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Ramsha Ahmed Aug 2014
thoughts, they are
        smoke escaping from chimneys and clouding darkened skies,
skies home to birds flapping their wings trying to fly,
thoughts are flying bricks falling all at once on shoulders already holding weights,
weighing the night's silence on open palms
and fingers blackened with soot
hold feathers plucked from tree branches,
seeking to clean bloodied slates
in gardens where dreams flow down the river into caves
-caves with lights at the end of tunnels,
and lamps which flicker during storms and
lightning which penetrates even closed eyes.
                       thoughts, they are
companions with opens arms which sometimes have
knives hidden up their sleeves,
and they are wells
which hold coins-
silver, gold, bronze and brass.
dreams and wishes fondled by the gentle, sometimes
     corrosive current of waves
and shadows which carry the tube light just so they stay alive.
     but these thoughts, they are also
my reason for you,
chains and leaves hanging with ease around a neck and rings which sing like canaries on insomniac fingers
   and crimson letters carrying pictures, so
with that is my justice,
because with your name they give me solace, and
with your image they give me peace
and with the sound of your voice in the meadows of my mind,
i find tranquility.
and with the shadows that follow on my heels, i laugh and i smile,
    because with these thoughts
i am with you and you,
          you are
with me
---------
Inspired by poet E. E. Cummings, though the official name for the writing style in question is still debatable (supposedly).
ashley May 2014
For all of the months we spent together, I thought of you in neatly organized sentences. “I love you.” Always with a period, because that’s how you know someone really means it. The first word of every sentence about you was capitalized, because you weren’t some sloppy diary entry splattered on an old composition notebook page. You were a carefully crafted novel, bound by alternative rock bands and chinese buffets. You were different, and you could not have possibly been summed up in a measly three paragraph essay, like the one I wrote about Abraham Lincoln in the fifth grade. Every comma was the pause I had to take when I saw you, because I swear each day you continued to take my breath away. And with you, there were no misspellings, there were no grammatical errors. You had flaws, but they were so deeply hidden in between the lines that I didn’t even bother looking for them. I guess that’s why I didn’t notice when I became less and less of a priority. And when the “goodmorning” texts came to an end, that should have been a red flag. Your copy of How to Treat Someone You Love would be similar to a guide on how to take care of a goldfish. “Feed twice a day and change water once a week”. It’s really that simple for you, because you have the mind of an engineer. Logical. Precise. There is no such thing as passion and forgiveness, just empty “I love you”’s. Because you once told me that we are just in high school. You never really explained what that meant, but I got the hint. So I left.
            Because if there’s one thing I realized, it’s that you cannot make someone love you. You cannot make them care, and you cannot make them stay. And it’s one of the hardest things to do, but once you realize it, you get this new sense of… freedom. Not the feeling you get after the last bell on the last day of school, not that. But more like you see the world for all it’s worth, for the first time. Because it feels good to let go of the idea that you need closure. People don’t need closure, they need to turn around and walk away. They need to not put up with the people who wouldn’t put up with them. I don’t need closure on why we ended, I don’t need to know why you never took me back. You made your decisions, and now it’s my turn to make mine. Because if it were meant to be, my birthday would not have passed with nothing more than a text saying “hbd”. Hbd. I guess that’s who you’ve become. Your novel-like qualities have become nothing more than text lingo in the inbox of a teen girl. I swear I use to look at you like you were a poem written by e.e. cummings, but now you’re nothing more than a piece of scrap paper under my bed. And it’s sad because although I don’t know much about love, I knew enough to make you see the world in shades other than black and white like you’ve been raised to see.
            And thinking back on what we had, I see it as an art collection. But it wasn’t structured around the basic principles of primary colors and symmetry. It had life and depth and meaning. Things I could never get you to understand. But now I realize it wasn’t because we had it all wrong, it’s because we try to make it too right. But art isn’t right, it isn’t pretty. It’s brutal and honest, but it makes you feel things that engineers can’t. And I guess that’s what a poet gets for messing around with numbers and figures. I guess what I’m trying to say is, I’ve exhausted every word and every sentence that could possibly be used to talk about you. I paid you the highest form of flattery, I made you into my art piece. I made you dance across the page, and brought what we had to life, because in reality it was dead. I tried to salvage us, but now I’m happy with letting my idea of you go. Because it’s not closure that I need, it’s distance. Especially distance on paper. So as this course comes to end, so does my time spent on you. Some people are better off wrapped up in the laws and theorems, because not even words can make them beautiful.
mosquitoism May 2014
274 Etceteras
left behind orphans, moms, widows et cetera
who cares et cetera what their names are?
for they're Heroes indeed, Martyrs now et cetera.
**** happens et cetera, "it's common". Why surprised?
I'll give you some examples; China, England et cetera
That's the way the cookie crumbles.
Hope you're safe and sound et cetera
in your warm, cozy et cetera house.
WE et cetera are used to cold stones and mines.
though not stone-cold hearts.



mosquitoism
Almost 300 miners are killed in an explosion and a fire at a coal mine in Soma in western Turkey.
Meg B Apr 2014
(Y)our
v - O - ice
so melodio[U]s

.A. s it
whispe _ R _ s
sw (E) etly
in my ear;

[B]ewildering
c...E...ssation
of logicAl
tho U ghts,

\T\oo overwhelmed
to
fa'I n
neutrality;

inhaling F-ascination,
i am
high off yo -- U r
fumes;

/L et me
exhale.
Meg B Apr 2014
Alone.
Sitting
           silence
thoughts
   sift
      drift
         swim
            sink
THINK.

Here she waits
     thoughts muddled
emotions jumbled
self
   honesty
      to self
   myself
herself
yourself
    all perspectives
tell me
Why?

What is real?
wants
needs
desires
truth & lies
but
   be
      REAL

FEEL

live
   cry
      laugh
sing & dance
scream
      lungs filled
Let go,
      freedom
and
fear
but real, feel,

it’s okay.

Today.
Meg B Apr 2014
Lost;          stuck

Free me

   shackles wrapped

   clenched

suffocating

not even near

         but far

drive away

   rearview mirror,

you wash away

  I waved farewell

spinning

                  turning

                  ­               endless

fly and.

                        go.

                              ­ get.

you ask me why
      or how

answerless I remain.

putting the pieces

         together

and          apart

Riddles;

                  I solve,

Let myself know myself

But fearing

  questions’ answer

for knowledge

      Knowing knowledge

Knows no bounds.

Sometimes there are

      tears

but smiling

      floating

mysteries
      solved

slowly

simply

­  unraveled

and still shackled

but breaking

      free

And one day I will be

                                          in the sky,

wings spread

          to sunset:

I’ve found it.
Meg B Apr 2014
warm, strong hands;
the delicacy of his fingers
softly racing
d
o
w
n
the small of my back
losing my breath
heart beating;
lump in my chest.

a world unknown,
I have yet to feel for
someone
new,
my world spinning endlessly
as we lay
on the azure blue of his sofa couch;

feels so soft,
soft as the heaven and the clouds
as they wrap
             their arms
                          around the sun
and it slips into Darkness....

Darkness.
days of it.
nights of it.
yet the most remote light found
in the darkest of places

a cold lonely night,
riots; tragic news; insecurity...
he turns them into
radiance,
to the white of a sandy beach;
his soft skin, his beautiful gaze...
I get lost in that blue-green ocean
that bores into me
with all of their innocence.

I let him take me away
away from it all;
in that moment...
and as my skin brushes melodiously
against his enchantment
I know somehow that everything
has
changed,
and it is so far
from
                                                              undisclosed.

if only I could keep the sunshiny Darkness;
the togetherness of our loneliness;
the stillness of our fast-moving passions...
locked away secretly,
                                        a secret between (your lips and mine.)
Meluka Cartaya Mar 2014
love is a place
& through this place of
love move
(with brightness of peace)
all places
yes is a world
& in this world of
yes live
(skilfully curled)
all worlds
Written by e.e. cummings

— The End —