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Commuter Poet May 2020
What grip do you have on our Prime Minister, Mr Cummings?
You break the rules of lockdown
Rules you co-engineered
Rules you expect everyone else to follow
And yet, your boss Mr Cummings
Stands by you Mr Cummings
Defends you to the hilt
As if you have done nothing wrong

Is there some dark secret that you hold Mr Cummings
That would topple this Government?
Is there some weapon of blackmail
That you wield behind the scenes Mr Cummings?
What is this grip you have Mr Cummings?
Please tell, for the truth will out
Eventually
And it would be better
For everyone
If it came from you
28th May 2020
Tangence Feb 2015
l(a
le
af
fa
ll
s)
one
l
iness
Favorite poem!
Best conjuring of loneliness in words I have ever seen.
The phrase "a leaf falls" is embedded in the word loneliness.
The visual aspect of the poem conveys the mood very well.
Also, analysis of each line reveals that the arrangement is deliberate.
L(a, or 'la' in french is the feminine form of 'one' or 'the'
'le', also in french is the masculine form
The next two lines, 'af' and 'fa' mirror each other
ll, again, singular
'one', self explanatory
'l' functions as one (1)
And the second half of the segmentation, which reads "oneliness" suggest a declaration of wholeness but also solitude.
jeffrey robin Jun 2010
little  the life that is left unto us now!

wars a ****** in!

(COME SAVE US E E CUMMINGS!)

the massive death
the rags of poverty grief and despair that shall be
our only dominion in a matter of days or weeks or years
(at best)
oh ****!!
are here

after I finally have come to kinda like it here
amid the queer folks and the paparazzi

socialists and nazis!

but the bankers have mastered oink-piggery
and the politicians have turned us into
****** weenies seeking only false security!

and there is no life left here!

(WHERE ARE YOU E E CUMMINGS!?)

ah, gentle reader, be brave be kind and good still
be the subtlest sense of decency shining and displaying
a last bit of reverence for this sacred universal place
we are in

though painfully being murdered
let us rebel gracefully
and live freely
again
Commuter Poet Nov 2020
Goodbye Mr Cummings
Your days in power are done
You’ve got a cardboard box with you
Departing looking somewhat glum

Goodbye Mr Cummings
Your Brexit work is done
It’s seems you are no longer known
As Bojo’s pal and bestest chum

Goodbye Mr Cummings
Where to will you go?
The military?  The media?
Who could possibly know?

Goodbye Mr Cummings
Enough words have been said
I wonder what strange thoughts and schemes
Are rushing through your head?

Goodbye Mr Cummings
Who’s next to fall I wonder?
Has your brand of toxic rhetoric
Cast your dreams asunder?

So take a pause you would be chaps
Who cuss with sharpened tongue
The clock will tick as you advance
To make sure you’re undone
13th November 2020
storm siren Nov 2016
Blasting music as loud as my little internet machine
Will let me,
And for such a pointless computer,
This thing gets pretty loud.

And I've caught myself humming or singing
Which for me is strange.

And I guess I'm happier,
Even though I'm still waiting for it all
To come crashing down.

But for now,
I'm hoping it won't.
I just hope I can manage a smile out of you
Today.
Mateuš Conrad Jan 2020
re.: a mini-psychotic detour -
it's off the stream! it's off the stream!
it's been catalogued in: latest!
it's off the stream! i'm aiming to reach
1million words and...
it's off the stream... so the word
count will not be incorporated...

oddly enough i still know how
to use a toaster - and a kettle -
i am also fabled with having to perform
week long chemistry experiments...
why i didn't look into the basics
of

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funny that... how ever many of years
in school, then at university...
i was teased with this language...
for half a semester at university...
the rest of the time school was...
a bit like being in prison...
making sure the prison guards had
a job, were paid...
same with school...
the teachers were paid...

did they teach us basic computer language?
no... i'm pretty sure they didn't...
were we all expected to go to the coalmine
first... before being told to...

which isn't so much lazy as...
i can still remember chalk and chalkboard
at school...
and the holy trinity of (
                                    {      [
how many crescent moons - and altering
a piece of: would be paper?

oh my god... e. e. cummings wasn't even
born...
can you imagine if e. e. cummings
was born 20 years ago...
and started smashing out his:

stand-
;still)

i was honestly being technologicaly
paranoid...
about to cite archive numbers
of "missing" / "shadow-banned"
poo'ems...

e.g. 3479319, 3482972, 3485309,
3484258, 3483083, 3480751,
3480555, 3478158 etc.

but how is that even an over-hyped
reaction - when you're only scratching
the bare minimum -
of what's nonetheless, to me:
a 2 dimensional canvas...

and the point of school was to ensure
that we could fathom our naiveness even more so...
nothing of importance...
just passing the time...
it's not like they could have taught
us to code -
school is not some preface for:
all the subsequent self-taught mechanisms
you will ever encounter:
further on life...

why did i go to school?
why is the cult of school and the nostalgia
culture associated with: popular kids,
nerdy kids, bowling for columbine...
the everyday leftover kids -
i don't even remember being
taught grammar: proper...
we were told... as long as you sound
coherent...
nature came - nurture ****** off somewhere...
but nature didn't come
with <basic> or not so </end of>
with this sort of <bracket>
and this sort of (bracket)
and this sort of {bracket}
and this sort of [bracket] -

"back in the day" you'd read some heidegger
and not "bother" to code -
" " implies /misnomer
/metaphor - solo....

as: burgundy < red
     red being the base marker...
     given that rose < red (is also)...
     since burgundy > red
     since: burgundy ≈ purple...

<approx>
     cardinal < crimson
                                           </approx>

a "debate", and another debate -
in a thesaurus entry...
red - cardinal, crimson, burgundy appear
<sim>
           cardinal < burgundy
                                             </sim>

that is... cardinal ~ burgundy
   ergo cardinal > crimson...
or do we call these the prefixes: quasi~
and pseudo≈?

cerise and all that's suddenly expected to turn
into fluorescence of some underwater Florence...
from carmine and maroon -
brown starts to creep in...

     bobby vinton - blue on blue and...
spaghetti westerns -
somehow i wish to be held in the hands
of a coroner -
i should really think about
donating my body to a medical school -
and bobby has another great track:
velvet blue...
sure... he's no sam cook...
all the way riddled with h'american
suburbia psychopathy:
a smile can hide a thousand
little lies...
a smile is something anti-stoic...
because... the shine of the ivory sheen...

and all i can think of...
not even beginning sentences -
esp. not ending them -
the narrative went with the baby
and the bathwater -
the canary had a coalmine -
the budgerigar had a cage...
the sparrow were tattooed
along with swallows onto convicts
bodies in some jean-genet
minor *****-porky-teen-flick...

tender-bits from some Olaf or Oleg...
or better still an Olga...
recitations would also require:
bumblebees and petula clark!

and that one song that surfed right
above my head and started towing
a hoarding of kippahs
and a... my my... all those
abrahamic beards turned into sabbath
bound brooms for the fwench
brides of boredom...

some might say it's:
strawberry alarm clock -
incense and peppermints...

      as Herman's Hermits aged much worse
than a Donovan...
no milk today and the three kingfishers...

welcome citations...
what's more apparent? someone is clogging
up the arteries of time...
the veins are... the veins that stretch as far
back as jazz from the 1920s...
through to the wock and woll of the 50s...
don't get me started on what's the leftover
of the 90s of the 20th century...

new beginnings they will cite...
here's one... if e. e. cummings was to be born...

swing low
sweet ca

rr
y on

(pass the freedoms pappy
or uncle shylock not interested

- notes on finland the elsewhere estonia,
latvia and li... i will not give lithuania up
that easily... the once grand duchy...
married to the crown -
and all my hitorical adventures -
the sensible today...
the modern sensibility the current man!
me and my historical... what did i call them?

no... they're not idiosyncracies...
they're... detours in infantalism...
but if e. e. cummings was born circa...
and he - he would mosty certainly
succumb to code logic poetics...

bracket (a) "bracket" <b> bracket {c} bracket [d]...
!red is blue -
outright negation...
!red isn't red - the "is" is therefore questionable...
for some reason: no, it doesn't have to be:
but it's blue... blue is !red

should a mr. buckling bucktooth still
be introduced?
well: we do need to indroduce a next to nothing
worth nothing new: cipher unit...

a faux pas needs to have an addressee -
namely me - and i need to wallow in infuriated
agony of a petty detail that no life will
require to cherish!

- and that i am to be fond of tomorrow in that
the only promise that awaits me there is:
me baking a four tier cake - literally...

how terrible a faux pas becomes -
a bull so enraged by red that he becomes blinded
and no longer is able to hone onto
the originating crux -

even somehow "somewhere" with a dasein in
tow... intermitten years...
no... not without a T attached...
and even by now as by then:
that's a misnomer...

- apparently tautology is not a logical
fallacy... but something worth
a thesaurus rex and peacock's: "age of discovery"...
how we can all speak a language
of aphorisms and verb conjectures -
as ever: nouns retain their form as being
the most complete category of everyday
toils - a hammer will never become
an iron shrapnel hanging by a hook chin
off the clide edge of a nail's head...

set with time in mind - temporal thinking...
otherwise set with space in mind -
spatial thinking -
otherwise: when thinking was simply
thinking - exploring the moral architecture...
with that moral-theta of 'ought... and i:
probably not...

save me from linguo-savvy h'american
media pundits and their acronyms!
the boss, the bot the bot, the boss...
the bottom liner - the beatnik and the bolshevik
and... some other b- prefixed outlier...

- otherwise: it's pretty **** evil...
for movies to showcase the hygienic act of
washing ones teeth...
washing the teeth...
spitting out the remaining toothpaste
(oh jeez louis! why don't they simply,
swallow it?)...
and then... not rinsing their mouths?
at this point... rinsing the mouth...
after having just washed the teeth using
toothpaste... is probably as much good
as using mouthwash to begin with...
no one; no one rinses their mouths
after brushing their teeth on film?!

i've too many dreams about teeth
to know - i am actually the sole proprietor of
a memory of my great-grandfather...
and how... he would eat 20 sugar cubes
a day... smoke 40...
and have his first tooth pulled out...
aged 62...
myth, history... journalism?
i dream about teeth...
i would have clearly asked for:
and he dreamed about moths...
but then... oh Eden is still in my grasp...
i can see the next forbidden fruit
hanging...
her name is Layla... and she's...
borderline 16 years old...
i see my Eden already...
i see the forbidden fruit...
apparently i never left...
as i was never apparently Adam...

problem is: you already know what
the forbidden fruit is...
and it's bothering you that i know
what the forbidden fruit is, for me...
now comes the juggling act
of me entertaining not making my will
into a resolve... which is to not:
act upon it...
maybe the apple was too complicated...
maybe a Layla circa 16 is...
a more obvious deterrent...

i think it's also called:
the prosecutor's *****...
but... enough gob and enougn dosh...
you can be the new st. andrew of windsor...
even in the taxi driver the ****
is 0... negated...

my my... what sort of language could
even become so casual...
the burning bridges of informality...
strapped to the formal tool of
orientating one's spatial creed of:
for the exchange of goods and services...
long gone the per se
of a school and a playground...

or some do... want to find and rekindle
the brotherhood of childhood...
they'll join the army...
they'll commit themselves to crime...
some men... it's hardly the adventure riddle
first lady's history society of
rhode island's desperate housewife club...
but...
it's hardly a deviation from imagining
how fudge is packed,
or for that matter: sausages...

a major faux pas...
some e. e. cummings... and what would never
become a code(d) poo'em...
but... for what today had to offer:
and what i had to offer today;
it's enough... it's peaches and cream...
a well balanced butterfly of reciprocation...
it's a death... but a death with a promise
of returning: in situ...
although in situ is always a flexible
requirement when reincarnation is fiddled
with.
Nigel Morgan Nov 2012
There’s a film by John Schlesinger called the Go-Between in which the main character, a boy on the cusp of adolescence staying with a school friend on his family’s Norfolk estate, discovers how passion and *** become intertwined with love and desire. As an elderly man he revisits the location of this discovery and the woman, who we learn changed his emotional world forever. At the start of the film we see him on a day of grey cloud and wild wind walking towards the estate cottage where this woman now lives. He glimpses her face at a window – and the film flashes back fifty years to a summer before the First War.
 
It’s a little like that for me. Only, I’m sitting at a desk early on a spring morning about to step back nearly forty years.*
 
It was a two-hour trip from Boston to Booth Bay. We’d flown from New York on the shuttle and met Larry’s dad at St Vincent’s. We waited in his office as he put away the week with his secretary. He’d been in theatre all afternoon. He kept up a two-sided conversation.
 
‘You boys have a good week? Did you get to hear Barenboim at the Tully? I heard him as 14-year old play in Paris. He played the Tempest -  Mary, let’s fit Mrs K in for Tuesday at 5.0 - I was learning that very Beethoven sonata right then. I couldn’t believe it - that one so young could sound –there’s that myocardial infarction to review early Wednesday. I want Jim and Susan there please -  and look so  . . . old, not just mature, but old. And now – Gloria and I went to his last Carnegie – he just looks so **** young.’
 
Down in the basement garage Larry took his dad’s keys and we roared out on to Storow drive heading for the Massachusetts Turnpike. I slept. Too many early mornings copying my teacher’s latest – a concerto for two pianos – all those notes to be placed under the fingers. There was even a third piano in the orchestra. Larry and his Dad talked incessantly. I woke as Dr Benson said ‘The sea at last’. And there we were, the sea a glazed blue shimmering in the July distance. It might be lobster on the beach tonight, Gloria’s clam chowder, the coldest apple juice I’d ever tasted (never tasted apple juice until I came to Maine), settling down to a pile of art books in my bedroom, listening to the bell buoy rocking too and fro in the bay, the beach just below the house, a house over 150 years old, very old they said, in the family all that time.
 
It was a house full that weekend,  4th of July weekend and there would be fireworks over Booth Bay and lots of what Gloria called necessary visiting. I was in love with Gloria from the moment she shook my hand after that first concert when my little cummings setting got a mention in the NYT. It was called forever is now and God knows where it is – scored for tenor and small ensemble (there was certainly a vibraphone and a double bass – I was in love from afar with a bassist at J.). Oh, this being in love at seventeen. It was so difficult not to be. No English reserve here. People talked to you, were interested in you and what you thought, had heard, had read. You only had to say you’d been looking at a book of Andrew Wyeth’s paintings and you’d be whisked off to some uptown gallery to see his early watercolours. And on the way you’d hear a life story or some intimate details of friend’s affair, or a great slice of family history. Lots of eye contact. Just keep the talk going. But Gloria, well, we would meet in the hallway and she’d grasp my hand and say – ‘You know, Larry says that you work too hard. I want you to do nothing this weekend except get some sun and swim. We can go to Johnson’s for tennis you know. I haven’t forgotten you beat me last time we played!’ I suppose she was mid-thirties, a shirt, shorts and sandals woman, not Larry’s mother but Dr Benson’s third. This was all very new to me.
 
Tim was Larry’s elder brother, an intern at Felix-Med in NYC. He had a new girl with him that weekend. Anne-Marie was tall, bespectacled, and supposed to be ferociously clever. Gloria said ‘She models herself on Susan Sontag’. I remember asking who Sontag was and was told she was a feminist writer into politics. I wondered if Anne-Marie was a feminist into politics. She certainly did not dress like anyone else I’d seen as part of the Benson circle. It was July yet she wore a long-sleeved shift buttoned up to the collar and a long linen skirt down to her ankles. She was pretty but shapeless, a long straight person with long straight hair, a clip on one side she fiddled with endlessly, purposefully sometimes. She ignored me but for an introductory ‘Good evening’, when everyone else said ‘Hi’.
 
The next day it was hot. I was about the house very early. The apple juice in the refrigerator came into its own at 6.0 am. The bay was in mist. It was so still the bell buoy stirred only occasionally. I sat on the step with this icy glass of fragrant apple watching the pearls of condensation form and dissolve. I walked the shore, discovering years later that Rachel Carson had walked these paths, combed these beaches. I remember being shocked then at the concern about the environment surfacing in the late sixties. This was a huge country: so much space. The Maine woods – when I first drove up to Quebec – seemed to go on forever.
 
It was later in the day, after tennis, after trying to lie on the beach, I sought my room and took out my latest score, or what little of it there currently was. It was a piano piece, a still piece, the kind of piece I haven’t written in years, but possibly should. Now it’s all movement and complication. Then, I used to write exactly what I heard, and I’d heard Feldman’s ‘still pieces’ in his Greenwich loft with the white Rauschenbergs on the wall. I had admired his writing desk and thought one day I’ll have a desk like that in an apartment like this with very large empty paintings on the wall. But, I went elsewhere . . .
 
I lay on the bed and listened to the buoy out in the bay. I thought of a book of my childhood, We Didn’t Mean to Go to Sea by Arthur Ransome. There’s a drawing of a Beach End Buoy in that book, and as the buoy I was listening to was too far out to see (sea?) I imagined it as the one Ransome drew from Lowestoft harbour. I dozed I suppose, to be woken suddenly by voices in the room next door. It was Tim and Anne-Marie. I had thought the house empty but for me. They were in Tim’s room next door. There was movement, whispering, almost speech, more movement.
 
I was curious suddenly. Anne-Marie was an enigma. Tim was a nice guy. Quiet, dedicated (Larry had said), worked hard, read a lot, came to Larry’s concerts, played the cello when he could, Bach was always on his record player. He and Anne-Marie seemed so close, just a wooden wall away. I stood by this wall to listen.
 
‘Why are we whispering’, said Anne-Marie firmly, ‘For goodness sake no one’s here. Look, you’re a doctor, you know what to do surely.’
 
‘Not yet.’
 
‘But people call you Doctor, I’ve heard them.’
 
‘Oh sure. But I’m not, I’m just a lousy intern.’
 
‘A lousy intern who doesn’t want to make love to me.’
 
Then, there was rustling, some heavy movement and Tim saying ‘Oh Anne, you mustn’t. You don’t need to do this.’
 
‘Yes I do. You’re hard and I’m wet between my legs. I want you all over me and inside me.  I wanted you last night so badly I lay on my bed quite naked and masturbated hoping you come to me. But you didn’t. I looked in on you and you were just fast asleep.’
 
‘You forget I did a 22-hour call on Thursday’.
 
“And the rest. Don’t you want me? Maybe your brother or that nice English boy next door?’
 
‘Is he next door? ‘
 
‘If he is, I don’t care. He looks at me you know. He can’t work me out. I’ve been ignoring him. But maybe I shouldn’t. He’s got beautiful eyes and lovely hands’.
 
There was almost silence for what seemed a long time. I could hear my own breathing and became very aware of my own body. I was shaking and suddenly cold. I could hear more breathing next door. There was a shaft of intense white sunlight burning across my bed. I imagined Anne-Marie sitting cross-legged on the floor next door, her hand cupping her right breast fingers touching the ******, waiting. There was a rustle of movement. And the door next door slammed.
 
Thirty seconds later Tim was striding across the garden and on to the beach and into the sea . . .
 
There was probably a naked young woman sitting on the floor next door I thought. Reading perhaps. I stayed quite still imagining she would get up, open her door and peek into my room. So I moved away from the wall and sat on the bed trying hard to look like a composer working on a score. And she did . . . but she had clothes on, though not her glasses or her hair clip, and she wore a bright smile – lovely teeth I recall.
 
‘Good afternoon’, she said. ‘You heard all that I suppose.’
 
I smiled my nicest English smile and said nothing.
 
‘Tell me about your girlfriend in England.’
 
She sat on the bed, cross-legged. I was suddenly overcome by her scent, something complex and earthy.
 
‘My girlfriend in England is called Anne’.
 
‘Really! Is she pretty? ‘
 
I didn’t answer, but looked at my hands, and her feet, her uncovered calves and knees. I could see the shape of her slight ******* beneath her shirt, now partly unbuttoned. I felt very uncomfortable.
 
‘Tell me. Have you been with this Anne in England?’
 
‘No.’ I said, ‘I ‘d like to, but she’s very shy.’
 
‘OK. I’m an Anne who’s not shy.’
 
‘I’ve yet to meet a shy American.’
 
‘They exist. I could find you a nice shy girl you could get to know.’
 
‘I’d quite like to know you, but you’re a good bit older than me.’
 
‘Oh that doesn’t matter. You’re quite a mature guy I think. I’d go out with you.’
 
‘Oh I doubt that.’
 
‘Would you go out with me?’
 
‘You’re interesting.  Gloria says you’re a bit like Susan Sontag. Yes, I would.’
 
‘Wow! did she really? Ok then, that’s a deal. You better read some Simone de Beauvoir pretty quick,’  and she bounced off the bed.
 
After supper  - lobster on the beach - Gloria cornered me and said. ‘I gather you heard all this afternoon.’
 
I remembered mumbling a ‘yes’.
 
‘It’s OK,’ she said, ‘Anne-Marie told me all. Girls do this you know – talk about what goes on in other people’s bedrooms. What could you do? I would have done the same. Tim’s not ready for an Anne-Marie just yet, and I’m not sure you are either. Not my business of course, but gentle advice from one who’s been there. ‘
 
‘Been where?’
 
‘Been with someone older and supposedly wiser. And remembering that wondering-what-to-do-about-those-feelings-around-*** and all that. There’s a right time and you’ll know it when it comes. ‘
 
She kissed me very lightly on my right ear, then got up and walked across the beach back to the house.
Liz Mar 2014
Her tongue in cotton,
a crack
between her jaws:
A boy left the scar on her chin
slick and gleaming,
shriveling like a moth on fire
in the burn of those words
he lit that night
e.e. cummings was on *****
windows, blurred,
and everywhere he went she found
hope
Her heart a scoop
in a honey jar,
something thick and sweet
to toss onto breaking waves,
only to end up back at her feet.
Lily Karter Feb 2013
somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near

your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skillfully, mysteriously) her first rose

or if your wish be to close me, i and
my life will shut very beautifully, suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;

nothing which we are to perceive in this world equals
the power of your intense fragility: whose texture
compels me with the color of its countries,
rendering death and forever with each breathing

(i do not know what it is about you that closes
and opens; only something in me understands
the voice of your eyes is deeper than all roses)
nobody, not even the rain, has such small hands
Poem by E.E. Cummings
A poet is somebody who feels, and who expresses his feeling through words.

This may sound easy. It isn't.

A lot of people think or believe or know they feel - but that's thinking or believing or knowing; not feeling. And poetry is feeling - not knowing or believing or thinking.

Almost anybody can learn to think or believe or know, but not a single human being can be taught to feel. Why? Because whenever you think or you believe or you know, you're a lot of other people: but the moment you feel, you're nobody-but-yourself.

To be nobody-but-yourself - in a world which is doing its best, night and day, to make you everybody else - means to fight the hardest battle which any human being can fight; and never stop fighting.

As for expressing nobody-but-yourself in words, that means working just a little harder than anybody who isn't a poet can possibly imagine. Why?

Because nothing is quite as easy as using words like somebody else. We all of us do exactly this nearly all of the time - and whenever we do it, we are not poets.

If, at the end of your first ten or fifteen years of fighting and working and feeling, you find you've written one line of one poem, you'll be very lucky indeed.

And so my advice to all young people who wish to become poets is: do something easy, like learning how to blow up the world - unless you're not only willing, but glad, to feel and work and fight till you die.

Does this sound dismal? It isn't.

It's the most wonderful life on earth.

Or so I feel.
The most beautiful and most original arrangement of words I have read in my entire life time, so far.
Carolyn Jul 2014
Glub **** **** glub
glub thumb,
Breathing is quick
**** Glub
Smile
**** Glug
Look away
Then look back
A subtle smirk
**** glub
glug thumb
Goes my beating heart
Mike Essig Apr 2015
aunt lucy during the recent

war could and what

is more did tell you just

what everybody was fighting

for,

my sister

isabel created hundreds

(and

hundreds)of socks not to

mention shirts fleaproof earwarmers

etcetera wristers etcetera, my

mother hoped that

i would die etcetera

bravely of course my father used

to become hoarse talking about how it was

a privilege and if only he

could meanwhile my

self etcetera lay quietly

in the deep mud et
cetera

(dreaming,

et

  cetera, of

Your smile

eyes knees and of your Etcetera)
One of the strangest poems about war ever written. This was The Great War, WWI. Having to fight in it, Cummings didn't think it was so great.

— The End —