If you want my ex girlfriend, she's up for grabs.
But if you sleep with her, you will get the *****.
It's possible that you may get ****** too.
Sleeping with her is a stupid thing to do.
I caught her in bed with my cousin and I thumped her.
She sleeps with a lot of men, that's why I dumped her.
I'm giving you valuable advice so you'd better listen to me.
If you ****** my ex girlfriend, you are sure to get an STD.

I’m not allergic to bee stings – I never have been, I probably never will be – but I am more afraid of bees than anything else. More afraid than heights, than fire, than opening up to others, than death by drowning. I have been stung more times than I will ever be able to count. My skin has since grown thicker, but I remember when it was soft, and I was small. I used up the entire allowance of pain I was given for life in less than four minutes.
Perhaps I should specify that it’s not bees that I am afraid of, but wasps.
When I was nine years old, much younger than I am now, I stepped on a yellow jacket nest. My bare foot went into the hole and came out covered in their little striped bodies. There was this buzzing noise that at the time I’d thought was normal, but I now know that it was the sound of the wasps that were in my ears. They had been trying to crawl down my ear canals. I wonder if they had mistaken my canals for their burrows, and had been trying to get back to their queen, but were disappointed to find my ear drums, instead.
My sister – the same age – covered in wasps alongside me, screamed and screamed, but I made no noise. By the time I even thought to cry, I had been stung so many times it would have been pointless to weep for my swollen, red toes. I remember being unable to feel the wasps’ venom running through my veins because I couldn’t even feel my veins. If I would have cried for anything, it would have been for fear that, being unable to feel them, I might have lost track of my tiny feet. They could have walked away without my body and I wouldn’t have known. They could have walked to school and back without me.
Of course, my feet could barely walk. After my initial disgust, I watched my sister run away from where we had been standing and I knew that I should run, too. I could still feel the wasps crawling, clamoring, on my skin, in my clothes, in my hair. I remember the feeling of these bees crawling around among the roots of my hair, making themselves well-acquainted with the tender skin of my scalp. I remember being unable to get them all out of my hair before I walked into the house.
I knew that I should run, and so, balanced precariously on my numbed feet, clambered after her.
I followed my screaming sister down to our farmhouse, past my stepmother who was also screaming, even louder than my sister. I don’t remember where my father was that day.
We ran down the dirt road that led from the barns to our house, removing our shirts as we went and stopping to strip down to our underwear on the front porch. I remember the honks from cars as they passed by. I remember not knowing why they were honking, but knowing that I was angry with them for honking, for ogling, rather than stopping to help. I remember not knowing how they would help, just knowing that I needed help, desperately.
The irony of our stings is that my sister, a year later, was cast in our school’s operetta, and ended up playing the part of a yellow jacket, a sort of elementary-school-gangster, part of a group of them, who wore – you guessed it – yellow jackets and stole other bugs’ lunch money. I would say that, if the wasps that attacked me had been human, they would definitely have been after the money I used to buy Little Debbie Oatmeal Crème Pies in the lunchroom.
If I had been stung even three years later, I would have been big enough to know that one doesn’t run around in untrimmed grass with no shoes on their feet for precisely this reason. If I had been stung three years earlier, I would have been too small, and dead. So I am grateful for even the smallest of coincidences, the tiny droplet of fate that had given me those stings on that day, at that age.


I would like to talk about pain transference. In your body, nerves often run between parts of yourself you never thought would be connected. If something hurts in your elbow, it wouldn’t shock you to find that your fingers hurt as well, but if your elbow hurt and so did your lower spine? You’d be a little confused.
This is pain transference.
It’s a form of generalized pain; you can locate the pain, it’s just not coming from any one place. You can feel the pain in more than one part of your body, though there’s no reason for anything other than your elbow to ache. This is also your body’s way of protecting you from pain. It’s not that this pain is more manageable, but that it is easier to understand. Your elbow might be more hurt than the ache lets on, but you can’t tell, because your lower back is throbbing.
Now imagine your body as a hive of wasps. Imagine each of these wasps as a nerve inside of said hive-body. Imagine the queen as this hive-body’s brain. What is your body’s goal? To protect the brain. What is a hive’s goal? To protect the queen. Each wasp is born with an instinctual dedication to the queen. They must protect this individual at all costs. Your body, on the other hand, does everything it possibly can to protect the part of you that makes you so unbearably you.
Yellow jackets are social creatures. Each wasp has its own purpose in the hive, and the three different ranks within this hierarchy are the queen, the drones, and the workers. The queen (who is the only member of the colony equipped by evolution to survive the winter; every other wasp is dispensable) lays eggs and fertilizes them using stored ***** from the spermatheca. Her only purpose is to reproduce. Occasionally the queen will leave an egg unfertilized, and this egg will develop into a male drone whose only purpose is also reproduction. The female workers are arguably the most important part of the hive. They build and defend the nest.
Only female yellow jackets are capable of stinging, and wasps will only sting if their colony is disturbed. This fact is new and interesting to me. I remember thinking that it would make so much sense if the only wasps in the colony who could sting were the females. Females have a motherly, nurturing nature about them, but they are protective and willing to make sacrifices as well. Lo and behold.
The females are the nerves. They transfer the pain from the queen to themselves (and then, if disturbed, to the third-party individual who has disturbed them).
Psychics view pain transference as the transferring of pain between bodies rather than the transferring of pain between separate parts of the same body, but it works in a very similar way. Different types of energy vibrate at different frequencies; loving energy vibrates at a higher frequency than dark energy, therefore they transfer between people at different rates. Pain is simply dark energy that holds a fatalistic power over us.
According to psychics, energy can be transferred through the mind, the body, and the spirit, but pain is mostly transferred through physical touch. To transfer pain to another human being, you must touch them in a way that is not beneficial to their own or your spiritual growth.


I would like to talk about smallness. I was nine when I was stung by these yellow jackets. I was nine and the first time I’d ever been stung was at a friend’s birthday party at maybe the age of seven, behind the knee, and it’d swelled up so large I couldn’t bend my knee for two days. I knew the dangers of disturbing wasp nests; I’d watched my friends all through elementary school getting stung on the wooden playground on the premises. I, myself, stuck to swing-sets and splinters.
I was always so careful. I never went near trees if I saw a nest in its branches. My teachers had told me that I should stay away from the part of our playground made up of tires, because the hornets liked to nest in the rubber. I was terrified of being stung again after that first time because all the mud in the world didn’t seem to make a difference. The wasp’s venom, even after drying up pile after pile of soft, wet dirt, made my limb stiff and sore. I was always so careful; it seems appropriate that the one time I’d been careless, I’d been stung enough times to make up for all the times I had avoided wasps as if my life had depended on it. Maybe it had.
I was small enough when I was nine. If I had been stung at six, or three, I would have been in a lot more trouble. I would have been in a lot more pain. At nine, my stings required calamine lotion and mud for the venom, and ice baths for the swelling. At six, they might have required a trip to the hospital. At three, they would have been much more alarming, considering I had never been stung by a bee by that age.
I was careless. It was summer and I was old enough to wear denim shorts and I had kicked off my flip flops so I could feel the grass under my feet and I was careless and I was punished for it. Now I watch my cousins and my niece play outside and I have to hold my tongue, remember that I am not responsible, that I cannot prevent their being stung, their stings, no matter how badly I want to.
I would like to talk about fate. I would like to talk about how, if I hadn’t been running barefoot, I wouldn’t have gotten stung so badly. I would like to talk about how if my father had been around to tell me not to run barefoot, at least my feet would have been safe. How, if I hadn’t been too stubborn to listen to my stepmom, too, I probably would have had shoes on. How, regardless of all of these things, I probably would have been stung no matter what.
In a world where people are stung by hornets every day – where people are stung by as many as I was, at once – I would like to say that I know now that this experience is not as unique as I had previously thought it to be. I know more people than I thought I did whose trauma involves insects smaller than their pinky finger but together cover their whole body, and venom. I know people who, when I tell them I was stung by hundreds of yellow jackets at the age of nine, shrug and say nonchalantly, “Hey, me too.”
I would like to talk about smallness, and fate. I would like to talk about not only physical smallness, but the smallness one feels when they are in pain.
Belittled might be the word I am looking for. My pain wasn’t belittled, per se, but my pain belittled me.
My pain made me feel small. My pain made me feel small when I was stripping my clothes off on my front porch, cars racing by on the state highway that ran past my house. When I was running my fingers through my hair under the faucet in my kitchen sink because my sister was older and always got first dibs on the shower. As these wasps that hadn’t suffocated under my hair stung my fingers, too, until they were as swollen as my toes. My pain made me feel small when it made me pity myself.


I would like to talk about standing up for yourself as an act of causing pain.
Honeybees, when they sting, are defending themselves and their queen, but they don’t know that when they sting, it will become lodged underneath the skin of whomever they sting and it will pull them apart and they will die.
I imagine the first time a wasp stings to be a sort of power trip. Female wasps can – and will – sting repeatedly to protect the colony. I also imagine they don’t know that their relative the honeybee dies after it stings, but it must be strange for them, nonetheless.
Have you ever seen a video of a woman protecting herself and those she loves? She’s vicious. She won’t stop until the perpetrator has retreated.
When a woman stands up for herself, though, it’s as if she’s tearing herself in half.
A woman standing up for herself is a dangerous thing, both dangerous for her and for those around her. It is an act of bravery and defiance and saving grace all in one.
A few weeks ago, I overheard someone equate being female with being terminally ill, as if we have no place to go but down. As if we are dying creatures, on our last leg of life, with no will to fight for what we want.
As if the pain of the world is being transferred into us all at once.
I would like to argue that it is the exact opposite. There is nothing more alive and breathing than femaleness.I am inseparable from my femaleness. I am inseparable from the that leaks from me when I think of all of the times I have been harmed But I am not inseparable from the pain that I have caused others. I cannot forget that.


I like to imagine sometimes what my stings would have been like if I had gotten them ten years later, as well. I am much bigger. I am much stronger. I am much more capable of handling pain than my nine-year-old counterpart.
I wish I could have been the one to have to handle that pain. I wish my nine-year-old self had known better than to let her foot fall into a yellow jacket nest. I think it’s unfair that, at such an early age, I had to deal with something so terrifying and painful and traumatic. My extremities were swollen for over a week. I couldn’t write, I could close the zipper on my backpack, I couldn’t turn the pages of a book. I couldn’t go to school, and I couldn’t read in bed, so it might be enough to say that the week I was kept out of school to elevate my legs and let the swelling go down was the most boring week of my entire life.
Sometimes I look at my ankles, swollen from blood flow, from standing too long or from sitting too long or from doing anything except elevating them, and I’m reminded of this time when my ankles were much thinner and I watched them on the end of the couch, my toes pointing toward the ceiling. I remember how terrified my mom was. I imagine that phone call must have been harrowing for her – Hi, Michelle, Em’s been hurt. No, she’s fine. Just a few bee stings is all. – and for her to see me for the first time, red and splotchy and itching myself like mad must have been even more so.
I think about my father’s reaction, how I hadn’t been around to see it, but how he must have been heartbroken at knowing he wasn’t there to protect me, to prevent the bees from attacking me. I believe, however, that there was no protecting me, that there was no preventing these wasps from defending their home against me, an infiltrator. I had stepped inside of their burrow and was instantly seen as a threat. Anything I see as a threat to myself, I instantly want to rid myself of.
This is the way of the world: we see something, we determine it to be good or bad, and we either bring it into our lives or defend ourselves from it depending upon which it turns out to be. I happened to be the ultimate evil in these wasps’ lives. They were simply protecting their queen, without whom their hive would no longer exist. I was dark energy, vibrating in a way that spoke to them as threatening. I was transferring pain to them when my foot stepped into the hole, and they were transferring it back to me when they stung me. I transferred energy into the ground as my feet thumped against it. Water transferred energy into me as it helped me rinse wasps out of my hair.
From pain to protection to pity, back to pain. From bee stings to womanhood to sadness and back again. One shouldn’t be afraid to introduce the things they’ve lost to the things they’ve loved, or the things they love to the things they’re afraid of. And I am afraid of wasps. Petrified, even. The other day, driving in my car, I rolled the window down and in, immediately, flew a yellow jacket. I watched as it she flew past me and then around the back of my head. I heard her and was immediately transported back in time. I wondered what she was doing in my car, so far from her queen. I wondered what was in my car that she possibly could have wanted. But I knew that she wasn’t there to hurt me, because I hadn’t invaded her home. I hadn’t made an attack on her queen. I knew there was no sense in panicking, so I didn’t. I didn’t panic.
I am afraid of things even though they won’t **** me, but I have watched myself face these fears. I have stumbled onto a Ferris wheel and then walked confidently off. I have left candles lit without standing to check on them after every episode of The Office I watch. I have loved people I never thought I would, and I have seen the other side.

She sang the trot like she owned the narrative,
as if she was singing about her inner most secret.

-The  lady who lost her lover
The place where she met him
The Place with the Camellia flower

It was a place of summer and ray bloomed
while it matched the radiance of the two Paramour
and a reminder of their internal chest thumped in unison

In the street where they first met she stood alone
fatigued with no more breath to give
Many nights shed her tears by the Camellia flowers

Now the flower leave crumbled
The petals showed it's red bruises
and falling like the tear drops

When will the lover come back to her
To the lonely Camellia Flower
When will he come back-

The song ends with a grasp
as this German lady song ends with her whisper
To the Korean Trot song of the past

To the song "Lady Camellia!"

INSTEAD OF A PREFACE

During the frightening years of the Yezhov terror, I
spent seventeen months waiting in prison queues in
Leningrad. One day, somehow, someone 'picked me out'.
On that occasion there was a woman standing behind me,
her lips blue with cold, who, of course, had never in
her life heard my name. Jolted out of the torpor
characteristic of all of us, she said into my ear
(everyone whispered there) - 'Could one ever describe
this?' And I answered - 'I can.' It was then that
something like a smile slid across what had previously
been just a face.
[The 1st of April in the year 1957. Leningrad]

DEDICATION

Mountains fall before this grief,
A mighty river stops its flow,
But prison doors stay firmly bolted
Shutting off the convict burrows
And an anguish close to death.
Fresh winds softly blow for someone,
Gentle sunsets warm them through; we don't know this,
We are everywhere the same, listening
To the scrape and turn of hateful keys
And the heavy tread of marching soldiers.
Waking early, as if for early mass,
Walking through the capital run wild, gone to seed,
We'd meet - the dead, lifeless; the sun,
Lower every day; the Neva, mistier:
But hope still sings forever in the distance.
The verdict. Immediately a flood of tears,
Followed by a total isolation,
As if a beating heart is painfully ripped out, or,
Thumped, she lies there brutally laid out,
But she still manages to walk, hesitantly, alone.
Where are you, my unwilling friends,
Captives of my two satanic years?
What miracle do you see in a Siberian blizzard?
What shimmering mirage around the circle of the moon?
I send each one of you my salutation, and farewell.
[March 1940]

INTRODUCTION
[PRELUDE]

It happened like this when only the dead
Were smiling, glad of their release,
That Leningrad hung around its prisons
Like a worthless emblem, flapping its piece.
Shrill and sharp, the steam-whistles sang
Short songs of farewell
To the ranks of convicted, demented by suffering,
As they, in regiments, walked along -
Stars of death stood over us
As innocent Russia squirmed
Under the blood-spattered boots and tyres
Of the black marias.

I

You were taken away at dawn. I followed you
As one does when a corpse is being removed.
Children were crying in the darkened house.
A candle flared, illuminating the Mother of God. . .
The cold of an icon was on your lips, a death-cold
sweat
On your brow - I will never forget this; I will gather

To wail with the wives of the murdered streltsy (1)
Inconsolably, beneath the Kremlin towers.
[1935. Autumn. Moscow]

II

Silent flows the river Don
A yellow moon looks quietly on
Swanking about, with cap askew
It sees through the window a shadow of you
Gravely ill, all alone
The moon sees a woman lying at home
Her son is in jail, her husband is dead
Say a prayer for her instead.

III

It isn't me, someone else is suffering. I couldn't.
Not like this. Everything that has happened,
Cover it with a black cloth,
Then let the torches be removed. . .
Night.

IV

Giggling, poking fun, everyone's darling,
The carefree sinner of Tsarskoye Selo (2)
If only you could have foreseen
What life would do with you -
That you would stand, parcel in hand,
Beneath the Crosses (3), three hundredth in
line,
Burning the new year's ice
With your hot tears.
Back and forth the prison poplar sways
With not a sound - how many innocent
Blameless lives are being taken away. . .
[1938]

V

For seventeen months I have been screaming,
Calling you home.
I've thrown myself at the feet of butchers
For you, my son and my horror.
Everything has become muddled forever -
I can no longer distinguish
Who is an animal, who a person, and how long
The wait can be for an execution.
There are now only dusty flowers,
The chinking of the thurible,
Tracks from somewhere into nowhere
And, staring me in the face
And threatening me with swift annihilation,
An enormous star.
[1939]

VI

Weeks fly lightly by. Even so,
I cannot understand what has arisen,
How, my son, into your prison
White nights stare so brilliantly.
Now once more they burn,
Eyes that focus like a hawk,
And, upon your cross, the talk
Is again of death.
[1939. Spring]

VII
THE VERDICT

The word landed with a stony thud
Onto my still-beating breast.
Nevermind, I was prepared,
I will manage with the rest.

I have a lot of work to do today;
I need to slaughter memory,
Turn my living soul to stone
Then teach myself to live again. . .

But how. The hot summer rustles
Like a carnival outside my window;
I have long had this premonition
Of a bright day and a deserted house.
[22 June 1939. Summer. Fontannyi Dom (4)]

VIII
TO DEATH

You will come anyway - so why not now?
I wait for you; things have become too hard.
I have turned out the lights and opened the door
For you, so simple and so wonderful.
Assume whatever shape you wish. Burst in
Like a shell of noxious gas. Creep up on me
Like a practised bandit with a heavy weapon.
Poison me, if you want, with a typhoid exhalation,
Or, with a simple tale prepared by you
(And known by all to the point of nausea), take me
Before the commander of the blue caps and let me
glimpse
The house administrator's terrified white face.
I don't care anymore. The river Yenisey
Swirls on. The Pole star blazes.
The blue sparks of those much-loved eyes
Close over and cover the final horror.
[19 August 1939. Fontannyi Dom]

IX

Madness with its wings
Has covered half my soul
It feeds me fiery wine
And lures me into the abyss.

That's when I understood
While listening to my alien delirium
That I must hand the victory
To it.

However much I nag
However much I beg
It will not let me take
One single thing away:

Not my son's frightening eyes -
A suffering set in stone,
Or prison visiting hours
Or days that end in storms

Nor the sweet coolness of a hand
The anxious shade of lime trees
Nor the light distant sound
Of final comforting words.
[14 May 1940. Fontannyi Dom]

X
CRUCIFIXION

Weep not for me, mother.
I am alive in my grave.

1.
A choir of angels glorified the greatest hour,
The heavens melted into flames.
To his father he said, 'Why hast thou forsaken me!'
But to his mother, 'Weep not for me. . .'
[1940. Fontannyi Dom]

2.
Magdalena smote herself and wept,
The favourite disciple turned to stone,
But there, where the mother stood silent,
Not one person dared to look.
[1943. Tashkent]

EPILOGUE

1.
I have learned how faces fall,
How terror can escape from lowered eyes,
How suffering can etch cruel pages
Of cuneiform-like marks upon the cheeks.
I know how dark or ash-blond strands of hair
Can suddenly turn white. I've learned to recognise
The fading smiles upon submissive lips,
The trembling fear inside a hollow laugh.
That's why I pray not for myself
But all of you who stood there with me
Through fiercest cold and scorching July heat
Under a towering, completely blind red wall.

2.
The hour has come to remember the dead.
I see you, I hear you, I feel you:
The one who resisted the long drag to the open window;
The one who could no longer feel the kick of familiar
soil beneath her feet;
The one who, with a sudden flick of her head, replied,

'I arrive here as if I've come home!'
I'd like to name you all by name, but the list
Has been removed and there is nowhere else to look.
So,
I have woven you this wide shroud out of the humble
words
I overheard you use. Everywhere, forever and always,
I will never forget one single thing. Even in new
grief.
Even if they clamp shut my tormented mouth
Through which one hundred million people scream;
That's how I wish them to remember me when I am dead
On the eve of my remembrance day.
If someone someday in this country
Decides to raise a memorial to me,
I give my consent to this festivity
But only on this condition - do not build it
By the sea where I was born,
I have severed my last ties with the sea;
Nor in the Tsar's Park by the hallowed stump
Where an inconsolable shadow looks for me;
Build it here where I stood for three hundred hours
And no-one slid open the bolt.
Listen, even in blissful death I fear
That I will forget the Black Marias,
Forget how hatefully the door slammed and an old woman
Howled like a wounded beast.
Let the thawing ice flow like tears
From my immovable bronze eyelids
And let the prison dove coo in the distance
While ships sail quietly along the river.
[March 1940. Fontannyi Dom]

FOOTNOTES

1 An elite guard which rose up in rebellion
   against Peter the Great in 1698. Most were either
   executed or exiled.
2 The imperial summer residence outside St
   Petersburg where Ahmatova spent her early years.
3 A prison complex in central Leningrad near the
   Finland Station, called The Crosses because of the
   shape of two of the buildings.
4 The Leningrad house in which Ahmatova lived.


First published Sasha Soldatow Mayakovsky in Bondi
BlackWattle Press 1993 Sydney.

In a little pub in London,
Moriarty drank his beer,
Night came, a ***** black night with rain.
Mid-December, nineteen hundred and thirty nine,
Just a few months before ****** turned London's
sky black with lead.
But for now,
Moriarty drank his beer,
Sat solemnly in the candle-lit corner.
He gazed ruefully into his drink,
Like a haggard old grey ghost.
He was tired and felt strange and lost
in this faraway disgusting place.
The whorey smell of the city.
He felt a million and one miles away
from his home.
He was born in a little white cottage,
straw roof, on a small tragic island
off the West of Ireland;
Just a few stone-trows away from
the sleepy fishing village of the
village of Kinsheenlan.
Moriarty had often written letters to
his lonesome mother dearest,
but instead of tossing the letters
into gloomy London post-boxes,
he would post them into
the pub's fireplace.
Fuel for his shame.
Alas, the curse of drink had taken
over his soul and mind.
The sweet poison was now
his only pleasure,
his only softness.

So there he sat, drinking the Devil's drop,
like a mop soaks up spills on the counter-top.
And blowing out sliver smoke rings
all through those long winter nights.
Give to Moriarty to drink mandragora,
until he becomes muddied and slow.
Those rose colored glasses that he had
on for so long now,
they were not going to shield him forever.
As he transfixed his eyes on his beer,
he heard a voice,
a wondrous voice,
at first he thought it lay alone in his mind,
but it was coming from down the hallway,
the sounds of a young maiden's song,
wild and free.
It made his heart feel the substance of his life.
That fabulous blue center-light delight of song.
Sounding so alike to his sister Betty.
It shook him to his core.

Moriarty, the poor lost soul,
had not seen his sister in twenty odd years.
He recalled their last meeting.

The ship has set sail into an ocean, black and calm.
Just that morning, Moriarty got the letter from his mother,
Handwritten in felt tip, slightly stained with a tear,
Telling him to keep warm and stay safe,
To fill his stomach and fill his pockets.

As his sister stood on Dublin's docks to see him off and wish him well
She shrinks with the distance growing between and
She looks twelve and three quarter years younger than she did that day,
The little girl who Moriarty fought with all the live long day over nothing.
Now, she was the women who put up a fight over his sailing away.
Sometimes, brothers and sisters never change.

She knew that this was for the best, but she would never admit that,
Not with words,
She felt her words, weightless would have just sailed right away with him.
Moriarty wondered what she will look like if he seen her again,
Will she have received wrinkles from worrying about mother?
Will her chestnut hair have turned white as the snow burying her bare feet?
And now
Betty was all Moriarty's mother had, after Moriarty's father,
a fisherman, drowned that awful November night.

Then, just as Moriarty thought of his ghostling past,
there came the question
'Are you going home for Christmas, dear?'
Asked the barmaid,
Her words dripping like honey into Moriarty's half-empty-glass.
'Sure, I have not been to Ireland in an age, but I know for certain
that my mother is waiting for me with arms open' Moriarty answered.
But he was unsure if his own poor mother would recognize him
for it had been so long.
But just then, Moriarty heard the Christmas-bell-like-voice of
the women standing, singing in the hallway.
The past came into consciousness like a flood.
And in the corner of his eye,
there glazed, the starting of a tear.
Moriarty pushed aside his beer glass-half-full and
said to himself
'I shall be home for Christmas day'.

After two weeks, long weeks
Gone drink nor smoke,
Moriarty have sharped up enough pounds and pennies
to bring him to his home of Ireland.
And while on that train through the lands, green and beautiful,
The deeper into the West Moriarty went
the stronger he felt it,
a beat, beat, beat that thumped and rang out in his chest.
Night fell by the time Moriarty set foot in Kinsheelan,
The church bells rang true and strong sixfold.
Moriarty was unrecognized by the sailor Tomas Bawn,
As he climbed into the little white boat
to sail home across the calm, blue, winter-waters,
to that same white cottage.
Tomas Bawn heard Moriarty as he said to himself
in little more then a whisper
'Thank God above, I shall be home for Christmas day'.


In a little pub in London,
Moriarty's abode,
By the hallway door,
A letter, unread,
Laid upon the floor, It read-

'Oh dear Danny,
Our poor mother has passed.
The funeral will take place
In Kinsheelan church
After mass
On Christmas day'.




-Jamie F. Nugent

Harsh light falls on my fearful face
She stop thumped against my heart
Gliding night on crinkled tights
She worked and quirked her way in to me
Shoulders clinched as she spun her drift
She stomped trod on my soul
Set aloft in the ***** air
My eyes slopped their tears
Wet down her hair as she clenched
Lips dragged drug down my neck
Lamp lit light flung down and low
Fearful thoughts because I’ll crawl back
Fearsome thoughts as she works again.

cc1210

Annick (my 28 year old sister) came down to NYC, from Boston, for a day visit. It was one of those warm, cerulean days between Christmas and New Years. Annick’s in a surgical residence, in a pandemic, but still somehow, she got away.

We’re dining on a shaded, outdoor, sundeck - I arrived first, by a moment but then the elevator opened and Annick emerged, looking like a model - familiar but I don’t know - more completely adult - more than ever like my mom. It was all I could do not to weep for happiness when we hugged.

After that long hug, Annick gave my clothes a slow, censorious looking-over. When my mom and I shopped for “school clothes” last year, in Paris, I bought some stunning designer (Anna Molinari) clothes - only to find out they were completely out of place at Yale. Now they’re sentenced to a trunk under my bed and my replacement clothes are from FatFace and Patagonia. Ordinary clothes, bought for their ordinariness.

I’ve been dressing to disappear but I wanted her to see a “new me.” How I’ve survived in a rough, academic country - not just survived - but thrived. I also wanted her to think her sister was beautiful and hoped I didn’t seem too strange. She cupped my chin - just like my mom does - “You look wonderful,” she said.

Annick mentioned we’d have company for lunch but she was alone - then this tall, fair-haired, man was with us. He slipped his arm around Annick’s waist and they smiled, together. I’d never met one of Annick's boyfriends before so this was a little disconcerting - part of me wanted to pull her away and say, “MINE!”

Annick made the introductions, “Anais, this is Gerard - Gerard, Anais.”  Gerard leaned into la bise then half hugged me, patting me bearishly on the back. I decided he was too tall and too handsome and began to examine him for flaws.

He wore a dark-charcoal-gray cashmere suit with a light-gray oxford-cloth shirt. “Are you always so dapper?” I asked? “I wanted to look substantial,” he said, with a very slight French accent. He held me at arm’s length. “You’re definitely sisters,” he said, smiling.

We settled in. At first we were a little stilted with each other, uncertain how to best introduce ourselves. Annick said that Gerard is a “Child Neurologist.” “Funny,” I said, “you look older.” and he laughed. I was warming to him.

“How’s school going?” Annick asked later, moving some of my fly-away hair out of my face - a trace of the maternal in her solicitous fussing - but I liked it.
“Easy peasy,” I said, the lie warming me like an ember or black magic.

There’s no real sibling rivalry between us. Imagine you’re Beyoncé’s sister, what are the odds that you’ll eclipse Beyoncé? Yeah, it’s ZERO.

“Ha!” she laughs, “you are such a little fibber.”
“I am NOT,” I hotly say, but my defense is ruined by my laugh. “I’m doing ok - but it’s a lot,” I say, to erase the fib.

They’re ENGAGED!
I tried not to act stunned but I doubt I was very convincing. The news thumped me like a gust of wind. Suddenly, I knew. Our yesterdays were no more substantial than a story we’d read together growing up, that you can mourn and rejoice at the same time.

Otherwise it was a family lunch, although at first I was a bit nervous around Gerard. At one point Annick says, “What are you doing?” as the table gently quivered.
I smiled wincingly, “Making circles with my ankles,” I said.
Annick smiled knowingly.

I'll tell thee everything I can;
There's little to relate,
I saw an aged, aged man,
A-sitting on a gate.
"Who are you, aged man?" I said.
"And how is it you live?"
And his answer trickled through my head
Like water through a sieve.

He said, "I look for butterflies
That sleep among the wheat;
I make them into mutton-pies,
And sell them in the street.
I sell them unto men," he said,
"Who sail on stormy seas;
And that's the way I get my bread--
A trifle, if you please."

But I was thinking of a plan
To dye one's whiskers green,
And always use so large a fan
That they could not be seen.
So, having no reply to give
To what the old man said,
I cried, "Come, tell me how you live!"
And thumped him on the head.

His accents mild took up the tale;
He said, "I go my ways,
And when I find a mountain-rill,
I set it in a blaze;
And thence they make a stuff they call
Rowland's Macassar Oil--
Yet twopence-halfpenny is all
They give me for my toil."

But I was thinking of a way
To feed one's self on batter,
And so go on from day to day
Getting a little fatter.
I shook him well from side to side,
Until his face was blue,
"Come, tell me how you live," I cried,
"And what it is you do!"

He said, "I hunt for haddocks' eyes
Among the heather bright,
And work them into waistcoat-buttons
In the silent night.
And these I do not sell for gold
Or coin of silvery shine,
But for a copper halfpenny,
And that will purchase nine.

"I sometimes dig for buttered rolls,
Or set limed twigs for *****;
I sometimes search the grassy knolls
For wheels of hansom-cabs.
And that's the way" (he gave a wink)
"By which I get my wealth--
And very gladly will I drink
Your honor's noble health."

I heard him then, for I had just
Completed my design
To keep the Menai bridge from rust
By boiling it in wine.
I thanked him much for telling me
The way he got his wealth,
But chiefly for his wish that he
Might drink my noble health.

And now, if e'er by chance I put
My fingers into glue,
Or madly squeeze a right-hand foot
Into a left-hand shoe,
Or if I drop upon my toe
A very heavy weight,
I weep, for it reminds me so
Of that old man I used to know--
Whose look was mild, whose speech was slow,
Whose hair was whiter than the snow,
Whose face was very like a crow,
With eyes, like cinders, all aglow,
Who seemed distracted with his woe,
Who rocked his body to and fro,
And muttered mumblingly and low,
As if his mouth were full of dough,
Who snorted like a buffalo--
That summer evening long ago,
A-sitting on a gate.

Dear Lover,

                    I am holding my heart in my hand, so I have decided to show it to you. Show you every pump, line, and hole. It is dark in some places but I don't think you mind. You are a lover of phrases, and a lover of my soul. I never thought I'd feel this way. You were the exact opposite of what my heart usually throbbed for. I found my nose in a permanent scrunch, kind of like the lines between your eyebrows. Ugly, stressed strings of life that pulled your face down into a constant state of negativity. I imagined you making love to me in a submissive manner and my nose almost fell off. When you kissed me that first time, I knew that there was nothing between us because you didn't even know how to kiss. I was in a state of disappointment 99% of the time because you were the exact opposite of who I wanted. My mouth betrayed me by laughing at you the other 1% of the time.
                   But that 1% quietly sneaked through every beat of my heart. It wove into the blood pumping into my lungs that helped me to breathe. I realized you were funnier than you had let on. I saw that your eyes changed during the day for I had only seen you at night. They were an endless clique ocean. Sharp and frosty, giving me a chill when you smiled at me. The one percent grew, stretching across my body until I could no longer breathe when you weren't around. I imagined you loving me and I had to sit down. When you kissed me, I knew you had been lying because my heart thumped, thumped, thumped and I was in awe, glad we were tangled together because I feared I'd vanish into your lips.
                     It hit me as you kissed me by the orange glow of the heater. So much that I had to pull away and gasp. Because I realized that I could breathe again after pulling you into my arms. It hit me when you took one of my cigarettes and smoked it whole. It hit me when you told me my eyes were beautiful and I saw your reflection in them. It hit me as you glowed like a god and I saw what beauty was. It hit me when you held me down and touched me as if I've never been touched.
                    Because I hadn't been. Before you. Dearest lover, I cannot say enough words to speak for my heart. All I can say is that I am in love with you. I am in love with the smell of alcohol on your breath because I know you will want to kiss me.The only time you yearn for my soft kisses. I am in love with the way you laugh when I say something funny. When you say those three words, I feel my ****** surfacing when it's been at bay my whole life and I am in love with you. I am in love with you even though you are crazy as ****.
                    I want to be one of the voices you hear. I want them to tell you to love me so I won't be so insecure all the time and that you think I'm ugly. I want my voice to fill your head until I am the reason you go crazy. It's ****** up, I know. And I lied when I said that I would fall in love with you if we got married. Because I was in love with you the first time you asked. I was in love with you as I read your writing and I looked for myself in them. I knew I wouldn't be in them but I was still searching, searching, searching. Seeking myself in your beautiful words and lovely phrases.
                   You see the world under a colored glass mirror and I am in love with you. I am in love with every piece of fabrication that is you. It's a scary thing, how much I love you. I know you do not love me too. So I write this letter, knowing you can read it which scares me the most. Because my feelings are scary and I know you will leave like the rest of them. But I am in love with you.
                    So, stay in the glow of the orange light so that I may memorize this sight. When I am crying, I will be able to think back and remember the night that you were a god, and I a goddess. Back to the night when I felt beautiful.
                     And I am in love with you.

                                                      With facetious chagrin, Me.

Dear Me,

The magic of holding your heart in your hand has me afraid of its power. What has given you this ability? Because I want to find it, and give it a light knock on the head so it will reconsider a gift to you that would seem great, but only endanger you.

Looking around my desk where I read your letter, I see the signs of a troubled man. Could you feel my trouble when you came down to my community and saw its signs as well? By driving down, you set a record for yourself, and you set a record for me--because I am racing at breakneck speed to love you.

But I am not fast enough, nor wise enough, to love you. I can only arrange you in your communist jacket like a Christian student still life. I can only blow into your mouth and hope you feel my lungs, half-collapsed filters for cigarette smoke and vapor. I can walk beside you, but I cannot live inside because I am restless and unchoosing.

You will get me. Put your heart back inside and ******* a kiss until we untangle the world around us. Then at the center, I hope we remain, hearts thumping healthy again.

Remember, even though you let me in I still don't know your password.

Lover

talent
I peered upon the clouds
I drive through the ocean of talent
I sat on the stage
I sank the expresses of talent
I relish the cliff of talent
I consinder the lands of talent
I rush toward the cliff of talent
I stayed on the stage
the stage became me
the commander of talent thumped my spirit
in the end I withdrew.