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sweetrevoirs Dec 2016
Relei ingat. Baju hangat kuning kecoklatan, 4 kerutan di tangan kanan dekat siku dan 5 lainnya di dekat bahu kiri. Rok kotak-kotak selutut yang untung dan sayangnya tak pernah terisngkap sedikit pun angin berkata tiup. Adalah pakaian yang melekat di badan Malia kali mereka bertemu tatap.
Udara dingin malam Sabtu sama sekali tidak membuat para pujangga mengurungkan niatnya untuk berteriak kata cinta. Atau cerita patah hati. Mungkin iya di tempat lain, tapi tidak di sini, di 8th Avenue, sebuah ruangan tak terpakai beberapa tahun lalu yang di percantik jadi sebuah tempat pertemuan para penyair dari berbagai penghujung kota. Dengan satu podium kecil –sekitar setinggi 1 meter dan selebar tiga dada- di sebelah barat, membelakangi dinding yang berwarna merah marun sedangkan tiga dinding lainnya adalah batu bata yang tidak dipoles.
Malam itu Relei seperti malam Sabtu lainnya, berjalan dari kamar loft ke tempat favoritnya, menyusuri 6 blok dalam suhu 21 derajat dengan tentu pakaian hangat.
Semua wajah yang berpapasan, tak ada satupun yang Relei lupa. Ada 13 wanita, 8 diantaranya bermata coklat, dan 6 pria, satu diantaranya memegang setangkai bunga mawar, yang sudah bertatap sapa selama perjalanannya menuju 8th Ave. 8 bunyi klakson mobil dan 4 suara orang bersin yang selalu di balasnya dengan “semoga tuhan memberkati”. Tidak, Relei tidak selalu menghitung seperti ini dalam sehari-harinya. Hanya saja Relei selalu ingat.
“ Lalu bulan masih saja datang, pun tak sepertimu, yang malam ke malam, masih saja semakin semu.” Seorang wanita paruh baya sedang membacakan barisan terakhirnya di atas podium dengan parau sangat menghayati. Penyair lain yang ada di ruangan itu menjentikkan jari mereka terkagum, ada juga yang bersorak kata-kata manis. Kode etis dalam pembacaan puisi di 8th ave adalah : tidak perlu bertepuk tangan terlalu kencang untuk berkata bahwa kau kagum akan satu puisi, cukup dua jari saja.
“ Biarkan aku datang ke mimpi buruk mu, lalu mimpi indah mu, lalu mimpi mu yang kau bahkan tak tahu tentang apa, atau pun mengapa,” Selanjutnya adalah giliran seorang perempuan muda yang naik ke panggung. Ia bercerita tentang buah mimpi, bahwa Ia ingin menjadi fantasi yang dibawa kemanapun sang pemimpi berjalan.
Baju hangat kuning kecoklatan, 4 kerutan di tangan kanan dekat siku dan 5 lainnya di dekat bahu kiri. Malia –atau seperti itulah tadi perempuan itu memperkenalkan dirinya sebelum memulai puisi- menyisir rambutnya kebelakang kuping sebanyak 3 kali sepanjang ia membacakan puisinya. Ia bergeliat di boots hitamnya, entah karena grogi atau tidak nyaman. Malia berambut coklat ikal sepinggang, dan memiliki bulu mata yang lentik bahkan dilihat dari ujung ruangan.
“ Untukmu, yang bersandar ke bata merah dengan tangan memegang kerah.” Malia mengakhiri puisinya sambal menatap ke arah Relei. Tangan Relei yang sedang membenarkan kerah baju otomatis langsung membeku. Ia sadar penyair lain sedang mengalihkan semua perhatian mereka kepadanya. Tapi hey, ayolah, pasti bukan, gadis di atas podium itu pasti bukan sedang membicarakan tentang Relei. Gadis yang sekarang sedang menuruni tangga podium dan berjalan ke arahnya itu pasti bukan sedang- Oh tuhan, atau mungkin memang iya.
Francie Lynch Jul 2018
Classical Trumpism: Judas makes a strong and powerful betrayal.

Neo-Classical-Trumpism: Adolph is a good friend of mine. He makes a strong
                           and powerful argument regarding purity.


Contemporary Trumpism: I love and trust my little buddy, Kim.

Modern Trumpism: Vlad, whom I trust with my marriage, makes a
                                   reel strong and powerful argument.


Trumpism:  Sad, Sad, Sad. Witch hunt. There was no collusion.

Neo-Trumpism: Crooked Malia and Sasha are to blame for the
                            collusion with Canada, Mexico and South America
.
If there are neo-nazis, there will be neo-trumps.
And the spelling of reel is what I intended.
ESSAYS ON
LEADERSHIP FRONTIERS OF AFRICAN LITERATURE
By
Alexander   k   Opicho




Alexander K Opicho
(Eldoret, Kenya; aopicho@yahoo.com)

TABLE OF CONTENTS
Contents                                                                                                                Page
TABAN MAKITIYONG RENEKET LO LIYONG AND PREFECTURE OF AFRICAN LITERATURE 4
THE CURRENT EAST AFRICA IS NOT A LITERARY DESERT 27
AFRICAN WRITERS HAVE CULTURAL RIGHTS TO FORMULATE AND CREATE ENGLISH WORDS 31
LIKE PUSHKIN, AFRICAN WRITERS MUST CREATE THEIR OWN PROFFESSION OF LITERATURE 35
THERE IS POWER IN THE NAME ‘ALEXANDER’ 40
KENYAN COURTS AND PARLIAMENT ARE BETRAYERS OF HUMANE GOVERNANCE 47
AFRO-CHRISTIAN RESPONSE TO RADICAL LITERATURE IS GOOD AND SWAGGERISH 50
YUNUS’S SOCIAL BANKING IS A GOOD BENCHCMARK FOR THIRD WORLD ENTREPRENEURS 54
HEROISM IS NOT GREATNESS BUT HUMILITY IN SERVICE TO HUMANITY 57
KENYAN STUDENTS; YOUR MOBILE INTERNET CULTURE IS ANTI- ACADEMICS 61
WHAT IS THE MAGIC IN THE WORD ‘DRINKARD’ OF AMOS TUTUOLA 63
SOCIETIES IN AFRICA HAVE TO MENTOR BUT NOT CONDEMN THE LIKES OF JULIUS MALEMA 66
AMERICA WILL NOT WIN THE WAR ON GLOBAL TERRORISM 69
AFRICA CAN OVERCOME A MENACE OF **** IN EVERY 30 MINUTES 71
COMPARATIVE ROLES OF AFRICAN-BRAZILIAN LITERATURE IN THE POLITICS OF RACIAL AND GENDER DEMOCRACY 76
NEO-COLONIALISM IS NOT THE MAIN VICE TO THE GAMBIAN POLITICS 85
RELATIVE MEDIA OBJECTIVITY IS ACHIEVEABLE IN AFRICA AGAINST POWER CULTURE AND TYRANNIES OF TASTE 89
READING CULTURE IS GOOD FOR BOTH THE POOR AND THE RICH 96
VIOLENT DEATH IS THE BANE OF AFRICAN WRITERS AND ARTISTS 100
AFRICAN WRITTERS AND ARTISTS MUST ASPIRE BEYOND A NOBEL PRIZE 104
WHAT ARE CULTURAL RIGHTS OF AFRICAN ENGLISH SPEAKERS? 109
WHY IMPRISONMENT OF WRITERS CONTRIBUTED MOST TO AFRICAN LITERATURE 113
DORIS LESSING: A FEMINIST, POET, NOVELIST, WHITE-AFRICANIST AND NOBELITE UN-TIMELY PASSES ON 121
Amilcar Cabral: Beacon of revolutionary literature and social democracy 127
How the State of Israel is brutally dealing with African refugees 131
Historical glimpses of language dilemma in Afro-Arabic literature 146
THIS YEAR 2013; IS THE YEAR OF GREAT DEATHS 153
AFRICAN LITERATURE WITHOUT POETRY IS LIKE LOVE WITHOUT VAGINAL *** 156



















PROLOGOMENA
BARRACK OBAMA READS MOBY ****
Barrack Obama is reading Moby ****
American president is reading Moby ****
Ja-kogello is reading Moby ****
Ja-siaya is reading Moby ****
Ja-merica is reading Moby ****
Jadello is reading Moby ****
Ja-buonji is reading Moby ****
His lovely Oeuvre of Melville Herman
And what are you reading?

Barrack Obama is reading Moby ****
Because untimely death took his father
Barrack Obama is reading Moby ****
Because untimely death took his mother
Barrack Obama is reading Moby ****
Because untimely death to his brother
Barrack Obama is reading Moby ****
Because untimely death took the grannies
His lovely Oeuvre of Melville Herman  
And what are you reading?

Barrack Obama is reading Moby ****
Baba Michelle is reading Moby ****
Baba Sasha is reading Moby ****
Baba Malia is reading Moby ****
Baba nya-dhin is reading Moby ****
Sarah’s sire is reading Moby ****
Ja-sharia is reading Moby ****
The ****** is reading Moby ****
His lovely Oeuvre of Melville Herman
And what are you reading?

Barrack Obama is reading Moby ****
Because here ekes audacity of hope
Barrack Obama is reading Moby ****
Because here ekes dreams of fathers
Barrack Obama is reading Moby ****
Because here ekes yes we can
Barrack Obama is reading Moby ****
Because here ekes American dream
His lovely Oeuvre of Melville Herman
And what are you readings?

Barrack Obama is reading Moby ****
Because American president is like whale hunting
Barrack Obama is reading Moby ****
Because Obama is a money making animal
Barrack Obama is reading Moby ****
Because hunting Osama is whale riding
Barrack Obama is reading Moby ****
Because hunting Gaddaffi is whale riding
Barrack Obama is reading Moby ****
Because coming to Kenya is whale riding
Barrack Obama is reading Moby ****
Because Guantanamo prison is a bay of whales
Barrack Obama is reading Moby ****
Because Snowden is a Russian whale
Because launching drones is whale riding
His lovely Oeuvre of Melville Herman
And what are you reading, Moby ****?














CHAPTER ONE
TABAN MAKITIYONG RENEKET LO LIYONG AND PREFECTURE OF AFRICAN LITERATURE

I am writing this article from Kenya on this day of 23 September 2013 when the Al shabab, an Arabo-Islamic arm of the global terrorist group the Al gaeda have lynched siege on the shopping mall in Nairobi known as the West Gate where an average of forty people have been killed and a hundreds are held hostage. The media is full of horrendous and terrifying images. They have made me to hate this day. I hate terrorism, I hate American foreign policy on Arabs, I hate philosophy behind formation of the state of Israel and I equally hate religious fundamentalism. Also on this date, all the media and public talks in Kenya are full of intellectual and literary tearing of one Kenyan by another plus a retort in the equal measure as a result of the ripples in the African literature pool whose epicenter is the Professor Taban Lo Liyong .He is an epicenter because he had initially decried literary mediocrity among the African scholars and University professors, Wherein under the same juncture he also quipped that Kenya’s doyen of literature Ngugi wa Thiong’o never deserved a Nobel prize. Liyong’s stand has provoked intellectual reasons and offalities to fly like fireworks in the East African literary atmosphere among which the most glittering is Chris Wanjala’s contrasting position that; who made Liyong the prefect and ombudsman of African literature? This calls for answers. Both good answers and controversial responses. Digging deeper into the flesh of literature as often displayed by Lo Liyong.
Liyong is not a fresher in the realm of literary witticism. He is a seasoned hand .Especially when contributions of Liyong to east African literary journal during his student days in the fifties of the last century during which he declared east Africa a literary desert. In addition to his fantastic titles; Another ****** Dead and The Un-even Rips of Frantz Fanon, Professor Taban Lo Liyong also humorously called Amos Tutuola the son of Zinjathropus, what a farcical literary joke? I also want to appreciate this Liyong’s artfulness of language in this capacity and identify him in a literary sense as Taban Matiyong Lo   Liyong the son of Eshu. He is an ideological and literature descended of the great West African Eshu. Eshu the god of trouble which was dramatized by Obutunde Ijimere in the imprisonment of Obadala and also recounted by Achebe in the classical essays; Morning Yet of Creation Day. I call him Eshu because of his intellectual and literary ability to trigger the East and West Africans into active altercation of literary, cultural and political exchanges every other time he visits these regions. Whether in Lagos, Accra or Nairobi.
Now, in relation to Ngugi and intellectual quality of Kenyan University literature professors was Liyong right or wrong?  Does Liyong’s stand-point on Ngugi’s incompetence for Nobel recognition and mediocrity in literary scholarship among Kenyan Universities hold water. Are Liyong’s accusations of East Africa in these perspectives factually watertight and devoid of a fallacy of self-aggrandizement to African literary prefecture as Professor Chris Wanjala laments. Active literary involvement by anyone would obviously uncover that ;It is not Liyong Alone who has this intellectual bent towards East Africa, any literary common sense can easily ask a question that; Does Ngugi’s literary work really deserve or merit for Nobel recognition or not ? The answers are both yes and no. There are very many of those in Kenya who will readily cow from the debate to say yes. Like especially the community of alumni of the University of Nairobi who were Ngugi’s students in the department of English in which Ngugi was a Faculty during the mid of the last century. Also the general Kenyan masses who have been conditioned by warped political culture which always and obviously confine the Kenyan poor into a cocoonery of chauvinistic thought that Ngugi should or must win because he is one of us or Obama must win because he is one of us or Kemboi must win because he is the son of the Kenyan soil. These must also be the emotional tid-bits upon which the Kenyan Media has been based to be catapulted into Publicity feat that Ngugi will win the Nobel Prize without reporting to the same Kenyan populace the actual truths about other likely winners in the quarters from the overseas. I am in that Kenyan school thought comprising of those who genuinely argue that Ngugi’s literary work does not befit, nor merit, nor deserve recognition of Nobel Prize for literature. This position is eked on global status of the Nobel Prize in relation to Ngugi’s Kikuyu literary and writing philosophy. It is a universal truth that any and all prizes are awarded on the basis of Particular efforts displayed with peculiarity. Nobel Prize for literature is similarly awarded in recognition of unique literary effort displayed by the winner. It is not an exception when it comes to the question of formidability in a particular effort. However, the most basic literary virtue to be displayed as an overture of the writer is conversion of theory into practice. This was called by Karl Marx, Hegel, Antonio Gramsci and Paulo Freire, especially in Freire’s  pedagogy of the oppressed as praxis.History of literature and politics in their respective homogenous and comparative capacities has it that ;There has been eminent level of praxis by previous Nobelites.Right away from Rabitranathe Tagore to Wole Soyinka, From Dorriss Lessing to Wangari Mathai.Similar to JM Coatze ,Gao Tziaping,Alexander Vasleyvitch Solzhenystisn and Baraka Obama.This ideological stand of praxis is the one that made Alfred Nobel himself to to stick to his gun of intellectual  values and deny Leo Tolstoy the prize in 1907 because there was no clear connection between rudimentary Tolstoy in the nihilism and Feasible Tolstoy in the possible manner  of the times .In a similar stretch Ngugi wa Thiongo’s literary works and his ideological choices are full of ideological theory but devoid of ideological praxis. Evidence for justification in relation to this position is found back in the 70’s and 80’s of the last century, When Ngugi was an active communist theoretician of Kenya. His stature as a Kenyan communist ideologue could only get a parallel in the likes of Leon Trotsky and Gramsci. This ideological stature was displayed in Ngugi’s adoration of the North Korean communism under the auspice of the Korean leader Kim Yun Sung. This is so bare when you read Ngugi’s writers in politics, a communist pamphlet he published with the African red family. By that time this pamphlet was treated equally as Mao tse Tung’s collected works by the Kenya government which means that they were both illegal publications and if in any case you were found with them you would obviously serve nine months in prison. And of course when the late Brigadier Augustine Odongo was found with them he was jailed for nine months at Kodhiak maximum prison in Kisumu ,Kenya .O.K, the story of Odongo is preserved for another day. But remember that, this was Ngugi only at his rudimentary stage. But when Ngugi got an opportunity to get an ideological asylum, he did not go to Russia, nor East Germany, Nor Tanzania, nor China but instead he went to the USA , a country whose ideological civilization is in sharp contradiction with communism; a religion which Ngugi proffessess.In relation to this choices of Ngugi one can easily share with me these reflections; is one intellectually  honest if he argues that he is a socialist revolutionary when his or her employer is an American institution like the university of California in Irvine ?
Ngugi was not the only endangered communist ideologue of the time. There were also several others. Both in Kenya and without Kenya. They were the likes of; Raila Odinga, George Moset Anyona, ***** Mutunga and very many others from Kenya. But in Africa some to be mentioned were Walter Rodney, Yoweri Museven,Isa Shivji,Jacob Tzuma ,Robert Mugabe and others. The difference between Ngugi and all of these socialist contemporaries of him is that; Ngugi went to America and began accumulating private property just like any other capitalist. But these others remained in Africa both in freedom and detention to ensure that powers of political darkness which had bedeviled Africa during the last century must go. And indeed the powers somehow went. Raila has  been in Kenya most of the times,Anyona died in Kenya while in the struggle for second liberation of Kenyan people from the devilish fangs of Moi’s dark reign of terror and tyrany.Walter Rodney worked in Tanzania at Dare salaam University where he wrote his land mark book; How Europe underdeveloped Africa. Later on he went back to his country of birth in Africa, Guyana where he was assassinated while in the revolutionary struggle for political good of the Guyanese people. Yoweri Museven practically implemented socialism by fighting politics of sham and nonsense out of Uganda of which as per today Uganda is somehow admirable. Isa Shivji has ever remained in Dare salaam University, inspite of poverty. He is now the chair of Mwalimu Julius Nyerere school of Pan African studies. Jacob Tsuma and Robert Mugabe they are current presidents of South Africa and Zimbabwe respectively. The gist of this reference to African socialist revolutionaries as contemporaries to Ngugi wa Thiong’o is that a socialist revolutionary must and should not run away from the oppressor in to a zone of comfort. But instead must remain and relentlessly fight, just like in the words of Fidel Castro; fight and die in the battle field as long as it is a struggle against the enemy of the revolution. This view by Castro is pertinent as it’s a Revolutionary praxis which actually is redolent of practice of an ideology that has to be held for ever above ideological cosmentics.Ngugi scores badly on this. So if the Nobel academy looks at Ngugi in terms of defending human rights then it must be reminded that Ngugi have no marks on the same because he only ran away from the practical struggle. Anyway, Politics and ideology has its own fate. But let us now come back to literature. Ngugi and his books. As at  this time of writing this essay  Ngugi has published the following works; Weep not Child, The River Between, A Grain of Wheat, Black Hermit, Petals of Blood, Devils on the Cross,Matigari,Homecoming,Decolonizing the Mind, Writers in Politics, Ngugi Detained, Pen Points and Gun Points, Wizard of the Crow,Globalectics,Remeembering Africa, Dreams in Times of War and I Will Marry When I Want as well as the Trial of Dedan Kimathi which he wrote along with Micere Githae Mugo.Out of this list the only works with literary depth that call for intellectualized attention are ;A Grain of wheat, Wizard of the crow and Globalectics. The Grain of wheat is simply a post colonial reflection of Kenyan politics. Its themes, plot, lessons and entire synechedoche is also found in Wole Soyinka’s Season of Anomie as well as Achebe’s Anthills of the savannah. My argument dove-tails with those of Liyong’s stand that rewarding Ngugi’s Grain of wheat and forgetting Achebe’s Anthills of the Savannah and A man of the people would be a literary ceremony devoid of literary justice. Wizard of the Crow is indeed a magnum opus. I am ready to call it Ngugi’s oeuv
Alexander K Opicho
(Eldoret, Kenya;aopicho@yahoo.com)



I have been reading the old copy of Saturday Nation, a week end edition of the daily nation in Kenya. It was published some weeks ago. It has some enticing feature stories that have made me to reflect on a certain family value in Africa. The three feature stories I have been reading are ; Lupita Nyong’o stellar performance in the movie, 12 years a slave, in which she emerged a top American actor, attracting in the same course the most coveted Oscar prize, I have also read in the same paper the shooting literature star of Chimamanda Ngozi Adichie, an American based Nigerian writress, who had had her last book Americana win the American Booker Prize, and lastly , I have also ready  a very captivating account of Wanjiku wa Ngugi’s spellbinding debutante in her book, the fall of saints. Wanjiku account was written by Proffessor Evans Mwangi a Thiong’o literary scholar based in Newyork. Mwangi being a Ngugi wa Thiongi’o, scholar wrote this article because Wanjiku wa Ngugi is also a daughter to the world famous Kenyan novelist, Ngugi Njogu wa Thiongi’o.
In each of the three above cases, emanates a significant observation that the fathers to the respective ladies are great men in their respective capacity, and that the ladies mentioned are now obvious heirs to the family names, family intellectual domain and family selling point respectively.
Lupita is heir to proffessor Peter Anyang Nyong’o, Adichie is an heir to the African literary heritage of proffessor Chinua Achebe, and While Wanjiku is a promising successor to Proffessor Thiongi’o.
These are actually a crystallization of strange unfolding that time has now challenged old mindset among African societies. The mindset in which Africans have not been counting girls as children .This family value has been there up to today. If an African man tells you that I don’t have a family it means that he is expressing three connotations; he is not married, he is married but he does not have a children, or he is married but his wife have only been bearing him girls, because if anything; an African man is only responsible for siring sons, daughters are a mistake of the wife.
This typology of family civilization got to its peak in the mid of  last year, when the Luo council of elders, hailing from Siaya County of Kenya, where Baraka Obama is rooted, expressed their open puzzle over Baraka Obama as per why he can’t take his time to have sons. They are now organizing a delegation that will go to America to counsel President Obama over the matter that he needs to re-organize his posterity strategy other than thinking in terms of Sasha and Malia.
What I mean is that Africans don’t believe if at all family interests can be carried forward through a daughter. They don’t believe if a girl can be an intellectual or command any wisdom that can go places. But realities from a historical experience that great African men don’t sire great sons but instead they sire great daughters must make this society of male chauvinists to have a mental paradigm shift in relation to child valuation and recognition. To accept a social déjàvu that daughters have a big capacity to carry forward the family name than the previously mistaken notion that they are only sons who can do this.
Facts on the ground range from the case of Julius Nyerere,Kwameh Nkrumah, Malcolm X, Frantz Fanon, Richard Wright, Tom Mboya, Masinde Muliro, Nelson Mandela, Mutula Kilonzo, and Francis Imbuga just to mention a few African heroes. Justification of this list showing Africa’s reversal of Prospero complex abodes in the facts that; Susan Nyerere is currently the most outspoken in the Nyerere family. Similarly, Nkrumah’s daughter is currently a politician in Ghanaian parliament and very promising politically. Betty Shabazz X was recently reported to have put Louis Farrakhan on the spot over the ****** plot of her father the late Malcolm X.Mireille Fanon Mendes is the director of human rights activist organization known as Frantz Fanon foundation. This is the organization which recently recognized Mumia Abu-Jamal with a prestigious prize. Mumia Abu-Jamal is an African-American writer and journalist, author of six human rights focussed books and hundreds of similar spirited columns and articles. He has spent the last three decades on racially biased Pennsylvania’s death row. And now general population in America and in the world knows that Mumia Abu-Jamal was wrongfully convicted and sentenced for the ****** of Philadelphia Police man, Daniel Faulkner. His demand for a neutral trial and unconditional freedom is enmassely supported by heads of state, Nobel laureates, human rights organizations, scholars, religious leaders, artists and bioethical scientists. All this is nothing other than universal singing of the tune in the poetic writings of Frantz Omar Fanon entitled Facts of blackness, through his daughter Mireille.
And equally enough, those of you who have delved into posthumous family conditions of Richard Wright must have appreciated stellar performance of proffessor Julia Wright in respect to the genetic legacy of her father. Dr. Susan Mboya is currently living in South Africa and she is serving the society in the same tandem her late father Tom Mboya discharged anti-colonial service to the people of Kenya, Africa and world in general.Masinde Muliro has Mrs. Namwalie Muliro and Mutula Kilonzo has Kethi Kilonzo. The point is that, just like all of other heroes in Africa, these two great politicians have their daughters; Namwalie and Kethi as the heirs to their political legacy.
This phenomenon is not unique to Africa. But it is a universal genetic condition. The study of genetics has a concept that inferior genes of the mother are passed through an X chromosomes in XY to the sons, while superior genes of the father are passed through an X chromosome of the ** to the daughters.
Just but to wind up my story I want also to counsel The Luo council of elders that president Obama, their son who lives in America does not have misplaced values in projecting his posterity through Sasia and Malia. Personally I am aware that as per now there is no any African boy at age of Sasha Obama that has ever read Yann Martel’s Life of Mr. Pi. But in stark contrast the international media reported Sasha Obama to have vividly read this book until she commented to Baraka Obama that, ‘daddy, this is a very good book’.  And of course this is how an intellectual is made.
There was a goofy green frog, Eli was his name
He danced for Princess Malia, it's how he earned his fame
She adored sitting on her throne to watch him entertain
He boogied and did back flips, he loved this little game

Eli had a tiny frog house with eveything inside
A couch, love seat, TV, a bed was double wide
He kept it very tidy with a broom, vacuum and pride
His favorite was his Fry Daddy, for flies deep fat fried

Princess Malia, of course, had a castle on the hill
Waited on, hand and foot, she only had to chill
Wore gorgeous dresses and diamond tiaras at her will
But bored with her lavish life, Eli fit the bill

At 3:30 on the dot, the small frog danced everyday
The Princess got so excited, the help did hear her say
She got seated at 3 pm and that is where she'd stay
Right on time came Eli, grooving and twisting all the way

Eli entertained...and the Princess did demand
That the frog be introduced, then he kissed her royal hand
The two became fast friends, as quick as fast friends can
She moved his tiny house into the castle, that was grand

Eli and Malia were just as tight as they could be
The frog quit entertaining, a great playmate was he
The Princess, lonely no more, was perfect for he and she
They lived happily ever after, Eli danced for free
k e i Jun 2017
a splash, the water seeping into her clothes as malia went down, floating
deep even breaths, inhale, don't let go, eyes closed



she was eight when she pricked her pinky with the thorns of a fresh white rose having accompanied her father to buy a boquet for her mother's birthday, relinquishing on the droplets of blood painting the once plain rose realizing a beat later that she was hurt; such a mindless little action, the essential kick-start of these events; a snowball effect

she was ten when she rode her bike after failing her english exam and made herself fall down by the rocks, coming home with bruised, scratched knees, her mother quickly rushing to her aide with bandages and words of comfort. it was the first time she muttered an ironical set of im fine's and acted so cold in their warm home

she was eleven when she skipped her meals for two days and didn't come out of her room,holding herself in bed as her heart rocketed, for outside the door were her parents' deliberate fighting

she was twelve when she made her first ever cut, followed by three more slices and in the same year she threw up all the strawberry crepes in her friend's bathroom on her friend's birthday party, stuffed all her packed lunches in the bin on school days. it was the year her parents finally split up and her friends picked their other friends over her and the world around her was changing and she had not even her shadow's hand to hold but the glint of sharp silver and the taste of ***** and the feeling of melancholia and loneliness and despair,these unwelcome visitors turned her only friends

she was thirteen when she blew out the thirteen rainbow colored candles on her birthday cake as the people she once knew so close now like foreign continents sang her the birthday song and told her to make a wish. little did they know that she wished to be found dead

she was fourteen when she quit the dance team because it was as if she was a robot fueled by the techno beat and electronic rhythm, she felt as empty as the quiet minutes when the song finishes and went to her first ever party, got wasted and walked around town sleeping under the bridge blanketed by stars thinking my mother did wrong at picking out my name so so wrong she never should have sugar coated it for destruction could only be suppressed til it  destroys everything, the catalyst my mother should have named me destruction for it is the only reason for every bad thing that happened to my family, my friends, my life i am the reason and she slept, the only thought stuck in her mind

she fell in love when she was fifteen and it was a lovely time if not the best in her entire existence apart from the time her family was whole and they all loved one another and her childhood was golden. and this boy taught her how to dream again and cared for her heart and she once again cared for herself, like a dam broke inside her and water flowed everywhere in delight, like the curse was broken. together they snagged stars but believed that they shone triple times more when they held hands and had children in their dreams frolicking in their kingdom

but they broke up and their empire fell apart after a year of bliss and love it wasn't love but he made her believe in love, made herself believe it was love they shared til they ran down the fun house mirrors and saw the mockery in their distorted reflections and all their differences and their sins and the rubble and he looked at her with no recognition, utter disbelief and told her she wasn't good enough and this is never going to work and this should've never started and im sorry im sorry im sorry  sounding like cruel laughter in her ears and that was that and she craved for pain and destruction again because this is just how her story goes there are no cliff hangers or plot twists and once again she found herself alone and she listened to sad songs alone, blasted them in anger and took out her lighters and her blades, burned his letters, all the love notes and the things he gave that she once cherished and found herself in a flurry of mutilation because of course this was all her fault too, she let him have her and use her, empty her out and leave and she was love's fool.

her mother always told her to always tell the truth, her father telling her to never lie but they've all been doing it all along hadn't they? because love was a lie and her parents loved each other loved her and look how that turned out and the lover she once called told her so many times that he loved her more than the sun, the moon, the stars, and all the planets and he had a blackhole's force of ******* her into his lies and making her believe liars and she was no different and she had been doing all these things to hurt her because her name was destruction and she was destruction and she destroyed herself as well, punished herself for all her mistakes and this was the last punishment,

and she was seventeen when she was institutionalized after her "railroad accident" and she ended up with bruises and stitches and ***** failures alot worse than all the punishments she gave herself. so she failed at ending her life and her mother sat beside her in the hospital with stained glass eyes and mostly kept quiet because if she dared talk shed break and she couldn't do that when her daughter broke already while she stayed oblivious, drowning in her own grief all these years but malia knew what she wanted to say "how could you do this to yourself? to me? why malia? why?"
and for a year she was locked up with therapists and pills and people who held destruction within them people like her

she was eighteen and she was back at school and had decent grades enough to impress the universities and she found herself a group of friends who were okay with her past,she and her mother have started spending time together again catching up and talking things out and sometimes she'd eat out with her father and they'd hang out for a bit. it was finally a life worthy of being called a life



now she just sits there in the bottom of the swimming pool as nightfalls
there was no explanation but they've gotten it all wrong
deep breaths and hold it in the longest you can with your head underwater and then think about everything until you're close to drowning

she didn't do this all the time, just when things got bad
everyone thought that she was better, that she healed
well she did
but not completely, not for eternity

she wanted to believe that she's okay
that the meds worked and all that therapy succeeded and all that mental health days were worth it and that she was going somewhere in the future

she knew that people cared and worried about her but sometimes wanted more like a greedy void because sometimes all they did was care but they didn't know how to help, like they don't really understand but merely grasping

her mother thought she was better
her friends thought she was better
her father whom she saw once a month thought she was better
her doctors thought she was better
they didn't know about this about her compromise with self harm

she still had the scars and the burns as well as the stitches from the "accident" like tattoos on her body which may never fade. she really wanted to get past all of it but tonight she succumbs and it hurt less than what she used to do for punishment
she didn't even know what she was punishing herself for this time; she just wanted the general feeling of pain, the only thing she's ever been sure of for years like a visit from an old friend





she woke the day after with the damp floor tiles under her and the glisten of the lapping pool water beside and she was glad that she did
possible trigger warning again
im rlly into writing long types of pieces rn
See her bright smile in the morning light
Make breakfast and small talk
Laugh with her at the silliest things
Much happiness it brings

To give her a bath and watch her swim
Get out all fresh and clean
Combing her hair styled in a braid
Cutest girl God ever made

Hold her and cuddle the feeling true
Share pictures on my phone
Just taking her little hand in mine
The world just seemed so fine

Baking cookies with a lot of help
She'll even fold the clothes
Watching Walt Disney while laying down
Real happiness I'd found

Then she quickly was gone from my life
Just went without a trace
Deep love and trust in her eyes of brown
Right now nowhere around

No more gazing as she soundly sleeps
No angel with sweet breath
On her abandoned coat the tears I've shed
Inside I now feel dead

I'm missing drying her heart felt tears
I miss her more each day
The smell of her I do love to inhale
Her pillow just smells stale

My angel is gone with others now
She is so far away
Cannot see her sleepy smile at night
I will pray til mornings light
anastasiad Apr 2016
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Ruby Watson Jul 2013
Sand to glass.
Topaz and yellow blend, in fired isolation.          
   Can you see the beauty,or   only how much we are our island?

Floating... unseen in an ocean.                                                        
  ­                          Swimming... in the filth  of flotsum and jetsum, (which constantly surrounds us)
Sinking... into the detritus of lives staining this shoreline.            
Drifting... with each swelling high tide. Chosen by the moon.    
     Drowning... left bereft and barren by such far flung lows.              

                 Barefoot, I've walked amongst the driftwood you left laying; Collecting all
                        those pieces (bits you kept hidden), loves un-worshipped or love never given.

                                             -Kept safely now-                                            
in pockets of my salty flesh, being sweetly rewritten.

     Keep an eye to the sky, and an ear to the waves of you're known.

Perhaps, one day, you realise,
(when the stars shine bright within your sextant)

 - so I wait here,
                                                     by this water wide -                                                  
              with fingers and toes deep in our sand              
      
        Until the sirens' call reaches you again,
                                  and upon yonder watched crest you send a malia,                          
from a soon forgotten land of words.
Travis Green Jan 2019
The way she struts through the cityscape
amazes me in the brilliant ways, her
fashion style and sophistication is beyond
its time, seamless stances and elegant
smiles, she is a dazzling diamond inspiring
the various people around the world.
She is a beautiful mother of two wonderful
kids, Malia and Sasha.  She is a magnificent
wife and a blossoming rose rising in the
iridescent light.  She is married to the
distinguished gentleman, Barack Obama,
who is truly an inspiration to the masses.  She
is a very smart and intelligent woman who knows
her worth and what to stand for.  The way she
utilizes her words is gloriously breathtaking.
She has a bright personality and a stunning face,
a rhythm of great taste, remarkable depth and
a Courageous role model.  She is full of vivacity
and compassion, strength and sincerity, the worlds
First Lady to enter the White House.  She is the
astonishing author of the outstanding book entitled,
Becoming.  She is the extraordinary Michelle Obama,
who was born in Chicago and rose to the top.
Anais Vionet Apr 2
(inspired by Malia’s poem ‘crack the code’)

the unspoken poems
are the loudest
the ones you don’t utter
the times you don’t bother
symphonies of silence
votes of no confidence
trust marbled with rust
what's become of us?
David Ehrgott Nov 2015
At two sixty three on a union street
They ain't afraid of no killer
They'll just shove 'em in their pipe
and smoke him up like backy
  
They break the neck of a pup/pussycat
Just to try to scare you
They're mendacious mothers/mendicants
You can't ignore their ignorance
Even a sponge has a right to think
The pumpernickel president  Hooligans
of the world unite, inherit the wind tonight
  
Lethal teenagers spread their aids
Interstate Highway Poet off of exit 16A
Here yee Hear ye
Step right up to the minstrel show
We've got your medicine right here
Whatever you need we're giving away
Whatever you want just don't be greedy
Take all you want but, it won't be free
Just say you need be ten thousand, a million
A trillion or more, who could put a limit on this
Go 'head now take a sip
Ain't that good fer ya/ ain't that swell
Mighty fine medicine
Mighty fine medicine
Don't forget your change
  
Moonlit Minstrel Dancing madness at the
New Millennium Medicine Show
You can't be on the Redding when you drive the B&O;
Heart and run away/Forget
I guess it's not your fault you're you
Look back but, the label stays
the one that I esquired to you
  
Cops in Vegas teaching drugs to children, 1963
Accuse me of blame with their askance
le seul inform'e!  Here I am
I saw white poppies grow at SHAPE
War is used to make debt e. pound
To hate what people love is to offend human nature
The villion shot 'em down Francois
  
Piero Mazda has no fear his Kumrad
Koba's over here  Now fix
John Adams, Jeff., and Lincoln
These men are a really awfully stinking
They won't take gifts/ They want to earn it
Take what they steal; pretend it has value
They drink their way into a bible
Did that one line make me enviable?
Come on someone try to fix it
Malia needs her tap, tax dances
The suffering has got to end
For EVERYONE my lonely friend
WE/ALL have got the power
Here, in seventeenth century France
I always try to give you choices dear mao  tse
Hurricanes in season.
Eyes of life.
And devastation...
Breed captivity. In containment
Calm inside the confines
Of a central storm
The world now faces....
I believe.
In god. And Angel's. Calm like allah.
Or Mohammed.
The future me is hopefully
More honest.
But I'm no prophet.
Just want my family to feel
My love. And live so long.
Our bodies start to rot.
Before we choose our plot yep...
Guess it's not always
The plan.
But what happens in the process.
Maybe logan. Finds true love
And jade and him move on
*** I think its toxic
And my sister moves
On beyond the coffin.
Re kindles her passion
And enthrallment
In knowledge.
Maybe pursuesher doctorate
Hope my mom can rest for ever.
In the peace and holy gospel.
May my people prosper.
Life to offer.
It's a try at life.
Hope my sisters husband
Forever wants her.
May my cousins
Never want for *****.
Cloud of Casper.
Turning ghost
From marijuana.
Jenny reindfleish tm. Sauna.
And my aunty louise leave the
Rubble kept
Like land mines
From her dear departed momma.
May my cousin get a better back
I tried the opposite.
Of mine but God's not a doctor.
Hes just the all giving father.
Hope my cousin dilly.
Feels the rumbling in his
Under belly.
And watch for his true calling.
Like a hawk. Stalks its prey.
He needs direction.
*** his depression.
Isn't awesome. No god its rotten.
Hope he meets his soul mate in the process.
May my cousin steven keep his passion
Hes a master with his hands.
But guide his spirit gland.
To a sweet song.
His frigid. Lips may have never sang.
Pray my aunty. Clears her throat.
And cancer ***** off.
Sorry god. But I need her longer.
She comes back stronger.
Hope my hailey Kastendieck
Loses her *** and ****.
And becomes a man legit.
Her family ***** a fat ****.
He gets a bad ***** for a partner.
And I'm best man. At a trans gen
Wedding.
Dam lit. Yeah best man ****.
Hope my uncle learns his music
Isn't first
His mom is more important.
Gramma. Your my angel.
No way to explain
The storm. You
Swore I'd make it through.
Cant ignore. I couldn't make if not with you.
Hope my aunty Terry. Wins a thousand bucks. And plants a tree and feeds the ducks. That sweet stuff..
Hope my kids grow up.
To love their life. And learn some stuff.
To help them heal with love.
Hope gabby valentine. Learn love from gentleman's. And ladies touch.
And have memories were jealous of.
Those ******* studs.
Hope my friends canfucking quit the drugs.
Hope everyone I've touched. Expands
Their life to line with god.
Allah. Jesus christ. Creator. Every single teaching. That I love
May they embody that stuff.
And confucious too
And buddha.
And the Vikings.
Thor is ****.
And the valkyrie. I'd love to be one.
Give us it all god. Love you.
And everyone else I forgot
Oh and p.s. give david a **** honey.
Who has his back. And wants to blow something other than his money.
Malia too. Well shes got huge ****. She doesn't need any help. Lol
Lol and rest in piece mike honcho.
We know what you've done here this day.
Carry on soldier
Malia Jan 2020
Wake up...
                                                           ­              I know you’re there...
                                            Malia...
   ­                     WAKE UP...
                                                           Please...
      I miss you...
                                                          ­                      Are you here...?
                              Come back....
          
                                                       People need you...
            I need you...
Malia Mar 2020
I’d like to inform you guys
That my real name is Malia.
In Hawaiian it means
“Calm and gentle waters”
I am unsure whether it can be true.
I mean, sometimes
I just want peace.
I don’t want to get
All caught up in a storm
Because I know my ship will sink
And I’ll drown.
But sometimes I want to drown.
I want to throw myself in a fire.
Okay.
Maybe not that intense.
Maybe it IS that intense.
But sometimes I just want to watch the flames dance,
And revel in the chaos of it all.

Sometimes calm and gentle waters
Are not for me.
Travis Green Jun 2020
She is a trailblazing, dashing, the former First
African American Lady, decked in spectacular
fashion, sheer class, and elegance, profound
decisiveness, immeasurable power, and prestige,
authentic queen, serene, gleaming dreams
springing forth black excellence.  She is artistic,
intelligent, resilient, unapologetically influential,
black girl magic bursting from her soul,
so innovated and educated, a melanin treasure
covered in natural dopeness, a divine diva
dripping with flavor.  She is a God-fearing
woman and mother of two beautiful daughters,
Malia and Sasha, her loving husband, the
former president, Barack Obama, marking
history as the first black man to reach greatness
and change the course of history.  She is a street
symphony of golden enchantment,
silky smooth as honey, flawless, melanin
poppin’, unstoppable, the perfect line
to a phenomenal poem, a vivacious soul
sistah overflowing with inspiration
and determination, a courageous woman  
full of glowing grandeur.

— The End —