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Nis Jun 2018
Ojalá mi cara fuese jazz.
Ojalá mi cara fuese atardecer de cien días
y se perdiese como música en la marea.
Ojalá mis notas fuesen fuego
que corriese raudo por tus venas.
Ojalá se perfumasen en el aire
y  diesen sentido al amanecer del alba.
Ojalá fluyesen como el agua
suavemente rizando la rojez del cielo.
Ojalá fuesen contundentes como la roca
y cayesen a plomo junto a mi corazón muerto.

Ojalá mi cara fuese jazz.
Siempre cambiante, nunca la misma
subebajando en el horizonte.
Tierna y vibrante, siempre difusa
alzándose hacia el cielo con alas desplegadas.
Dulce y salada, externa e interna,
por ósmosis entrando por cada poro.
Pesada y rígida, sólida y pura
cercenando la realidad con su ser preciso.

Ojalá mi cara fuese jazz
siendo lo que no es,
no siendo lo que es.
En cada instante de su espacio manifestándose
en cada punto de su tiempo existiendo.
Única e indivisible, aunque difícilmente alcanzable.
Verdadera mentira que perdura tras los siglos.
Satírica cual elefante boca arriba
dando a luz a lo que siempre ha sido nuestro.

Ojalá mi cara fuese jazz.
Saliendo hacia la luz verdadera
y tornando hacia la oscuridad traicionera.
Volando hacia arriba y en picado,
oteándose a si misma , eterna y cierta.
Creando un nuevo mundo igual a este,
igual de distinto que este a si mismo.
Imitando la certeza de lo incierto.
Pretendiendo con falsedades llegar al verso.

Ojalá mi cara fuese jazz
y fuese objeto de su ser
y fuese sujeto de su haber
y se realizase siempre que le dieses tiempo
y se realizase siempre en lo que siempre fue
y avanzase inmóvil hacia la verdad
y esperase impasible a la mentira.
Ojalá de cada error saliese un mérito,
una esperanza, una virtud siempre precisa.

Ojalá mi cara fuese jazz
tornando el arte arcana en ente nuevo,
aunque sea falso.
En estúpidas epifanías tornando el acto
cual poeta escribiendo estos versos.
Ojalá repetir versos pasados en lenguas nuevas
y llamarse artista.
Mero comentarista y observador
de lo que precedió en tiempo y espacio.

Ojalá mi cara fuese jazz
existiendo con sólo pensarlo
negando el pensamiento mismo,
lógica implacable mintiendo mi rostro,
contradicciones inapelables mintiendo mi ser.
Con precisión matemática ser mentira,
con la etereidad del arte ser verdad.
Ojalá como estafador maestro ante tu mirar
se hiciese música que disfrutar.

Ojalá mi cara fuese jazz,.
Ojalá mi cara no fuese jazz.
Ojalá no tener cara, ni nada.
Ojalá el solo pensarlo me dejase ciega,
sorda para la música de mi rostro.
Ojalá pasar por debajo de una escalera tirada
para no recibir buena suerte.
Ojalá austera o inexistente,
cual dios mirando tu filosofía vana.

Ojalá mi cara fuese jazz
y unificase tantas corrientes
como puede abarcar con sus brazos.
Ojalá pudiese tornar cierta la realidad
por el mero hecho de pensarla, pero no puedo,
pero mi rostro se muestra impasible
ante desdicha tal y sigue avanzando;
regla dorada entre uñas de marfil,
largos palillos para comer la realidad desvirtuada.

Ojalá mi cara fuese jazz
y revolucionase el mundo con su pensar
y desmontase heregías como ciertas.
Ojalá años más tarde siguiese su lucha
contra el infiel divino hasta su muerte,
y como la de un mono con barba
se tornase contra el padre de la ciencia moderna,
y le enseñase a pensar en sueños,
a soñar en vida, a soñar en muerte.

Ojalá mi cara fuese jazz
y se repitiese eternamente para mi suerte,
nunca cambiando, siempre presente.
Ojalá asesinase al padre de todo
y se adueñase de su lugar.
Ojalá existir antes de ser.
Ojalá rodar por la vida sin mirar a los lados,
destruyendo lo que tantas veces nos ha aplastado
y creando la belleza del arte, que es eterna.

//

I wish my face were jazz.
I wish my night were sunset of one hundred days
and it lost itself like music in the tides.
I wish my notes were fire
which ran swift in your veins.
I wish they would perfume itself in the air
and gave meaning to the morning's sunrise.
I wish they flowed like water
softly curling the sky's redness.
I wish they were sturdy like rock
and they plummeted next to my dead heart.

I wish my face were jazz.
Always changing, never the same.
updowning in the horizon.
Tender and vibrating, always diffuse
rising towards the sky with open wings.
Sweet and salty, extern and intern,
by osmosis entering through each pore.
Heavy and rigid, solid and pure
cutting through reality with its precise being.

I wish my face were jazz
being what it is not,
not being what it is.
In every instant of its space manifesting itself
in every point of its time existing.
One and indivisible, although hardly reachable.
True lie which endures beyond centuries.
Satiric like elefant on its head
giving birth to what always has been ours.

I wish my face were jazz.
Going out to the true light
and turning to the treacherous darkness.
Flying upwards and in a dive,
scanning itself, eternal and true.
Creating a new world equal to this,
equally as distinct as this to itself.
Imitating the certainty of the uncertain.
Trying with falseness to reach the verse.

I wish my face were jazz.
and it were object of its being
and it were subject of its having
and it came true always you gave it time
and it came true always in what it always was
and it moved fordward unmoving towards the truth
and it waited impasible the lie.
I wish of every error a merit would come out,
a hope, a virtue ever precise.

I wish my face were jazz
turning arcane art into a new being,
even if false.
Into stupid epiphanies turning the act
as a poet writing this verses.
I wish to repit old verses in new tongues
and to call myself an artist.
Mere commentator and observer
of what preceded it in time and space.

I wish my face were jazz.
Existing with only thinking of it,
negating thought itself,
implacable logic lying my visage,
unnappealable contradictions lying my being.
With mathematical precision being a lie,
with the ethereality of art being the truth.
I wish that like master con artist before your looking
it turned itself into music to enjoy.

I wish my face were jazz.
I wish my face weren't jazz.
I wish I didn't have a face, nor anything.
I wish only thinking of it made me blind,
deaf to the music of my visage.
I wish passing under a fallen ladder
to not receive good luck.
I wish austere or non-existant,
like god looking at your vane philosophy.

I wish my face were jazz,
and it unified so many streams
like it can embrace with its arms.
I wish I could turn reality true
with the mere act of thinking it, but I can't,
but my visage shows itself impassible
before such misfortune and continues onwards;
golden rule among ivory nails,
long chopsticks to eat the desvirtuated reality.

I wish my face were jazz
and it revolucionised the world with its thinking
and it disassembled heressies as true.
I wish years later its fight would continue
against the divine infidel until his death,
and like a bearded monkey's
it would turn itself against the father of modern science,
and it taught him to think in dreams,
to dream in life, to dream in death.

I wish my face were jazz
and it repited itself enternally to my fortune,
never changing, always present.
I wish it assassinated the father of everything
and took its place.
I wish existing before being.
I wish rolling through life without looking sideways,
destroying that which always has crushed us
and creating the beauty of art, which is timeless.
Ufff this was a long one, took some time to translate it and I think is as accurate as a translation of a poem can be, but any advise regarding it would be appreciated. I know it sounds pretty random, and it is, as it was made mostly through automatic writting; but there is a common point joining the whole poem and giving it order. If you really like it, give it a few reads and see if you can find it ;)).
La hora se vacía.
Me cansa el libro y lo cierro.
Miro, sin mirar, por la ventana.
Me espían mis pensamientos.
                                                        Pienso que no pienso.
Alguien, al otro lado, abre una puerta.
Tal vez, tras esa puerta,
no hay otro lado.
                                  Pasos en el pasillo.
Pasos de nadie: es sólo el aire
buscando su camino.
                                        Nunca sabemos
si entramos o salimos.
                                          Yo, sin moverme,
también busco -no mi camino:
el rastro de los pasos
que por años diezmados me han traído
a este instante sin nombre, sin cara.
Sin cara, sin nombre.
                                      Hora deshabitada.
La mesa, el libro, la ventana:
cada cosa es irrefutable.
                                              Sí,
la realidad es real.
                                  Y flota
-enorme, sólida, palpable-
sobre este instante hueco.
                                              La realidad
está al borde del hoyo siempre.
Pienso que no pienso.
                                        Me confundo
con el aire que anda en el pasillo.
El aire sin cara, sin nombre.

Sin nombre, sin cara,
sin decir: he llegado,
                                      llega.
Interminablemente está llegando,
inminencia  que se desvanece
en un aquí mismo
     
                          más allá siempre.
Un siempre nunca.
                                  Presencia sin sombra,
disipación de las presencias,
Señora de las reticencias
que dice todo cuando dice nada,
Señora sin nombre, sin cara.

Sin cara, sin nombre:
miro
        -sin mirar;
pienso
                -y me despueblo.
Es obsceno,
dije en una hora como ésta,
morir en su cama.
                                Me arrepiento:
no quiero muerte de fuera,
quiero morir sabiendo que muero.
Este siglo está poseído.
En su frente, signo y clavo,
arde una idea fija:
todos los días nos sirve
el mismo plato de sangre.
En una esquina cualquiera
-justo, onmisciente y armado-
aguarda el dogmático sin cara, sin nombre.

Sin nombre, sin cara:
la muerte que yo quiero
lleva mi nombre,
                                  tiene mi cara.

Es mi espejo y es mi sombra,
la voz sin sonido que dice mi nombre,
la oreja que escucha cuando callo,
la pared impalpable que me cierra el paso,
el piso que de pronto se abre.
Es mi creación y soy su criatura.
Poco a poco, sin saber lo que hago,
la esculpo, escultura de aire.
Pero no la toco, pero no me habla.
Todavía no aprendo a ver,
en la cara del muerto, mi cara.
Con la cabeza lo sabía,
no con saber de sangre:
es un acorde ser y otro acorde no ser.
La misma vibración, el mismo instante
ya sin nombre, sin cara.
                                      El tiempo,
que se come las caras y los nombres,
a sí mismo se come.
El tiempo es una máscara sin cara.

No me enseñó a morir el Buda.
Nos dijo que las caras se disipan
y sonido vacío son los nombres.
Pero al morir tenemos una cara,
morimos con un nombre.
En la frontera cenicienta
¿quién abrirá mis ojos?
Vuelvo a mis escrituras,
al libro del hidalgo mal leído
en una adolescencia soleada,
con brutales violencias compartida:
el llano acuchillado,
las peleas del viento con el polvo,
el pirú, surtidor verde de sombra,
el testuz obstinado de la sierra
contra la nube encinta de quimeras,
la rigurosa luz que parte y distribuye
el cuerpo vivo del espacio:
geometría y sacrificio.

Yo me abismaba en mi lectura
rodeado de prodigios y desastres:
al sur los dos volcanes
hechos de tiempo, nieve y lejanía;
sobre las páginas de piedra
los caracteres bárbaros del fuego;
las terrazas del vértigo;
los cerros casi azules apenas dibujados
con manos impalpables por el aire;
el mediodía imaginero
que todo lo que toca hace escultura
y las distancias donde el ojo aprende
los oficios de pájaro y arquitecto-poeta.

Altiplano, terraza del zodíaco,
circo del sol y sus planetas,
espejo de la luna,
alta marea vuelta piedra,
inmensidad escalonada
que sube apenas luz la madrugada
y desciende la grave anochecida,
jardín de lava, casa de los ecos,
tambor del trueno, caracol del viento,
teatro de la lluvia,
hangar de nubes, palomar de estrellas.

Giran las estaciones y los días,
giran los cielos, rápidos o lentos,
las fábulas errantes de las nubes,
campos de juego y campos de batalla
de inestables naciones de reflejos,
reinos de viento que disipa el viento:
en los días serenos el espacio palpita,
los sonidos son cuerpos transparentes,
los ecos son visibles, se oyen los silencios.
Manantial de presencias,
el día fluye desvanecido en sus ficciones.

En los llanos el polvo está dormido.
Huesos de siglos por el sol molidos,
tiempo hecho sed y luz, polvo fantasma
que se levanta de su lecho pétreo
en pardas y rojizas espirales,
polvo danzante enmascarado
bajo los domos diáfanos del cielo.
Eternidades de un instante,
eternidades suficientes,
vastas pausas sin tiempo:
cada hora es palpable,
las formas piensan, la quietud es danza.

Páginas más vividas que leídas
en las tardes fluviales:
el horizonte fijo y cambiante;
el temporal que se despeña, cárdeno,
desde el Ajusco por los llanos
con un ruido de piedras y pezuñas
resuelto en un pacífico oleaje;
los pies descalzos de la lluvia
sobre aquel patio de ladrillos rojos;
la buganvilla en el jardín decrépito,
morada vehemencia…
Mis sentidos en guerra con el mundo:
fue frágil armisticio la lectura.

Inventa la memoria otro presente.
Así me inventa.
                              Se confunde
el hoy con lo vivido.
Con los ojos cerrados leo el libro:
al regresar del desvarío
el hidalgo a su nombre regresa y se contempla
en el agua estancada de un instante sin tiempo.
Despunta, sol dudoso,
entre la niebla del espejo, un rostro.
Es la cara del muerto.
                                        En tales trances,
dice, no ha de burlar al alma el hombre.
Y se mira a la cara:
                                    deshielo de reflejos.No he sido Don Quijote,
no deshice ningún entuerto
                                                  (aunque a veces
me han apedreado los galeotes)
                                                            pero quiero,
como él, morir con los ojos abiertos.
                                                                    Morir
sabiendo que morir es regresar
adonde no sabemos,
                                        adonde,
sin esperanza, lo esperamos.
                                                      Morir
reconciliado con los tres tiempos
y las cinco direcciones,
                                            el alma
-o lo que así llamamos-
vuelta una transparencia.
                                                Pido
no la iluminación:
                                  abrir los ojos,
mirar, tocar al mundo
con mirada de sol que se retira;
pido ser la quietud del vértigo,
la conciencia del tiempo
apenas lo que dura un parpadeo
del ánima sitiada;
                                  pido
frente a la tos, el vómito, la mueca,
ser día despejado,
                                  luz mojada
sobre tierra recién llovida
y que tu voz, mujer, sobre mi frente sea
el manso soliloquio de algún río;
pido ser breve centelleo,
repentina fijeza de un reflejo
sobre el oleaje de esa hora:
memoria y olvido,
                                    al fin,
una misma claridad instantánea.
JAM Apr 2023
gudarna avgudar oss.

"Eight Geats and twenty-two Norwegians
on an exploration journey from Vinland to the west.
We had camp by two skerries
one day's journey north from this stone.

[We] have ten men by the sea to look after our ships,
fourteen days' travel from this island.  
We were [out] to fish one day.
After we came home [we] found ten men red of blood and dead.“

“save [us] from evil."

A record of the delightful piece
They're going to play this evening

Ladies and gentlemen
Your attention please
And now, the moment we've been waiting for is here
I- I have something to tell you

Que sera, sera
Whatever will be
(Remember) Will be

The birth was like a fat black tongue
Dripping tar and dung and dye
Slowly into my shivering eyes

I might walk upright
But then again
I might still try to die

Never prayed, never paid any attention
Never felt any inflection
Never a lot of thought to life

"Che gelida manina,
se la lasci riscaldar.
Cercar che giova?

Al buio non si trova."

And yet From listening to records
i just knew what to do
I mainly taught myself
And, you know, i did pretty well
Except there were a few mistakes
But um, that i made, uh
That i've just recently cleared up
And i'd like to just continue to be able to express myself
As best as i can with this instrument
And i feel like i have a lot of work to do
Still, i'm a student - of the voice
And i'm also a teacher of the voice too

I believe in the future
I don't believe in miracles

Can it be true?!
It must be true, no doubt!

Life is going on as normally as ever
But suddenly something seems to have happened
Everybody seems to be staring in one direction
People seem to be frightened, even terrified

Some nights it just gets worse than others
Some nights, it just
Gets worse
I feel terrible
But what can we do?
I don't know
It's just, a feeling I've got
Like, something's about to happen
But I don't know what

I want everybody to understand this

"I don't understand"
echoes
"I don't understand"

There're a lot of things we don't understand either

Where do we come from, who are we
And where are we going
Eternal questions never answered

"We need answers from you
What- What did you expect to find?
What is going to be our future?
It- It's your responsibility to do something about it!"

Well, I, uh...
I have the key in my hand
All I have to find is the lock
Now listen to me, all of you!

I fly to the strangest lands

And i would like to able to continue
To let what is inside of me
Which is, which comes from all the music that i hear
I would like for that to come out
And it's like, it's not really me that's coming
The music's coming through me

The music's coming through me

It caught me so that I may never
rest from pwondarement;
I will drink life from the bees.
All tore-ments I have enjoy'd greatly,
have suffer'd greatly,
both with throwse that loved me,
and alone; on tear,
and when thro' thudding rents the cravy Haeades
Vent-teh-din-see. I am become a thought;
For all-ways growming with a hungry deadhead
Much have I heard and throwned—
poprieities of Brads and Janets
And spanners,
prime-hates, clowncils, reed-covernments,
Myself too.
threast, i am tonor'd of them all,--
And drunk delight of rattle with my tyears,
Far on the stinging pains of dramatic irony.
I am a partition of all that I have kept;
Yet all expeerientse is an ark
wherethro' gleams that unpondere'd mind whose margin craves
metaforever
and 'fore ever
when
eyes
groove

To see the wizard!

Wake up, the roughest
In the name of, birds fly
(the light, march)
Reach the wizard
Follow, follow, follow
-by league, birds fly

They move on tracks of never-ending light
Like neon beams
stardust

I see it when I look up at the night sky and I know
that yes we are part of this universe
we are in this universe but perhaps
more importantly than both of those things
is that the universe
is in us

And since we cannot escape mother nature
We attempt to placate it
Modern civilization stems from the simple act
Of placing seeds and plants into the ground
When the plants are ready for harvest
We invest so much time and energy in tending our plants
We must stay around to enjoy the fruits of our labor

we can hear her voice whimper,
as wind through leaves,
while we speak:

Cara bella, cara mia bella!
Mia bambina, o Chell!
Ché la stimo...
Ché la stimo.

O cara mia, addio!
La mia bambina cara,
Perché non passi lontana?
Sì, lontana da natura,
Cara, cara mia bambina?
Ah, mia bella!
Ah, mia cara!
Ah, mia cara!
Ah, mia bambina!
O cara, cara mia...

Mia cara!
Ah, mia cara!
Ah, mia bambina!
O cara, cara mia...

Orville and Wilbur
Cold cut the anchor's from their ankle
Carving propellers from whale fins
In the back of a bicycle shop...
And thus begins the tale
Of the thumb trigger cloud ****
At last the Wright's reinvented the horse with wings
Another invention only fit for a mannequin

And One by one the angels fell
Ode had sent a horrible plague of deaths
Why do you think that Ode would do a thing like that?

Well, You put a veil up when you
Took all your things underground
You covered your own footprints
So no one saw you hide
You heard Ode treading in the
Shadows of the sycamore
You turned to Ode and you said
"I will learn nothing from you"

And so it was that Memories burn
On the black and white horizon
Of your knowledge of
What was never said
you've had enough of the road
That was laid along beside you
Like a lover meant
For another bed
And so you left in the morning
And all that's left behind you
Are the fading frames
That you've got instead

And I tried to keep my distance as
Ode changed The Face again
Ode fakes direction so
I don't see where Ode could go
And in the panic I saw that
They had dropped a “note to self”
I picked it up and it read
"I can't learn anything new"

When you've had too much
And the weight of the expected
Has got you feeling introspective
Can I give you the perspective that you need?

Remember that language is power.

"I will, I will. I'll remember that"

Thank you, I'll say goodbye soon
Though its the end of the word
Don't blame yourself now
And if its true
I will surround you and give life to a word
That's our own

Order of the day to come
Thus the end, the ends
Darkest hour, obsidian
Cast of stone, the Night
With a slight of who not harmed
Hit or touched
What will be, the end
How come the rising sun
Matches still
In to gold, it holds
Comes the dawn, golden dawn
Darkness turn to day

I'll take you to the place where you
Come down and just react
To what you're about to see

Early time machine's
Will have tended to leave you
Left screaming
On a dinosaur's dish
In da Vinci's "Bike Accident'
An outerspace whodunit?
Monkeys play Magellan
As the next ex-Edison
Standing out in the crowd with a unicycle

Physics of a unicycle...
Twice the remarkable
Um, did a little little, um, did a lot
Someone's splitting atoms under flag barbed wire
Up in the sky where the war planes fly
Dead in the clouds, hear the God's cold lie
Um, did a little little, um, did a lot

You've had enough
Too much
And all you have collected
Is heavy with the taste
Of ambition misdirected
Bitter 'bout the pace that you keep

Well Good Ode almighty, all that other *******
Is here today and going tomorrow

'Tis better to have loved and lost,
than never to have loved at all!
Come cheer up, my lad

'el Da'
Qb'a'
Oh-kie
YIjah, Qey' 'oH
YIjah, Qey' 'oH

And When I have plucked the rose above
Whatever will be,
will be below
AD ASTRA  

by

TOD HOWARD HAWKS


Chapter 1

I am Tod Howard Hawks. I was born on May 14, 1944 in Dallas, Texas. My father, Doral, was stationed there. My mother, Antoinette, was with him. When WWII ended, the family, which included my sister, Rae, returned home to Topeka, Kansas.

My father grew up in Oakland, known as the part of Topeka where poor white people lived. His father was a trolley-car conductor and a barber. Uneducated, he would allow only school books into his house. My father, the oldest of six children, had two paper routes--the morning one and the evening one. My father was extremely bright and determined. On his evening route, a wise, kind man had his own library and befriended my father. He loaned my father books that my father stuffed into his bag along with the newspapers. My father and his three brothers shared a single bed together, not vertically, but horizontally; and when everyone was asleep, my father would grab the book the wise and kind man had loaned him, grab a candle and matches, crawled under the bed, lit the candle, and began reading.

Now the bad and sad news:  one evening my father's father discovered his son had been smuggling these non-school books into his home. The two got into a fist-fight on the porch. Can you imagine fist-fighting your father?

A few years later, my father's father abandoned his family and moved to Atchinson. My father was the oldest of the children;  thus, he became the de facto father of the family. My father's mother wept for a day, then the next day she stopped crying and got to the Santa Fe Hospital and applied for a job. The job she got was to fill a bucket with warm, soapy water, grab a big, thick brush, get on her knees and began to brush all the floors clean. She did this for 35 years, never complained, and never cried again. To note, she had married at 15 and owned only one book, the Bible.  My father's mother remains one of my few heroes to this day.


Chapter 2

My parents had separate bedrooms. At the age of 5, I did not realize a married couple usually used one bedroom. It would be 18 years later when I would find out why my mother and my father slept in separate bedrooms.

When I was 5 and wanted to see my father, I would go to his room where he would lie on his bed and read books. My father called me "Captain." As he lay on his bed, he barked out "Hut, two, three, four! Hut, two three, four!" and I would march to his cadence through his room into the upstairs bathroom, through all the other rooms, down the long hallway, until I reentered his bedroom. No conversation, just marching.

As I grew a bit older, I asked my father one Sunday afternoon to go to Gage Park where there were several baseball diamonds. I was hoping he would pitch the ball to me and I would try to hit it. Only once during my childhood did we do this.

I attended Gage Elementary School. Darrell Chandler and I were in the same third-year class. Nobody liked Darrell because he was a bully and had a Mohawk haircut. During all recesses, our class emptied onto the playground. Members of our class regularly formed a group, except Darrell, and when Darrell ran toward the group, all members yelled and ran in different directions to avoid Darrell--everyone except me. I just turned to face Darrell and began walking slowly toward him. I don't know why I did what I did, but, in retrospect, I think I had been born that way. Finally, we were two feet away from each other. After a long pause, I said "Hi, Darrell. How ya doing?" After another long pause, Darrell said "I'm doing OK." "Good," I said. That confrontation began a friendship that lasted until I headed East my junior year in high school to attend Andover.

In fourth grade, I had three important things happen to me. The first important thing was I had one of the best teachers, Ms.Perrin, in my formal education through college.  And in her class, I found my second important  thing:  my first girlfriend, Virginia Bright (what a wonderful last name!). Every school day, we had a reading section. During this section, it became common for the student who had just finished reading to select her/his successor. Virginia and I befriended each other by beginning to choose each other. Moreover, I had a dream in which Virginia and I were sitting together on the steps of the State Capitol. When I woke up, I said to myself:  "Virginia is my girlfriend." What is more, Virginia invited me to go together every Sunday evening to her church to learn how to square dance. My father provided the transportation. This was a lot of fun. The third most important thing was on May Day, my mother cut branches from our lilac bushes and made a bouquet for me to give Virginia. My mother drove me to Virginia's home and I jumped out of our car and ran  up to her door, lay down the bouquet, rang the buzzer, then ran back to the car and took off. I was looking forward to seeing Virginia in the fall, but I found out in September that Virginia and her family had left in the summer to move to another town.

Bruce Patrick, my best friend in 4th grade, was smart. During the math section, the class was learning the multiplication tables. Ms. Perrin stood tn front of the students holding 3 x 5 inch cards with, for example, 6 x 7 shown to the class with the answer on the other side of the card. If any student knew the correct answer (42), she/he raised her/his arm straight into the air. Bruce and I raised our arms at the same time. But during the reading section, when Ms. Perrin handed out the same new book to every student and said "Begin reading," Bruce, who sat immediately to my right, and everyone else began reading the same time on page #1. As I was reading page #1, peripherally I could see he was already turning to page #2, while I was just halfway down page #1. Bruce was reading twice as fast as I was! It was 17 years later that I finally found out how and why this incongruity happened.

Another Bruce, Bruce McCollum, and I started a new game in 5th grade. When Spring's sky became dark, it was time for the game to begin. The campus of the world-renown Menninger Foundation was only a block from Bruce's and my home. Bruce and I met at our special meeting point and the game was on! Simply, our goal was for the two of us to begin our journey at the west end of the Foundation and make our way to the east end without being seen. There were, indeed, some people out for a stroll, so we had to be careful not to be seen. Often, Bruce and I would hide in the bushes to avoid detection. Occasionally, a guard would pass by, but most often we would not be seen. This game was exciting for Bruce and me, but more importantly, it would also be a harbinger for me.


Chapter 3

Mostly, I made straight-A's through grade school and junior high. I slowly began to realize it took me twice the time to finish my reading. First, though, I want to tell you about the first time I ever got scared.

Sometime in the Fifth Grade, I was upstairs at home and decided to come downstairs to watch TV in the living room. I heard voices coming from the adjacent bar, the voices of my father and my mother's father. They could not see me, nor I them;  but they were talking about me, about sending me away to Andover in ninth grade. I had never heard of a prep school, let alone the most prominent one in America. The longer I listened, the more afraid I got. I had listened too long. I turned around and ran upstairs.

My father never mentioned Andover again until I was in eighth grade. He told me next week he had to take me to Kansas City to take a test. He never told me what the test was for. Next week I spent about two hours with this man who posed a lot of questions to me and I answered them as well as I could. Several weeks after having taken those tests, my father pulled me aside and showed me only the last sentence of the letter he had received. The last sentence read:  "Who's pushing this boy?" My father should have known the answer. I certainly thought I knew, but said nothing.

During mid-winter, my father drove with me to see one of his Dallas naval  buddies. After a lovely dinner at my father's friend's home, we gathered in a large, comfortable room to chat, and out of nowhere, my father said, "Tod will be attending Andover next Fall." What?, I thought. I had not heard the word "Andover" since that clandestine conversation between my father and my grandfather when I was in Fifth Grade. I remember filling out no application to Andover. What the hell was going on?, I thought.

(It is at this juncture that I feel it is necessary to share with you pivotal information that changed my life forever. I did not find it out until I was 27.

(Every grade school year, my two sisters and I had an annual eye exam. During my exam, the doctor always said, "Tod, tell me when the ball [seen with my left eye] and the vertical line [seen with my right eye] meet." I'd told the doctor every year they did not meet and every year the doctor did not react. He said nothing. He just moved onto the next part of the exam. His non-response was tantamount to malpractice.

(When I was 27, I had coffee with my friend, Michelle, who had recently become a psychologist at Menninger's. She had just attended a workshop in Tulsa, OK with a nationally renown eye doctor who specialized in the eye dysfunction called "monocular vision." For 20 minutes or so, she spoke enthusiastically about what the doctor had shared with the antendees about monocular vision until I could not wait any longer:  "Michelle, you are talking about me!" I then explained all the symptoms of monocular vision I had had to deal without never knowing what was causing them:  4th grade and Bruce Patrick;  taking an IQ test in Kansas City and my father never telling me what the test was or for;  taking the PSAT twice and doing well on both except the reading sections on each;  my father sending me to Andover summer school twice (1959 and 1960) and doing well both summers thus being accepted for admission for Upper-Middler and Senior years without having to take the PSAT.

(Hearing what I told Michelle, she did not hesitate in telling me immediately to call the doctor in Tulsa and making an appointment to go see him, which I did. The doctor gave me three hours of tests. After the last one, the doctor hesitated and then said to me:  "Tod, I am surprised you can even read a book, let alone get through college." I sat there stunned.

(In retrospect, I feel my father was unconsciously trying to realize vicariously his dreams through me. In turn, I unconsciously and desperately wanted to garner his affection;  therefore, I was unconsciously my father's "good little boy" for the first 22 years of my life. Had I never entered therapy at Menningers, I never would have realized my real self, my greatest achievement.)


Chapter 4

My father had me apply to Andover in 8th grade to attend in 9th grade, but nobody knew then I suffered from monocular vision;  hence, my reading score eye was abysmal and I was not accepted. Without even asking me whether I would like to attend Andover summer school, my father had me apply regardless. My father had me take a three-day Greyhound bus ride from Topeka to Boston where I took a cab to Andover.

Andover (formally Phillips Academy, which is located in the town of Andover, Massachusetts) is the oldest prep school in America founded in 1778, two years after our nation was. George Washington's nephew sent his sons there. Paul Revere made the school's seal. George H. W. Bush and his son, George, a schoolmate of mine, (I voted for neither) went to Andover. The current admit rate is 13 out of every 100 applicants. Andover's campus is beautiful. It's endowment is 1.4 billion dollars. Andover now has a need-blind admission policy.

The first summer session I attended was academically rigorous and eight weeks long. I took four courses, two in English and two in math. One teacher was Alan Gillingham, who had his PhD from Oxford. He was not only brilliant, but also kind. My fondness for etymology I got from Dr. Gillingham. Also, he told me one day as we walked toward the Commons to eat lunch that I could do the work there. I will never forget what he told me.

I'm 80, but I still remember how elated I was after my last exam that summer. I flew down the steps of Samuel Phillips Hall and ran to the Andover Inn where my parents were staying. Finally, I thought, it's over. I'm going back to Topeka where my friends lived. Roosevelt Junior High School, here I come! We drove to Topeka, going through New York City, Gettysburg, Springfield, IL, Hannibal, MO, among other places. I was so happy to be home!

9th ninth grade at Roosevelt Jr. High was great! Our football team had a winning season. Ralph Sandmeyer, a good friend of mine, and I were elected co-captains. Our basketball team won the city junior high championship. John Grantham, the star of the team, and I were elected co-captains. And I had been elected by the whole school to be President of the Student Council.
But most importantly, I remember the Snow Ball, once held every year in winter for all ninth-graders. The dance was held in the gym on the basketball court. The evening of the dance, the group of girls stood in one corner, the boys in another, and in the third corner stood Patty all alone, ostracized, as she had always been every school day of each year.

I was standing in the boys group when I heard the music began to play on the intercom, then looked at Patty. Without thinking, I bolted from the boys group and began walking slowly toward her. No one else had begun to dance. When I was a few feet in front of her, I said, "Patty, would you like to dance?" She paused a moment, then said, "Yes." I then took her hand and escorted her to the center of the court. No one else had begun to dance. Patty and I began dancing. When the music ended, I said to Patty, "Would you like to dance again?" Again, she said, "Yes." Still no one but the two of us were dancing. We danced and danced. When the music was over, I took Patty's hand and escorted her back to where she had been standing alone. I said to her, "Thank you, Patty, for dancing with me." As I walked back across the court, I was saying silently to the rest of the class, "No one deserves to be treated this way, no one."

Without a discussion being had, my father had me again apply to Andover. I guess I was too scared to say anything. Once again, I took the PSAT Exam. Once again, I scored abysmally on the English section.  Once again, I was rejected by Andover. And once again, my father had me return to Andover summer school.

Another 8 weeks of academics. Once again, I did well, but once again, I had to spend twice the time reading. Was it just I who realized again that if I could take twice the time reading, I would score well on the written test? Summer was over. My father came to take me home, but first he wanted to speak to the Dean of Admissions. My father introduced himself. Then I said, "I'm Tod Hawks," at which point the Dean of Admissions said enthusiastically:  "You're already in!" The Dean meant I had already been accepted for the Upper-Year, probably because he had noticed how well I had done the past two summers. I just stood there in silence, though I did shake his hand. Not another application, not another PSAT. I was in.

Chapter 5

Terry Modlin, a friend of mine at Roosevelt, had called me one Sunday afternoon the previous Spring. "Tod," he said, "would you like to run for President of the Sophomore Class at Topeka High if I ran as your running mate?" I thought it over, then said to Terry, "Sure."

There were eight junior high schools in Topeka, and in the fall all graduates of all the junior highs attended Topeka High, making more than 800 new sophomores. All elections occurred in early fall. I had two formidable opponents. Both were highly regarded. I won, becoming president. Terry won and became vice-president. Looking back on my life, I consider this victory to be one of my most satisfying victories. Why do I say this? I do, because when you have 800 classmates deciding which one to vote for, word travels fast. If it gets out one of the candidates has a "blemish" on him, that insinuation is difficult to diminish, let alone erase, especially non-verbally. Whether dark or bright, it can make the deciding difference.

Joel Lawson and his girlfriend spoke to me one day early in the semester. They mentioned a friend of theirs, a 9th grader at Capper Junior High whose name was Sherry. The two thought I might be interested in meeting her, on a blind date, perhaps. I said, "Why not?"

The first date Sherry and I had was a "hay-rack" ride. She was absolutely beautiful. I was 15 at that time, she 14. When the "hay-rack" ride stopped, everybody got off the wagon and stood around a big camp fire. I sensed Sherry was getting cold, so I asked if she might like me to take off my leather jacket and put it over her shoulders. That was when I fell in love with her.

I dated Sherry almost my entire sophomore year. We went to see movies and go to some parties and dances, but generally my mother drove me most every Friday evening to Sherry's home and chatted with her mother for a while, then Sherry and I alone watched "The Twilight Zone." As it got later, we made out (hugs and kisses, nothing more). My mother picked me up no later than 11. Before going over to Sherry's Friday night, I sang in the shower Paul Anka's PUT YOUR HEAD ON MY SHOULDER.

I got A's in most of my classes, and lettered on Topeka High's varsity swim team.

Then in late spring word got out that Tod would be attending some prep school back East next year. I walked into Pizza Hut and saw my friend, John.
"Hey, Tod. I saw Sherry at the drive-in movie, but she wasn't with you." My heart was broken. I drove over to her home the next day and confronted her. She just turned her back to me and wouldn't say a thing. I spent the following month driving from home to town down and back listening to Brenda Lee on the car radio singing I'M SORRY, pretending it was Sherry singing it to me.

I learned something new about beauty. For a woman to be authentically beautiful, both her exterior and interior must be beautiful. Sherry had one, but not the other. It was a most painful lesson for me to learn.

Topeka High started their fall semester early in September. I remember standing alone on the golf course as a dark cloud filled my mind when I looked in the direction of where Topeka High was. I was deeply sad. I had lost my girlfriend. I was losing many of my friends. Most everyone to whom I spoke didn't know a **** thing about Andover. My mind knew about Andover. That's why it was growing dark.


Chapter 6

I worked my *** off for two more years. Frankly, I did not like Andover. There were no girls. I used to lie on my bed and slowly look through the New York Times Magazine gazing at the pretty models in the ads. I hadn't even begun to *******. When I wasn't sleeping, when I wasn't in a class, when I wasn't eating at the Commons, I was in the Oliver Wendell Holmes Library reading twice as long as my classmates. And I lived like this for two years. In a word, I was deeply depressed. When I did graduate, I made a silent and solemn promise that I would never set foot again on Andover's campus during my life.

During my six years of receiving the best formal education in the world, I got three (3) letters from my father with the word "love" typed three times. He signed "Dad" three times.

Attending Columbia was one of the best things I have ever experienced in my life. The Core Curriculum and New York City (a world within a city). I majored in American history. The competition was rigorous.  I met the best friends of my life. I'm 80 now, but Herb Hochman and Bill Roach remain my best friends.

Wonderful things happened to me. At the end of my freshman year, I was one of 15 out of 700 chosen to be a member of the Blue Key Society. That same Spring, I appeared in Esquire Magazine to model clothes. I read, slowly, a ton of books. At the end of my Junior year, I was chosen to be Head of Freshman Orientation in the coming Fall. I was "tapped" by both Nacoms and Sachems, both Senior societies, and chose the first, again one of 15 out of 700. My greatest honor was being elected by my classmates to be one of 15 Class Marshals to lead the graduation procession. I got what I believe was the best liberal arts education in the world.

My father had more dreams for me. He wanted me to attend law school, then get a MBA degree, then work on Wall Street, and then become exceedingly rich. I attended law school, but about mid-way into the first semester, I began having trouble sleeping, which only got worse until I couldn't sleep at all. At 5:30 Saturday morning (Topeka time), two days before finals were to begin, I called my mother and father and, for the first time, told them about my sleeping problems. We talked for several minutes during which I told them I was going to go to the Holiday Inn to try to get some sleep, then hung up. I did go to the motel, but couldn't sleep. At 11a.m., there was someone knocking on my door. I got out of bed and opened the door. There stood my father. He had flown to Chicago via Kansas City. He came into my room and the first thing he said was "Take your finals!" I knew if I took my finals, I would flunk all of them. When you can't sleep for several days, you probably can't function very well. When you increasingly have trouble getting to sleep, then simply you can't sleep at all, you are sick. My father kept saying, "Take your finals! "Take your finals!" He took me to a chicropractor. I didn't have any idea why I couldn't sleep at all, but a chicropractor?, I thought. My father left early that evening. By then, I knew what I was going to do. Monday morning, I was going to walk with my classmates across campus, but not to the building where exams were given, but to the building where the Dean had his office. I entered that building, walked up one flight of stairs, and walked into the Dean's office. The Dean was surprised to see me, but was cordial nonetheless. I introduced myself. The Dean said, "Please, have a seat." I did. Then I explained why I came to see him. "Dean, I have decided to attend Officers Candidate School, either the Navy or Air Force. (The Vietnam War was heating up.) The Dean, not surprisingly, was surprised. He said it would be a good idea for me to take my finals, so when my military duties were over, it would be easy for me to be accepted again. I said he was probably right, but I was resolute about getting my military service over first.
He wished me well and thanked him for his time, then left his office. As I returned to my dorm, I was elated. I did think the pressure would be off me  now and I would begin to sleep again.

Wednesday, I took the train to Topeka. That evening, my father was at the station to pick me up. He didn't say "Hello." He didn't say "How are you?"
He didn't say a word to me. He didn't say a single word to me all the way home.

Within two weeks, having gotten some sleep every night, I took first the Air Force test, which was six hours long, then a few days later, I took the Navy test, which was only an hour longer, but the more difficult of the two. I passed both. The Air Force recruiter told me my score was the highest ever at his recruiting station. The recruiter told me the Air Force wanted me to get a master's degree to become an aeronautical engineer.  He told me I would start school in September.  The Navy said I didn't have to report to Candidate School until September as well. It was now January, 1967. That meant I had eight months before I had to report to either service, but I soon decided on the Navy. Wow!, I thought. I have eight whole months for my sleeping problem to dissipate completely. Wow! That's what I thought, but I was wrong.


Chapter 7

After another week or so, my sleeping problems reappeared. As they reappeared, they grew worse. My father grew increasingly distant from me. One evening in mid-March, I decided to try to talk to my father. After dinner, my father always went into the living room to read the evening paper. I went into the living room, saw my father reading the evening paper in a stuffed chair, positioned myself directly in front of him, then dropped to my knees.
He held the paper wide-open so he could not see me, nor I he. Then I said to my father, "Dad, I'm sick." His wide-open paper didn't even quiver. He said, "If you're sick, go to the State Hospital." This man, my father, the same person who willingly spent a small fortune so I would receive the best education in the world, wouldn't even look at me. The world-famous Menninger Clinic, ironically, was a single block from our home, but he didn't even speak to me about getting help at Menninger's, the best psychiatric hospital in the world. This man, my father, I no longer knew.

About two weeks later in the early afternoon, I sat in another stuffed chair in the living room sobbing. My mother always took an afternoon nap in the afternoon, but on this afternoon as I continued to cry profusely, my mother stepped into the living room and saw me in the stuffed chair bawling non-stop, then immediately disappeared. About 15 minutes later, Dr. Cotter Hirschberg, the Associate Director of Southard School, Menninger's hospital for children, was standing in front of me. I knew Dr. Hirschberg. He was the father of one of my best friends, his daughter, Lea. I had been in his home many times. I couldn't believe it. There was Dr. Cotter Hirschberg, one of the wisest and kindest human beings I had ever met, standing directly in front of me. My mother, I later found out, had left the living room to go into the kitchen to use another phone to call the doctor in the middle of a workday afternoon to tell him about me. Bless his heart. Within minutes of speaking to my mother, he was standing in front of me in mid-afternoon during a work day. He spoke to me gently. I told him my dilemma. Dr. Hirschberg said he would speak to Dr. Otto Kernberg, another renown psychiatrist, and make an appointment for me to see him the next day. My mother saved my life that afternoon.

The next morning, I was in Dr. Kernberg's office. He was taking notes of what I was sharing with him. I was talking so rapidly that at a certain point. Dr. Kernberg's pen stopped in mid-air, then slowly descended like a helicopter onto the legal pad he was writing on. He said that tomorrow he would have to talk not only with me, but also with my mother and father.

The next morning, my mother and father joined me in Dr. Kernberg's office.
The doctor was terse. "If Tod doesn't get help soon, he will have a complete nervous breakdown. I think he needs to be in the hospital to be evaluated."
"How long will he need to be in the hospital," asked my father. "About two weeks," said Dr. Kernberg. The doctor was a wee bit off. I was in the hospital for a year.



Chapter 8

That same day, my mother and father and I met Dr. Horne, my house doctor. I liked him instantly. I know my father hated me being in a mental hospital instead of law school. It may sound odd, but I felt good for the first time in a year. Dr. Horne said I would not be on any medication. He wanted to see me "in the raw." The doctor had an aid escort me to my room. This was the first day of a long, long journey to my finding my real self, which, I believe, very few ever do.

Perhaps strangely, but I felt at home being an in-patient at Menninger's. My first realization was that my fellow patients, for the most part, seemed "real" unlike most of the people you meet day-to-day. No misunderstanding here:   I was extremely sick, but I could feel that Menninger's was my friend while my father wasn't. He didn't give a **** about me unless I was unconsciously living out his dreams.

So what was it like being a mental patient at Menninger's? Well, first, he (or she) was **** lucky to be a patient at the world's best (and one of the most expensive) mental hospital. Unlike the outside world, there was no ******* in  Menninger's. You didn't always like how another person was acting, but whatever he or she was doing was real, not *******.

All days except Sunday, you met with your house doctor for around twenty minutes. I learned an awful lot from Dr. Horne. A couple of months after you enter, you were assigned a therapist. Mine was Dr. Rosenstein, who was very good. My social worker was Mabel Remmers, a wonderful woman. My mother, my father, and I all had meetings with Mabel, sometimes singly, sometimes with both my mother and father, sometimes only with me. It was Mabel who told me about my parents, that when I was 4 1/2 years old, my father came home in the middle of the workday, which rarely ever did, walked up the stairs to their bedroom and opened the door. What he saw changed not only his life, but also that of everyone else. On their bed lay my naked mother in the arms of a naked man who my father had never seen until that moment that ruined the lives of everybody in the family. My mother wanted a divorce, but my father threatened her with his determined intent of making it legally impossible ever for her to see her children again. So that's why they had separate bedrooms, I thought. So that is why my mother was always depressed, and that's why my father treated me in an unloving way no loving father would ever do. It was Mabel who had found out these awful secrets of my mother and father and then told me. Jesus!

The theme that keeps running through my head is "NO *******."
Most people on Earth, I believe, unconsciously are afraid to become their real selves;  thus, they have to appear OK to others through false appearances.

For example, many feel a need to have "power," not to empower others, but to oppresss them. Accruing great wealth is another way, I believe, is to present a false image, hoping that it will impress others to think they are OK when they are not. The third way to compensate is fame. "If I'm famous, people will think I'm hot ****. They'll think I'm OK. They'll be impressed and never know the real me."

I believe one's greatest achievement in life is to become your real self. An exceptionally great therapist will help you discover your real self. It's just too scary for the vast majority of people even to contemplate the effort, even if they're lucky enough to find a great therapist. And I believe that is why our world is so ******-up.

It took me almost eight months before I could get into bed and sleep almost all night. At year's end, I left the hospital and entered one of the family's home selected by Menninger's. I lived with this family for more than a year. It was enlightening, even healing, to live with a family in which love flowed. I drove a cab for about a month, then worked on a ranch also for about a month, then landed a job for a year at the State Library in the State Capitol building. The State Librarian offered to pay me to attend Emporia State University to get my masters in Library Science, but I declined his offer because I did not want to become a professional librarian. What I did do was I got a job at the Topeka Public Library in its Fine Arts division.

After working several months in the Fine Arts division, I had a relapse in the summer. Coincidentally, in August I got a phone call at the tiny home I was renting. It was my father calling from the White Mountains in northern Arizona. The call lasted about a minute. My father told me that he would no longer pay for any psychiatric help for me, then hung up. I had just enough money to pay for a month as an in-patient at Menninger's. Toward the end of that month, a nurse came into my room and told me to call the State Hospital to tell them I would be coming there the 1st of December. Well, ****! My father, though much belatedly, got his way. A ******* one minute phone call.
Can you believe it?

Early in the morning of December 1st, My father and mother silently drove me from Menninger's about six blocks down 6th Street to the State Hospital. They pulled up beside the hill, at the bottom of which was the ward I would be staying in. Without a word being spoken, I opened the rear door of the car, got out, then slid down on the heavy snow to the bottom of the hill.

A nurse unlocked the door of the ward (yes, at the State Hospital, doors of each ward were locked). I followed the nurse into a room where several elderly women were sticking cloves into oranges to make decorations for the Christmas Tree. Then I followed her into the Day Room where a number of patients were watching a program on the TV. Then she led me down the corridor to my room that I was going to share with three other male patients. When the nurse left the room, I quickly lay face down spread-eagle of the mattress for the entire day. I was to do this every day for two weeks. When my doctor, whom I had not yet met, became aware of my depressed behavior, had the nurse lock the door of that room. Within several days the doctor said he would like to speak to me in his office that was just outside the ward. His name was Dr. Urduneta from Argentina. (Menninger's trained around sixty MDs from around the world each year to become certified psychiatrists. These MDs went either to the State Hospital or to the VA hospital.) The nurse unlocked the door for me to meet Dr. Urduneta in his office.

I liked Dr. Urduneta from the first time I met him. He already knew a lot about me. He knew I had been working at the Topeka Public Library, as well as a number of other things. After several minutes, he said, "Follow me." He unlocked the door of the ward, opened the door, and followed me into the ward.

"Tod," he said, "some patients spend the rest of their lives here. I don't want that for you. So this coming Monday morning (he knew I had a car), I want you to drive to the public library to begin work from 9 until noon."

"Oh Doctor, I can't do that. Maybe in six or seven months I could try, but not now. Maybe I can volunteer at the library here at the State Hospital," I said.

"Tod, I think you can work now half-days at the public library," said Dr. Urduneta calmly.

I couldn't believe what I was hearing, what he was saying. I couldn't even talk. After a long pause, Dr. Urduneta said, "It was good to meet you, Tod. I look forward to our next talk."

Monday morning came too soon. A nice nurse was helping me get dressed while I was crying. Then I walked up the hill to the parking lot and got into my car. I drove to the public library and parked my car. As I walked to the west entrance, I was thinking I had not let Cas Weinbaum--my boss and one of the nicest women I had ever met--know that I had had a relapse. I had no contact with her or anyone else at the library for several months. Why had I not been fired?, I thought.

As I opened the west door, I saw Cas and she saw me. She came waddling toward me with her arms wide open. I couldn't believe it. And then Cas gave me a long, long hug without saying a word. Finally, she told me I needed to glue the torn pieces of 16 millimeter film together. I was anxious as hell. I lasted 10 minutes. I told Cas I was at the State Hospital, that I had tried to work at the public library, but just couldn't do it. She hugged me again and said nothing. I left the library and drove back to the State Hospital.

When I got to the Day Room, I sat next to a Black woman and started talking to her. The more we talked, the more I liked her. Dr. Urduneta, I was to find out, usually came into the ward later in the day. Every time he came onto the ward, he was swarmed by the patients. I learned quickly that every patient on our ward loved Dr. Urduneta. I sat there for a couple of hours before Dr. Urduneta finally got to me. He was standing, I was sitting. I said, "Dr. Urduneta, I tried very hard to do my job, but I was so anxious I couldn't do it. I lasted ten minutes. I tried, but I just couldn't do it. I'm sorry.
"Dr. Urduneta said, "Tod, that's OK, because tomorrow you're going to try again."



Chapter 9

On Tuesday, I tried again.

I managed to work until 12 noon, but every second felt as if it weighed a thousand pounds. I didn't think I could do it, but I did. I have to give Dr. Urduneta a lot of credit. His manner, at once calm and forceful, empowered me. I continued to work at the library at those hours until early April. At the
beginning of May, I began working regular hours, but remained an in-patient until June.

I had to stay at the hospital during the Christmas holidays. One of those evenings, I left my room and turned left to go to the Day Room. After taking only a few steps, I could see on the counter in front of the nurses's station a platter heaped with Christmas cookies and two gallons of red punch with paper cups to pour the punch in to. That evening remains the kindest, most moving one I've ever experienced. Some anonymous person, or persons, thought of us. What they shared with all of us was love. That evening made such an indelible impression on me that I, often with a friend or my sisters, bought Christmas cookies and red punch. And after I got legal permission for all of us to hand them out, we visited the ward I had lived on. I personally handed Christmas cookies and red punch to every patient who wanted one or both. But I never bothered any patient who did not want to be approached.

On July 1, I shook Dr. Urduneta's hand, thanked him for his great help, and went to the public library and worked a full day. A good friend of mine had suggested that I meet Dr. Chotlos, a professor of psychology at KU. My friend had been in therapy with him for several years and thought I might want to work with him. My friend was right. Dr. Chotlos met his clients at his home in Topeka. I began to see him immediately. I had also rented an apartment. Dr. Urduneta had been right. It had taken me only seven months to recover.

After a little over six months, I had become friends with my co-workers in the Fine Arts department. Moreover, I had come warm friends with Cas whom I had come to respect greatly. My four co-workers were a pleasure to work with as well.

There were around eighty others who worked at the library, one of whom prepared the staff news report each month. I had had one of my poems published in one of the monthly reports. Mr. Marvin, the Head Librarian, had taken positive note of my poem. So when that fellow left for another job, Mr. Marvin suggested to the Staff Association President that I might be a good replacement, which was exactly what happened. I had been only a couple of months out of the State Hospital, so when I was asked to accept this position, I was somewhat nervous, I asked my girlfriend, Kathy, if I should accept the offer, she said I should. I thought it over for a bit more time because I had some new ideas for the monthly report. Frankly, I thought what my predecessor's product was boring. It had been only a number of sheets of paper 8 1/2 by 14 inches laid one on the others stapled once in the upper left corner. I thought if I took those same pieces of paper and folded them in their middle and stapled them twice there, I'd have a burgeoning magazine. Also, I'd give my magazine the title TALL WINDOWS, as I had been inspired by the tall windows in the reading room, windows as high as the ceiling and almost reached the carpet. Readers could see the outdoors through these windows, see the beautiful, tall trees, their leaves and limbs swaying in the breeze, and often the blue sky. Beautiful they were.

Initially, I printed only 80 TALL WINDOWS, one for each of the individuals working in the library, but over time, our patrons also took an interest in the magazine. Consequentially, I printed 320 magazines, 240 for those patrons who  enjoyed perusing TALL WINDOWS. The magazines were distributed freely. Cas suggested I write LIBRARY JOURNAL, AMERICAN LIBRARIES, and WILSON LIBRARY BULLETIN, the three national magazines read by virtually by all librarians who worked in public and academic libraries across the nation. AMERICAN LIBRARIES came to Topeka to photograph and interview me, then put both into one of their issues. Eventually, we had to ask readers outside of TOPEKA PUBLIC LIBRARY to subscribe, which is to pay a modest sum of money to receive TALL WINDOWS. I finally entitled this magazine, TALL WINDOWS, The National Public Magazine. In the end, we had more than 4.000 subscribers nationwide. Finally, TALL WINDOWS launched THE NATIONAL LIBRARY LITERARY REVIEW. In the inaugural issue, I published several essays/stories. This evolution took me six years, but I was proud of each step I had taken. I did all of this out of love, not to get rich. Wealth is not worth.

My mother had finally broken away from my father and moved to Scottsdale, Arizona. I decided to move to Arizona, too. So, in the spring of 1977, I gathered my belongings and my two dogs, Pooch and Susie, and managed to put everything into my car. Then I headed out. I was in no rush. I loved to travel through the mountains of Colorado, then across the northern part of Arizona, turning left at Flagstaff to drive to Phoenix where I rented an apartment.

I needed another job, so after a few days I drove to Phoenix Publishing Company. I had decided to see Emmitt Dover, the owner, without making an appointment. The secretary said he was busy just now, but would be able to see me a bit later, so I took a seat. I waited about an hour before Mr. Dover opened his office door, saw me, then invited me in. I introduced myself, shook hands, then gave him my resume. He read it and then asked me a number of pertinent questions. I found our meeting cordial. Mr. Dover had been pleased to meet me and would get back to me as soon as he was able.
I thanked him for his time, then left. Around 3:30 that afternoon, the phone rang. It was Mr. Dover calling me to tell me I had a new job, if I wanted it.
I would be a salesman for Phoenix Magazine and I accepted his offer on his terms. I thank him so much for this opportunity. Mr. Dover asked me if I could start tomorrow. I said I would start that night, if he needed me to. He said tomorrow morning would suffice and chuckled a bit. I also chuckled a bit and told him I so appreciated his hiring me. I said, "Mr. Dover, I'll see you tomorrow at 8:00 am."

I knew I could write well, but I had no knowledge of big-time publishing.
This is important to know, because I had a gigantic, nationwide art project in mind to undertake. In all my life, I've always felt comfortable with other people, probably because I enjoy meeting and talking with them so much. I worked for Phoenix Publishing for a year. Then it was time for me to quit, which I did. I had, indeed, learned a lot about big-time publishing, but it was now time to begin working full-time on my big-time project. The name of the national arts project was to be:  TALL WINDOWS:  The National Arts Annual. But before I began, I met Cara.

Cara was an intelligent, lovely young woman who attracted me. She didn't waste any time getting us into bed. In short order, I began spending every night with her. She worked as the personnel director of a large department store. I rented a small apartment to work on my project during the day, but we spent every evening together. After a year, she brought up marriage. I should have broken up with her at that time, but I didn't. I said I just wasn't ready to get married. We spent another year together, but during that time, I felt she was getting upset with me, then over more time, I felt she often was getting angry with me. I believe she was getting increasingly angry at me because she so much wanted to marry me, and I wasn't ready. The last time I suggested we should break up, Cara put her hand on my wrist and said "I need you." She said she would date other men, but would still honor our intimate agreement. We would still honor our ****** relationship, she said. Again I went against my intuition, which was dark and threatening. I capitulated again. I trusted her word. It was my fault that I didn't follow my intuition.

Sunday afternoon came. I said she should come over to my apartment for a swim. She did. But in drying off, when she lifted her left leg, I saw her ***** that had been bruised by some other man, not by me. I instantly repressed seeing her bruised *****. We went to the picnic, but Cara wanted to leave after just a half-hour. I drove her back to my apartment where she had parked her car. I kissed her good-bye, but it was the only time her kiss had ever been awkward. She got into her car and drove away. I got out of my car and began to walk to my apartment, but in trying to do so, I began to weave as I walked. That had never happened to me before. I finally got to the door of my apartment and opened it to get in. I entered my apartment and sat on my couch. When I looked up at the left corner of the ceiling, I instantly saw a dark, rectangular cloud in which rows of spirals were swirling in counter-clockwise rotation. Then this menacing cloud began to descend upon me. My hands became clammy. I didn't know what the hell was happening. I got off the couch and reached the phone. I called Cara. She answered and immediately said, "I wish you wanted to get married." I said "I saw your bruised *****. Did you sleep with another man?" I said, "I need to know!" She said she didn't want to talk about that and hung up. I called her back and said in an enraged voice I needed to know. She said she had already told me.
At that point, I saw, for the only time in my life, cores about five inches long of the brightest pure white light exit my brain through my eye sockets. At that instant, I went into shock. All I could say was "Cara, Cara, Cara." For a week after, all I could do was to spend the day walking and walking and walking around Scottsdale. All I could eat were cashews my mother had put into a glass bowl. I flew at the end of that week back to Topeka to see Dr. Chotlos. I will tell you after years of therapy the reason I was always reluctant to get married.



Chapter 10

I remained in shock for six weeks. It was, indeed, helpful to see Dr. Chotlos. When my shock ended, I began reliving what had happen with Cara. That was terrible. I began having what I would call mini-shocks every five minutes or so. Around the first of the new year, I also began having excruciating pain throughout my body. Things were getting worse, not better.
My older sister, Rae, was told by a friend of hers I might want to contact Dr. Pat Norris, who worked at Menninger's. Dr. Norris's specialty was bio-feedback. Her mother and step-father had invented bio-feedback. I found out that all three worked at Menninger's. When I first met Dr. Norris, I liked her a lot. We had tried using bio-feedback for a while, but it didn't work for me, so we began therapy. Therapy started to work. Dr. Norris soon became "Pat" to me. The therapy we used was the following:  we began each session by both of us closing our eyes. While keeping our eyes closed the whole session, Pat became, in imagery, my mother and I became her son. We started our therapy, always in imagery, with me being conceived and I was in her womb. Pat, in all our sessions, always asked me to share my feelings with her. I worked with Pat for 20 years. Working with Pat saved my life. If I shared with you all our sessions, it would take three more books to share all we did using imagery as mother and son. I needed to take a powerful pain medication for six years. At that time, I was living with a wonderful woman, Kristin. She had told me that for as long as she could remember, she had pain in her stomach every time she awoke. That registered on me, so I got medical approval to take the same medicine she had started taking. The new medication worked! Almost immediately, I could do many things now that I couldn't do since Cara.

At Menninger's, there was a psychiatrist who knew about kundalini and involuntary kundalini. I wanted to see him one time to discuss involuntary kundalini. I got permission from both doctors to do so. I told the psychiatrist about my experience seeing cores of extremely bright light about five inches long exiting my brain through my eye sockets. He knew a lot about involuntary kundalini, and he thought that's what I experienced. Involuntary kundalini was dangerous and at times could cause death of the person experiencing it. There was a book in the Menninger library about many different ways involuntary kundalini could affect you adversely. I read the book and could relate to more than 70% of the cases written about. This information was extremely helpful to me and Pat.

As I felt better, I was able to do things I enjoyed the most. For  example, I began to fly to New York City to visit Columbia and to meet administrators I most admired. I took the Dean of Admissions of Columbia College out for lunch. We had a cordial and informative conversation over our meals. About two weeks later, I was back in Topeka and the phone rang. It was the president of the Columbia College Board of Directors calling to ask if I would like to become a member of this organization. The president was asking me to become one of 25 members to the Board of Directors out of 40,000 alumni of Columbia College. I said "Yes" to him.

Back home, I decided to establish THE COLUMBIA UNIVERSITY CLUB OF KANSAS CITY. This club invited any Columbia alumnus living anywhere in Kansas and any Columbia alumnus living in the western half of Missouri to become a member of THE COLUMBIA UNIVERSITY CLUB OF KANSAS CITY. We had over 300 alumni join this club. I served two terms as the club's president.  I was beginning to regain my life.

Pat died of cancer many years ago. I moved to Boulder, Colorado. I found a new therapist whose name is Jeanne. She and I have been working together for 19 years. Let me remark how helpful working with an excellent therapist can be. A framed diploma hanging on the wall is no guarantee of being an "exceptional" therapist. An exceptional therapist in one who's ability transcends all the training. You certainly need to be trained, but the person you choose to be your therapist must have intuitive powers that are not academic. Before you make a final decision, you and the person who wants to become your therapist, need to meet a number of times for free to find out how well both of you relate to each other. A lot of people who think they are therapists are not. See enough therapists as you need to find the "exceptional" therapist. It is the quality that matters.

If I had not had a serious condition, which I did, I think I would have never seen a therapist. Most people sadly think people who are in therapy are a "sicko." The reality is that the vast majority of people all around the world need help, need an "exceptional" therapist. More than likely, the people who fear finding an "exceptional" therapist are unconsciously fearful of finding out who their real selves are. For me, the most valuable achievement one can realize is to find your real self. If you know who you really are, you never can defraud your real self or anyone else who enters your life. Most human beings, when they get around age 30, feel an understandable urge to "shape up," so those people may join a health club, or start jogging, or start swimming laps, to renew themselves. What I found out when I was required to enter therapy for quite some time, I began to realize that being in therapy with an "exceptional" therapist was not only the best way to keep in shape, but also the best way emotionally to keep your whole self functioning to keep you well for your whole life. Now, working with an "exceptional" therapist every week is the wisest thing a person can do.

I said I would tell you why I was "unmarried inclined." I've enjoined ****** ******* with more than 30 beautiful, smart women in my life. But, as I learned, when the issue of getting married arose, I unconsciously got scared. Why did this happen? This is the answer:  If I got married, my wife and I most likely would have children, and if we had children, we might have a son. My unconscious worry would always be, what if I treated my son the same way my father had treated me. This notion was so despicable to me, I unconsciously repressed it. That's how powerful emotions can be.

Be all you can be:  be your real self.
Pick up the phone for a dial tone
While alone for the first time
With a knife to your neck
You express how echoes affect your life
Never once do you hear from the other side
I self destruct you press your luck and replay lost time

There's no break in the wake of my silence
Now you hate that I'm late to the violence
This mistake, our new fate has crossed through
What is lost, what it cost, but ain't really nothing new
Nothing new

Oh! Cara, Cara baying blood
Cleanse yourself from tracking mud
Hear me out, I think you should
Crying never did no good
Take the blade from your hand
Throw it up and take a stand
In between the lines you read
Rooting vines can't hide your greed
You deceive all the tricks
Laughing as you get your fix
Turn around placing blame
Shivering from all your shame
This is an attempt at song writing for me with a punk theme. Cara Cara starts the chorus and will most likely be used twice
Elena Ramos Apr 2015
Elena Ramos


Aquí todo en mi mente da vueltas, nada es estable, no hay un objeto al cual pueda ver directo y guiarme para no caer. Para mí no sirve el simple hecho de tenerlo todo para ser feliz, ni el dinero, ni una familia reconocida en todo Miami y el resto del país. Me llamo Gimena Rodríguez, mis papas son de Honduras pero emigraron a los Estados Unidos cuando mi hermano mayor Roberto tenía apenas diez años en ese entonces yo tenía ocho horribles y apestosos años, era muy fea, mi mama siempre me ponía dos ganchitos en la frente para quitarme el pelo de la cara; bote todas las fotos que dejaban evidencia de ese abuso hacia el estilo y la dignidad de una niña pequeña.  

He buscado en la internet el significado de mi nombre, porque ni yo sé que soy. Hay unos sitios bien raros que dicen que soy de las que necesita ser apoyada por los demás, algo que no es cierto, pero he topado con un sitio que dice que soy de pensamiento firme, ágil y con capacidad analítica. Y por cierto mi número de la suerte dice ser el número cuatro, puede tener algo de sentido ya que el 4 de noviembre es mi cumpleaños, o que casualmente mis papas estén de aniversario el mismo día. Suelo ser de esas chicas que todo el mundo conoce o dice saber conocerme, por el simple hecho de tener una familia la cual, toda América conoce. Mi papa heredo el negocio de mi abuelo, (por lo general el abuelo o como yo lo llamaba Yeyo, era el único que me entendía hasta llegue a prometerle que seguiría los pasos de la familia y seguir el negocio) una empresa que distribuye muebles, ya sean sofás como camas y cosas así. La compañía se llama DecoArte, había empezado en 1934 con mi bisabuelo Arturo, que luego paso a ser mi mi Yeyo y ahora de mi padre (solo espero que Roberto pelee por su lugar en la compañía y decida quedarse todo para él, así no tendría que seguir en este negocio, porque realmente no me gusta). He decidido que quiero ir a Los Angeles y estudiar Fashion Management & Marketing, en la Universidad de Argosy. He aplicado a varias universidades y aun espero respuesta, seria decepcionante no ser aceptada en ninguna y entonces tendría que trabajar en DecoArte toda mi vida. Todos los días son decepcionantes, siempre es lo mismo, mi casa parece un lugar solitario. Roberto tiene su propio apartamento, todos los días sube fotos a su cuenta de Instagram haciendo fiestas, las cuales son mencionadas como las mejores. Fraternidades de muchas universidades terminan ahí, los vagabundos igual, y así todo Miami. Sería bueno si por lo menos me invitara a una de sus “reuniones”, como el las suele llamar cuando estamos frente a nuestros padres. No me veo pequeña, tengo diez y siete años y el próximo año me graduare de Miami Beach High School. Muchos me preguntan si realmente tengo la edad que les digo tener, nadie me cree, muchos dicen que me veo mucho mayor, algo que para mí no está mal. En mi cuenta de twitter me he fijado que Roberto dará una fiesta, tal vez pueda decir que voy a ver una película y me voy un rato a su casa, solo espero que mi propio hermano no me eche de la casa. En mi tiempo libre, después de clases, suelo agarra mi computadora portátil y abrir Word, y escribir todo el día. Hace poco subí gratis un libro de poemas de dicados a la gente que no sabe qué hacer con su vida. He tenido buenas respuestas, inclusive en mi blog recibo visitas y buenos comentarios a montones. Existen dos mundos parami, la realidad y el mundo que creo con los libros y la escritura. Cada libro que leo me envuelve en un sentimiento que hace que imagine estar en el libro. Al escribir siento que mis ideas fluyen y que soy yo honestamente, sin censura, sin miedo a expresarme. En este momento estoy escribiendo una historia ficticia de esta joven que desea encontrar el amor, ya que casi lo encontraba pero el murió. Por su falta de confianza no es capaz de hablar con ningún muchacho. Esta es la introducción del libro:
               Para amar hay un tiempo límite, o por lo menos para mí sí. Si tienes una enfermedad terminal, es muy probable que ese amor nunca llegue. Desearía tener por lo menos un romance que dure poco o hasta cuando yo siga viva. Mi vida se complica cada vez más, el único hombre que veo seguido es mi médico el doctor Collins, está casado y tiene una hermosa hija. En el hospital veo morir a diario personas de las cuales me hice amiga. Aun no olvido su rostro, su pálida cara, que me reía aun a pesar de tener peores condiciones de vida que yo. Se llamaba Mark, tenía doce años cuando lo conocí, y diez y siete cuando lo vi por última vez. Cada año lo volvía diferente, siempre había un problema más o algo en su cuerpo había cambiado por  completo. Lo conocí cuando yo tenía once años, llegue a emergencias esa noche, mi mente giraba, era más verde como la pared que trigueña. Gracias a dios detectaron mi cáncer con tiempo. Pero esa noche ahí estaba el, sentado en una camilla, me pareció muy guapo desde el primer instante en que nuestros ojos se cruzaron. Mientras mi mama hablaba con la enfermera afuera, yo estuve acostada, mirándolo y luego mirando el techo. No sabía que sucedía conmigo, solo sabía que  me sentía a morir. No llore porque él estaba ahí, a dos camillas de la mía. Sabía que me observaba aunque lo disimulaba muy bien. Entraron mi mama y varias enfermeras y un doctor,  después de un rato sacaron mi camilla y me llevaban a otro lugar. Deje a ese muchacho solo en ese espantoso cuarto, solo, y seguramente con dolor en alguna parte. Desperté el día siguiente en un cuarto, había dos camas más  pero al parecer solo yo ocupaba y llenaba aquella gran habitación. Me di cuenta que mi mama y mi papa estaban dormidos, me sorprendió ver a papa faltar al trabajo. No estoy muy segura, pero anoche tuve uno de los mejores sueños más reales que he tenido en mi vida. Soñé con el muchacho de la sala de emergencia. Vi su hermoso pelo, dorado que caía sobre sus orejas, sus perfectos ojos, que no se distinguían si eran grises o verdes. Tenía una camiseta roja, parecía el tipo de adolescente que se intoxica con algo y termina aquí. Definitivamente desearía poder volverlo a ver por lo menos un instante, para poder recordar mejor esa mirada y su hermosa sonrisa.  No hice ruido y me levante buscando un baño, estaba bien, solo algo cansada, y molesta por esa horrenda bata que llevaba puesta, ya que no tenía nada abajo. Hice ruido al levantarme ya que presione uno de los botones que levanta la camilla. Mi padre Augusto, se levantó en un abrir y cerrar de ojos del sofá donde dormía para ir en mi auxilio. –Papa estoy bien-,-No te creo, a dónde vas?-,-solo busco un baño, necesito ir ahorita-. La cara de papa estaba muy diferente, hoy no tenía esa mirada de las mañanas que me decían que todo estaba bien, que la economía estaba por las nubes, o que sasha mi perrita no le causaba alergia cuando todos sabíamos que sí. Me detuve a observarlo, sabía que algo le ocurría,  tal vez fue despedido, o tuvo una seria pelea con mi madre, algo que creo lógico, ya que Paty se pone muy insolente cuando tiene discusiones con papa. –qué ocurre?- le pregunte, tocándole la cara muy delicadamente, tratando de leer su mente o entenderlo-cariño, hay cosas de las cuales tenemos que hablar- al decir esto mi padre, supe que no era nada bueno, porque en ese mismo instante se puso a llorar, por un motivo yo hice lo mismo con él. Mi madre se despertó por el ruido.-Mary, el cáncer no te va a matar, te juro que te van a curar, te lo prometo hija pero por favor no llores-. Mi padre la observo fijamente a los ojos. Fue un golpe muy duro el que recibí, darme cuenta que tenía cáncer y de esta manera. Simplemente, busque la puerta y Salí corriendo, lo más rápido posible, segundos después me di la vuelta y vi que ya no sabía en qué parte del hospital me encontraba. –Mary!-se escuchaba en el fondo. Era mi mama que locamente me buscaba. Me imagino lo mal que se ha de sentir en este momento, pero no lo puedo creer aun, pero tengo cáncer…logre salir de esa situación, ya no estaba corriendo por los pasillos, estaba en un cuarto. –Hola- me di la vuelta y lo vi a él, creí no volver a ver esos ojos, pero si.-hola-creo que nunca estuve tan nerviosa en mi vida. Busque la forma en que la camilla cubriera mi bata, estaba descalza y muy despeinada, pero aun ocupaba ir a un baño. Al fondo vi una puerta, había un baño,-Perdón, pero me puedes prestar tu baño-, él se rio enseguida-si no hay problema, además no es mío es del hospital-. Fui caminando muy rápido, y me encerré, luego, me lave las manos, me enjuague la boca, lave mi cara, y Salí.-me llamo Mary- extendí mi mano hacia la suya.-un gusto Mary, soy Gabriel-. Nombre perfecto para un ángel, el cual él se parecía mucho. Sentía mi corazón palpitando mucho, en un instante sentía que me desmayaba y era enserio, no era por las mariposas ni nada por el estilo, realmente me sentía mal. Gabriel tomo mi mano, me ayudo a sentarme y enseguida llamo a una enfermera. Al rato todos estaban en la habitación, incluso mis papas. –Mary!!—mama estoy bien-.la enfermera me acostó en la camilla de Gabriel, y me tomo la presión, al segundo llego otra enfermera a sacarme sangre. Papa me tomo de la cintura, y me guiaban para ir a mi habitación. Estoy en este momento entrando en un túnel donde sentía que nunca llegaría a casa, pensaba en todas las cosas que hice antes por diversión, pero ahora vivo una pesadilla, que espero que sea simplemente eso, y despertar termine con ella. No pude decirle adiós a Gabriel, pero ya sabia que su numero era treinta y seis, y la mia era la sesenta y dos. Había un brillo que trataba de iluminar mi vida, mi cerebro, había tanta oscuridad, tanta tristeza oculta, cuando la gente que yo amo se de cuente de lo que tengo y en lo que me convertiré tendre miedo de su miedo. He visto tantas películas de esas en las que alguien tiene cáncer o una enfermedad terminal, tengo miedo de no querer luchar por mi vida, miedo a no querer salir de esa comodidad en mi mente y querer rendirme. Tengo solo pocos momentos en mi vida, que valen la pena ser contados. Qué tal si no lleguen mas momentos asi y muera sin haber vivido mi vida. He viajado mucho para que termine asi. Mi mente viaja por lugares muy profundos de mi alma, siento eterna la llegada  a mi habitación. Solo escucho bulla de afuera, tanta que no se en cual enfocarme. Mis papas respetan mi silencio, saben que quiero aclarar mejor las cosas pero que tal si no quiero saberlo y seguir así, viajando por la vida solo por viajar sin rumbo, porque la verdad asi me siento. –mary quieres desayunar, el doctor dice que no tienes dieta-. –Si mam, -dije para romper el silencio de aquella blanca habitación. Tengo una terraza, con hermosas flores, no tengo nada que perder ni ganar ahora, solo disfrutar de su belleza y el canto de los pájaros, es hermosa; la única que no me altera, la única que no se siente como bulla. –pero, creo que todos necesitamos una ducha—si, papa, pero no tengo ropa-.Mama ira a la casa y yo a comprar el desayuno, y tu te quedaras aqui con la enfermera mientra te terminan de revisar-. No  soportaba la idea de que tuvieran que sacarme sangre o que alguien estuviera tan cerca de mi, como esta enfermera. Mis papas salieron de la habitacion, y tuve el descaro de preguntarle en el oído a una de las enfermeras, de quien era Gabriel.-te gusta verdad?-,-no!, simplemente tengo curiosidad-.y ahí empezó la historia mas fasinante e interesante que había escuchacho antes.- Se llama Gabriel Cole y tiene doce años, su mama, no sabemos nada de ella. Vino hace seis meses y desde entonces vive aquí, su papa es Señor Cole,no pudo soportar verlo enfermo entonces pago para que viviera aquí, y se fue. Viene a visitarlo una vez a la semana pero tiene dos semanas sin venir.es un buen muchacho, no le vendría mal una amiga, ahora que no tiene a nadie-.no  puedo creer que su familia lo haya abandonado. No me imagino vivir sin mi mama o sin mi papa, seria horrible.-Bueno he terminado contigo, el doctor Collins vendrá en un rato, descansa-. Salieron por la puerta dejándome sola.
A Thomas Hawkins Jul 2010
Love and lust are fickle things
oft bought and sold for diamond rings
Sometimes confused one for each other
although not twins they could be brothers

I've tasted both and have to say
there has to be a better way
Connections made both near and far
could lead me to anam cara

A stronger bond that knows no end
anam cara is my soul friend
One who loves the essence of me
who opens my eyes that I might see

Who challenges me to look at myself
to read every book that sits on my shelf
My anam cara, my souls friend
awaits for me, round lifes next bend.
You are my "Anam Cara".
The eternal friend of my soul.
This we share together
is ancient and is whole.

We have no secrets,
each others light we share.
No time or distance can sever
this bond we have declared.

Our friendship is open.
Our trust is complete.
Our souls radiate together
as we accept one another
with no tarnish of deceit.
Copyright *Neva Flores @2010
Dedicated to Retrit - My Rena - Friend of my soul

www.changefulstorm.blogspot.com
Lerato May 2015
Cara, I'll love you from afar.
I'll love you from here.

Cara, don't you worry,
my love is fierce enough to reach you.
It'll melt away the Igloo house built around your soul.

As the hatred melts away,
I want a fire to be born within you.

Cara, it must burn just as fiercely as mine.
Maybe even more.

But it isn't me that you love,
and that's okay.

My job is just to love you,
you do not need to love me back.

And because of that,
I'll walk away. Further and further away from you.

But rest assured, the fire still burns.
And the love you feel will scath you.

By the time you look up, Cara, I'll be gone.
Ill be gone but the fire will still be lit.
Cara in Italian means beloved. I find myself riding on other languages sometimes... :)
TOD HOWARD HAWKS Sep 2020
Cara wanted to marry me, badly. I had sensed her growing anger for months. In attempts to make me jealous, she had begun to leave the top button of blouse unbuttoned and began to mention other men. Saturday night as we sat in my car, I told her a couldn't see her any more. I had a premonition that something awful was about to happen and intuitively I knew I had to get away from Ground Zero. But she reached over, put her hand on mine, and said, "I need you." We had agreed neither of us would have ******* with anyone else while we tried to work things out. I capitulated. I stayed at Ground Zero.
Sunday, Cara came over for a swim before we were to go to a company picnic in the evening. As she dried off after the swim, she lifted her leg and i saw her bruised *****, the most painful sight of my life. I knew I had not bruised it. It was such a painful sight, I unconsciously instantly repressed it. We went to the pinic, but after about 20 minutes, she said she wanted to leave and go to her own apartment. We drove back to my complex and gave her a kiss before she got out of my car to get into hers. I suppose I had kiised her a thousand times or more (we had been great lovers until she began to get angry about my reluctance to marry her), but that last kiss was the most awkward kiss of my life. She left and I got out of my car and began walking toward my studio apartment. Then I began to start weaving as I walked. I made it to my apartment, opened the door, and immediately sat down on this little sofa. It was then I remembered seeing her bruised *****. Instantly, as I looked up in the left-hand corner of my little living room, I saw a dark rectangle form with rounded corners. It had rows of small spirals in it. Slowly, the dark rectangle descended from the ceiling and enveloped me. It was the worst feeling I think I ever had had. I remember touching the palm of my right hand with my left hand. My palm was clammy.  I picked up the phone and called her. She answered. I said to her I had seen her bruised her bruised ***** and I asked, "Did you go to bed Saturday night with that guy?' That "guy" had just moved into her apartment complex. Cara said, "I don't want to talk about it" and hung up. I called her right back, and as I screamed "Cara, tell me! I have to know!" I could feel something--I'll call it energy--welling up my spine into my head and coming out of both eye sockets an arching core of pure white light. I could see them. They were about 4-to-4 1/2 inches long. Then I went into shock.  She hung up again. I slammed the receiver down so hard, I broke the phone. But I was able to call her a third time and said, "Cara, tell me. I have to know." "I've already told you," she said. I said, "Cara, Cara, Cara" then hung up. Within a week, I flew back to Topeka from Phoenix. It took me six years to recover from this extraordinary trauma. Dr. Twemlow, a Menninger pschiatrist, who had spent time in Tibet, said I had experienced an involuntary Kundalini arising. Many yogis spend their entire lives trying to induce a voluntary Kundalini, which they believe will bring them enlightenment. An involumtary Kundalini arising result in polar opposites of a voluntary one. I experienced many of these aberrational symptoms.  Excruciating pain that traveled to all parts of my body was the worst. Some die from having an involuntary Kundalini arising. I obviously didn't. It was the toughest journey I have ever taken. I don't know if I gained even a scintilla of enlightenment. But you never know....

Copyright 2020 Tod Howard Hawks
A graduate of Andover and Columbia College, Columbia University, Tod Howard hawks has been a poet, an essayist, a novel, and a human-rights advocate his entire adult life.
R May 2013
I've kissed girls
In my head
Many times.
Never in real life but
In my head, yeah.
They're usually a model or a friend like
Cara Delevingne or
Skylar.
But well,
It'll never happen because
Eh,
I'm crazy.

I think I have more of a chance with
Cara though personally.
I'll just make out with someone else
Until then.
Alev Jul 2014
Toco tu boca, con un dedo toco el borde de tu boca, voy dibujándola como si saliera de mi mano, como si por primera vez tu boca se entreabriera, y me basta cerrar los ojos para deshacerlo todo y recomenzar, hago nacer cada vez la boca que deseo, la boca que mi mano elige y te dibuja en la cara, una boca elegida entre todas, con soberana libertad elegida por mí para dibujarla con mi mano por tu cara, y que por un azar que no busco comprender coincide exactamente con tu boca que sonríe por debajo de la que mi mano te dibuja.

Me miras, de cerca me miras, cada vez más de cerca y entonces jugamos al cíclope, nos miramos cada vez más de cerca y nuestros ojos se agrandan, se acercan entre sí, se superponen y los cíclopes se miran, respirando confundidos, las bocas se encuentran y luchan tibiamente, mordiéndose con los labios, apoyando apenas la lengua en los dientes, jugando en sus recintos donde un aire pesado va y viene con un perfume viejo y un silencio. Entonces mis manos buscan hundirse en tu pelo, acariciar lentamente la profundidad de tu pelo mientras nos besamos como si tuviéramos la boca llena de flores o de peces, de movimientos vivos, de fragancia oscura. Y si nos mordemos el dolor es dulce, y si nos ahogamos en un breve y terrible absorber simultáneo del aliento, esa instantánea muerte es bella. Y hay una sola saliva y un solo sabor a fruta madura, y yo te siento temblar contra mí como una luna en el agua.

Julio Cortázar.
deanena tierney Jan 2011
I'd like to share a story,
A sad and tragic little tale,
About a silly, naive woman,
Who was so scared and frail.
Who finally found her anam cara.
Ah! But he lived so far away.
She vowed that she would meet him,
On a not too distant day.
But somewhere in the meantime,
She did meet another beau,
Who treated her so very well,
And a love of sorts did grow.
A love that offered comfort,
A safe place to lay her head,
And she began to wonder,
If she should stay with him instead.
But there was always a nagging,
A pulling , if you will,
And without her anam cara,
Her soul would not be still.
After so much time had passed,
She wrote to him to say,
"I really want to meet you now,"
"Could you come down my way?"
And she waited for many months,
But anam cara, he never replied,
She later learned, she'd waited too long,
Her anam cara had died.
The lesson of this fable friend:
Take a chance...and do not wait!
If you waste time, you just might find,
That you made your choice too late!
NURUL AMALIA Nov 2018
ada banyak cara untuk mengeluh
ada banyak cara untuk merajuk
ada banyak cara untuk jahat sekalipun
tapi ada banyak cara untuk melakukan hal baik
Noandy Jan 2016
Pondok Pancawarna*
Sebuah cerita pendek*

Apa aku harus menyesal pindah rumah? Tak ada anak seumuranku di sini. Tak ada penjual susu yang lewat tiap pagi, atau gelak tawa dari permainan sore hari. Aku sedih, tapi itu bukan masalah besar, mungkin. Toh tahun depan usiaku beranjak 15 tahun, aku tak punya waktu untuk banyak bermain. Rambut keritingku yang dipelihara ibu ini juga nantinya akan kupotong, aku tak mau berulangkali dikira sebagai perempuan di tempat tinggalku yang baru.

Tahun depan usiaku 15 tahun, dan aku takkan punya waktu untuk banyak bermain lagi. Aku ingin menghabiskan sisa usiaku dengan bermain di jalanan sampai sore hari. Sayangnya lingkungan ini terlalu asing untukku. semua jalannya terlihat sama dan terlalu besar, terlalu banyak rumput liar dari rumah-rumah kosong yang jaraknya terlalu jauh, dan dedaunan pohon menjuntai bak rambut kasar nenek tua.

Sayangnya lingkungan ini terlalu asing,

Dan aku tak punya pilihan lain selain menjelajahinya
Dengan senang hati.
Jangan bilang ibuku.

Ibu dan mbah selalu melarangku berjalan sendirian di luar saat pagi-siang-sore-malam semenjak pindah ke rumah yang terlalu besar ini, terlalu sepi ini. Mungkin untuk alasan keamanan. Aku tidak sebodoh itu untuk harus bertanya kenapa. Dan karena aku tidak sebodoh itu, aku tidak menyukai cara mereka—Wanti-wanti dari mereka agar aku tak berkeliaran sendiri.

Mereka bilang dahulu jalan besar di depan sana adalah tempat tengkorak para jawara-jawara pembela negara dikuburkan, dan tiap sore akan terlihat pria-pria muda dengan baju berlumur darah merokok serta makan-makan daun sambil bermain catur di pinggiran jalan.

Mbah tambah berkata kalau di perempatan sebelah rumah ini, apabila aku bermain sendirian, aku akan dikejar-kejar oleh serdadu kompeni tak berkepala yang akan menebas kepalaku, atau membawaku untuk disembunyikan.

Aku tak takut pada hantu-hantu bekas perang itu, aku juga tak tertarik pada mereka.
Kesalahan ibu dan mbah, dalam menakut-nakutiku, adalah menceritakan sebuah kisah yang, entah benar atau tidak, justru membuatku tertarik untuk mendekati sumbernya.

Di ujung gang, yang jalannya sedikit menurun, terdapat sebuah rumah kayu yang dijuluki oleh warga sekitar sebagai Pondok. Padahal, menurutku bentuknya tidak seperti Pondok. Rumah itu tidak buruk, justru didepannya terdapat taman besa. Sebuah gerbang mawar besar memagarinya; di taman indah itu, hanya terdapat lima jenis bunga bermekaran. Aku tak tahu jenisnya apa saja, yang kuingat dari cerita itu, pokoknya terdapat warna merah, ungu, biru, kuning, dan yang paling aneh, sebuah mawar hitam. Aku tak tahu bagaimana mawar hitam dapat tumbuh di tempat seperti ini. aku bahkan tak tahu kalau ada mawar yang berwana hitam.

Mereka menyebut rumah itu Pondok,
Pondok Pancawarna.
Pondok milik seorang pelukis yang kata orang-orang kakinya buntung.

Karena tak memiliki objek untuk dilukis, dan tak bisa keluar mencarinya, mereka bilang pelukis itu menarik gadis-gadis kecil dengan bunga yang indah di tamannya, lalu menyekap mereka dalam Pondok itu sampai ia puas melukisnya. Hal ini diceritakan setelah aku mendengar pembicaraan ibu saat membeli sayur pagi hari 2 minggu lalu, setibanya dirumah aku langsung menanyakannya soal cerita itu.
Seram?

Aneh, bukan seram. Memangnya seorang pelukis baru bisa melukis bila ada objeknya?

Kalau ingin membuatku berhenti berkeliaran dan bermain sampai larut malam di daerah baru, seharusnya mereka memberi alasan yang bagus dan masuk akal. Bukan malah menakut-nakutiku dengan sesuatu yang ditakuti anak perempuan.

Nah, malam ini aku akan menyelinap. Aku ingin mencari tahu mengenai pelukis itu; lumayan, aku dapat mencari kesenangan disela malam-malam yang selama ini selalu jenuh.

Setelah aku yakin ibu dan mbah terlelap dengan memperhatikan apa semua lampu sudah mati, aku melepas baju tidurku dan mengambil kemeja lengan pendek putih yang kupakai tadi pagi, celana pendek hitam, dan suspender yang biasanya kupakai setiap hari. Aku keluar lewat—Ini sebenarnya jendela atau pintu, sih? Bentuknya seperti jendela, terlalu besar, dan memiliki gagaing pintu—Aku keluar lewat jendela-pintu di kamarku yang langsung mengantarku ke serambi kanan rumah yang terlalu besar ini. Tanpa sepatu, aku berlari-lari kecil ditemani lampu jalan yang remang-remang dan rambut pohon yang menjuntai menuruni jalanan lebar nan sepi, menuju Pondok Pancawarna di ujung jalan.

Aku sampai didepan pagaarnya. Pagar besi hitam yang ditengahnya terdapat gerbang dari semak-semak mawar. Aku mendorog pagar yang ternyata tidak terkunci itu, berderit pelan, dan perlahan masuk. Kenapa tidak dikunci? Apa memang ia bertujuan untuk menarik anak-anak yang penasaran kemari? Dan sekarang, sejauh mata memandang dibawah bulan sabit yang temaram, aku hanya melihat hamparan taman bunga yang indah didepan sebuah rumah kayu tua yang mulai berlumut. Seperti kata mereka, dalam remang aku dapat melihat bahwa bunga didalam sini hanya memiliki 5 warna—mawar, yang jelas, bunga sepatu, lavender, violet—Entah apa lagi, aku hanya mengenali itu. taman ini terlihat makin gelap karena tak ada bunga yang berwarna putih. Aku mengambil sebuah ranting panjang yang patah, dan mengibas-ngibaskannya seolah itu adalah pisau untuk memotong dahan-dahan yang menghalangi jalan, aku seorang penjelajah.

Aku melihat taman dari ujung-ke-ujung, sampai akhirnya berhenti ketika aku mencoba untuk mencari jalan menuju belakang Pondok—
Di sana lah aku melihatnya,
Dengan sebuah lampu ublik yang ia letakkan di sebelah cagak kanvasnya,
Ia duduk pada sebuah kursi roda kayu,
Sambil terus melukis dan menoleh ke arahku.
“Nak?”
Ia memutar kursinya,
Dan kakinya tak ada—Tak ada dalam artian, benar-benar tak ada. Seolah tak ada apa-apa lagi setelah bagian bawah perutnya.
“Sedang apa kau kemari? Tak ada yang berani kesini, lho.”
Ia tidak tua seperti yang kubayangkan, tidak setua mbah, dan mungkin hanya beberapa tahun di atas ibu. Kemeja biru bergarisnya terlihat kusam di bawah mata sabit rembulan.
Aku terus mengayun-ayunkan ranting yang kupegang.
“Tak apa, aku hanya penasaran. Kukira bapak cuma sekedar cerita. Ibu dan mbah biasanya menakut-nakutiku.”
“Apa menurutmu aku terlihat seperti orang jahat?”
“Tidak. Bapak terlihat seperti—”
“Ya?”
“Orang sedih, pak.”
“Lho, mengapa?”
“Karena bapak melukis  sendirian jauh dari orang. Aku punya teman yang selalu menggambar sendirian saat sedih.”
Bapak itu hanya tertawa. Dan memanggilku untuk melihat lukisannya lebih dekat.
“Ada apa dengan kakimu, pak?”
“Ini Memento Mori. Kau tahu apa itu?”
“Apa itu?”
“Pengingat kematian.”
Aku melihat lukisannya—Seperti tamannya, aku hanya mengenali lima warna pada lukisannya.
“Datanglah lagi bila kau mau. ”

Ketika aku datang esok pagi, setelah beli sayur bersama ibu dan mbah, (aku menyelinap setelah mereka masuk ke rumah) ia tak ada disana. Aku mencoba kembali malam hari, dan saat itulah aku sadar bahwa ia selalu melukis tiap malam, dan entah berada di mana saat pagi. Aku mulai mengunjunginya tiap hari, tiap minggu, sewaktu kesepian dan suntuk melandaku.

Aku mulai hafal pola-pola lukisannya, gurat-guratan garisnya yang abstrak. Ia tidak pernah menggunakan warna yang tidak ada pada tamannya, seolah cat yang ia dapat berasal dari bunga-bunga yang ia tanam. Yang ia hancurkan, dan renggut warnanya.
Pada suatu malam yang anehnya tidak dingin, justru sedikit hangat, ia bertanya,
“Apa yang kau lihat di lukisan-lukisanku, nak?”
“Hmm.. Apa ya.. Warna yang dicampur-campur.. Lima warna.. Garis putus-putus..”
“Ini warna-warna dan suara masa lampau.”
Aku menatapnya penasaran,
“Kau masih ingat Memento Mori?”
“Pengingat kematian?”
“Kakiku yang hilang ini bukan hanya pertanda agar aku selalu mengingat kematian. Tapi agar aku tak bisa melupakan, dan meninggalkan masa lampau.”
“Maksud bapak, agar tak bisa meninggalkan tempat ini juga?”
“Ya, ini tempat dimana aku kehilangan banyak hal, kehilangan orang-orang yang kukasihi. Aku ingin tetap bersama jiwa mereka di Pondok ini. Rumah tua reot kami yang sudah lumutan.”
“Apa ini ada hubungannya dengan bunga yang hanya memiliki lima warna?”
Ia meletakkan kuasnya dan memutar kursi rodanya menghadapku, lalu melonggarkan kerah kemeja putih lusuhnya; aku lebih suka kemejanya yang biru bergaris.
“Aku dahulu tinggal dengan empat orang anakku, dan istriku. Ia sangat suka berkebun, dan menanam enam bunga sesuai warna kesukaanku kami. Ia sangat cantik, tak banyak memikirkan soal dirinya. Pada suatu hari, nak, ketika ia pergi ke pasar pagi buta, mendung semilir, dan aku masih menemani anak-anak yang belum terbangun—Badai terjadi. Kami lindung didalam rumah sedangkan—Entah apa jadinya pada istriku dan ibu-ibu yang ke pasar pada pagi hari. Yang kutahu, ketika hujan mulai reda dan semuanya kembali seperti sedia kala, taman kami sudah tak berbentuk, kacau. Pepohonan semua tumbang, jalan-jalan dipenuhi lumpur, dan entah berapa lamapun aku menunggu,
Ia tak kembali dari pasar pagi itu.
Cuaca sangat buruk, dan untuk keluarga di daerah terpencil seperti ini, flu bukanlah penyakit yang mudah, nak.”
“Kau kehilangan keempat anakmu karena flu, pak?”
“Tepat sekali, dan setelahnya, aku mencoba menghidupkan mereka dalam warna-warna yang mereka sukai. Lima warna yang mereka gemari di pekarangan kasih ini. Tapi entah bagaimanapun, mawar putih yang kutanam untuk istriku, di tanah hitam yang sedih dan lembab ini, mendadak menunjukkan bercak-bercak hitam yang makin menyebar ke seluruh kelopaknya. Seolah alam bahkan tak mengizinkanku untuk mengenang dan bertemu lagi dengannya,
Seolah kami takkan pernah bersatu lagi.”
“Aku tak tahan, nak. Aku ingin pergi dari sini. Tapi jika aku pergi, siapa yang akan merawat bunga-bunga ini dan mengenang, mengasihi mereka di gelap sana? Aku berusaha keras mengurungkan niatku, dan untuk memaksa diriku agar tak pergi,
Aku memotong kedua kakiku.”
“Apa tetangga-tetanggamu tak berpikir kau gila, pak?”
“Tentunya. Hal terakhir yang kuingat dari mereka hanyalah kursi roda kayu ini.”
“Mereka menuduhmu menculik anak-anak.”
“Aku tak pernah menculik mereka, mereka datang sendiri, dan aku memperlakukan anak-anak itu sepantasnya.”
“Dasar, gosip ibu-ibu.”
Cerita mengerikan itu terus menghantuiku. Tapi aku tak dapat berhenti mengunjunginya. Aku kasihan padanya, bapak itu pasti kesepian;

Sama sepertiku.

Setahun hampir berlalu, dan minggu depan usiaku akan menginjak 15 tahun. Aku akan dikirim untuk tinggal bersama ayah di ibu kota, dan harus meninggalkan tempat ini.
Aku mengkhianati keinginanku untuk tidak banyak bermain dan mulai menjadi anak yang serius,
Aku tidak ingin kehidupan dewasa yang terlihat sepi dan penuh sesak serta hambar,
Aku masih ingin bermain.

Semalam sebelum ulang tahunku, aku melesat ke Pondok Pancawarna. Aku bersembunyi diantara semak bunga biru sampai pak pelukis menemukanku.
“Hei, apa yang kau lakukan?”
“Sembunyikan aku, pak! Sampai dua hari ke depan?”
“Apa? Mengapa? Mbah dan ibumu akan mencarimu!”
“Aku tak ingin jadi orang dewasa yang sedih dan membosankan, aku masih ingin bahagia dan bermain! Besok lusa ayah akan menjemputku, dan aku harus ikut dengannya untuk belajar di ibu kota—Dengan seragam yang pucat dan kehidupan yang ketat.”
“Bukannya kau pernah bercerita akan memotong rambut keritingmu itu dan berhenti bermain-main.”
“Itu hanya untuk menghibur sepiku—”
“Jangan membohongi dirimu, nak.”

Aku menoleh melihat lukisannya—Lukisan yang biasanya abstrak. Meskipun tidak jelas, aku dapat melihat bahwa itu adalah lukisan Pondok ini, dengan hamparan taman harum dan 4 anak yang bermain riang bersama orangtua mereka, berlarian di pekarangan.

“Kuharap aku dapat bersenang-senang seperti yang lukisanmu itu.”
“Hei, ayolah, jangan murung. Kau harus senang dapat bersama orangtuamu.”
Aku hanya membenamkan wajahku dalam lututku.
“Baiklah, kau boleh menginap untuk dua hari ke depan.”

Pak pelukis menggiringku masuk sambil memutar roda kursinya; ia mempersilahkanku untuk tidur di kamar anaknya, dan minum teh malam sebelum terlelap. Aku biasa melakukannya dengan ibu, mbah, dan ayah; tapi semenjak pindah kemari dan ayah harus berada di ibu kota, ibu dan mbah tidak lagi mengajakku minum teh sebelum tidur

Keesokan harinya aku terbangun, cahaya matahari menyinari jendela kamar yang sedikit berdebu ini, namun terlihat lebih indah dan menarik daripada tadi malam. Mainan dan buku berserakan dibawahnya. Kakiku sedikt nyeri saat tak sengaja menginjak empat batang krayon yang tergeletak di karpet. Aku mencari pak pelukis, tapi sebelum menemukannya aku mendengar tawa riang anak-anak.

Aku berlari ke pintu depan yang letaknya kuraba-raba; aku tak tahu. Tadi malam kami masuk lewat pintu belakang. Pintu depan berhasil kucapai, dan dengan melindungi mataku dari sinar matahari pagi, aku beranjak keluar untuk melihat sebuah keluarga bahagia; empat orang anak dan sepasang suami istri bermain, berlari riang pada sebuah pelataran mengenakan mahkota bunga.
Sang ayah, dengan kemeja biru bergarisnya dengan mudah kukenali,
Itu pak pelukis, tapi ada yang berbeda dengannya.
Ia berdiri pada kedua kaki, dan berdansa dengan riang bersama istri serta anak-anaknya,
Tangannya terulur, ia mengajakku untuk bergabung dengannya,
Dan aku menyambutnya.

Kami berdansa, berdendang, dan makan enak sepanjang hari. Saat malam, aku mencoba untuk melewati gerbang mawar dan mengintip keadaan rumahku; tapi tak bisa. Yang kulihat selepas gerbang mawar adalah hamparan taman yang sama, lebih besar dan luas dari ini.

Aku mencoba untuk melewati gerbang mawar, tapi tak bisa.
Seolah ada kain kasar tebal yang membatasi antara aku dan taman selanjutnya.

Keesokan harinya kami masih bermain, bersenang-senang. Aku semakin akrab dengan empat orang anak yang pakaiannya berwarna sesuai dengan kesukaan mereka, dan dapat dengan mudah mengambil hati istri pak pelukis.
Tapi, malam ini,
Saat aku mencoba untuk melewati gerbang mawar, di depan tirai kain tebal itu;
Yang kulihat adalah wajah ibu.
Wajah ibu, mbah, dan ayah yang panik serta berteriak seolah memukul-mukul tirai kain.
Aku menoleh ke belakang,
Istri pak pelukis memanggilku untuk makan malam.
Pagi hari setelahnya kami masih terus berdendang, dan berbahagia bersama. Tapi ini sudah esok lusa, dan aku harus pulang karena pasti ayah sudah kembali ke ibu kota dan tak akan ada yang mengambilku lagi.
Aku mencoba untuk melewati gerbang mawar, didepan tirai kain tebal itu;
Aku masih tak dapat melewatinya,
Tapi sekarang aku tak melihat taman bunga, ataupun wajah ibu dan mbah yang terlalu dekat—
Aku melihat ruang tamu rumahku,
Dengan ibu, mbah, dan ayah duduk termenung menundukkan kepalanya.
Aku menoleh ke belakang,
Pak pelukis mengajakku bermain lagi; empat anaknya, serta beberapa anak lain, berlari mengejar, menarik tanganku untuk tinggal bersama mereka.

Tinggal dan berbahagia di Pondok Pancawarna untuk selamanya.
Sorry for writing in my native language lately ^^
Amanda Mar 2017
The nights breeze flows through my window.
It kissess my skin as i lay upon my bed.
My thoughts recollect to the night of being blessed with Anam cara, a night mirroring this one.
I yearn for another night like that.
More so a life like that, for having an Anam cara is to be home.
And i so long to be home.
Bintun Nahl 1453 Mar 2015
Islam adalah ajaran yang sangat sempurna, sampai-sampai cara berpakaian pun dibimbing oleh Alloh Dzat yang paling mengetahui apa yang terbaik bagi diri kita. Bisa jadi sesuatu yang kita sukai, baik itu berupa model pakaian atau perhiasan pada hakikatnya justru jelek menurut Alloh. Alloh berfirman, “Boleh jadi kamu membenci sesuatu padahal itu adalah baik bagimu dan boleh jadi kamu menyukai sesuatu padahal sebenarnya itu buruk bagimu, Alloh lah yang Maha mengetahui sedangkan kamu tidak mengetahui.” (Al Baqoroh: 216). Oleh karenanya marilah kita ikuti bimbingan-Nya dalam segala perkara termasuk mengenai cara berpakaian.

Perintah dari Atas Langit

Alloh Ta’ala memerintahkan kepada kaum muslimah untuk berjilbab sesuai syari’at. Alloh berfirman, “Wahai Nabi katakanlah kepada isteri-isterimu, anak-anak perempuanmu serta para wanita kaum beriman agar mereka mengulurkan jilbab-jilbab mereka ke seluruh tubuh mereka. Yang demikian itu agar mereka mudah dikenal dan tidak diganggu orang. Alloh Maha pengampun lagi Maha penyayang.” (Al Ahzab: 59)

Ketentuan Jilbab Menurut Syari’at

Berikut ini beberapa ketentuan jilbab syar’i ketika seorang muslimah berada di luar rumah atau berhadapan dengan laki-laki yang bukan mahrom (bukan ‘muhrim’, karena muhrim berarti orang yang berihrom) yang bersumber dari Al Qur’an dan As Sunnah yang shohihah dengan contoh penyimpangannya, semoga Alloh memudahkan kita untuk memahami kebenaran dan mengamalkannya serta memudahkan kita untuk meninggalkan busana yang melanggar ketentuan Robbul ‘alamiin.

Pertama

Pakaian muslimah itu harus menutup seluruh badannya kecuali wajah dan kedua telapak tangan (lihat Al Ahzab: 59 dan An Nuur: 31). Selain keduanya seperti leher dan lain-lain, maka tidak boleh ditampakkan walaupun cuma sebesar uang logam, apalagi malah buka-bukaan. Bahkan sebagian ulama mewajibkan untuk ditutupi seluruhnya tanpa kecuali-red.

Kedua

Bukan busana perhiasan yang justru menarik perhatian seperti yang banyak dihiasi dengan gambar bunga apalagi yang warna-warni, atau disertai gambar makhluk bernyawa, apalagi gambarnya lambang partai politik!!!; ini bahkan bisa menimbulkan perpecahan diantara sesama muslimin. Sadarlah wahai kaum muslimin…

Ketiga

Harus longgar, tidak ketat, tidak tipis dan tidak sempit yang mengakibatkan lekuk-lekuk tubuhnya tampak atau transparan. Cermatilah, dari sini kita bisa menilai apakah jilbab gaul yang tipis dan ketat yang banyak dikenakan para mahasiswi maupun ibu-ibu di sekitar kita dan bahkan para artis itu sesuai syari’at atau tidak.

Keempat

Tidak diberi wangi-wangian atau parfum karena dapat memancing syahwat lelaki yang mencium keharumannya. Nabi shollallohu ‘alaihi wa sallam bersabda, “Jika salah seorang wanita diantara kalian hendak ke masjid, maka janganlah sekali-kali dia memakai wewangian.” (HR. Muslim). Kalau pergi ke masjid saja dilarang memakai wewangian lalu bagaimana lagi para wanita yang pergi ke kampus-kampus, ke pasar-pasar bahkan berdesak-desakkan dalam bis kota dengan parfum yang menusuk hidung?! Wallohul musta’an.

Kelima

Tidak menyerupai pakaian laki-laki seperti memakai celana panjang, kaos oblong dan semacamnya. Rosululloh melaknat laki-laki yang menyerupai perempuan dan perempuan yang menyerupai laki-laki (HR. Bukhori)

Keenam

Tidak menyerupai pakaian orang-orang *****. Nabi senantiasa memerintahkan kita untuk menyelisihi mereka diantaranya dalam masalah pakaian yang menjadi ciri mereka.

Ketujuh

Bukan untuk mencari popularitas. Untuk apa kalian mencari popularitas wahai saudariku? Apakah kalian ingin terjerumus ke dalam neraka hanya demi popularitas semu. Lihatlah isteri Nabi yang cantik Ibunda ‘Aisyah rodhiyallohu ‘anha yang dengan patuh menutup dirinya dengan jilbab syar’i, bukankah kecerdasannya amat masyhur di kalangan ummat ini? Wallohul muwaffiq.

(Disarikan oleh Abu Mushlih dari Jilbab Wanita Muslimah karya Syaikh Al Albani)
Nuestras vidas son los ríos
que van a dar a la muerte
que es la vida
Tu muerte más bien divertida Merton
                            (¿o absurda como un koan?)
tu muerte marca General Electric
y el cadáver a USA en un avión del Army
          con el
humor tan tuyo te habrás reído
vos Merton ya sin cadáver muerto de risa
también yo
Los iniciados de Dionisos ponían hiedra...
            (yo no la conocía)
Hoy tecleo con alegría esta palabra muerte
Morir no es como el choque de un auto o
                                    como un cortocircuito
                      nos hemos ido muriendo toda la vida
Contenida en nuestra vida
              ¿como el gusano en la manzana? no
como el gusano sino
la madurez!
O como mangos en este verano de Solentiname
amarillando, esperando las
oropéndolas...
                  los hors d'oeuvres
nunca fueron en los restaurantes
como anunciados en las revistas
Ni el verso fue tan bueno como quisimos
o el beso.
Hemos deseado siempre más allá de lo deseado
Somos Somozas deseando más y más haciendas
              More More More
y no sólo más, también algo «diferente»
              Las bodas del deseo
el coito de la volición perfecta es el acto
de la muerte.
                    Andamos entre las cosas con el aire
de haber perdido un cartapacio
muy importante.

Subimos los ascensores y bajamos
Entramos a los supermercados, a las tiendas
como toda la gente, buscando un producto
trascendente.
                  Vivimos como en espera de una cita
Infinita. O
                que nos llame al teléfono
lo Inefable.
Y estamos solos
trigos inmortales que no mueren, estamos solos.
Soñamos en perezosas sobre cubierta
                  contemplando el mar color de daikirí
esperando que alguien pase y nos sonría
y diga Hello

No un sueño sino la lucidez.
          Vamos en medio del tráfico como sonámbulos
                          pasamos los semáforos
con los ojos abiertos y dormidos
paladeamos un manhattan como dormidos.
No el sueño
la lucidez es imagen de la muerte
                      de la iluminación, el resplandor
enceguecedor de la muerte.
Y no es el reino del Olvido. La memoria
              es secretaria del olvido.
                    Maneja en archivadoras el pasado.
Pero cuando no hay más futuro sino un presente fijo
todo lo vivido, revive, ya no como recuerdos
y se revela la realidad toda entera
en un flash.

La poesía era también un partir
como la muerte. Tenía
la tristeza de los trenes y los aviones que se van
                              Estacioncita de Brenes
                              en Cordobita la Llana
                                de noche pasan los trenes
el cante jondo al fondo de Granada
En toda belleza, una tristeza
y añoranza como en un país extraño
                        MAKE IT NEW
                                (un nuevo cielo y una nueva tierra)
pero después de esa lucidez
volvés otra vez a los clichés, los
slogans.
Sólo en los momentos en que no somos prácticos
concentrados en lo Inútil,                         Idos
se nos abre el mundo.
 La muerte es el acto de la distracción total
 también: Contemplación.

 El amor, el amor sobre todo, un anticipo
 de la muerte
          Había en los besos un sabor a muerte
                    ser
                          es ser
                                    en otro ser
          sólo somos al amar
Pero en esta vida sólo amamos unos ratos
 y débilmente
Sólo amamos o somos al dejar de ser
al morir
        desnudez de todo el ser para hacer el amor
                          make love not war
                que van a dar al amor
                que es la vida

la ciudad bajada del cielo que no es Atlantic City
      Y el Más Allá no es un American Way of Life
                    Jubilación en Flórida
o como un Week-end sin fin.
La muerte es una puerta abierta
al universo
              No hay letrero NO EXIT
y a nosotros mismos
                                  (viajar
        a nosotros mismos
                  no a Tokio, Bangkok
                                            es el appeal
                        stwardess en kimono, la cuisine
Continental
es el appeal de esos anuncios de Japan Air Lines)
Una Noche Nupcial, decía Novalis
No es una película de horror de Boris Karloff
Y natural, como la caída de las manzanas
por la ley que atrae a los astros y a los amantes
-No hay accidentes
        una más caída
del gran Árbol
sos una manza más
      Tom
                        Dejamos el cuerpo como se deja
                                        el cuarto de un hotel
pero no sos el Hombre Invisible de Wells
              O como fantasmas de chalet abandonado
                              No necesitamos mediums
Y los niños muy bien saben que NO existe
que somos inmortales.
¿Pues puede el ****** matar la vida?
                                        ¿De la cámara de gas a la nada?
                    ¿O son los evangelios ciencia-ficción?
Jesús entró en el cuarto y sacó las plañideras
              Por eso cantan los cisnes dijo Sócrates poco antes de morir
                            Ven, Caddo, todos vamos arriba
                                    a la gran Aldea (bis)
-Hacia donde van todos los buses y los aviones
Y no como a un fin
      sino al Infinito
      volamos a la vida con la velocidad de la luz
Y como el feto rompe la bolsa amniótica...
O como cosmonautas...
                      -la salida
                                          de la crisálida.
Y es un happening.
el ******
de la vida
                                          dies natalis
                      esta vida pre-natal...
Dejada la matriz de la materia
                                        Un absurdo no:
                                        sino un misterio
puerta abierta al universo
y no al vacío
                      (como la de un ascensor que no estaba)
Y ya definitivos.
                      ...igual que el despertar una mañana
                      a la voz de una enfermera en un hospital
Y ya nada tenemos sino sólo somos
            sino
que sólo somos y somos sólo ser
                                                              La voz del amado que habla
                                                      amada mía quítate este bra
La puerta abierta
que nadie podrá cerrar ya
                          -«Dios que nos mandó vivir»
aunque anhelamos el retorno a
                asociaciones atómicas, a
                        la inconsciencia.
                  Y las bombas cada vez más grandes.
Necrofilia: el flirteo con la muerte. La pasión por lo muerto
                                (cadáveres, máquinas, diner, heces)
y si sueñan con una mujer es la imagen
de un automóvil
          La irresistible fascinación de lo inorgánico
                        ****** fue visto en la I Guerra
                        arrobado ante un cadáver
                        sin quererse mover
(militares o máquinas, monedas, mierda)
cámaras de gas en el día y Wagner por la noche
«5 millones» dijo Eichmann (aunque tal vez 6)
O bien queremos maquillar la muerte
Los Seres Queridos (no diga muertos)
  maquillados, manicurados y sonrientes
 en el Jardín de Reposo de los Prados Susurrantes
                            cf. THE AMERICAN WAY OF DEATH
                1 martini o 2 para olvidar su rostro
relax & ver tv
                  el placer de manejar un Porsche
                  (any line you choose)
tal vez esperar la resurrección congelados
en nitrógeno líquido a 497°
(almacenados como el grano que no muere)
hasta el día en que la inmortalidad sea barata
después del café, Benedictine
un traje sport para ser jóvenes, para alejar la muerte
mientras nos inventan el suero de la juventud
                    el antídoto
para no morir.
Como el cow-boy bueno de las películas, que no muere.
Buscando en Miami la Fuente Florida.
Tras los placeres anunciados en las islas Vírgenes.
O en el yate de Onassis por el Leteo...

No quisiste ser de los hombres con un Nombre
y un rostro que todos reconocen en las fotos
de los tabloides
su desierto que floreció como el lirio no fue el
de Paradise Valley Hotel
                    con cocteles en la piscina
bajo las palmeras
ni fueron tus soledades las de Lost Island
los cocos curvados sobre el mar
LOVE? It's in the movies
                    las irrupciones de la eternidad
                                fueron breves
-los que no hemos creído los Advertisements de este mundo
          cena para 2, «je t'adore»
                          How to say love in Italian?
Me dijiste: el
      evangelio no menciona contemplación.
Sin LSD
sino el horror de Dios (o
            traducimos mejor por terror?)
Su amor como la radiación que mata sin
                                                              tocarnos
y un vacío mayor que el Macrocosmos!
En tu meditación no veías más visión
que el avión comercial de Miami a Chicago
        y el avión de la SAC con la Bomba dentro
                los días en que me escribías:
My life is one of deepening contradiction and
                                                  frequent darkness
Tu Trip? tan poco interesante
el viaje a vastas soledades y extensiones de nada
todo como de yeso
                      blanco y *****, with no color
y mirar la bola luminosa y rosa como ágata
con Navidad en Broadway y cópulas y canciones
rielando en las olas del polvoriento Mar de la Tranquilidad
o el Mar de la Crisis muerto hasta el horizonte. Y
como la bolita rutilante de un Christmas-tree...

              El Tiempo? is money
es Time, es pendejada, es nada
    es Time y una celebridad en la portada
Y aquel anuncio de leche Borden's bajo la lluvia
hace años en Columbia, encendiéndose
y apagándose, tan fugaces encendidas
            y los besos en el cine
Las películas y las estrellas de cine
tan fugaces

                GONE WITH THE WIND
aunque reían todavía bellas luminosas en la pantalla
las estrellas difuntas
el carro falla, la refrigeradora
va a ser reparada
                          Ella de amarillo mantequilla
                          anaranjado mermelada y rojo fresa
como en un anuncio del New Yorker en el recuerdo
y el lipstick ya borrado de unos besos
adioses a ventanillas de aviones que volaron
                                                        al olvido
shampoos de muchachas más lejanas que la Luna o que Venus
                      Unos ojos más valiosos que el Stock Exchange
El día de la Inauguración de Nixon ya pasó
  se disolvió la última imagen en la televisión
y barrieron Washington
El Tiempo Alfonso el Tiempo? Is Money, mierda, ****
el tiempo es New York Times y Time
-Y hallé todas las cosas como Coca-Colas...

                                          Proteínas y ácidos nucleicos
                                          «los hermosos mimeros de sus formas»
proteínas y ácidos nucleicos
                            los cuerpos son al tacto como gas
la belleza, como gas amargo
lacrimógeno
Porque pasa la película de este mundo...
                                               
Como coca-colas
                    o cópulas for
                    that matter
Las células son efímeras como flores
                                               
mas no la vida
              protoplasmas cromosomas mas
no la vida
Viviremos otra vez cantaban los comanches
                    nuestras vidas son los ríos
                    que van a dar a la vida
ahora sólo vemos como en tv
después veremos cara a cara
                  Toda percepción ensayo de la muerte
                                      amada es el tiempo de la poda
    Serán dados todos los besos que no pudiste dar
                    están en flor los granados
todo amor reharsal de la muerte
                          So we fear beauty
Cuando Li Chi fue raptada por el duque de Chin
lloró hasta empapar sus ropas
pero en el palacio se arrepintió
de haber llorado.
          Van doblando la ***** de San Juan de la +
                        pasan
                        unos patos
                                                      «las ínsulas extrañas»
o gana decía San Juan de la Cruz
infinita gana-
      rompe la tela de este dulce encuentro
y los tracios lloraban sus nacimientos cuenta Herodoto
y cantaban sus muertes
-Fue en Adviento cuando en Gethsemani los manzanos
junto al invernadero, están en esqueleto
con florescencia de hielos blancos como los
  de las congeladoras.
Yo no lo creo me dijo Alfonso en el Manicomio
cuando le conté que Pallais había muerto
Yo creo que es cuestión política o
Cosa así.
¿Entierran todavía con ellos un camello para el viaje?
•¿Y en las Fiji
las armas de dientes de ballena?
La risa de los hombres ante un chiste es prueba de que creenen
la resurrección
             
o cuando un niño llora en la noche extraña
y la mamá lo calma
La Evolución es hacia más vida
        y es irreversible
e incompatible con la hipótesis
de la nada
Yvy Mara ey
fueron en migraciones buscándola hasta el interior del Brasil
(«la tierra donde no se moría»)
Como mangos en este verano de Solentiname
madurando
mientras está allá encapuchado de nieve el noviciado
                  Pasan las oropéndolas
                  a la isla La Venada donde duermen
me decías
It is easy for us to approach Him
Estamos extraños en el cosmos como turistas
                    no tenemos casa aquí sólo hoteles.
Como turistas gringos
                                            everywhere
aprisa con su cámara apenas conociendo
                                    Y como se deja el cuarto de un motel
                                        YANKI GO HOME
Muere una tarde más sobre Solentiname
Tom
                                          resplandecen estas aguas sagradas
y poco a poco se apagan
es hora de encender la Coleman
                todo gozo es unión
                dolor estar sin los otros:
                                                                            Western Union
El cablegrama del Abad de Gethsemani era amarillo
                WE REGRET TO INFORM YOU etc
yo sólo dije
o. k.
                            Donde los muertos se unen y
                                              son con el cosmos
                                                                      uno
porque es «mucho mejor» (Fil. 1, 23)
Y como la luna muere y renace de nuevo...
            la muerte es unión y
                      Ya se es uno mismo
                                se une uno con el mundo
la muerte es mucho mejor
los malinches en flor esta noche, esparciendo su vida
          (su renuncia es flor roja)
la muerte es unión
                      1/2 luna sobre Solentiname
                      con 3 hombres
uno no muere solo
(Su Gran Choza de Reunión) los ojibwas
y el mundo es mucho más profundo
Donde los algonquinos espíritus con mocasines
espíritus
cazan castores espíritus sobre una nieve espíritu
creímos que la luna estaba lejos
morir no es salir del mundo es
    hundirse en él
estás en la clandestinidad del universo
                                        el underground
fuera del Establishment de este mundo, del espacio tiempo
sin Johnson ni Nixon
        allí no hay tigres
                              dicen los malayos
    (una Isla del oeste)
                                                    que van a dar a la mar
                                                    que es la vida
Donde los muertos se juntan oh Netzhualcoyotl
o 'Corazón del Mundo'
            Hemingway, Raissa, Barth, Alfonso Cortés
el mundo es mucho más profundo
                  Hades, donde Xto bajó
                                                  seno, vientre (Mt. 12, 40)
                                                        SIGN OF JONAS
las profundidades de la belleza visible
donde nada la gran ballena cósmica
llena de profetas
                      Todos los besos que no pudisteis dar
                                                                  serán dados
Se transforma
....«como uno estuvo enterrado en el seno de su madre...»

                          a Keeler un cacique cuna
La vida no termina se transforma
                          otro estado intra-uterino dicen los koguis
por eso los entierran en hamacas
en posición fetal
                   
una antigua doctrina, d
Bintun Nahl 1453 Mar 2015
Mungkin suamimu tak pandai berkata apalagi merayu dengan romantisme karya sastra...
Tapi mungkin dengan cara itulah Allah menjaga lisannya...
Menjauhkannya dari fitnah dunia yang tak halal baginya...

Mungkin suamimu tak pandai berkata..
Tapi heningnya menahan kita banyak bicara..
Memutus rantai kalimat sanggahan yang lahirkan perkara..
Sehingga keseimbangan suasana lebih terjaga..

Andai saja Allah ciptakan sebaliknya, mungkin rumahmu bagai arena tarung laga
Ah.... itulah mengapa Allah menikahkanmu dengannya

Mungkin istrimu tak berparas mempesona
Apalagi secantik selebritis di warta berita..
Tapi mungkin lisannya selalu berucap kata mutiara yang terpancar dari jiwa yang terjaga...

Andai saja Allah menciptakan sebaliknya
Mungkin hatimu tak tenang saat jauh darinya
Ah..... itulah mengapa Allah menikahkanmu dengannya

Mungkin suamimu bukanlah saudagar kaya yang membawa pulang limpahan laba hasil usaha...
Namun meskipun besarannya begitu sederhana...
Mungkin ia selalu menjaga kehalalan apa yang dibawa..

Mungkin suamimu bukanlah pejabat yang bertahta, yang dihormati dan dipuja bawahannya
Tapi mungkin dibalik kedudukannya yang biasa, ia mampu menjadi imam bagi keluarga

Andai saja Allah menciptakan sebaliknya,
Mungkin belum tentu ia miliki derajat takwa
Ah..... itulah mengapa Allah menikahkanmu dengannya

Mungkin istrimu bukanlah koki istimewa yang masakannya selezat pujasera...
Tapi mungkin ia pandai mendidik buah hatinya, memahat pribadi yang berkarater mulia.

Mungkin istrimu bukanlah koki istimewa,
Yang terkadang masakannya itu-itu saja
Tapi mungkin ia pandai mengatur alokasi harta, sehingga pemberianmu tak terhambur percuma

Andai saja Allah menciptakan sebaliknya
Mungkin kecintaanmu akan terlalu berlebih padanya...
Melebihi cintamu pada Allah sang pemberi karunia..
Ah.... itulah mengapa Allah menikahkanmu dengannya...

Mungkin suamimu tak pandai terlibat merawat anaknya...
Sehingga terlihat kau melakukan semuanya
Tapi mungkin ia sabar membantumu... meringankan pekerjaan rumah tangga..
Sehingga semua terlaksana dengan kerja sama..

Mungkin suamimu tak pandai terlibat merawat anaknya...
Sehingga terlihat minim perannya dalam keluarga...
Tapi mungkin ia sangat keras bekerja
Sehingga nafkah telah cukup terpenuhi lewat dirinya...

Andai saja Allah menciptakan sebaliknya
Mungkin banyak para gadis menanti dipinang menjadi yang kedua
Jika suamimu terlalu sempurna...
Aaa.... itulah mengapa Allah menikahkanmu dengannya...

Mungkin istrimu tak mahir dalam mengurus rumah tangga..
Tak mampu menyulap rumah menjadi rapi tertata...
Tapi mungkin ia begitu cerdas menguasai matematika...
Sehingga anak yang cerdas dalam eksakta terlahir dari rahimnya karena genetika...

Mungkin istrimu tak mahir dalam mengurus rumah tangga..
Menambah sedikit tugasmu dalam membantunya bekerja..
Tapi mungkin ia begitu taat dalam beragama..
Membimbing anak-anak dalam kerangka syariat agama...
Sehingga meringankan kewajibanmu dalam membimbing keluarga

Andai saja Allah menciptakan sebaliknya
Mungkin engkau merasa tugasmu telah tertunai sempurna..
Cukup sekedar menyempurnakan nafkah keluarga
Aaa..... itulah mengapa Allah menikahkanmu dengannya

Percayalah......
Selalu ada kebaikan dalam setiap ketetapan Allah Sang Sutradara
Maka temukanlah sebanyak-banyaknya rahasia dibaliknya..
Agar engkau mengerti mengapa Allah menikahkanmu dengannya...

Jikalau engkau masih sulit menemukan jawabannya...
Gantilah kaca matamu dengan kacamata syukur atas segala karunia...

Adalah hakmu jika engkau berharap Khadijahmu menjadi lebih sempurna...
Asalkan kau siap membimbingnya dengan menjadi Muhammad baginya.

‪#‎RZMuhasabah‬

Suka · Komentari · Bagikan
Sucede que me canso de ser hombre.
Sucede que entro en las sastrerías y en los cines
marchito, impenetrable, como un cisne de fieltro
navegando en un agua de origen y ceniza.

El olor de las peluquerías me hace llorar a gritos.
Sólo quiero un descanso de piedras o de lana,
sólo quiero no ver establecimientos ni jardines,
ni mercaderías, ni anteojos, ni ascensores.

Sucede que me canso de mis pies y mis uñas
y mi pelo y mi sombra.
Sucede que me canso de ser hombre.

Sin embargo sería delicioso
asustar a un notario con un lirio cortado
o dar muerte a una monja con un golpe de oreja.
Sería bello
ir por las calles con un cuchillo verde
y dando gritos hasta morir de frío.

No quiero seguir siendo raíz en las tinieblas,
vacilante, extendido, tiritando de sueño,
hacia abajo, en las tripas mojadas de la tierra,
absorbiendo y pensando, comiendo cada día.

No quiero para mí tantas desgracias.
No quiero continuar de raíz y de tumba,
de subterráneo solo, de bodega con muertos,
aterido, muriéndome de pena.

Por eso el día lunes arde como el petróleo
cuando me ve llegar con mi cara de cárcel,
y aúlla en su transcurso como una rueda herida,
y da pasos de sangre caliente hacia la noche.

Y me empuja a ciertos rincones, a ciertas casas húmedas,
a hospitales donde los huesos salen por la ventana,
a ciertas zapaterías con olor a vinagre,
a calles espantosas como grietas.

Hay pájaros de color de azufre y horribles intestinos
colgando de las puertas de las casas que odio,
hay dentaduras olvidadas en una cafetera,
hay espejos
que debieran haber llorado de vergüenza y espanto,
hay paraguas en todas partes, y venenos, y ombligos.

Yo paseo con calma, con ojos, con zapatos,
con furia, con olvido,
paso, cruzo oficinas y tiendas de ortopedia,
y patios donde hay ropas colgadas de un alambre:
calzoncillos, toallas y camisas que lloran
lentas lágrimas sucias.
Talara, no digas "yes",
Mira al mundo cara a cara;
soporta tu desnudez
... y no digas "yes", Talara.
Mi raza, al igual que tú
tiene sus zonas ajenas:
tú por petróleo en tus venas,
yo por ser como Esaú.
A veces no es el Perú
lo que está bajo tus pies.
Yo a veces cojo la mies
para que  otro se la coma.
Si sólo es nuestro el idioma
Talara, no digas "yes".
Lo que ganas y te dan
recíbelo sin orgullo:
es un diezmo de lo tuyo,
es migaja de tu pan.
Y si acaso un holgazán
a patriota te retara,
deja que siga la piara
en su cuadrúpeda insidia;
si el mundo entero te envidia
mira al mundo cara a cara.
Pero cuando tus entrañas
ya no tengan más que dar
y no haya qué perforar
en tu mar ni en tus montañas;
cuando lagartos y arañas
a la "rotaria" hagan prez;
cuando la actual fluidez
se extinga como el ocaso,
contra el viento de "El Tablazo"
soporta tu desnudez.
Ese día está lejano
y ojalá no llegue nunca,
más como todo se trunca
pensemos en todo, hermano:
Si te dedicas al grano
yo te traeré agüita clara,
y si en el desierto se ara
te serviré de semilla,
... y no dobles la rodilla,
... y no digas "yes", Talara.
Bintun Nahl 1453 Mar 2015
Kepada Kamu.

Kita terlalu sama. Suka menangis diam diam. Kelihatan tegar di luar, padahal hancur di dalam. Ketika kini kulihat tawamu yang terlalu keras, aku tahu bahwa kau sedang tidak baik baik saja. Kau memang ahli bermain peran, tapi tidak di hadapanku. Cobalah hidup jujur terhadap apapun yang kau rasa.

Tuhan tidak menciptakan apapun untuk sia-sia. Hidup tidak melulu soal bahagia, tapi juga sebaliknya. Itu kemutlakan yang tak bisa kau tolak. Seperti sekarang, jangan selingkuhi perasaanmu sendiri, menangislah. Sungguh, tidak ada yang salah dengan jatuhnya airmata. Airmata bukan penanda lemah, sebaliknya itu pertanda agar kau tidak lengah.

Setiap kita memiliki lukanya sendiri sendiri. Juga, memiliki cara sendiri sendiri untuk memulihkannya. Airmata adalah cara lain kau berbahasa dan mengungkap rasa, ketika kau tak sanggup mengolah kata. Biarkan luka terbawa oleh setiap tetes airmata yang menitik sukarela.

Terkutuklah mereka yang percaya ‘anak hebat tidak menangis’ lalu menurunkan kebijakan yang tidak bijak itu pada anaknya. Mereka pasti mati rasa.

Izinkan aku menemanimu, tanpa banyak bicara, memberi petuah yang menjemukan, atau bertingkah konyol agar kau tertawa. Aku hanya akan duduk di sampingmu, menemani selama kau mau. Dan sesekali memberi genggaman, untuk menguatkan.

Note: bahkan airmata adalah buah tawa, saat aku bahagia bisa menemanimu dan mendengar cerita kegiatanmu seharian.
The shape of her eyes
built with the truth
to keep her love a disquise
dark eye shadow her past as my proof
Ive seen and held her when she cried
I would never tell a lie
I keep my words smooth

mi cara linda

"even when I say bye
i still look into her eyes
just to say I love you"...

Her eyes change color
emotions and stress
built on another
leaving her without rest
The fire that burn inside
spirit wanting to be free
in the deepness of her mind
cant you see? her love is mine!

I see in her eyes
the story deep behind
the very knot & hard ties
twist and many turn arguments that left dry tear trail scars
and fear  burns
.
many had held her down,
even when she was right.
mamacita they block your shine
cause they scared ill make you mine.

BY: Emmanuel jv Hernandez
7/7/12
Goddess of USR Feb 2024
You are my anam cara and compass, guiding me through love's winding lanes, each step echoing the ancient tales of our shared longing, forever in my favor.

A promise etched in the constellations, a celestial ode my dearest anam cara.

Our love a whisper carried by Dublin's winds, reaching across time.

The stars themselves bear witness to our timeless bond.

My heart beats with you, a rhythm woven into the fabric of our shared existence.

Each pulse, a whispered promise across time and space, echoing through the chambers of longing.
For CBM of Dublin sent with a million kisses
Cara, ti vorrei scrivere il mio amore;
cara, ti vorrei dire che sei come
un purissimo vaso che si incrina,
ma se tu vuoi riuscire
a guardarmi nel viso come Psiche
fece nel tempo andato con Amore
tu rimarrai delusa e poi ferita.
No, non volgerti indietro, la vestale
cammina adagio, lenta, a sé davanti
guardando sempre; no, non ritornare
su ciò che hai fatto, può essere morte:
te lo dice un'antica profetessa
che è una povera madre e ti vuol bene.
Janette Aug 2012
Wicked.....hovers,
Sleek, against heart’s beat;


Breath of night
Hot, skin-blushed flesh
Tongue-tingled, forged upon steel;


Black satin shivers beneath wildfire lips;
Slow danced in sweetened heat,
Writhing beneath the shimmer-gleam;


Tongues tie wings bruised with ecstasy
Sighed against masculine,
Wearing me wet....
when the dawn flirty flicker on the horizon of the hill ..
feels cool breeze wash the bitter wounds ...

when the blazing sun dancing on the head burn jealous ..
so graceful way you speak ..

when the sun pull over and hide the east stretch of ocean ..
so light up the dim dark brushed off behavior ..

when the evening wading longing raft ..
so beautiful the way you steal sank deep trough ..*


┈┈┈┈┈»̶·̵̭̌✽✽·̵̭̌«̶  ƦУ  »̶·̵̭̌✽✽·̵̭̌«̶┈┈┈┈┈┈┈┈┈


cara karammu

saat sang fajar mengerlip genit diufuk bukit..
terasa sejuk  hembusan angin membasuh luka yang pahit...

saat sang mentari menari terik diatas kepala membakar cemburu..
begitu anggun bertutur caramu..

saat sang surya menepi dan bersembunyi ditimur hamparan samudra..
begitu terang perilakumu menepis gelapnya temaram asa..

saat rakit kerinduan mengarungi malam..
begitu indah cara karammu menyuri palung yang dalam..
these are the times that try men's souls..
i woke up thinking a very pleasant thought. there 's lots left in the world to see..
The Woman Apr 2015
Esa noche soñé,
soñé que me enredaba un aura,
un aura tan cambiante,
donde de ella emanaban cantos, gritos y reclamos,
que al poco rato,
se tornaban en zafiros
¡unos tan malditos!
que me rasgaban la piel como espinas,
ante la insistencia del recuerdo.

De repente,
tu boca insana me despierta,
pero noto
que no era tu boca,
nunca lo fue,
era la sombra,
una tan vil y desalmada,
que hurtó tú cara,
tú cara,
¡Oh, tú cara!
Tan falsa! Tan dañina!
Por la cual, yo,
tan cegada y entorpecida
gritaba en mis adentros:
"Acércate, acércate,
y líbrame de mi pesar"

Luego,
en claridad perfecta,
hay dos sombras, detrás una tercera,
sin yo saber quién es quién,
sobre ellas vuela el pájaro azul,
el símbolo de mi voluntad,
quebrantando los cristales,
que de tu incertidumbre
me arrastró;
La tercera sombra, la más incomprensible,
dispara la flecha,
la que me aniquiló el corazón.
Y esta sombra, sin pensarlo,
se esfumó,
y cuando su voluntad esboza,
vuelve a mí,
para repetir una vez más su maldad.

¡Fue el veneno!
¡Fue la ira!
¡Fue la venganza!
que me dejó sin alma,
que me permitía escuchar
como aquella se perdía,
tan potente, tan fugaz,
al igual que una avalancha.

Poco a poco aprendí a
nunca más darme cosas comunes que anhelan;
sobre todo,
al atacarme en rayo fiero,
el recuerdo que niego,
estableciendo el rojo en mis mejillas,
por la causa injusta
de tu egoísmo descomedido
que me centella en los ojos.
An English Sonnet to Mo Chroi



Mo Chroi, Mo Chroi. My dearest guide through life.

You keep this fool alive, safe and sound.

I regret, Mo Chroi, I have lived amongst such strife.

And to you my friend, it seems peace I have not found.

Your voice I do evoke, for I am lost.

I have strayed off the path and into the dark, cold night.

Wisdom and Intuition, both thrown aside and I have paid the highest cost.

Everything I do now, Mo Chroi, is now a futile fight.

Please come back to me, Mo Chroi, I feel like such a stranger.

Would you even recognize me now? It's been days, years.

Loneliness, it would seem, has let in danger.

As time goes by without you, Mo Chroi, I have no company but tears.

Mo Chroi, Mo Chroi. Happiness you're now bound.

Mo Chroi, Mo Chroi, my old friend re-found.

— The End —