I offer no defense of my hidden sin,
Not when it wastes a fragment of eternity
In frivolous expenditure, stretched so thin
Across another vast, sprawling century.
And if I would - if I were - where to begin
This tour of a macabre private gallery?
All things, even this one, have their beginnings:
Thus, my humble collection's underpinnings.
Called to this divine vocation, I set out
Each time I encountered one who, crafting art,
Demanded my attentions. Please: never doubt
The truth of my intentions; my swelling heart
Adores them, falls in love as they sing or spout
Their lifeblood inspiration. Stepping apart
From all of this, don't stare so miserably!
Can I be blamed for working literally?
I love them, one and all, and here I curate -
Safe from all the ravagings of time, if not
Precisely speaking safe from my own mandate -
The workings and workers who inspired such thought,
Such incisive action. I lay them in state
With tender care, never sold and never bought.
Perhaps a glance at my favorite pieces
Might reassure you? My latest releases?
Observe the cuts into copper, engraving
Her fury, her passion into the cold plates!
How torturous, yes? She recalled it, raving,
Having sought me out to deny the ingrates
Assailing her solitude, as a craving.
I preserved her passion. Here, her works’ mates:
The roses she treasured etched into the hard bone
Of her shoulder-blades and skull, instead of stone.
But so few beloveds grace my humble home
Despite my voracious eye surveying scores
Of likely lovers - artful, otherwise - some
Lacking, left uninvited. Those I adore,
I long to beckon close - close as you now come.
Join me? There's more to show you, so much more,
And I hope you'll linger tonight, to dine.
I've just the thing for an artist who loves wine…
The request: "write something about a monster who does all her killing because she's genuinely trying to help people." As always, I'm fixated on muses. Apologies to Browning.
