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You do not belong to this soil,
not the way they did—
feet sinking into peat,
lungs lined with salt and prayer,
bodies turning to moss before memory.

But still, you stand here,
four generations late,
hands in your Primark pockets,
mouthing names you were never meant to carry,
even as they sit inside you,
your first name stamped with their last,
a borrowed relic you never earned.

Your brother gripped the wheel like a lifeline,
right-side driving out of Dublin,
left shoulder braced against muscle memory,
like he expected the road to turn on him.
Mom rode shotgun,
printed-out censuses fanned across her lap,
highlighted, annotated, dog-eared—
a roadmap made of the dead.

You sat in the backseat,
cheek against the window,
watching Ireland unfold in slow exhales—
stone walls dividing nothing from nothing,
a horizon stitched with ruins,
the color of a postcard left too long in the sun.

Mom recited their names like prayer beads,
rolling them through her fingers,
waiting for recognition
that did not come.

And then you were there—
the grass, damp and grasping,
twined around your ankles,
softened under your weight,
pulling you down like something remembered.

The graveyard was older than the road that brought you there.
Headstones leaned like tired men,
softened by wind, by rain,
by the weight of a hundred years unspoken.
Their names smoothed into murmurs,
the dates washed into dashes.

And at every grave,
a small stone sign,
half-buried in moss,
letters chipped but certain:
KNEEL AND PRAY.
Not a suggestion. A sentence.

You did not kneel.
You touched the name instead,
ran your fingers over the grooves,
over the letters that built you
without ever knowing you would come.

A crow clicked its beak from the low wall,
watching the three of you like it had seen this before,
like it knew how this ended.

You whispered something you could not name.
The wind took it from your mouth,
tucked it into the tall grass,
laid it at their feet.

And then you left,
but the wet earth held its claim,
clinging to your soles,
like it knew you’d be back.
This bone-tired body is a battlefield
where I keep returning
to bury the same soldier,
over and over.

His face shifts like seasons—
familiar and foreign,
the line between my lines,
fading into fable,
floating into folklore.

He’s died here a hundred times,
and I survived every one.
But I keep coming back,
thinking I might unearth
something softer.

My hands tremble from holding too much—
soliloquies, symptoms, scapegoats,
saltshakers, semicolons, starry-eyed sighs.
My knees buckle under the weight
of a history I can’t rewrite.

No matter how many poems erupt
from my shell-shock,
how many mornings I crawl from trenches,
listening to the sound of birdsong—
I always return, ***** in hand.

He stares up from the dirt,
his mouth unmoving but full of accusations.
"You never let me go,"
he whispers without sound,
"and I’ll keep rising until you do.
Don’t you get it?
You buried yourself here too."

How many deaths does it take
to make a ghost let go?
I’m running out of shovels,
but never out of wishes.

Some wounds are wars,
and some wars never surrender.
If I stop digging, will the war finally end—
or will it bloom
in the silence I leave behind?
I don't want
To be forgiven
I wanna walk to
That graveyard by
The black forest
Kiss Myrtha and
Dance with the
Willis until
I'm dead
Based on the ballet 'Giselle'... and in my current state of mind.
Jack Groundhog Oct 2024
A-walking through the foggy wood
I found a Roman urn
It marks what seems a noble grave
but its fate took a turn

It lacks a name or token word
to tell just who lies there
It blankly stares right back at me
without the slightest care

The puzzling urn says naught to me
I sit in somber peace
and then the answer falls in place:
it’s a grave for all deceased

For all the nameless of the past
the memorial stands here
The grandest grave that ever was
Unsung now sung I hear
Inspired by an unmarked grave topped by a Roman urn, seen in the forested overgrown Southwest Cemetery of Stahnsdorf near Berlin
Psychosa Oct 2022
The first night we met, we walked through the graveyard.

Our blood coursed through our veins
as we felt the lifelessness  surrounding us.

Tombstones followed us on every side,
reminding us of our mortality.

The world was asleep
as we basked in the glow of the moonlight.

We spoke of the glimpse of the life that we have left.

I took you to a solemn grave.
Alone it stood
while the others were cast to eternity with another.

Hidden and out of sight,
we laid on the ground,
reminding us that we too shall one day be six feet below.

But as the moonlight shone on you that night,
no longer did I feel so alone.

The graveyard is my solace,
a dwelling for my solemn soul.
But as we laid on the ground,
no longer did I feel the imminence of death.

For with you,
I feel the beauty of life.
birdy May 2022
blue bells for eyes
her name was a song
that made the graveyard hum
for the dead became flushed
her beauty reminding them of life
cleann98 May 2022
there's just something about
the stillness of these stones
that sings me to tears—
     today is august 5, 2026...
     today is august 5, 2026...

so screams the years of
layers of dust encrusting
the petrified earth; lonely,
rid of her supple footsteps
to graze and wipe it clean.

like the stagnant roots
that seem to have given up
creeping to grasp for any
foot to cling to or touch
i can only stay so still...
     knowing oh so well
     everything we touch
     turns only to soil.

i could act myself a fool
greeting barren outcroppings
only to the reply of my own voice
hoping that the once green grass
would once again bloom
to the bliss of my welcome—
     but i'd rather settle for silence...

instead of crackling leaves;
stepping, all i heard were
my shoes against pavements,
failing to muffle the cries
from underneath my feet.

*someday, somehow
i will make it so
these lands will know
soft rains once more—
something i wrote before my life just started shutting down~~ partially inspired by he short story 'there will come soft rains' by ray bradbury (hence the august 5, 2026 thing) and mostly just from he rush of feelings i had imagining how my now abandoned childhood home (where the ashes of my mom, dad, grandpa, and grandma are) back in the province looks like when i would eventually return there...

this poem means a lot more now after visiting there last month for the first time in two years since the pandemic began and yeah ._.
birdy Apr 2022
A soul's vacant shell,
under newly upturned soil.
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