Hello Poetry
Submit your work and get some sparkles! Create free account
"moroccan" poems
How do you taste a woman? Do you let your breath Take over her skin Or do you, Gently Uncover Her treacherous, Deceitful, delightful touch? Do you take her sight for granted, As if it was yours to own, As if she would Never vanish, Or do you know She's nothing more Than a chimera on a wall, Than Clotho's spinning thread In an ancient story of forgiveness... Do you trust her soft and humid body, Like a silky cloth soaked in Spicy peppermint oil, Or do you fear Her lips As if they'll Harm the pulse Of your easily grown Desire for all that she has enchanted? Do you let her fingers linger Somewhere in between The locks of hair, As they were Her only to poses, And make them come alive Like serpents shadows on a desert's moonlight? All in all, a woman cannot be Taken for granted, As she isn't there Only because You see her Near. No. A woman is A passing shadow For your mesmerized vision. A woman is that summer rain On your heated body, Or that devastating Storm on a Moroccan Desert. She is both Dust and wind, Love and hatred, Hope and despair. She is nothing more Than clear, cold water. So drink the woman As you taste Water Turned Into good wine And tell me, stranger... How do you taste a woman?
0
Apr 20, 2017
Apr 20, 2017 at 8:18 AM UTC
How do you taste a woman?
In the last months of March 2014, Soldier Othello the Moroccan moor Was in Stratford-upon-Avon at the graveside Of William Shakespeare the English bard, He was observing the anniversary Of Shakespeare and his European brother Cervantes, He had in his pocket another charm and amulet Given to him by his paternal grandfather, This time round not a charm for love portion, But a mystique totem to raise the dead from dusts, As Othello himself has hitherto over-matured Above the painful torture of *** with aristocrats, He has left it for the Jewish aristotrash; Frantz Kafka, Whose torturous appetite for *** with German women, Was the sorriest eyesore of his thespic efforts. Like Jesus at the grave of Lazarus Othello groaned by shouting; William the son of John! No response, he shouted again; Shakespeare the bard! Then the mystique powers of Othello’s amulet Electrified Shakespeare back to life, What is your problem you black moor, The ***** of Morocco, the soldier Who beguiled Desdemona into betrothal, Not because of glory of your work, But due to charms of your love portion Bequeathed to you by your witch mother, What brings you to my sepulchre, For only to perturbed my purgatorial peace, What brings you!? Questioned Shakespeare the bard. Am no longer the moor, blackness is class But not the race, as race is bankrupt, I come here to salute you with good news, That your European brother, Alfred Nobel, Currently rewards thespic bards like you, Whether black or white, blue or green, The ***** bards from the natural forest, He also rewards, so wake up and pick the prize! Retorted Othello in virtue of truth, And also tell me the native bricks Of your beautiful architecture; Where and how did you mold thy bricks? Your brown English bricks that walled your culture; ***** clown, leapfrog, mercurial, oxymoron, Falsitafity, Shyllocking, colleaguery and window, Cauldron, graymalkin, woo, betroth, infatuation and so on. From underneath his sepulcher Shakespeare broke A violent gaggle of laughter as if he was ten English skeletons, You Othello you are still a beautiful moor Whose foolishness time has not condemned to oblivion, You are as a fool as I created you ; I will only teach you One brick, the window , that you go and put on Your wind disturbed African huts, Put the wind door on your hut, And be flexible in your tongue To give it English elegance Combine and shorten wind and door To get your cultural brick of; window !
0
Apr 11, 2014
Apr 11, 2014 at 9:39 AM UTC
OTHELLO AT THE GRAVESIDE OF SHAKESPEARE
In the last months of March 2014, Soldier Othello the Moroccan moor Was in Stratford-upon-Avon at the graveside Of William Shakespeare the English bard, He was observing the anniversary Of Shakespeare and his European brother Cervantes, He had in his pocket another charm and amulet Given to him by his paternal grandfather, This time round not a charm for love portion, But a mystique totem to raise the dead from dusts, As Othello himself has hitherto over-matured Above the painful torture of *** with aristocrats, He has left it for the Jewish aristotrash; Frantz Kafka, Whose torturous appetite for *** with German women, Was the sorriest eyesore of his thespic efforts. Like Jesus at the grave of Lazarus Othello groaned by shouting; William the son of John! No response, he shouted again; Shakespeare the bard! Then the mystique powers of Othello’s amulet Electrified Shakespeare back to life, What is your problem you black moor, The ***** of Morocco, the soldier Who beguiled Desdemona into betrothal, Not because of glory of your work, But due to charms of your love portion Bequeathed to you by your witch mother, What brings you to my sepulchre, For only to perturbed my purgatorial peace, What brings you!? Questioned Shakespeare the bard. Am no longer the moor, blackness is class But not the race, as race is bankrupt, I come here to salute you with good news, That your European brother, Alfred Nobel, Currently rewards thespic bards like you, Whether black or white, blue or green, The ***** bards from the natural forest, He also rewards, so wake up and pick the prize! Retorted Othello in virtue of truth, And also tell me the native bricks Of your beautiful architecture; Where and how did you mold thy bricks? Your brown English bricks that walled your culture; ***** clown, leapfrog, mercurial, oxymoron, Falsitafity, Shyllocking, colleaguery and window, Cauldron, graymalkin, woo, betroth, infatuation and so on. From underneath his sepulcher Shakespeare broke A violent gaggle of laughter as if he was ten English skeletons, You Othello you are still a beautiful moor Whose foolishness time has not condemned to oblivion, You are as a fool as I created you ; I will only teach you One brick, the window , that you go and put on Your wind disturbed African huts, Put the wind door on your hut, And be flexible in your tongue To give it English elegance Combine and shorten wind and door To get your cultural brick of; window !
Continue reading...
58
Morocco some base camp by a beach in 19 70 a small bar Miriam sitting there drinking her Bacardi and small coke wearing that very snug bikini coloured red like her hair of tight curls up one end a very old Moroccan was strumming a guitar him smoking cannabis happy guy what's that stink? Miriam says to me cannabis I tell her how'd you know? A girlfriend I once had smoked the stuff how could she? Miriam says to me I don't know she just did I sip my Bacardi and smoke my cigarette she looks neat in her snug bikini but neater out of it.
0
Jun 4, 2015
Jun 4, 2015 at 2:24 AM UTC
MOROCCAN BAR 1970.
In the amber sunroom the regal canary perches, Surveying his sun soaked kingdom from a golden throne, Positioned just below the thick wooden rafters... They might as well have been treetops. The weathered oak armoire below, their immovable trunk; The oversized tank, teeming with exotic fish, his ocean. Through the translucent shades, the engorged sun turns orange, And settles on the domes of the distant dragon trees. Soon the silver haired woman, with "dust in the creases of her face," Will open the arched doorway, and into the sultry Moroccan air he will spring Majestic yellow wings propelling him above the treetops, Diving towards his vast ocean, circling between the dusty antiques, Reveling in his glorious freedom, yet always returning, For that is only the penultimate pleasure of every evening; She will always call him home with the suculent scent Of a luxurious dinner: mango, pomegranate, and papaya. A sharp, tumbling trill disrupts his peaceful musing, A flashing crimson streak leaves a momentary swatch, Emanating from the open window, invading his territory and ending atop the amoire. He refuses to look at her, intent on maintaining appearances. She comes and goes so freely, innocent of any thoughts for me. Feathers ruffling with discontent; jumping, leaping without direction. Seeking the highest perch, closest to being free; only to be confined By the bronze rods of social correctness, locked with the brass clasp of my own fear. His little lion's heart becomes a battering ram, Smashing against the inside of his toothpick ribcage. Rapid fire thoughts soon dissolve in an attempt to compose A song that is worthy of her. And so he waits, and watches her turn, Red wings outspread, escaping back into the evening sky. That blazing orange ball, finally sinking beneath its own weight, And the failing strength of the mighty dragon trees, Now merely blackened silhouettes of their former glory.
0
Jun 29, 2012
Jun 29, 2012 at 3:39 PM UTC
Wings of Courage
In the amber sunroom the regal canary perches, Surveying his sun soaked kingdom from a golden throne, Positioned just below the thick wooden rafters... They might as well have been treetops. The weathered oak armoire below, their immovable trunk; The oversized tank, teeming with exotic fish, his ocean. Through the translucent shades, the engorged sun turns orange, And settles on the domes of the distant dragon trees. Soon the silver haired woman, with "dust in the creases of her face," Will open the arched doorway, and into the sultry Moroccan air he will spring Majestic yellow wings propelling him above the treetops, Diving towards his vast ocean, circling between the dusty antiques, Reveling in his glorious freedom, yet always returning, For that is only the penultimate pleasure of every evening; She will always call him home with the suculent scent Of a luxurious dinner: mango, pomegranate, and papaya. A sharp, tumbling trill disrupts his peaceful musing, A flashing crimson streak leaves a momentary swatch, Emanating from the open window, invading his territory and ending atop the amoire. He refuses to look at her, intent on maintaining appearances. She comes and goes so freely, innocent of any thoughts for me. Feathers ruffling with discontent; jumping, leaping without direction. Seeking the highest perch, closest to being free; only to be confined By the bronze rods of social correctness, locked with the brass clasp of my own fear. His little lion's heart becomes a battering ram, Smashing against the inside of his toothpick ribcage. Rapid fire thoughts soon dissolve in an attempt to compose A song that is worthy of her. And so he waits, and watches her turn, Red wings outspread, escaping back into the evening sky. That blazing orange ball, finally sinking beneath its own weight, And the failing strength of the mighty dragon trees, Now merely blackened silhouettes of their former glory.
Continue reading...
32
Dressed in black, dark eyes amused She strolls into a room With the specialised tread Of a femme fatale, Tossing her streaming hair in arrogant joy. Her perfect body Contains the calm and unexpected force Of the sea, shifting in a moment between Reason and fury. She graces the men with sure-footed Arabic, Stark, sibilant, passionate words Laughing like a poem. A Moroccan beauty, Guedra dancing in the sun, From the desert coloured mosque of Casablanca Punctured by the worship Of 70,000 songs, To the unremitting souks of Marrakesh, Her complexity Emboldened by the courage Of poets. She has a silence in her intellect Such as few have, Unusual evidence of a soul In a world of franchises, Her past imaginings deeper and wider Than that of her peers, Dancing to fast Gharnati rhythms, Beneath imagined Andulusian sunsets And glowing skies. An effervescent scintillating gasp of fervent Desert air, beating across her limbs Moving gently towards silence.
0
Nov 12, 2015
Nov 12, 2015 at 10:55 PM UTC
BEAUTIFUL MOROCCAN
Mamie leaned against a sitting camel on the beach at base camp outside Tangiers fiddling with her camera clothed in her red two piece bathing kit and pink framed sunglasses her reddish hair a mass of curls looking quite fuckable as you snapped her picture with your camera with the Moroccan guy looking towards you thinking maybe the same holding the rope leading to the camel and she said I wasn’t ready I was trying to get my camera set looking at you through her darkened lens holding her camera in her hands the Moroccan guy looking bored wanting his pay and to move on well I’ve got you now you said something to gawk at in my lonely hours you could have waited she said the sun’ll go in a few hours you joked ha-ha she replied she paid the guy and left him and the camel and walked towards you her bare feet left footprints in the damp yellow sands the camel stinks she said and so does he she steadied her camera and walked back a few paces and said pose yourself and so you posed yourself standing there in your white tee shirt and blue jeans your hair windswept your features set in a sun blinded smile hold it she said hold what? you asked the pose she said crossly just like that and she snapped the shot and gazed at you through the dark lens of her sunglasses her small plump **** wanting to escape her red bathing top and the sun still there in the blue sky the Moroccan guy gone off down the beach the camel following him behind and you studied Mamie as she walked back towards base camp with love making thoughts in your sun baked mind.
0
Aug 21, 2012
Aug 21, 2012 at 1:36 AM UTC
BENEATH A HOT SUN ON A MORROCAN BEACH.
Mamie leaned against a sitting camel on the beach at base camp outside Tangiers fiddling with her camera clothed in her red two piece bathing kit and pink framed sunglasses her reddish hair a mass of curls looking quite fuckable as you snapped her picture with your camera with the Moroccan guy looking towards you thinking maybe the same holding the rope leading to the camel and she said I wasn’t ready I was trying to get my camera set looking at you through her darkened lens holding her camera in her hands the Moroccan guy looking bored wanting his pay and to move on well I’ve got you now you said something to gawk at in my lonely hours you could have waited she said the sun’ll go in a few hours you joked ha-ha she replied she paid the guy and left him and the camel and walked towards you her bare feet left footprints in the damp yellow sands the camel stinks she said and so does he she steadied her camera and walked back a few paces and said pose yourself and so you posed yourself standing there in your white tee shirt and blue jeans your hair windswept your features set in a sun blinded smile hold it she said hold what? you asked the pose she said crossly just like that and she snapped the shot and gazed at you through the dark lens of her sunglasses her small plump **** wanting to escape her red bathing top and the sun still there in the blue sky the Moroccan guy gone off down the beach the camel following him behind and you studied Mamie as she walked back towards base camp with love making thoughts in your sun baked mind.
Continue reading...
88
A rip in the door, a tip in the drawr, Philosophy or trigonometry, Epic failure, Filled with pens & paper clips, Minds to the matter, Key opening frogs, Toads totaling mirrors, Mane of Moroccan Curls, Sashaying across broad shoulders, And smooth hips, Laying on clouds, Because you can't afford to breath, On the ground, Tree topped eye lined, Eye lids, Shut.
0
May 3, 2015
May 3, 2015 at 4:17 PM UTC
Extinction of Ball Rooms
Where lonely camels roam, dunes in darkness lay And myriads of stars glow in disarray. Solely the morning star, lone wanderer, shines bright And thus illuminates this dark Moroccan night. As the gleaming eye of heaven rises in the East, wake the weary nomad and his weary beast. And as it reaches zenith, the heat burning the flesh, they reach their destination: the vibrant Marrakech. Explosion of colors, spices galore Sold on bazaars selling infinitely more A snake tamer plays his tunes in a trance and the dervishes do their habitual dance. And with every turn, every swish, every sway, Unfolds like a dream the Moroccan day. 'Til the sun sets again in this wondrous land To darken once more the kingdom of sand.
0
Jan 28, 2017
Jan 28, 2017 at 6:33 PM UTC
Dance of the Dervishes
i've got me a ***** black cadillac, stretched out—front windows rolled right down—on the curb. with a French girl waiting inside, legs long as sin, sitting against the wide dark window legs extended 'cross the backseat. hiding her eyes behind big round sunglasses, smoking oily moroccan cigarettes —writing about the way i talk. there's a whole lotta crisp, cold money in the trunk, waitin' to be spent on the furs she wants; old books for me.                                                 and why not?? old books on art, and i can't even paint! just sit around not talking—read about Brughel or som'thin, wishing my over-large, complacent hands knew to render the face a fifth so well. a fifth of whisky's 's close 's i get, i get drunk and further away, out now in that devil of a car, parked presently out by the shed where i go most nights to sit in musty chairs 'n scratch ink lazily on pages nobody ever reads..             —but it feels ******                        g  o  o  d  . my frenchwoman would like to know what i think of old Proust... REPLY: he took too ****** long! // (a sigh can be a story) —one could write a novel in the time it takes to toss your load on a pair of trembling ******* held up in offering—oh i can't help but be uncouth!! —i mean just the other day fr christ's sake i moved a friend in Waterloo to her new apartment and when carrying up the stairs two bags of clothes and a toaster saw wonderful little second year heading up as well so i let her go first (at first glance you may think me chivalrous) and while climbing up behind her composed in my head the following pome, which i dashed off later on a post-it and dedicated to her exquisite *** “all legs blonde climbin' the stairs, lamp in hand, yoga pants hot & clinging like wee-ooo / hot enough in this cramped old stairwell as is, carrying all these bags & boxes & couches up for a friend. —hey when you're all moved in / you could come sit that thing on my lap. share a cigarette while i carve slices of apple & offer them to you, impaled on the end of the knife.”
0
Sep 29, 2012
Sep 29, 2012 at 6:38 PM UTC
GG/OO/NN/GG
i've got me a ***** black cadillac, stretched out—front windows rolled right down—on the curb. with a French girl waiting inside, legs long as sin, sitting against the wide dark window legs extended 'cross the backseat. hiding her eyes behind big round sunglasses, smoking oily moroccan cigarettes —writing about the way i talk. there's a whole lotta crisp, cold money in the trunk, waitin' to be spent on the furs she wants; old books for me.                                                 and why not?? old books on art, and i can't even paint! just sit around not talking—read about Brughel or som'thin, wishing my over-large, complacent hands knew to render the face a fifth so well. a fifth of whisky's 's close 's i get, i get drunk and further away, out now in that devil of a car, parked presently out by the shed where i go most nights to sit in musty chairs 'n scratch ink lazily on pages nobody ever reads..             —but it feels ******                        g  o  o  d  . my frenchwoman would like to know what i think of old Proust... REPLY: he took too ****** long! // (a sigh can be a story) —one could write a novel in the time it takes to toss your load on a pair of trembling ******* held up in offering—oh i can't help but be uncouth!! —i mean just the other day fr christ's sake i moved a friend in Waterloo to her new apartment and when carrying up the stairs two bags of clothes and a toaster saw wonderful little second year heading up as well so i let her go first (at first glance you may think me chivalrous) and while climbing up behind her composed in my head the following pome, which i dashed off later on a post-it and dedicated to her exquisite *** “all legs blonde climbin' the stairs, lamp in hand, yoga pants hot & clinging like wee-ooo / hot enough in this cramped old stairwell as is, carrying all these bags & boxes & couches up for a friend. —hey when you're all moved in / you could come sit that thing on my lap. share a cigarette while i carve slices of apple & offer them to you, impaled on the end of the knife.”
Continue reading...
37
The white sands of Mozambique We should go there - you and I It doesn't have the answers that I seek But maybe just enough to get me by The red dunes of the Namib Reflecting orange and yellow too It's more lovely that you would believe Let's be sure not to leave too soon Here in the Moroccan city streets They're offering me a minty tea It goes well with sweet and toasty treats We should stay here for a few weeks In a while, we'll trek to Malawi Kayak on a lake or open sea See what animals wait over by the trees This has been a trip that surely can't be beat
0
Jul 21, 2015
Jul 21, 2015 at 11:41 AM UTC
africa
few new words, here. just the punk scene- feral, free. and the accompanying knowledge that others battle the tide, too, mouths as salty with sea water. others giving to become, dancing in the trenches, transported beyond classroom cubicles by the music of celestial fabrics, of me, of me meeting you, of whispers from the lips of God. we all set up shop there, use intermittent sunlight to grow and sell our bluebells, our quirky flower children. we all capture the poetry of moments, all maroons in cozy sanctuaries rich with the music of intuition, of loss of pride, and old book smells. How Much Time do i need for me, really? i want to sleep nights on Central Park benches. i want to buy a bookstore. i want to feel a horse between my thighs. i want to drape myself in Moroccan silks. Simple Solutions, i'd like you to meet Bureaucratic Barricades. is there real need for the two sides to every coin buried in bank vaults and sock drawers? but vessels to be filled. i want to reform the public education system. i want to become a nun. i want to be in the darkness with you. i want to see unicorns. just being (t)here, lost in idealism and the lines on my palms.
0
Jun 24, 2012
Jun 24, 2012 at 7:00 PM UTC
Manifesto
That time we went to Fez and you said it's like Biblical times all these fecking donkeys and camels and people dressed like Jesus I said to Miriam so it was my first time and we had to leave the vehicle outside the gates of the city she said we were sitting at the Moroccan bar of the camp base sipping cokes and had French loaf sandwiches on plates beside us but it was good I said and that mosque I went in was great I had to take off my sandals mind you but hey the site inside was good I didn't go in but that market was out of this world she said she sat on a stool beside me sipping her coke she had a pink tee shirt and red shorts -I loved red- and bare feet I looked at the feet recalling mouthing her toes that night in Malaga after the shower at the camp base there and well the rest followed I bit into the French roll sandwich lettuce cheese cold lamb meat and some kind of pickle those women wore those black gown things she said could only see their eyes I don't think I could wear one of those I like to be seen and why bother to wear make up or wear something skimpy if you've got one of those on she said they don't I guess that's their religion I said she bit into her French roll and was silent she smelt of apples and hay and I could have licked her but we sat and ate and thought of the beach and moon and stars and *** if not too late.
0
Dec 3, 2015
Dec 3, 2015 at 4:02 AM UTC
IF NOT TOO LATE 1970
Miryam walks along the beach in her swimming attire, some red and flowered design, Benedict notes, walking just behind, having left the two Moroccan guys behind with the camel, with whom she'd posed while he took camera shot. Bet they don't do that everyday, she says, swaying her delicious backside side to side. No, guess not, least not by the look on their faces, Benedict says. She laughs, does a Monroe kind of walk and wiggle. We came down here last night, she says, it was quite romantic what with the moon, stars and warm air. She stops and turns to look at him. Was it about here? she asks. He gazes about him, at the sand and tufts of grass, the sky blue and the odd white clouds, could be, hard to say, it being dark and all. You found your way around all right, she says, smiling. Well, a guy gets to know his way around after a while, bit like a ****** gets to know the sea, the rough times and the smooth, the high tides and the low, when its best to set out and when to stay in port. She frowns. Is that what it's like for you guys? Just like that? No, he says, just being philosophical, in fact, it was a good evening, a fine **** he says softly. Is that all? she asks. She stands there her hands on hips, her head to one side. No, of course not, it's just us guys hate to get all soft about these things, he says. She pouts. Soft? These things? she says. Can't you just say it was romantic? She says, is it hard to say that? A fine ****   Is that easier to say? It's just one syllable instead of three, he says. She turns and walks on through the sand. He follows, taking in her figure, her side to side *** the tight red hair. OK, he says, it was a romantic night, I loved the whole set up, the stars, the moon, you and me, the sand, the soft tufts of grass, the *** the kisses, the holds. She stops and turns and gazes at him. It has to mean something, she says, otherwise we waste our lives in such pointlessness. He nods, zooms in on her small **** her eyes, her whole features. Sure we do, he says, you're right, it was one fine romantic never to be forgotten night. She smiles and walks to him and kisses him and holds him. He holds her, feels her, senses her lips on his, and out of the corner of his eye, he sees the two Moroccan guys and camel walk away up the beach, they'll never know this, he thinks, feeling smug, far beyond their lives or random reach.
0
Nov 13, 2013
Nov 13, 2013 at 2:27 AM UTC
ONE MOROCCAN BEACH.
Miryam walks along the beach in her swimming attire, some red and flowered design, Benedict notes, walking just behind, having left the two Moroccan guys behind with the camel, with whom she'd posed while he took camera shot. Bet they don't do that everyday, she says, swaying her delicious backside side to side. No, guess not, least not by the look on their faces, Benedict says. She laughs, does a Monroe kind of walk and wiggle. We came down here last night, she says, it was quite romantic what with the moon, stars and warm air. She stops and turns to look at him. Was it about here? she asks. He gazes about him, at the sand and tufts of grass, the sky blue and the odd white clouds, could be, hard to say, it being dark and all. You found your way around all right, she says, smiling. Well, a guy gets to know his way around after a while, bit like a ****** gets to know the sea, the rough times and the smooth, the high tides and the low, when its best to set out and when to stay in port. She frowns. Is that what it's like for you guys? Just like that? No, he says, just being philosophical, in fact, it was a good evening, a fine **** he says softly. Is that all? she asks. She stands there her hands on hips, her head to one side. No, of course not, it's just us guys hate to get all soft about these things, he says. She pouts. Soft? These things? she says. Can't you just say it was romantic? She says, is it hard to say that? A fine ****   Is that easier to say? It's just one syllable instead of three, he says. She turns and walks on through the sand. He follows, taking in her figure, her side to side *** the tight red hair. OK, he says, it was a romantic night, I loved the whole set up, the stars, the moon, you and me, the sand, the soft tufts of grass, the *** the kisses, the holds. She stops and turns and gazes at him. It has to mean something, she says, otherwise we waste our lives in such pointlessness. He nods, zooms in on her small **** her eyes, her whole features. Sure we do, he says, you're right, it was one fine romantic never to be forgotten night. She smiles and walks to him and kisses him and holds him. He holds her, feels her, senses her lips on his, and out of the corner of his eye, he sees the two Moroccan guys and camel walk away up the beach, they'll never know this, he thinks, feeling smug, far beyond their lives or random reach.
Continue reading...
67
Sunday 40,88 82 82 80 82 Between South Africa, Brazil and Macedonia 600-100-300 300 John Wilson, 300 + 40.82 Congress, eight letters, George Washington. Brazilian art gallery More than 1,300 years later, German, African and Chinese ****** arrive in South Africa, Mexico, Brazil, 60.6006 million 40600300600 (20) ******* divorcees, 8,8,8,8, Brazil, Brazil Brazil, 600 600 600, 600, 82 300, 300, 300 Brazil, 40.82 - another "teacher" in France France is full of ****** from Brazil 600-100 - Six dogs and ****** are full of the fruity aromas of Carmen Campbell, a woman who lives with prostitutes; Prostitutes have existed for 300,700 years (according to Tom Wilson) 300 8 George W. Ashington, USA Euro, Brazil, Brazil, Gabon, Morocco, Ra Ramalin, Harlem, 0.82, Latin America, Africa, Macedonia, South Africa, 40.82, Yobe Africa, Morocco, 40-82 years. MacDonald's, May 2, South Africa, Curse, United Kingdom, Russians, whores' ****** and G'ilimão de Mécoques 2011 6,000,000 days in South Africa, China, South Africa, Go-Go UK / EU. Yuku Uyu and 600, 600, 600, 600, 600 Google ****** Yeh, one Sunday, George Washington attended the coronation of George W. Murray 40.82 600-100-300 300 300 Tom Wilson has Good News for Ephraim in South Africa, ****** from Africa And South Africa bloom in the dust of South Africa. 82300300 has a place of landing for Brooklyn ****** Washington ****** and ****** from East New York in South Africa with 600 600 000 300 (8) 600 doctors, South Africa Google with more than 600 people. 5-300000 600,600,000,600,600 600,000 John Wilson, George Washington, 200,000 in 50000 - 60000600402 in the morning 6006,0066 3006 63 00000 100 600 600 600 600 ****** are here. 600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600, 600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,00,600,660,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600, 600,600,600,600,600,600,600,600,600,600,600,600,60,6 ******* canned report 600600600 40, 82, Brazil, South African and possibly poisonous, 300B - ******* for Tom Wilson, Rudolf, Morocco 600-100-300300 600 600 600 600 600 600 600 6 600 6 600 6 600 6 600 6 600 6 600 6 600 6 600 6 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 1300 Brazilian Producers Paul Paulson, Wilson 2: 40.82, South Africa, South Africa and Brazil 600 600 600 United States' 'Hamster' Washington 100 6006006 Miami, Florida 300,600 82.3003 million more in Brazil, South Africa, Mexico and Russia; Tom Hamilton 40.82 to Morocco and Brazil, South Africa; Freedom in Ohio as a frontier wife, Macedonia, Brazil; United States, Spain, Brazil 20.8 Aborigines, Moroccan, Brooklyn and Harlem ****** 0.82, Decoration: Often, a professional, in fact, is a pre-recorded decision. Others see teenagers, while others see "magic." Doyle is the most vicious woman, of the bride for $15 per night to support her classmate, the "ex" ********** who is still a ********** The figures show that prostitutes are from the local community, that they are disgusting ****** and a woman who has been trafficked for less than a month can reduce stress she receives through using a ********** **** ******* your *** is your money! Your ******* donkeys, and donkeys are your money.
0
Nov 24, 2018
Nov 24, 2018 at 10:58 AM UTC
600 ****** [Human Trafficking & Rock'n'Roll]
Sunday 40,88 82 82 80 82 Between South Africa, Brazil and Macedonia 600-100-300 300 John Wilson, 300 + 40.82 Congress, eight letters, George Washington. Brazilian art gallery More than 1,300 years later, German, African and Chinese ****** arrive in South Africa, Mexico, Brazil, 60.6006 million 40600300600 (20) ******* divorcees, 8,8,8,8, Brazil, Brazil Brazil, 600 600 600, 600, 82 300, 300, 300 Brazil, 40.82 - another "teacher" in France France is full of ****** from Brazil 600-100 - Six dogs and ****** are full of the fruity aromas of Carmen Campbell, a woman who lives with prostitutes; Prostitutes have existed for 300,700 years (according to Tom Wilson) 300 8 George W. Ashington, USA Euro, Brazil, Brazil, Gabon, Morocco, Ra Ramalin, Harlem, 0.82, Latin America, Africa, Macedonia, South Africa, 40.82, Yobe Africa, Morocco, 40-82 years. MacDonald's, May 2, South Africa, Curse, United Kingdom, Russians, whores' ****** and G'ilimão de Mécoques 2011 6,000,000 days in South Africa, China, South Africa, Go-Go UK / EU. Yuku Uyu and 600, 600, 600, 600, 600 Google ****** Yeh, one Sunday, George Washington attended the coronation of George W. Murray 40.82 600-100-300 300 300 Tom Wilson has Good News for Ephraim in South Africa, ****** from Africa And South Africa bloom in the dust of South Africa. 82300300 has a place of landing for Brooklyn ****** Washington ****** and ****** from East New York in South Africa with 600 600 000 300 (8) 600 doctors, South Africa Google with more than 600 people. 5-300000 600,600,000,600,600 600,000 John Wilson, George Washington, 200,000 in 50000 - 60000600402 in the morning 6006,0066 3006 63 00000 100 600 600 600 600 ****** are here. 600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600, 600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,00,600,660,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600,600, 600,600,600,600,600,600,600,600,600,600,600,600,60,6 ******* canned report 600600600 40, 82, Brazil, South African and possibly poisonous, 300B - ******* for Tom Wilson, Rudolf, Morocco 600-100-300300 600 600 600 600 600 600 600 6 600 6 600 6 600 6 600 6 600 6 600 6 600 6 600 6 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 1300 Brazilian Producers Paul Paulson, Wilson 2: 40.82, South Africa, South Africa and Brazil 600 600 600 United States' 'Hamster' Washington 100 6006006 Miami, Florida 300,600 82.3003 million more in Brazil, South Africa, Mexico and Russia; Tom Hamilton 40.82 to Morocco and Brazil, South Africa; Freedom in Ohio as a frontier wife, Macedonia, Brazil; United States, Spain, Brazil 20.8 Aborigines, Moroccan, Brooklyn and Harlem ****** 0.82, Decoration: Often, a professional, in fact, is a pre-recorded decision. Others see teenagers, while others see "magic." Doyle is the most vicious woman, of the bride for $15 per night to support her classmate, the "ex" ********** who is still a ********** The figures show that prostitutes are from the local community, that they are disgusting ****** and a woman who has been trafficked for less than a month can reduce stress she receives through using a ********** **** ******* your *** is your money! Your ******* donkeys, and donkeys are your money.
Continue reading...
3
Come Moroccan blue, Wrought a Tokyo twilight; The tangled neon, Guangzhou, Ought London fog or gloom – Entity’d ‘ever end with me. So when gods plays jokes Come a second near and nigh, I’d nearly utter, “amen,” Atop a belly, soon and son’s first cry – I am a father; above, eternity’d grin. So my plane kisses pavement, tepid, Wrought one mother waiting; and All I’d ran from, all abandoned, Is now the only that’d welcome. I’d never thought to nest, and yet – Arrived, with straw in mouth.
0
Sep 29, 2015
Sep 29, 2015 at 11:46 PM UTC
Amaranthine
You had been in Tangiers until the early hours of the morning and was brought back to base camp on the truck as the sun was beginning to rise over the horizon and had then gone to crash down in your tent too tired to undress and slept through until midday then showered and sat in the bar when Mamie came and sat beside you and said where’d you go last night? I thought you were going to walk me down by the beach and watch the sun rise from the sea? I was too tired you said I crashed out in my tent she looked at her glass of coke I could have joined you there she whispered and done what? you said slept beside me? she shifted her buttocks on the stool and said well it would have been better than sleeping in my tent with that Scottish hen as her brother calls her you sipped your drink and watched the old Moroccan guy in the corner inhale on his marijuana smoke plus I had her snoring and moaning in her sleep Mamie added giving you her side on stare yes you said it would have been better than that and she put her hand on your thigh and rubbed it back and forth and said but it didn’t happen maybe next time you replied imaging it all in your mind right down to the last removing of clothes and trying to move in the tent’s small space your body drained of all strength wanting only sleep the Tangier ***** and belly dancers and nightclub smoke and music clinging on your flesh and ringing in your ears and she trying to get you in the right place and you closing your eyes and drifting away like one who dies.
0
Jul 13, 2012
Jul 13, 2012 at 2:07 AM UTC
WHAT MIGHT HAVE BEEN.
You had been in Tangiers until the early hours of the morning and was brought back to base camp on the truck as the sun was beginning to rise over the horizon and had then gone to crash down in your tent too tired to undress and slept through until midday then showered and sat in the bar when Mamie came and sat beside you and said where’d you go last night? I thought you were going to walk me down by the beach and watch the sun rise from the sea? I was too tired you said I crashed out in my tent she looked at her glass of coke I could have joined you there she whispered and done what? you said slept beside me? she shifted her buttocks on the stool and said well it would have been better than sleeping in my tent with that Scottish hen as her brother calls her you sipped your drink and watched the old Moroccan guy in the corner inhale on his marijuana smoke plus I had her snoring and moaning in her sleep Mamie added giving you her side on stare yes you said it would have been better than that and she put her hand on your thigh and rubbed it back and forth and said but it didn’t happen maybe next time you replied imaging it all in your mind right down to the last removing of clothes and trying to move in the tent’s small space your body drained of all strength wanting only sleep the Tangier ***** and belly dancers and nightclub smoke and music clinging on your flesh and ringing in your ears and she trying to get you in the right place and you closing your eyes and drifting away like one who dies.
Continue reading...
80
The heron-billed pale cattle-birds That feed on some foul parasite Of the Moroccan flocks and herds Cross the narrow Straits to light In the rich midnight of the garden trees Till the dawn break upon those mingled seas. Often at evening when a boy Would I carry to a friend-- Hoping more substantial joy Did an older mind commend-- Not such as are in Newton's metaphor, But actual shells of Rosses' level shore. Greater glory in the Sun, An evening chill upon the air, Bid imagination run Much on the Great Questioner; What He can question, what if questioned I Can with a fitting confidence reply.
0
1.4k
At Algeciras - A Meditaton Upon Death
Which do you prefer, Haunted Girl- the city street sidewalk churned up by heel and brogue or, the sweet-talk waves of home? Settle in the sand while fingers meld and touch the palms of hands, let the hour glass beach pass time between our toes, have an appetite for shallow dives amongst wave-tip whites; whipped up by swell’s whisk, stare until we sing for the dead men, fire flares of affection in the form of kisses! use a tool to sketch our future floor plan, comment upon the Moroccan oil hair tan, watch that man trace the coast of France upon his wife’s thigh; hear her cry as he reaches Cherbourg, talk of Vienna flagship stores: forerunner fashion you make look lace, mention the trees and the shipwrecks, past relationship breakups and upcoming commitments, describe, in detail, what you hope to happen and what happens to that hope. Fly back home.
0
Mar 10, 2013
Mar 10, 2013 at 3:04 PM UTC
HAUNTED GIRL
wild night videos for the dark web 3 Atlean men and a girl she got it by a mob of Moroccan **** rockets and will pine for the rest of her days screaming to the hells in a reimagined language the regression to Lilith **** ********* the world when hell touched paradise ***** and man handled shot by shot mouth to ****** to **** split and folded tooth and nail to drive the ****** tides of the world ***** monsters like T Rex force a ritual infliction butter meat of dreams pain sensually reworked into pleasure blister-hot and oh so sweet married to a paradox like feeling bad about feeling good give me your ankles ***** an unveiled immediacy right off the bat i got just the girl confiding in me so ready to die like an Aztec princess to be the star like a peacock in an engorged circus blizzard of jealous snakes strangled fanged and spewed a swansong exhibition in blood-soaked ponytails a bobbing head and choke throat ***** picnic table with mayonnaise wounds mediating power in a psychoanalytic fetish death is not death but performative submission her body ransacked in tooth marks and red tipped ******* steaming eraser head pulses a **** soaked chicken on a plate eradicating reality are you gonna eat that? pass the *** collapses time lust   custodian of human archeology **** piñata bearing gifts of squirty pork gasms ******** and cuchifritos corpus of ****** horror as liberation crosses-temporality and breaks the vessel of time oow Nefertiti where are you a tongue up the *** sniffs Prada's Candy Perfume **** blinking licks up there where havoc lives in **** **** farm country
0
Oct 5, 2020
Oct 5, 2020 at 2:28 PM UTC
Private Video
wild night videos for the dark web 3 Atlean men and a girl she got it by a mob of Moroccan **** rockets and will pine for the rest of her days screaming to the hells in a reimagined language the regression to Lilith **** ********* the world when hell touched paradise ***** and man handled shot by shot mouth to ****** to **** split and folded tooth and nail to drive the ****** tides of the world ***** monsters like T Rex force a ritual infliction butter meat of dreams pain sensually reworked into pleasure blister-hot and oh so sweet married to a paradox like feeling bad about feeling good give me your ankles ***** an unveiled immediacy right off the bat i got just the girl confiding in me so ready to die like an Aztec princess to be the star like a peacock in an engorged circus blizzard of jealous snakes strangled fanged and spewed a swansong exhibition in blood-soaked ponytails a bobbing head and choke throat ***** picnic table with mayonnaise wounds mediating power in a psychoanalytic fetish death is not death but performative submission her body ransacked in tooth marks and red tipped ******* steaming eraser head pulses a **** soaked chicken on a plate eradicating reality are you gonna eat that? pass the *** collapses time lust   custodian of human archeology **** piñata bearing gifts of squirty pork gasms ******** and cuchifritos corpus of ****** horror as liberation crosses-temporality and breaks the vessel of time oow Nefertiti where are you a tongue up the *** sniffs Prada's Candy Perfume **** blinking licks up there where havoc lives in **** **** farm country
Continue reading...
83
You entered the bar at the base camp outside Tangiers the morning sun was out like a fresh orange on a blue plate of sky some old Moroccan was in a corner playing a guitar your mouth felt like the inside of an Arab’s sandal Mamie was sitting at the bar on a wonky stool you woke up then? she said after last night thought you’d be out for the count all day no I can take a good night out you replied taking the stool next to her and breathing in the hashish air and smell of salt from the beach the guy behind the bar asked what you wanted and you said *** and coke and a salad roll and he went off and you looked at Mamie her tight curls and snub nose and interesting fall into me eyes what time did you leave my tent last night? you asked when your tent companion turned up and almost got on top of me ah yes sorry about that Will does tend to come at awkward times I think he went off to a trip to Marrakesh in the yellow ex army truck almost crushed me she said good while it lasted then eh? no it wasn’t she said besides you were out for the count after we did things was I? you know you were don’t recall a thing you said thank you Mr. Romantic she moaned o come on Sweet thing you know it meant a lot to me having you near she looked at the old Moroccan playing the guitar I am glad he doesn’t sing too she said she sipped her Bacardi and sat silent the guy brought your *** and coke and salad roll and you began to eat and sip can I have some of your roll? she asked sure you said and broke off half of the roll and gave it to her thanks she said and smiled you felt her knee touch yours at the bar naked flesh on jean cloth her jean shorts ended at her high thigh you remembered kissing that thigh the night before amongst other things the smell of her perfume and the mustiness of the tent the faraway voices and guitar sounds some party at the beach the night before hoping no scorpion had crept in during the day feeling her beneath you and the sound of sea far off and sight of moon’s glow through tent’s skin some one sang another laughed some one puked up away off too much to drink but you and Mamie had a good night you mused I think.
0
May 2, 2013
May 2, 2013 at 2:19 AM UTC
BAR TALK OUTSIDE TANGIERS.
You entered the bar at the base camp outside Tangiers the morning sun was out like a fresh orange on a blue plate of sky some old Moroccan was in a corner playing a guitar your mouth felt like the inside of an Arab’s sandal Mamie was sitting at the bar on a wonky stool you woke up then? she said after last night thought you’d be out for the count all day no I can take a good night out you replied taking the stool next to her and breathing in the hashish air and smell of salt from the beach the guy behind the bar asked what you wanted and you said *** and coke and a salad roll and he went off and you looked at Mamie her tight curls and snub nose and interesting fall into me eyes what time did you leave my tent last night? you asked when your tent companion turned up and almost got on top of me ah yes sorry about that Will does tend to come at awkward times I think he went off to a trip to Marrakesh in the yellow ex army truck almost crushed me she said good while it lasted then eh? no it wasn’t she said besides you were out for the count after we did things was I? you know you were don’t recall a thing you said thank you Mr. Romantic she moaned o come on Sweet thing you know it meant a lot to me having you near she looked at the old Moroccan playing the guitar I am glad he doesn’t sing too she said she sipped her Bacardi and sat silent the guy brought your *** and coke and salad roll and you began to eat and sip can I have some of your roll? she asked sure you said and broke off half of the roll and gave it to her thanks she said and smiled you felt her knee touch yours at the bar naked flesh on jean cloth her jean shorts ended at her high thigh you remembered kissing that thigh the night before amongst other things the smell of her perfume and the mustiness of the tent the faraway voices and guitar sounds some party at the beach the night before hoping no scorpion had crept in during the day feeling her beneath you and the sound of sea far off and sight of moon’s glow through tent’s skin some one sang another laughed some one puked up away off too much to drink but you and Mamie had a good night you mused I think.
Continue reading...
136
You could tell by Mamie’s face she was sick of shish kebabs in fact it seemed that the whole Moroccan holiday was kind of getting to her sensibilities from the standing on the two brick toilets to the shish kebab food misadventure let’s go walk on the beach she said before I throw up with this crap and so you walked with her down through the path to the beach the moon and stars above in a black patchwork sky the sound of the sea rushing in and out and the voices of the others getting less and less and she said looking up at the sky isn’t scary that sky why is it scary? you asked it’s so vast like it goes on forever she said I think Pascal found the immensity of the night sky disturbing you said Pascal? Is he on the coach? Is he on the tour? she asked no he was a mathematician and physicist and inventor and Christian philosopher in the 17th century oh right she said boring **** come on let’s get on the beach and lay down and stare at the sky and stars and that bright moon and then we can snuggle up close and we’ll see what comes and she pulled you onto the beach and the damp sand eased itself between your toes and the smell of the sea hit you and the sounds and the wind from off the sea’s shoulder and she pulled you down on the beach beside her and you lay back and looked up and the vast sky seemed to press down on you both and she laughed and said it kind of makes you seem small and insignificant doesn’t it she said you felt her hand in yours a soft pulse of her being right there like a small beeping drum and she turned and looked at you and smiled and her smile was captured by the moon’s glow and you said we need to remember this moment this being here this newness of being and she laughed and said don’t get too deep on me and she leaned in close to you and kissed you and her tongue entered you and the whole sky seemed to witness the moment seemed to want to embrace the kiss the bright humanness in her moonlit face.
0
Oct 25, 2012
Oct 25, 2012 at 8:42 AM UTC
BENEATH A MORROCAN SKY.
You could tell by Mamie’s face she was sick of shish kebabs in fact it seemed that the whole Moroccan holiday was kind of getting to her sensibilities from the standing on the two brick toilets to the shish kebab food misadventure let’s go walk on the beach she said before I throw up with this crap and so you walked with her down through the path to the beach the moon and stars above in a black patchwork sky the sound of the sea rushing in and out and the voices of the others getting less and less and she said looking up at the sky isn’t scary that sky why is it scary? you asked it’s so vast like it goes on forever she said I think Pascal found the immensity of the night sky disturbing you said Pascal? Is he on the coach? Is he on the tour? she asked no he was a mathematician and physicist and inventor and Christian philosopher in the 17th century oh right she said boring **** come on let’s get on the beach and lay down and stare at the sky and stars and that bright moon and then we can snuggle up close and we’ll see what comes and she pulled you onto the beach and the damp sand eased itself between your toes and the smell of the sea hit you and the sounds and the wind from off the sea’s shoulder and she pulled you down on the beach beside her and you lay back and looked up and the vast sky seemed to press down on you both and she laughed and said it kind of makes you seem small and insignificant doesn’t it she said you felt her hand in yours a soft pulse of her being right there like a small beeping drum and she turned and looked at you and smiled and her smile was captured by the moon’s glow and you said we need to remember this moment this being here this newness of being and she laughed and said don’t get too deep on me and she leaned in close to you and kissed you and her tongue entered you and the whole sky seemed to witness the moment seemed to want to embrace the kiss the bright humanness in her moonlit face.
Continue reading...
120
leaves arch and fall like a river of gold sun, what breaks and what comes to life, the pit of my stomach a scaffolding of dark fear i kiss your lips and your love drowns me in moroccan silk, my heart caves in my legs cave in everything is you, everything is longing, a ghost wrapped in honey, sweet night where the stained red maple leaves melt near the window.
0
Oct 23, 2017
Oct 23, 2017 at 6:34 AM UTC
where love is...."the red leaves of autumn"
The Moroccan sun was hot and the sands of the beach down from the base camp were warm beneath your feet as Mamie and you took a walk looking seaward then skyward the sounds from the base camp becoming faded background buzz and she said those toilets are a disgrace two bricks over a hole in the ground and after a few drinks one stands there swaying fearing to fall in yes not quite up to the 5 star hotel standard you said but this is a camping trip across half of Europe and beyond not some top notch holiday in the swanky middle class arena but still she moaned trying to balance on two bricks is no mean trick you sensed her hand hold yours her skin warm sticking to your skin her fingers moving between yours and you recalled the night just gone while the guy you shared the tent with had gone on a trip to Fez you and she kissed and embraced and did the business while outside you could hear the voices of others as they passed by or music played on guitars from the guys in the bar up a small way as you both lay on your backs staring at the blue top of the tent the heat of the sun pushed through and the bodies wet with sweat and she put a hand on your belly and rubbed in a circular motion as far away you heard the sway and run of the Mediterranean sea and nearby voices and their laughter and gossip as you and she kissed lip to hot lip.
0
Jan 26, 2013
Jan 26, 2013 at 2:40 AM UTC
BENEATH THE MOROCCAN SUN.