.
Yet still the Gods are just, and crimes are crossed:
See here what Elgin won, and what he lost!
Another name with his pollutes my shrine:
Behold where Dian’s beams disdain to shine!
Some retribution still might Pallas claim,
When Venus half avenged Minerva’s shame.”

  She ceased awhile, and thus I dared reply,
To soothe the vengeance kindling in her eye:
“Daughter of Jove! in Britain’s injured name,
A true-born Briton may the deed disclaim.
Frown not on England; England owns him not:
Athena, no! thy plunderer was a Scot.
Ask’st thou the difference? From fair Phyles’ towers
Survey Boeotia;—Caledonia’s ours.
And well I know within that ******* land
Hath Wisdom’s goddess never held command;
A barren soil, where Nature’s germs, confined
To stern sterility, can stint the mind;
Whose thistle well betrays the niggard earth,
Emblem of all to whom the Land gives birth;
Each genial influence nurtured to resist;
A land of meanness, sophistry, and mist.
Each breeze from foggy mount and marshy plain
Dilutes with drivel every drizzly brain,
Till, burst at length, each wat’ry head o’erflows,
Foul as their soil, and frigid as their snows:
Then thousand schemes of petulance and pride
Despatch her scheming children far and wide;
Some East, some West, some—everywhere but North!
In quest of lawless gain, they issue forth.
And thus—accursed be the day and year!
She sent a Pict to play the felon here.
Yet Caledonia claims some native worth,
As dull Boeotia gave a Pindar birth;
So may her few, the lettered and the brave,
Bound to no clime, and victors of the grave,
Shake off the sordid dust of such a land,
And shine like children of a happier strand;
As once, of yore, in some obnoxious place,
Ten names (if found) had saved a wretched race.”

  “Mortal!” the blue-eyed maid resumed, “once more
Bear back my mandate to thy native shore.
Though fallen, alas! this vengeance yet is mine,
To turn my counsels far from lands like thine.
Hear then in silence Pallas’ stern behest;
Hear and believe, for Time will tell the rest.

  “First on the head of him who did this deed
My curse shall light,—on him and all his seed:
Without one spark of intellectual fire,
Be all the sons as senseless as the sire:
If one with wit the parent brood disgrace,
Believe him ******* of a brighter race:
Still with his hireling artists let him prate,
And Folly’s praise repay for Wisdom’s hate;
Long of their Patron’s gusto let them tell,
Whose noblest, native gusto is—to sell:
To sell, and make—may shame record the day!—
The State—Receiver of his pilfered prey.
Meantime, the flattering, feeble dotard, West,
Europe’s worst dauber, and poor Britain’s best,
With palsied hand shall turn each model o’er,
And own himself an infant of fourscore.
Be all the Bruisers culled from all St. Giles’,
That Art and Nature may compare their styles;
While brawny brutes in stupid wonder stare,
And marvel at his Lordship’s ’stone shop’ there.
Round the thronged gate shall sauntering coxcombs creep
To lounge and lucubrate, to prate and peep;
While many a languid maid, with longing sigh,
On giant statues casts the curious eye;
The room with transient glance appears to skim,
Yet marks the mighty back and length of limb;
Mourns o’er the difference of now and then;
Exclaims, ‘These Greeks indeed were proper men!’
Draws slight comparisons of ‘these’ with ‘those’,
And envies Laïs all her Attic beaux.
When shall a modern maid have swains like these?
Alas! Sir Harry is no Hercules!
And last of all, amidst the gaping crew,
Some calm spectator, as he takes his view,
In silent indignation mixed with grief,
Admires the plunder, but abhors the thief.
Oh, loathed in life, nor pardoned in the dust,
May Hate pursue his sacrilegious lust!
Linked with the fool that fired the Ephesian dome,
Shall vengeance follow far beyond the tomb,
And Eratostratus and Elgin shine
In many a branding page and burning line;
Alike reserved for aye to stand accursed,
Perchance the second blacker than the first.

  “So let him stand, through ages yet unborn,
Fixed statue on the pedestal of Scorn;
Though not for him alone revenge shall wait,
But fits thy country for her coming fate:
Hers were the deeds that taught her lawless son
To do what oft Britannia’s self had done.
Look to the Baltic—blazing from afar,
Your old Ally yet mourns perfidious war.
Not to such deeds did Pallas lend her aid,
Or break the compact which herself had made;
Far from such counsels, from the faithless field
She fled—but left behind her Gorgon shield;
A fatal gift that turned your friends to stone,
And left lost Albion hated and alone.

“Look to the East, where Ganges’ swarthy race
Shall shake your tyrant empire to its base;
Lo! there Rebellion rears her ghastly head,
And glares the Nemesis of native dead;
Till Indus rolls a deep purpureal flood,
And claims his long arrear of northern blood.
So may ye perish!—Pallas, when she gave
Your free-born rights, forbade ye to enslave.

  “Look on your Spain!—she clasps the hand she hates,
But boldly clasps, and thrusts you from her gates.
Bear witness, bright Barossa! thou canst tell
Whose were the sons that bravely fought and fell.
But Lusitania, kind and dear ally,
Can spare a few to fight, and sometimes fly.
Oh glorious field! by Famine fiercely won,
The Gaul retires for once, and all is done!
But when did Pallas teach, that one retreat
Retrieved three long Olympiads of defeat?

  “Look last at home—ye love not to look there
On the grim smile of comfortless despair:
Your city saddens: loud though Revel howls,
Here Famine faints, and yonder Rapine prowls.
See all alike of more or less bereft;
No misers tremble when there’s nothing left.
‘Blest paper credit;’ who shall dare to sing?
It clogs like lead Corruption’s weary wing.
Yet Pallas pluck’d each Premier by the ear,
Who Gods and men alike disdained to hear;
But one, repentant o’er a bankrupt state,
On Pallas calls,—but calls, alas! too late:
Then raves for’——’; to that Mentor bends,
Though he and Pallas never yet were friends.
Him senates hear, whom never yet they heard,
Contemptuous once, and now no less absurd.
So, once of yore, each reasonable frog,
Swore faith and fealty to his sovereign ‘log.’
Thus hailed your rulers their patrician clod,
As Egypt chose an onion for a God.

  “Now fare ye well! enjoy your little hour;
Go, grasp the shadow of your vanished power;
Gloss o’er the failure of each fondest scheme;
Your strength a name, your bloated wealth a dream.
Gone is that Gold, the marvel of mankind.
And Pirates barter all that’s left behind.
No more the hirelings, purchased near and far,
Crowd to the ranks of mercenary war.
The idle merchant on the useless quay
Droops o’er the bales no bark may bear away;
Or, back returning, sees rejected stores
Rot piecemeal on his own encumbered shores:
The starved mechanic breaks his rusting loom,
And desperate mans him ‘gainst the coming doom.
Then in the Senates of your sinking state
Show me the man whose counsels may have weight.
Vain is each voice where tones could once command;
E’en factions cease to charm a factious land:
Yet jarring sects convulse a sister Isle,
And light with maddening hands the mutual pile.

  “’Tis done, ’tis past—since Pallas warns in vain;
The Furies seize her abdicated reign:
Wide o’er the realm they wave their kindling brands,
And wring her vitals with their fiery hands.
But one convulsive struggle still remains,
And Gaul shall weep ere Albion wear her chains,
The bannered pomp of war, the glittering files,
O’er whose gay trappings stern Bellona smiles;
The brazen trump, the spirit-stirring drum,
That bid the foe defiance ere they come;
The hero bounding at his country’s call,
The glorious death that consecrates his fall,
Swell the young heart with visionary charms.
And bid it antedate the joys of arms.
But know, a lesson you may yet be taught,
With death alone are laurels cheaply bought;
Not in the conflict Havoc seeks delight,
His day of mercy is the day of fight.
But when the field is fought, the battle won,
Though drenched with gore, his woes are but begun:
His deeper deeds as yet ye know by name;
The slaughtered peasant and the ravished dame,
The rifled mansion and the foe-reaped field,
Ill suit with souls at home, untaught to yield.
Say with what eye along the distant down
Would flying burghers mark the blazing town?
How view the column of ascending flames
Shake his red shadow o’er the startled Thames?
Nay, frown not, Albion! for the torch was thine
That lit such pyres from Tagus to the Rhine:
Now should they burst on thy devoted coast,
Go, ask thy ***** who deserves them most?
The law of Heaven and Earth is life for life,
And she who raised, in vain regrets, the strife.”
The barn is burning
The race-track is over
Farmers run out w/
buckets of water
The horse flesh is burning
They’re kicking the stalls
(panic in a horse’s eye
That can spread & fill
an entire sky.)

The clouds flow by
& tell a story

about the lightning bolt & the mast
on the steeple

Some people have a hard time
describing sailors to the
undernourished.

The decks are starving
Time to throw the cargo over

Now down & the high-sailing
fluttering of smiles on the air
w/its cool night time disturbance

Tropic corridor
Tropic Treasure

What got us this far to this
mild equator

Now we need something
& someone new
when all else fails
we can whip the horse’s eyes
& make them cry
& sleep
~~~

France is 1st, Nogales round-up
Cross over the border-
land of eternal adolescence
quality of despair unmatched
anywhere on the perimeter
Message from the outskirts
calling us home
This is the private space of a
new order. We need saviors
To help us survive the journey.
Now who will come
Now hear this
We have started the crossing
Who knows? it may end badly

The actors are assembled;
immediately they become
enchanted
I, for one, am in ecstasy
enthralled.
Can I convince you to smile?

No wise men now.
Each on his own
grab your daughter & run
~~~

“Oh God, she cried
I never knew what
it meant to be real
I thought all this was a joke,
I never let the horror, or
the sweetness & the dignity
penetrate my brain”

“Let me up to see
the window. Dark Riders
pass in the sunset
coming home from
raiding parties.
The taverns will be
full of laughter, wine,
& later dancing, later
dangerous knife throws.

Antonio will be there
& that *****, Blue Lady
playing cards w/silver
decks & smiling at the night,
& full glasses held aloft
& spilled to the moon.
I’m sad, so full of sadness”
~~~

She’s selling news in the market
Time in the hall
The girls of the factory
Rolling cigars
They haven’t invented musak yet
So I read to them
From The BOOK OF DAYS
a horror story from the Gothic age
a gruesome romance
From the LA
Plague.

I have a vision of America
Seen from the air
28,000 ft. & going fast

A one-armed man in a Texas
parking labyrinth
A burnt tree like a giant primeval bird
in an empty lot in Fresno
Miles & miles of hotel corridors
& elevators, filled w/ citizens

Motel Money ****** Madness
Change the mood from glad to sadness

play the ghost song baby
~~~

a young woman, bound silently, on
a hostpital table, obviously pregnant,
is gutted & rifled of her empire

objects of oblivion
~~~

Drugs *** drunkenness battle
return to the water-world
Sea-belly
Mother of man
Monstrous sleep-waking gentle swarming
atomic world
Anomic in social life

how can we hate or love or judge
in the sea-swarm world of atoms
All one, one All
How can we play or not play
How can we put one foot before us
or revolutionize or write
~~~

Does the house burn? So be it.
The World, a film which men devise.
Smoke drifts thru these chambers
Murders occur in a bedroom.
Mummers chant, birds hush & coo.
Will this do?
Take Two.
~~~

each day is a drive thru history
Nigel Morgan May 2015
In a distant land, far beyond the time we know now, there lived an ancient people who knew in their bones of a past outside memory. Things happened over and over; as day became night night became day, spring followed winter, summer followed spring, autumn followed summer and then, and then as autumn came, at least the well-known ordered days passed full of preparation for the transhumance, that great movement of flocks and herds from the summer mountains to the winter pastures. But in the great oak woods of this region the leaves seemed reluctant to fall. Even after the first frosts when the trees glimmered with rime as the sun rose. Even when winter’s cousin, the great wind from the west, ravaged the conical roofs of the shepherds’ huts. The leaves did not fall.

For Lucila, searching for leaves as she climbed each day higher and higher through the parched undergrowth under the most ancient oaks, there were only acorns, slews of acorns at her feet. There were no leaves, or rather no leaves that might be gathered as newly fallen. Only the faint husks of leaves of the previous autumn, leaves of provenance already gathered before she left the mountains last year for the winter plains, leaves she had placed into her deep sleeves, into her voluminous apron, into the large pockets of her vlaterz, the ornate felt jacket of the married woman.

Since her childhood she had picked and pocketed these oaken leaves, felt their thin, veined, patterned forms, felt, followed, caressed them between her finger tips. It was as though her pockets were full of the hands of children, seven-fingered hands, stroking her fingers with their pointed tips when her fingers were pocketed.

She would find private places to lay out her gathered leaves. She wanted none to know or touch or speak of these her children of the oak forest. She had waited all summer, as she had done since a child, watching them bud and grow on the branch, and then, with the frosts and winds of autumn, fall, fall, fall to the ground, but best of all fall into her small hands, every leaf there to be caught, fallen into the bowl of her cupped hands. And for every leaf caught, a wish.

Her autumn days became full of wishes. She would lie awake on her straw mattress after Mikas had risen for the night milking, that time when the rustling bells of the goats had no accompaniment from the birds. She would assemble her lists of wishes, wishes ready for leaves not yet fallen into the bowl of her cupped hands. May the toes of my baby be perfectly formed? May his hair fall straight without a single curl? May I know only the pain I can bear when he comes? May the mother of Mikas love this child?

As the fine autumn days moved towards the feast day of St Anolysius, the traditional day of departure of the winter transhumance, there was, this season, an unspoken tension present in the still, dry air. Already preparations were being made for the long journey to the winter plains. There was soon to be a wedding now three days away, of the Phatos boy to the Tamosel girl. The boy was from an adjoining summer pasture and had travelled during the summer months with an itinerant uncle, a pedlar of sorts and beggar of repute. So he had seen something of the world beyond those of the herds and flocks can expect to see. He was rightly-made and fit to marry, although, of course, the girl was to be well-kept secret until the day itself.

Lucila remembered those wedding days, her wedding days, those anxious days of waiting when encased in her finery, in her seemingly impenetrable and voluminous wedding clothes she had remained all but hidden from view. While around her the revelling came and went, the drunkenness, the feasting, the riotous eruptions of noise and movement, the sudden visitations of relatives she did not know, the fierce instructions of women who spoke to her now as a woman no longer a young girl or a dear child, women she knew as silent, shy and respectful who were now loud and lewd, who told her things she could hardly believe, what a man might do, what a man might be, what a woman had to suffer - all these things happening at the same time. And then her soon-to-be husband’s drunk-beyond-reason friends had carried off the basket with her trousseau and dressed themselves riotously in her finest embroidered blouses, her intricate layered skirts, her petticoats, even the nightdress deemed the one to be worn when eventually, after three days revelry, she would be visited by a man, now more goat than man, sodden with drink, insensible to what little she understood as human passion beyond the coupling of goats. Of course Semisar had prepared the bright blood for the bridesbed sheet, the necessary evidence, and as Mikas lay sprawled unconscious at the foot of the marriage bed she had allowed herself to be dishevelled, to feign the aftermath of the act he was supposed to have committed upon her. That would, she knew, come later . . .

It was then, in those terrible days and after, she took comfort from her silent, private stitching into leaves, the darning of acorns, the spinning of skeins of goats’ wool she would walnut-dye and weave around stones and pieces of glass. She would bring together leaves bound into tiny books, volumes containing for her a language of leaves, the signs and symbols of nature she had named, that only she knew. She could not read the words of the priest’s book but was fluent in the script of veins and ribs and patterning that every leaf owned. When autumn came she could hardly move a step for picking up a fallen leaf, reading its story, learning of its history. But this autumn now, at the time of leaf fall, the fall of the leaf did not happen and those leaves of last year at her feet were ready to disintegrate at her touch. She was filled with dread. She knew she could not leave the mountains without a collection of leaves to stitch and weave through the shorter days and long, long winter nights. She had imagined sharing with her infant child this language she had learnt, had stitched into her daily life.

It was Semisar of course, who voiced it first. Semisar, the self-appointed weather ears and horizon eyes of the community, who followed her into the woods, who had forced Lucila against a tree holding one broad arm and her body’s weight like a bar from which Lucila could not escape, and with the other arm and hand rifled the broad pockets of Lucila’s apron. Semisar tossed the delicate chicken bone needles to the ground, unravelled the bobbins of walnut-stained yarn, crumpled the delicately folded and stitched, but yet to be finished, constructions of leaves . . . And spewed forth a torrent of terrible words. Already the men knew that the lack of leaf fall was peculiar only to the woods above and around their village. Over the other side of the mountain Telgatho had said this was not so. Was Lucila a Magnelz? Perhaps a Cutvlael? This baby she carried, a girl of course, was already making evil. Semisar placed her hand over and around the ripe hard form of the unborn child, feeling for its shape, its elbows and knees, the spine. And from there, with a vicelike grip on the wrist, Semisar dragged Lucila up and far into the woods to where the mountain with its caves and rocks touched the last trees, and from there to the cave where she seemed to know Lucila’s treasures lay, her treasures from childhood. Semisar would destroy everything, then the leaves would surely fall.

When Lucila did not return to prepare the evening meal Mikas was to learn all. Should he leave her be? He had been told women had these times of strange behaviour before childbirth. The wedding of the Phatos boy was almost upon them and the young men were already behaving like goats before the rut. The festive candles and tinselled wedding crowns had been fetched from the nearest town two days ride distant, the decoration of the tiny mountain basilica and the accommodation for the priest was in hand. The women were busy with the making of sweets and treats to be thrown at the wedding pair by guests and well-wishers. Later, the same women would prepare the dough for the millstones of bread that would be baked in the stone ovens. The men had already chosen the finest lambs to spit-roast for the feast.

She will return, Semisar had said after waiting by the fold where Mikas flocks, now gathered from the heights, awaited their journey south. All will be well, Mikas, never fear. The infant, a girl, may not last its birth, Semisar warned, but seeing the shocked face of Mikas, explained a still-birth might be providential for all. Know this time will pass, she said, and you can still be blessed with many sons. We are forever in the hands of the spirit, she said, leaving without the customary salutation of farewell.
                                               
However different the lives of man and woman may by tradition and circumstance become, those who share the ways and rites of marriage are inextricably linked by fate’s own hand and purpose. Mikas has come to know his once-bride, the child become woman in his clumsy embrace, the girl of perhaps fifteen summers fulfilling now his mother’s previous role, who speaks little but watches and listens, is unfailingly attentive to his needs and demands, and who now carries his child ( it can only be a boy), carries this boy high in her womb and with a confidence his family has already remarked upon.

After their wedding he had often returned home to Lucila at the time of the sun’s zenith when it is customary for the village women to seek the shade of their huts and sleep. It was an unwritten rite due to a newly-wed husband to feign the sudden need for a forgotten tool or seek to examine a sick animal in the home fold. After several fruitless visits when he found their hut empty he timed his visit earlier to see her black-scarfed figure disappear into the oak woods.  He followed her secretively, and had observed her seated beneath an ancient warrior of a tree, had watched over her intricate making. Furthermore and later he came to know where she hid the results of this often fevered stitching of things from nature’s store and stash, though an supernatural fear forbade him to enter the cleft between rocks into which she would disappear. He began to know how times and turns of the days affected her actions, but had left her be. She would usually return bright-eyed and with a quiet wonder, of what he did not know, but she carried something back within her that gave her a peculiar peace and beauty. It seemed akin to the well-being Mikas knew from handling a fine ewe from his flock . . .

And she would sometimes allow herself to be handled thus. She let him place his hands over her in that joyful ownership and command of a man whose life is wholly bound up with flocks and herds and the well-being of the female species. He would come from the evening watch with the ever-constant count of his flock still on his lips, and by a mixture of accident and stealth touch her wholly-clothed body, sometimes needing his fingers into the thick wool of her stockings, stroking the chestnut silken hairs that he found above her bare wrists, marvelling at her small hands with their perfect nails. He knew from the ribaldry of men that women were trained from childhood to display to men as little as possible of their intimate selves. But alone and apart all day on a remote hillside, alone save for several hundred sheep, brought to Mikas in his solitary state wild and conjured thoughts of feminine spirits, unencumbered by clothes, brighter and more various than any night-time dream. And he had succumbed to the pleasure of such thoughts times beyond reason, finding himself imagining Lucila as he knew she was unlikely ever to allow herself to be. But even in the single winter and summer of their life together there had been moments of surprise and revelation, and accompanied by these precious thoughts he went in search of her in the darkness of a three-quarter moon, into the stillness of the night-time wood.

Ah Lucilla. We might think that after the scourge of Semisar, the physical outrage of her baby’s forced examination, and finally the destruction of her treasures, this child-wife herself with child would be desolate with grief at what had come about. She had not been forced to follow Semisar into the small cave where wrapped in woven blankets her treasures lay between the thinnest sheets of impure and rejected parchment gleaned surreptitiously after shearing, but holding each and every treasure distinct and detached. There was enough light for Semisar to pause in wonder at the intricate constructions, bright with the aura of extreme fragility owned by many of the smaller makings. And not just the leaves of the oak were here, but of the mastic, the walnut, the flaky-barked strawberry and its smoothed barked cousin. There were leaves and sheaves of bark from lowland trees of the winter sojourn, there were dried fruits mysteriously arranged, constructions of acorns threaded with the dark madder-red yarn, even acorns cracked and damaged from their tree fall had been ‘mended’ with thread.

Semisar was to open some of the tiny books of leaved pages where she witnessed a form of writing she did not recognise (she could not read but had seen the priest’s writing and the print of the holy books). This she wondered at, as surely Lucila had only the education of the home? Such symbols must belong to the spirit world. Another sign that Lucila had infringed order and disturbed custom. It would take but a matter of minutes to turn such makings into little more than a layer of dust on the floor.

With her bare hands Semisar ground together these elaborate confections, these lovingly-made conjunctions of needle’s art with nature’s purpose and accidental beauty. She ground them together until they were dust.

When Semisar returned into the pale afternoon light it seemed Lucila had remained as she had been left: motionless, and without expression. If Semisar had known the phenomenon of shock, Lucila was in that condition. But, in the manner of a woman preparing to grieve for the dead she had removed her black scarf and unwound the long dark chestnut plaits that flowed down her back. But there were no tears. only a dumb silence but for the heavy exhalation of breath. It seemed that she looked beyond Semisar into the world of spirits invoking perhaps their aid, their comfort.

What happened had neither invoked sadness nor grief. It was as if it had been ordained in the elusive pattern of things. It felt like the clearing of the summer hut before the final departure for the long journey to the winter world. The hut, Lucila had been taught, was to be left spotless, every item put in its rightful place ready to be taken up again on the return to the summer life, exactly as if it had been undisturbed by absence . Not a crumb would remain before the rugs and coverings were rolled and removed, summer clothes hard washed and tightly mended, to be folded then wrapped between sprigs of aromatic herbs.

Lucila would go now and collect her precious but scattered needles from beneath the ancient oak. She would begin again - only to make and embroider garments for her daughter. It was as though, despite this ‘loss’, she had retained within her physical self the memory of every stitch driven into nature’s fabric.

Suddenly Lucila remembered that saints’ day which had sanctioned a winter’s walk with her mother, a day when her eyes had been drawn to a world of patterns and objects at her feet: the damaged acorn, the fractured leaf, the broken berried branch, the wisp of wool left impaled upon a stub of thorns. She had been five, maybe six summers old. She had already known the comforting action of the needle’s press again the felted cloth, but then, as if impelled by some force quite outside herself, had ‘borrowed’ one of her mother’s needles and begun her odyssey of darning, mending, stitching, enduring her mother’s censure - a waste of good thread, little one - until her skill became obvious and one of delight, but a private delight her mother hid from all and sundry, and then pressed upon her ‘proper’ work with needle and thread. But the damage had been done, the dye cast. She became nature’s needle slave and quartered those personal but often invisible
nivek Aug 2015
Say goodbye a hundred times honey
and we do, say goodbye.

The rifled barrel of a pistol
leaves marks unique.

A bullet made of lead
forged in a fire set by killers

Man cannot destroy himself
not entirely
Macavity’s a Mystery Cat: he’s called the Hidden Paw—
For he’s the master criminal who can defy the Law.
He’s the bafflement of Scotland Yard, the Flying Squad’s despair:
For when they reach the scene of crime—Macavity’s not there!

Macavity, Macavity, there’s no on like Macavity,
He’s broken every human law, he breaks the law of gravity.
His powers of levitation would make a fakir stare,
And when you reach the scene of crime—Macavity’s not there!
You may seek him in the basement, you may look up in the air—
But I tell you once and once again, Macavity’s not there!

Macavity’s a ginger cat, he’s very tall and thin;
You would know him if you saw him, for his eyes are sunken in.
His brow is deeply lined with thought, his head is highly doomed;
His coat is dusty from neglect, his whiskers are uncombed.
He sways his head from side to side, with movements like a snake;
And when you think he’s half asleep, he’s always wide awake.

Macavity, Macavity, there’s no one like Macavity,
For he’s a fiend in feline shape, a monster of depravity.
You may meet him in a by-street, you may see him in the square—
But when a crime’s discovered, then Macavity’s not there!

He’s outwardly respectable. (They say he cheats at cards.)
And his footprints are not found in any file of Scotland Yard’s.
And when the larder’s looted, or the jewel-case is rifled,
Or when the milk is missing, or another Peke’s been stifled,
Or the greenhouse glass is broken, and the trellis past repair—
Ay, there’s the wonder of the thing! Macavity’s not there!

And when the Foreign Office finds a Treaty’s gone astray,
Or the Admiralty lose some plans and drawings by the way,
There may be a scap of paper in the hall or on the stair—
But it’s useless of investigate—Macavity’s not there!
And when the loss has been disclosed, the Secret Service say:
“It must have been Macavity!”—but he’s a mile away.
You’ll be sure to find him resting, or a-licking of his thumbs,
Or engaged in doing complicated long division sums.

Macavity, Macavity, there’s no one like Macacity,
There never was a Cat of such deceitfulness and suavity.
He always has an alibit, or one or two to spare:
And whatever time the deed took place—MACAVITY WASN’T THERE!
And they say that all the Cats whose wicked deeds are widely known
(I might mention Mungojerrie, I might mention Griddlebone)
Are nothing more than agents for the Cat who all the time
Just controls their operations: the Napoleon of Crime!
judy smith Feb 2017
In this age of global uncertainty, clothes have become a kind of panacea for a growing number of consumers. Designers are responding to the political upheavals of the past year by injecting some much-needed humour into women’s wardrobes. Browns CEO Holli Rogers is already predicting that spring’s sartorial hit will be Rosie Assoulin’s smiley-face T-shirt. This cheery number, which reads "Thank you! Have a Nice Day!’" neatly sums up the jubilant mood of the coming season.

The logic goes that turning up the dial on the fun, the colourful and the crazy is the sartorial equivalent of Michelle Obama’s "when they go low, we go high" mantra. We may not be able to control the chaos of world events, but we still rule our own style.

It’s no coincidence that a cartoonish aesthetic, of the sort you’d find if you rifled through an eccentric child’s dressing-up box, was in plentiful supply on the spring/summer 2017 runways. Alessandro Michele’s army of Gucci geeks displayed growing swagger in garish get-ups that ran from fuzzy crayon-coloured furs featuring zebras to tiered, tinsel-y coats that rivalled Grandma’s Christmas tree.

It was a similar story at Dolce & Gabbana, where sumptuous eveningwear was loaded with pasta and pizza motifs, and drums became bags, while Marc Jacobs tore a page from a psychedelic colouring book, covering clothes with the childlike scrawl of the London illustrator Julie Verhoeven. Even ardent minimalists would have to admit that these playful looks have potent pick-me-up power.

For Anya Hindmarch – whose empire is built on feel-good fashion – all this frivolity is nothing new. "An ironic, lighter and more irreverent approach has always been my thing. People love beautiful objects and increasingly, they want to show their character – that’s the point of fashion," she says. "Customers today are more confident with their style. There aren’t so many rules. It’s about putting a sticker on a beautiful handbag and not being too precious about it."

What’s surprising is who is consuming this cartoonish style. Though there’s no real rhyme or reason, says Hindmarch, often it’s older clients who are investing in the maddest pieces – like her cuddly, googly-eyed Ghost backpack that has also been spotted on Gigi Hadid and Kendall Jenner.

The same is true of the customer for the Lebanese designer Mira Mikati’s emoji-embellished styles. Though her fans run from twenty to fiftysomethings, at a recent London pop-up one of Mikati’s most ardent buyers was an 87-year-old. "She tells me that whenever she wears my clothes people stop her on the street. They smile. They start conversations. She literally makes friends through what she wears."

Mikati began her career as a buyer, co-founding the upscale Beirut boutique Plum, before launching her own line some four seasons ago – largely out of frustration at the sameness of the mainstream collections. "I wanted to create something fun and colourful but easy to wear – that you can add to jeans and a white T-shirt, but that’s also a conversation point."

Her clothes, worn by Beyoncé and Rihanna, are certainly that: pink parrot-appliquéd trench coats, scribble-print hooded tops and dresses clad with a family of monsters who spell out her Peter Pan ethos in scrawled speech bubbles that read "Never Grow Up’" The antithesis of normcore, these designs take their cue from her children’s toy trunk and the Japanese pop art of Takashi Murakami – who returned the compliment by donning one of her patched bombers.

Mikati is clearly onto something. According to Roberta Benteler, who founded online fashion emporium Avenue 32 in 2011, it’s the cartoon aesthetic that’s really piquing women’s desire right now.

"Anything that looks like a child’s drawing or a toy sells incredibly well," she says. "Brands like Mira Mikati, Vivetta and Les Petits Joueurs inspire the impulse to buy because they’re so eye-catching. You have to have it now because there’s a sense you won’t find it anywhere else."

The exponential rise of street-style stars and the social-media machine that now propels the fashion industry also plays a part in the popularity of these playful looks.

"Designers are creating for the online world and customer," continues Benteler, who cites the Middle Eastern consumer as a big investor in these niche eccentric designs. "People find escapism in fashion and more than ever they need something to cheer them up. These are clothes that stand out on Instagram, and for designers that translates into sales."

In practical terms, in an effort to beat the warp speed of high-street copying, designers are differentiating themselves with increasingly intricate and artisanal styles that are harder to mimic. Just because these pieces have a childlike sensibility doesn’t mean they’re not beautifully crafted.

"My aim is create a handbag that you can keep as a design piece," explains the accessories designer Paula Cademartori. One of her most successful designs – the Petite Faye bag, which comes in a whole rainbow of configurations – takes more than 32 hours to create at her Italian studio. "Even if the styles are colourful and speak loudly, they’re still sophisticated," says Cademartori, whose brand was recently snapped up by the luxury goods group OTB. It can pay to be playful.

One man with a unique insight into the feel-good phenomenon is Marco de Vincenzo, who combines his longstanding role as leather goods head designer at Fendi with creating his own collection. "When we first created the Fendi monster accessories for bags we were simply playing around," he says of the charms that still loom large some three years on. "The most successful designs are created without pressure, through play."

His own-line debut bag features an animalistic paw. ‘It’s about creating something new and different for women to discover,’ he explains. "You buy something because you love it, not because you need it. Fashion is like a game – it has to excite."

When it comes to distilling this childlike abandon into your wardrobe, take cues from super style blogger Leandra Medine, who balances madcap pieces, such as her first collection of colourful footwear under her MR By Man Repeller label, with plainer, simpler ones. "It’s all about wearing your clothes with joy, and having fun, but not looking ridiculous," says Cademartori. "You don’t want to look like an actual cartoon."

It’s advice that chimes with that of Anya Hindmarch. "I love the idea of wearing a super-simple Comme des Garçons jacket and a white shirt with a really fun bag to mess it all up a bit." It’s a failsafe formula for dressing your way to happiness.Read more at:http://www.marieaustralia.com/formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
Can we not force from widow’d poetry,
Now thou art dead (great Donne) one elegy
To crown thy hearse? Why yet dare we not trust,
Though with unkneaded dough-bak’d prose, thy dust,
Such as th’ unscissor’d churchman from the flower
Of fading rhetoric, short-liv’d as his hour,
Dry as the sand that measures it, should lay
Upon thy ashes, on the funeral day?
Have we no voice, no tune? Didst thou dispense
Through all our language, both the words and sense?
’Tis a sad truth. The pulpit may her plain
And sober Christian precepts still retain,
Doctrines it may, and wholesome uses, frame,
Grave homilies and lectures, but the flame
Of thy brave soul (that shot such heat and light
As burnt our earth and made our darkness bright,
Committed holy rapes upon our will,
Did through the eye the melting heart distil,
And the deep knowledge of dark truths so teach
As sense might judge what fancy could not reach)
Must be desir’d forever. So the fire
That fills with spirit and heat the Delphic quire,
Which, kindled first by thy Promethean breath,
Glow’d here a while, lies quench’d now in thy death.
The Muses’ garden, with pedantic weeds
O’erspread, was purg’d by thee; the lazy seeds
Of servile imitation thrown away,
And fresh invention planted; thou didst pay
The debts of our penurious bankrupt age;
Licentious thefts, that make poetic rage
A mimic fury, when our souls must be
Possess’d, or with Anacreon’s ecstasy,
Or Pindar’s, not their own; the subtle cheat
Of sly exchanges, and the juggling feat
Of two-edg’d words, or whatsoever wrong
By ours was done the Greek or Latin tongue,
Thou hast redeem’d, and open’d us a mine
Of rich and pregnant fancy; drawn a line
Of masculine expression, which had good
Old Orpheus seen, or all the ancient brood
Our superstitious fools admire, and hold
Their lead more precious than thy burnish’d gold,
Thou hadst been their exchequer, and no more
They each in other’s dust had rak’d for ore.
Thou shalt yield no precedence, but of time,
And the blind fate of language, whose tun’d chime
More charms the outward sense; yet thou mayst claim
From so great disadvantage greater fame,
Since to the awe of thy imperious wit
Our stubborn language bends, made only fit
With her tough thick-ribb’d hoops to gird about
Thy giant fancy, which had prov’d too stout
For their soft melting phrases. As in time
They had the start, so did they cull the prime
Buds of invention many a hundred year,
And left the rifled fields, besides the fear
To touch their harvest; yet from those bare lands
Of what is purely thine, thy only hands,
(And that thy smallest work) have gleaned more
  Than all those times and tongues could reap before.

      But thou art gone, and thy strict laws will be
Too hard for libertines in poetry;
They will repeal the goodly exil’d train
Of gods and goddesses, which in thy just reign
Were banish’d nobler poems; now with these,
The silenc’d tales o’ th’ Metamorphoses
Shall stuff their lines, and swell the windy page,
Till verse, refin’d by thee, in this last age
Turn ballad rhyme, or those old idols be
Ador’d again, with new apostasy.

      Oh, pardon me, that break with untun’d verse
The reverend silence that attends thy hearse,
Whose awful solemn murmurs were to thee,
More than these faint lines, a loud elegy,
That did proclaim in a dumb eloquence
The death of all the arts; whose influence,
Grown feeble, in these panting numbers lies,
Gasping short-winded accents, and so dies.
So doth the swiftly turning wheel not stand
In th’ instant we withdraw the moving hand,
But some small time maintain a faint weak course,
By virtue of the first impulsive force;
And so, whilst I cast on thy funeral pile
Thy crown of bays, oh, let it crack awhile,
And spit disdain, till the devouring flashes
**** all the moisture up, then turn to ashes.

      I will not draw the envy to engross
All thy perfections, or weep all our loss;
Those are too numerous for an elegy,
And this too great to be express’d by me.
Though every pen should share a distinct part,
Yet art thou theme enough to tire all art;
Let others carve the rest, it shall suffice
I on thy tomb this epitaph incise:

      Here lies a king, that rul’d as he thought fit
      The universal monarchy of wit;
      Here lie two flamens, and both those, the best,
      Apollo’s first, at last, the true God’s priest.
In melancholy moonless Acheron,
Farm for the goodly earth and joyous day
Where no spring ever buds, nor ripening sun
Weighs down the apple trees, nor flowery May
Chequers with chestnut blooms the grassy floor,
Where thrushes never sing, and piping linnets mate no more,

There by a dim and dark Lethaean well
Young Charmides was lying; wearily
He plucked the blossoms from the asphodel,
And with its little rifled treasury
Strewed the dull waters of the dusky stream,
And watched the white stars founder, and the land was like a dream,

When as he gazed into the watery glass
And through his brown hair’s curly tangles scanned
His own wan face, a shadow seemed to pass
Across the mirror, and a little hand
Stole into his, and warm lips timidly
Brushed his pale cheeks, and breathed their secret forth into a
sigh.

Then turned he round his weary eyes and saw,
And ever nigher still their faces came,
And nigher ever did their young mouths draw
Until they seemed one perfect rose of flame,
And longing arms around her neck he cast,
And felt her throbbing *****, and his breath came hot and fast,

And all his hoarded sweets were hers to kiss,
And all her maidenhood was his to slay,
And limb to limb in long and rapturous bliss
Their passion waxed and waned,—O why essay
To pipe again of love, too venturous reed!
Enough, enough that Eros laughed upon that flowerless mead.

Too venturous poesy, O why essay
To pipe again of passion! fold thy wings
O’er daring Icarus and bid thy lay
Sleep hidden in the lyre’s silent strings
Till thou hast found the old Castalian rill,
Or from the Lesbian waters plucked drowned Sappho’s golden quid!

Enough, enough that he whose life had been
A fiery pulse of sin, a splendid shame,
Could in the loveless land of Hades glean
One scorching harvest from those fields of flame
Where passion walks with naked unshod feet
And is not wounded,—ah! enough that once their lips could meet

In that wild throb when all existences
Seemed narrowed to one single ecstasy
Which dies through its own sweetness and the stress
Of too much pleasure, ere Persephone
Had bade them serve her by the ebon throne
Of the pale God who in the fields of Enna loosed her zone.
Christopher Rose Feb 2010
I
Sing, O Muse, of the wrath
That came from the East
To conquer our conquerors,
Of the left-handed Benjaminite, Ehud,
Chosen by G-d to free
The twelve tribes of
His chosen people.
For in his holy ******
Of Eglon, who, spurned by G-d,
Threw the chains of slavery on the
Exiles of exiles, diasporas of diasporas,
Kingdom of kingdoms trampled under
The wheel and foot, the people found
Their salvation in the crumpled body
Of an overweight king with a two-sided
Sword, fashioned by hand, in his protruded belly.

II

First, in the long succession of Judges,
Was Othniel, then Ehud, Shamgar,
Deborah, Barak, meaning lightning,
Followed by Gideon who destroyed
The altar of Baal, then Tola, Jair,
Jephthah, Ibzan, Elon, and Abdon.
Samson emerged late on the scene
And let the ***** from afar castrate his hair
And his G-dly strength.  But for all their
Effort there remained no king in Israel,
And everyone did what was right in
Their own eyes. The greatest of these
Poor souls from His chosen lot was the
Son of Gera, Ehud.  Giving his life to
Service, he offered his left hand as a
Sacrifice to Israel’s infidelities.

III

Sitting in his glorious throne room,
Talking of matters begot to none
But the war-chiefs who graveled at his
Every word, Eglon thought
Of his kingdom and prosperity
Allowing him and his company
To feast upon the rifled carcasses
Of the local gallopers and crawlers.
Then, not knowing where, a sickly
Perception of war entered and blew
The horn, resonating of blood and
Chariots, of men armed with spears,
Women and children weeping for their
Lost fathers and new-lovers. The sound
Reverberated; and written on the inside
Of his skull rested the words “wage war
With the kingdom of Israel.”

IV

And not making reply, or questioning why,
He knew but his men were to do and die.
Little did he know or think to think upon
That his free agency of choice was stolen
By the children of Abraham.  So, he
Gathered the armies of Moab
Of the Ammonites and
Of the Amalekites.  With a cloud of murderous
Dust trailing behind them, and war cries
Piercing the air, they rode on to the
City of palms. “Ride, my men,” cried the king,
“Steal and plunder, destroy their gods, and
Shimmer in the glory of destruction.” His armies
Heard his cry
But did not reply.  

V

Eglon and his armies, treading like
The young lion and the dragon,
Casting stretching shadows,
Conquered the twelve tribes.  Not
A cry was uttered from Israel;
They tumbled and crumbled before
The mighty hand of the veracious invaders
Like reeds amongst the wind on
A March afternoon breeding daises
On the golden meadow.  For years,
They toiled under Eglon’s rule
Under his might,
Under his perpetual night.
“Deliver us from this evil,”
Prayed unthankful Israel—
Like always before in the unperturbed cycle
G-d heard their cries from the wasteland.

VI
The existence of Ehud, G-d’s Judge,
Amalgamates at the tip of his left hand,
Would evil emanate from his finger tips?
Sinistra sinistra sinistra sinistra sinistra
Can he, caught in the grips of history,
Defy his wretched kind? With these questions
He, answering the summons of Him and
Armed with a double sided sword of two cubits
In length fashioned by his own hand, walked
Down from the mountains to the
Palace doorstep.
I
HAVE
A
MESSAGE
FROM
G-D
FOR
YOU

VII

As the blade pierced Eglon’s belly,
G-d’s writing evaporated from his mind.
Sent to a kingdom far away to conquer
A people he knew little about, his career,
His rule, his reign, would end at the edge
Of a man from amongst the commoners.
Here he lies, the once mighty king
Laying in a pool of his own feces
Sheol awaits for him after his death
Sheol awaits for us after our deaths
And, the young man, emerging from the king’s palace
With a smirk on his condensed face;
After the battle was won,
After Israel was delivered,
After his people forgot his very name,
He, too, from the tribe of Benjamin
Had Sheol waiting on him.
Revised version. Submitted for entry in Western Illinois University Elements Literary Magazine.
Copyright 2010
howard brace Feb 2012
Topsy and Turvy, hassled and harried
jostled among a jungle of jumble,
so busy they beavered, in search of a bauble
upon all the shelves, so deftly they delved,
... within the lair of the piffling frippary.

They ambled and rambled, so giddy they gambolled
and sought for that trivial trinket or trifle,
they rummaged and rifled, their eagerness stifled,
through struggle, they strived, from nine until five,
... within the lair of the piffling frippary.

Staunch but stressed, their zest so hard pressed
for until discovered, found and recovered,
they muttered and spluttered, and audibly uttered
within the lair of the piffling frippary,
... persuing that piece of paltry frivolity.

Now flagging, they floundered, not finding the foible
in shambles they rambled, revealing reluctance,
and ceding, conceding, they threw in the towel
on trembling, tottering knees they now tumbled,
... out of the lair, of the piffling frippary.

...   ...   ...
Sam Oliver Jan 2011
“Despite all your love for your fellow man, God has gone out of his way to poison you.” I said. The man had been a wreck for most of his life, and the time was right to reap his poor soul. “You have gained nothing that didn't hurt you in the end.” A visible tear rolling down his face, his eyes stared, watery at the back of her head as she walked away.

“People keep speaking of hope and perseverance...” I whispered, his friend putting his hand on this poor man's shoulder, right beside me and offering condolences as I continued to talk. “...But that's what got you this far. Hope is the only reason you are still alive after years of torturing yourself, living amongst these uncaring philistines who consider themselves people, doing everything you can to better their lives, all they give you is grief.” I ended with a bit of a chuckle. He shrugged off his friend's helpful words and separated from him.

“The Bible is an old relic. Judging by your life thus far, do you really think he'd make a place for you in his Heaven?” He stood on a bridge, staring out into the night sky. Even the stars and the moon would not shine on his this cloudy night... What a perfect time to hit him where it hurt... “You aren't worthy. You were born ugly, you have been battered and bruised by everyone you have ever loved, despite many of them claiming the same love of you.” I said. The man had struggled all his life to be loved and this, his twentieth failed attempt, was sure to be his last, the final straw in a life of suffering at the hands of others. Doubtless, he was remembering those many nights where things had looked joyful, only to deceive him of the troubles ahead.

“God has done nothing if not lied to you your whole life. He's taken away all your joy! He's taken your will to laugh, to enjoy the simple things!” I continued, a smug grin spreading across my lips as he walked towards downtown. “Is this the kind of God who would grant you a place among angels? Surely not.” He walked into a pawn shop, his eyes scanning through the armaments laid out before him. Fortunately for me, this day had been a long time coming, and he had previously applied for a  license. He picked out the cheapest pistol available and a small box of rounds. “You are not human in the eyes of men or God and thus, you cannot be saved.” He smiled a fake smile and waved a goodbye to the store owner as he made his way back out. He turned into the first empty back alley he could find.

He rifled through his items, readying the gun in one hand, one of the bullets in the other. His whole body shook in fear and nervousness. “So, lift the cannon,” He held the gun at about chest-height. “Load the charge,” He slid the chamber back to where he could manually load the single shot and slipped it in. “**** it.” He put the chamber back in place, so the gun could properly do its job. “Take it to your 'holy temple'.” He broke out in loud sobs, using his thumb to pull back the hammer.

“Pull the trigger and let the peace of nothing wash over your poor animal soul.” The deed was done. The man no longer suffered the slings and arrows of this world. Instead, he would dangle forever in the halls of Hell from the trees of tristitia...
mark john junor Jan 2014
this devilish craft
by which you lead me down the wet road
down through the spent leaves littered along the side of the pavement
some with their open faces upwards
fine lines intercepting
trace them with fingertip and craftsman's eye
paste them in scrapbook
keepsakes of a fall romance now that its spring
but they resurface
bakes a sunday morning bread filling the house with earthen tones of scent
and filling the mind with cravings from childhoods fable
and i pass this dark bread to her
but she refuses it
i eat of my own conversation within my mind
going over and over the exchange of ideals
that have never been held
beyond the borders of thought
its within this madness she foils my defences and
pulling me forward into the afternoon's slow lazy breath
and rifled through my brazen pocket treasures
thinking to have daring crimes of her own
from which she would someday
be an old hand like me
foiled by my poormans lint
out of my pocket and into
her device of night
its forced lock lay broken against the breached wall
but she is the pretender's delight
and make great noise and show of denial
seating me at a banquet for hungry hearts
her healed hand burnish and clean
leaves me at last
sitting among my peers
with a rolls royce of romance
she just laughs
Owen Phillips Jan 2011
I

I came to see The King originally for a favor
I was a troubled writer
I searched around my home and inside myself for some kind of cure
A trick solution... Basically
I didn't want to practice
Work hard and get better.
Try and try harder
No, it was more important that I quickly and easily achieved greatness
That killed me.

I want to take you inside the moment
Have you feel the real emptiness of me
As a HUMAN BEING
As a LIVING SOUL.
There is nothing there still.
Arrested development.

Loneliness

II

It overcomes
And I try to make the decision to better mysef
But this unbearable loneliness
Inhibits action.

This was The King's curse
The King's curse this remains.
And all of it my own fault

This is me now
Walking aimlessly forward on a barren canvas
Blissfully ignorant to everything
And everything is nothing anymore
And nothing becomes something to me
A crutch I cling to for my life
And all of this is just wandering
Without hope of accomplishment
Of even the
MINIMUM
Requirements.
Minimum. minimum. MINIMUM. mINIMUM

I know some people like to keep me blind
And they don't realize it
They don't understand
Where I have lost myself
The worst part is owing that they have an idea
The worst part is KNOWING that they KNOW
That they KNOW

Knowing is important
I KNOW this now
The important thing
about knowing
Is not knowing.

Being helpless becomes the fire escape
And as I climb down to escape my landlord
I encounter other tired helpless wanderers
Slumped all over the floor, blocking several ladders down
Before I push them aside
Alienating them too

I can't let myself be friends
Or even friendly or respectful or even
Decent and not unkind
With so many people
Because they can't let me let them.

I tell lies.
They can't make me let them let me become any of those things.
Not that anyone would want to

I want everything I say
To be known by everyone
And understood and not judged
And forgiven so that I can start over.

Because the past year has become
A wrinkle in time
I have found the Time Machine
The simple mechanism
Which brings down worlds.
The most dangerous invention.
The beast that slew the kings of days gone by
And if I were stronger I would fight the beast
But I am weak and bend to their will

I am a textbook example

I am the kid in the southern gothic scene
I am the overdramatized case of redemption
I am the same as everyone who ever went before me and
I am the one who nobody expected, but
Then in a way kind of did.
You know. The textbook example.

I am the one who dreamed too hard.
And dreaming really is the only thing I do.

I try to create some reason I should buck the system
But creation isn't possible with that attitude
The ambitious negate the ambition
In this world which is always
Counter to the will
And disposition

To be rewarded for a passive existence would be a crime
It's irresponsible of anyone to let me have my way
But I can't blame them, it's easier that way
I make it impossible for them to stop me
And my punishment is losing the audience

And the audience is the only thing I want.

AUDIENCE. YOU'RE THE ONLY THING I WANT

I present to you a string of drunken accidents
Expect you to justify it for me
And fly away and
Sleep forever
Which is all I want to do

SLEEPING FOREVER. YOU ARE ALL I WANT TO DO.

Most unhealthy most unhealthy
Just give me a chance
I'm Michelangelo drawing caricatures on the boardwalk.

No I'm not.



III

I can't start to consider myself better than you in any way at all

And now when I wandered through the jungle
I stumbled upon a situation
A guy was trying to **** a guy whose giant hooves were crushing me as I walked by
And I fought them both and beat them all.

And now somebody else
Hand a transitory period
A mind-expanding event
Did something good
Like I always want to.

I'm a kind of Don Quixote
But less good
More bad.

IV

Desolate, washed up
Thin and swollen face
Barely tell the difference 'tween sleep and wake
Pigeons and rats, dogs and cats
Late at night it's snakes and bats
I just sit there numb, unmoving
Happy with my new solution
Saw no use in concentration
Drugs just give me resignation
Takes the key from my ignition
A year from now the new expansion
Will see me as an aberration
And up will rise a league of nations
Dressed in all the latest fashion
Take my name, identification
Throw away my medication
I can't rise to the occasion
I can't understand the notion
I can't meet the expectation
I can't locate my location



I don't have your full attention

V

How can I catch up
When you dropped my body off at the beginning
And brought my mind all the way up to the end?

How can I cheer up
When I walk into a confrontation
With the obvious intention
Of losing my head?

How can I shape up
When the way to do what's right
And the way to do what's wrong
Are just the same way?

How can I come out
When my life has been the open file
That everyone has rifled through?

Easily

Easily

Easily

Impossible.

VI

...orward on a barren canvas
something something
mumble mumble
wimble wimble wimble
Blissfully ignorant of everything
The surface of Mars I wander
Walk
I walk forward
I take turns
I act as if
I have a destination
I take turns
I walk forward

On the surface of Mars

After a while I think about nothing
Think about nothing
Think about nothing
Rhythms and patterns help move me along
Move me along
Move me along
The sirens of cycle are calling to me
Calling to me
Calling to me
And anything novel is something to see
Something to see
Something to see
A lot of the time I get stuck in a loop
Stuck in a loop
Stuck in a loop
A loop
A lot of the time I get stuck in a loop

A loop

And then the loop
A loop
Becomes a ring
A loop
It wraps itself around my finger
A loop
And the ring rings out to you
A loop
Ring. Ring.
Wring ring
Of its ring
But observers are observers
And they observe me
And I am never sure of their intention
I know they care less than I know they do
But I know enough to stop them from knowing
Or at least, I know that
And I know it is untrue
I believe and disbelieve

VII

I wake up and look around
They've woken me from ancient slumber
Noises bright lights total confusion
I lash out into the blinding light
At nothing in particular
I look down at myself
See myself in this pure light
See the sutures and the scars
Scabs
All drawn on with pen and ink
But the flesh beneath is rotten too
Rotten in its shallow and unstable condition
Naked and afraid I lash out again
At nothing in particular
At myself in fact
But directed out at everyone
Nurses and technicians who monitored me in my embryonic tube
That is all anybody is to me
That is all there is around me
In this chaos I can see no option
But to relish in the madness
Bite the hand that feeds me, in a way
In fact, exactly, but...
Maybe it's about time it was bitten
No use deciding
Already biting
So I destroy so I may escape
But I escape and then I know not what to do

(inside the moment. Inside the moment of realization.
The sensational horror of staring off the edge.)

VIII

Sometimes when I'm
Crawling through
Alleys, over
Fences through
Drains under
The streets

I start to experience moments of lucidity
At times I am not lost and I'm not incognito
And at times I would be safe even in the wide open streets
At times I realize just where I'm going
And I can look with clarity and laugh at all the comedy
The desolate dark comedy of errors called existence
And if I wanted I could sidestep my own mask
Just tell the world that I've been kidding
Just limp away with a chuckle and a wink
Just gather up the pieces, start again, I really mean it this time
Just forget what has happened
I already have... Why couldn't anybody else?
They already did... What's the problem?
They can forgive, perhaps forget, but never will their respect return

And anyway I still crawl through
Alleys through
Fences through
Walls.
In secret
And I'm sure
The authorities
Still know where I am
I'm sure that
To be discreet
Could be the secret

And accusatorily I'm followed
And later punishment slips past
Looming overhead,
A hawk-like creature
Many biting heads
Head 1 is Guilt
Head 2 is Shame
Head 3 is Pain
Head 4 is Doom
Head 5 is Fate
Head 6 is Nature
Head 7 is Justice
Head 8 is Mercy
Head 9 is Man
Head 10 is Woman

Fearsome talons
Talons of words, forces, actions, feelings
Even in escape I have to fear for my survival
With so many threats around me there are no safe bets
Particularly when I try to get away
And in the struggle try to knock The King's curse loose
It's happened once or twice or even four or five times
But every time it finds me here again, again





IX

Now indebted to The King
My waking Hell now worse than Nightmare
The curse is pulling all the strings
My conscience is empty and bare
Violence, violent times I live in
A living extrapolation
And in a way it feels like Heaven
Drenched in much more exploitation
Create a monster of myself
To rid the pain of being man.
My life is nothing like this anymore (thanks in part to this poem)
R Moon Winkelman May 2010
My words have been stolen
as I put my heart upon the shelf
quivering in it's sudden new position
cold and vulnerable
outside of it's bone prison
which gave airs of security, protection
what a mistake, that.
The daggers ****** between
proving the weak points of the
flesh to be real
and not phantoms.
After a long talk
we both decided it would
be safer on the altar.
It seems my argument
made sense
since my heart agreed
wholly and without reservation.
In the night we have long
conversations
my heart and I
calling to me from it's new
residence
asking when it can come home again
weary of the cold
and trembling when a stranger
walks too closely by
I reassure - even when they peer
closely at the jumble around you
you remain invisible
my voodoo is that strong
It agrees with a wet, thumping sigh
wistful and nostalgic
for the incessant whispering
of the Siamese twins
named, unoriginally, the Lungs.
It wonders what treasures
the gurgling idiot stomach
is dissolving today without judgment
(unless, of course, the stomach is throwing a tantrum
and decides to toss everything back out.)
I understand
these are the musings of an *****
misplaced
who misses home and forgets
the pain which drove it away.
If only my brain would forget
that old library
huge and dusty as a mausoleum
never throws anything out
just shelves it and adds it's placement
in the card catalogue
(If only it would upgrade - cross-referencing and rediscovery
would be easier.)
However, the librarian holds grudges
when the heart has been
played with too roughly
and keeps the pain files on her desk
constantly rifled through and
shuffled, reshuffled, shuffled again
"One day I'll have enough to write a book"
she mumbles over the complaints
of my heart as it bleats and moans
about it's new home
She doesn't hear it - it's too far away
from the Central Nervous System
for the message to be transmitted
in the proper form.
When she remembers
that ole librarian of my brain
where the heart has gone
she stops to listen
and in anger over it's pathetic pleas
she cries
"We have not learned
So you cannot return
If I did as you request
We would take back up the quest
And we all know...
He -
He -
He... "
She breaks down in literary sobs
reminding the heart of
the nature of it's exile
and why
it's truly
for
the best.
RMRW 2007
Dave Hardin Oct 2016
Father Mckenzie  

Turk’s Head teased my shadow
free last evening along the arroyo

our separation minute yet
edging toward the clement lip

accruing like the thunder eggs
I keep in a jar by the door

God long since departed, drifted
away on the high desert wind

that drew us here long ago
rifled pages of the Book Of Common Prayer.

A sodden breeze from home last night
a tang of salt, a churchyard hush

low plaint of cello’s lurking around
these adobe walls for a way inside

my callow words returned to claim
their hollow sound and mouth

all that was left unsaid
an old man darning socks

in the night when nobody’s there
crossing the room to leave

the door ajar to old sermons
bible black sky pierced with diamonds.
Piglet Jul 2014
My English teacher asked us
to bring a poem in
one that really speaks to us
that resonates within
I did a lot of research
read poems through the night
Wordsworth, Keats, nor Shakespeare
could help me with my plight
I needed just one poem,
an expression to confess
my deeply burning hatred
of this teacher, unimpressed.
So I rifled through the classics,
through the bigwigs and the toffs
but all I found were thee's and thou's and an awful lot of doths
then I was sent a masterpiece
that describes these thoughts of mine
when this teacher says my poetry
is just a waste of time,
so I'll read it out in class today,
then with the Head I'll end up sat
but I'll always be so grateful
that John Cooper Clarke wrote ****.
My English teacher is such an idiot. Thanks Ryan for helping me edit and to you Cal for the introduction to JCC, he's incredible! :-) **
Antony Feb 2014
I distinctly remember a night earlier

this year when I felt like the world was ending.

It wasn't dying climactically or violently,

but peacefully like passing in a deep sleep.

I remember becoming aware 
of my heart beat, shuddering

like a rifled elephant.  Feelings I've

reburied countless times were surfacing

like whales from a depthless sea.  
The ceiling fan slowed,

the air conditioning hummed, a fly trapped

in the window screen beat itself against the mesh.

So ordinary, but so heavy.  

There comes a point when surrendering to life

seems like an intelligent decision.  

It's a tragedy, really...

*a tragedy...
this is months old but the feeling's still the same
A hollow point bullet  , fired , rifled through barrel , targeting steel resolve , fragmenting , striking ten combatants with one fatal shot ! A wood canoe with confident oarsman , fighting thirty foot ocean swells , hurricane winds and storm surge ! Swan dive over Horseshoe Falls , disappearing within the rocks , returned to the surface laughing , emboldened and unharmed ! Pressure cooker explosives , detonated beside large crowds with zero injuries , homicidal schizophrenic empties his magazine in a theater with no casualties ! Random killing in the name of religion with just cause , fundamental rationality ! Convincing people to try compassion , tolerance and moderation ! Forgetful , carefree , unharmed , thankful citizens impinged , ***** by the three percent , courtesy of Wall Street !
Copyright October 26 , 2015 by Randolph L Wilson * All Rights Reserved
Nigdaw Jul 2019
Never had an object
Been imbued with such faith,
Spinning in the air
From rifled barrel, towards
It's target, aimed and released
To the freedom of atmosphere,
A short flight, where it was
Just a piece of metal
Until deadly intention was found out,
Sinking into warm flesh
Momentum gradually lost,
In skin and internal organs
To rest, job done
Inside a victim of circumstance.
Lennox Jones Mar 2015
She rifled through me like a set of old drawers,
clothes strewn all over the bed and floor.
My eyes there
My ears there
My skin there
My lungs there
My mind there
My head there
But my heart over there
Away from the rest of me
She stomped on it as she walked out
It bled all over the carpet
And hasn’t stopped since.
Kunal Kar Dec 2015
The waves of intoxicated clouds,
Rifled with the gun powder,
At the labels of green dark stripes,
Where we sat like bloomed flowers.

The light from the far beyond,
Has stood on the sublime figure,
Where the lost place dipped in silence,
Has been warmed by my sweater.

Thy the alchemy of nature leaves,
With a rift of that muse hemp,
Has stood this night's track,
And the eyes smiled as an oil lamp.

The night's tale has rowed to my old memory,
The storm has had a swift end,
Through hard life, and surrenders,
I still miss those guilty cents.
Alyre Collette Sep 2014
I am a filing cabinet
seldom seen but in parts
often rifled with blameless disregard
but with you, I am all apart
every piece separated from all others
and tagged, numbered and defined
to every bit of even the smallest *****

for you each single sided sheet has been splayed
with paths weaving throughout
covering the floor of a gymnasium
colour coded lines directing you section by section
divided by arbitrary themes
whose contempt for regularity
occur solely so as to benefit your discovery

by the entrance of the labyrinth
stand many racks of pamphlets
each showing different routes
but all ending in similar places
a tour guide or two even
ready to answer all your questions
and handy with maps

which will show you to whichever part of me you wish to see
Lennox Jones Mar 2015
She rifled through me like a set of old drawers,
clothes strewn all over the bed and floor.
My eyes gouged and thrown there,
my ears pulled off and tossed there,
my skin peeled and slung there,
my head decapitated and kicked there,
my mind bent and twisted right here,
but my heart surgically removed and dumped over there,
at the foot of the door, all alone.
She stomped on it as she walked out.
It bled all over the carpet
and never looked like stopping..
------------------------------------------------------­----------
That was then.
I’ve a new set of drawers now,
beautifully laid out and boy has
she’s got killer green eyes, and the
kind of love that put me back together.
A revised version of a poem I posted a few days back called "What A Mess."
Taylor Webb Jul 2014
listen--
         it's two-thirty in the morning.
         there is a song playing, and it doesn't remind me of you,
         but i thought you should know
         because this next part is important.

the singer is Elliott Smith,
         and he's kissing his darling between jailbird bars
         just like that time--remember?--when we kissed
         through the gap in the barbed wire,
         and our hearts danced like the strobe of police lights.

                      (we were trespassing)

i'm not thinking of you,
        because while i'm out here smoking,
        and i wet my lips so the paper doesn't stick to them like heartbreak,
        i don't imagine your cherry Chapstick or the way it left
        mellow pink stains on your cigarette filters.

these are the facts:
        i've nearly forgotten you;
        i'm not still hung up on the smell of lavender handsoap;
        i haven't rifled through a single Facebook album;
        i don't know the name, address, and telephone number

                    (not to mention, i haven't memorized a single
                               stupid, snarky tweet)

of your new boyfriend
       with the pretentious French last name.
       anyway, i don't know why i decided to call,
       i guess it was just to let you know
       how i'm doing just fine without you.
James Shasha May 2010
Let's get some answers
As dawn sets into the rising sun
Remember the golden hyperbole;
Its rifled cry concedes the night
a New Revolution Poem
Will Moore Sep 2015
Becoming Bald


Light shines off my scalp.
It glows off my forehead.
The hairs of my head
are thinning out,
like
a pioneer forest being cleared
patiently by the foreign farmer,
who came to the woods
to carve a plot
from what once was a forest,
rich with dense undergrowth.

In former times,
the thicket would break the wailing winds,
accosting the house and barn.
Now the gales flow freely
throughout the rifled trees.

Peace shone through the branches.
Calm, as the roaring gusts
burst upon the stripped land
and coursed across the barren plain.

As the stiff breeze blew endless,
shingles tumbled off,
siding was lifted and bantered away,
studs creaked and collapsed,
drywall rolled off,
everything scattered,
like all the forest critters
running from a smoky fire.

When the ashes settled,
I saw the whole curve of the earth,
the land shimmering
like
a lake of glass with driven snow,
skating along the frozen pond.
PK Wakefield Jan 2012
Summer foolish
  your stupidest fists
         mangle in wet
                       girls
                      by the
                       lake rifled
                      by the
                    f
                   i
                    ng
               e r s
                 roughgently
             of hefty
                lush
              godsighs
                                        Sum
                                           mer purring
                                                         muscles
                                                     you bulge
                                                          triceps
                                                               ladling
                                                             the kissed
                                                            lovely forms
                                                          of sungirls
                                                                     by the golden
                                                                  hewing untrembling
                                                               husk of laughing days you
                                                                                                                  unquaver
                                                                                                                     steadily increasing
                                                                                                                           on bodies
                                                                                                                                    daftest
                                                                                                                                 some stinging redness
                                                                                                                    and
                                                                                                     in the soft
                                                                                                  belly of your nights
                                                                                                i'll stand by open drinking
                                                                                                  seawind windows
                                                                                               and i'll rub
                                                                                                       into the back
                                                                                                    (the startled raw back)
                                                                                                   of my silly girl
                                                                                                 some aloe
                                                                                                                   and i'll kiss
    &nb
Tedson Daniels Jun 2015
Came across her she's a crossfire
my head came screaming to a halt
Raced over to the wall phone
So I could run and rush the start
started thumping like a kick drum
Began a breathin' rhythm rush
Oh lord please make me smart

How do I keep that gal around
Enough with the pretense
I'm finished with those roles
My frown turned into smiles
Oh casting director please give me this part
Went walking out the back door
Rifled through my backpack
Smoke racing though my lungs
I'm gonna have a cardiac
"Nurse, please get me a Nurse"

Be Still, My Heart
Please don't let her know
I'm nothing, she's a work of Art
Oh ******, Oh Me
Coach called up the best
Oh Golly Oh Gee

There's thunder down the train tracks
Wish we were wading down the stream
Instead this boy's a *******
Can't tell if he's drunk or in a dream

Did you hear her brilliance?
****** hell yes I did
Don't pull any punches boy
Don't pull that **** again

Lost all my paychecks
When I lost my mind and head
It seems like I lose myself
Even though I've found a payoff
That I'd like to never spend
She's a swing-dancing genius
She's a beauty to behold
She called me a smart man
Even though I feel like a five year old
Check bouncing boy *******
Checked his Ego at the door
Even though he found himself asleep
On the bathroom floor

Can't tell if I need a head shrink
Nah, It's something much worse
Someone put me to sleep
So I can carry off that nurse
My brain's drag racing
Across these lines over this page
Once again Boy *******
Has his head rattling in a cage

Be Still, My Heart
Don't let me ***** this up
Way before this even starts
Oh Me, oh My
I think I've hit the jackpot
But my mind's a Pecan Pie

Be Still, My Heart
Please don't tell her
that She's caused a burning heart

I'll wake up tomorrow
I'll call her first thing
Even though She'll be sleeping
I'll leave a message for the future
To the woman of my dreams
For my Baby Bird
Beeha Nov 2012
war
hurt and agony,
this torment i feel inside,
will it diminished?
i can’t bear it anymore,
its consuming me slowly.

in every field,
every latitude -,
of my heart; pounding,
wondering and patiently,
waiting for you to come home.

be extra cautious,
i rifled very throughly,
for information,
that might help me bring you back,
safely and sound from the war.
Ian C Prescott Aug 2011
I stood tall and proud
As oaks and pine
Planted by the huntress
As she rifled the woods
In search of game

Yet it was the axes of her children
That laid me next to my brethren
As we were stacked for their houses
Two by two by two
Jeremy Betts May 20
The memories fade milliseconds before I drown in another one
Frozen in fear at the irreversible end of an uncorked weapon
A canon hand cannon
Staring down the rifled barrel of a hunting gun
I can't comprehend the timing of when to run
Most always find myself in a state of stun
Literally can't remember, oh what have I done...

©2024
poopoo Aug 2019
Crude brown-plaster'd brick walls
Layed without proper solder or
Mold or mud or water
A pit of curdled old-heavy blood
And sinewous joint hinge-pins
Of hard goliath, giant's muscles
Heads seemingly shrunken
But blimped to a surley saturated to an
greater-than original size
Their skin peeled off long ago
Bones meaten'd down and scaled-up
The center of this gore-pit
their hellish home
Butcher paper and amish quilts
Thrown in to produce
A dense coagulate
Fine milk-colored, powdered substrate
Bone-meal and motor oil
Plasma and marrow
Worm-wood
Genteel feathers
From a bird that poisoned
The creek-water of a now-lost
But powerful mexican tribe
Jigger meal from a child's feet
And an old mans
In Afrika
The skin dead and leather'd
The insides rap't of those terrible
world's tiniest insects
Macro-scale germs, most toxic fleas
Coca-Cola boiled down
Into a solid black ichorous
Malleable glucose material

And the umbilical chords
Of Two hundred fifty
New borns
Steamed and broken down
To a mushy substance
With a feathered appearance

To the tactility of even the most calloused and rough

Digits
Whether human

or proto-, pseudo- or neo-
hyper- and pre-
Hensile

The seeds of a million poppies
Cowardly, feverishly tossed into this

Horrid ***
Milewed down into a fine
Addition to the general rot, of this
Yet another putrid addition
The ***** from the second stomach
Of a calcified pterodactylus
And a dragon's mouth below the drain
In the center of this certain,
Gross sess pool
Lies a carv-ed Dragon's skull
To catch this sacred druel
Made out of greenheart
Black ironwood
And for the teeth, obsidion and
Caspian tiger bone
Together spliced and mal-formulated
To create a most
Septic funnel
Cone
All if it drains and
Gurgles down

Into a forged
Glass-Vial
Made in ancient, archaic
Olden times
But for this very abjectly
Evil trial
And he throws the switch!
The gurgle wrought
By this very motion of the level,
The level thrown by most
white un-sunned
Wizard-Warlock hand
It travels down into the vial
Mixing through emerald-hoses
With arsenic
And tainted possum spit--
--infused with cud
From cows thatnot
Even Cherised, prideful
India would permit!
And so a mustard-seeded gas
Also thrown into the mix
Clashes, bonds with
Stupid fluids

Made from the umbilical plugs of anencephalic and

Profound Down-syndrome
Czecho-kidnapped
Stolen'd infants

As their bones rake and smash through
The grinder that eats ANYthing
It goes down a rifled fluted core
Of Balsa-wood
God permits!!
Slimy
Messy

Filthy
Nasty
Hole in the witches den
From which spells are NOW born
To take the world
In a sanguine
Magick-whirl wind!
AprilDawn Apr 2014
I saw you
taking us that back way
to the mall
waited  for us to finish
on a bench outside
while we rifled through
those objects of our desire
on the way back home
the radio’s playing
the same song
I hear right now
suddenly
you are sitting
right here with me .
A song came on that brought back a memory of an ordinary day in my life  with my late husband.The early years  of mourning  circa 2005
Scott Madden Oct 2015
Term began, and autumn rifled with luster,
The trees shirk their leaves with growing bluster.
And she asked why she had to hurt her?
All she'd wanted was her galaxy cluster.
Derick Van Dusen Oct 2010
It hurts to see, in front of me, a broken beauty bee to see.
Hear I do,  a tear or two, fall right through, the air to you.
Nothing done, I can not take, but heal the heart, I did not break.

Mend it slowly with gentle touch and gentle word.
Does not take, but what is want, gives back not but what is no.
Hearing only through the heard, seeing only, vision blurred.

Pleading out, attention needed. Coming through, broken bleaded.
Desperately, clawing, shaking. Holding to, what is breaking.
Panic now, tole is taking, setting in all this faking.

Realization of the fear.  All is not, end is near.
Groping wildly in the dark for a smolder or a spark.
Finding nothing but the coals, broken, bitter, all these wholes.

Pictures, pieces, fragmented life, senseless vision, blurry knife.
Edges faded, whole or part, from beginning to the start.
Turned and went, the other way, now forever, gone to stay.

Put together, take apart, all the pieces of the heart.
Whole again, to make of it. Every piece, broken, bent.
Rifled through, figured beat. Two hearts whole, both complete.
nivek Feb 2016
One more bullet fired down the rifled barrel
a slug of lead loaded lovingly into its jacket
a trigger pulled by a would be killers finger
where the metal meets the meat crosshairs
a snipers dream scope who just can't miss
flesh and bone knitted together in the womb
undone, messed up, a bloodied corpse, dead.

— The End —