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                                  Asphalt Man
                                  Phantasm La
                                  Shaman Plat
                                  Asthma Plan
****** Hast
****** Hats
****** Shat
Napalms Hat
Plasma Than
Sampan Halt
Sampan Lath
                                                            ­        Manta Plash
                                                           ­         A Plasma Nth
                                                             ­       A Ham Plants
                                                          ­          A Hams Plant
A Mash Plant
A Sham Plant
A Maths Plan
A Math Plans
A Than Palms
A Than Lamps
A Than Psalm
Aha Plant Ms
Alpha Tan Ms
Alpha Ant Ms
Lama Pas Nth
Lama Asp Nth
Lama Spa Nth
Lama Sap Nth
Lamas Pa Nth
**** Path Ms
**** Phat Ms
Natal Hap Ms
Alas Amp Nth
Alas Map Nth
Ha Lam Pants
Ha Palm Tans
Ha Palm Ants
Ha Lamp Tans
Ha Lamp Ants
Ha Palms Tan
Ha Palms Ant
Ha Lamps Tan
Ha Lamps Ant
Ha Psalm Tan
Ha Psalm Ant
Ha Lams Pant
Ha Alms Pant
Ha Slam Pant
Ha Malts Nap
Ha Malts Pan
Ha Malt Pans
Ha Malt Snap
Ha Malt Naps
Ha Malt Span
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Ha Plan Mats
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                               Ha Plants Ma
Ha Plants Am
Ha Plant Sam
Ha Plant Mas
                               Ha Slant Amp
Ha Slant Map
Ha Splat Man
Ha Plats Man
                               Ha Plat Mans
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Ah Lamp Ants
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Ah Alms Pant
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          Ah Slant Map
           Ah Splat Man
            Ah Plats Man
             Ah Plat Mans
              Plash Ma Tan
Plash Ma Ant
Plash Am Tan
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Plash Tam An
Plash Mat An
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Lash Am Pant
Lash Man Tap
Lash Man Apt
Lash Man Pat
Lash Amp Tan
Lash Amp Ant
Lash Map Tan
Lash Map Ant
Lash Tamp An
Lash Tam Nap
Lash Tam Pan
Lash Mat Nap
Lash Mat Pan
Laths Ma Nap
Laths Ma Pan
Laths Am Nap
Laths Am Pan
Laths Man Pa
Laths Amp An
Laths Map An
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Halts Ma Pan
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Lath Mas Pan
Ham La Pants
Ham Plan Sat
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Ham Plant As
Ham Slant Pa
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Ham Alp Ants
Ham Lap Tans
Ham Lap Ants
Ham Pal Tans
Ham Pal Ants
Ham Laps Tan
Ham Laps Ant
Ham Pals Tan
Ham Pals Ant
Ham Alps Tan
Ham Alps Ant
Ham Slap Tan
Ham Slap Ant
Ham Splat An
Ham Plats An
Ham Plat San
Ham Las Pant
Ham Slat Nap
Ham Slat Pan
Ham Salt Nap
Ham Salt Pan
Ham Last Nap
Ham Last Pan
Hams La Pant
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Hams Alp Ant
Hams Lap Tan
Hams Lap Ant
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Hams Pal Ant
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Mash Alp Ant
Mash Lap Tan
Mash Lap Ant
Mash Pal Tan
Mash Pal Ant
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Sham Alp Tan
Sham Alp Ant
Sham Lap Tan
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Sham Plat An
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Maths La Pan
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Maths Lap An
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Math La Pans
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Math La Naps
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Hap Lam Ants
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Hap Lams Ant
Hap Alms Tan
Hap Alms Ant
Hap Slam Tan
Hap Slam Ant
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Hap Malt San
Hap Slant Ma
Hap Slant Am
Hap Slat Man
Hap Salt Man
Hap Last Man
Hasp Lam Tan
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Hasp Malt An
Haps Lam Tan
Haps Lam Ant
Haps Malt An
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Staph La Man
Staph Lam An
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Has Malt Pan
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Has Plan Mat
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Ash Lam Pant
Ash Palm Tan
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Ash Plan Mat
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Ash Plant Am
Ash Plat Man
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Hat Lam Naps
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Hat Lamps An
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Hat Lams Nap
Hat Lams Pan
Hat Alms Nap
Hat Alms Pan
Hat Slam Nap
Hat Slam Pan
Hat Plan Sam
Hat Plan Mas
Hat Plans Ma
Hat Plans Am
Hat Alp Mans
Hat Lap Mans
Hat Pal Mans
Hat Laps Man
Hat Pals Man
Hat Alps Man
Hat Slap Man
A Ha Plant Ms
A Ah Plant Ms
A Halt Nap Ms
A Halt Pan Ms
A Lath Nap Ms
A Lath Pan Ms
A Than Alp Ms
A Than Lap Ms
A Than Pal Ms
A Hat Plan Ms
A La Maps Nth
A La Amps Nth
A Lam Pas Nth
A Lam Asp Nth
A Lam Spa Nth
A Lam Sap Nth
A Palm As Nth
A Lamp As Nth
A Lams Pa Nth
A Alms Pa Nth
A Slam Pa Nth
A Alp Sam Nth
A Alp Mas Nth
A Lap Sam Nth
A Lap Mas Nth
A Pal Sam Nth
A Pal Mas Nth
A Laps Ma Nth
A Laps Am Nth
A Pals Ma Nth
A Pals Am Nth
A Alps Ma Nth
A Alps Am Nth
A Slap Ma Nth
A Slap Am Nth
A Las Amp Nth
A Las Map Nth
Ha La Pant Ms
Ha Plan At Ms
Ha Alp Tan Ms
Ha Alp Ant Ms
Ha Lap Tan Ms
Ha Lap Ant Ms
Ha Pal Tan Ms
Ha Pal Ant Ms
Ha Plat An Ms
Ah La Pant Ms
Ah Plan At Ms
Ah Alp Tan Ms
Ah Alp Ant Ms
Ah Lap Tan Ms
Ah Lap Ant Ms
Ah Pal Tan Ms
Ah Pal Ant Ms
Ah Plat An Ms
Halt An Pa Ms
Lath An Pa Ms
Than La Pa Ms
Hap La Tan Ms
Hap La Ant Ms
Path La An Ms
Phat La An Ms
Hat La Nap Ms
Hat La Pan Ms
Hat Alp An Ms
Hat Lap An Ms
Hat Pal An Ms
La Ma Pas Nth
La Ma Asp Nth
La Ma Spa Nth
La Ma Sap Nth
La Am Pas Nth
La Am Asp Nth
La Am Spa Nth
La Am Sap Nth
La Amp As Nth
La Map As Nth
La Sam Pa Nth
La Mas Pa Nth
Lam Pa As Nth
Alp Ma As Nth
Alp Am As Nth
Lap Ma As Nth
Lap Am As Nth
Pal Ma As Nth
Pal Am As Nth
Las Ma Pa Nth
Las Am Pa Nth
A La Pa Nth Ms
Melanie Dunn Sep 2010
In reality everyone judges.
So caught up in their name brands.
Whether or not we hold our grudges,
Labels are for soup cans.

We assume that everyone we meet fits a certain frame,
It's easier to do this, so that we will understand.
But once you get to know someone, your first impressions' put to shame.
Because labels are for soup cans.

Smart kids are nerdy and will never be intimate.
Popular kids are jocks and girls with fake tans.
Then there's the rebels who take risks and think nothing of it.
But labels are for soup cans.

In reality everyone judges,
But again, labels are for soup cans.
This was just a silly villanelle.
Kendall Mallon Apr 2014
come out ye Black ‘n’ Tans
          ye self-despising slaves to the crown
come out and fight me like a man*
          I pity thee—Mercury to the Union Jack
cowering behind blinding flares that never
cease to illuminate the British Empire.

Sympathetic Mercury—suppliant
to the tempest knees of Jove—what good
is sympathy when ******* by cowardice?
open the flood-gates for the hand
of Jove to press a cage upon
the misted shores na hÉireann.
Peppyraindrop Jul 2018
Colors mix in the vainest of ways,
in the strangest of states.

A sunset makes sense
blue, pink and yellow shine soft,
exchanging compliments.

but if a bird shares his view
blue is how to fly, how to wash,
and how to feed.

What does that mean?

Pastels know how to dance.
Have you watched them before?
They lift hearts and tickle hairs.
They don't care what's on your mind,
but give each thought a chair.
It's a world of wonder through
their eyes. Let us explore.
Let us try.

If you’re feeling bold,
mix in some orange, wild green,
rich plum.
Ramble and embrace and relish
in the present tick of the clock,
before the paint dries
and we‘re back to the start.

When we're curious,
change the palette to gold.
Add some earth to the mix,
browns and tans to keep us grounded.
Canary to teach us courage,
honey to give us a hold.
You are every shade of yellow,
all at once, never cold.

Can I tell you a secret?

There is wonder in the deep hues.
Magic in the woods.
The night sky is brilliant
if you think to look,
look up,
with purple swirls
and silver ideals.
Mystery fills the lavenders
and the periwinkles and the crystal cyans
and whimsical teals.
There is uncertainty in the depth.
The ocean waves are fierce,
hard to control,
the dreams free,
the souls impossible to mold.
There is extraordinary wisdom,
Every heartbeat a way to pray
new ways to see in the twilight,
perspectives that are invisible in the day.

Is that what scared you away?

For I am the blue,
the cornflower petals
far from the path
the space between the sky
and the world
when the sun goes down
the sapphire glints floating far from the learned,
from what you know.

When I asked you to stay,
and you promised me time,
I thought it was in our shade
it was yours, not mine.
Do you mind?
Being stuck, dried up in the fear of it all?
Yes. You can stay in the hues
you know all too well.
Maybe ask amber for a dance,
have coffee with cream,
snuggle close to mustard,
hold on to bronze's warmth.
Don't mix too carelessly,
Be careful the paints don’t touch,
the brushstrokes don’t show
It could ruin the lines.
Remember your lines.
Stay safe. Stay yellow.

What if we turned the wheel?
There is curiosity in your blood,
I can feel it waiting to bleed.
Like watercolor,
Searching for the canvas to accept its gift.
You are eager to skip into another palette
you are ready to see another world.
Let's feel all the hues,
use every shade,
dance with the primaries,
one two step, one two.
Mix up the tone with their creations,
until we invent new pigments,
until we run out of names
for all our formulations and hues
Let us walk the rainbow.
Turning light to color
Back to light again
Let me show you my view.

I know. You know.
You never know
what you'll get.
Painting with the rain
instead of an arranged set
can lead to a storm, nothing but grey,
nothing but dark,
but at least even then
there's no regret.

Yes, colors mix in the vainest of ways, the strangest of states.

And perhaps yellow and blue don't have any more skies to paint.
ek het ware liefde                           i for true love
      my hele lewe                                   my whole life
                    gesoek                                       searched
         totdat ek ontdek                    until i discovered
                    dat die liefde                      that the love
                    moet binne in begin          must begin inside    

as jou pad onseker is                       if your path is uncertain
en jy weet nie wat jy                       and you dont know what you
wil eintlik he nie                              really want to have
dan wandel jy tussen                      then you wander between
die bosse met                                   the forests with
dorings wat jou                               thorns that
                      steek                                             *****

as jy stil sit                                       if you sit still
              en reflekteer                                         and reflect
                    sal streke van lig                               streaks of light
                            en ontdekking                                    and discovery
                                            uitskyn                                         shine out

die bosse sal tans                                the forests will still
                    daar wees                                                 be there
                    maar jy                                                     but you
                    kan die                                                      can
                    pad                                                            manage
                    bestuur                                                      the path
as jy jou hart agtervolg                       if you follow your heart
© jeannine davidoff 2011
Sunday, I am eating a
grapefruit, church is over at the Russian
Orthadox to the
west.

she is dark
of Eastern descent,
large brown eyes look up from the Bible
then down. a small red and black
Bible, and as she reads
her legs keep moving, moving,
she is doing a slow rythmic dance
reading the Bible. . .

long gold earrings;
2 gold bracelets on each arm,
and it's a mini-suit, I suppose,
the cloth hugs her body,
the lightest of tans is that cloth,
she twists this way and that,
long yellow legs warm in the sun. . .

there is no escaping her being
there is no desire to. . .

my radio is playing symphonic music
that she cannot hear
but her movements coincide exactly
to the rythms of the
symphony. . .

she is dark, she is dark
she is reading about God.
I am God.
Behind all of the glamour
Hidden by the glitz
Under all the spray on tans
And distracted by the ****

Lies a Vegas like no other
Not the one you wish to see
The other side of Vegas
Has a cost, it isn't free

A parade of homeless people
Far off strip are daily seen
Heading for a bed and meal
Away from where the grass is green

The locals all accept it
It's a darker part of town
Where there's fewer painted smiles
On this Las Vegas clown

Every other building
Is boarded up or framed
In steel bar covered windows
With no winners at the game

The goal of all the walkers
Is to get to the next day
They can't afford to leave here
They can't afford to stay

Each walkway full of hawkers
Selling water for a buck
Passed out drunks all sleeping
Hoping you will toss a buck

Some saints and many sinners
Came to find the life they lead
Is not the one they looked for
When they came here to fill their greed

Don't look behind the curtain
You will not like what you will find
The darker side of Vegas
Is not one that's in your mind

A parade of desperate people
Walk the streets each night alone
Past the empty buildings
Pass the bail bonds, guns and loans

To truly see Las Vegas
You have to venture off the strip
Into a world of darkness
And in truth, it's a short trip

Behind the glitz and glamour
Away from where the tourists go
Is the dark side of Las Vegas
That only few will ever know
saige  Mar 2018
Dog Star Quality
saige Mar 2018
Lyrics in her face
blaze, from screen to mouth
bony thumb, scrolling
mumbling into an ancient microphone
hanging from the rope swing
in her garage.

Voice shakes here, shivers there
but ****
she is soulful.

Authentic, exquisite
in holey socks and wet hair
and goosebumped arms
getting swallowed by a hoodie.

*******, she has it all
and gives it nothing.

Some of us are simply stunning
no spray tans or updos
no sequined skirts or stiletto shoes
no autotune or makeup kits
no words-

only nothing
could improve her.

Nothing could improve her.
some soul i used to know
Homunculus Mar 2015
Bricks and mortar, steel and boards,
Phone poles lined with power cords, on
Pothole streets, where engines roar,
'Neath smoggy skies, where jet planes soar,

Where penny merchants peddle wares,
And news reports pretend they care,
Where vagrants sleep, and children stare,
And people work for lives not theirs,

That's life in the jungle, adrift in the herd,
Where terrestrial beasts envy free flying  birds
Where the pundits stand polished, and speak empty words,
And the artists paint portraits, while posted on curbs,

Where the men push carts, full of empty cans,
And the women spend paychecks, for spray-on tans,
Where the truckers drive loads, 'cross a thousand mile span,
To appease the great gods of supply and demand,

Asphalt and tarmac, girders and glass,  
Terrarium trees in cemented sod grass,
Ripe with the stench of exhaust fumes and gas,
As the choir lines up for the 10 o'clock mass,

While the brokers all scream, at a packed stock exchange,
As the veterans in wheelchairs sit begging for change,
That's life in the jungle, it's just a big game,
But remember you're playing, lest you go insane.
L B Mar 2018
I hadn’t meant to spy
just an evening’s walk along the beach
knowing that things are sometimes strewn there after storms
between a gust of wind—a break in clouds

Coming upon moonlight
gleaming on wet teenage backs
Two—
by a leaning erosion fence
fondling the last discoveries of childhood
fumbling with the barriers of her bikini
behind the erosion fence
out of sight and forbidding

Breeding like sea grass by rhizomes
prowling that neck, those *******
Gasping! Warring!
for the land of white warmth below their tans
His hands grip, lift, position, insist
By such undertow
mouths and hips pinioned in disbelief...

where they cannot be seen
two half-rounds in rhythm – struggle in the surge of being

as the surf binds them in refrains
about the ankles
Needing the ocean again.
Sacrelicious Jun 2012
Throwing down my towel.

To lay,
on top.

Of the
mausoleum...

So I can,
work.

On my tan.

Hating every second of it.
Sulking in the sunlight.

Cause
I'd
rather
be with you.

In
the
shade.
MV Blake May 2015
Workers migrate for the coast
At the first hint of holiday,
Winging their way past lorries and vans,
And coaches coated with spray ochre tans,
Flying along motorways in single file,
The music of freedom for mile upon mile.

Father steers straight with his eye on the road,
Insisting on mix tapes he made as a teen
While necking sweet girls in his imaginative dreams.
Kids shriek games on the warm backseat,
While air hostess mums offer peanuts
And cushions, and packets of sweets.

They arrive with a fuss, and a sigh of relief
While father shakes his weary feet
And the mum takes the girls for an ice cream treat.
They unload their bags of shorts and vest tops,
And the hotel looks grand, at least from the side,
But a moment of doubt creeps in, I confide.

It can’t be this nice, thought the father too late,
I bought it for tuppence, or at least so I thought,
As he read the terms of the room service bill;
The cost of cool water was like climbing a hill,
Just when you thought it couldn’t get much higher…

But I digress; it gets considerably more dire.

The room was a state and mum had a fit
Cleaning up tissues and strange looking stains,
And the girls were fighting and being such pains.
Father took a beer from the fridge,
Ignoring the cost for the sake of some peace,
And stepped on the deck to get some release.
Five seconds later he was running indoors
As the clouds broke their cover in heavy downpours.

Expecting a break, they were fooled once again.
The weekend was spent in the room like last year,
While rain and thunder spoiled all their cheer.
There’s only so many board games to play,
And the food gave the girls a sore and sour tummy
And turned the grand weekend into a desperate plea.
Please let it end, I want to return
To the office of slaves who make my life fun.

Workers return from the coast
On the third day of rest,
Splashing their way past lorries and vans,
And coaches coated with burning red tans,
Dragging along motorways in single file,
The sound of the rain for mile upon mile.
Find the original post and more besides at mvblake.com
Emily Pidduck Dec 2013
My castigation was decided long before my backslide. And that is inexcusable, the righteous might declare "unfair". But I don't want any belligerent accusations against this 'unjust watchfulness' from above. Some entity must have understood that I didn't need guidance; I needed walls: some forcing to reach my destiny. Without my jailer, I'd have chosen one of three and let them lead me into a darkness that the pitiful call 'demons'. Claws and teeth? No, each monster was irreplaceable and I loved them. If possible, if they could comprehend a 'love', I vow they would have loved me. But the Warden took them: my punishment before my crime. Perhaps the disposal of these beasts seems considerate, but toss aside those foolish illusions because the burden has not lessened rather, it is unfamiliar. Omitting strength, for I  lost my foundation, I stand in fear with this hole. The Three aren't returning; I'm left with loose bindings - the knots are the songs of my memories. Beautiful Terrors, do I need you? Let me tell you their stories.

Number One:
I remember his voice calling for me. "Daisy! Flowers for you." It was our little game, and I'm sure he made girls jealous when he handed me a bouquet of roses.
My name was Petunia, but I hated that name, and I loved all that's yellow.
So when we were little he took my hand, and we went into a treefort, and he dubbed me Lady Daisy.
He was 7 and I was 4, and there began my adoration.
Then I was older and heartbroken, and I was calling him. "Waldon! It's hurting me."
He arrived so soon, I was still in hysteria - that of a 14 year old gone through breakup.
Then I cried harder because somehow my brother presented me with a tulip and declared, "It's an early present from the only boy who's going to love you more than I do."
17, and I understood fascination. And Willow (for though it's girly, I liked it more than Waldon, and he let it be) was entranced by a wild girl. She was a shockbomb - a warm sungirl that rocked stilettos and never littered nor waited past a minute.
He fell for her so hard from so high.
One day that girl kissed him straight on the lips, then jetted off to England.
Said he could follow her in spirit.
I couldn't hate her because she left his body, but it was hard to appreciate his body when the government took even that away, insisting he be laid beneath cold dirt. Then too many questions: "Why did you hold his hand for three days? Were you thinking of following? Petunia, why won't you buy flowers for the gravestone?" Then there were horrified eyes when I asked who Petunia was, because I had forgotten. Or, truthfully, there was no Petunia, only Daisy. And Daisy had Willow. The Flower and the Tree: that was supposed to be the story. So I refused to buy flowers, and without any sort of ceremony I stopped being 'Lady' and became 'Crazy Daisy', who talked to her demons. Now you see why I never wanted to part with Number One, because although he was a monster (you can't deny the terror of a body with no spirit), he knew me best.
Dear Warden, I've no suicide in me, and there's none left could lead me there, and it may be that I've grown taller, but I'm practically blind.

Number Two:
She was weak since I can remember. I'd say her vulnerability was pneumonia, which I can only presume led to my hatred of 'Petunia': two words incredibly similar when reason encounters a child.
And I liked her name "Maribel" because it sounded like a flower.
I mimicked my brother, but he was persistent that I must call her mother.
Again, this made no sense until 8, when I had a revelation that all this time I'd had no family. At least not in the heart of a girl, because Maribel wasn't a vibrancy to look up to., though she was my one relation.
There was just her in a bed. Sometimes a man visited but I never knew why Willow grew tense; all I saw was my mother acquire spots of brown. How I loved brown, because it seemed as though she was genuinely Mother, like all those other moms that the sun tans, or that could be given filthy hugs that left patches of dirt. In turn, I always welcomed that man, and he was a 'saviour'.
And Willow's father.
Death found both Willow and that man (I know, now, the difference) before I understood 'abuse', and try not to blame me because she never complained and I thought abuse meant people were unhappy, but I saw both of them smile. I laid her beside him, but with space inbetween: a ground for my casket. Because I'd gone slightly crazy and I was telling Number Two that if I awakened as a zombie, I'd need to be able to find his hand first.
That was nuts. But Warden, I don't fully understand. You stopped her bleeding, but I'm left with nothing. I hear their voices in my head, telling me I'm healthy, but I know I'm barely breathing.

Number Three:
I dealt Three tragedy. And in doing so, I guilted myself into worthlessness. Classic to the moral law is: it is not acceptable to introduce a roommate to a shady character. But I ignored the concept of shady - applauded my nonjudgmental attitude, because with my twisted past I would have also been a shadowy figure. With a sweet, sweet smile, I handed that bright girl over to a Peacock who promised to give her 'a good feeling.' And I ignored her tears, because he said he'd please her.
Maybe if I hadn't been loopy, the only way I could "be" with One, I might have noticed that me and he weren't the same, and I could have judged him like the others.
Annie, I'm sorry, please just shine once more.
Even if you're afraid of me and my wickedness, don't be ****** into the gloom, because I can't offer advice to resurface, when I think there's none.
Now, there's Zero for me to turn to, because that's what I am. I am empty. I suppose that's what happens when I trust a boy who leaves, yearn for one who's weak, and think I've the durability to rely on myself (but I've equaled a pitch black crater for a while now).
You're more clear now, Warden. I can understand why you've taken everything. Since nothing I had would give me my fairyland ending. But where's my reward? I need my gift first, because these feet don't know which direction to head, and it's more like I was holding onto rocks that cut me while they warmed me. My feet kick against the waves, but in this half-in half-out position I can't get a good momentum, so a hand now would be nice.

My stories, did they surprise? I hear all this chatter about monsters, but I think we've got them wrong. Monsters simply have a hold one you, and there's no release before you've no choice but to part. They are strong, and it's true that I saw nothing stronger than the Willow.  Only my jailer saw my potential, and he directed me to Zero. He asked for recognition so that I knew my task was not optional and he raised my walls until I stood there, lonely - pushed into belief in myself. But now I am the strongest I know, and I am walking on wind, and from up here I cannot see a single barrier. But Warden, don't you ever leave because if those walls break for a second and I see my demons, I know I'll lose flight and beg them to come back. And that would be the end, because there's no chance Number Four.
Another slightly confusing one, so feel free to ask questions. Please don't take anything offensively, I simply thought that it's more powerful to have a strong viewpoint on 'demons'.

— The End —