Submit your work, meet writers and drop the ads. Become a member
 
Emily Miller Jun 2018
Under the unforgiving summer sun, their small, winged bodies hover from one flowering plant to another, working tirelessly in the sweltering heat as we laze in the shade...

Their work is endless, the product harvested in minutes. Smoked into a stupor while we steal their treasures, and if some of them die, so be it...

Melissa, Queen of Bees,
revered before by human royalty and great innovators,

Melissa, Queen of Bees,
who connects life and death,
whose children killed the demon Arunasura in India,
and were prophets to the gods in Greece and Rome.

Melissa, Queen of Bees,
her bees fell from the sun in Egypt,
aided the first living man in Uganda,
and created man from the back of a mantis in the Kalahari Desert.

Melissa, Queen of Bees,
her children are the origin of magic in Eastern Europe,
a source of fertility and a connection to nature in North America,
and fierce, terrifying warriors in the South.

Melissa, Queen of Bees,
the Great Mother,
the root of being,
the bridge to the afterlife,
we owe her children our lives,
the least we can do is spare them their's.
Emily Miller Jun 2018
I used to be a Glock 40,
my aim impeccable.
I made the decision,
I pulled the trigger,
I hit my target.
Lately, I've been a musket shot;
unpredictable,
and somehow even more dangerous than usual.
I miss the center and wind up somewhere in the corner of the paper.
Dust flies from the shrapnel
where I used to have a single trail of smoke indicating the bullet, crumpled but whole,
placing a hole where I wanted it to,
and one unbroken shell, slightly charred,
dropping near my feet.
But here I am watching people take cover
as my pieces go flying, destroyed by my own chaos,
tearing anything and everything apart in its path.
I used to be deadly but precise.
Now I'm not sure what I am.
I'm certainly causing damage,
but more to myself than anyone else...
I confuse and startle people more than strike fear in them,
and that's insufficient...
I want to be better,
but I keep going off without warning,
and people avoid me to avoid getting hit,
but they're not scared,
they're simply learning,
and I don't know how I feel about that,
maybe I'm not a gun anymore,
maybe I'm the target,
I certainly feel like a piece of paper,
flimsy and vulnerable against the onslaught of lead,
blown to bits and drifting off in the cloud of dust...
maybe I don't want to be a gun anymore.
I certainly don't want to be a target.
Maybe I don't want to be a pistol
or a musket
or a bow or a knife or a clenched fist,
maybe I want to be a person.
Emily Miller Apr 2018
The sound of stripping boughs stirs in a dream,
Leaves plucked and prepared for tapering steam.
Thy senses awaken, ravenous beasts,
Satiated by boiling, liquid feasts.
Darling china cups, looking sugar spun,
Perched, gathering dust, till the tea is done.
And the table must be clear for the drink,
Aside from the vases with rosebuds of pink,
Awaiting the whistle, too long to bear,
Silent, aside from the creak in my chair.
The kettle calls, I move, roused by the din,
And out, the nectar comes, hotter than sin.
Slowly it steeps, so graceful and tender,
Bitter and rich, it fills me with splendor.
Emily Miller Apr 2018
Candlelight dancing off the rippling bathwater,
The steam rising off it with an aroma
So sweet,
From the herbs steeped in it,
I’m a goddess,
An empress,
And my nectar is the red wine
Chilled to my preference,
The delicate stem dangling from my fingertips
And I watch.
As the coolness drifts off the glass in lazy tendrils,
Dancing over the surface of the heated water.
I part my lips and exhale gently onto the curve of it
Until the twirling fingers of cold opposing the heat
Swirl desperately,
My breath is the master,
The air the puppet,
And I tilt my head at the first notes of a song that draws me back,
Back to a liason in the dark
With an exotic lover,
The French words slipping over my skin
As silkily as his lips did,
Each verse reminding me of how we celebrated those verses then,
Raucously
Remorselessly
Hedonistically,
Almost as I do now,
With my ambrosia and my rose petals dancing among sprigs of herbs on the water,
With an orchestra hailing my memory,
All by the light of countless,
Flickering
flames.
Emily Miller Apr 2018
Your goodness is a rain shower,
the kind that happens on a sunny day
and makes people wonder-
Where on earth did it come from?
It descends from a bright blue sky,
nourishing the ground,
and cooling my hot, dry skin,
without casting a single shadow.
Crystal drops scatter light until the ground is greener
and the beauty in everything
goes from a whisper to a birdsong.
Where does your goodness come from?
Your nimble hands
as they run through your hair
or tap them pensively on your thighs?
Your lips,
parted in thought,
always prepared to question?
Your goodness is such that I've begun searching for it
in dark alleys
and scowling faces,
because your kind of goodness
comes as mysteriously
as rain from a cloudless sky.
Emily Miller Mar 2018
In the middle of summer,
at the end of a long day,
the kruk chased a white mouse up a tree.
The mouse chose the tallest tree in the grove,
but the kruk had flown far greater heights.
Finally,
upon reaching the highest limb,
the kruk devoured the mouse
and rested
after its large meal.
As it sat,
the kruk,
for the first time,
noticed the rays of the sun,
and followed them with its eyes
to their origin.
The sun,
nestled in its hazy, pillowy throne,
shone with less enthusiasm as the day wore on,
and now,
it only gave the earth red and orange lights,
as if the Indian paints covered every inch of the ground.
The kruk marveled at the way the sun could decide what the people did and did not see.
The sun held so much power,
and so much generosity,
for it gave life to the plants
and joy to the animals
when it did not receive any in return.
The kruk took so much pleasure in the light
that it returned to the high branch every morning and every evening to greet the sun,
and although it did not speak,
the sun seemed to shine brighter
when the kruk sang for it.
The visits became longer,
even as the seasons changed
and the days became shorter.
The kruk basked in the warmth that the sun provided,
and lamented when it sank below the horizon
to be replaced with the deep blue illumination of the moon and her many children.
Though the moon was beautiful,
she did not hold the same beauty for the kruk that the sun did.
The kruk soon realized that it was in love with the sun.
Of all the birds in the trees, the kruk was the smartest,
and knew that this love was a difficult one,
but determined that it would join its lover regardless.
After filling up its belly with seeds and cool river water,
and resting well through the night,
the kruk took flight at the break of dawn.
Its love propelled it upwards,
and even as the air thinned,
and its wings weakened,
it flew on.
The sun grew more stunning the closer the kruk flew,
And its glossy black feathers,
Shimmering blue and purple,
Began to singe with the heat.
The creatures on the ground below protested when the kruk began to caw in pain,
But nothing could be done for the bird.
Finally, in a black, frantic streak,
The kruk descended,
Falling through the leaves like a stone in a pond.
It was days before the kruk returned to the high perch on the tree to greet the sun.
The sun continued to shine,
Rising in the morning,
And returning to the earth at night.
No rays were spared in mourning for the disappearance of the dear kruk.
When the kruk once again fluttered upon the well-worn bough,
The animals whispered,
“The sun is too far,
The sun is too hot,
And the kruk is much too weak.”
On the high branch, the kruk hung its head at their words,
And sorrowfully shuffled further down the branch
Into the shade of the tree,
Away from the bright, hot reminder
Of the sun’s unattainable touch.
At dawn the next morning, the kruk raised a matte black beak to the sky and let out a miserable caw.
There would be no union between the two,
Nothing to warm the kruk through the night.
The kruk extended its wings in surrender to despair, and took flight,
Driving its body into the sky until the air became unbreathable
And the clouds offered no protection.
The kruk ignored the burn rippling beneath its feathers and cried out to the sun,
A wild, grief-stricken call to be accepted by its deadly embrace,
And below,
The animals could see for a brief moment,
A shadow falling over the sun.
The animals gasped and looked away,
But for a few moments,
The sun’s shine was replaced with a melancholic glow.
A dark hole of blackness was cast,
Only a small ring of light twinkling around the edges of the sudden shroud,
And the wildlife shuddered in the unexpected coolness.
After its last cry,
The kruk never returned.
The animals do not speak of that day,
But once every century,
The earth remembers,
Covered in a darkness so complete,
That one can only think of a lost, forlorn disciple,
Flying into an unknown fire
And imploring it to love.
Emily Miller Mar 2018
From the boughs of trees
in the Garden of Eden,
a great, heavy serpent emerges.
Its countless muscular movements
up, along my spine,
lead to my tingling skull.
And there,
quietly,
it fixes its fangs at the base.
I feel the venom catch the current of my blood and rush away with it,
and I'm paralyzed,
absently noting that I may soon die.
My speech is frozen in my mouth
as its cool, slippery sheath winds tighter
about my throat.
I blink away the weariness,
attempting to focus,
but its arrow of a head has arrived at my cheek.
Ah, there you are,
I say,
just as it unhinges its jaw,
and consumes me,
face first.
Next page