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By
Alexander K Opicho

(Eldoret, Kenya; aopicho@yahoo.com)


Spiritual scholars of Christian Science have a concept that there is
power in the name. They at most identify the name Jesus and the name
of God, Jehovah to be the most powerful names in the spiritual realm.
But in the world of literature and intellectual movement, art,
science, politics and creativity, the name Alexander is mysteriously
powerful. Averagely, bearers of the name Alexander achieve some unique
level of literary or intellectual glory, discover something novel or
make some breakaway political victories.

Among the ancient and present-day Russians, most bearers of the name
Alexander were imbued with some uniqueness of intellect, leadership or
literary mighty. Beginning with the recent times of Russia, the first
mysterious Alexander is the 1700 political reformist and effective
leader, Tsar Alexander and his beautiful wife, tsarina Alexandrina.
The couple transformed Russian society from pathetic peasantry to a
middle class society. It is Tsar Alexander’s leadership that lain a
foundation for Russian socialist revolution. Different scholars of
Russian history remember the reign of Tsar Alexander with a strong

bliss. This is what made the Lenin family to name their son Alexander
an elder brother to Vladimir Ilyanovsk Ilyich Lenin. This was done as
parental projection through careful   choice of a mentor for their
young son. Alexander Lenin was named after this formidable ruler; Tsar
Alexander. Alexander Lenin was a might scholar. An Intellectual and
political reformist. He was a source of inspiration to his young
brother Vladimir Ilyich Lenin, who became the Russian president after
his brother Alexander, had died through political assassination.
However, researches into distinctive prowess of these two brothers
reveal that Alexander Lenin was more gifted intellectually than
Vladimir Lenin.

Alexander Pushkin, another Russian personality with intellectual,
cultural, theatrical and   literary consenguences. He was a
contemporary of Alexander pope. He is the main intellectual influence
behind Nikolai Vasileyvich Gogol and very many other Russian writers.
He is to Russians what Shakespeare is to English speakers or victor
Hugo is to French speakers, Friedriech schiller and Frantz Kafka is to
Germany readers or Miguel de Cervantes to the Spaniards. Among English
readers, Shakespeare’s drama of king Lear is a beacon of English
political theatre, while Hugo’s Les miscerables is an apex of French
social and political literature, but Pushkin’s Boris Godunov, a
theatrical political satire, technically towers above the peers. For
your point of information my dear reader; there has been a
commonaplace false convention among English literature scholars that,
William Shakespeare in conjunction with Robert Greene wrote and
published highest number of books, more than anyone else. The factual
truth is otherwise. No, they only published 90 works, but Pushkin
published 700 works.
Equally glorious is Alexander Vasileyvich sholenstsyn,the, the, the
author of I will be on phone by five, Cancer Ward, Gulag Archipelago’
and the First Cycle. He is a contemporary of Leo Tolstoy, Fyodor
Dostoyevsky, Alfred Nobel and Maxim Gorky. Literary and artistic
excellence of Alexander Sholenstsyn,the, the anti-communist Russian
novelist was and is still displayed through his mirroring of a corrupt
Russian communist politics, made him a debate case among the then
committee members for Nobel prize and American literature prize, but
when the Kremlin learned of this they, detained Alexander sholenenstyn
at Siberia for 18 years this is where he wrote his Gulag Archipelago.
Which he wrote as sequel five years later to the previous novel the
Cancer Ward whose main theme is despair among cancer patients in the
Russian hospitals. This was simply a satirical way of expressing agony
of despair among the then political prisoners at Siberia concentration
camps .In its reaction to this communist front to capitalist
literature through the glasnost machinery, the Washington government
ordered chalice Chaplin an American pro-communist writer to be out of
America within 45 minutes.
Alexander’s; Payne, Pato, Petrovsky, and Pires are intellectual
torchbearers of the world and Russian literary civilization. Not to
forget, Alexander Popov, a poet and Russian master brewer, whose
liquor brand ‘Popov’ is the worldwide king of bar shelves?
In 1945 the Russians had very brutish two types of guns, designed to
shoot at long range with very little chances of missing the target.
These guns are; AK 47 and the Molotov gun. They were designed to
defeat the German **** and later on to be used in international
guerrilla movement. The first gun AK 47 was designed by Alexander
klashilinikov and the second by Alexander Molotov. These are the two
Alexander’s that made milestones in history of world military
technology.
The name Alexander was one of the titles or the epithet used to be
given to the Greek goddess Hera and as such is taken to mean the one
who comes to save warriors. In Homer’s epical work; the Iliad, the
most dominant character Paris who often saved the other warriors was
also known also as Alexander. This name’s linkage to popularity was
spread throughout the Greek world by the military maneuvers and
conquests of King Alexander III. Alexander III is commonly known as
Alexander the Great .  Evidently; the biblical book of Daniel had a
prophecy. It was about fall of empires down to advent of Jesus as a
final ruler. The prophecy venerated Roman Empire above all else. As
well the, prophecy magnified military brilliance, intellect and
leadership skills of the Greek, Alexander the great, the conqueror of
Roman Empire. Alexander the great was highly inspired by the secret
talks he often held with his mother. All bible readers and historians
have reasons to believe that Alexander of Greece was powerful,
intellectually might, strong in judgment and a political mystery and
enigma that remain classic to date.
In his book Glimpses of History, jewarlal Nehru discusses the Guru
Nanak as an Indian religious sect, Business Empire, clan, caste, and
an intellectual movement of admirable standard that shares a parrell
only with the Aga Khans. Their   founder is known, as Skander Nanak
.The name skander is an Indian version for Alexander. Thus, Alexander
Nanak is the founder of Guru Nanak business empire and sub Indian
spiritual community. Alexander Nanak was an intellectual, recited
Ramayana and Mahabharata off head; he was both a secular and religious
scholar as well as a corporate strategist.
The American market and industrial civilsations has very many
wonderful Alexander’s in its history. The earliest known Alexander in
American is Hamilton, the poet, writer, politician and political
reformist. Hamilton strongly worked for establishment of American
constitution. Contemporaries of Hamilton are; Alexander graham bell
and Alexander flemming.bell is the American scientist who discovered a
modern electrical bell, while Fleming, A Nobel Prize Laureate
discovered that fungus on stale bread can make penicillin to be used
in curing malaria. Other American Alexander’s are; wan, Ludwig,
Macqueen, Calder and ovechikin.
Italian front to mysterious greatness in the name Alexander
spectacularly emanates from science of electricity which has a
measuring unit for electrical volume known as voltage. The name of
this unit is a word coined from the Italian name Volta. He was an
Italian scientist by the name Alesandro Volta. Alesandro is an Italian
version for Alexander. Therefore it is Alexander Volta an Italian
scientist who discovered volume of electrical energy as it moves along
the cable. Thus in Italian culture the name Alexander is also a
mystery.
Readers of European genre and classics agree that it is still
enjoyfull to read the Three Musketeers and the Poor Christ of
Montecristo for three or even more times. They are inspiring, with a
depth of intellectual character, and classic in lessons to all
generations. These two classics were written by Alexander Dumas, a
French literary genious.he lived the same time as Hugo and
Dostoyevsk.when Hugo was writing the Hunch-back of Notredame Dumas was
writing the Three Musketeers. These two books were the source of
inspiration for Dostoyevsky to write Brothers Karamazov. Another
notable European- *** -American Alexander is  Alexander pope, whose
adage ‘short knowledge is dangerous,’ has remained a classic and ever
quoted across a time span of two centuries. Alexander pope penned this
line in the mid of 1800 in his poem better drink from the pyrene
spring.

In the last century colleges, Universities and high schools in Kenya
and throughout Africa, taught Alexander la Guma and Alexander Haley as
set- book writers for political science, literature and drama courses.
Alexander la Guma is a South African, ant–apartheid crusader and a
writer of strange literary ability. His commonly read books are A walk
in the Night, Time of the Butcher Bird and In the Fog of the Season’s
End. While Alexander Haley is an African in the American Diaspora. An
intellectual heavy- weight, a politician, civil a rights activist and
a writer of no precedent, whose book The Roots is a literary
blockbuster to white American artists. Both la Guma and Haley are
African Alexander’s only that white bigotry in their respective
countries of America and South Africa made them to be called Alex’s.
The Kenyan only firm for actuaries is Alexander Forbes consultants.
Alexander Forbes was an English-American mathematician. The lesson
about Forbes is that mystery within the name Alexander makes it to be
the brand of corporate actuarial practice in Africa and the entire
world.
Something hypothetical and funny about this name Alexander is that its
dictionary definition is; homemade brandy in Russia, just the way the
east African names; Wamalwa, Wanjoi and Kimaiyo are used among the
Bukusu, Agikuyu and Kalenjin communities of Kenya respectively. More
hypothetical is the lesson that the short form of Alexander is Alex;
it is not as spiritually consequential in any manner as its full
version Alexander. The name Alex is just plain without any powers and
spiritual connotation on the personality and character of the bearer.
The name Alexander works intellectual miracles when used in full even
in its variants and diminutives as pronounced in other languages that
are neither English nor Greece. Presumably the - ander section of the
name (Alex)ander is the one with life consequences on the history of
the bearer. Also, it is not clear whether they are persons called
Alexander who are born bright and gifted or it is the name Alexander
that conjures power of intellect and creativity on them.
In comparative historical scenarios this name Alexander has been the
name of many rulers, including kings of Macedon, kings of Scotland,
emperors of Russia and popes, the list is infinite. Indeed, it is bare
that when you poke into facts from antiques of politics, religion and
human diversity, there is rich evidence that there is substantial
positive spirituality between human success and social nomenclature in
the name of Alexander. Some cases in archaic point are available in a
listological exposition of early rulers on Wikipedia. Some names on
Wikipedia in relation to the phenomenon of Alexanderity are: General
Alexander; more often known as Paris of Troy as recounted by Homer in
his Iliad. Then ensues a plethora; Alexander of Corinth who was the
10th king of Corinth , Alexander I of Macedon, Alexander II of
Macedon, Alexander III of Macedonia alias  Alexander the Great. There
is still in the list in relation to Macedonia, Alexander IV  and
Alexander V. More facts of the antiques have   Alexander of Pherae who
was the despotic ruler of Pherae between 369 and 358 before the Common
Era. The land of Epirus had Alexander I the king of Epirus about 342
before the Common Era and Alexander II  the king of Epirus 272 before
the Common Era. A series of other Alexander’s in the antiques is
composed of ; Alexander the  viceroy of Antigonus Gonatas and also the
ruler of a **** state based on Corinth in 250 before the common era,
then Alexander Balas, ruler of the Seleucid kingdom of Syria between
150 and 146 before the common era . Next in the list is  Alexander
Zabinas the ruler of part of the Seleucid kingdom of Syria based in
Antioch between 128 and 123  before the common era ,  then Alexander
Jannaeus king of Judea, 103 to 76  before the common era  and last but
not least  Alexander of Judaea  son of Aristobulus  II the  king of
Judaea .  The list of Alexander’s in relation to the antiquated  Roman
empire are; Alexander Severus, Julius Alexander who lived during the
second  century as the Emesene nobleman, Then next is Domitius
Alexander the Roman usurper who declared himself emperor in 308. Next
comes Alexander the emperor of Byzantine. Political antiques of
Scotland have Alexander I , Alexander II and Alexander III of Scotland
. The list cannot be exhausted but it is only a testimony that there
are a lot of Alexander’s in the antiques of the world.
Religious leadership also enjoys vastness of Alexander’s. This is so
among the Christians and non Christians, Catholics and Protestants and
even among the charismatic and non-charismatic. These historical
experiences start with Alexander kipsang Muge the Kenyan Anglican
Bishop who died in a mysterious accident during the Kenyan political
dark days of Moi. But when it comes to  The antiques  catholic
pontifical history, there is still a plethora of them as evinced on
Wikipedia ; Pope Alexander I , Alexander of Apamea also the  bishop of
Apamea, Pope Alexander II ,Pope Alexander III, Pope Alexander IV, Pope
Alexander V, Pope Alexander VI, Pope Alexander VII, Pope Alexander
VIII, Alexander of Constantinople the bishop of Constantinople , St.
Alexander of Alexandria also the  Coptic Pope and Patriarch of
Alexandria between  then Pope Alexander II of Alexandria the  Coptic
Pope  and lastly Alexander of Lincoln the bishop of Lincoln and
finally  Alexander of Jerusalem.
However, the fact of logic is inherent in the premise that there is
power in the name .An interesting experience I have had is that; when
Eugene Nelson Mandela ochieng was kidnapped in Nairobi sometimes ago,
a friend told me that there is power in the name. The name Mandela on
a Nairobi born Luo boy attracts strong fortune and history making
eventualities towards the boy, though fate of the world interferes,
the boy Eugene Mandela ochieng is bound to be great, not because he
was kidnapped but because he has an assuring name Nelson Mandela. With
extension both in Africa and without ,May God the almighty add all
young Alexander’s to the traditional list of other great and
formidable  Alexander’s that came before. Amen.

References;
Jewarlal Nehru; Glimpses of History


Alexander K Opicho is a social researcher with Sanctuary Researchers
ltd in Eldoret, Kenya he is also a lecturer in Research Methods in
governance and Leadership.
Fred Feb 2018
There are three versions of this poem. only one of them is available on the internet. This first version is from the New Yorker in a 1941 issue. It is the earliest version and the one that is quoted all over the internet.

To My Valentine

    by Ogden Nash (1902-1971)

More than a catbird hates a cat,
Or a criminal hates a clue,
Or the Axis hates the United States,
That's how much I love you.

I love you more than a duck can swim,
And more than a grapefruit squirts,
I love you more than gin rummy is a bore,
And more than a toothache hurts.

As a shipwrecked sailor hates the sea,
Or a juggler hates a shove,
As a hostess detests unexpected guests,
That's how much you I love.

I love you more than a wasp can sting,
And more than the subway jerks,
I love you as much as a beggar needs a crutch,
And more than a hangnail irks.

I swear to you by the stars above,
And below, if such there be,
As the High Court loathes perjurious oaths,
That's how you're loved by me.

The next version is the lyric of a song from the Broadway musical "One Touch of Venus" (1943) by Ogden Nash, J S Perelman and Kurt Weill. Nash wrote this lyric. It is not on the internet that I could find. I got it from the sheet music.

HOW MUCH I LOVE YOU

More than a catbird hates a cat,
Or a criminal hates a clue,
Or the Axis hates the United States,
That's how much I love you.

As a sailor's sweetheart hates the sea,
Or a juggler hates a shove,
As a wife detests unexpected guests,
That's how much you I love.

I love you more than a wasp can sting,
And more than a hangnail hurts.
I love you more than commercials are a bore,
And more than a grapefruit squirts.

I swear to you by the stars above,
And below, if such there be,
As a bride would resent a blessed event,
That's how you are loved by me.

More than a waitress hates to wait ,
Or a lioness hates the zoo,
Or a batter dislikes those called third strikes,
That's how much I love you.

As much as a lifeguard hates to swim,
Or a writer hates to read,
As Hays office frowns on low cut gowns,
That's how much you I need.


I love you more than a hive can itch,
And more than a chilblain chills.
I yearn for you in an ivy clad igloo,
As a liver yearns for pills.

I swear to you by the stars above,
And below, if such there be,
As a dachshund abhors revolving doors,
That's how you are loved by me.

The third is from the book "Marriage Lines: notes of a student husband" It was published in 1964 and contains a revised version of the poem with a much different ending. This too is not on the internet. I got it from the book.

TO MY VALENTINE

More than a catbird hates a cat,
Or a criminal hates a clue,
Or an odalisque hates the Sultan's mates,
That's how much I love you.

I love you more than a duck can swim,
And more than a grapefruit squirts,
I love you more than commercials are a bore,
And more than a toothache hurts.

As a shipwrecked sailor hates the sea,
Or a juggler hates a shove,
As a hostess detests unexpected guests,
That's how much you I love.

I love you more than a wasp can sting,
And more than the subway jerks,
I love you truer than a toper loves a brewer,
And more than a hangnail irks.

I love you more than a bronco bucks,
Or a Yale man cheers the Blue.
Ask not what is this thing called love;
It's what I'm in with you.
Hope you enjoy comparing these three. They all have their virtues but I prefer the last. I feel the ending is the best and the truest sentiment.
John F McCullagh Feb 2012
Modern athletes, strong and buff,
These days are tested soon and late
just to prove their skill and strength
are free of anabolic taint.

Ryan Braun, the M.V.P.
was tested thus occasionally.
He didn't seem the type to me
to boost his skills unnaturally.

Thus imagine my surprise
to learn the ***** he supplied
contained synthetic Testosterone
Brewer fans emitted groans.

Now it seems he's off scot free
based on a technicality.
He will not have to serve the ban
imposed on many a lesser man.

Opening day, reserve the date;
Braun will be there at the plate
His many fans will come to see
Ryan Braun, the M.V. ***.
Ryan Braun, the national league M.V.P. will not serve his 50 game suspension. His lawyers successfully argued to have the failed test thrown out because there was an issue invloving the "Chain of Custody" of his sample.-- but how did synthetic testosterone get in his uniary tract in the first place??
Nigel Morgan Aug 2013
It’s nearly two in the morning and the place is finally quiet. I can’t do early mornings like I reckon he does. Even a half-past nine start is difficult for me. So it has be this way round. I called Mum tonight and she was her wonderful, always supportive self, but I hear through the ‘you’ve done so well to get on this course’ stuff and imagine her at her desk working late with a pile of papers waiting to be considered for Chemistry Now, the journal she edits. I love her study and one day I shall have one myself, but with a piano and scores and recordings on floor to ceiling shelves . . . and poetry and art books. I have to have these he said when, as my tutorial came to a close, he apologised for not being able to lend me a book of poems he’d thought of. He had so many books and scores piled on the floor, his bed and on his table. He must have filled his car with them. And we talked about the necessity of reading and how words can form music. Pilar, she’s from Tel Haviv, was with me and I could tell she questioned this poetry business – he won’t meet with any of us on our own, all this fall out from the Michel Brewer business I suppose.

This idea that music is a poetic art seems exactly right to me. Nobody had ever pointed this out before. He said, ask yourself what books and scores would be on the shelves of a composer you love. Go on, choose a composer and imagine. Another fruitless exercise, whispered Pilar, who has been my shadow all week. I thought of Messiaen whose music has finally got to me – it was hearing that piece La Columbe. He asked Joanna MacGregor to play it for us. I was knocked sideways by this music, and what’s more it’s been there in my head ever since. I just wanted to get my hands on it. Those final two chords . . . So, thinking of Messiaen’s library I thought of the titles of his music that I’d come across. Field Guides to birds of course, lots of theology, Shakespeare (his father translated the Bard), the poetry and plays of the symbolists (I learnt this week that he’d been given the score of Debussy’s Pelleas and Melisande for his twelfth birthday) . . . Yes, that library thing was a good exercise, a mind-expanding exercise. When I think of my books and the scores I own I’m ashamed . . . the last book I read? I tried to read something edifying on my Kindle on the train down, but gave up and read Will Self instead. I don’t know when I last read a score other than my own.

I discovered he was a poet. There’s an eBook collection mentioned on his website. Words for Music. Rather sweet to have a relative (wife / sister?)  as a collaborator. I downloaded it from Amazon and thought her poems were very straight and to the point. No mystery or abstraction, just plain words that sounded well together. His poetry mind you was a little different. Softer, gentler like he is.  In class he doesn’t say much, but if you question him on his own you inevitably get more than the answer you expect.  

There was this poem he’d set for chamber choir. It reads like captions for a series of photographs. It’s about a landscape, a walk in a winter landscape, a kind of secular stations of the cross, and it seems so very intimate, specially the last stanza.

Having climbed over
The plantation wall
Your freckled face
Pale with the touch
Of cold fingers
In the damp silence
Listening to each other breathe
The mist returns


He’s living in one of the estate houses, the last one in a row of six. It’s empty but for one bedroom which he’s turned into a study. I suppose he uses the kitchen and there’s probably a bedroom where he keeps his cases and clothes. In his study there is just a bed, a large table with a portable drawing board, a chair, a radio/CD, his guitar and there’s a notice board. He got out a couple of folding chairs for Pilar and I and pulled them up to the table.

Pilar said later his table and notice board were like a map of himself. It contained all these things that speak about who he is, this composer who is not in the textbooks and you can’t buy on CD. He didn’t give us the 4-page CV we got from our previous tutor. There was his blue, spiral-bound notebook, with its daily chord, a bunch of letters, books of course, pens and pencils, sheets of graph and manuscript paper filled with writing and drawings and music in different inks. There was a CD of the Hindemith Viola Sonatas and a box set of George Benjamin’s latest opera and some miniature scores – mostly Bach. A small vase of flowers was perilously placed at a corner . . . and pinned to his notice board, a blue origami bird.

But it was the photographs that fascinated me, some in small frames, others on his notice board, the board resting on the table and against the wall. There were black and white photos of small children, a mix of boys and girls, colour shots of seascapes and landscapes, a curious group of what appeared to be marks in the sand. There was a tiny white-washed cottage, and several of the same young woman. She is quite compelling to look at. She wears glasses, has very curly hair and a nice figure. She looks quiet and gentle too. In one photo she’s standing on a pebbly beach in a dress and black footless tights – I have a feeling it’s Aldeburgh. There’s a portrait too, a very close-up. She’s wearing a blue scarf round her hair. She has freckles, so then I knew she was probably the person in the poem . . .

I’ve thought of Joel a little this week, usually when I finally get to bed.  I shut my eyes and think of him kissing me after we’d been out to lunch before he left for Canada. We’d experimented a little, being intimate that is, but for me I’m not ready for all that just now; nice to be close to someone though, someone who struggles with being in a group as I do. I prefer the company of one, and for here Pilar will do, although she’s keen on the Norwegian, Jesper.

Today it was all about Pitch. To our surprise the session started with a really tough analysis of a duo by Elliott Carter, who taught here in the 1960s. He had brought all these sketches, from the Paul Sacher Archive, pages of them, all these rows and abstracts and workings out, then different attempts to write to the same section. You know, I’d never seen a composer’s workings out before. My teacher at uni had no time for what she called the value of process (what he calls poiesis). It was the finished piece that mattered, how you got there was irrelevant and entirely your business and no one else’s. So I had plenty of criticism but no help with process. It seems like this pre-composition, the preparing to compose is just so necessary, so important. Music is not, he said, radio in the head. You can’t just turn it on at will. You have to go out and find it, detect it, piece it together. It’s there, and you’ll know it when you find it.

So it’s really difficult now sitting here with the beginnings of a composition in front of me not to think about what was revealed today, and want to try it myself. And here was a composer who was willing to share what he did, what he knew others did, and was able to show us how it mattered. Those sheets on his desk – I realise now they were his pre-composition, part of the process, this building up of knowledge about the music you were going to write, only you had to find it first.

The analysis he put together of Carter’s Fantasy Duo was like nothing I’d experienced before because it was not sitting back and taking it, it was doing it. It became ours, and if you weren’t on your toes you’d look such a fool. Everything was done at breakneck speed. We had to sing all the material as it appeared on the board. He got us to pre-empt Carter’s own workings, speculate on how a passage might be formed. I realised that a piece could just go so many different ways, and Carter would, almost by a process of elimination choose one, stick to it, and then, as the process moved on, reject it! Then, the guys from the Composers Ensemble played it, and because we’d been so involved for nearly an hour in all this pre-composition, the experience of listening was like eating newly-baked bread.  There was a taste to it.

After the break we had to make our own duos for flute and clarinet with a four note series derived from the divisions of a tritone. It wasn’t so much a theme but a series of pitch objects and we relentlessly brainstormed its possibilities. We did all the usual things, but it was when we started to look beyond inversion and transposition. There is all this stuff from mathematical and symbolic formulas that I could see at last how compelling such working out, such investigation could be . . . and we’re only dealing with pitch! I loved the story he told about Alexander Goehr and his landlady’s piano, all this insistence on the internalizing of things, on the power of patterns (and unpatterns), and the benefit and value of musical memory, which he reckoned so many of us had already denied by only using computer systems to compose.

Keep the pen moving on the page, he said; don’t let your thoughts come to a standstill. If there isn’t a note there may be a word or even an object, a sketch, but do something. The time for dreaming or contemplation is when you are walking, washing up, cleaning the house, gardening. Walk the garden, go look at the river, and let the mind play. But at your desk you should work, and work means writing even though what you do may end in the bin. You will have something to show for all that thought and invention, that intense listening and imagining.
Mateuš Conrad Mar 2016
it's 10:20 a.m., or a.d. for that matter,
i'm drinking for a sloppy mistake
i call ease, in circumstances that
are rather necessary for my balancing /
juggling act... the alarm on the clock just went off
but i woke up two hours earlier, listening to
b.b.c. radio 4... talk of birds (cuckoos /
winged parasites the specialist says) and
hindu assimilation into western opera via goa;
i'm watching a pair of sparrows build a
nest in my neighbour's guttering;
they noticed me perched on the windowsill
puffing out smoke, so they figured,
no better safety than under the watchful
presence of a dragon;
and indeed the chinese and the welsh
drew dragons long before any bones
of dinosaurs were unearthed;
it wasn't necessarily instinctive,
but a premonition, i.e. prior to the motion
of accommodating such a truth,
or truce, however you mind it;
so an eventful morning, while i stress over
the fact that i have two sleeping pills left
in the reservoir, and am about to phone
up the surgery to, "hopefully" getting a
triage appointment with the medical
bureaucrat / general practitioner (who
gets the entitlements of the status 'dr.'
and a 'dr.' salary, while the surgeons doing
all the ***** butchery gets less and only
a title 'mr.', i guess paying them less is
a motivational tool, look at all the pauper
artists of the Renaissance for a comparisons,
the pope and all his riches could never
enrich the message of our father);
so a pair of sparrows flying in and out
of the shrubbery, he brings back a beaked
piece of twig, she brings back her presence,
i don't know who to attach the
number of caterpillar legs i.e. who's
doing the leg-work to, i know she's the oven,
but why isn't she chopping twigs off?
she's just randomly flying to and fro -
and indeed man imploded, he knew
the hunter gatherer, the beer brewer, the plumber -
she exploded with the numbers,
and only in times of war was she conscripted
as equal and equally able in the realm of
man's autism of provisions of profession,
into that deathly hollow of obsession -
the prostitutes just laughed the whole thing off,
you could see them from 20 miles off:
ha ha he he... but boy were they *******
when they received an ****** on the job...
the highest reconciliation, and yet the lowest ebb,
the futility of the matter,
having gone through all that trouble
using skin creams to create a fake arousal
and actually reach the peak of being aroused
via an ******...
well i did once **** a girl with a dry *****...
obviously i'd proclaim it as ****,
i have to... we watched the film the machinist
prior - when you have *** with a girl
who isn't aroused but she still wants to,
then we'll have a talk about the precautions
that prostitutes take when having ***
without psychological intimacy,
oiling themselves up with skin cream
to ease the matter of engagement.
but still, two sparrows building a nest,
because they know a dragon perched on the
windowsill puffing out cigarette smoke
is formidable enough for a cuckoo or
predatory affairs curbing the multiplicative
chances of defence tactics being used -
and as man, we have become that in a sense,
we provide a multiplicative evaluation of things -
yes we are, yes we were, yes there's more to come -
but in terms of addition, there's hardly an
explanation at hand... i mean you diminish the
chances of addition by citing maxims of those who
added to the history, but that's still a multiplicative
evaluation - you haven't ventured into the realm
of adding something to the feat and fate of humanity,
you're still there, a maggot on a fishing hook-curl;
so whether you (x) to humanity and seek the algebraic
fascination of questioning to the extent of not really
answering, or whether you (+) to humanity and become
yourself, an algebraic fascination that asks and answers
in baby-steps... there are still two sparrows
building a nest in my neighbour's guttering.
Mateuš Conrad Apr 2018
/my "insomnia" isn't exactly a problem, when rationalised via: a Freudian desert, namely, i sleep, but have not luxury to dream, which makes a sense of death all the more procreational for thinking's sake... insomnia like dementia... or rather... better the erosion of the thought aculty,  replaced by hallucinogenic inducement to counter the erosion of the dream mechanics... currently staged by boorish media, 24h reels of insomnia pusher outlets... so who gave ol' zuck the oyster tongue, greasy skin, and a wet, shrinking prune *****? comes a time when a boy gets to grow oop... chances are, if you're insomniac, you are not an escape artist, and you deem the escapism of bound to dreams, as yet another, sheikh dubai lamborghini promenade, riding it at an urban speed limit of 30mph... revving for the "fear factor" of... dancing with gingy 'arry... risqué... insomnia erodes dreams... all the better, in that perpetuation of a mummified blink... theatre's curtain falls... what sort of Freudian banana is there to speak about, when attempting to compensate the intellect, for a *******  Eiffel... notably... an individual's insomnia comes after, the media insomnia, bite sized 30 minute intervals on repeat for 24h hours... and in between, no  in-between programmes, that might allow journalistic digestion... a lack of dialectical exercise has created journalistic indigestion... most notable and in plain sight... when applying the pedantic counter dialectic observation, in the form of diacritical marks.

doubt is a luxury in the current zeitgeist,
to unravel doubt,
when compensating love,
as a chemistry of endomorphines...
doubt, is the equivalent
of an intellectuals synonym
of love... both are gambles,
uncertainties, both are:
wavering of the heart, pendulum
swings...
   doubt is a phobia-philia...
a love of fear, less strenuously:
an apprehension regarding
the fact that Zanzibar made it
into song lyrics, and is a place
that actually exists, in situ...
without any global mention
in culture mining...
for those starved from loving...
afraid of their own shadow
and loneliness,
cogitatio ex-et-qua claustrophobia...
don mclean's starry starry night...
as big as a *******
universe and as plebian
as the lost V in a thespian
and the lost F in: definite article...
FE VACUUM PINT... sorry... POINT?  
doubt is a luxury,
equivalent to love...
doubt is a thinking man's love...
in both instances the heart
is swayed...
     how quickly did the Narcissus
economics become
the semi-autistic solipsistic pillar
that undermined the shear
exhilirence of doubt = love,
post curiosity, posit trust,
posit: disembodiment...
posit... and the siamese dream factory
(no smashing pumpkins' cliché)...
nontheless...
doubt is a luxury,
a graphite find,
with synonym-covert findings
of the gem equivalent to:
a fear of the existence of
the unum anima...
     and the precipitation of
ghosts...
    in the case for the argument
for the existence of purgatory...
     nostalgia...
because being sedated by a general
anaesthetic... is not quiet tot...
but doubt is a luxury these days,
sometimes misunderstood as
nonchalance...
but rather the ease of having
opinions, for the sake of
everyday narratives,
not dialectically challenged...
doubt, is akin to love,
in that there's the wavering,
nonetheless a teasing carrot
hanging before:
the palms that became
the Roman lynch whips...
one man rode a donkey
and suddenly four horsemen took
to a gallop...
     doubt is a luxury...
given our times...
    notably because the existentialist
replaced doubt with denial...
and denial, has no luxury
of thought as genesis,
instigator, alpha precursor...
     denial is not a luxury,
it is an accepted norm...
               perhaps the subtleness
of love in the guise of doubt
as the antithesis of erratic pulverisation
not associated with thinking,
or rather: cogitatio per se, est
supra "quaestio" moralis, id est:
     narratio moralis...
doubt is a luxury,
in times, when man looks upon
man as a chimera of
a wolf, a fox, and a sheep / goat...
doubt is a luxury,
when denial becomes the norm;
          this doesn't even have to
invigorate the comic holocaust denials...
but the sort of denials,
that allow a small town to exist
and the globalist city-state
cannibalism to also, exist...
        a "denial" for the sake
of "myopia"...
          came the pseudo-Socrates...
and the dialectical-Elijah...
              Copernicus the genius,
thesaurus handy,
also the solipsist, and also
the cider brewer's concept of
autistism...
          mind you...
the thin line...
between atheism and autism...
an atheist arguing for the nonexistence
of god, countered
with an autistic- arguing
                for the existence of a self,
without being questioned
by the other's demand for an
existence of, the self.
doubt is a luxury...
denial is the new standard,
norm.
Janis, she just mocks, how they knock off every berry
And the snow on the branch, now, “Calandra, never worry.”
Seasons come, like they fall, and they spring forever weary
In the Valley of the Orchids, rare are birds unto a journey

Feeble, does he brew; with the stones, shall he marry
Corralled is the smoke, tossing hills as it carries
Fuming seas in the sky, past the bricks and the rye
Cabaret, hear him, nigh does his skin peel and fly

On an arch in a prairie in a province in a land
Where the children are told how to fear their hands
Atop smoky pine feathers that burst when they're touched
We stomp and we squeak to the air on, we march

A prison laced in reddened storms drones on mountains ever-scored
Looking north by north bygone, the test, remiss, we’ll move southward
But on the sky sits Cerise Range and all around in spheres, a cage
And then, a beak we see invade! A crash and splat; of juice we’re made

May the fly, the mayfly evade the day the children hang
The Brewer, haste has made, pours his broth, begins the day
Hide, little child, like the fly, become the blanket on the marsh
Become the stock, but don't give up, next month won't be so harsh

Jude of June, that's what she’s called, she grooms her quill and tests her ink
The One of Blue, another name, she writes for everyone to breath, she blinks,
“O small brown bird, you speak the path? Well I have ever shone on some.”
The Summer Sun, that's who she is, who waits for Janis, soon to come

Jewel in the eye, dome of peace
Returneth casts our masks beneath
Iris besets, “Berceuse, my mess.”
Sad, for slowly nights a guess.

Part-time, will’o’writs she can dust
A cat's tail christened, paw in a gust
Navigating, where galleys waste strewn
The suns of Aude across its boon

Deliver us Toulmask, lost and protested
Past Bejeweled Silken in millions, nested
In Scepter where embers aroma holds on
To the sands like rocks destroying its spawn

Into the nest, deep. With Man, reborn against winds and dusk
Will best the heaps, lifespans of each, in caverns each a husk
Cut deep with scythes. The Trembling, Bellowing, Festering,
Reckoning, unending Octobering deathening, surrendering:

You! Bird, the bell rings
Brown bard, the sun sings
Sky guard, no venerate
Berried lark, thou emirate

Welcome, into ends and to makers
Watch with, admire, be your desires
Forget time, velvet rubs you and penetrates
Valley’s of orchids that start, to disintegrate
Finished July 5, 2017
May the devils have their due, and the angels get their share. Long live the home brewer of meads and brews and other godly delights that came from the yeast.
Here, here, to the dreamers that made the flavors of barley, hops, and malts.
Here, here, to the honey the fruits and maples that make the mead so sweet.
So raise your glass and tip your steines to the brewers that made life a lot more easier to shine.
Ziggy, zoggy, ziggy, zoggy, oy, oy, oy.
Copyright Michael Robert Triska 2023, A Oktoberfest speech.
Alone in the darkness I sigh. Other things far away from the battle line occupy me, such things as love flow through my head. I imagine you naked and standing before me, such acts we perform, words we say to each other, words I could never utter into the realms of speech lest I be stricken down with rod of lightening. Nether less I adore these glimpses, indeed I harbour intent for fruitful desires with my intended love.

As horn doth bellow weapon is drawn at readiest, with lance and sword I am at last prepared for what is to come. I stand abreast with better man than I, awaiting the extremes of battle. It is not an army that faces me, surely a nest, a colony of such unending mass. I fear that the whole of humanity stands before us this day. And as they swarm forward I fear such an infestation so unimaginable to behold.

By the grace of God I do believe my life will end here. I fear that I shall never again see my homeland and the one I share such dreams with. I look to God for the strength of many, for my heart to be engulfed with that of a Lion, and my Sword to be as enhanced as that of our own good King Arthur’s Excalibur. For if victory is to be ours this day, it is the Right Hand of God that shall hold this battle to rights, for it is in no mans hand to wield this capability.

Hour upon hour the death toll exceeds. Such things I see this day are beyond reproach, a more foreign battlefield I have never seen. Not simply the war of man but that of wizardry and witchcraft. This attacker is of no breed I have ever witnessed but that of incarnation. This Evil manifestation parades upon human being. Slaughter is its middle name and this entity feeds on its own etymology.

Brave knights on sturdy steed make your attack riotous and as Foot Soldier fights and dies by peculiar hand you chase down the brewer of this unfortunate broth. Wiser Knight shall not be found than he that sits in circle with Arthur Pendragon. They brave the wave of inhuman soul battling around them with valour and vigour. In their centre the figure of Merlin concocts his own mischief upon said fatal clan.

Once more to victory we strive, foul spell is cast no more and inhuman hand flags, falling by our side as he breathes this mortal coil no longer. The deed is done and battle is no longer. We grieve as we haul body of friend and fellow to bear in deaths pile, though within such angst lies an under current of relief. Happiness will flourish when this deed is concluded.

I can now allow myself such aspiration that once flowed through my being. Upon my return to dear England those forbidden words from my dreams shall once more become a reality. I shall give her my all and expect nought less in return, our ******* will rival, if not overwhelm that of any other man that eve. With health and happiness before me I take my leave of this most pleasant of company.

God save the King
6th Sept 2011
Raj Arumugam Feb 2012
DANCING MAN:

My right foot up
and my left hand on my head
Oh this sake
brings me Heavenly fever;
sake purifies my heart
and the gods are pleased
and I dance
like the Shinto spirits of old



MAN with the CUP:

Oh, drink and be merry
be lifted high in the air
by sake and its spirit;
the Toji has done well
a master brewer he;
and dance you well
in this ecstasy
and while your eyes
are towards the gods
I'll steal a sip or two
that shall build into
more than a cup for me:
*O dance in the spirit of sake -
another cup I hold ready
for you, always
The image of the Netsuke can be viewed at:
http://rajarumugam.sulekha.com/blog/post/2012/02/netsuke-depicting-2-men-drinking.htm

Photo by Brooklyn Museum
Minko. Netsuke Depicting Two Men Drinking Sake, 19th century. Ivory, 1 1/2in. (3.8cm). Brooklyn Museum, Gift of Mr. and Mrs. Burton Krouner, 74.103.11. Creative Commons-BY-NC
haley Jan 2014
we're all standing on the edge of reality,
millimeters from the precarious cliff of horrible,
beautiful truth.
the glow of our iPhones, tablets, flat screen TVs, etc
illuminating our placid faces.
ignorance is bliss, they say.
wake up!
wake up,
and turn off your alarm,
and flip on the news;
start your coffee brewer.
we depend on the technology.
we live in the the technology.
we live in a computer.
you are not real
and neither am i
but we aren't dead either.
if we can think,
we can exist,
right?
basing this off an existential crisis discussion
Mitchell May 2011
Youth drifts towards the fire
Searing red hot heat hiccup farts
Filled to the brim of one another's stenches
The girl who said she hated neon green
Now wears
Neon green shoes
We are all hypocrites in the end
Nothing touches truer
Then a man who dies thankfully
As a brewer
Truth is a made up word
There is no truth
There is only
The act of the man behind the desk behind the shades behind the cubicle wall behind the pencil behind the pen behind the novel and the short story and the muscle tee and the audition that went well and the audition that went poorly and the sight of a man when their mother calls or doesn't call to tell them that their father is dead with no hint of sadness in her voice, she is more annoyed by her rose bushes which wilt in the un-sinking southern heat
Tonight
As the jackolope jack-offs roam the street for another skirt to chase
And the skirts float with the will of this summer wind
As the genie vendors hock their wares to freshmen too dumb to even care
And the liquor loser ******* on fast food restaurants and their walls
Tonight
These are the beings we dare to call human
Tonight
Daddy and mommy are sleeping and dreaming of a better future
As up-scale glitter demons girate parts they didn't even know they had
And bench pressing brothers continue on with their sadistic born again others
Tonight
I dare not dream
For fear of discovering
Myself
Without time
Five nights a week at midnight, he dyes blue.

    Angel, you’re bad news.

    Salvation Army button-downs unbuttoned in a second our hands have introduced kinetic bear hugs, although visually frail and weathered.

    Shoulder length hair and a cuticle away from pure. obsession.

    Of all the heartbeats and hop, skips and jumps; I surrender.

    Adding the lye

    m.

    cm.

    mm.

    Get closer.

    Knock me over in slow motion.

    Tumbling rotary dial “1” click. “2” click, click.

    Rendering the grease

    I’m closing the locker when

    He appears at 11:55 P.M.

    Beat up, an 8 track cassette surviving a barrage of garage sales.

    My dear affection is still a child labor law. Juvenile.

    Staring Aderol Syndrome (S.A.S.).

    Birds nest palms, the delicate benchmark.

    I would give up half of $4.75/hr.

    Warm me up and share $9.50/hr.

    Collecting Grease

    Gunmetal blue, locker “27.”

    I read an article of clothing yesterday, not from these parts.

    At

    Your

    Steel-toe

    Boots.

    Please listen. You know the dialect.

    Coffee brewer, lighter sharer, you are the Aurora Borealis eventful.

    Five nights a week at midnight, I dye blue.
The **** Name List*

The Alarm **** - This is a good **** for the beginner. It is easy to identify. It starts with a loud unnaturally high note, wavers like a siren, and ends with a quick downward note that stops before you expect it to. It sounds like something is wrong. If it happens to you, you will know right off why it is called the Alarm ****. You will be alarmed. The alarm **** however is rare.

The Amplified **** - This is any **** that gets its power more from being amplified than from the **** itself. A metal porch swing will amplify a **** every time. So will a plywood table,and empty fifty gallon drum, a tin roof, or some empty cardboard boxes if they are strong through being amplified in this way can be called an Amplified ****. These are common farts under the right conditions. For example, if you're sitting on an empty 55-gallon steel drum.

The Anticipated **** - This one warns that it is back there waiting for some time before it arrives. A person who is uneasy for a time in a crowd and who later farts at a time when they think no one will notice has farted an Anticipated ****.

The Back Seat **** - This is a **** that occurs only in automobiles. It is identified chiefly by odor. The Back Seat **** can usually be concealed by traffic noise as it is an eased-out **** and not very loud. But its foul odor will give it away, due to the way air moves around in a car. It is often followed by someone saying, "Who farted in the back seat?"

The Barn Owl **** - A familiarity with owl calls is helpful in identifying this ****. Almost any morning if you get up just before daybreak you can hear one of these birds talking to himself. It's a sort of a crazy laugh, particularly the way it ends. If you hear a **** that has about eight notes in it, ending on a couple of down notes, and it sounds maniacal, you have heard the rare Barn Owl ****.

The Bathtub **** - People who would never in their life know one **** from another, who would like to act like **** don't exist, will have to admit that a Bathtub **** is something special. It is the only **** you can see! What you see is the bubbles. The Bathtub **** can be either single or multiple noted and fair or foul as to odor. It makes no difference. The farter's location is what does it. Maybe there is a kind of muffled pong and one big bubble. Or there may be a ping ping ping and a bunch of bubbles. The sound I should point out depends somewhat on the depth of the water, and even more on the tub. If it is one of those big old heavy tubs with the funny legs you can get terrific sound effects. While one of the new thin ones half buried in the floor can be disappointing.

The Biggest **** in the World **** - Like the great bald eagle, this **** is pretty well described just by its name. This can either be a group one or a group two **** and can occur just about anywhere. I heard it one time, a group two identification, in a crowded high school auditorium one night, right in that silence that happens when a room full of people has stopped singing the Star Spangled Banner and sat down. It came from the back. There was not a soul in that room that missed it. A **** like that can be impressive. The most diagnostic characteristic of the Biggest **** In The World is it size.**** freaks who go around showing off, farting like popcorn machines, and making faces before they **** or asking you to pull their finger and then they ****, never have what it takes for this one, which is rare even among your most serious farter's.

The Bitburr: Sounds like just that--you're walking and the initial explosion "BIT!--" during one step is followed by a more gentle release of the rest of the volume during the next step: "brrrrrr..."

The Bullet **** - Its single and most pronounced diagnostic characteristic is its sound. It sounds like a rifle shot. The farter can be said to have snapped it off. It can startle spectators and farter alike. Fairly common following the eating of the more common **** foods, such as beans.

The Burning Brakes **** - A silent **** identified by odor alone. Usually and adult ****, occurring while the adult is driving a car or has a front seat passenger who farts. The Burning Brakes **** actually does smell a little like burning brakes, and seems to hang around longer than most farts Which gives whoever farted a chance to make a big show of checking to see if the emergency brake has been left on. When he finds it hasn't you know who farted. A common automobile ****.

The Car Door **** - Either a group one or a group two ****. Very tricky. It is meant to be a concealed ****. A matter of close timing is involved, the farter trying to **** at the exact moment he slams the car door shut. It is usually a good loud ****. It is one of the funnier farts when it doesn't work, which is almost every time. It is a desperation **** and not too common.

The Celestial **** - Not to be confused with the Did An Angel Speak ****, which is simply any loud **** in church. The Celestial **** is soft and delicate, surprising in a boy or an adult. It is probably the most shy of all farts and might be compared with the wood thrush, a very shy bird. It does not have the sly or cunning sound of the Whisper ****. It is just a very small clear **** with no odor at all. Very rare.

The Chicken Soup ****: One day I had chicken soup for lunch at work and then stopped off at the gym after work. When it came on, I eased it out, covered by the gym's muzak. It smelled exactly like chicken soup. A few feet away some woman sniffed and said; "Is somebody cooking?" I had to turn to the wall to hide my laughter.

The Chinese Firecracker **** - This is an exceptional multiple noted **** identified by the number, and variety of its noises, mostly pops and bangs. Often when you think it is all over, it still has a few pops and bangs to go. In friendly company this one can get applause. Uncommon.

The Command **** - This **** differs from the Anticipated **** in that it can be held for long periods of time waiting for the right moment. Unlike the Anticipated ****, it is intended to be noticed. Harold Tabor recently held a Command **** for the whole period in history class and let it go right at the end when the teacher asked if there were any questions.

The Common **** - This **** needs little description. It is to the world of farts what the house sparrow is to the world of birds. I can see no point in describing this far any further.

The Crowd **** - The Crowd **** is distinguished by its very potent odor, strong enough to make quite a few people look around. The trick here is not to identify the **** but the farter. This is almost impossible unless the farter panics, and starts a fit of coughing or starts staring at the ceiling or the sky as though something up there fascinates him. In which case he is the one. Very common.

The Cushioned **** - A concealed ****, sometimes successful. The farter is usually on the fat side, sometimes a girl. They will squirm and push their **** way down into the cushions of a sofa or over-stuffed chair and ease-out a **** very carefully without moving then or for some time after. Some odor may escape, but usually not much. Common with some people.

The Did An Angel Speak **** - This is any loud **** in church. This **** was first called to my attention by my father. He probably read about it somewhere. For **** watchers who go to church, this is a good one to watch for as this is the only place it can be found.

The Dud **** - The Dud **** is not really a **** at all. It's a **** that fails. For this reason it is strictly a group one identification ****, because there is no real way you can identify a **** that somebody else expected to **** but didn't. It is the most private of all farts. In most cases the farter usually feels a little disappointed.

The Echo **** - This is a **** that can be wrongly identified. It is not some great loud **** in an empty gym or on the rim of the Grand Canyon. The true Echo **** is a **** that makes its own echo. It is a two-toned ****, the first tone loud, then a pause, and then the second tone. Like an echo.

The G and L **** - This is one of the most ordinary and pedestrian of farts, known to everyone. Certainly it is the least gross. If you have not already guessed, G and L stands for Gambled and Lost. One of the most embarrassing of all farts, even when you are alone.

The Ghost **** - A doubtful **** in most cases, as it is supposed to be identified by odor alone and to occur, for instance, in an empty house. You enter and smell a ****, yet no one is there. People will insist that only a **** could have that odor, but some believe it is just something that happens to smell like a ****.

The Hic-Hachoo-**** **** - This is strictly an old lady's ****. What happens is that the person manages to hiccough, sneeze, and **** all at the same time. After an old lady farts a Hic-Hachoo-**** **** she will usually pat her chest and say, "My, oh my," or "Well, well." There is no reason she should not be proud, as this is probably as neat an old person's **** as there is.

The **** **** - The **** **** is a **** by a **** who smirks, smiles, grins, and points to himself in case you missed it. It is usually a single-noted, off-key, fading away, sort of whistle ****, altogether pitiful, but the **** will act as if he has just farted the Biggest **** in the World ****.

The John **** - The John **** is simply any ordinary **** farted on the john. It is naturally a group one identification, with the sound, whatever it was, somewhat muffled. If it is all the person's trip to the john amounted to he will be disappointed for sure. Common as pigeons.

The Lead **** - The heaviest of all farts. It sounds like a dropped ripe watermelon. Or a falling body in some cases. It is the only **** that goes thud. Except for the odor, which is also very heavy, it could be missed altogether as a ****. What was that, you might think? And never guess.

The Malted Milk Ball **** - Odor alone is diagnostic and positively identifies this ****. It smells exactly like malted milk *****. No other food works this way. It is rare.

The Oh My God **** - This is the most awful and dreadful stinking of all farts - a **** that smells like a month-old rotten egg - as the Oh My God ****. If you should ever encounter it, however, you may first want to say, oh sh
t, which would be understandable.

The Omen **** - This is the adult version of the Poo-Poo ****. About the only difference is that the farter will not say anything. He will just look kind of funny and head for the john. This one is easy to spot if you pay attention.

The Organic **** - Sometimes called the Health Food Nut ****. The person who farts an Organic **** may be talking about the healthy food he eats even when he farts. If he is heavily into health foods he may even ask if you noticed how good and pure and healthy his **** smells. It may smell to you like any other ****, but there is no harm in agreeing with him. He is doing what he thinks is best.

The Quiver **** - A group one identification **** only. When you ****, it quivers. If it tickles, then it is the Tickle ****. If you have to scratch it, then it is the Scratchass ****.

The Rambling Phaduka **** - You must not be fooled by its pretty-sounding name, as this is one of the most frightening of all farts. It is frightening to farter and spectator alike. It has a sound of pain to it. What is most diagnostic about it, however, is its length. It is the longest-lasting **** there is. It will sometimes leave the farter unable to speak. As though he has had the wind knocked out of him. A strong, loud, wavering ****, it goes on for at least fifteen seconds.

The Relief **** - Sound or odor don't matter on this one. What matters is the tremendous sense of relief that you have finally farted. Some people will even say, "Wow, what a relief." Very common.

The Reluctant **** - This is probably one of the oldest farts known to man. The Reluctant **** is a **** that seems to have a mind of its own. It gives the impression that it likes staying where it is. It will come when it is ready, not before. This can take half-a-day in some instances.

The Rusty Gate **** - The sound of this **** seems almost impossible for a ****. Is is the most dry and squeaky sound a **** can make. The Rusty Gate **** sounds as if it would have worked a lot easier if it had been oiled. It sounds like a **** that hurts.

The S.B.D. **** - S.B.D. stands for Silent But Deadly. This is no doubt one of the most common farts that exists. No problem of identification with this one.

The Sandpaper **** - This one scratches. Otherwise it may not amount to much. You should remember that if you reach back and scratch, it automatically becomes a Scratchass ****. Common.

The Shower ****: These are a lot worse than bathtub farts, due to conditions of humidity and heat. George Carlin once said that you can tolerate the smell of your own farts, but shower farts are the exception to that rule.

The Skillsaw **** - A truly awesome ****. It vibrates the farter. Really shakes him up. People back away. It sounds like an electric skillsaw ripping through a piece of half-inch plywood. Very impressive. Not too common.

The Snart: This is a **** that you succeed in suppressing so as not to not to offend, but then a sneeze jars it loose.

The Sonic Boom **** - The people who believe in this **** claim it is even bigger than the Biggest **** In The World ****. The Sonic Boom **** is supposed to shake the house and rattle the windows. This is ridiculous. No **** in the world shakes houses and rattles windows. A **** that could do that would put the farter into orbit or blow his crazy head off.

The Splatter **** - Unfortunately the Splatter **** exists. It is the wettest of all farts. It probably should not be called a **** at all.

The Stutter **** - If you think stuttering is funny, this is a very funny ****. It is a **** that can't seem to get going. The sound is best described as pt,pt,pt-pt,pt-pt-pt,pop,pop-pop-pop-POW! It is usually a forced-out **** that gets caught crossways, as they say, and only gets farted after considerable effort.

The Taco Bell **** - The Taco Bell **** is far richer and full-bodied than your ordinary Junk **** and takes longer to build up. Sometimes hours or even a day. But it will get there. And it will hang around after, too. Even on a windy day.

The Teflon **** - Slips out without a sound and no strain at all. A very good **** in situations where you would rather not **** at all. You can be talking to someone and not miss saying a word. If the wind is right he will never know.

The Thank God I'm Alone **** - Everyone knows this rotten ****. You look around after you have farted and say, "Thank God I'm alone." Then you get out of there fast!

The Tickle **** - A group one only and one of the easiest to identify. Usually a slow soft sort of ****. If you like being tickled this is the **** for you!

The Unconscious **** - My friend is asleep and snoring and they let out a couple of farts without know it.



Other Names For Farts

nouns
verbs
aerosolized stool
after dinner mint
air
air attack
air biscuit
air monkey
air ****
**** acoustics
**** announcement
**** escape of wind
**** emissions
**** oxide
**** retreat
**** evacuation
Arkansas barking spiders
ars musica
**** blast
*** dropping
backblast
backdoor trumpet
back draft
back end blow out
bae
barking rats
barking spiders
bean bombers
bean fumes
****** leaver
beer ****
belching clown
big spit-up
bilabial fricative
blampf
blare-***
Blat
blow-by
blow fish
blue angel
blue bomber
blue darts
blurp
bologna sandwich essence
boomper letters
bork
bottom burp
botty burp
botty cough
bram
brewer's ****
brown-body radiation
brown haze
brown mist
brown speckled mallard
brownster
brun canard
bubblers
buck snort or bucksnort
bull snort
*** and flutter
bunsen burners
burners
burp that went astray
burp that comes out the wrong end
**** burps
**** cheek squeak
**** moose
**** mutt
**** trumpet
can o' chedder
carpet creeper
case of swamp ***
cheeser
cheese toasty
chert
chold
chou pi
chunder
churchhouse creepers
******* tremor
crepidus
crunchy frog
cushion creepers
davebrok
deer snort
dej
desert varnish
doofu
doozer
doozy
double flutterblast
drifters
dr
judy smith Mar 2017
In one shot, the actress posed in a barely-there Burberry cape, revealing quite a lot of her *******, and it is this picture which has been criticised. Broadcaster Julia Hartley-Brewer condemned Watson for her hypocrisy in campaigning against page three while then bearing all in a ‘posh magazine’, while also suggesting that she wouldn’t be taken seriously for the move.

Watson, however, defended herself, stating that she was ‘stunned’ by the controversy, and didn’t see what her ‘**** have to do with it’. Indeed, many have backed the actress up, arguing ****** and fashion have nothing to do with feminism. And yet, in society at the moment, it does seem that way.

Women across the globe struggle to be taken seriously unless dressed in a certain way. Even our own Prime Minister is fodder for tabloid’s style sections; focusing more on her shoes than her politics. This certainly wasn’t the case for her predecessor David Cameron.

Similarly, professional women are only taken seriously when conforming to the predetermined white male power ideal. Suits, straight and sleek hair, minimal makeup (that is still flattering to a feminine ideal) is encouraged, and leaves very little room for women of colour, gender nonconforming people, and others.

This double standard between genders is evident not only in professional spheres, but in everyday life. Women who choose to wear the hijab, for example, are sometimes demonised and are branded as oppressed, with those expressing such an opinion often having no factual knowledge of the context behind the garment. Surely a woman’s choice of how they present themselves to the world is their business and their business alone. As Watson argued, ‘feminism is…about freedom, it’s about liberation, it’s about equality’.

Fashion and style is an incredibly powerful tool which one can use to express oneself and its value most definitely shouldn’t be discounted within feminism. Denouncing stereotypes of style and outdated ideals of beauty can empower some, and allows people to embrace their uniqueness and difference. Others, however, may be empowered by embracing typically gendered style, or what may be branded as ‘conservative’ fashion.

The importance here, though, is not what they are wearing but that what they are wearing is a consequence of them exercising their choice, and how it allows them to express their personal beliefs and message.

Watson’s choice to wear a revealing top is just as valid as her choice to wear a suit on any other day. A person’s style should not impact their validity or respectability. It is not for other people to say what may empower an individual. That choice is yours, and yours alone. Whether a woman chooses to pose for **** photo shoots, or cover herself from head to toe, it does not make either any less feminist nor any less of a role model.Read more at:http://www.marieaustralia.com/formal-dresses-adelaide | www.marieaustralia.com/backless-formal-dresses
Serena Jungers Feb 2010
I am finally learning
What it means to balance life;
For I can't give my heart and soul
When you don't give yours too.
We've only just begun now;
I know I've gone too fast.
But keep in mind, this is new to me,
While not exactly new to you.
So I'll pretend my heart's a jigsaw;
You can have it, but piece by piece.
And you must earn the pieces--
I can't promise them to you.
You can't buy them on credit;
No Visa or Mastercard.
We don't take checks here, sorry--
Only cash will do.
Cash comes in form of roses,
And midnight picnics in the park.
Cash comes in form of Brewer games,
And a candle-lit dinner for two;
A night spent under fire-works,
Or a ride in a hot-air balloon.
Don't forget, with each of these gestures,
You must give me a piece of your heart.
But with these must come sweetness,
Respect and sincerity.
I need trust, and most of all,
Respect my right to be free.
And if these you cannot give me,
Then sorry, our bargain is off.
But I think--I hope--you can give
These things I ask of you;
If I didn't, I wouldn't be here--
I only speak the truth.
So if you can prove me right,
Then I'll have nothing to fear.
We'll live happily ever after--
It will be a done deal.
Timothy hill Apr 2017
Club doors smell of lady's potions easy kind of hazey.

Daily news of power, and fruit and punch.

Dj Spun, music so courageously.

With laser touching all there eyes.

Yet no irritation, you see they where protected by a small musical meldoy.

It was epic heads all head baging.

Fast pace music, slowed too jam to it with no penut butter.

See how I twist the version, call your favorite pill brewer and we will trip.
Club focal point.
He stands in his house that is young than he does
His room is miserable like protégé of a teenager,
In contrast to his septuagenarian age ring,
He hates his house with juvenile energy
Not knowing what to do with such hate of loss,
In blurred memory of his estranged wife,
Not able to discern the current age of his daughter,
That had accompanied the distaff on the day of separation,
He lulls his nerves to slumber, away from such menace of a thought,
By walking slowly to the den of wine, like Mermeldov in hands of Fydor,
He sinks down in a chair, plants himself deep into a tumbler of Whisky,
The only fortress into which the poor prodigals take refuge,
Running away from duty of ethics that spans across life of man,
As he wants not memory of his erstwhile risky *** with a punch of ******,
From which he condones his exposure to deadly malady,
He wants not his memory of overdrawing his account,
In faithful service to master wine, against the sub-current
Of wisdom that the carouser labours but labours for the brewer,
He wants not memory that his moral duty got punctured,
And hence self-exile in to slavish duty to wine
The only hostage to the whole rounded prodigal.
John Bartholomew Jun 2018
Let me tell you now, I’ve never picked up a bass guitar in my life
the guy stood stage side, cool as hell, his looks as sharp as a knife
surveying the crowd, picking the best, which girl is coming back to his room
town to town, gig to gig, thanks for the ride, I won’t be back anytime soon

An aura of disdain, a secret never to be told under that cowboy hat of his
reeling through the catalogue, hit after hit, hiding has no place in showbiz
A breed to contend, so lets never offend that man who has a different point of view
we could all have been a plumber or a copper, but the line-up for this role is a very short queue

Comparisons are strange and never the same, from deep sea diver to football goalkeeper
hey, a job’s a job no matter what you do, even home brewer to a honey making beekeeper
So what if you’re an oddball, the world needs its variety
from 6 strings to 4, its hardly a chore, he gave up on the piano and its keys
because that’s the way it is and the life I now live
simple, sometimes exuberant but always content,

That’s it,

Bass player me

JJB
None of us wanted to be the bass player. In our minds he was the fat guy who always played at the back - Paul McCartney

I wasn't originally a bass player. I just found out I was needed, because everyone wants to play guitar - Tina Weymouth

The lousy guitar player in any band is the bass player - Jimmy Iovine

I recruited my dad to be my bass player and fired him on several occasions. He stayed on as a bus driver - Chely Wright
Michael Bauer Feb 2018
Hunter S Thompson worried about lizard people in a drug haze
My mind is blown wide open in the New Age
I'm just thinking about aliens and the illiterate light

The Kundalini illustrates our condition
So deep in thought I consider my position
A beam of light in a shell being constricted by snakes

I felt them once in the depths of a fever dream
From where do these thoughts bubble up like steam?
The beings phase-shifted as light and healed my perceived delusions

The snake is the reptilian brain
Reptile aliens made of light will pull out all your pain
Then we'll dance from here across the universe

Jesus Christ had a lizard brain too
All humans do it's true
The devil of his senses that tormented him for 40 nights

I'm amazed by the places my mind goes
Shines bright like a diamond then withers like a rose
Sitting here in my place in this space in time

If there are reptile aliens I hope there are Nordics as well
I'm a Nordic Reptilian but still scared of Hell
It might be all in the mind anyway

The Nordics have the reptilian reactive mind
I'm just looking to find my kind
So I'll know where you're at if the ether continues

The Sumerian tablets say the same thing as Genesis
Or so I've read and what Denny Brewer professed
I listen to The People's Key too much

I have this suspicion that existence is Star Wars
Exalt The Force or the Holy Spirit - It's yours
You mean more than you can ever know

But what if Nietzsche was correct
And nothing can ever be eternal or perfect
Or what if this thing is eternal occurrence forever and ever amen?

There's a Deus Ex Machina inherent in all of us
The genius of our creative minds free us
So we never can repeat the same things again

I've seen stranger things happen, man
Getting closer to the bottom of the rabbit hole scam
A mind is a terrible thing to waste
Chris Slade Aug 2020
I looked in the mirror today
and said to my reflection…
"We need to talk!
Have a word,
this is getting absurd…
You’re a mess…
you’re overweight,
those lines on your face
they used to be straight
now they’re wrinkly.
The stoop,
the brewer’s droop
It’s not good.
Your best intentions
are misunderstood.
It’s about time to diet…
go for a run,
not a fun run!
Stay quiet
lay off the *****.
Instead of post lunch
having a snooze.
You’re bloated,
stooped,
Out of breath,
permanently pooped
It’s got to stop!
You’ve got to start
giving a ****.
You must start
conquering it!
Stomach in,
chest out
shoulders back
pack it in,
stub it out,
looking like a
geriatric lout!
’Snot funny…
cut the grin,
this lethargy’s
doin’ you in.
Get closer… focus
just behave…
You can start off by
having a shave!!

He's a harsh critic - that bathroom mirror! Little *****!!
We need to talk about presentation in a distorted world where things matter!
Mateuš Conrad Aug 2017
sometimes it happens, sometimes it doesn't,
but when it does, well,
             all the more joy for the spoils
of the day.

i don't mind having "alcoholic" thoughts -
i usually couple them with
something else, something "mystical" -
if you ever read milton's paradise lost,
you'd know that, once satan descends
back to hell with the fruit of "knowledge"
(or should i say: confusion)
                       the fruit turns to ash,
**** me, i can't remember if that's how
it happens exactly...
     i read it such a long time ago:
dante's divine comedy? aged 16 on
the 86 bus: 45 minutes in the morning,
45 minutes in the afternoon,
all the way from romford to seven kings...
ask me about that, and i won't be able
to remember all the details...
    you'd need to show me dürer's etchings:
come on! it's been almost 16 years,
   i wasn't exactly going to get a tattoo on
my *** of a memorable quote, was i?
the alcoholic "thought" - it's rather silly...
i spent about fives minutes doing
the math before the liquour shelves...
so about 15cl of *** in the afternoon,
then four beers mid-afternoon... and now this...
wild turkey: a kentucky bourbon...
that's lawrenceburg, KY...
    great story behind this liquor too:
aged between 5 to 8 years, master brewer:
eddie russell...
      aged in number 4 "alligator char"
(verbatim, the inverted comma bit,
  and the words invited) - american oak,
alligator char american oak...
     ah... the best bit:
             with notes of sweet vanilla,
    pear, and hints of spice...
   and hey! they're not puritans like
the scots are with their whiskey, i.e.:
   no ice, no mixer - great for a stomach ache
as the old highland saying goes...
these bourbon meisters actually consider
it not so much a profanity to mix their
liquor, as an additional option...
   could have said what's the better mixer:
                               pepsi? or ginger ale?
ah right, the "alcoholic" in me -
well, my usual *** 1litre costs 15 quid a pop...
but this wild turkey bourbon was on offer...
down 5 quid...
           will a 30cl really make all that difference
as the night progresses?
        but that's bourbon 70cl at 40.5%
and the *** at 100cl at 37.5%...
will it?
            can it for once not cross your mind
"i" thought, that you can treat yourself?
just once?!
            what eventually happened is that
took the wild, and brought back a domesticated
turkey...
        then? i wanted an optical compensation...
took 6 shots of water 5cl... which made
up the otherwise missing 30cl...
         and then i stood there "thinking" for
a while...
             only the turkey will tell!
   the wild turkey... the wild kentucky turkey...
the wild turkey from kentucky,
but more exactly from lawrenceburg, KY.
(half an hour later) -
i can't remember the last time i drank a liquor
without adding a mixer...
    i'll admit though... you need ice...
oh ****! right right...
       what did the god *shiva
(hindu myth)
bring to the disciples of kali -
as myths go, the disciples being demons,
ya-dad ya-dah and a few aeons later...
    fire! water! aqua-ignis!     ignisaqua!
this ****... boooooze-boooooze-oooooh-e!
make that e mousy.
Mateuš Conrad Oct 2020
because jim dine looks like
    jack nicholson from
afar...
but it's not about that:
oculus per oculus -
     eye for an eye...

when painting is involved
i hardly think it's necessary
to give abstract "grace"
to necessary objects:

a wonky hammer or a house
is sand and grimace
and all things unbelievable
but it's not the strict
schematic...

when painters have to invest
themselves in words...
that frank o'hara anecdote
about SARDINES...

or if it isn't too obvious
as to what will be cited next:
magritte's:
    ceci n'est pas une pipe...
well: at least colour is true
as much as a noun is...

here at the zenith
red dictates stopping at a traffic-light
junction...
and there's than synonym
of: strawberries...

              when painting had become
abstract enough:
words had to become employed:
i'm still stacking
x-rays and skeletons
with muscular meshes of grey
on the fading with words...

i don't bemoan the task:
looking for alternative, "better" options
in painting...
i've have to be blind...

that painting is all eye
that poetry is all ear and perhaps
the tongue too...
oculus per oculus: eye for an eye...

i allow myself to drink to excess
tonight,
because what i really want to write
is what i gathered from this
afternoon...

autumnal promenade...
         these trees and the sunlight raising
them... to trans-natural realism's heights...
it does 'elp to merely take
a stroll...

       it's beyond comparison:
i dared to think: and if i took a photograph...
no... a photograph would
make me sulk...
i would keep it as something
both horrid and both saddening -
mind you: my memory bank
is running dry and i much prefer
to take photographs with
a blinking of an eye
to expand my memory hoard(ing)...

clearly at this junction
of the near impossible: for something "new"...
there is no new...
when there were formerly people...
up in the northern most easterly tip
of greater london
i'm looking for a "delusion"
of being able to walk
several miles without any
human interactions...

well... would a creature such as a grouse
or a deer allow itself being
spotted in daylight hours
if such a place was governed
by a frequency of man?

the deer spotted me not too far off...
by god: i didn't give it prance to
a get-go to gallop ever so silently:
by the woodland pigeon did
breaking into flight... rustling leaves
of it perching in a crown...

in love with england: more to the point...
the countryside for the nth time
resounding...
the topology of the english countryside...
it must be a desirable word to use
when i have this picture before me...
there were feet that walked
these "roads" and there were eyes
that sorrowed for: the platter of details...

it was never an intended piccadilly circus
bulwark of **** neon...
insomnia neon and incognito -
the middle of this drab
of london bothers me from time to time...
from: time to time...

not in spring not in summer:
now... autumn and these trees
and this sunlight gracing them to an elevation...
i've already chosen anecdotal
points of familiarity...
celebrity trees -
trees like signatures like:
everything else that is also a tree
but is so generic it can't stand alone...
it needs a canvas a window or a view...

then those trees that... i swear they are
so: unto themselves that
i wouldn't require a mirror to peer
at myself...

sure... upon reaching a pinnacle
of cubism... painting new abstract:
a best a verbiage and forever this extension
of psychoanalysis -
at best this verbiage and...
what is it that they called it:
base: introspection of the self...
well... that's already a doubling of
the act...

   given there's (the) definite article self
given there's also "a" self...
and then the possession of it:
which is... compounded reflexive
rather than reflective... rarely is it
my self... yourself myself themselves...
hey presto! juggle circus with
the alphabet people...

i didn't take a photograph for i didn't
want to spoil autumn per se
or my availability of sponge brainz...
i had to excavate these words...
to borrow something from heidegger...
a major pillar ought be cited:

well... hier-sein... hell... expansion...
hier-jetzt-sein:
   or rather the most temporal:
jestz-hier and i'll leave being in a shallow
grave of grace...
i'll concern myself
with... not being a fear-mongering
vegan... when i respect the animal
produce thus presented:
i will not overcook a chicken...
when i insert a thermometer into
a chicken breast it will read
in the range of 165 - 170°F...

i will not become a vegan because:
i ******* well know:
i know blindly i will allow my eyebrows
to be gambled with...
these "vegans"...
probably never cooked a chicken
properly...
when a food can be
respected...
when the ******* are juicy...
one, can, be... thankful!
but if you do a second work-around
of a butcher's "quarter"...
end up eating... protein pasta glue...
no wonder: return to
overcooked vegetables!

i much rather respect a protein...
than fake veganism for
not having respect for it!
omnivores "anonymous"!
gaffs of trends of people who...
probably don't know how
to cook... i love my... presumptuous...
agony aunt sort of flicker...
of demands...
of: stereotypes...
sometimes these higher-tier
critiques of stereotypes pay off...
they have to.

oculus per oculus...
autumn, these trees and this sunlight...
it has to be temporally specified:
"circa" from 12:30pm through to...
4pm... enough time for the weather
to change drastically...
enough time to find an old acorn...
with a ladder attached...
and sit in it... like some long lost
late-starter in the darwinistic narrative
and hide from the onslaught of
rain...

i guess that's why i cited heidegger...
but i was meditating
on other words...
oko - eye -
oczy - eyes...
            to - this
             tamto - that
         tam - there...
     conjunctions more or less...
and... how i might describe myself...

anglo-saxons were my prior...
so the anglo- prefix sticks...
anglo-slav...
for the general purpose: works...
but saxon is specific...
it's not like there's a concept
for anglo-thurengians
or anglo-pomeranians...
or anglo-swabians...
               a specified germanic tinge
that encompassed
an outline of prior to celtic and
velsh...

anglo... an anglo-wend...
                         albion-veneti...
           well... given that every *******
two-bothered-sanctum-christi
auxiliary has gathered on these isles...
"of late"...
but like a sore thumb:
"my people" have
retracted on the tide
so overpowering come
the opening of the floodgates
circa 2004...

moi? earlier immigration...
as early as 1994... n'ah... anglo-veneti
is no sticking word... anglo-slav...
anywho...

a quadratic: because i just love: squared
t'inking...
it's almost like a magic trick...
two buzzwords...
reigning the niche outlets...

patriarchy! ugh! power wording!
and... gynocentrism!
well... let's party!

back to the days of copernicus...
gynocentrism is an elevated
variation of... geocentrism?
which is paradoxical since...
that would implore the vatican to play
it: hush hush...

no! no you idiot!
gynocentrism is heliocentrism!
the all encompassing...
sun *****!
a **** that spits out...
lucifer fell head-first...
"fell"... bungyjumped and
was tugged back onto
the throne when god had a medley
with a banjo piece of working
out: a cross is never a table?
a cross is never a table?

gynocentrism is... heliocentrism...
and "the" patriarchy is geocentrism...
god... i love this quadratic...
i had a cultish idea
today...
among a Pythagorean set
concerning eating beans...
how...
you must uncover your head
when walking under trees...
how you should cover your head
in public... but have to expose
your head beneath trees...

it's not unlike the already well established
kippah and the circumcision...
so... what? exactly?
i still hafe mine: doubly mine since
i don't vacate a tonsure...
a slap me pretty sort of "disguise":
for - covert... monkish brewer... alias:
house of purim...

          hafe hafe: a'v'eh! mein!
i look across... well... no wonder!
h'america by no invitation...
those black atlases would be forever
celebrated...
as they should:
but it's not like the hebrews
took too lightly concerning
intellectual gymnastics when...
intellectually: you'd only have
to replica... stalemate...

i too could perfect: plagiarism...
not that i'm... oh god my qabbalah fetish
and how:
the demiurge is one thing...
i don't need to demand more from
the yids themselves:
their god will do... just f'ah f'ah fine...
he's phonetically ingrained...
my words aaron bricks...
he's the cement...
less the grammar... in between...
after all... he... doesn't really...
favour them as much...
always putting them to the test
to reclaim the noun israel...
hey... of all the people of the ancient
world... a people that envisioned...
their own god... israel:
wrestling them... testing them...
more or less... keeping up their soul-search
vitality assured...

now i will start to chew chewing gum...
and pretend it's everything that
requires / required me the ability
to tie my shoelaces...

      oh yes... the god of the yids abhors them...
it's not like there was no other
memorable balam...
beside... the one still hanging around
with churches
and south america and tele-evangelicals:

after 2000+ years the question
is beside: are you the son of god...
it's more... morphed into...
can i still be a hebrew?

            if you can't celebrate something
when getting into the nitty-gritty...
je suis! my ******* oddity of ***!
throw that charlie hybrid-dough
into the cauldron and let's pray
for ******* bagels! or croissants!
whichever takes your fancy!

that i somehow allow myself a "revision"
of writing under the influence
of btih music and miss amber...
the god of the hebrews already prides itself
on a following...
so meticulous that it's satisfactory /
savory -

  i can't be allowed... a nibbling?
seems unfair to procrastinate on the altar
of how easily a moloch or a beelzebub was
sacrificed upon...
whirlwinds of aeons and of chaos:
how there's only a certainty within the
confines of space:

the clinal pressure for the eye's
critique of autumn...
and the trees therefore basking
in the light of borrowing azure...
these hints of auburn and
commando foliage...
of perpetual green: shying glee
of envy...

      i want this **** of verbiage...
to impress details of fracture
and "fiction"...
i want to return to the ancient
vernacular...
for all i want i must not never
hope to conceive as: outright will...
to hell with a freedom
so ill-advised...

in these pastures where old
ergonomics: horses - graze...
i heave a thumb... a fattening
of it... i experience creases best known
to the advent of the corruption of paper...
but i am not using any of it (i.e. paper)...

there was a rabbit... there was a deer...
a grouse...
and as many birds as my fingers
could fathom themselves alone
to suit up to a replica arithmetic...
i wanted to learn enough of
simplicity: but i was never to
be allowed: a finicky teenage phase
of taming a need for replica:
offspring...

  i desired to not leave any cul de sacs
of grieving processes...
this hebrew god, though...
antithesis: an-t-fezz...
it looks so much of so differently
from the standards of merely speaking
to peering at...
this language without a clear-cutting
of sounds: dyslexia...
what?!

in a language that doesn't allow
orthographic stressors...
and all it has to offer is...
"idiosyncratic" spelling?
   who could have guessed:
a who-dunnit exterior... purpoise?

purpose?
                  purr-poise...
i do have to allow myself to stage:
when dub-step was a music
genre was still worth salvaging...
distance... vex'd... burial...
and that's about all i want to hear...

i'm so adamant in being so therefore
blistered in a gangrene of
politics that has to borrow from...
time immemorial and secure...
it has to translate into a...

you can almost fathom the silence
of horses...
they approvingly nod...
somewhat... and whatnot...
agreeing
to you being a something
and somehwat...
that allows itself to pet
either a cradle of cats
or a brood and leash invoked
sour crease of doggy-dodgings...

it's not **** flinging invoked...
it's something more sinister...
personal: thereby all the more involved / invoked...
it's not Golders Green judaism:
tonsure for a scalp / circumcision for
a ******* kippah: y'er boot?

in that... yes... i appreciate being seen...
i want to be seen...
but at the same time...
i like quivering in a fancy
of being "counter-inquisitive" debased:
outright: anti-...

              i appreciate being seen...
replicating modus operandi: esse...
but... when i invoke this most private
made most public of disclosures...
and it... somehow... "works"...
i hardly think it's necessary
to achieve an omniscient status: quo...

especially when one can encounter,
passibly...
two women... perhaps two dogs...
a park... and on a bench...
a giggle and its most certainly female...
i don't want to be "known"...
existentially pronounced / prone
having to encompass this "audience"..
i desire to be less of what's
leftover / made available...

it's just a minefield...
i visited the Ypres cemeteries...
the anglo-
lingua rubric...
             then these... shallow... deafening...
germanic sorts...
sparrow and robins and wrens would
grace their amassing puncture
of details...
and i would want nothing more...
because i was not anglo-sas
and i didn't want to earn
or learn of make oath to such bridging of
sorrows...

the mass graves of the germans
in belgium come the enforced endearment of
memory come...
no more from cabaret volatire escapism!
no... more!
they are so fuckingly posed
to be therefore so poignantly named!
by grave and so therefore by so little
of body!
the mass graves of the: germanic:
peoples:
how the english, once upon a time...
allowed themselves to play a trough
of towing themselves... romanesque!
this: greviaous mud...
this... horrid first pretender!
nvinn fonia Jul 2022
Unix Beer: Comes in several different brands, in cans ranging from 8 oz.
to 64 oz.  Drinkers of Unix Beer display fierce brand loyalty, even
though they claim that all the different brands taste almost identical.
Sometimes the pop-tops break off when you try to open them, so you have
to have your own can opener around for those occasions, in which case you
either need a complete set of instructions, or a friend who has been
drinking Unix Beer for several years.
BSD stout: Deep, hearty, and an acquired taste.  The official
brewer has released the recipe, and a lot of home-brewers now use it.
Hurd beer: Long advertised by the popular and politically active
GNU brewery, so far it has more head than body.  The GNU brewery is
mostly known for printing complete brewing instructions on every can,
which contains hops, malt, barley, and yeast ... not yet fermented.
Linux brand: A recipe originally created by a drunken Finn in his
basement, it has since become the home-brew of choice for impecunious
brewers and Unix beer-lovers worldwide, many of whom change the recipe.
POSIX ales: Sweeter than lager, with the kick of a stout; the
newer batches of a lot of beers seem to blend ale and stout or lager.
Solaris brand: A lager, intended to replace Sun brand stout.
Unlike most lagers, this one has to be drunk more slowly than stout.
Sun brand: Long the most popular stout on the Unix market, it was
discontinued in favor of a lager.
SysV lager: Clear and thirst-quenching, but lacking the body of
stout or the sweetness of ale.

— The End —