Hello Poetry
Submit your work and get some sparkles! Create free account
"refried" poems
[PART ONE] xeroxed, RT'd and plagiarized so many times on so many blogs tween blogs to republican blogs to blogs in Russia and blogs no one ever scrolls though... original content is prey but I have a warning for they: overrated, over-shared content aggregators beware the lines you swap can rot and ware the World Wide Web does not care. [PART TWO] original content original contests original continent original controversy original coordination between strangers original calvary riding their connection into the battlefield of internet memes; creating nothing and sharing everything [COMMENTARY] original nothing, nowhere, nobody except facebook "Funny Vidoes!" & "Cool Quotes!". 'Like' pages whose sole originality lies within their own existence but nothing they share. They steal from the rest of the web and re-post what they find for out-of-the-loop troglodytes; often done so in inferior context and with no perspective. The 'refried beans' phenomenon, I call it. I find it fitting because 'refried beans' are a double misnomer. The name comes from 'frijoles refritos' - which means 'well-fried' not 'refried'. They are also never traditionally fried more than once. Yet the name sticks, it gets repeated, it gets re-shared and now that's what they are: refried beans. This phenomenon is why I believe art and all original content eventually become so over-shared and overrated that it's no longer interesting but irritating. These three parts of the poem "Original Content" are separated in abstract authorial presentation. The author has clearly expressed his dislike for the disjunct un-imagination of the internet and presents it as such. [PART THREE] original authors losing control of their audiences who believe they are the creators and the artist's art is somewhat shareable original miscommunication between web 1.0 and web 2.0 reality original alphabet they use to type on their keyboards original grammar they learned in school original money their gov't printed original content they re-post original refried beans original content orginal contet ogrinal cotent ognal ctt oc .
0
Mar 9, 2014
Mar 9, 2014 at 10:01 PM UTC
Original Content (Pt. 1, 2 & 3 With Commentary)
[PART ONE] xeroxed, RT'd and plagiarized so many times on so many blogs tween blogs to republican blogs to blogs in Russia and blogs no one ever scrolls though... original content is prey but I have a warning for they: overrated, over-shared content aggregators beware the lines you swap can rot and ware the World Wide Web does not care. [PART TWO] original content original contests original continent original controversy original coordination between strangers original calvary riding their connection into the battlefield of internet memes; creating nothing and sharing everything [COMMENTARY] original nothing, nowhere, nobody except facebook "Funny Vidoes!" & "Cool Quotes!". 'Like' pages whose sole originality lies within their own existence but nothing they share. They steal from the rest of the web and re-post what they find for out-of-the-loop troglodytes; often done so in inferior context and with no perspective. The 'refried beans' phenomenon, I call it. I find it fitting because 'refried beans' are a double misnomer. The name comes from 'frijoles refritos' - which means 'well-fried' not 'refried'. They are also never traditionally fried more than once. Yet the name sticks, it gets repeated, it gets re-shared and now that's what they are: refried beans. This phenomenon is why I believe art and all original content eventually become so over-shared and overrated that it's no longer interesting but irritating. These three parts of the poem "Original Content" are separated in abstract authorial presentation. The author has clearly expressed his dislike for the disjunct un-imagination of the internet and presents it as such. [PART THREE] original authors losing control of their audiences who believe they are the creators and the artist's art is somewhat shareable original miscommunication between web 1.0 and web 2.0 reality original alphabet they use to type on their keyboards original grammar they learned in school original money their gov't printed original content they re-post original refried beans original content orginal contet ogrinal cotent ognal ctt oc .
Continue reading...
37
[PART ONE] xeroxed, RT'd and plagiarized so many times on so many blogs tween blogs to republican blogs to blogs in Russia and blogs no one ever scrolls though... original content is prey but I have a warning for they: overrated, over-shared content aggregators beware the lines you swap can rot and ware the World Wide Web does not care. [PART TWO] original content original contests original continent original controversy original coordination between strangers original calvary riding their connection into the battlefield of internet memes; creating nothing and sharing everything [COMMENTARY] original nothing, nowhere, nobody except facebook "Funny Vidoes!" & "Cool Quotes!". 'Like' pages whose sole originality lies within their own existence but nothing they share. They steal from the rest of the web and re-post what they find for out-of-the-loop troglodytes; often done so in inferior context and with no perspective. The 'refried beans' phenomenon, I call it. I find it fitting because 'refried beans' are a double misnomer. The name comes from 'frijoles refritos' - which means 'well-fried' not 'refried'. They are also never traditionally fried more than once. Yet the name sticks, it gets repeated, it gets re-shared and now that's what they are: refried beans. This phenomenon is why I believe art and all original content eventually become so over-shared and overrated that it's no longer interesting but irritating. These three parts of the poem "Original Content" are separated in abstract authorial presentation. The author has clearly expressed his dislike for the disjunct un-imagination of the internet and presents it as such. [PART THREE] original authors losing control of their audiences who believe they are the creators and the artist's art is somewhat shareable original miscommunication between web 1.0 and web 2.0 reality original alphabet they use to type on their keyboards original grammar they learned in school original money their gov't printed original content they re-post original refried beans original content orginal contet ogrinal cotent ognal ctt oc .
0
Apr 7, 2015
Apr 7, 2015 at 12:42 PM UTC
Original Content (Pt. 1, 2 & 3 With Commentary)
[PART ONE] xeroxed, RT'd and plagiarized so many times on so many blogs tween blogs to republican blogs to blogs in Russia and blogs no one ever scrolls though... original content is prey but I have a warning for they: overrated, over-shared content aggregators beware the lines you swap can rot and ware the World Wide Web does not care. [PART TWO] original content original contests original continent original controversy original coordination between strangers original calvary riding their connection into the battlefield of internet memes; creating nothing and sharing everything [COMMENTARY] original nothing, nowhere, nobody except facebook "Funny Vidoes!" & "Cool Quotes!". 'Like' pages whose sole originality lies within their own existence but nothing they share. They steal from the rest of the web and re-post what they find for out-of-the-loop troglodytes; often done so in inferior context and with no perspective. The 'refried beans' phenomenon, I call it. I find it fitting because 'refried beans' are a double misnomer. The name comes from 'frijoles refritos' - which means 'well-fried' not 'refried'. They are also never traditionally fried more than once. Yet the name sticks, it gets repeated, it gets re-shared and now that's what they are: refried beans. This phenomenon is why I believe art and all original content eventually become so over-shared and overrated that it's no longer interesting but irritating. These three parts of the poem "Original Content" are separated in abstract authorial presentation. The author has clearly expressed his dislike for the disjunct un-imagination of the internet and presents it as such. [PART THREE] original authors losing control of their audiences who believe they are the creators and the artist's art is somewhat shareable original miscommunication between web 1.0 and web 2.0 reality original alphabet they use to type on their keyboards original grammar they learned in school original money their gov't printed original content they re-post original refried beans original content orginal contet ogrinal cotent ognal ctt oc .
Continue reading...
37
Write everyday. Write everyday no matter what. Write even at a loss for words. Write down the sounds. I make notes of the plane crashes I've never heard, the brook trout that never shook pond water onto the brittle grass when I didn't catch it, or the thunder cup coil I keep kneeing trying to give the overcast over the mountain something to compete with. And I'm not sorry.        I'm not.      I'm not sorry that my reborn Christian best    friend    has   seen the    light, and I still scoff when people pray over potatoes. And I only believe in plastic Polaroid postcards from last decade timestamped in the white space with Bic black ink. I'm not sorry for that. And truth is, I've never washed this black shirt; just hung it hoping that moths' would **** the sweat spots and leave the fabric. I clenched the gold cap beneath my ring finger from the glass green bottle occupying my lips driving down the Marsh Creek bridge. I wanted to relate / to be relatable / relative to the sedans, and seatbelts too tight to breathe, passing me. At the end of the bridge, where there was no chance of drowning and the road color changed, I parked in the driveway of a wooden house. Its blinds were up, shades pulled apart with two hands like gas station freezer doors, leaving them vulnerable to the hiss of semi truck tractor trailer high beams slicing through fifty + raindrops per second going a few miles shy of sixty-five, yet the people inside moved so freely. I  sat Indian-style—a term I learned at four then learned it to be racist at fourteen— in their driveway, and ate the gravel they walked on trying to taste security because all I'd had in the last few hours were plates of refried fear. Fear of audit, of my teeth breaking off, and of ending up like Eric Garner when I heard that wailing Voice of Justice coming for me in the distance.
0
Dec 16, 2014
Dec 16, 2014 at 4:32 PM UTC
I'm Not Sorry
Write everyday. Write everyday no matter what. Write even at a loss for words. Write down the sounds. I make notes of the plane crashes I've never heard, the brook trout that never shook pond water onto the brittle grass when I didn't catch it, or the thunder cup coil I keep kneeing trying to give the overcast over the mountain something to compete with. And I'm not sorry.        I'm not.      I'm not sorry that my reborn Christian best    friend    has   seen the    light, and I still scoff when people pray over potatoes. And I only believe in plastic Polaroid postcards from last decade timestamped in the white space with Bic black ink. I'm not sorry for that. And truth is, I've never washed this black shirt; just hung it hoping that moths' would **** the sweat spots and leave the fabric. I clenched the gold cap beneath my ring finger from the glass green bottle occupying my lips driving down the Marsh Creek bridge. I wanted to relate / to be relatable / relative to the sedans, and seatbelts too tight to breathe, passing me. At the end of the bridge, where there was no chance of drowning and the road color changed, I parked in the driveway of a wooden house. Its blinds were up, shades pulled apart with two hands like gas station freezer doors, leaving them vulnerable to the hiss of semi truck tractor trailer high beams slicing through fifty + raindrops per second going a few miles shy of sixty-five, yet the people inside moved so freely. I  sat Indian-style—a term I learned at four then learned it to be racist at fourteen— in their driveway, and ate the gravel they walked on trying to taste security because all I'd had in the last few hours were plates of refried fear. Fear of audit, of my teeth breaking off, and of ending up like Eric Garner when I heard that wailing Voice of Justice coming for me in the distance.
Continue reading...
51
Under the I-20 bridge over the Chatta- 'hoochee suits me fine as fishin' line - I've been retried and found I ain't wanted nothing but a winter coat - my sweet mutt Woof - an old six string Martin and a 'frigerator carton for sleeping in the winter wind when the sun don't shine - I don't have a bone to pick - my fingers ain't quiet as quick and nimble on a riff - my back is stiff - but my voice is still whiskey smooth and my words turn water into thunderbird - wine retried suits me just fine - jailhouse jeans and salvation army boots - refried beans and cheap cheroots - sitting on an old truck tire around an open fire I've been  retried and trued but I ain't yet retired - somebody's got to feed my dog - sing some songs - catch these fish and start the fire - drink a little ***** - 'neath the I-20 bridge over the Chattahoochee rivaaa···· r ~ 10/16/14
0
Oct 16, 2014
Oct 16, 2014 at 9:13 PM UTC
retried
1 cup jitters 3 cups drained confidence 6 stalks worry, finely chopped 2 tablespoons crushed hope 6 cups toxic shock 2 slices defrosted denial 1 leaf shredded Roe v. Wade 6 seared As-salāmu ʿalaykum 1 can LGBT despair 3 pints refried refugees Marinated anger DACA pain Stir jitters and confidence to coat. Sauté worry, blend shock and denial. Combine dread and crushed hope. Transfer all to a crockpot. Fold in Roe v. Wade. Cook on high for 6 hours. Pour stew into large bowl. Garnish with grief. Serve with side of pain and salad tossed with anger. Open a bottle of What To Do Next.
0
Nov 22, 2016
Nov 22, 2016 at 10:51 AM UTC
Trump Stew
(Intending to ink this early Sunday evening, twas useful I didn't.... (sonnet #MMMMMMMDCCLXI) Think:  "they said twas a war-time measure..." pale Skies washed of clouds as golden light from hence Bathes these lost wastes with April's freighted sense Of violets just in tow; as blue heavns hail The dinner table set with plates t'avail Our refried beans, cheese, yoghurt, chips fr'intents, Where all have better things to do, pretense Trimmed to half curtsy whiles I search for bail. So I dined when the clock said "now." in tour, And yearn to linger, watching those deep blue Heavns which cull shadows to cavort as twere In Sunday evning's calm.  Yet that won't do. I wash the dishes; study all, then fer Whatever, scamper off til gloaming'd woo. 11Mar19a
0
Mar 12, 2019
Mar 12, 2019 at 1:21 AM UTC
...And The Pres'dent Wants to Make "It" Permanent
In contrast with the cold morning air, The house was cozy and warm As we all arrived to participate Like worker bees starting to swarm. The smell of pork and refried beans Permeated the room. The champagne bottles were chilling on ice-- How much did we consume? Sally brought some egg McMuffins. I thought, "Something's amiss: Egg McMuffins and NO pan dulce!°° What kind of party is this?" But I wouldn't miss it--nope--for nada: The annual Alonzo family tamalada. The giant bucket of masa°°° awaited Marisa's kneading hands. While she kneaded the dough, the rest of us Listened for Sally's commands. After a brief champagne toast, Our assembly line started. Everyone had a job to do; It wasn't for the faint-hearted. Spreading the masa on the husks Was a messy task. I wondered, "How many will we make?" But I was afraid to ask. It wasn't very long before Everyone in the casa Was practically covered from head to foot With fluffy tamale masa. We spread and stuffed and folded and wrapped While Sally entertained us. The conversation, laughter, fun, And champagne all sustained us. The wonderful smells of lunch also Encouraged us to work hard Lest we be known as shirkers and our Reputations be marred. But I wouldn't miss it--nope--for nada: The annual Alonzo family tamalada After a few hundred tamales, The masa was getting low. I said, "Yay! We're almost done!" But Alice said, "Oh, no. That was just the pork; now we're Making chile and cheese." Blurry-eyed I held up my spoon And said, "More hojas,°°°° please." On and on we continued to work Like hive bees making honey. But it was worth it, for these tamales Are more valuable than money. Alice, Yvonne, Kathy, Yolie, Aida, and Sally know why-- As do Marisa, Rebecca, Karen, Marisol, Nancy, and I-- We always look forward to getting together For laughter, fun, and cheer And this spirited, heart-warming gathering Whenever December is here. Homemade tamales can't be beat When made in our special fashion With love, care, conviviality, Warmth, goodwill and passion. I wouldn't miss it--nope--for nada: The annual Alonzo family tamalada. __________ °tamale-making party °°Mexican sweet bread °°°dough °°°°(corn husk) leaves - by Bob B
0
Dec 1, 2016
Dec 1, 2016 at 8:53 PM UTC
The Annual Alonzo Family Tamalada°
In contrast with the cold morning air, The house was cozy and warm As we all arrived to participate Like worker bees starting to swarm. The smell of pork and refried beans Permeated the room. The champagne bottles were chilling on ice-- How much did we consume? Sally brought some egg McMuffins. I thought, "Something's amiss: Egg McMuffins and NO pan dulce!°° What kind of party is this?" But I wouldn't miss it--nope--for nada: The annual Alonzo family tamalada. The giant bucket of masa°°° awaited Marisa's kneading hands. While she kneaded the dough, the rest of us Listened for Sally's commands. After a brief champagne toast, Our assembly line started. Everyone had a job to do; It wasn't for the faint-hearted. Spreading the masa on the husks Was a messy task. I wondered, "How many will we make?" But I was afraid to ask. It wasn't very long before Everyone in the casa Was practically covered from head to foot With fluffy tamale masa. We spread and stuffed and folded and wrapped While Sally entertained us. The conversation, laughter, fun, And champagne all sustained us. The wonderful smells of lunch also Encouraged us to work hard Lest we be known as shirkers and our Reputations be marred. But I wouldn't miss it--nope--for nada: The annual Alonzo family tamalada After a few hundred tamales, The masa was getting low. I said, "Yay! We're almost done!" But Alice said, "Oh, no. That was just the pork; now we're Making chile and cheese." Blurry-eyed I held up my spoon And said, "More hojas,°°°° please." On and on we continued to work Like hive bees making honey. But it was worth it, for these tamales Are more valuable than money. Alice, Yvonne, Kathy, Yolie, Aida, and Sally know why-- As do Marisa, Rebecca, Karen, Marisol, Nancy, and I-- We always look forward to getting together For laughter, fun, and cheer And this spirited, heart-warming gathering Whenever December is here. Homemade tamales can't be beat When made in our special fashion With love, care, conviviality, Warmth, goodwill and passion. I wouldn't miss it--nope--for nada: The annual Alonzo family tamalada. __________ °tamale-making party °°Mexican sweet bread °°°dough °°°°(corn husk) leaves - by Bob B
Continue reading...
72
The heavy dust from dry summers selling Chiclets inside the rim of a sombrero Tortured attire of a woolen rainbow Poncho, pleading to appear a lowly vagabond by an uncle who seeds alleyways, Clothed in his tequila stench; Instructed by an aunt, obese from endless refried beans and Uno-Vision sopas. “Chiclets! --at the top of your lungs, mejo!" Louder as the weight of the dust devils possess His voice : a squeaking version of itself, Coughing at the same spot  in Tijuana’s Miserable, the invisible, at market... Dirt in his tears, no longer noticed, too often cried There is no need to pretend how lowly Or ***** his juvenile face has smeared; A clown of earthen make-up, in misery’s portrait, to example the tender, the precious, have been left to pander to love, for sale. A paradigm of angels, fallen with the truth; Deep into this formidable fate in hell. Here, he is not above the silence But he must live in it, live to tell, How wishes are often made without a well.
0
Jan 16, 2017
Jan 16, 2017 at 5:38 AM UTC
Paradigm (repost)
sigh as evidenced by which pieces "trend" being depressed is tops, while beauty is left to rot. Whateffer. (sonnet #MMMMMMMDCCLXXVII) Blue skies. And golden light with shadows' pale Forms on the yellowed lawns and blacktop hence, Sweet minutes whose eye seems tis April's, whence My heart yearns 'gain to walk free and avail Me of which blossom? Daffodils to scale Shall send green nubbins up til for intents Their frilly golden heads can nod from thence To playful breezes while wee violets hail. Yea, soon Magnolia petals shall bestir 'Gain to soft winds, and pink-tinged satin woo Thoughts of a bride upon the aisle as twere. For now we'll have our refried beans and do Dessert in birthday style with cake in tour And ice cream for the Ides of March' ado. 15Mar19d
0
Mar 15, 2019
Mar 15, 2019 at 11:45 PM UTC
So, Men Are Jerks. And All Fond Hopes Mere Dreams?
In the heavy dust from dry summers selling Chiclets from inside the rim of a sombrero, Tortured attire of a woolen rainbow Poncho, pleading to appear a lowly vagabond by an uncle who seeds alleyways, Clothed in his tequila stench; Instructed by an aunt, obese from endless refried beans and Uno-Vision sopas. “Chiclets! --at the top of your lungs, mejo!" Louder as the weight of the dust devils possess His voice : a squeaking version of itself, Coughing at the same spot  in Tijuana’s Les Miserables, the invisible, at market... Dirt in his tears, no longer noticed, too often cried There is no need to pretend how lowly Or dinghy his juvenile face has smeared; A clown of earthen make-up, in misery’s portrait, to example the tender, the precious, have been left to pander to love, for sale. A paradigm of angels, fallen with the truth; Deep in this formidable of fates, of hell... Here, he is not above the silences, but he must live in it, live to tell. How wishes are often made without a well.
0
Jan 2, 2021
Jan 2, 2021 at 1:27 PM UTC
Paradigm (Todos)
I was, too. (sonnet #MMMMMMMDCCCIX) Let's see...rain draws up silver puddles' tale Of being upon the blacktop, where suspense Is fast asleep cuz Sunday augured thence Mair calm than it could e'er endure, the pale Eye of uncertain hours with half a frail Thought dawn played hooky for all that, a sense None can e'en yawn worn out as sheer pretense Was quite arraigned in morn's half light: sans bail. I roll words 'cross my tongue at lunch as twere, And sparrows take the chance to gaily cue Fond smiles til conversation rules in tour. Now's time to put on rice to boil anew, Warm refried beans for dinner, lo, bestir Me fin'lly to jot down a note...where to? 24Mar19a
0
Mar 28, 2019
Mar 28, 2019 at 12:43 AM UTC
I Promise I'm Being VERY Sensible
I sit in the gutter I sit on the street I sit on the mud just below the creek I ramble in the wind I row in the stream I talk to bugs & eat refried beans I smile in the morning I cry in the night I am only guided by a flickering light
0
Dec 28, 2019
Dec 28, 2019 at 6:20 PM UTC
*
I will, seriously. (sonnet #MMMMMMMDCCXII) It musta been a west wind that curved thence The dripping stream as lo, in sheer betrayl An icicle likeas a dagger'd hail-- Some scimitar hung from the eaves for sense Replies at blueish gloaming as I hence Glance up to notice that cold thing's detail Which arcs in layered fashion as the pale Light dwindles on a Friday evning, whence? Swear refried beans are NOT enough, as fer Good measure we down Little Caesar's to Effect, the pepperoni pizza cure For fevered appetites, with play to do That treat in style as I am dragged off, poor Though my cries, "I have dishes--!" And what's new? 15Feb19b
0
Mar 9, 2019
Mar 9, 2019 at 9:24 PM UTC
I'll Take A Katana, Thank You
We had a jolly good time at the Elgin Literary Festival's 2018 publick poetry reading. sigh we did. (sonnet #MMMMMMCMX) Ah, gloaming roosts in greyer hours' suspense, Where naked trees down in the valley hail Is't colder silence no voice would avail? And lo, I cherish, as erst wont, the sense Culled by that fragile eye which yields from hence To night's sheer blackness, as upon thet scale Lights 'gin to twinkle from both houses' tale To streets cars drive in haste through for intents. The furnace clicks on, growling whiles I stir Our refried beans, rice cooked, snack on chips too, As, table set, how dinner warms anew. What is't to hang out with my fellows fer Sweet hours? The lecture fine, class dry in poor 'Scuse, what I loved was them and theirs: what's new? 28Jan18b
0
Feb 10, 2018
Feb 10, 2018 at 10:03 PM UTC
(O, I Really Miss Mum Now, I Do)
...well, I neglected to stir the refried beans as I wrote this... (sonnet #MMMMMMMDCCXLII) Snow flurries past the window for a sense Of what's beyond these bathroom tiles in pale Morn's eye, where lo, in lieu of dawn, a veil As twere of white tricks out the cracks from hence Likeas some veins filled 'gainst um, surgry, whence Aught thinnest fissure stands out in betrayl Now I've a chance to take one look t'avail, We'd see our breath if we exhale, fr'intents. If cleaning house ere any rose as twere Was worth the effort, we'll play dolls anew "Fore breakfast, cuz a Saturday is fer O, sleeping-in for her, and fun to do This opportun'ty good. And coffee. Stir Me to make toast while sipping Daddy's brew. 02Mar19
0
Mar 9, 2019
Mar 9, 2019 at 9:50 PM UTC
Did I Forget To Thank Thee, LORD?