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Zywa 4d
The sprinkles may crawl

into the roll, the yellow --


ones especially.
"Psychiatrisch dagboek" ("Psychiatric diary", 1994, Bert Weijde), July 20th, 1962 in Wolfheze

Collection "Unseen"
The beauty in the flow of thought, Lies in our imagination, softly caught.
A river of dreams, both wild and free, Crafting worlds for us to see.
In silent whispers, ideas bloom, Painting colors in the mind's room.
With every turn, a new creation, Born from pure imagination.
Through valleys deep and mountains high,
Our thoughts take wings and learn to fly.
Jordin 7d
Only the other day the vividity was insane
The world my eyes see was smelting/melting
& the world my I's see was smelting/melting
But just then, as I found my centre
The Fantasia of old would hardly enter
It was enough of the stuff & much more than most men
Yet a part of me wants back to that fantastical Zen
In regards to the poem's inception:
It was a day & I went on a walk.
Upon the latter part of my walk, my psyche shifted & there was a stark drop in the vividity of my imagination.
This poem was a reflection upon that moment.

At the time this decrease was unprecedented.
Typically my imagination is a kind of tripple vision.
There is my regular optical vision.
There is the vision of the mind's eye which is usually wrapped in a rainbow colour like theme.
There is the vision of the mind's eye overlaid upon the regular optical vision.

Whilst I have been thinking about triple vision as a concept for some time; predating the poem count by some margin--I later found a kind of parallel with William Blake's notion of Fourfold Vision.

In regards to the poem title:
The word Fantasia is a homophone for Phantasia; where Phantasia, among other things, is the root word for fantasy as well as the ability to visualise in the mind. The name Fantasia was chosen in part over Phantasia given its musical-like connotations.

In regard to the poem's attributes:
This poem is one of the first poems to concentrate on a homophone (eyes & I's).
Within my canon so to speak I play with homophones quite a bit.
This poem is also one of the first poems to have a kind of multipath-like structure (smelting/melting)...

(WARNING: DEEP DIVE AHEAD)

It may be worthwhile to touch upon the conceptual maps of the homophonic pathways.

For instance within eyes & I's & smelting/melting there are 4 core paths so to speak. If one wanted to map out these in a kind of symbolic chain, maybe it would look something like this:

…eyes…melting -> …eyes…process of heating to convert to liquid -> …eyes…liquid -> …visibility…liquid -> …visibility…(indistinct / impressionistic / dreamlike / fluid) ->

…eyes…smelting -> …vision..process of heating to convert into purest form -> vision…pure -> pure vision ->

…I’s…smelting -> …self concept…smelting -> …self concept…process of heating to convert into purest form -> …I’s…pure -> pure I’s ->

…I’s…melting -> …self concept…melting -> …self concept…process of heating to convert to liquid -> …self concept…liquid -> dissolution of self concept ->
Jonathan Moya Jan 14
The ramshackled town falls quiet
to the artist’s eye in the retreating light.
The old houses will truce their aged lumber,
antiquity, for the invading dark beauty of his creation.

He lived here once as a boy, in the sadness of his angels,
held hostage (he thought), by the catechism of  church
and steeple, becoming  a refugee from sawdust and faith,
believing being an exile will open his eyes to the truth.

He had returned from his long sojourn in the East
after seeing and experiencing the freedom of the world,
determined to posses this tract, once green space,the mountain beyond— to surrender it all, to the truth he  knew.


The canvas submitted to his violence.  The brushes
knew again, the small wars between mind and nature.
The hunger, the hunger, the hunger of eternal creation  
that rises from the wanderlust in every artist and poet.    

He did not listen to their prayers for mercy.
He wailed in his starvation “Come! Come!”
The shades of town, mountain, flower, deer, came.
And, as he must, he destroyed and devoured it all.
Saman Badam Jan 5
Do you discern the boot-prints in the sands,
Or castles constructed by ant-sized hands?
Are vermilion clouds from the sun's last ray,
Or crimson cotton from the dying day?

Are bent and broken stalks just trampled grass,
Or stooped elders waiting wisdom to pass?
Is the rustling just wind weaving through leaves,
Or unseen choirs crooning myriad hymns?

Are waves just battering the sandy shore,
Or armies, drawn by tales of monstrous lore?
Are those just flying dandelion seeds,
Or children fleeing to claim new house deeds?

Is lightning, just nature playing its part,
Or is it merely heaven's misfired dart?
Are missing parts just phases of the moon,
Or was it stolen by some thief in noon?
Let your Imagination run wild.
showyoulove Dec 2024
"Our way of thinking is attuned to the Eucharist; and the Eucharist, in turn, confirms our way of thinking". -- St. Irenaeus

Who can know the mind of God
Or plumb the depths of his wisdom?
What song can rise to Heaven's height
Or word can aptly describe Him?
Such mysteries plague the mind of man
No simple solution for this searching soul
It slips away like water through the hand
And loathe are we to relinquish control
We look upon the Eucharist with grateful thanksgiving
And offer graciously our petition and praise
For the purest act of love: life-giving
This source of food and drink in the form of bread and wine
Transcends and crosses through both mortal and divine
In this life-giving and purely creative force
I find my own creative imagination's source
Yairis Dec 2024
Pelo marrón como la tierra, ojos verdes como el pasto, labios rosas como las flores del jardín. Un corazón del tamaño del universo; para hablarte de esto, no me basta un solo verso. Me gustas, solo pienso en eso. A veces intento convencerme de que no será posible por tu irrealidad. Pero te amo, esa es mi verdad.
I don't think it's enough of
Kewayne Wadley Dec 2024
There’s a girl I know on Mars
Who wears tube socks
With everything she wears,
No matter if they’re stretched out or not.
There, the wind barely blows,
It barely even whistles.
But she doesn’t like her feet
To get cold.

Every time we talk,
We talk about everything
And nothing.
She sits at home and watches
The stars from her window,
Swinging one of her legs
From the arm of the couch.

I told her that I’d mail her a new
Pair of socks if I could find
A pair with Mars on them,
And a pair that had the moon
Printed on them.
Especially that far out, I bet they’re
Hard to find.

Maybe I’d settle for a pair myself,
To see what she sees in these things,
After all, she always wears them.
Maybe I’ll get her a pair that stretches
To her knees,
A solid color to match her couch,
To hide the red dirt that creeps
In her house.

After all, we’re human.
We need something that connects us
To who we are, who we used to be.
Anything to make us feel
More important than what we are
Unpolished Ink Dec 2024
Propagate some imagination seeds,
grow them on the sunny windowsill in your head,
water them with words,
and watch the stories bloom
Moncrieff Dec 2024
prior to a bare dream land,
    with consciousness scarce in hand,
the moment right before sleep,
    appear depictions mind wont keep.

vivid images now unfurled,
    an immense, graphic, real new world,
visions of intricate detail,
    astound endlessly without fail

though this night I value most,
    looking back - it seems a ghost,
is this how the others see?
    given this gift - who could I be?

maybe I had this skill before?
    with this mind, could I be sure?
now to know what I am missing,
    is it a curse or is this a blessing?
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