Submit your work, meet writers and drop the ads. Become a member
Robin Carretti Aug 2018
Something is
simmering  *  
  ****      
His spice the stars*
His cologne heat up the
woods
Lips and taste boiling
The Green Irish Tweed
Epicurean love at
the Italian
Spice Epic Stadium

Here comes the
Sun the__?
Royal Mayfair

strikingly
My Fair Lady
The spice diction of words
Her name is Sage Lady Bird
You could feel her smile
shimmering

Carnal spice knowledge
Savory animalistic
Spice culture ******
Citrusy fancy dress
Not to panic
His Sunday gravy
Italian sauce garlicky  
She could win so pungent
Spicy lady Pagent

The poor stealing the
rich culture
Sage surrender like the Oz
Like Robin Hood

Spice of life this is our life
Top of the sea salt Spy
scouring
You better have a love
Like a deep pouring
Her Sage Genie bottle
on the stove

Her sheerness lascivious robe

The Meditteranean sea with
Four leaf clovers
freeloaders
These cultures and eyes of
strength feature
There is no time to
break up for the love of a spice
Is this the human race
Fresh linens better company
What a primary
Oh! Hail Mary

Those ethnic spices
what a sensual smell
Sage pretty coffee cup show and tell
What a razzle top of her cake
The media takes over all
painted and swirled
Baked spicy finger she dialed

Through her locket heart sake
Recovered love reconciled
The Teddy Rosevelt or Chicago Bears
tight hugs of cultures


Hairy chest his smooth gestures
Culture rough and tough exterior

Like the smile beautiful mind
creature
Beyond to be seen
The Spices computer
world of devices
Strawberry fields forever
But what is forever more love
Crises

Do we always lose our stripes
Feeling layered with her cereal
Tony the tiger
Whats great about curses
Sage speechless can feel the
roar spicy mouth
Going South or North
Victorian corset sensual
Guity spice dark side of Goth
Hot desire from both
The pine needles
Christmas time
The mistletoe kissing pointing to the star

Wearing herself out with her
pointed pump shoe*
But losing her spirit what to
endeavor
*The Blue Horizon Spice Rub

The  pub the sky has no limits
to the Stars that twinkle
The Gods to their *****
Rip Van Winkle
Dry Vermouth or the Russian Roulette
French spice Crepe Suzette

"Adam I Apple Dante Jubilee
Eve was more like a neigh
Horse spicy slide Colonel Spicy mustard
Meeting General Lee Sage custard

Her handkerchief
with sage cut leaves
Hearing echoes what gives
Anyone's spice rack
of shoes engraves Sage leafs

Noone really knows for sure
She wore spice deep blue velvet
Jade Ring Brittish Colony
Stuck to her beliefs like a magnet

Eating vegetable and fish
Her best China ever find her dish

How the jade chandelier twisted
Became laughing like two musketeers
New York City love Serendipity
The Queen chair so domineer
'What Debutants"
Crazed like spices of mutants
The anger management getting
the evil out
The shoutbox strong clove spice
Sage was never outfoxed
Her **** jaded uniform
The firefighter Smoky the bear
  eyes of candlelight storm
didn't make it this year
Torn to tears like two
vultures of
the haunted night
He peddles fast
But the fear needs to disappear

Fresh lake smells fresh
as her breath
The culture and media
make tons of mistakes
She knows what she wants
Not a jungle of
poisonous snakes
He knows what he doesn't want
to tell her
Perhaps losing his
bark dog naps
The best part engage her on
Sage with a heart
The fruit her
flesh and blood
The blood on his finger
Her medicinal herbs
of China
The mason spice jar is empty
The full heart needs his half
Cream of the crop
Careless love accidentally
spice dropped
Sensual Chin like pine needles
The exception to the rule more leaders
Remember Every September
to leave your scent
We all have needs we want
Drinking all the flavors of Snapple
*Big waves of the ripple don't you
love her amazing dimples
Sage spice mighty divine but when its mixed love can be jinxed watch out. But just keep singing her "Sage way" her garden is magnificent in every way just pray
SøułSurvivør Sep 2015
---

I've done some research
On cancer's cause
Western medicine, Dr Oz.

They don't have answers, I'm afraid.
And the cure is in what GOD made.

Cancer's vector? A simple virus.
A parasite and a fungus.

Candida overgrowth.
Radiation. Stress.
We all face this in the West.

So are there answers? Well. Let's see.
Tell me if you don't agree.

Sodas should go down the drain
They have sugar or aspertame.

Sugar feeds cancer. Cut it out!
I KNOW that this will make you pout
But you can find nuts a tasty treat
Find some that you like to eat!

Say NO to coffee. All caffeine.
Eat kale and other leafy greens.

If you want nutrition saved
Cut the cord on your microwave!
They watered plants
with water nuked
They died. Nutrition down the tubes.
So no TV dinners. Processed foods.

No fruits or veggies grown GMOs.
WHEAT is bad! And on it goes.

So it may cost a little more?
Shop your local health food store!

What does it matter?
What's cancer's cost?
And your life will not be lost!

If you tire of reading this
There may be important
things you miss... READ ON!

NATURAL REMEDIES FOR CANCER

Blackstrap molasses. 1 tablespoon
Baking soda. 1 teaspoon
Mix with a glass of water and drink.
(Baking soda should be found at
a health food store)
Blackstrap molasses can also be used
topically for skin cancer.

Tincture of the husk of the
Black walnut nut. 2 drops
Tincture of clove. 2 drops
Tincture of wormwood. 2 drops
Mix in a glass of water and drink. Add lemon and honey.
It'll taste better.

IMPORTANT!
DO NOT USE TAP
OR BOTTLED WATER!
Get distilled water and add
Minerals in liquid form.
Your health food store will have this.

There are many herbs and spices
Which help.
There's iodine in common kelp.
Turmeric
Cucumin
etc.

VERY POWERFUL
Soursop tea. Green tea sans caffeine
Fresh vegetables of the rainbow...
Colors are viamins!

Vitamin supplements
Especially B-17

If you can't find these in your
Health food store ask them to order.
Or go on Amazon and order.
I spent a lot of time researching this.
If you have any questions please contact me via the site message system.

I know that there are some who
Can use this information.

There is a Talkshoe program that
Discusses natural remedies.
724 444 7444
Wednesday 9pm eastern time
43503#  1#
Host: BadBaby
Kendall Mallon Jul 2013
Book One


Prelude:

As Romans before them, they built the city upward—
layer ‘pon layer as the polar caps receded
layer by layer—preserving what they could, if someday
the waters may recede back into the former polar
ice caps; restoring the long inundated coastlines.


Home:

A man sat upon a tall pub stool stroking
his ginger beard while grasping a pint loosely
in his other hand. An elderly gent stood
next to him. The older gentleman noticed
that the ginger bearded man’s pint sat almost
quite near the bottom of its tulip glass.

A woman with eyes of amber and hair
as chestnut strolled through a vineyard amongst
the ripening grapes full of juice to soon
become wine. She clutched a notebook—behind (10)
thick black covers lay ideas and sketches
to bring the world to a more natural
state—balancing the wonders and the merits
of technology apace with the allure ‘n’
sanctity borne to the natural world.

When the ginger bearded man finished the
final drops of his stout, another appeared
heretofore him—courtesy owed to the elder
gentleman. “Notice dat ye got d’ mark
o’ a man accustom amid the seas,” (20)
he inferred; gesturing the black and blue
compass rose inscribed inside a ship’s wheel,
imbedded into the back of the ginger
bearded man’s weathered right hand.
                 “I have crewed
and skippered a many fine vessel, but I
am renouncing my life at sea—one final
voyage I have left inside of me:
one single terminal Irish-Atlantic
voyage t’ward home.” (30)
“Aye d’ sea can beh cold
‘nd harsh, but she enchants me heart. Ta where
are ye headed fer d’ place ye call home,
d’ere sonny boy?”
     “’tis not simply a where,
‘tis a who. Certain events have led me
to be separate from my wife. For five
eternal years I have been traveling—
waiting to be in her embrace. The force
of the Sea, she, is a cruel one. For (40)
it seams: at every tack or gybe the farther
off I am thrown from my homeward direction
to stranger and stranger lands… I have gone
to the graveyard of hell and the pearly gates
of (the so called) heaven; I have engaged
in foolhardy deals—made bets only a
gambling addict would place. All to just be
with Zara. I am homesick—Zara is my
home—it doesn’t matter where (physically)
we are located, my home is with Zara. I (50)
was advised to draw nigh the clove of Cork
and wait; wait for a man, but I was barely
given a clue as to who this man is,
only I must return him this:” the ginger
bearded man held out a dull silver pocket watch
with a frigate cut into the front cover
and two roses sharing a single stem
swirling upon themselves cut into
the back.
   “Can it be? ‘Tis meh watch dat meh (60)
fat’er gave t’ meh right before he died…
I lost it at sea many a year ago.
It left meh heartbroken—fer it was meh only
lasting mem’ry of him… Come to t’ink I
was told by a beggar in the street—I
do not remember how long ago—dat
I would happen across a man wit’ somet’ing
dear t’ meh, and I’d accomp’ny dis man
on a journey, and dis man would have upon
‘im d’ mark of a true sailor…” (70)
    “Dear elder man,
my name is Abraham; the mark you see
represents the control that I have on my
direction—thought it appears the Sea retains
some ascendancy… Yet now, it appears,
the Sea is upholding her bargain—though
a bit late... Do you, by chance, own a vessel
that can fair to Colorado?—all across
this mist’d island no skipper ‘ll uptake
my plea; they fear the sharp wrath of the Sea (80)
or (if they have no fear) simply claim my home
‘is not on their routes…’ i’tis a line I’ve
heard too often. I would’ve purchased a vessel,
but the Sea, she, has deprived me completely
of my identity and equity.”

Zara, with her rich chestnut hair sat upon
a fountain in a piazza—her half empty
heart longing to savor the hallow presence
of Abraham, and stroke his ginger beard…
Everyday she would look out at the sea (90)
whence he left…
     All encouraged her to: “forgo
further pursuit”; “he is likely deceased
by now”—his vessel (what left) scuttled amidst
the rocks of Cape Horn, yet Zara could feel
deep-seated inside her soul he is alive;
Alive (somewhere) fighting to return home.
Never would Zara leave; never would she
abandon post; she made that promise five
years ago as Abraham, ‘n’ his crew,
set out on their final voyage; and she (100)
would be ****** ere she broke her promise—a promise
of the heart—a promise of love. Abraham
said: “You are my lighthouse; your love, it, will guide
me home—keep me from danger—as long as you
remain my lighthouse, I’ll forever be
set to return home—return home to you.”

Out from Crosshaven did the old man take
steadfast Abraham en route to his home.
Grey Irish skies turned blue as they made their
way out on the Irish Sea, southwest, toward (110)
the southern end of the Appalachian Island.
The gentle biting spray of the waves breaking
over the bow and beam moistened the ginger
bearded face of Abraham; his tattooed
hands grasped the helm—his resolute stare kept him
and the old man acutely on course.
A shame,
it struck the old man, this would be the final
voyage of Abraham… he: the best crew
that the old man had ever came across; (120)
uncertain if simply the character
of Abraham or his pers’nal desire
to return home in the wake of five long
salty-cold years—a vassal to the Sea
and her changing whim. Never had the old
man seen his ship sail as fast as he did when
Abraham accorded its deck—each sail
set without flaw: easing and trimming sheets
fractions of an inch—purely to obtain
the slightest gain in speed; the display warmed (130)
the heart of the old man.
        And thus the elder
gent mused as he lightly puffed on his pipe
while sitting on the stern pulpit regarding
at Abraham’s passion to return home
(as he calls her):—maybe dis is d’ reason
d’ Sea has fought so hard, and lied, t’ keep
Abraham from returning home… Could not
bear t’ lose such fine a sailor from her
expanses—she is known t’ be quite a jealous (140)
mistress…
      But for all Abraham’s will and passion,
the old man insisted for the fellow
to rest; otherwise lack of sleep would cause
the REM fiddler to reap his debt—replace
clarity of mind with opacity.
Reluctantly stalwart Abraham gave
in and retire below deck—yet the old
man doubted the amount of rest that he
acquired in those moments out of his sight. (150)

For the days, then weeks, in the wake of their
departure from the port-island Crosshaven,
the seas were calm as open water can:
gentle azure rolling swells oscillated
and helped impel the vessel forward. The southern
craggy cape of the Appalachian
Island pierced the horizon. Like a threshold
it stood for Abraham—a major landmark;
the closest to home he had been in five
salty long years—his limbo was beginning                               (160)
to fade, his heart slowly—for the first time since
he left port in eastern Colorado—
started to feel replete again. The Great
Plains Sea—his final sea—he would not miss
the gleam of his lighthouse stalwart on shore.




Book Two

Oracle:**

Upon a beach, Abraham found himself alone—gasping
in gulps of moist air like that of a new born baby first (10)
experiencing the breathe of life; he felt as if he
would never become dry again… the salt burning his skin
as it crusted over when the water evap’rated
into the air; Abraham took the first night to rest, the
next day he set to make shelter and wait for a rescue
crew; out he stared at the crashing waves hoping for a plane
or faint form of a ship upon the horizon…days and
nights spun into an alternating display of day then
night: light then dark—light, dark, light, dark, grey, grey, grey…

Abraham (20)
gave up marking the days—realized the searches are done—
given up after looking in the wrong places (even
he did not know where he was…) the cold waves and currents took
him to a safe shore away from his ship and crew, in a
limp unconscious float…
From the trees, and what he could find on
the small  island, Abraham occupied himself with the
task of building a catamaran to rid himself of
the grey-waiting.
Out he cast his meager vessel into (30)
the battering surf; waves broke over his bows and centre
platform—each foot forward, the waves threatened to push him back
twofold… Abraham struck-beat the water with the oars he
fashioned; rising and falling with the energy of the
waves; Abraham stole brief looks back with hopes of a van’shing
shoreline—coast refused to vanish… his drenched arms grew tired;
yet he pushed on knowing he would soon be out passed the
breaking waves; then could relax and hoist sail; yet the waves grew
taller—broke with greater power… Abraham struck-beat the
water with his oars—anger welled—leading to splashes of (40)
ivory sea-froth instead of the desired progress
forward; eventually, his arms fell limp beyond the
force of will… waves tumbled him back to shore as he did the
first night upon the island…
Dejected Abraham lay
in the surf that night—the gentle ebb of the sea added
to insult, but hid the tears formed in the corner of his eyes—
salt water to salt water… the next day Abraham took
inventory of damage: the mast snapped in multiple
places, the rudders askew—the hulls and centre structure (50)
remained intact; the oars lost (or at least Abraham cared
not to search); over the next weeks he set to improve
the design and efficiency of his vessel—the first
had been hurried and that of a man desperate to leave;
the bare minimum that would suffice—he set to create
a vessel to ensure his departure from the des’late
accrue of sand and vegetation; Abraham laboured
to strengthen his body—pushing his arms further passed the
point his mind believed they could go—consuming the hearty,
protein-rich, mollusks, and small shellfish he could find inside (60)
tide pools or shallows—if lucky, larger fish that dared the
nearby reefs.
Patiently, Abraham observed the tides and
breaking water; he wanted to determine the correct
time to set off to ensure success—when the waves would not
toss him back to the beach; the day: a calm clear day—only
within few metres of soft beach did there exist any
breaking waves, and those that broke were barely a metre high;
loading provisions upon the vessel, Abraham bid
farewell to the island (out of wont for the sustenance (70)
it gave not for nostalgia) grasping his oars, he set forth
to find open sea—where the waves do not break and set you
gingerly on foreign shore(s); Abraham paddled passed the
first few breaking waves, his heart pounding with hope—he stifled
the thoughts (celebrate when the island is but a subtle
blue curve upon the horizon); as the island began
to shrink in his vision, the sky to his back grew darker…
the waves started to swell—moguls grew to hills—Abraham
stroked up and rode down; the cursèd Island refused to shrink…
if not begin to grow wider… stroke by stroke Abraham (80)
grew frustrated—stroke by stroke frustration advanced into
anger—stroke by stroke anger augmented into fiery
beating of the water!—Abraham struck and struck at the
Sea—eyes closed—white knuckles—trashing!—unsure which direction
he paddled…sky pitch-black, wind blowing on-shore Abraham
bellowed out to the Sea in inarticulate roars of:
hatefrustrationpitydesperationheartache!
Towards
Abraham’s in-linguistic roar, the sky let out a crack
of authority! a wave swept the flailing Abraham (90)
into the ocean—cool water only heated the rage
in Abraham’s mind—his half empty heart only wanted:
to sail home, become whole  again—sit under and olive
tree and stroke the chestnut hair of Zara as she drifted
off to sleep on his chest while he would whisper sweet verses
into her ear… Abraham’s rage, beyond reason, forgot
the boat and all clarity, he tried to swim away from
the cursèd island—scrambling up waves only to tumble
back with their breaking peaks—salt, the only taste in his mouth;
churning his stomach to *****; his kidney’s praying he (100)
would  not swallow anymore… his gasps stifled any curse
Abraham’s head wished to expel onto the Sea—yet she
swore she heard one final curse escape his lips! at that the
Sea tossed Abraham (head first) into his ghost-helmed vessel—
all went dark for hostile Abraham…

Contemplating back
at his rage—knowing the barbarian it makes of him,
Abraham peered into the band inscribed into his
ring-finger and saw the knot tying him to Zara—shame
at his arrogant-uncontrolled-fury sent Abraham (110)
into a meditative exile inside of his mind
(within the exile of the island…) in his mental
exile Abraham spun into deeper despair at his
two failures—even more at the prospect of failing the
vow he professed onto Zara: return home—home from this
final voyage, grow old with her on solid ground, never
to die apart and cause the pain of losing a loved one
without the closure of truly knowing the death is real,
to die by her side white, white with the purity of age…
Abraham’s destitution turned inward—his fury, the (120)
lack of control, the demon he becomes when rage surges
through his muscles; equiping him with untamed strength without
direction or self-possession—so much potential, yet
no productive way to use it… Abraham’s half-full-heart
burned, ached with passion and anguish—all desire
focused on home, his return, but the mind’s despondency
and insistent ‘what-ifs’ kept poor Abraham prostrate in
his mental cave—all his wishing for anger and vi’lence
to force his will, it did more to retain him upon the
cursèd island than bring his heart closer to fulfillment: (130)
his long awaited home…
Out of his mental exile did
Abraham’s irises dilate and contract with blinding
illumination—self-pity is not what make things happen—
it would only serve to anger Zara—nothing other
than I can be to blame for my continued absence; I
am stronger than that!—looking at the tattoo in his hand,
he remembered the reasons for the perennial brand—
the eight-spoke ship’s helm: the eight-fold-path—I must cut off my
desire for anger to be the solution and focus (140)
on the one path to Zara—the mind can push the body
further than the body believes is possible—the star:
the compass to guide me via celestial bodies
to where my heart can see the guiding beam of my lighthouse!
This is the Final Voyage epic thus far. I am converting Home into blank verse and it is taking longer than I thought to do; which is why that part is incomplete here. I also added line numbers. I changed The names as well.
Mateuš Conrad Nov 2018
.like any western, but unlike every western... the true grit... one eyed... it's not called: i'm blinking... it's called... the blink. the English language can never have... what is it... gender neutrality? the words are already gender neutral! the words in the English are neither masculine, or feminine... it's ******* to ask for something that's already in place! you know what obstructs the gentrification of words in the English language? how the sun is not feminine and the moon is not masculine? the articles... the English orientated their language around a-the        slightly missing the -ism... the English didn't create their language with a gender orientation of nouns, but other European languages orientated their nouns around gender inclusiveness... but you can't just... change the ******* grammar... call a triangle a ******* rhombus on a whim that belongs in the asylum... blah blah do ****... is this how civilized language is supposed to disintegrate into?! this is not religion... you can't simply replace grammatical dogma with heretical "protestantism" to gain something counter to 1 + 1 = 2, or a + t + t + e + s +t = attest... yes, confirm... what with that the politicians are doing in Canada... post-nationalism? post-nationalism, ensured with a post-grammatical structure of what should be the post-nationalist playground of the use of language? the two... together?! so... no nationalism, and no grammar... seems about the right time to separate the state from the state... and call the following dynamic: juggle act: catch one if you can! how can you expect to change the grammatical sub-structure of English?! nouns are not gentrified in the equivalent ontology of other, European languages! how can you expect gender neutrality... when the nouns of said language... are already gender neutral!? and that's because English is particular in the definite (the) and the indefinite (a) article articulation... this is the crux... the pivot... as to why nouns are not associated with either femininity or masculinity... which is why i didn't learn French in high-school... i was taught French from the rubric of grammar... i was taught the rules, before i was being taught to speak, and break the rules of speaking English... who the **** requires to learn a language, having to learn the arithmetic of lettering in the encompassing genesis of staging a craft of the linguist with, said grammar?! language is not universal... noun is no surd... verb is no integer... je suis is no 1 + 1 = 2... but like i said before... you're talking about pandering to linguistic retards... they might not be mad enough to enjoy the rainbow plethora of pharmacology... but sure as ****... they're linguistic retards... sorry, the saddest truth is... somehow... the most fun to attest in concurrence; oh right... that western, true grit... well... whether you're John Wayne or Jeff Bridges... one eye still intact? it's not a blinking... it's called the blink... no, and it's not even a blink... see how English is fascinating when singularity and pluralism enters the arena of the direct / indirect articulation? and to think the English wanted to debate a non-existent gender association of nouns that the French, the Polaks can have... but you sorry *******... ain't getting it!

so...

    a juggling act...

(insert a snigger)

   lindsay shepherd's
video: exposing grad school
(my m. a. experience)

and...............

         bon jovi's
blaze of glory

       bon jovi! wooooooooooooo!

god, i'm so stereotypical.
i should have signed up
becoming a side-burner
for some ******* Kentucky
redneck.

p.s. is stereotypical
synonymous
with predictable?
that's actually a genuine question
of, rather than answering the question
itself, answering the per se
curiosity; savvy?

so what is it... Bub "the blue" Clí 'n' Son?
***** needin'
to ****?
watcha gonna do Bub?
               hold up the, "spanker"?!

---------------------------------------

and some days, in england, and it's june,
and 10pm feels like 7pm in some other season
and it reminds me of the white nights
of st. petersburg....
   insomnia and ******* a girl for seven hours...
oh the ******* bit was fun,
don't get me wrong,
   i had to wait 2 weeks before she let me
do it to her in the bath...
****** ready... she was on her period,
but misguided:
  last time i heard...
            ******* on a period eases
the period pains...
      eh... gritty flesh bits on the rubber...
problem? what problem?!

    no wonder then: i hate drinking buddies...
people dumb down upon ingesting
alcohol, i'm talking: 2D objects in 3D space
akin to fern bushes in the 1st tomb raider
(black holes - a paradox,
   a 2D object spinning really fast in
an infinite 3D space... copernican east?
copernican west? i hope the rabbi knows)...

days like this, oh all the days like this...
when you wake up,
jump out of bed... and dance naked in your
room listening to KULT's
          brooklyńska rada Żydów -
two music genres i never got into:
punk and rap...
   well... "mediocre" punk...
   californian, the offspring,
  the usual suspects of the ramones,
*** pistols, stiff little fingers, mainstream *******...
ska... now we're talking...
hip hop contra rap: now we're talking...

such a beautiful day...
    a chestnut mushroom cream sauce with
snippets of turkey, of course the fresh parsley...
bay leaf, one clove, two all-spice buds...

    and... i'm really tired of looking up
h'america's ***...
    i sometimes thank god that i'm not
english for the sole reason that i don't have
to mind the "special relationship",
like i'm being owed or owning someone
for the respects of sharing the same lingo...

you want the other "special relationship"?
it began with Casimir III...
east... well: central europe...
eastern europe without borders,
purely geographic: is situated somewhere
in russia...
          borders condense...
last time i visited the home away from home
i found new music...
pablopavo i ludziki...
             the polonaise and the jews...
how many terrorist attacks in poland
while the islamists were having a funfair
elsewhere? gullible schvabs and swedes...
  (swabians, that's a slang for the ol' deutsche
deutsche back east - kacap ('tss wet snare
on the c) for the russians)...
       0...
                  funny (even)...
the map of recent terrorist attacks...
     and... the map of the spread of the bubonic
plague... a certain region remains
immune...
       even i agreed with my uncle:
better the catholic ******* than islamic
propaganda... mind you...
        sh'ite islam: thumbs up!
always pay due dues to the underdogs...
and if islam truly was a religion
to gobble up all other religions...
      a schism over such a petty affair
including Ali - the son in law of Muhammad
and Muhammad breaking his promise...

    oy vey!
     how else was i going to get out of bed
to dance naked to anything
but the ska song: brooklyńska rada Żydów?
what other option?
      black ox orkestar's bukharian?
                                             oy vey!
funny story from amsterdam...
me and this egyptian were sharing a hostel
room with these two germans,
who wasted 'shrooms on sitting indoors
watching h'american dad...

   we took a different route...
   he smoked, i drank, he had a bottle of
***** with him,
architect, i can't remember his name,
a keen eye for grand doodles in a notebook...
but then i decided to take a ****
after a few beers while he put
headphones into my ears and played
me le trio joubran's - masar...
        i even managed to attract the attention
of a dutch girl who seemed...
rather gobsmacked...
   i literally went into the nod-state
associated with ****** junkies...
but with eyes closed and mouth agape...
feeding off the ****** of the void...
i.e. the ****** of the void?
    when you're not chained to thinking...
the self disintegrates,
              thinking disintegrates...
and with the music: the void became
pulverizing me with vibration after
vibration echoing a chanced comparison
to a heart-beat mingling with
the fuzzy rippling and vibrating effect of
   the eye-sight of some insect...

yes yes... blah blah...
    boasting... boasting my ***...
am i here to feel sorry for myself,
to drown in my take on some perfect love
i could offer?
      no really...
               i've always had the two best
companions to begin with...
my shadow and a blank piece of pixel
paper perfectly coupled to my idle /
itchy finger-tips...
   well, a third: ms. amber...
                         i learned over a year ago
that drinking with familiar people
****** me off... drinking with strangers?
oh sure, great time...
the best times when drinking in public
are with strangers...
"friends" (fwends) are just too nostalgic,
they want to remind you of something,
notably some micro-aggression nonsense
of a past grievance...
                   don't drink with "friends"...
every time i did: i would wake up
the next morning *******...
cursing them, putting on a mocking voice...

me me me... oh poow meeeeeeeeeeee...
   *******...
               so? i learned to adapt in
liking my own company...
it's not much, but sure as **** beats
listening to a bunch of drunken, nagging housewives;
i'm pretty sure a man should have been
in that slot of the space between my
3rd and 4th pint of guinness;
alas! not to be!
Kendall Mallon Feb 2013
A man sat upon a pub stool stroking his
ginger beard while grasping a pint with his
other hand; an elderly gent sat down next to
him; this older man saw the ginger bearded
fellow’s pint was quite ne’r the bottom

A woman with eyes of amber and hair like
chestnut strolled through a vineyard amongst
the ripening grapes full of juice soon to become
wine she clutched a notebook—behind black
covers lay ideas and sketches on how to bring
the world to a more natural state; balancing
the wonders and benefits of technology with
the beauty and sanctity of the natural world

When the ginger bearded man finished
the last bit of his pint another appeared
before him—courtesy of the old man,
“Notice you got the mark of a man accustom
to the seas,” said the old man gesturing to
the black and blue compass rose inscribed
in a ship’s helm, imbedded into the back
of the ginger bearded man’s right hand.

“I have crewed and skippered a many fine
vessel, but I am giving up the sea. I have
one last voyage left in me—to my home.”

“Aye the sea can be cold and harsh,
but she captures me heart. To where
are ye headed for home, there son?”

“’tis not a where, ‘tis a who. Sets of events
have lead to separate from me my wife. I
have been traveling for  five years waiting
to be in her embrace. The force of the sea,
she, is a cruel one for at every tack, or gybe
I am thrown off my course to stranger and
stranger lands… I have gone to the rotunda
of hell and the gates of the so called heaven.
I have struck deals, and  made bets only a
gambling addict would accept. All to just be
with her. I am homesick—she is my home; it
doesn’t matter where—physically—we are
my home is with her. I was told to come to the
clove of Cork and wait, wait for a man, but I
was not told anything about this man only that
I must return him this,” the ginger bearded man
held out a silver pocket watch with a frigate
engraved on the front and two roses sharing a
stem swirling on the back upon themselves.

“Can it be? ‘tis my watch t’at me fat’er gave
me before he died… I lost t’is at sea many a
year ago; it left me heartbroken. For ‘twas me
only lasting memory of him… Come to t’ink
I was told by a beggar in the streets, I do not
remember how long ago, but it has been many
a years, t’at I would meet a man with something
very dear to me, and I would take this man on
a journey, and this man would have the mark
of a sailor. What is ye name? Can it be…?”

“My name is Lysseus dear old man—it seems
the Sea is holding up her bargain—though a
little late... do you have a ship that can fair to
Rome? All across this land, none a skipper will
uptake my plea; they fear the wrath of the sea.
If they have no fear, they claim my home ‘is not
on their routes…’ ‘tis a line I’ve heard too often;
I would purchase a boat, but the sea, she, has
robbed me identity and equity; I’m at her mercy.”

Penny with her rich chestnut hair sat on a fountain
in a piazza—her half empty heart longing to feel
the presence of the Lysseus and stroke his ginger
beard… everyday she would look out at the sea;
where she saw him leave port—five long years ago…

All said she should give up; that he
was dead by now—his ship (what
was left) was found amidst the rocks
of Cape Horn, but she knew there was
hope, she should feel deep inside her
soul he is alive somewhere fighting to
return home. Never would she leave;
never would she abandon her post.
She made that promise five years ago
as he set out on his ‘last’ sail off shore.
And she would be ****** before she
broke her promise—a promise of the
heart; a promise of love. He said, “You
are my lighthouse; your love will guide
me home—keep me from danger. As
long as you remain my lighthouse I will
forever be able to return home—to you.”

Off from Crosshaven the old man took
steadfast Lysseus en route to his home.
Grey Irish skies turned blue as they made
their way out on the Celtic Sea, southeast,
to the Straight of Gibraltar; gentle cold
spray moistened his ginger beard, his
tattooed hands grasped the helm—his
resolute stare kept the two on course.

It was a shame to the old man that this
would be Lysseus’ final voyage—he was
the best crew the man had known; he
was  not sure if it was just the character
of the  fellow or his personal desire to
return  home after five long, salty-cold,
years being a slave to the sea and her
changing whim—never had he seen his
ship sail as fast as he did when Lysseus
was his crew—each sail trimmed perfectly,
easing  the sheets fractions of an inch to
gain just the slightest gain in speed; the
sight warmed the heart of the old man.

The old man mused: maybe this is the
reason the sea has fought so hard and
lied to keep Lysseus from returning
home… she could not bear to lose such
fine a sailor from her expanses—she
is known to be a jealous mistress…

The old man, as he smoked his pipe, sat on
the back pulpit staring at Lysseus’ passion
to return home, as he calls her. But for all
his will and passion the, old man had to
insist for the fellow to rest; otherwise he
would go mad without sleep; reluctantly he
would retire below deck, but the old man
doubted the amount of rest he actually
acquired in those moments out of his sight.

The seas were calm as open water can be,
rolling swells rocked and pushed the vessel
forward. The Straight of Gibraltar opened
up on the horizon like a threshold—a major
land mark for the Lysseus; he was closer to
home than he had been in five long, salty,
years. His limbo was starting to fade, his
heart slowly—for the first time since he left
port—was beginning to feel whole again.
The Mediterranean Sea—his final sea—he
would not miss the gleam of his lighthouse…

The closer they sailed to Rome, he could sense a
change in the water, a change in the weather; clouds
grew darker and bellowed like gluttonous bulbs. As
he feared, the Sea was breaking her promise—she
was not done with him yet. She could not let him
return home—the jealous temptress who has ruined
many a fine men—the least honest of all the elements.

“I see she ain’t done wit’ ye yet,” said
the old man. Surveying the dark, grey,
clouded noon-day sky from the bow pulpit.

“Nothing will keep me from reaching home; even if I
have to swim the final nautical miles. I will not let the
Sea break her deal; I will make her keep at least one of
her deals. My love is stronger than her forces. That I
know for certain. That I know beyond doubt.” Such
cried Lysseus out to the darkening sea and old man.

As if on cue—waiting for Lysseus to finish
his soliloquy—the clouds let out a deafening
cacophony of thunder cracks rolling through
the heavens towards their vessel. Lighting
grounded on the horizon around them creating
a cage of light and electricity. The gentle rolling
swells grew in stature with every cracking
second. The bow smacked and dove into on
coming waves; drenching both Lysseus and
the old man; with each flood of water over
the deck. The swells grew to such heights the
horizon transformed into dark clouds and
white peaked waves merging with the sky.

A wave crashed over the windward side of
the ship, the force of it cracked the base at
which the compass stood fastened to the deck
of the cockpit a larger wave hit abeam further
loosening the compass from its purchase; with
the angle of the ship and the rise and fall in the
waves it was all Lysseus could to do hold on
and watch the Sea slowly take the ship’s
navigation instrument into Her dark cold depths…

“Oh why do you curse me you foul tempest?
Cannot you see all I desire is to return to my
home!? I have done all you asked; I have
played all your games and won! now it is my
turn now—time for you to play by my rules!”
Lysseuc beckoned the old man to seek refuge
below deck—he would sail them through the
storm, and assured him the ship would reach
port afloat; for, “I can feel my lighthouse in
the distance; do you hear me Sea? You can
take away our mariner’s compass, but you
cannot take away the compass in my heart;
and the light of my home on shore. Five long
years ago she made a promise to me to be
my lighthouse—to guide me home no matter
what—regardless what you do, Sea, you can
never break her promise—only your, promises.”

As a lighthouse she stood through the weather
of the night—risking pneumonia, for Penny’s
heart told her she could never abandon her
promise as the waters fell flat and the sun peaked
through the storm clouds, a silhouette stretched
in the sunrise light, pointing to her feet. Upon the
bow Lysseus stood, his eyes fixed at the dock
where his lighthouse stood, fixed. Upon the dock
he jumped into the warm, loving, arms of his
home both of their hearts became whole again.
In my head, this is the beginning of a longer epic, which I still have yet to write. Would any of you who read this like to have more to the story; or do you like it as it is?
anastasiad Jun 2017
Blooming Daughter, which inturn may even be a very important system of the medieval wedding event. Wedding ceremony customary wedding event contains developed, that blooming kids always have fun an important very important task around the wedding event. With the today's wedding event, girls under the tarmac anterior to the girl, ones own clothing usually tend to suit your wedding day clothing. They may accommodate an important petal gourmet gift baskets and even disperse that present. The nation's exquisite visual aspect normally grab the treatment of a lot of kids people. Fabulous girl normally enjoy these particular stuff.

Blooming daughter clothing shift of all time and will eventually build up gradually. Found . fix on the brief period of your into that the top blooming kids. The best daughter of all time out dated into Roman days. In addition, a lot of these fabulous girls accommodate sheath in grain and even herbal selections. It bonus offer is known as a blessing in virility and even prosperity's sake. Once the Ancient, garlic clove blooming daughter followed on. It is the major reason in the Black colored Loss on Eu. Garlic clove on top of that will be able to ward off satanic tones because of antimicrobial residences. That blooming daughter clothing normally pursue that girl wedding outfit.

Concerning that Victorian days, everything that they are surely working on now's really realizing that wardrobe for everyone kids. In most cases the gown is without a doubt the white kind of and even manufactured with bows belts. Hunting for cost effective designer wedding dresses, a lot of these wardrobe, at present they are really not as much professional rather than all sorts of things helpful. The wonder belonging to the blooming daughter additionally, the logo in purity can be each of those exquisite.

This specific blooming daughter clothing through clothing through silk belt will still be well known with the Edwardian days. Some people pursue that sort of dress yourself in personal wardrobe in most cases. They are really brilliant, not only for furnishings this was implemented well before. With the 1920s, that baffle model is to use an important clothing which can be very popularly used a product from. Although 1960s-style grace belonging to the clothing will be well known with the 20 th.

Nowadays, aimed at the design and style in wedding event blooming daughter clothing is without a doubt alot more favorable rather than well before. That interest for everyone clothing is escalating. That designing should really catch the attention of each of those infants and even men and women. Clothing should really be each of those chic and even exquisite. A lot of these extraordinary wardrobe will have to be great and even contemporary, along with a important get the job done. Blooming kids and even ones own task will work with the past in wedding event. They are really thrilled princess or queen as their take pleasure in is invariably great.

As a result it is the past belonging to the blooming daughter clothing, intend you'll find various excitement as a result of encountering this article.

https://www.rebeccafashion.com/blog/Show-Off-YourPersonality-With-Glueless-Full-Lace-Wigs/ glueless full lace wigs
Clove kisses saturate remembrance.
The peaceful taste of antiseptic.
And  the smell of rekindling embers in November
Fires stoked with seasons.
sneak through my nose to rest on the back of my tongue
The autumn is screaming with the call of leaves dying,
But oh, they smell so beautiful,
and we are so warm.
While you were here, you barely let go of my arm.
edits: the taste of peaceful antiseptic
inserted 5th line.  
changed tense of "screams" to "is screaming"
Clem C Jan 2014
One clove a day
health eternal I pray
that it is not true,
for I am well short
of the twenty two thousand
to have been eaten
by this date

one plant if it were new to enter
anywhere, would not pass inspection
as a common garden vegetable,
it would take decades and investigation,
to give the nod to forty garlic chicken
or even to transport one clove.

some say it is the taste,
to others it is the waft,
of air in advance of the consumer,
knowing it does the body good,
but if one eats garlic and your mate
must too, or there may be a break in that allure

each cluster
is a toxin buster,
if you can muster
the appetite.

each group
can raise a whoop,
from a troop
of the healthy.

eat it raw to digest
your will to resist,
that all will cease
and desist, to disagree.

eat it cooked,
make it good,
that it would
deliver
all the benefits
          your friends
will understand


even
from
across
the room
Maybe why... I am alone.
Mateuš Conrad Mar 2020
.a grand biblical event could be happening, it could very well be happening... but then you could be like me, treating a toothache with cloves... sieving through the smiths' oeuvre (because when it came to 1980s music, it was always about the cure and depeche mode)... or getting your anaesthetic watching stockholm requiem... robotic or perhaps just zoological swedes treating the case of: unwanted... like a heart-attack is merely a murmur... i imagine the germans in concentration camps being burdened with their trained sadism... sickly sweet from the crescendo of inhumanity... anything but this swedish anemia... this "supposed to be human"... perhaps it should be called the Moebius-Stockholm Syndrome... no... i have no impeding wish to go back to visit Sweden... i'm sure to find more water in a rock... i'm sure to find more sunsets if i were to go blind... come summer and the air would drop temperature come the desired hours of the spectacle... i quiet fancy the nazis to have been burdened with too much of life, the mammalian hot-bloodedness... i can almost imagine them being unable to bypass their erectile-dysfunctions with those deeds of theirs... than these ivory pickles of men... not even an event of biblical proportions would wake these people if their thespians are so... morbidly without a grace of a statue standing over a grave... the facade of flesh... when i can peer at a necro-associated-sculpture and pave my way toward "imagining" something intent on life within it... if the swedish thespians are so... less rummaging... i can't quiet imagine the real-life swede... perhaps they're just autistic? or... let's be kind... solipsistic? well... if only being invaded was something of a cure... as Knausgård mentions... i wonder why there's this sudden rise in scandinavian romanticism: genesis... i would rather trace a backward "plan" from sanskrit and to the great mother siberia... daydreams and ineffectual markings of... these days words of most importance are more ascribed to... the sort of paper you will not write on... escape from sobibor... i can imagine being exhausted by having to perform so much sadism... rather than, say, calmly brewing a cup of tea... it must have been so tiresome to be trained as monsters... of course: exceptions... it's just tiresome through-and-through... buying mania... for shoes... for umbrellas... for obscure details that might allow any general improvement of life... singing lazily as morrissey... did... if the man is to become a pariah... hell: not as bad as a persona non grata: the guns of navarone only come out with the proper latin... the concentration camp "workers"... the salt-miners of the *****... of no affair to make a sympathy... but if you've just watched a swedish thespian production... in unwanted... stockholm requiem... more like a Moebius-Stockholm Syndrome... you'd turn to watch something of something clearly tortured... by torturing... from above: crisp clean napkins and all those anecdotes over dinner while ingeting champagne in flutes... there's no need to make this "look" good... this is still about morrissey, though... tired of the cure and depeche mode... the current craze for biblical sized proportion of events... apparently it's true: absolutely everything is MADE IN CHINA... well... at least no one's dying with boils, spores... weird mushrooms growing out of their armpits... or the leprechauns of leprosy taking a bite... point being... i don't think this current state of affairs proves that my fellow man... could stomach... very little these days... then again... i could get away with this: humanisation of concentration camp guards... because i feel completely robotic having watched swedish acting... i'm looking for the most worthwhile available alternative... when you can't just pet a cat... as william burroughs noted... you can keep a cat, feed it, pet it... but at the end of the month you need to gauge its eyes out to enter the ᛋᛋ... so uber... by the way... why is there no D in armanen runes? hard to make sense of a future language of: the man in the high castle with only 18 letters... that's 4 short of the hebrew alphabet... clearly *******... 24 in greek... 23 in roman... 26 in modern english... 41 letters in the glagolitic alphabet... yes: graphemes and all - all those diacritical passions... 32 in modern polish... early germanic had 24 letters... but the armanen runes? only 18... *******... so much for ***** von List or what the third ***** germans read... the wrong sort of neopaganism: esp. if you're about to... ******* about 6 letters... you can't exactly have a language with a bare minimum of... 22 letters... which is a lie... ha ha... the hebrews have 27 letters... but their vowels are like diacritical marks elsewhere... "hidden"... it's the basic prefix rule of o(mega) and e(psilon)... or for that matter a-lpha and b-eta... well... there's the ******* siamese adams (א) and (ע)... b(ב), g(ג), d(ד), h(ה), v(ו), z(ז), ch(ח), t(ט), y(י), k(כ), L(ל), m(מ), n(נ), s(ס), p(פ), ts(צ), q(ק), r(ר), sh(ש), "t"... so that's the ******* siamese adams and the timmy and timothy t(ט) and "t"(ת)... but there are five over letters... kametz (a), chirek (i), tzere (e) cholem (o) and shurek (u)... although... they're not treated as letters... but akin to the acute diacritical mark when s becomes ś... or when a c grows a cedilla and becomes ç... or when an A grows a tail and becomes Ą... in hebrew that's already exposed... sh(ש)in is a caron s (Š)... and ch(ח)et is a caron c (Č)... no... if you're looking at hebrew as i am... gobsmacked... because they're playing crossword puzzles by merely writing... how their vowels wear niqabs... and are "not included"... you can't have a functioning civilization without a bare minimum of 22 letters... which is a lie... the hebrews just treat their vowels are diacritical markers... they have 27... the standard was given by the greeks... 24... and of those that are, 24... you could say... ΦΘ: phi and theta: F... OΩ: omicron and omega: is that pop and ****? equivalent? there's you real 22 letter alphabet... which includes all the vowels... ξ(ks), χ(ch), ψ(ps) - otherwise the letter that makes π a patent surd... so ψ is the aesthetic variation of σomething else... only differentiated when written... not necessarily when spoken - so you could technically... let's leave it at that.

they're saying about ibuprofen -
whatever the science: how the virus is latching
onto it and is sustained by it -
quack-theory or a barking up the wrong
the tree -
                    last time i heard an ibuprofen
is best for a toothache -
                  if only life... could be more monumental
that living through this mass hysteria:
or lack of it thereof...
       with this most irritating pain -
          this loose filling... there's a pandemic raging
the supermarkets are running out of bread...
there's no sugar and no flower...
       no bread: no circuses of a football match...
no real gambling involving 22 ballerinas,
horses or dogs...
                                  and here i am...
more bothered with a toothache...
                           what remedy, what remedy?
last time i heard...
                   they use a base chemical ingredient
from cloves for all the anaesthetics in dentistry...
last time i heard...
   if you put a clove on the ill tooth...
                       gently bite down...
                    one down... slobbered...
                 the saliva will open up the remedy...
from this humble clove...
         well... so much for merely culinary
purposes...
                                   indeed... a toothache
lessened... by a clove...
                        now for that whiskey disinfectant
to wipe clean the mouth...
         then some cheap ***** mixed with
aleo vera gel for that oh so precious disinfectant
that... evaporates when smeared onto
the hands...
                 i could be making money from this...
as i heard: bottles are selling for 60+ quid...
n'ah... i like being integrated for my already
miniature role of self with... integrity...
the knitty-gritty of honesty...
                                    who would have thought...
that cloves can alleviate toothache;
after all... there's that whale that swallowed
Jonah to fish for... in this current climate:
      of cough sneeze and woozy;
better still... an oeuvre of the smiths...
           because i never really got into them...
now's a good time like any other...
            girlfriend in a coma...
                            pretty girls make graves...
                     some girls are bigger than others...
            oddly... the music when watching
empty buses plough the streets -
             when empty streets become...
arcades for the winds...
                               and... they are not missing
those arthritis prone in-mid-life joggers...
              well... it's still the right sort of time...
to head on high... and find entertainment in thinking.
I.
Fair Isabel, poor simple Isabel!
Lorenzo, a young palmer in Love's eye!
They could not in the self-same mansion dwell
Without some stir of heart, some malady;
They could not sit at meals but feel how well
It soothed each to be the other by;
They could not, sure, beneath the same roof sleep
But to each other dream, and nightly weep.

II.
With every morn their love grew tenderer,
With every eve deeper and tenderer still;
He might not in house, field, or garden stir,
But her full shape would all his seeing fill;
And his continual voice was pleasanter
To her, than noise of trees or hidden rill;
Her lute-string gave an echo of his name,
She spoilt her half-done broidery with the same.

III.
He knew whose gentle hand was at the latch,
Before the door had given her to his eyes;
And from her chamber-window he would catch
Her beauty farther than the falcon spies;
And constant as her vespers would he watch,
Because her face was turn'd to the same skies;
And with sick longing all the night outwear,
To hear her morning-step upon the stair.

IV.
A whole long month of May in this sad plight
Made their cheeks paler by the break of June:
"To morrow will I bow to my delight,
"To-morrow will I ask my lady's boon."--
"O may I never see another night,
"Lorenzo, if thy lips breathe not love's tune."--
So spake they to their pillows; but, alas,
Honeyless days and days did he let pass;

V.
Until sweet Isabella's untouch'd cheek
Fell sick within the rose's just domain,
Fell thin as a young mother's, who doth seek
By every lull to cool her infant's pain:
"How ill she is," said he, "I may not speak,
"And yet I will, and tell my love all plain:
"If looks speak love-laws, I will drink her tears,
"And at the least 'twill startle off her cares."

VI.
So said he one fair morning, and all day
His heart beat awfully against his side;
And to his heart he inwardly did pray
For power to speak; but still the ruddy tide
Stifled his voice, and puls'd resolve away--
Fever'd his high conceit of such a bride,
Yet brought him to the meekness of a child:
Alas! when passion is both meek and wild!

VII.
So once more he had wak'd and anguished
A dreary night of love and misery,
If Isabel's quick eye had not been wed
To every symbol on his forehead high;
She saw it waxing very pale and dead,
And straight all flush'd; so, lisped tenderly,
"Lorenzo!"--here she ceas'd her timid quest,
But in her tone and look he read the rest.

VIII.
"O Isabella, I can half perceive
"That I may speak my grief into thine ear;
"If thou didst ever any thing believe,
"Believe how I love thee, believe how near
"My soul is to its doom: I would not grieve
"Thy hand by unwelcome pressing, would not fear
"Thine eyes by gazing; but I cannot live
"Another night, and not my passion shrive.

IX.
"Love! thou art leading me from wintry cold,
"Lady! thou leadest me to summer clime,
"And I must taste the blossoms that unfold
"In its ripe warmth this gracious morning time."
So said, his erewhile timid lips grew bold,
And poesied with hers in dewy rhyme:
Great bliss was with them, and great happiness
Grew, like a ***** flower in June's caress.

X.
Parting they seem'd to tread upon the air,
Twin roses by the zephyr blown apart
Only to meet again more close, and share
The inward fragrance of each other's heart.
She, to her chamber gone, a ditty fair
Sang, of delicious love and honey'd dart;
He with light steps went up a western hill,
And bade the sun farewell, and joy'd his fill.

XI.
All close they met again, before the dusk
Had taken from the stars its pleasant veil,
All close they met, all eves, before the dusk
Had taken from the stars its pleasant veil,
Close in a bower of hyacinth and musk,
Unknown of any, free from whispering tale.
Ah! better had it been for ever so,
Than idle ears should pleasure in their woe.

XII.
Were they unhappy then?--It cannot be--
Too many tears for lovers have been shed,
Too many sighs give we to them in fee,
Too much of pity after they are dead,
Too many doleful stories do we see,
Whose matter in bright gold were best be read;
Except in such a page where Theseus' spouse
Over the pathless waves towards him bows.

XIII.
But, for the general award of love,
The little sweet doth **** much bitterness;
Though Dido silent is in under-grove,
And Isabella's was a great distress,
Though young Lorenzo in warm Indian clove
Was not embalm'd, this truth is not the less--
Even bees, the little almsmen of spring-bowers,
Know there is richest juice in poison-flowers.

XIV.
With her two brothers this fair lady dwelt,
Enriched from ancestral merchandize,
And for them many a weary hand did swelt
In torched mines and noisy factories,
And many once proud-quiver'd ***** did melt
In blood from stinging whip;--with hollow eyes
Many all day in dazzling river stood,
To take the rich-ored driftings of the flood.

XV.
For them the Ceylon diver held his breath,
And went all naked to the hungry shark;
For them his ears gush'd blood; for them in death
The seal on the cold ice with piteous bark
Lay full of darts; for them alone did seethe
A thousand men in troubles wide and dark:
Half-ignorant, they turn'd an easy wheel,
That set sharp racks at work, to pinch and peel.

XVI.
Why were they proud? Because their marble founts
Gush'd with more pride than do a wretch's tears?--
Why were they proud? Because fair orange-mounts
Were of more soft ascent than lazar stairs?--
Why were they proud? Because red-lin'd accounts
Were richer than the songs of Grecian years?--
Why were they proud? again we ask aloud,
Why in the name of Glory were they proud?

XVII.
Yet were these Florentines as self-retired
In hungry pride and gainful cowardice,
As two close Hebrews in that land inspired,
Paled in and vineyarded from beggar-spies,
The hawks of ship-mast forests--the untired
And pannier'd mules for ducats and old lies--
Quick cat's-paws on the generous stray-away,--
Great wits in Spanish, Tuscan, and Malay.

XVIII.
How was it these same ledger-men could spy
Fair Isabella in her downy nest?
How could they find out in Lorenzo's eye
A straying from his toil? Hot Egypt's pest
Into their vision covetous and sly!
How could these money-bags see east and west?--
Yet so they did--and every dealer fair
Must see behind, as doth the hunted hare.

XIX.
O eloquent and famed Boccaccio!
Of thee we now should ask forgiving boon,
And of thy spicy myrtles as they blow,
And of thy roses amorous of the moon,
And of thy lilies, that do paler grow
Now they can no more hear thy ghittern's tune,
For venturing syllables that ill beseem
The quiet glooms of such a piteous theme.

**.
Grant thou a pardon here, and then the tale
Shall move on soberly, as it is meet;
There is no other crime, no mad assail
To make old prose in modern rhyme more sweet:
But it is done--succeed the verse or fail--
To honour thee, and thy gone spirit greet;
To stead thee as a verse in English tongue,
An echo of thee in the north-wind sung.

XXI.
These brethren having found by many signs
What love Lorenzo for their sister had,
And how she lov'd him too, each unconfines
His bitter thoughts to other, well nigh mad
That he, the servant of their trade designs,
Should in their sister's love be blithe and glad,
When 'twas their plan to coax her by degrees
To some high noble and his olive-trees.

XXII.
And many a jealous conference had they,
And many times they bit their lips alone,
Before they fix'd upon a surest way
To make the youngster for his crime atone;
And at the last, these men of cruel clay
Cut Mercy with a sharp knife to the bone;
For they resolved in some forest dim
To **** Lorenzo, and there bury him.

XXIII.
So on a pleasant morning, as he leant
Into the sun-rise, o'er the balustrade
Of the garden-terrace, towards him they bent
Their footing through the dews; and to him said,
"You seem there in the quiet of content,
"Lorenzo, and we are most loth to invade
"Calm speculation; but if you are wise,
"Bestride your steed while cold is in the skies.

XXIV.
"To-day we purpose, ay, this hour we mount
"To spur three leagues towards the Apennine;
"Come down, we pray thee, ere the hot sun count
"His dewy rosary on the eglantine."
Lorenzo, courteously as he was wont,
Bow'd a fair greeting to these serpents' whine;
And went in haste, to get in readiness,
With belt, and spur, and bracing huntsman's dress.

XXV.
And as he to the court-yard pass'd along,
Each third step did he pause, and listen'd oft
If he could hear his lady's matin-song,
Or the light whisper of her footstep soft;
And as he thus over his passion hung,
He heard a laugh full musical aloft;
When, looking up, he saw her features bright
Smile through an in-door lattice, all delight.

XXVI.
"Love, Isabel!" said he, "I was in pain
"Lest I should miss to bid thee a good morrow:
"Ah! what if I should lose thee, when so fain
"I am to stifle all the heavy sorrow
"Of a poor three hours' absence? but we'll gain
"Out of the amorous dark what day doth borrow.
"Good bye! I'll soon be back."--"Good bye!" said she:--
And as he went she chanted merrily.

XXVII.
So the two brothers and their ******'d man
Rode past fair Florence, to where Arno's stream
Gurgles through straiten'd banks, and still doth fan
Itself with dancing bulrush, and the bream
Keeps head against the freshets. Sick and wan
The brothers' faces in the ford did seem,
Lorenzo's flush with love.--They pass'd the water
Into a forest quiet for the slaughter.

XXVIII.
There was Lorenzo slain and buried in,
There in that forest did his great love cease;
Ah! when a soul doth thus its freedom win,
It aches in loneliness--is ill at peace
As the break-covert blood-hounds of such sin:
They dipp'd their swords in the water, and did tease
Their horses homeward, with convulsed spur,
Each richer by his being a murderer.

XXIX.
They told their sister how, with sudden speed,
Lorenzo had ta'en ship for foreign lands,
Because of some great urgency and need
In their affairs, requiring trusty hands.
Poor Girl! put on thy stifling widow's ****,
And 'scape at once from Hope's accursed bands;
To-day thou wilt not see him, nor to-morrow,
And the next day will be a day of sorrow.

***.
She weeps alone for pleasures not to be;
Sorely she wept until the night came on,
And then, instead of love, O misery!
She brooded o'er the luxury alone:
His image in the dusk she seem'd to see,
And to the silence made a gentle moan,
Spreading her perfect arms upon the air,
And on her couch low murmuring, "Where? O where?"

XXXI.
But Selfishness, Love's cousin, held not long
Its fiery vigil in her single breast;
She fretted for the golden hour, and hung
Upon the time with feverish unrest--
Not long--for soon into her heart a throng
Of higher occupants, a richer zest,
Came tragic; passion not to be subdued,
And sorrow for her love in travels rude.

XXXII.
In the mid days of autumn, on their eves
The breath of Winter comes from far away,
And the sick west continually bereaves
Of some gold tinge, and plays a roundelay
Of death among the bushes and the leaves,
To make all bare before he dares to stray
From his north cavern. So sweet Isabel
By gradual decay from beauty fell,

XXXIII.
Because Lorenzo came not. Oftentimes
She ask'd her brothers, with an eye all pale,
Striving to be itself, what dungeon climes
Could keep him off so long? They spake a tale
Time after time, to quiet her. Their crimes
Came on them, like a smoke from Hinnom's vale;
And every night in dreams they groan'd aloud,
To see their sister in her snowy shroud.

XXXIV.
And she had died in drowsy ignorance,
But for a thing more deadly dark than all;
It came like a fierce potion, drunk by chance,
Which saves a sick man from the feather'd pall
For some few gasping moments; like a lance,
Waking an Indian from his cloudy hall
With cruel pierce, and bringing him again
Sense of the gnawing fire at heart and brain.

XXXV.
It was a vision.--In the drowsy gloom,
The dull of midnight, at her couch's foot
Lorenzo stood, and wept: the forest tomb
Had marr'd his glossy hair which once could shoot
Lustre into the sun, and put cold doom
Upon his lips, and taken the soft lute
From his lorn voice, and past his loamed ears
Had made a miry channel for his tears.

XXXVI.
Strange sound it was, when the pale shadow spake;
For there was striving, in its piteous tongue,
To speak as when on earth it was awake,
And Isabella on its music hung:
Languor there was in it, and tremulous shake,
As in a palsied Druid's harp unstrung;
And through it moan'd a ghostly under-song,
Like hoarse night-gusts sepulchral briars among.

XXXVII.
Its eyes, though wild, were still all dewy bright
With love, and kept all phantom fear aloof
From the poor girl by magic of their light,
The while it did unthread the horrid woof
Of the late darken'd time,--the murderous spite
Of pride and avarice,--the dark pine roof
In the forest,--and the sodden turfed dell,
Where, without any word, from stabs he fell.

XXXVIII.
Saying moreover, "Isabel, my sweet!
"Red whortle-berries droop above my head,
"And a large flint-stone weighs upon my feet;
"Around me beeches and high chestnuts shed
"Their leaves and prickly nuts; a sheep-fold bleat
"Comes from beyond the river to my bed:
"Go, shed one tear upon my heather-bloom,
"And it shall comfort me within the tomb.

XXXIX.
"I am a shadow now, alas! alas!
"Upon the skirts of human-nature dwelling
"Alone: I chant alone the holy mass,
"While little sounds of life are round me knelling,
"And glossy bees at noon do fieldward pass,
"And many a chapel bell the hour is telling,
"Paining me through: those sounds grow strange to me,
"And thou art distant in Humanity.

XL.
"I know what was, I feel full well what is,
"And I should rage, if spirits could go mad;
"Though I forget the taste of earthly bliss,
"That paleness warms my grave, as though I had
"A Seraph chosen from the bright abyss
"To be my spouse: thy paleness makes me glad;
"Thy beauty grows upon me, and I feel
"A greater love through all my essence steal."

XLI.
The Spirit mourn'd "Adieu!"--dissolv'd, and left
The atom darkness in a slow turmoil;
As when of healthful midnight sleep bereft,
Thinking on rugged hours and fruitless toil,
We put our eyes into a pillowy cleft,
And see the spangly gloom froth up and boil:
It made sad Isabella's eyelids ache,
And in the dawn she started up awake;

XLII.
"Ha! ha!" said she, "I knew not this hard life,
"I thought the worst was simple misery;
"I thought some Fate with pleasure or with strife
"Portion'd us--happy days, or else to die;
"But there is crime--a brother's ****** knife!
"Sweet Spirit, thou hast school'd my infancy:
"I'll visit thee for this, and kiss thine eyes,
"And greet thee morn and even in the skies."

XLIII.
When the full morning came, she had devised
How she might secret to the forest hie;
How she might find the clay, so dearly prized,
And sing to it one latest lullaby;
How her short absence might be unsurmised,
While she the inmost of the dream would try.
Resolv'd, she took with her an aged nurse,
And went into that dismal forest-hearse.

XLIV.
See, as they creep along the river side,
How she doth whisper to that aged Dame,
And, after looking round the champaign wide,
Shows her a knife.--"What feverous hectic flame
"Burns in thee, child?--What good can thee betide,
"That thou should'st smile again?"--The evening came,
And they had found Lorenzo's earthy bed;
The flint was there, the berries at his head.

XLV.
Who hath not loiter'd in a green church-yard,
And let his spirit, like a demon-mole,
Work through the clayey soil and gravel hard,
To see skull, coffin'd bones, and funeral stole;
Pitying each form that hungry Death hath marr'd,
And filling it once more with human soul?
Ah! this is holiday to what was felt
When Isabella by Lorenzo knelt.

XLVI.
She gaz'd into the fresh-thrown mould, as though
One glance did fully all its secrets tell;
Clearly she saw, as other eyes would know
Pale limbs at bottom of a crystal well;
Upon the murderous spot she seem'd to grow,
Like to a native lily of the dell:
Then with her knife, all sudden, she began
To dig more fervently than misers can.

XLVII.
Soon she turn'd up a soiled glove, whereon
Her silk had play'd in purple phantasies,
She kiss'd it with a lip more chill than stone,
And put it in her *****, where it dries
And freezes utterly unto the bone
Those dainties made to still an infant's cries:
Then 'gan she work again; nor stay'd her care,
But to throw back at times her vei
yangliu Aug 2013
Alone into Rainy, twist a Dai clove, pattering rain, wind lingering foot Yuhuan, lengthy dark gray rain curtain hung plaintive, oblique rain splashes dusty track marks, those rainy season, those day's dependent, those nostalgic every night in this late spring rain, scraping completed my cold lonely, rain turned into a long and narrow alley Resentment, thwarted flows into atria, cool diffuse through the apex. Do not turn around in your mind of the day, I count, chatter thoughts of you, and for your Ai resentment, Acacia entanglement, filled Chu pain, no know what to say, but unfortunately does not help, once the owner of the rain falling, once clouds drifting sea oath, I never touched your warmth, sigh Lane is a rain: Wife - Why shallow edge. (yiwu export)
Came alone intersection, waving a monotonous right hand, held in our left vague shadow, the breakdown of the raindrops bounce dust, Red rain, your shadows, swaying like a willow in the rain erratic, like a hard rain exhibition wings flutter Ling heavy, like rain, pedestrians hurry hurry ...... once Pengguo footprints Bingqing appearance of your hands, had led a faint in the rain blessings Juyi Peng broken tile rain dream, comfort our goodbyes, we pay homage to the past. Acacia is the way the dust, whisk Yang is confusion of resentment, lost pain.
This year's rainy season to refresh my mind, I view Acacia dream dreams, the pain, resentment cut into the rain, stuck into the soil; tears into the hands of deep stone, sank; to have a bunch of rendering painful injury worry text buried in the memory, so that resentment heart of the sea to swim, let the pain out of the bone marrow, dusty track once marks, wound treatment desolate, firmly stand in Kuwata, enterprises no longer envy sea water. (yiwu export agent)
Let love and hate, love and hatred, grace and resentment, thinking and pain in the rainy season falling, drifting in the rainy season. I left alone a pool of water, the flow of soulful call. (Yiwu buying agent)
Odysseus struggles needs to prove to himself world he is talented painter determined to achieve recognition goes from art dealer to art dealer seeking support one dealer says Schwartzpilgrim stop changing settle on 1 style you can be known for what you’re doing now is good stick with it call me in 6 months with 300 drawings just like these another dealer says Odys you must learn great art is a **** beneath bed sheets another dealer says Modigliani knew how to paint flesh paint like Modigliani you need to learn more about painting Schwartzpilgrim you’re too young inexperienced another dealer says thank you for your interest in our gallery we’re not taking on any new painters at this time Odysseus knows there are people so much more talented better looking than him he feels inadequate intimidated

thinks to himself sister Penny is right female wish list is curse Bayli haunts she alone always be my ideal until i met Reiko Lee now Reiko Lee Furshe holds me captive i long for her voice eyes shoulders wiry delicateness crazy outrageous humor fiery ****** appetite i need to tear apart wish list leave myself open need to learn to seek inner beauty let anatomy fall where it will need to cultivate new standards it’s difficult to see with different eyes i am so biased how do i do this?

Odysseus muses with Reiko’s ghost 6 months since separation lights candles burns incense opens bottle of red wine pours glass for her and himself sips watches her glass while he makes toasts speaks elaborately of her beauty charm cites reasons why each of them does not need the other why couldn’t you have been the one? what is it about me you didn’t like? what did i do wrong? pours another glass begins talking louder ending in rage why aren’t you here? why? what went so terribly wrong? i love you where are you? how come you’re not here with me tonight? looks at her glass sees she has not even taken sip feels slightly drunk fearful he has sunk too deep  gets up staggers to bed sniffs blanket for traces of her tonight is their anniversary his only excuse

telephone rings sometime in late july hi it’s me Reiko how’ve you been Odys? he questions Reiko Lee? uh yes Odys it’s meee your stray puppy Reiko’s voice sounds playful tender Odys are you there? what’s up? let me come over **** and ******* please he speaks into receiver Reiko Lee is dead hangs up wonders if he has done right thing paces room writes a woman like that you tell yourself you do not need  ignore her deny her let her pass because if you admit how much you want her you become fugitive in chains running from dogs men with guns a woman like that is all you need a woman like that is motive seed chance of a lifetime a woman like that takes chances at twice your speed a woman like that keeps you guessing hoping waiting a woman like that leaves you destitute you cannot have her because she possesses you a woman like that is a wanted woman

decides to move finds new place blocks away apartment on lill street changes telephone number in his heart he knows nothing more thrilling beautiful than joyous girl yet he attracts women who seek abuse because they see themselves in him because he lets them try to mend his abused mind because he misuses them so well reaching finding joyous girl looms impossible breakup feeds venting bitter fires

the most dangerous woman eludes meall other women are too attainable chinese green tea gestapo limousine it doesn’t matter that you don’t understand that is the line darling dangling darjeeling your lips bleeding your ***** on fire imagine i am running sprinting in relay race just up ahead i’m about to pass baton this is life expectancy of poet indonesian cigarettes made of clove leaves i held your wrists pinned your fragile body to floor strummed you like guitar while other men looked on i knew one of them would take you next

miranda comes out on verandah with lemonade on hot summer day hair blows free in breeze leans back against beam softly hums inside time bomb ticks somewhere fly caught in room knocking itself against window ricocheting off corners  buzzing crisscross ceiling floor miranda sips just enough so lips are wet eyelids flutter like butterfly wings ******* swell in heat of midday sun she calls to us with hand stirs more sugar in lemonade late afternoon when fly is caught entangled in spider’s web buzzing is muffled ice has melted lemonade watery we are dozing in hammocks rocking chairs miranda is changing dress perfuming thighs crafting character in mirror screen door slams she looks up recognizing it is only wind sun is sinking orange ball spider crawls fixing aim grabs thread swings in for **** we are passed out in grass at dusk lights around verandah beam on miranda appears wearing low-neck dress with one strap down breath heavy with anise invites us inside giggling shyly as we follow timeless newsreel vision men hard at work war room spins as fly ***** desperately spider opens legs miranda lies arched on bed eyes weaving

he gets drunk loudly sings she must be some kind of witch flying in the wind she must be some kind of ***** to dig this grave i’m in he rhymes it was just another **** stunt forgive me for speaking so blunt she was just being a lady no need to get crazy it was just another **** stunt he scribbles she gets ****** hair styled eyebrows plucked nails done walks out new woman miss fox Mrs. G. Fox madame de faux meeting the girls for lunch wearing her pearls writing her name in swirls talking up a storm pack of women is worse than pack of hungry wolves wolves stop at carrion women carve combs out of bones

Cal is driving Odysseus sits in passenger seat heading to pit & pendulum for cocktails it is raining down hard Odysseus looks out beyond sweeping windshield wipers sees red cowboy boots the ones they found together at flea market there she is Reiko Lee Furshe arisen from wasteland Odysseus tells Cal to stop car turns to see her she is running across street his hand reaches for car door handle what’s happening? Cal demands are you there? i can’t stop cars behind me! this is crazy Odys what’s going on? i’m not stopping! Odysseus stares through rear window frozen watching her disappear behind red brick wall in pouring rain

ghost girl it’s difficult to write in comatose passage apart i am in theater of mirrors with empty seat beside me black hole inside me itinerary of fears i’m seeing dancer but haunted by you look in your eyes smell on your fingers clonking up stairs of your wooden clog shoes feelings we dared plans we knew might never come true la laahh la lay la lay dee la lady of shady lagoon weeping willow pisces moon like India ink you’ve left indelible stain i fumble in dark of empress’s tomb like necrophiliac i grip onto memory stroke ashes of you lantern licorice amethyst bone you are gliding in your canoe cutting through mist swirling whirlpools that untangle themselves behind you dancing nearer to flame la shady lady does pirouettes in rain
RatQueen Feb 2018
Dysfunctional behind closed doors
Shapeshifted the lovesick *****
She'll touch you timid, trembling hands
Scared that you arent coming back
Digs through drawers and under the sink
Searching for her missing link
A cigarette will do for now
At least it isn't puppy chow
Shameless in her actions past
Comfortable in coming last
Theres more than at the surface level
And everybody's personal hell
Clove hitch knot around her waist
She followed at a steady pace
Wrapped around your pinky finger
She mimicked all you seemed to give her
What her eyes can do to you
Back of my throat still tastes like glue
What a sullen memory
Of what that **** can do to me
She bites her nails and fingertips
Terrified that she might slip
A clumsy dance that she once knew
Of falling into penance due
Twirl your hair and crack a smile
This one's gonna take awhile
Different or the same old same old
They've paid for it in pounds of fools gold
Chasing after fading dreams
Tripping up on memories
Will she make it on her own
A concept simple, yet unknown
A reunion of the sweetest kind
Desperate to escape the time
Spirits burn an empty soul
But never can they make one whole
Echoing within her chest
"You have always been the best"
She sips and stares across the room
Shadowed by her phantom groom
Cut off from hearts nourishment
All on her own cursed to lament
The choices that she didn't make
And chances that she didn't take
A sigh inside an empty mind
A drop of water off the tide
She's buried next to clementines
Roots entangle, synchronize
What a pretty little mess
Of despondancy and tenderness
And she's still waiting underground
For a love once frolicked, love once found
grief
The world was young, the mountains green,

No stain yet on the Moon was seen,

No words were laid on stream or stone

When Durin woke and walked alone.

He named the nameless hills and dells;

He drank from yet untasted wells;

He stooped and looked in Mirrormere,

And saw a crown of stars appear,

As gems upon a silver thread,

Above the shadow of his head



The world was fair, the mountains tall,

In Elder Days before the fall.

Of mighty kings of Nargothrond

And Gondolin, who now beyond

The Western Seas have passed away;

The world was fair in Durin's Day.



A king he was on carven throne

In many-pillared halls of stone

With golden roof and silver floor,

And runes of power upon the door.

The light of sun and star and moon

In shining lamps of crystal hewn

Undimmed by cloud or shade of night

There shone for ever fair and bright.



There hammer on the anvil smote,

There chisel clove, and graver wrote,

There forged was blade, and bound was hilt;

The delver mined, the mason built,

There beryl, pearl, and opal pale,

And metal wrought like fishes' mail,

Buckler and corslet, axe and sword,

And shining spears were laid in hoard.



Unwearied then were Durin's folk;

Beneath the mountains music woke:

The harpers harped, the minstrels sang

And at the gates the trumpets rang.



The world is grey, the mountains old,

The forge's fire is ashen cold;

No harp is wrung, no hammer falls,

The darkness dwells in Durin's halls;

The shadow lies upon his tomb

In Moria, in Khazad-dûm.

But still the sunken stars appear

In dark and windless Mirrormere;

There lies his crown in water deep,

Till Durin wakes again from sleep.
So it is eighteen years,
Helena, since we met!
A season so endears,
Nor you nor I forget
The fresh young faces that once clove
In that most fiery dawn of love.

We wandered to and fro,
Who knew not how to woo,
Those eighteen years ago,
Sweetheart, when I and you
Exchanged high vows in heaven's sight
That scarce survived a summer's night.

What scourge smote from the stars
What madness from the moon?
That night we broke the bars
Was quintessential June,
When you and I beneath the trees
Bartered our bold virginities.

Eighteen -years, months, or hours?
Time is a tyrant's toy!
Eternal are the flowers!
We are but girl and boy
Yet -since love leapt as swift to-night
As it had never left the light!

For fiercer from the South
Still flames your cruel hair,
And Trojan Helen's mouth
Still not so ripe and rare
As Helena's -nor love nor youth
So leaps with lust or thrills with truth.

Helena, still we hold
Flesh firmer, still we mix
Black hair with hair as gold.
Life has but served to fix
Our hearts; love lingers on the tongue,
And who loves once is always young.

The stars are still the same;
The changeful moon endures;
Come without fear or shame,
And draw my mouth to yours!
Youth fails, however flesh be fain;
Manhood and womanhood attain.

Life is a string of pearls,
And you the first I strung.
You left -first flower of girls! -
Life lyric on my tongue,
An indefatigable dance,
An inexhaustible romance!

Blush of love's dawn, bright bud
That bloomed for my delight,
First blossom of my blood,
Burn in that blood to-night!
Helena, Helena, fiercely fresh,
Your flesh flies fervent to my flesh.

What sage can dare impugn
Man's immortality?
Our godhead swims, immune
From death and destiny.
Ignored the bubble in the flow
Of love eighteen short years ago!

Time -I embrace all time
As my arm rings your waist.
Space -you surpass, sublime,
As, taking me, we taste
Omnipotence, sense slaying sense,
Soul slaying soul, omniscience.
Crow Mar 2023
midnight dark
is my true love’s kiss
of clove and citrus scented

cradled in the subtle
woven voices
of the conspiratorial night wind

soft as the silver-blue
edges of light
cast from nocturnal lanterns

sharing in silent thunder
secrets held in coffers
of crimson jade

blazing with the vibrance
of constellations
blown before celestial storms

full as skyward Luna
rounded and buxom
heavy with desire

veiling my worldly sight
so her truth can pierce me

blinding me
that I may see
Neville Johnson Nov 2022
The aroma of cinnamon and clove wafted from her cup
That and the smell of perfume let me know I was in the right place
This was the room where it all began
I’d seen her come in before which is why I was there
I intended to run into her
I tried not to stare
For she is a beauty beyond compare
And I am a connoisseur
sparkjams Oct 2012
Here we have knives
here we have a garlic clove
pass it on to the next target and mentor
perhaps it is turnip's turn
possibly a dreamcoat

you know
I haven't eaten you in weeks
this last decibel from my banjo-guitar is joyous and ruggedly pleasing to my pear ears!
and I don't feed on mortals

steep is an overshot
this cliff will knock you backwards, refreshingly
teetering on the edges of my fingernails
where aren't you headed, anyway?

Walking and pondering along
questing to the hindering goal
march march for words
tell me a heart
tear out apart

get to the ice creed! This will be cruel
cautious yellow fondling off-white egg beater
he sneezed for me, please
thanks, I mean!

troubadours dance lightly in my mind
feet, feet, focus on their feet
that's a loudest saxophone. that' s a loudest horn
I'm
Scared
heavens no I don't smoke cigarettes!
We do this for a living.
Denis Barter Apr 2018
(I Could Not Knot a Knot.)

My tale is one of tortuous frustration,
when two ropes caused me aggravation,
and my every effort resulted in a situation
that left me in a state of angry indignation!

Oh, what a knotty problem I had got,
when I found I could not knot a needed knot!
Though needing help on how to knot a knot,
no one I knew, knew how to knot my needed knot!

I had two short ropes - which I’d a need to knot,
and which I’d knot together with a special knot,
but it never worked, for the knot did not knot,
and my knot came undone!  I felt such a clot!

Firstly, I took the ropes, which I twisted tight
together, but still the end result, was not right,
for when I tugged, the knot, not only fell apart,
but showed no sign of a knot!  Making a fresh start,

I took one rope, and placed it firmly under
the other.  This was so easy, I did wonder
if my actions should have been reversed,
for it too fell apart!  Oh, how I cursed!

Seems tying knots is not for faint hearts,
for any knot, that’s not knotted, soon parts
when it’s put to the test!  That I’m not a knot
expert, you can tell.  Truly, my forte is not

that of being very good at tying knots,
for I do not understand what knots
need, to keep them from falling apart!
Tying a knot right, right from the start,

is important, and that’s why my knot
was  not reliable, but why I did not
understand.  Yes, I’ve tied many knots.
but they’re knots known as Granny Knots.

Other knots are what folks call a Slip Knot.
Then there’s the Turk’s Head - a special knot,
as is the Cat’s Paw, Clove Hitch,and Bowline.
Truth to tell, - none of these resembles mine!

Then there’s a Timber Hitch, which is a knot
that truly puzzles me, and not an easy knot to knot!
There’s many other knots, that need the greatest skill,
such as the Hangman’s Knot - a knot that’s made to ****!

Whilst the sheepshank?  That’s a tricky one to see!
So many knots, but they’re not knots for me.
Methinks of all the knots, the one true knot for me,
is the “Lover’s Knot”, which I have tied successfully!

Rhymer. April 24th, 2018
Brandon Nov 2011
How can I consider myself a poet?
I do not have a cat for a pet
(Instead I have a dog that thinks I’m her pet)

How can I call myself a poet?
I do not over indulge in alcohol
(Except the rarely occasional beer or whiskey)

How can I be a poet?
I do not consciously write with rhyme or rhythm in mind
(If it comes, it’s usually seldom or unintentional)

How can I be called a poet?
I don’t live in France nor have I ever been
(Though given the chance, I would leave in a heartbeat)

How can I be considered a poet?
I don’t dress in all black clothes and smoke Clove cigarettes
(I love flannel and jeans and smoke Camel or American Spirits)

                                                      ­       *How can I consider myself a poet?

                                                 (
Maybe the fact that I ask this question makes me a poet?*)
Poet stereotypes. if i can think of more stereotypes (or more are offered) i will probably end up adding onto this poem...
I

There was an ancient City, stricken down
With a strange frenzy, and for many a day
They paced from morn to eve the crowded town,
And danced the night away.

I asked the cause: the aged man grew sad:
They pointed to a building gray and tall,
And hoarsely answered "Step inside, my lad,
And then you'll see it all."

Yet what are all such gaieties to me
Whose thoughts are full of indices and surds?

x*x + 7x + 53 = 11/3

But something whispered "It will soon be done:
Bands cannot always play, nor ladies smile:
Endure with patience the distasteful fun
For just a little while!"

A change came o'er my Vision - it was night:
We clove a pathway through a frantic throng:
The steeds, wild-plunging, filled us with affright:
The chariots whirled along.

Within a marble hall a river ran -
A living tide, half muslin and half cloth:
And here one mourned a broken wreath or fan,
Yet swallowed down her wrath;

And here one offered to a thirsty fair
(His words half-drowned amid those thunders tuneful)
Some frozen viand (there were many there),
A tooth-ache in each spoonful.

There comes a happy pause, for human strength
Will not endure to dance without cessation;
And every one must reach the point at length
Of absolute prostration.

At such a moment ladies learn to give,
To partners who would urge them over-much,
A flat and yet decided negative -
Photographers love such.

There comes a welcome summons - hope revives,
And fading eyes grow bright, and pulses quicken:
Incessant pop the corks, and busy knives
Dispense the tongue and chicken.

Flushed with new life, the crowd flows back again:
And all is tangled talk and mazy motion -
Much like a waving field of golden grain,
Or a tempestuous ocean.

And thus they give the time, that Nature meant
For peaceful sleep and meditative snores,
To ceaseless din and mindless merriment
And waste of shoes and floors.

And One (we name him not) that flies the flowers,
That dreads the dances, and that shuns the salads,
They doom to pass in solitude the hours,
Writing acrostic-ballads.

How late it grows! The hour is surely past
That should have warned us with its double knock?
The twilight wanes, and morning comes at last -
"Oh, Uncle, what's o'clock?"

The Uncle gravely nods, and wisely winks.
It MAY mean much, but how is one to know?
He opens his mouth - yet out of it, methinks,
No words of wisdom flow.

II

Empress of Art, for thee I twine
This wreath with all too slender skill.
Forgive my Muse each halting line,
And for the deed accept the will!

O day of tears! Whence comes this spectre grim,
Parting, like Death's cold river, souls that love?
Is not he bound to thee, as thou to him,
By vows, unwhispered here, yet heard above?

And still it lives, that keen and heavenward flame,
Lives in his eye, and trembles in his tone:
And these wild words of fury but proclaim
A heart that beats for thee, for thee alone!

But all is lost: that mighty mind o'erthrown,
Like sweet bells jangled, piteous sight to see!
"Doubt that the stars are fire," so runs his moan,
"Doubt Truth herself, but not my love for thee!"

A sadder vision yet: thine aged sire
Shaming his hoary locks with treacherous wile!
And dost thou now doubt Truth to be a liar?
And wilt thou die, that hast forgot to smile?

Nay, get thee hence! Leave all thy winsome ways
And the faint fragrance of thy scattered flowers:
In holy silence wait the appointed days,
And weep away the leaden-footed hours.

III.

The air is bright with hues of light
And rich with laughter and with singing:
Young hearts beat high in ecstasy,
And banners wave, and bells are ringing:
But silence falls with fading day,
And there's an end to mirth and play.
Ah, well-a-day

Rest your old bones, ye wrinkled crones!
The kettle sings, the firelight dances.
Deep be it quaffed, the magic draught
That fills the soul with golden fancies!
For Youth and Pleasance will not stay,
And ye are withered, worn, and gray.
Ah, well-a-day!

O fair cold face! O form of grace,
For human passion madly yearning!
O weary air of dumb despair,
From marble won, to marble turning!
"Leave us not thus!" we fondly pray.
"We cannot let thee pass away!"
Ah, well-a-day!

IV.

My First is singular at best:
More plural is my Second:
My Third is far the pluralest -
So plural-plural, I protest
It scarcely can be reckoned!

My First is followed by a bird:
My Second by believers
In magic art: my simple Third
Follows, too often, hopes absurd
And plausible deceivers.

My First to get at wisdom tries -
A failure melancholy!
My Second men revered as wise:
My Third from heights of wisdom flies
To depths of frantic folly.

My First is ageing day by day:
My Second's age is ended:
My Third enjoys an age, they say,
That never seems to fade away,
Through centuries extended.

My Whole? I need a poet's pen
To paint her myriad phases:
The monarch, and the slave, of men -
A mountain-summit, and a den
Of dark and deadly mazes -

A flashing light - a fleeting shade -
Beginning, end, and middle
Of all that human art hath made
Or wit devised! Go, seek HER aid,
If you would read my riddle!
Michael Hoffman Dec 2011
We can make this edible
without utensils
In a strange, menuless kitchen
Well, can you not make a salad?
Take a cucumber of memory
Slice it so thin that none of the recollections hurt anymore.
Mince some olives so fine
Their oil leaks onto the cucumber like OK.
Add the pulsing flesh of bright red tomatoes
But don’t slice them
Just squeeze them with your hand
Until they explode like wet epiphanies
And dare to dice a garlic clove
Without turning your nose away
As invisible olfactory reality
Assaults you with truth so pungent
That ECT would pale in comparison
To that very assault on your boundaries of understanding
And then toss the whole thing
Watching how it changes color and texture
And just when you both start to get hungry
And you both want to cry
The 50 minutes are over.
At his little hippie college
he shows me a *** that looks like a wall
in a Rwandan museum, all skulls, he

learned clay in the Rift Valley
boarding school, on a kick wheel,
still his favorite

My brother is a potter
multicolor plaid shorts
little goatee

Banjo
Japan dreams
girl from Mozambique.

When we were little in Loiyangalani
we made tiny huts out of obsidian
while our Rhodesian Ridgebacks

sniffed the ground for cobras
sand vipers
scorpions

while twenty camels
walked by in a row
followed by tiny replicas

My brother is a potter, says to me
'When I am doing this I am
doing what I was created to do'

He makes a green and blue
candleholder for me which he calls
'The Islands,' light escapes through many holes

which look like sea turtles
pockets of air and
an atomic bomb just gone off

we turn off the lights
in my room in the hood,
snorkel in candlelight

My brother gives me
Rumi, incense, peace flags
We walk the silent night

smoke a clove
look at stars
like we used to do in the African riverbeds
Maytin Paige Dec 2013
I down the shot of whiskey. It burns its way down my throat. I shut my eyes and take a deep breath of fresh air as it sails in from outside. I open my eyes and flick my lighter. Watch as it sparks alive and latches itself onto the end of my clove cigarette, melting it.
I inhale and my lungs fill. I release, contracting my lungs. Smoke floats out and diffuses into the atmosphere. I breathe in the smell of the sweet addiction.

Once I'm finished, I lay back down beside her. She has the face of an angel. So sweet, so innocent. I stare at the peacefulness on her face and try to figure out why she chose me. Why she loves me. There's nothing special about me. I reach over and run my fingers through her soft, straight, blonde hair that's sprawled out on the pillow behind her. Her hands are tucked beneath her cheek.

I remember back to when I asked her to come with me. I didn't really want to go, but I know she did and I would do anything for her. We danced around the living room of our tiny house to the static of the AM radio. She refused to dance to some hip-pop song that they repeated on the radio. Her face brightened as she laughed. I kissed her cheeks then random places on her face. She laughed and squirmed but never stopped swaying with me.
"Let's do it. Let's travel. Europe, Mexico, Asia, Canada. Wherever you want to go." Her smiles softened as she looked into my eyes. She searched to see a bluff. Yet, there wasn't one. She wanted to get away. I would give her a getaway. I would give her anything.

We ended up in Rome first. We wrapped the moon around us as we slept under the stars.
London was next. We rode the London Eye many times around. She laughed the whole way.
Mexico was third. Just hours ago, we walked into a dated diner. She chose the corner booth in the back. Secluded and comfy. Even with all the space the booth provided, we sat hip to hip. Talking and giggling. We spent the evening in that booth, talking about anything and everything, meaningful or not. It felt not long after we arrived, a Hispanic woman walked over to us, letting us it was time to close. We said our apologies and left. Deciding to rent a hotel room, we chose a ancient one. One with columns and historical means-in her eyes.

The French doors let air blow in, the curtains connected to the doors ruffled. I slid my fingers from her hair and ran my callused thumb down the side of her face. I was so lucky to have her. I hadn't a clue to what I'd do without her.
"I love you," I whispered. The air ****** my words into infinity and beyond. I pressed my lips to her forehead, careful not to wake her.

Just like whiskey and clove cigarettes, she was my sweet addiction.
Jack B Mar 2014
rainbow-blooded life forms be ware.
we, who season the earth.
we, the cultivators of spices -ginger, clove, cinnamon, saffron.

they, who currycomb the earth.
they, who purify, sanitize, sterilize, absolve
destruct

we, the corrupt.
Paul Morgana Mar 2013
Another year, another Paddies day,
Here in New York, hope for sun to play.

So the Irish celebration, takes winged flight,
Green is the color in everyone's sight.

Parade in the street, down fifth avenue.
The master of ceremony, we don't know who?

But the master this day, stands as St. Pat,
Clad in green, with a leprechaun's hat.

Hear the bagpipes, the drums pounding loud,
This is the Irish day, to stand and be proud!

A Catholic holiday, dietary sanctions they lift,
Eat meat and drink alcohol, is the Popes gift.

What are we celebrating?  Let's take a closer look,
Power up the computer or crack open a book.

St. Patrick was born under English rule,
His family was clergy, formally educated in school.

Kidnapped by the Irish, and held as a slave,
To journey back to England he must be brave.

He returned one day to the Irish shore,
About the eternal Trinity, the Irish learned more.

A bishop now, native clove he did use,
To teach the Irish, about celestial clues.

About the father and son and the holy ghost,
The three leaves on a shamrock, they will forever toast!

The three leaves of a shamrock, and it's circular shape,
Are the same as God's Trinity, the logic you can't escape.

This is why the shamrock is so highly revered,
Wear one on your vest, or tucked into your beard.

Enjoy the day, celebrate with family and friend,
Toast to St. Patrick, may his legacy never end!

Visit poemsbypaul.com
The night was passing, and the Grecian host
By no means sought to issue forth unseen.
But when indeed the day with her white steeds
Held all the earth, resplendent to behold,
First from the Greeks the loud-resounding din
Of song triumphant came; and shrill at once
Echo responded from the island rock.
Then upon all barbarians terror fell,
Thus disappointed; for not as for flight
The Hellenes sang the holy pæan then,
But setting forth to battle valiantly.
The bugle with its note inflamed them all;
And straightway with the dip of plashing oars
They smote the deep sea water at command,
And quickly all were plainly to be seen.
Their right wing first in orderly array
Led on, and second all the armament
Followed them forth; and meanwhile there was heard
A mighty shout: "Come, O ye sons of Greeks,
Make free your country, make your children free,
Your wives, and fanes of your ancestral gods,
And your sires' tombs! For all we now contend!"
And from our side the rush of Persian speech
Replied. No longer might the crisis wait.
At once ship smote on ship with brazen beak;
A vessel of the Greeks began the attack,
Crushing the stem of a Phoenician ship.
Each on a different vessel turned its prow.
At first the current of the Persian host
Withstood; but when within the strait the throng
Of ships was gathered, and they could not aid
Each other, but by their own brazen bows
Were struck, they shattered all our naval host.
The Grecian vessels not unskillfully
Were smiting round about; the hulls of ships
Were overset; the sea was hid from sight,
Covered with wreckage and the death of men;
The reefs and headlands were with corpses filled,
And in disordered flight each ship was rowed,
As many as were of the Persian host.
But they, like tunnies or some shoal of fish,
With broken oars and fragments of the wrecks
Struck us and clove us; and at once a cry
Of lamentation filled the briny sea,
Till the black darkness' eye did rescue us.
The number of our griefs, not though ten days
I talked together, could I fully tell;
But this know well, that never in one day
Perished so great a multitude of men.
Rhiannon Clare Jan 2015
First, garlic.

Dig your nails into its flaking paper,
pink and beige like magnolia petals parched
in the gutter.
Peel back the skin and crush
the weighted bud
with the heel of your hand on your favourite knife.
It has been waiting for this.
The thick expectent smell sits up on the chopping board,
looks up at you like an old friend.
It has burrowed itself into the skin of your hands and lingers there

it will not be washed away, instead
it quietly clings to your fingers, flavouring
letters on your keyboard, the edge of the banister,
every light switch in the house.

The pulped clove is scattered into a scraped frying pan,
your grandmother's; it was never non-stick.
The stuck parts were always the best bit,
and so it goes,
the oil and creamy crumbs find the same spots,
engineered over forty years.
Some were accidents. All were happy.
Yours were ambition-led experiments.
The thumbs in the brown recipe book
were never your thumbs,
the dried-out sedimentary edges
were never your mishaps
but still it is a bible of sorts,
providing answers but never asking questions.

Later after dinner when everything is cleared away
and nobody can tell that you had been cooking at all
bring your fingertips to your nose
and inhale
the remaining relic of your meal,
a letter to yourself,
the end notes enduring but faint
now, lastly
lastly
garlic.
Àŧùl May 2017
It behaved as the young dove,
I started chasing elusive love,
It shielded its valuable trove,
I found it hidden in the cove,
It smelt so fresh like the clove,
I gave it a much needed shove,
It fumbled right into my glove.
My HP Poem #1534
©Atul Kaushal
P Pax Oct 2012
That droll, little romance
was my first cigarette
an Indonesian clove cigarillo.
A year or two gone now,
but I still remember the sensation,
all the adrenaline and the drugs!

It was that nice, accurate drag,
that perfect ****
of smoke and nicotine.
Love was a potent buzz.
It had laughter.
The high.
It - the passion and ardor -  
...so good.

And the subsequent addiction!
I craved it,
took more than there was.
Smoked it to the ****
so fast
it was over before I realized it.
All that remained:
the fizzle of tobacco embers,
the quick-to-dry sweat
of the uninitiated.

Then the desperation.
I wanted it to work!
I smacked my lips for more of the sweetness.
Searched desperately inside
for only a sickness in my stomach
and poison on my tongue.

I’ve stopped smoking now,
but I will always be
just a little closer
to death
than I should be.
Love at the lips was touch
As sweet as I could bear;
And once that seemed too much;
I lived on air

That crossed me from sweet things,
The flow of—was it musk
From hidden grapevine springs
Down hill at dusk?

I had the swirl and ache
From sprays of honeysuckle
That when they’re gathered shake
Dew on the knuckle.

I craved strong sweets, but those
Seemed strong when I was young;
The petal of the rose
It was that stung.

Now no joy but lacks salt
That is not dashed with pain
And weariness and fault;
I crave the stain

Of tears, the aftermark
Of almost too much love,
The sweet of bitter bark
And burning clove.

When stiff and sore and scarred
I take away my hand
From leaning on it hard
In grass and sand,

The hurt is not enough:
I long for weight and strength
To feel the earth as rough
To all my length.

— The End —