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Mateuš Conrad May 2016
repetition, that's a good technique, a form of
reiteration, emphasis, as you like to
move in the river of synonymousness -
i mean, plenty to choose from -
well it's a better technique than rhyming,
it's like Kaiser Karl Lagerfeld said
about Coco Chanel's legacy after she died
in 1971: 'people tend to forget, that,
once upon a time, Chanel was old hat.
it was only Parisian doctors' wives who
still wore it. nobody wanted it - it was hopeless.'
(oh i can be couture no problem,
the other side of me that's into galleries -
even though that never brought me much
luck with the ladies, Beelzebub ******* on my
face and i started to squeeze out maggots
ensuring my face was forever crater riddled
moon - yes, excess white blood cells).
that's the same with poetry, it can't be
love me doo d'ah mushy mushy candy-floss
longing crap - mate, i'm a bus ****** and
this bus is coming but it's already 20 minutes late...
and it's ******* cats, dogs, frogs... Norwegian
acid rain, my anorak is peeling like a snake
shedding its skin and you're rewriting the early
Beatles unleashed on the American public:
shaved, hair trimmed into mushroom bops
all that Rene Magritte **** 'love, love me do!'
forget it, it's not going to happen, rhyming is the last
resort, i prefer the chance rhyme, it sometimes
happens, and it's too cute when it happens randomly
rather than with premeditation;
you can also throw out all the other premeditation
of techniques that poetry is known for...
what's the point? and back concerning rhyming,
you really want your poetry to be discussed by
schoolchildren and an english teacher in between
grammar lessons
                                  rhyming schemes and all?
that's how it goes:
         her name was Dazie          (a)
         she was never lazy             (a)
         i wrote her a sonnet           (b)
         reclining on a car bonnet  (b)
                                                               that's how they
do anatomy on poetry, the forensic team will
be with you shortly, the only reason i can think of
and know of as to why people are abhorred by
poetry (it's a natural repellent, spray it on weeds
             and insects, a natural insecticide,
****, spray it everywhere) is, because people on
the academic level have scrutinised it, analysed it
to the extent that it's not even there, it gets you thinking:
so who the hell was paying attention to the mammoth
novels of Tolstoy? oh right... no one!
the forensics, the post-mortem of poetry,
it has literally been mummified - the brain came out
as porridge ****** out through the nose.
are you familiar with Tenacious D's one note song?
that's what rhyming is to me, ever hear it?
it's the -ing twang
                            it's the -ing echo echo echo echo echo...
halfwit variations, you're hitting the same note,
great if you're penetrating a girl and she's giving
you an Opera of Vowels... otherwise it ends up
in a schoolroom, with an english teacher
and the rhyming scheme of a sonnet is?
                          ABAB CDCD EFEF GG
or?
                                                              abracadabra.
personally though Tenacious D's song kiełbasa,
etymology:
                    kieł       (canine, in polish)
   -basa (i'm guessing: the base of)             -
it's a sausage                                based on canines,
kieł (insert a           w    for the         ł.. tongue tied, eh?)
is a reference to a canine, a sharp tooth anyway,
and with -basa             i just intuitively thought of how
a hebrew would write it (i.e. hiding vowels)
and therefore juggled in an      e                  for -base.
they do, even though hebrew has Aleph (א) it hides
the vowels: S VRYTHNG RDS LK S - or i might
just be bullshitting you.
ryn Dec 2014
•i        
     was    
         once    
              whole    
               •full and
                    complete•
                       grand desi-
                          gns adorned
                              upon my very
                               soul•always...
              ­                  would land on
                                    my feet•my wo-
                                     rds now partially
                                      broken•resembli-
                     ­               ng that of an ail-
                                   ing crescent• i...
                                 am still here, i...
                               watch and i lis-
                           ten• scouring
                        for mediocre
                 remnants
             that still
         remain
 abs
en  
t•      
.
Truth be told, I was skeptical.
Was this worth the cowry shell equivalent?
My mind was a dry skin covered foot caught on a fleece blanket.
My tongue, lined with the taste of that earthy bile.
Distant isles between Alaska and Ayahuasca,
but it all comes rushing back. Jungle visions.
-
I
        take
                    ten
               ­              sickly      
                                          steps
                ­                                     toward
                                                          ­         the
                                                             ­              teetering  
                                                     ­                                      ethereal
                                                        ­                                                  edge.
-
She's once again lined with that finespun glow.
I'm once again letting the little things go.
She's letting me know for the very first time.
I'm struggling to find words for the very last rhyme.
-
                                        Trudging
       ­     tip-toed
through
                                           ­                       the
                  nonlinear
      narr­ative;
                                       elegantly
                                                       ­     elephantine.
-
Lick your wounds, traveler.
Set your eyes to the pale star's gleam.
Dogma unraveller
with an elementary scheme.
We are nature's instruments.
We are watchers in the night.
Softened slightly by the dissonance
of the dearly departed Wight.
-
He's slipping in and out.
Orbium linguam avium.
Labra lege: hic sunt dracones.
Let us dine on cremated elves.
-
     m sw ll   w  ng sw rds   nd st rs.
R zn hdzooldrmt hdliwh zmw hgzih.
I a         a  o   i          o      a         a  .
I am swallowing swords and stars.
-
.ecnatsbus em evig dna eniltuo ym nekraD
.savnac eruza siht otno seye s'ti tsac dluow nuS eht hsiw I
?suhpysiS fo redluob eht I mA
.noitcerid gnorw eht ni gnilbmut no peek I
-
We're sailing on the calmest of waters,
but there is not a drop to drink.
Bad news for the boy who only rejects omens.
I will not hang a dead bird around my neck.
Retrace the lace and my hazy days of habit,
then let me know your honest opinion.
Exhibit an execution by exsiccation of the most exuberant exiles.
Or am I the only one who's thirsty?
-
                                                      ­                      Who here is the ghost?
I know **** well it's not me.
                                                             ­                            Who said that?
I know I did.
                                                            ­                                        Didn't I?
Couldn't be.                                                              ­            
                                                    ­                                                    Am I?No.                                  
                         ­           Hopper, this isn't sinking in.
I am not a liar.
-
0111011101100101

011000010111001001100101

01101111011­100100110011101100001011011100110100101100011

011011010110000101­1000110110100001101001011011100110010101110011

-
I was supposed to be writing something down.
Some kind of secret; some kind of rune.
Can you help me find our primal core?
Your carnal truths are mine to keep.
Weren't you supposed to be going somewhere?
The flea burrow, no, The Doubling House.
For in those halls of mold and paper walls
your memories were uneagerly forged.
It's time to shed your summer skin
and begin to eat with your hands.
Eleanor Rigby Jul 2015
By the by,
I am a tweak of reality,
Quite f'rtile. Touch me
And impregnate me
With w'rds.


F.Z.**N
mrmonst3r Nov 2015
Your words
that hold
No meaning
Will
Choke you
In the end.
avalon Nov 2017
conversational   tones too often
tumble into sloppiness, leaving
my words marked with fumble
-d caresses and stuttering half-t
-houghts. i don't leave you with
my leftovers on purpose, they d
-ropped  into my purse when i c
-ame to see you today. a lot of th
-ings drop into  my mind when i
see you. but it's mostly  your wo
-rds. perhaps my only love affair
was with the   letters you placed
under my name. i never wanted
to be beautiful until you wrote o
-f it with a ball point pen;  never
dreamt of living extravagantly u
-ntil you dusted me in spices and
sparks with flecks of ink and the
marks of your fingers. you crafte
-d everything you loved about m
-e. you are the only reason i am e
-xtravagantly in love  with the fle
-cks and sparks under my skin. y
-ou planted whispers beneath my
eyes and called them  dangerous.
but only you      were  dangerous
to                                               ­  me
this is new. this is the breath of winter as it fogs before your eyes, this is disguise, this is the hundred times you laugh before you start to cry.
palladia Feb 2014
A tyrant                king, a
Vandal’s               scream        
Of moor               & rock        
And fair                 I sing;                  
  Life’s                    to its                              
   Test,                  guer-            
     don of        unrest,            
      &strife; believed!  

           Milked out                
  like utter red; lipids        
   ****** hard                  
           at birth: semi-          
                     born: made
three         legion’s ****,    
careful;       cuz fate’s,  
      Allectus, mean.      

      Made in            sheaths        
     An aural           memor-      
     y lock, a-          nswer ur
    calling;              tricky to  
      be bad             &get; a-  
         way w/it!     Caraus-      
           ius’s on     guard          
             duty; he’s in.              

              Fog in chan-              
    nel; no               lights:        
    Bware!            Usurp-        
   ing cou-             ntry,        
   mauling& killing men      
   To ob-        tain                
   Power;            @any        
   risk in                   Britain.

       gold insignias!          
     shine           ur lite!      
    greed              can’t      
    pay—poenas dat!      
   Ascle-                              
    piod-                              
    otus                                
   hears:                            

    He, Allectus does a-      
    way w/.                            
   Besei-                                
   ge in London—rime      
   the trea-                            
   sure al-                              
   located;                            
   Vain he found, good.    

       Crack souls’ ice;
   To ruin              comes
   conceit,           comes
   that rip-       ped part.
   Ah, to p’wer& knifes
   Like wo-      rds...
   P’wer               slashes
    Carves,                &impales;.
usurper: a visual poem
(the poem spells the word "usurper")

i often like bragging about the fact that i've taken six years of Latin, so i have Roman History pretty much under my belt. this was written about last year when i was translating/learning Caesar for the AP Latin exam i took that spring. alongside the AP requisites, our class took a historical journey into the various parts of Roman life and warfare. because Caesar was our focus, places where he'd been were golden. the Roman occupation of Britain always fascinated me; i did some extra research and came across the story of Allectus, Carausius, and Asclepiodotus. Allectus was an usurping emperor of Roman Britain in the mid 290s AD. Allectus first was the treasurer to Carausius, an officer in the navy who took control of Britain and northern Gaul, modern-day France. Allectus was power-hungry assassinated Carausius, but his schemes did not go unnoticed for too long. Constantinus I, emperor of Rome, endeavored relentlessly to seize him but to no avail, however praetorian prefect Asclepiodotus entered into the fight and one night, when it was foggy in the English Channel, Asclepiodotus managed to burn Allectus' fleet on Vectis (modern-day Isle of Wight). He was killed in the battle and Asclepiodotus became the next king of Britain.

Carausius was greedy for power and established himself as Britain's king, but Allectus overthrew him, additionally greedy for power. Asclepiodotus steps in and disposes of Allectus, becoming king for 10 years until he too is overthrown. so it's all very ironic and one of my favourite stories of Roman history, and i turned it into a poem...a visual one, mind you!
Elena Smith Nov 2015
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There was an old man of Boulak,
Who sate on a Crocodile's back;
But they said, 'Tow'rds the night,
He may probably bite,
Which might vex you, old man of Boulak!'
Mateuš Conrad Apr 2016
when i applied for edinburgh
i was thinking:
i have to get away from these people!
i could have applied
for Oxbridge without thinking,
i applied for Bristol - fair enough,
if some dean asked me to recite
Wordsworth i'd have recited
a recipe saying 'rustic ambiance, you
see, better a recipe off the top
of my head than a date in a chinese restaurant
citing woo 'rds' worth',
like today with leftover Moussaka -
is aubergine the national veg of greece?
anyway, the salad:
spring assortment of cow dung in reverse,
cucumbers, cherry tomatoes, basil,
spring onions, a drizzle of ****** olive oil
infused with chillies,
balsamic vinegar, and half a teaspoon of honey,
salt and paper to taste... wordsworth can ****
his magpie and lark's worth of recitation,
i rather recite a recipe, in line with his
rustic residence -
like me tonight, in no man's land between
shy-urban (suburbia) and the wild parts of
the land, three beers perched on a fence
looking into the dark void of a scaled down
forest - you don't get any crows in urban areas...
indeed Edinburgh was the prime gothic
resurrection, Frankenstein's monster could
have been my neighbour -
whereas some in the grizzly north
attack the sky with colours like the houses
in St. Petersburg (pink, azure,
chickpea), other's embrace the grey
with very mundane coloured architecture,
thus when a chance sunshine comes through
people tend to look up and watch with glee -
Edinburgh brown - stonemasons' slip
of the tongue.
a murky yellow moon, a sclerosis of the moon,
the shining part in reverse
where the night the x-rayed sclera
and the moon the pupil fully illuminated with
gossiping sun in want of a listen;
a murky sclerosis yellow moon - fine agreement
with the thinning clouds that
could never be used for Mickiewicz's castles
in perfect blue and perfect cotton cauliflower contrast
of the zenith by the perpetuated day in mirror-standstill.
autumn colours Mar 2014
She will find herself lost in books that give her the sense of adventure she needs.
Wishing she could fall into the pages of book;
mix in between the lines of characters,
explore all the imaginary places,
get lost in the story line.
She brings those fantasies into her dreams, where she can play it out in her own style.
Imagination is what she breathes on.

Way better to live in a fantasy than in reality.

-rds
hello, long time no see. just putting a little something up, nbd
Bragi Jun 2018
Reading this
    can see h w distra ght I am
I'm missing  ut letters.
N t j st an  letters th  gh.
Three little letters that remind me  f    .
I find it hard t  talk ab  t    .
Even t  be in the same r  m.
I av id it all.
I'll even av id writing the w rd 'av id'.
Ir nical.
H sterical.
C mical.
All w rds with a part  f     in them.
Wh  am I kidding?
I can't pretend.
It's all that's in m  head.
You.
Paul Hardwick Aug 2014
S                                                                ­                          rds?        
                         mi                                         wo                                
                              ­                              le in        ............................................
True story     P@ul:-)
Riley OKeefe Jul 2016
U.
You.
Hue.
You.
You are the reason why I can’t write anyou
it is taking me so long thinking ofyou
styles, figyoures, metaphyours,
I can’t even finis-
any sentenc-you
Stop.
You’re the reas-you
Youarethereaso-you.
****. Even if I think faster, you can still keep pace-you.
You are a mountaintop between dawn-you.
I can’t write anyou.
How you can you I you write you any you poetry you
make you art you you you-
if there’s always you slipping between my wo-you-rds and thoughts.
I can’t you
You.
You.

Now I know why poets can’t write when they are in lov-you.
You.
You.

Sorry love but how can I make you a poem when there are no words
I can think of that can describe you except …
You.
You.
*You.
glass Jul 2023
i w_rry __u will s__ _nd r__d _nd und_rst_nd _nd s_ i c_ns_r m_ _wn w_rds _n m_ _wn p_g_s, _nd m_ h__rt c_nt_rts; th_ s_rr_w runs d__pl_ in m_ bl__d, i _m sc_r_d it will n_v_r l__v_ m_ v_ins - but lif_ m_v_s\ _n _nd m_ l_v_ f_r __u __t c_rri_s - _nd _ll i h_v_ t_ s__ is s_rr_.
060323

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