Part I


the plateau. the truest of them all. coast line. night spells and even controlled by the dream of meeting again. the ribbon of darker than light in your crown. No region overlooked. Third picnic table to the drive at Half Moon Bay, meet me there, decant my speech there. the table by the restroom block. While the tide is in show me your oyster garden, 3:00p.m. at half-light here in the evilest torments that have been shed.---------------door locked.  The moors. Cow herds and lymph nodes, rancorous afternoon West light and bending roads, the cliffs, a sister, the need to jump. There is nothing as serious as this. There is nothing nor no one that could ever, or would ever on this side come between. Who needs sleep or jokes or snow or rivers or bombs or to turn or be a rat or a fly or ceiling fan or a gurney or a cadaver or piece of cloth or a bed spread or a couch or a game or the flint of a lighter or the bell of a dress; the bell of your dress, yes, perhaps. Having been crushed like orange cigarette light in a pool of Spanish tongues. I feel the heave, the pull; not a yawn but a wired, thread-like twist about my core. Up around the neck it makes the first cut, through the eyes out and into the nostrils down over the left arm, on the inside of the bicep, contorting my length, feigning sleep, and then cutting over my stomach, around and around multiples of times- pulled at the hips and under the groin, across each leg and in-between each nerve, capillary, artery, hair, dot, dimple, muscle, to the toes and in-between them. Wiry dream-like and nervous nightmarish, hellacious plateaus of leapers. Penguin heads and more penguin heads. Startling torment. The evilest of the vile mind. The dance of despair: if feet contorted and bound could move. The beach off Belmont. The hills and the reasons I stared. Caveat after caveat at the heads of letters, on the heads of crowns, and the wrists, and on the palms. Being pulled and signed, and moved away so greatly and so heavily at once in a moment, that even if it were a year or a set of many months it would always be a moment too taking away to be considered an expanse, and it would be too hellacious to be presumptuous. It could only be a shadow over my right shoulder as I write the letters over and again. One after another. Internally I ask if I would even grant a convo with Keats or Yeats or Plath or Hughes? Does mine come close? Does it matter the bellies reddish and cerise giving of pain? Does it have to have many names?


"This is the only Earth," I would say with the bouquet of lilies spread out on the table. Are lilies only for funerals, I would never make or risk or wish this metaphor, even play it like the drawn out notes of a melody unwritten and un-played: my black box and latched, corner of the room saxophone. Top-floor, end of the hall two-room never-ending story, I'm the left side of the bed Chicago and I see pink walls, bathrooms, the two masonite paintings, the Chanel books, the bookshelves, the white desk, the white dresser, you on the left side of the bed in such sentimental woe, **** carpet and tilted blinds, and still the moors and the whispering in the driver's seat in afternoon pasture. Sunset, sunrise, nighttime and bike room writing in other places, apartments, rooms where I inked out fingertips, blights, and moods; nothing ever being so bleak, so eerily woe-like or stoic. Nothing has ever made me so serious.

Put it on the rib, in a t-shirt. Make it a hand and guide it up a set of two skinny legs under a short-sheeted bed in small room and literary Belmont, address included. Trash cans set out morning and night, deck-readied cigarette smoking. Sliding glass door and kitchen fright. Low-lit living room white couch, kaleidoscope, and zoetrope. Spin me right round baby right round. I am my own revenge of toxic night. Attack the skin, the soul, the eyes, the mind, and the lids. The finger lids and their tips. Rot it out. Blearing wild and deafening blow after blow: left side of the bed the both of us, whilst stirs the intrepid hate and ousts each ******* tongue I can bellow and blow.

Last resort lake note in snow bank and my river speak and forest walk. Wrapped in blocks and boxes, Christmas packaging and giant over-sized red ribbons and bows. Shall I mention the bassinet, the stroller, the yard, several rings of gold and silver, several necklaces of black and thread? I draw dagger from box, jagged ended and paper-wrapped in white and amber: lit in candle light and black room shadow-kept and sleeping partisan unforgettable forever. Do I mention Hawaii, my mother dying, invisible ligatures and the unveiling of the sweat and horror? Villainous and frightening, the breath as a bleat or heart-beat and matchstick stirring slightly every friends' woe and tantrum of their spirit.

Lobster-legged, waiting, sifting through the sea shore at the sea line, the bright tyrannosaurs in mahogany, in maple, and in twine over throw rose meadow over-looks, honey-brimming and warehouse built terrariums in the underbelly of the ravine, twist and turn: road bending, hollowing, in and out and in and out, forever, the everlasting and too fastidious driving towards; and it's but what .2 miles? I sign my name but I'll never get out. I am mocked and musing at tortoise speed. Headless while improvising. Purring at any example of continue or extremity or coolness of mind, meddling, or temptation. I rock, bellowing. Talk, sending shivers up my spine. I'm cramped, and one thousand fore-words and after words that split like a million large chunks of spit, grime, and *****; **** and more ****. I might even be standing now. I could be a candle, in England, a kingdom, in Palo Alto, a rook in St. Petersburg. Mottled by giants or sleepless nights, I could be the Eiffel Tower or the Statue of Liberty, a heated marble flower or the figure dying to be carved out. I'm veering off highways, I'm belittling myself: this heathen of the unforgettable, the bog man and bow-tied vagrant of dross falsification and dross despair. I am at the sea shore, tide-righted and tongue-tide, bilingual, and multi-inhibited by sweat, spit, quaffs of sea salt, lake water, and the like. Rotten wergild ridden- stitched of a poor man's ringworm and his tattered top hat and knee-holed trousers. I'm at the sea shore, with the cucumbers dying, the rain coming in sideways, the drifts and the sandbars twisting and turning. I'm at the sea shore with the light house bruise-bending the sweet ships of victory out backwards into the backwaters of a mislead moonlight; guitars playing, beeps disappearing, pianos swept like black coffees on green walled night clubs, arenose and eroding, grainy and distraught, bleeding and well, just bleeding.






I'm at the sea shore, the coastline calling. I've got rocks in my pockets, ******* and two lines left in the letter. I’m at the sea shore, my mouth is a ghost. I've seen nothing but darkness. I'm at the seashore, second picnic table, bench facing the squat and gobble, the tin roof and riled weir near the roadside. .2 and I'm still here with my bouquet wading and waiting. I'm at the sea shore and there's nobody here. My inches are growing shorter by the second, cold, whet by the sunset, its moon men, their heavy claws and bi-laws overthrowing and throwing me out. The thorns stick. The tyrannosaurs scream. I'm at the sea shore, plateau, left bedside to write three more letters. Sign my name and there's nobody here.

I'm at the sea shore: here are my lips, my palms (both of them facing up), here are my legs (twine and all), my torso, and my head shooting sideways. I'm at the seashore and this is my grave, this is my purposeful calotype, my hide and go seek, my show and tell, my forever. .2 and forever and never ending. I was just one dream away come and keep me. I'm at the sea shore come and see me and seam me. I'm without nothing, the sky has drifted, the sea is leaving, my seat is a matchbox and I'm all wound up. The snow settling, the ice box and its glory taken for granted. I'm at the sea shore and there's nobody here. The room with its white sets of furniture, the lilies, the Chanel, the masonite paintings, the bed, your ribbon of darker on light, the throw rug **** carpet, pink walled sister's room, and the couch at the top of the stairs. I'm at the sea shore, my windows opened wide, my skin thrown with threat, rhinoceri, reddish bruises bent of cerise staled sunsets. I'm at the sea shore and there's nobody here. I'm at the plateau and there isn't a single ship. There are the rocks below and I'm counting. My caveats all implored and my goodbyes written. I'm in my bed and the sleep never set in. I'm name dropping God and there's nobody there. I'm in a chair with my hands on a keyboard, listening to Danish throb-rock, horse-riding into candle light on a wicked wedding of wild words and teary-eyed gazes and gazers. Bent by the rocking and the torment, the wild and the weird, the horror and everything horrifying. There is this shadow looking over my shoulder. I'm all alone but I feel like you're here.



Part II




I wake up in Panama. The axe there. Sleeping on the floors in the guest bedroom, the floor of the garden shed, the choir closet, the rut of dirt at the end of the flower bed; just a towel, grayish-blue, alone, lawnmower at my side, and sky blue setting all around. I was a family man. No I just taste bits of dirt watching a quiet and contrary feeling of cool limestone wrap over and about my arms and my legs. Lungs battered by snapping tongues, and ancient conversations; I think it was the Malaysian Express. Mom quieted. Sister quieted. Father wept. And is still weeping. Never have I heard such horrifying and un-kindly words.-----------------------It's going to take giant steel cavernous explorations of the nose, brain cell after brain cell quartered, giant ******* quaffs of alcohol, harboring false lanterns and even worse chemicals. Inhalations and more inhalations. I'm going to need to leap, flight, drop into bodies of waters from air planes and swallow capsules of psychotropics, sedatives beyond recalcitrance. I'm requiring shock treatments and shock values. Periodic elements and galvanized steel drums. Malevolence and more malevolence. Forest walks, and why am I still in Panama. I don't want to talk, to sleep, to dream, to play stale-mating games of chess, checkers, Monopoly, or anything Risk involving. I can't sleep, eat, treaty or retreat. I'm wickeded by temptations of grandeur and threats of anomaly, widening only in proverb and swept only by opposing endeavors. Horrified, enveloped, pictured and persuaded by the evilest of haunts, spirits, and match head weeping women. I can't even open my mouth without hearing voices anymore. The colors are beginning to be enormous and I still can't swim. I couldn't drown with my ears open if I kept my nose dry and my mouth full of a plane ticket and first class beanstalk to elysian fields. It's pervasive and I'm purveyed. It's unquantifiable. It's the epitomizing and the epitome. I have my epaulets set for turbulent battles though I still can't fend off night. Speak and I might remember. Hear and it's second rite. Sea attacks, oceans roaring, lakes swallowing me whole. Grand bodies of waters and faces and arms appendages, crowns and more crowns and more crowns and more crowns and more crowns and I'm still shaking, and I'm still just a button. And I still can't sleep. And I'm still waiting.

It is night. The moon ripening, peeling back his face. Writhing. Seamed by the beauty of the nocturne, his ways made by sun, sky, and stars. Rolled and rampant. Moved across the plateau of the air, and its even and coolly majestic wanton shades of twilight. It heads off mountains, is swept as the plains of beauty, their faces in wild and feral growths. Bent and bolded, indelible and facing off Roman Empires too gladly well in inked and whet tips of bolder hands to soothe them forth.-----------Here in their grand and grandiose furnaces of the heart, whipped tails and tall fables fettered and tarnished in gold’s and lime. Here with their mothers' doting. Here with their Jimi Hendrix and poor poetry and stand-up downtrodden wergild and retardation. I don't give a ****. I could weep for the ***** if they even had hair half as fine as my own. I am real now. Limited by nothing. Served by no worship or warship. My flotilla serves tostadas at full-price. So now we have a game going.-----------------------------------------------------------­------------------------  My cowlick is not Sinatra's and it certainly doesn't beat women. As a matter of factotum and of writ and bylaw. I'm running down words more quickly than the stanza's of Longfellow. I'm moving subtexts like Eliot. I'm rampant and gaining speed. Methamphetamine and five star meats. Alfalfa and pea tendrils. Loves and the lovers I fall over and apart on. Heroes and my fortune over told and ever telling. Moving in arc light and keeping a warm glow.

the fish line caves. the shimmy and the shake. Bluegrass music and big wafting bell tones. snakes and the river, hands on the heads, through the hair; I look straight at the Pacific. I hate plastic flowers, those inanimate stems and machine-processed flesh tones. Waltzing the state divide. I am hooked on the intrepid doom of startling ego. I let it rake into my spine. It's hooves are heavy and singe and bind like manacles all over me. My first, my last, my favorite lover. I'm stalemating in the bathtub. Harnessing Crystal Lite and making rose gardens out of CD inserts and leaf covers. I'm fascinated by magic and gods. Guns and hunters. Thieving and mold, and laundry, and stereotypes, and great stereos, and boom-boxes, and the hi-fi nightlife of Chicago, roasting on a pith and meaty flame, built like a horror story five feet tall and laced with ruggedness and small needles. My skin is a chromium orchid and the grizzly subtext of a Nick Cave tune. I've allowed myself to be over-amplified, to mistake in falsetto and vice versa. To writhe on the heavy metallic reverberations of an altercated palpitation. The heart is the lonely hunted. First the waterproof matchsticks, then the water, the bowie knife, crass grasses and hard-necked pitch-hitters and phony friends; for doing lunch in the park on a frozen pond, I play like I invented blonde and really none of my **** even smells like gold.--------------------- There are the tales of false worship. I heard a street vendor sell a story about Ovid that was worse than local politics. As far as intermittent and esoteric histories go I'm the king of the present, second stage act in the shadow of the sideshow. Tonight I'm greeting the characters with Vaseline. For their love of music and their love of philosophy. For their twilight choirs and their skinny women who wear black antler masks and PVC and polyurethane body suits standing in inner-city gardens chanting. For their chanting. The pacific. For the fish line caves. For the buzzing and the kazoos. For the alfalfa and the three fathers of blue, red, and yellow. For the state of the nation. But still mostly working for the state of equality, more than a room for one’s own.-------------------------------------------------------------­------"Rice milk for all of you." " Kensington and whittled spirits."
(Doppelganger enters stage left)MAN: Prism state, flash of the golden arc. Beastly flowers and teeming woodlands. Heir to the throes and heir to the throng.----------------------------------------------------------­--------------- The sheep meadow press in the house of affection. The terns on my hem or the hide in my beak; all across the steel girder and whipping ******* the windows facing out. The mystery gaze that seers the diplopic eye. Still its opening shunned. I put a cage over it and carry it like a child through Haight-Ashbury. At times I hint that I'm bored, but there is no letting of blood or rattle of hope. When you live with a risk you begin at times to identify with the routes. Above the regional converse, the two on two or the two on four. At times for reasons of sadness but usually its just exhaustion. At times before the come and go gets to you, but usually that is wrong and they get to you first. Lathering up in a small cerulean piece of sky at the end turnabout of a dirt road

I am swiss cheese I am somebody who is trying to relocate their shoulders, thrown about in a misty sin of congratulations
I am a sipless vulture attempting to be pure but coming out vinegar
juniper berries and sickly **** of packaged rawhide
inescapable landslide
unexcused, for what its worth
an imaginging roller coaster disaster, so far from my fathers, mad from too much beer and wine
hankered down by mood stabilizing pills
jipless, jockeyed, jiving to bizzare melodies
a sipter esphicator, ready to lunge into the excesses of butter beer
singing jollies with dumbeldore and other queers
misplelled, misplaced, outcast, on the bench with other pupils
and the carnivore sinks its teeth into its kills
shanking and shaking, singing in the bathtub with katy perry
muse the blues with cherub rock, loathing dylan, asking for more cohen
juxtaposed on top of everest and demanding a double feature
dickless angels
turnabout, shout, the end is near, abstract, understand the notion, the fear
and scream helpless hopless empty bottles of beer
nectar and graham the hector, a mellon bunnie with rabbid ears
run for your life!  the fires of eternal flowers and bounds of life
seem sophisticated at the time
Turnabout, the beats are out
and the real madness, the real madness, is here

The Checkout Line

I wish to speak with you
ten years from now, you'll be ten years behind.

The words and meanings you carry in your pants, the pick-pocket steals your hopes from time.
and the visions of empty trash receptacles
with their late evening drunken lovers' bouts, at restless end tables. And the bums with their ******* attitudes **** covered clothes, and soiled minds

the clarity of the curbside drunk, picking up shades of filtered cigarettes of twilight scandalous
pickup lovers in their evening best.

And to talk with you ten years from now, you'll be ten years behind.

They're Green Beret head ornaments
detailing the porcelain platforms of Delft
Lining up for one last line to carry them into another faded sunrise at dawn's forgotten memory of yester night
and they walk their gallows holding pride fully their flags of exalted countrymen.

The republic of teacups of literary proficiency.
Wearing the necklaces of paid tolls to an afterlife they find in the miniscule car crashes of engagement with a grinless driving mate in a neighboring car in its pass into the forethought of turned corners.
Where they befell the great disappointment of failure in the frosted eyes of their fathers' expectations.

Who carried the shame of their mother's incessant discontent through short skirts, and high heels.

Who disapproved of the **** whom wore the sneak-out-of-the-house-wear clothing line, and traveled by night over turbulent asphalt by way of sidecar through turn and turnabout hand-over-hand contracts of lover's affection, and slept in tall grasses of wet nightfall with views of San Francisco, and were trapped in the inescapable Alcatraz and Statesville of unconsenting parents and their curfews,

through trials and trails of Skittles leading to after school Doctor visits in the basement of a doting mother, whilst she sits quietly in her exclusive quilting parties with noble equities of partners in knowledge, listening to Edith Piaf and the like,

All the while condemned to time, trapped in the second hand, hand me downs of the 21st century, decades of decadent introverts with their table top unread notebooks, and old forgotten score cards, and the numbers of scholars of years past,

and to talk with you ten years from now will be my greatest pleasure, for you will be....ten year's behind.


They push the sterile elevator buttons, and descend upon the floor of scents flourishing from their crowded family rooms, only aware of distinctive flavors, in their middle eastern shades of desert gumbo,

Who speak ribbit and alfalfa until midnight of the afternoon, sharing fables of slaughtered giraffes and camels that walked from Kiev to Baghdad in a fortnight,

Who are aware the power is out, but continue to scour for candles in a dark room where candles once burned, where candle wax seals the drawers of where candles can be found. Where once sat gluttonous kings and queens in Sunday attire waiting for words of freedom from the North.

of Florence, Sochi,Shanghai
of Dempster, Foster, Lincoln
of Dodge, Ford, Shelby

Of concrete fortune tellers in 2nd story tenement blocks with hairy legs, and head lice, wearing beautiful sachets of India speaking ribbit and alfalfa.

On their unbirthdays they walk the fish tanks wearing their birthday suits to remind them who serves the food on the floors of the family room fish mongers tactics.

The old men wear gargoyles on their shoulders.

Lo! Fear has crept the glass marbles of their wisdom and fortune, blearing rocket ships and kazoos on the sidewalks of their Portuguese forefathers.

Where ancestry burns cigarette holes in the short-haired blue carpet, where Hoover breaks flood waters of insignificance across hard headed Evangelical trinities.

Who share construction techniques one early morning at four, where questions of Hammer and **** build intelligence in secondary faces of nameless twilight lovers, who possess bear blankets, and upheavals, finely wired bushes of ***** maturity. Eating *** and check, tongue and pen.

Where police caress emergency flame retardants over the fire between their legs, wielding the chauvinistic blade of comfort in the backseat of a Yellow faced driving patron.

With their innocent daughters with their nubile thighs, and malleable personalities, which require elite words and jewelry. Wearing wheat buns, Longfellow, and squire.

Holding postmarked cellular structure within their mobile anguish.

Who go curling in their showers, pushing afternoon naps and pretentious frou-frou hats over tainted friendships with their girlfriend's brothers with minimum paychecks'.

Through their narcissus and narcosis, their mirrored perceptions of medicinal scripture of Methamphetamine and elegant five-star meat.

Who amend their words with constitutional forgiveness, in their fascist cloth rampages through groves of learning strategies. And the closets, cupboards, and coins
with rubber hearts, steel *****, and gold *****,

Tall-tales of sock puppet hands with friendly sharing ******* techniques, dry with envy, colorful scabs, and coagulation of eccentric ****** endeavors, With their social lubricants and their tile feet wardrobes with B-quality Adidas and Reeboks gods of the souls of us. Who possess piceous syndromes of Ouiji boards in their parent’s basements.

When will fire burn another Bush? Spread the fire walls of Chicago, and part grocery store fields of food. Wrapping towels under the doors of smoke filled lungs, on the fingernails of a sleepover between business executives with the neoprene finish of their sons and daughters who attend finishing school, with resumes of oak furnishings,

And I long to talk with you ten years from now,
For you'll be talking ten years behind.

Who profligate their padded inventories breaking Mohammed and Hearst,
laying the pillows of cirrus minor
waiting for the rain to paint the eyes of the scriptures which waft through concrete corridors,
and scent the air with their exalted personas,

With the different channels of confusions, watching dimple past freckle, eating the palms of our tropical mental vocations to achieve purity from the indignation of those whom are contemptuous for lack of innocence in America,
this America, of lack of peace,
of America hold me,
Let me be.

Whom read the letters off music, blearing Sinatra and Krall, Manson where is your contempt?

Manson where is your manipulation of place settings?, you deserve fork and knife, the wounded commandments that regretfully fall like timber in an abandoned sanctuary of Yellowstone,
Manson, with your claws of the heart.
Manson, with your sheik vulgarity of **** cloaks exposing your ladies undercarriage,

Those who take their pets to walk the aisles of famished eyes,
allowing the dorsals of their backsides to wonder aimlessly through Vietnam and Chinaman,
holding peace of mind aware of their chemical leashes and fifteen calorie mental meals, holding hands, unaware of repercussion,

With their vivid recollections of sprinkler and slide, through dew and beyond,
Holding citrus drinks to themselves, apart from pleasure, trapped with excite from sunsets, and in-between.

Withholding reservation of tongue to lung.
Flowing ribbit and alfalfa, in the corridors of expected fragrance.

and to speak with you of ten years from now, will be a pleasure all my own, for you will be talking ten years behind.

They walked outside climbing over mountains of shrapnel, popped collars
and endless buffets of emotion,
driving Claremont all the way to art gallery premiers
and forever waited for plane crash landings
and the phone calls that never came

Glowing black and white cameras
giving modelesque perceptions to all-you-can-eat eyes
giving cigarettes endless chasms of light

Colored pavement trenches and divots
cliff note alibis
and surgery that lasted until the seamstress had gone into an
endless rest
and
empty cupboards

Classic stools painted with sleepless white smoke and bleached canvas rolling tobacco with the stained yellow window panes of feral tapestry and overindulgent vernacular

Like a satiated cheeseburger weeping smile simple emotion
on November the 18th celebrations
and Wisconsin out of business sales

Too much comfort, stealing switchboards from the the elderly, constantly putting gibberish into
effortless conversation.

Dormant doormats, with the greetings that never
reached as far as coffee table favelas,
arriving to homes of famished
furniture, awaiting temperate lifestyles and the window sill arguments from pedantic literacy

Silver shillings and corporate discovery clogged the persuasive
push and shove
to and from

Killing enterprise
loquacious attempt at too soon
much too soon
too soon for forever

Wall to wall post-card collages
happy reminders of the places never visited by drinks in the hands of
those received

Registered to the clouded skies of clip board artists
this arthritis of envy
of bathtub old age
wrinkled matted faces
logged with quick-fixes, anemia, and heart-break

disposed of off the streets
of youth, wheeling and wailing
rolling down striped stairs
of shock and arraignment
holding the hand rails of a wheelchair
suitcase
packed away in a life

Down I-37
into the ochre autumn fallen down leaves
and left memories behind
their green Syphilis eyeglasses

weeping tumuli
recalcitrant
mulish, furrow of beast and beyond

yelling, screaming, howling
at the prurient puerile tilling
of sheets

****** the voices of words
and vomiting the mind into the pockets of the turbulent perambulations
expelled from meat-packing
whispering condescension
and coercing adolescent obsessions
with fame, glamour, and *****

Creeping out into the naked
light of the Darger scale janitorial
closets, carrying the notorious gowns
of red wine spells, backpacks, and pins

henchmen, plaintiff, and youth

All the while
ripping at the incantations of the soul
whispering ribbit and alfalfa
in the guard-rail scars
of the dawns decadent forgotten

Fickle feelings fuel your mind
Leaving you in a state of confusion
Inside you find your heart is blind
Perpetuating another conclusion

Feelings change once again
Leaning toward a different selection
Ongoing turnabout without end
Perpetuating a loss of direction

comedy
clandestine couples
clamerous cosmetics
coughing guffaws
garrulous giggles
gratefully grinning

grotesque charlatans...

tragedy**
torrid transgressions
tornado turnabout
tempestuous tradition
transcendent puberty
punishing parable
poignantly

pointless.


Shakespeare.
wove both into
his weft of

words.


SøułSurvivør
(C) 5/12/2017

I went to the john like I usually do
And shortly thereafter my girlfriend went too.
"When you're done put it down!"
She screamed with a frown,
But that seat's never up when she's through.

when you
       so dear to me
      do hurt me
a pinpoint *****
is a razor’s slashing edge
       make gashing wounds
       and bleeding drains me
       bound scars to testify
       to the hurt
       the doer do magnify
i flee my brittle tiny shell
and don the mask of mirth
but fleeing never find
a chambered nautilus
which i would exchange for mine
       a twig is bent
       a leaf is fallen
       a grain of sand is lost
       a page is torn
       teardrop falls
       a lost one calls
when trust has grown
when choice is blind
when reason cannot reason
       a little twist
       a careless wink
       an unintended turnabout
              eats up a painful way
              to the heart that loves.

Different words we will seek out, some are new and strange
The Enterprise has left dry dock, she's the only ship in range
We'll explore the distant galaxies, find other new life forms
There has been stars and nebulas, and hostile ion storms

The star ship Exeter has been found, orbiting Omega Four
Only uniforms remain, and the crew they are no more
They have suffered a disease, No one is left on board
We must beam down the landing party, lives we can't afford

Captain Ron Tracy has gone rouge, violating the Prime directive
While in pursuit of long life, this was his main objective
Crystal remains of the Exeter's crew, was it the planets evolution
The Omega Glory can be solved, with the American Constitution

If your not of the body, then brainwashing could turn sour
Mr Sulu is in paradise, just beware of the red hour
Hooded lawgivers are out there, for the bidding of Landru
Waiting for The Return Of The Archons, another Starfleet crew

Stella would chastise Harry Mudd, but he didn't get annoyed
Finally having the last word, with his special wife android
The arrogance of Harcourt Fenton Mudd, with a touch of eccentricity
Many androids created in I Mudd, a planet of multiplicity

Is Professor John Gill guilty, of a prime directive violation
Advanced technology has been used, to create a **** nation
The Planet Ekos is contaminated, evolutions set off course
Zeon pigs are off the street, to evade Patterns Of Force

Trelane wanted fun and games, It was time to make a stance
An ancient duelling pistol, may be Captain Kirk's one chance
Challenging The Squire Of Gothos, who is the sharpest shooter
War games against four federation ships, with The Ultimate Computer

The Mark Of Gideon was Kirk's blood, and Odona was infected
Kirok experienced The Paradise Syndrome, before the asteroid was deflected
In the body of Mr Spock, Henoch didn't have no sorrow
Will the essence of the captains mind, Return To Tomorrow

Plato's Stepchildren used telekinetic abilities, to force an interracial kiss
Zefram Cochrane's in love with The Companion, in Metamorphosis
We are stranded on a planet, something's threatening our lives
Body cells are being disrupted, so protect That Which Survives

A Requiem for Methuselah, Flint is part of ancient history
Miri is a young woman, the Grup's disease is now our mystery
Klingons in Errand Of Mercy, tried to take Organian's turf
A warhead in the past was detonated, in Assignment Earth

The Lights Of Zetar invaded the body, of Lieutenant Mira Romaine
Bread and Circuses gladiator sacrifices, a fight to the death again
Lost in the past will we get back, from All Our Yesterday's
Lazarus is positive and negative, The Alternative Factor's split two ways

Was the creature made of rock, we didn't know for certain
A fight with history's greatest foes, behind The Savage Curtain
Janice Lester captured Capitan Kirk, he could not elude her
She took over his body and ship, in Turnabout Intruder

An impostor is on board the ship, Kirk has been separated
Men have good and evil sides, but now there segregated
Does passive need aggressiveness, a malfunction caused their sever
Transporters need to be repaired, to splice Kirk back together

These are the voyages of the crew, of the enterprise
Many officers have died, and we've said our last goodbyes
Missions placed in the ships logs, along with crew memoirs
Our adventurers may continue, with our trek to unknown stars. . .

she was hopping hopscotch with the children in the sunset lawn,
At the dusk her pellucid eyes would glare the intense orange..
She was hopping from one rectangle to another as he was peering love through his eyes,
The sunset veils her shadow:
Her hair vacillating on her chin and his eyes blink on her subtle smile,
She sprawled her legs at the end of the box that is drawn on the land,
She sees the rested stone through the space of her legs,
And her immediate turnabout titillated him,
horripilations tickled his flesh,
Sprawling,spanning and love placating:
Thus Susurrus smile spake to him,
She Shouted a few flying syllables as she picks the stone in the celestial joy,
Subtle zephyr billowing on her confluenced lips,
The evening zephyr as cold as her breath,
He saw her only once,but he remembers every subtle detail infinitesimally..
He only saw her once,but he couldn't forget the voice of her eyes forever...

"Tropical sun, you ****** cheat
never expected, you'd behave
like this" in his chair sitting huddled,
driving away cold with every means
at his command,
he murmured to himself,
not bothered about the state of affairs
of anything, big or small,
aren't we all mortals, after all?
What's the point in being anxious
about the state of economy or environment
if you have no interest in this arrangement
beyond certain point,
all one has to worry is about is today
the grey, cold, overcast, hopeless day
that ruins the pleasure one yearns for
weep over the love denied,
that's what this day is fit for.

There is a knock on the door
is it the cold wind throwing twigs
or plain wishful thinking, of a day
when love was in abundance, knocking at door
but it's persistent,who cloud it be
in a cold frozen, godforsaken mean morning
celebrating deserted lovers and loneliness..
He opens the door, a hole in to cold
like a frozen wonder gone astray
in a comely female form past presents
it's her, his uncertain love, once again at her best
and look at her, the special love potion
for the most gloomy day of dejection and self hate.

She hugs him with a mother's warm hold
plants a passion stirring kiss on his cold crusty lips
when the lover in him takes over him with a vengeance
his  universe takes a quick turnabout
to love, longing and hope, he resolved to reject
cold sun is no more a disappointment,
just the opposite, sowing new seeds of warmth,
Isn't it then true, what we hear, every now and then
"Woman is the center of man's universe" Amen

There is a spot on the banks of the Ohio River
where rising and falling water levels
have birthed a tree,
100 years ancient,
Whose roots burst forth
To create a cage of wood
And whatever debris it happens to net up.


There is a safe there too,
Half buried by dirt and sand,
And the rotting remains of a dock sunk long ago
laying just below the water's surface,
It's broken post still sticking out a few inches...


A forgotten ferry ramp crumbles to pebbles
just 10 yards upstream.
The concrete foundation of it's pay station
Juts out as a peninsula
when the river drops below 25 feet deep.


The City hides around the bend,
with towers that sometimes peek over the horizon,
and an ever present night-time glow
that never lets this place go absolutely dark.
There are just a handful of stars here,
Ten or 20.
Only the best and brightest,
Receding with time
To the perpetually growing presence
of fluorescent outdoor lighting.


This is a place of ages.
Of 5 year old forbidden mystery
and 8 year old epic adventures
among the apocalyptic rubble of whole city blocks,
Torn down to make way for the levee,
I've know for all my life.


This is a place of 10 year old games with childhood pals
And 15 year old parties-in-secret.
A case of double-deuces and a bottle of schnapps,
and all the other regular tools of teenage rebellion.
It's a place of countless caught catfish
during early morning hours,
When the boat traffic dies down save for giant river barges,
working their way through the locks and dams
that keep the water deep enough for commercial navigation.


My grandfather knew the white-sand beaches here
That once stretched for two solid miles,
And hosted vacationing mid-westerners
and the rebirth of Sun Worship.
His adopted father knew it even better,
working the steamers that made this place civilized.
My own father swam in these waters,
even claims he once swam all the way across and back
and I never call him on it,
though I know this place too well to believe it.


I know this place very well, to say the least.
I've been here more than often,
going way back to when the riverside road ended in a circular turnabout,
where a mostly dead old oak
held a 30 foot long steel cable,
that would swing you out over a hillside
made of broken brick and steel re-bar.
Back before the pumping station's overflow pipes were capped,
and you could echo your voice
through the outlets down by the river,
up to ears on the path along the floodwall.


I still go there,
though not as often as I once did.
It still holds wonder for me,
Magic and mystery...
It's never the same on two different days,
yet it never changes,
and when I think of home,
I think of this spot.