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 Oct 2016 Simpleton
Mike Hauser
You offer God all that you've got
In the form of daily chores
All God has to say is put it away
What I want's your heart

You spend your time on His production line
When clocking out you find
Hands that stay busy make you dizzy
If God hardly comes to mind

Building fences to straddle on
With your days neither hot nor cold
There is no doubt God will spew you out
Should have been building on the soul

The only time you look for a God sign
Is when you're desperately in need
Otherwise you let it ride
Relying on human strength

Although you say you love Jesus
You're still working your way through
The needs and wants for brownie points
When all God wants is you
 Oct 2016 Simpleton
Mike Hauser
Never could she keep up with the days goings on
And waiting for tomorrow takes far to long
As she tries to be happy with the moment of here
Though she's much more comfortable as Yesterday's Girl

Lays the day out on the table hoping the setting looks right
Slicing the hours like a piece of peach pie
There is always tomorrow in a perfect world
But you take your chances being Yesterday's Girl

There seems to be lacking when the day rolls around
Without even asking, raising questions of doubt
Tomorrow may know but tomorrow won't tell
Life can be a bit confusing when you're Yesterday's girl
 Oct 2016 Simpleton
Mike Hauser
Gravity
Holds me down
Keeps my feet
On solid ground
Grabs me tight
Both night and day
So I don't fly
Too far away

Gravity
And me hand in hand
Keeps the beat
In this hold down dance
Spinning through
The atmosphere
Gravity
Is what keeps me here
 Oct 2016 Simpleton
Arcassin B
By Arcassin Burnham

I don't mind your feral sences, we Could burn a million flames just to
Cure the sadness,
Do I believe in love?
Not quite from your petty personal vendettas,
They'll  fly above,
But the upside Is that everyone should be
given a fair trial,
And more Pampers and more formula for
Every single child,
But the world is too twisted in endless loops
Of peril and chaos,
And destruction and death,
It musen't be a ****** to have to breathe
your last breath,
Fairly twisted and devoted to a state that's more loyal to Satan
Than anything we've ever seen,
Buildings touch the sky in flames in between logic and metaphorical
Cemeteries with symbolic links to all broken dreams,
Touched by an angel in all of the rights ways making sure that you
Could get through the day without screams,
When **** hit the fan , who do you believe?
©ABPoetry2016
http://arcassin.blogspot.com/2016/10/upside-down.html
 Oct 2016 Simpleton
David Adamson
Salt Lake City, 2015*

Like a tourist in my own childhood,
I wander the neighborhood of my youth.
It’s not quite a pilgrimage, as
pilgrims know what they’re looking for.

I stand at the flagstone fountain in the park
and gaze across the street
at the red brick bungalow
where my family lived until I was 13.

Am I supposed to intone something?
Summon a spirit? Or perhaps I’m the one
who’s been summoned. Ghost of myself.

On this spot, there’s the illusion of level ground,
but here at the northwest corner of this Victorian
mountain city, the ground slopes in every direction
if you walk a few yards. North up to the Wasatch,
east up to the Wasatch, south more gently but up again,
to the Wasatch, and west sharply down to the valley floor.

Set into the hillside, the house faces west.
A boarded-up plate glass window
makes it blind in one eye.
In the summer, from that window,
we could see postcard sunsets,  
fiery light sinking into the Great Salt Lake.
In winter the gray stasis of inversion.

The old brass address plate—61—still hangs
Slightly crooked on the molding below the attic dormer.
The steep cement steps to the wide front porch
look worn by nostalgia.

My grandparents bought this house in 1938,
and sold it to my parents in 1957, so dad,
the English professor, could walk to work
at the U., a half block away.  I was 1.

Double exposure.  I can’t separate this view
From old photos and recollections.

There to the right on the parking strip,
I once hid under a giant cardboard box
when I knew my sister was walking back from campus.  
As she got close, I jumped out,
causing a satisfyingly chilling scream.  
She tried her best to be furious at me,
but we were both laughing too hard.

1946:  Dad in black and white stands
to the left of the porch’s north column in his graduation gown,
his bachelor’s degree delayed seven years
by a Mormon mission to Scotland and World War II.

1955: all my siblings and all the children
of my mother’s sisters posed on the sweeping cement stairs
for an iconic black and white portrait. Only one missing:
Me.  Not born yet.  All those cousins
Sitting on my steps before I existed.  
There must be a word in some language
for the feeling that gave me. I never could name it.

I start up the alley to the north side
to take a lap around the place.
The brick’s discolored and damaged
from a half-century’s growth of ivy,
recently stripped away, like skin where a tattoo’s been removed.
A picture I took in 1985 shows ivy completely covering the dim brick.

At night, a car turning up this alley would cast crazily
dancing lights  on the ceiling
of my pitch-dark basement bedroom,
through this little porthole-size window.
My heart  would race, knowing it meant my parents were home.

The cement walk alongside the house is crumbling
and has started to melt into the wild grass.

The next window, at the landing of the basement stairs
is where a black widow lived, encased in the space between
inner and outer panes. I used to study the red hourglass
on its abdomen, and tried to draw it.
Couldn’t get it right. Was better at artillery.

In the back, against this wall, an old radiator was standing, waiting for removal  after home improvements.
It toppled over and landed on my brother’s foot.
Crutches for weeks.  Bad luck, but maybe it inoculated
him.  He’s still never had a broken bone.

Here behind the garage, the old crabapple tree still stands,
nurturing its sour but highly flingable fruit.
At its base a hamster lies buried.

The little side yard on the south looks the same,
though the old white trellis that I used to climb
when I was so tiny it would support my weight is gone.

Back to the ***** at the front of the house.
Leaving for school in the morning I would
leap this ***** in a single bound.

The old place looks creased and sleepy.
It doesn’t remember who I am,
is starting to fade into the past.
It’s only about half here.
The rest is memory and desire.
I know this is a bit long and discursive, but I hope you'll stay with it! If you want to see a photo of the house, go to the tumblr address on my home page.
 Oct 2016 Simpleton
Bianca Reyes
I feel the pain of my bones shifting inside of me
Morphing me into the next shape of disappointment
Shared on Hello Poetry on October 21, 2016
Copyright © 2016 Bianca Reyes
All rights reserved
Blah blah blah
Enjoy
 Oct 2016 Simpleton
Bianca Reyes
In the darkness of my room
In the hollow of your chest
I have felt the loneliest there
Shared on Hello Poetry on October 24, 2016
Copyright © 2016 Bianca Reyes
All rights reserved
Blah blah blah
Enjoy
 Oct 2016 Simpleton
Bianca Reyes
I'll never have the chance
To tell you that
Your favorite poem of mine
I wrote it for you
Shared on Hello Poetry on October 27,2016
Copyright © 2016 Bianca Reyes
All rights reserved
Blah blah blah
Enjoy
 Oct 2016 Simpleton
Bianca Reyes
You broke my heart
Shattered it into a million words
I'll arrange them into infinite poems
Until I piece it back together
Shared on Hello Poetry on October 28, 2016
© 2016 Bianca Reyes
All rights reserved
Blah blah blah
Enjoy
 Oct 2016 Simpleton
mk
Her mind cracked at dawn break-

that box down there is too shallow;
give me something six feet deep
and 5 foot 3 inches wide


So small.
She was so small.
But the world was smaller.
It was the size of a blue pill.
don't go
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