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"foundlings" poems
You make me feel wistful With your tight bellies, limpid eyes and endless manes of hair, You make me feel afraid. Dainty Angels, I can't...Quite...Remember... You make me feel jealous With your waiflike allure, sad vulnerability, delicate beauty, You make me feel inadequate. Fairy Foundlings, I won't...ever...be.... You make me feel ancient Outside, dated and decrepit. How do you feel? What do you need? Why are you all so sad? My dreams are your nightmares. I tasted raindrops once, too I almost have it, almost understand.
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Jun 25, 2014
Jun 25, 2014 at 3:05 AM UTC
Little Sisters
Foundlings lament beneath their shrouds For the Givers they never knew. Shouts of terror, gone unheard, loud And bright in the fright of selected few. Shadows cast beneath sunlight's flags Are trademarked captions made of stained silk. They trod the daylit bog in dusty rags, Secretly living, they and their ilk.
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Nov 9, 2010
Nov 9, 2010 at 3:10 PM UTC
They, Unheard
(From a Persian Carpet) Ash and strewments, the first moth-wings, pale Ardour of brief evenings, on the fecund wind; Or all a wing, less than wind, Breath of low herbs upfloats, petal or wing, Haunting the musk precincts of burial. For the season of newer riches moves triumphing, Of the evanescence of deaths. These potpourris Earth-tinctured, jet insect-bead, cinder of bloom— How weigh while a great summer knows increase, Ceaselessly risen, what there entombs?— Of candour fallen from the slight stems of Mays, Corrupt of the rim a blue shades, pensively: So a fatigue of wishes will young eyes. And brightened, unpurged eyes of revery, now Not to glance to fabulous groves again! For now deep presence is, and binds its close, And closes down the wreathed alleys escape of sighs. And now rich time is weaving, hidden tree, The fable of orient threads from bough to bough. Old rinded wood, whose lissomeness within Has reached from nothing to its covering These many corymbs’ flourish!—And the green Shells which wait amber, breathing, wrought Towards the still trance of summer’s centering, Motives by ravished humble fingers set, Each in a noon of its own infinite. And here is leant the branch and its repose of the deep leaf to the pilgrim plume. Repose, Inflections brilliant and mute of the voyager, light! And here the nests, and freshet throats resume Notes over and over found, names For the silvery ascensions of joy. Nothing is here But moss and its bells now of the root’s night; But the beetle’s bower, and arc from grass to grass For the flight in gauze. Now its fresh lair, Grass-deep, nestles the cool eft to stir Vague newborn limbs, and the bud’s dark winding has Access of day. Now on the subtle noon Time’s image, at pause with being, labours free Of all its charge, for each in coverts laid, Of clement kind; and everlastingly, In some elision of bright moments is known, Changed wide as Eden, the branch whose silence sways Dazzle of the murmurous leaves to continual tone; Its separations, sighing to own again Being of the ignorant wish; and sways to sight, Waked from it nighted, the marvelous foundlings of light; Risen and weaving from the ceaseless root A divine ease whispers toward fruitfulness, While all a summer’s conscience tempts the fruit.
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2.6k
The Summer Image
(From a Persian Carpet) Ash and strewments, the first moth-wings, pale Ardour of brief evenings, on the fecund wind; Or all a wing, less than wind, Breath of low herbs upfloats, petal or wing, Haunting the musk precincts of burial. For the season of newer riches moves triumphing, Of the evanescence of deaths. These potpourris Earth-tinctured, jet insect-bead, cinder of bloom— How weigh while a great summer knows increase, Ceaselessly risen, what there entombs?— Of candour fallen from the slight stems of Mays, Corrupt of the rim a blue shades, pensively: So a fatigue of wishes will young eyes. And brightened, unpurged eyes of revery, now Not to glance to fabulous groves again! For now deep presence is, and binds its close, And closes down the wreathed alleys escape of sighs. And now rich time is weaving, hidden tree, The fable of orient threads from bough to bough. Old rinded wood, whose lissomeness within Has reached from nothing to its covering These many corymbs’ flourish!—And the green Shells which wait amber, breathing, wrought Towards the still trance of summer’s centering, Motives by ravished humble fingers set, Each in a noon of its own infinite. And here is leant the branch and its repose of the deep leaf to the pilgrim plume. Repose, Inflections brilliant and mute of the voyager, light! And here the nests, and freshet throats resume Notes over and over found, names For the silvery ascensions of joy. Nothing is here But moss and its bells now of the root’s night; But the beetle’s bower, and arc from grass to grass For the flight in gauze. Now its fresh lair, Grass-deep, nestles the cool eft to stir Vague newborn limbs, and the bud’s dark winding has Access of day. Now on the subtle noon Time’s image, at pause with being, labours free Of all its charge, for each in coverts laid, Of clement kind; and everlastingly, In some elision of bright moments is known, Changed wide as Eden, the branch whose silence sways Dazzle of the murmurous leaves to continual tone; Its separations, sighing to own again Being of the ignorant wish; and sways to sight, Waked from it nighted, the marvelous foundlings of light; Risen and weaving from the ceaseless root A divine ease whispers toward fruitfulness, While all a summer’s conscience tempts the fruit.
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flesh smirks cautiously silent beehives squelching elk leaps glumly, mules snarl bluebird builds, rigid foundlings disappear lamely incarnations peck raw conjurers acts devious shady agile rosemary boasts, stare starflower hovers depression gives birth snidely harps romping mustang
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Nov 29, 2012
Nov 29, 2012 at 5:22 PM UTC
Nameless
O vicious household gods of Rome you Manes, Lares, Muses, Fates who justified patrician homes, whose reign this poem celebrates, Allow me now, in retrospect to excavate, then analyze. Depravity with cause, connect; depriving you of alibis. Relax your stiff noetic poise as my plebeian pen records through lyrical poetic noise the crown imperial crime awards. My lines, like foundlings, long to **** a mother’s milk in measured draft and dredge some gold from Tiber’s muck; Lord Christ: illuminate my craft. ROMULUS, let that wolf-tit go and REMUS too – unlatch that breast… milk of Etruscan madness, flow, with empire’s crimes forthwith confessed. We will not blame your leaden wares nor ergot mold in rancid bread for genocidal state affairs, brutality, and martyred dead. The Circus, leering, restless, loud, cheers gladiatorial excess. The haunted forum’s phantom-crowd awaits the tyrant’s next address. He speaks. The wind blows through the arches stirring up the roadside litter. Trumpets blare. The legion marches. Empire’s aftertaste is bitter. You were Antichrist. That is all. We cannot dignify your past or glorify from whence you fall or praise the mold from which you’re cast. Christ traveled far from Galilee – came, saw, conquered – and on it goes. Our king shall reign eternally; that she-wolf’s milk no longer flows.
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Sep 9, 2015
Sep 9, 2015 at 8:08 PM UTC
Lines that **** the Bitch’s ***
Shush, stop replaying echos of the past they have been blown by the east winds right to the cliffs of the angelic twists and I stare at the window, as everything moves like the sun never rose and the moon never shone never surrender to their voices as the hollowed beats of their soul is an empty sack of sarcastic laughter founded by the foundlings of St Elizabeth who litter the Aspire asylum with loathe and the troops of their dusty bags vent to the charcoaled hues of the ceiling Where the castaways truly hide inspired as emptiness get inhaled in the alveoli to the dense of the unpenetrated amoeba and they all get sick, in a dread of a century Let’s run.....It’s the borbounic plague taking its toil
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Sep 14, 2018
Sep 14, 2018 at 6:49 AM UTC
Dusty bags of St Elizabeth
taut the barb which my heart flung away and adorned – such language is black while many others have their places that silence    had fractured. the punctual shadow of the night,                                    I converse in them    through the pulse of the roots and their    consistent counter-beats. the many others, whose centers encircle     heavy in their viscera: enisled as a conference of birds     in plenitudes of brindled mouths – the augury that sees itself, my full being – this nocturne      of stone-flight. the cosmic working of the sky that hands me, a necklace of stars which implausible pearls    simmer in fond gleaming: these foundlings that are          dreamt away, and named innumerably across    many other anonymities we recall with a throng of sound.    in my hands the night folds like an origami    conscious of its florid ikebana,        as there could be another splendid thing           like the calm: glimpsed, coveted like the light    of all things grave in darkness.
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Jan 8, 2016
Jan 8, 2016 at 9:17 AM UTC
Ikebana
The most beautiful poem is written on a shroud, As if the stars closed their eyelids at seeing the gods die, But still-gauzy foundlings like cities of dusted sunlight, Bound so long between the pillars of Athens and Rome, Disconsolate remnants in after-golds and winding sheets of stone. The most beautiful poem speaks only to death, So it may know something of our loss, our bereftness, And like the turnkey of afternoon to evening Under the warm-felt pressure of our reminiscing hands, We too shall pass like long-limbed sunset along the barren grass, Like so many solitary walks bundled up in Autumn mists, And eyes filled with someone once there and absences to come.
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Aug 11, 2019
Aug 11, 2019 at 5:40 PM UTC
The Most Beautiful Poem
Like leaves falling down Crumbling listening to Freddy As he sang the ballad so sadly Helplessly I succumb and drown Such are matters of the heart No one is ever too cunning or smart For the cause we become foundlings Victims we are nothing but weaklings So what is there to deliberate “You broken my heart” Freddy says “Bring it home to me” and he prays. But there’s only heartbreak to calibrate
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Aug 1, 2013
Aug 1, 2013 at 11:44 PM UTC
Listening to Freddy
Forest in morning— Mellow sun rapt in branches, . . . Hair tangled in mine.
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Jul 27, 2013
Jul 27, 2013 at 7:33 PM UTC
Haiku (foundlings)
. From the eyes' corner, no surprise, As leaves, are shaking on the trees, The startled birds of new made eyes, Two flights converge as fresh memories.
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Aug 4, 2014
Aug 4, 2014 at 12:08 PM UTC
Foundlings
From the eyes' corner, no surprise, As leaves, are shaking on the trees, The startled birds of new made eyes, Two flights converge as fresh memories.
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Dec 16, 2013
Dec 16, 2013 at 11:50 PM UTC
Foundlings
Forest in morning— Mellow sun rapt in branches,   .  .  .  Hair tangled in mine.
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Dec 7, 2012
Dec 7, 2012 at 3:04 PM UTC
Haiku (foundlings)