I.
The moon sings the languid flower,
  to bloom at midnight hour
Harmonious feast transpires -
  luminescent choir

Petals mirror la hue de Luna,
  but pale below her glow
Though the desert sweet aroma,
  is fragrance plus photo

Neither causing nightly failure,
  in idyllic charm
In fact, those powers are greater,
  together than apart

II.
The moon a long gone distant rock,
  yet pulls on ocean tops
Cereus lures with sweetest tricks,
  and stings with countless licks  

Battered holy asteroid face,
 woos flawless solar gaze
And even though it causes mire,
  lunar eclipses fire

The cactus thrives in driest sands,
  and chokes in fertile lands
Alluring lonesome wanderers,
  promising mere water

The lucid beauty bewilders,
  as much as it can haunt
In fact, those powers are greater,
  together than apart

III.
You, once my cereus and moon,
  were drowned in my love well
Perhaps, I was this to you too,
  though your hole I’d not delve

However, what was first velvet,
  morphed into devil’s horns
Winter shed those thorns in my chest,
  now spring gifts hope and more

The icy grips of each winter,
  provides spring fuel to spark
In fact, those powers are greater,
  together than apart

IV.
Although we've gone on our own ways,
  I wouldn’t change the past
For each step was necessary,
  to find true love at last

We were once greater together.


I’m now greater apart.

"Stoner's Poem"

I see your snapstories,
I see your ask profile.
I see how you comment and reply and flaunt your English skills.
Trust me, I love your rebuttals,
More than Biryani and the Lebanese pornstar.
I see your Facebook posts,
I see your WordPress,
And I see, how you craft your poems flamboyantly,
And then, and then,
Pilfer my breath,
And rob my me.
Sometimes, just sometimes,
Your deportment bewilders me,
More than Lowry-Bronsted's theory.
I see how you dance in the rain,
Like "All, sin, tan, cos", do in my brain.
I see how you frequent every segment of my cardiac muscle,
And then desert it, like it's one of the many dilapidated constructions.
My reminiscences about your thingness,
Escalate me to a higher spiritual level,
More than **** does.
Oh, that smile,
Oh, that look,
Oh, the mystique in you.
And again, I am writing of Love.
And the pen doesn't seem to stop soon,
For I have taken a greater risk,
Than asking my friend about cathodes and anodes and electrolysis, while I took my last chemistry exam,
When the invigilator was around.

A Child’s Story

Hamelin Town’s in Brunswick,
By famous Hanover city;
The river Weser, deep and wide,
Washes its wall on the southern side;
A pleasanter spot you never spied;
But, when begins my ditty,
Almost five hundred years ago,
To see the townsfolk suffer so
From vermin, was a pity.

Rats!
They fought the dogs, and killed the cats,
And bit the babies in the cradles,
And ate the cheeses out of the vats,
And licked the soup from the cook’s own ladles,
Split open the kegs of salted sprats,
Made nests inside men’s Sunday hats,
And even spoiled the women’s chats,
By drowning their speaking
With shrieking and squeaking
In fifty different sharps and flats.

At last the people in a body
To the Town Hall came flocking:
“’Tis clear,” cried they, “our Mayor’s a noddy;
And as for our Corporation—shocking
To think we buy gowns lined with ermine
For dolts that can’t or won’t determine
What’s best to rid us of our vermin!
You hope, because you’re old and obese,
To find in the furry civic robe ease?
Rouse up, Sirs! Give your brains a racking
To find the remedy we’re lacking,
Or, sure as fate, we’ll send you packing!”
At this the Mayor and Corporation
Quaked with a mighty consternation.

An hour they sate in council,
At length the Mayor broke silence:
“For a guilder I’d my ermine gown sell;
I wish I were a mile hence!
It’s easy to bid one rack one’s brain—
I’m sure my poor head aches again
I’ve scratched it so, and all in vain.
Oh for a trap, a trap, a trap!”
Just as he said this, what should hap
At the chamber door but a gentle tap?
“Bless us,” cried the Mayor, “what’s that?”
(With the Corporation as he sat,
Looking little though wondrous fat;
Nor brighter was his eye, nor moister
Than a too-long-opened oyster,
Save when at noon his paunch grew mutinous
For a plate of turtle green and glutinous)
“Only a scraping of shoes on the mat?
Anything like the sound of a rat
Makes my heart go pit-a-pat!”

“Come in!”—the Mayor cried, looking bigger:
And in did come the strangest figure!
His queer long coat from heel to head
Was half of yellow and half of red;
And he himself was tall and thin,
With sharp blue eyes, each like a pin,
And light loose hair, yet swarthy skin,
No tuft on cheek nor beard on chin,
But lips where smiles went out and in—
There was no guessing his kith and kin!
And nobody could enough admire
The tall man and his quaint attire:
Quoth one: “It’s as my great-grandsire,
Starting up at the Trump of Doom’s tone,
Had walked this way from his painted tombstone!”

He advanced to the council-table:
And, “Please your honours,” said he, “I’m able,
By means of a secret charm, to draw
All creatures living beneath the sun,
That creep or swim or fly or run,
After me so as you never saw!
And I chiefly use my charm
On creatures that do people harm,
The mole and toad and newt and viper;
And people call me the Pied Piper.”
(And here they noticed round his neck
A scarf of red and yellow stripe,
To match with his coat of the selfsame cheque;
And at the scarf’s end hung a pipe;
And his fingers, they noticed, were ever straying
As if impatient to be playing
Upon this pipe, as low it dangled
Over his vesture so old-fangled.)
“Yet,” said he, “poor piper as I am,
In Tartary I freed the Cham,
Last June, from his huge swarms of gnats;
I eased in Asia the Nizam
Of a monstrous brood of vampire-bats;
And, as for what your brain bewilders,
If I can rid your town of rats
Will you give me a thousand guilders?”
“One? fifty thousand!”—was the exclamation
Of the astonished Mayor and Corporation.

Into the street the Piper stepped,
Smiling first a little smile,
As if he knew what magic slept
In his quiet pipe the while;
Then, like a musical adept,
To blow the pipe his lips he wrinkled,
And green and blue his sharp eyes twinkled
Like a candle flame where salt is sprinkled;
And ere three shrill notes the pipe uttered,
You heard as if an army muttered;
And the muttering grew to a grumbling;
And the grumbling grew to a mighty rumbling;
And out of the houses the rats came tumbling.
Great rats, small rats, lean rats, brawny rats,
Brown rats, black rats, grey rats, tawny rats,
Grave old plodders, gay young friskers,
Fathers, mothers, uncles, cousins,
Cocking tails and pricking whiskers,
Families by tens and dozens,
Brothers, sisters, husbands, wives—
Followed the Piper for their lives.
From street to street he piped advancing,
And step for step they followed dancing,
Until they came to the river Weser,
Wherein all plunged and perished!
- Save one who, stout a Julius Caesar,
Swam across and lived to carry
(As he, the manuscript he cherished)
To Rat-land home his commentary:
Which was, “At the first shrill notes of the pipe
I heard a sound as of scraping tripe,
And putting apples, wondrous ripe,
Into a cider-press’s gripe:
And a moving away of pickle-tub-boards,
And a leaving ajar of conserve-cupboards,
And a drawing the corks of train-oil-flasks,
And a breaking the hoops of butter-casks;
And it seemed as if a voice
(Sweeter far than by harp or by psaltery
Is breathed) called out ‘Oh, rats, rejoice!
The world is grown to one vast drysaltery!
So munch on, crunch on, take your nuncheon,
Breakfast, supper, dinner, luncheon!’
And just as a bulky sugar-puncheon,
All ready staved, like a great sun shone
Glorious scarce and inch before me,
Just as methought it said ‘Come, bore me!’
- I found the Weser rolling o’er me.”

You should have heard the Hamelin people
Ringing the bells till they rocked the steeple.
“Go,” cried the Mayor, “and get long poles!
Poke out the nests and block up the holes!
Consult with carpenters and builders,
And leave in our town not even a trace
Of the rats!”—when suddenly, up the face
Of the Piper perked in the market-place,
With a, “First, if you please, my thousand guilders!”

A thousand guilders! The Mayor looked blue;
So did the Corporation too.
For council dinners made rare havoc
With Claret, Moselle, Vin-de-Grave, Hock;
And half the money would replenish
Their cellar’s biggest **** with Rhenish.
To pay this sum to a wandering fellow
With a gypsy coat of red and yellow!
“Beside,” quoth the Mayor with a knowing wink,
“Our business was done at the river’s brink;
We saw with our eyes the vermin sink,
And what’s dead can’t come to life, I think.
So, friend, we’re not the folks to shrink
From the duty of giving you something for drink,
And a matter of money to put in your poke;
But, as for the guilders, what we spoke
Of them, as you very well know, was in joke.
Beside, our losses have made us thrifty.
A thousand guilders! Come, take fifty!”

The Piper’s face fell, and he cried
“No trifling! I can’t wait, beside!
I’ve promised to visit by dinner-time
Bagdat, and accept the prime
Of the Head Cook’s pottage, all he’s rich in,
For having left, in the Calip’s kitchen,
Of a nest of scorpions no survivor—
With him I proved no bargain-driver,
With you, don’t think I’ll bate a stiver!
And folks who put me in a passion
May find me pipe to another fashion.”

“How?” cried the Mayor, “d’ye think I’ll brook
Being worse treated than a Cook?
Insulted by a lazy ribald
With idle pipe and vesture piebald?
You threaten us, fellow? Do your worst,
Blow your pipe there till you burst!”

Once more he stepped into the street;
And to his lips again
Laid his long pipe of smooth straight cane;
And ere he blew three notes (such sweet
Soft notes as yet musician’s cunning
Never gave the enraptured air)
There was a rustling, that seemed like a bustling
Of merry crowds justling at pitching and hustling,
Small feet were pattering, wooden shoes clattering,
Little hands clapping and little tongues chattering,
And, like fowls in a farmyard when barley is scattering,
Out came the children running.
All the little boys and girls,
With rosy cheeks and flaxen curls,
And sparkling eyes and teeth like pearls,
Tripping and skipping, ran merrily after
The wonderful music with shouting and laughter.

The Mayor was dumb, and the Council stood
As if they were changed into blocks of wood,
Unable to move a step, or cry
To the children merrily skipping by—
And could only follow with the eye
That joyous crowd at the Piper’s back.
But how the Mayor was on the rack,
And the wretched Council’s bosoms beat,
As the Piper turned from the High Street
To where the Weser rolled its waters
Right in the way of their sons and daughters!
However he turned from South to West,
And to Koppelberg Hill his steps addressed,
And after him the children pressed;
Great was the joy in every breast.
“He never can cross that mighty top!
He’s forced to let the piping drop,
And we shall see our children stop!”
When, lo, as they reached the mountain’s side,
A wondrous portal opened wide,
As if a cavern was suddenly hollowed;
And the Piper advanced and the children followed,
And when all were in to the very last,
The door in the mountain-side shut fast.
Did I say, all? No! One was lame,
And could not dance the whole of the way;
And in after years, if you would blame
His sadness, he was used to say,—
“It’s dull in our town since my playmates left!
I can’t forget that I’m bereft
Of all the pleasant sights they see,
Which the Piper also promised me:
For he led us, he said, to a joyous land,
Joining the town and just at hand,
Where waters gushed and fruit-trees grew,
And flowers put forth a fairer hue,
And everything was strange and new;
The sparrows were brighter than peacocks here,
And their dogs outran our fallow deer,
And honey-bees had lost their stings,
And horses were born with eagles’ wings:
And just as I became assured
My lame foot would be speedily cured,
The music stopped and I stood still,
And found myself outside the Hill,
Left alone against my will,
To go now limping as before,
And never hear of that country more!”

Alas, alas for Hamelin!
There came into many a burgher’s pate
A text which says, that Heaven’s Gate
Opes to the Rich at as easy rate
As the needle’s eye takes a camel in!
The Mayor sent East, West, North, and South,
To offer the Piper, by word of mouth,
Wherever it was men’s lot to find him,
Silver and gold to his heart’s content,
If he’d only return the way he went,
And bring the children behind him.
But when they saw ’twas a lost endeavour,
And Piper and dancers were gone for ever,
They made a decree that lawyers never
Should think their records dated duly
If, after the day of the month and year,
These words did not as well appear,
“And so long after what happened here
On the Twenty-second of July,
Thirteen hundred and seventy-six”:
And the better in memory to fix
The place of the children’s last retreat,
They called it, the Pied Piper’s Street—
Where any one playing on pipe or tabor
Was sure for the future to lose his labour.
Nor suffered they hostelry or tavern
To shock with mirth a street so solemn;
But opposite the place of the cavern
They wrote the story on a column,
And on the great Church-Window painted
The same, to make the world acquainted
How their children were stolen away;
And there it stands to this very day.
And I must not omit to say
That in Transylvania there’s a tribe
Of alien people that ascribe
The outlandish ways and dress
On which their neighbours lay such stress,
To their fathers and mothers having risen
Out of some subterraneous prison
Into which they were trepanned
Long time ago in a mighty band
Out of Hamelin town in Brunswick land,
But how or why, they don’t understand.

So, *****, let you and me be wipers
Of scores out with all men—especially pipers:
And, whether they pipe us free, from rats or from mice,
If we’ve promised them aught, let us keep our promise.

In the dazzling sun
The delicate scent of a jasmine
Bewilders bumblebee.

Well, as you say, we live for small horizons:
We move in crowds, we flow and talk together,
Seeing so many eyes and hands and faces,
So many mouths, and all with secret meanings,--
Yet know so little of them; only seeing
The small bright circle of our consciousness,
Beyond which lies the dark.  Some few we know--
Or think we know. . .  Once, on a sun-bright morning,
I walked in a certain hallway, trying to find
A certain door: I found one, tried it, opened,
And there in a spacious chamber, brightly lighted,
A hundred men played music, loudly, swiftly,
While one tall woman sent her voice above them
In powerful sweetness. . . Closing then the door
I heard it die behind me, fade to whisper,--
And walked in a quiet hallway as before.
Just such a glimpse, as through that opened door,
Is all we know of those we call our friends. . . .
We hear a sudden music, see a playing
Of ordered thoughts--and all again is silence.
The music, we suppose, (as in ourselves)
Goes on forever there, behind shut doors,--
As it continues after our departure,
So, we divine, it played before we came . . .
What do you know of me, or I of you? . . .
Little enough. . . We set these doors ajar
Only for chosen movements of the music:
This passage, (so I think--yet this is guesswork)
Will please him,--it is in a strain he fancies,--
More brilliant, though, than his; and while he likes it
He will be piqued . . . He looks at me bewildered
And thinks (to judge from self--this too is guesswork)

The music strangely subtle, deep in meaning,
Perplexed with implications; he suspects me
Of hidden riches, unexpected wisdom. . . .
Or else I let him hear a lyric passage,--
Simple and clear; and all the while he listens
I make pretence to think my doors are closed.
This too bewilders him.  He eyes me sidelong
Wondering 'Is he such a fool as this?
Or only mocking?'--There I let it end. . . .
Sometimes, of course, and when we least suspect it--
When we pursue our thoughts with too much passion,
Talking with too great zeal--our doors fly open
Without intention; and the hungry watcher
Stares at the feast, carries away our secrets,
And laughs. . . but this, for many counts, is seldom.
And for the most part we vouchsafe our friends,
Our lovers too, only such few clear notes
As we shall deem them likely to admire:
'Praise me for this' we say, or 'laugh at this,'
Or 'marvel at my candor'. . . all the while
Withholding what's most precious to ourselves,--
Some sinister depth of lust or fear or hatred,
The sombre note that gives the chord its power;
Or a white loveliness--if such we know--
Too much like fire to speak of without shame.

Well, this being so, and we who know it being
So curious about those well-locked houses,
The minds of those we know,--to enter softly,
And steal from floor to floor up shadowy stairways,
From room to quiet room, from wall to wall,
Breathing deliberately the very air,
Pressing our hands and nerves against warm darkness
To learn what ghosts are there,--
Suppose for once I set my doors wide open
And bid you in. . . Suppose I try to tell you
The secrets of this house, and how I live here;
Suppose I tell you who I am, in fact. . . .
Deceiving you--as far as I may know it--
Only so much as I deceive myself.

If you are clever you already see me
As one who moves forever in a cloud
Of warm bright vanity: a luminous cloud
Which falls on all things with a quivering magic,
Changing such outlines as a light may change,
Brightening what lies dark to me, concealing
Those things that will not change . . . I walk sustained
In a world of things that flatter me: a sky
Just as I would have had it; trees and grass
Just as I would have shaped and colored them;
Pigeons and clouds and sun and whirling shadows,
And stars that brightening climb through mist at nightfall,--
In some deep way I am aware these praise me:
Where they are beautiful, or hint of beauty,
They point, somehow, to me. . . This water says,--
Shimmering at the sky, or undulating
In broken gleaming parodies of clouds,
Rippled in blue, or sending from cool depths
To meet the falling leaf the leaf's clear image,--
This water says, there is some secret in you
Akin to my clear beauty, silently responsive
To all that circles you.  This bare tree says,--
Austere and stark and leafless, split with frost,
Resonant in the wind, with rigid branches
Flung out against the sky,--this tall tree says,
There is some cold austerity in you,
A frozen strength, with long roots gnarled on rocks,
Fertile and deep; you bide your time, are patient,
Serene in silence, bare to outward seeming,
Concealing what reserves of power and beauty!
What teeming Aprils!--chorus of leaves on leaves!
These houses say, such walls in walls as ours,
Such streets of walls, solid and smooth of surface,
Such hills and cities of walls, walls upon walls;
Motionless in the sun, or dark with rain;
Walls pierced with windows, where the light may enter;
Walls windowless where darkness is desired;
Towers and labyrinths and domes and chambers,--
Amazing deep recesses, dark on dark,--
All these are like the walls which shape your spirit:
You move, are warm, within them, laugh within them,
Proud of their depth and strength; or sally from them,
When you are bold, to blow great horns at the world
This deep cool room, with shadowed walls and ceiling,
Tranquil and cloistral, fragrant of my mind,
This cool room says,--just such a room have you,
It waits you always at the tops of stairways,
Withdrawn, remote, familiar to your uses,
Where you may cease pretence and be yourself. . . .
And this embroidery, hanging on this wall,
Hung there forever,--these so soundless glidings
Of dragons golden-scaled, sheer birds of azure,
Coilings of leaves in pale vermilion, griffins
Drawing their rainbow wings through involutions
Of mauve chrysanthemums and lotus flowers,--
This goblin wood where someone cries enchantment,--
This says, just such an involuted beauty
Of thought and coiling thought, dream linked with dream,
Image to image gliding, wreathing fires,
Soundlessly cries enchantment in your mind:
You need but sit and close your eyes a moment
To see these deep designs unfold themselves.

And so, all things discern me, name me, praise me--
I walk in a world of silent voices, praising;
And in this world you see me like a wraith
Blown softly here and there, on silent winds.
'Praise me'--I say; and look, not in a glass,
But in your eyes, to see my image there--
Or in your mind; you smile, I am contented;
You look at me, with interest unfeigned,
And listen--I am pleased; or else, alone,
I watch thin bubbles veering brightly upward
From unknown depths,--my silver thoughts ascending;
Saying now this, now that, hinting of all things,--
Dreams, and desires, velleities, regrets,
Faint ghosts of memory, strange recognitions,--
But all with one deep meaning: this is I,
This is the glistening secret holy I,
This silver-winged wonder, insubstantial,
This singing ghost. . . And hearing, I am warmed.

     *     *     *     *     *

You see me moving, then, as one who moves
Forever at the centre of his circle:
A circle filled with light.  And into it
Come bulging shapes from darkness, loom gigantic,
Or huddle in dark again. . . A clock ticks clearly,
A gas-jet steadily whirs, light streams across me;
Two church bells, with alternate beat, strike nine;
And through these things my pencil pushes softly
To weave grey webs of lines on this clear page.
Snow falls and melts; the eaves make liquid music;
Black wheel-tracks line the snow-touched street; I turn
And look one instant at the half-dark gardens,
Where skeleton elm-trees reach with frozen gesture
Above unsteady lamps,--with black boughs flung
Against a luminous snow-filled grey-gold sky.
'Beauty!' I cry. . . My feet move on, and take me
Between dark walls, with orange squares for windows.
Beauty; beheld like someone half-forgotten,
Remembered, with slow pang, as one neglected . . .
Well, I am frustrate; life has beaten me,
The thing I strongly seized has turned to darkness,
And darkness rides my heart. . . These skeleton elm-trees--
Leaning against that grey-gold snow filled sky--
Beauty! they say, and at the edge of darkness
Extend vain arms in a frozen gesture of protest . . .
A clock ticks softly; a gas-jet steadily whirs:
The pencil meets its shadow upon clear paper,
Voices are raised, a door is slammed.  The lovers,
Murmuring in an adjacent room, grow silent,
The eaves make liquid music. . . Hours have passed,
And nothing changes, and everything is changed.
Exultation is dead, Beauty is harlot,--
And walks the streets.  The thing I strongly seized
Has turned to darkness, and darkness rides my heart.

If you could solve this darkness you would have me.
This causeless melancholy that comes with rain,
Or on such days as this when large wet snowflakes
Drop heavily, with rain . . . whence rises this?
Well, so-and-so, this morning when I saw him,
Seemed much preoccupied, and would not smile;
And you, I saw too much; and you, too little;
And the word I chose for you, the golden word,
The word that should have struck so deep in purpose,
And set so many doors of wish wide open,
You let it fall, and would not stoop for it,
And smiled at me, and would not let me guess
Whether you saw it fall. . . These things, together,
With other things, still slighter, wove to music,
And this in time drew up dark memories;
And there I stand.  This music breaks and bleeds me,
Turning all frustrate dreams to chords and discords,
Faces and griefs, and words, and sunlit evenings,
And chains self-forged that will not break nor lengthen,
And cries that none can answer, few will hear.
Have these things meaning?  Or would you see more clearly
If I should say 'My second wife grows tedious,
Or, like gay tulip, keeps no perfumed secret'?

Or 'one day dies eventless as another,
Leaving the seeker still unsatisfied,
And more convinced life yields no satisfaction'?
Or 'seek too hard, the sight at length grows callous,
And beauty shines in vain'?--

                                These things you ask for,
These you shall have. . . So, talking with my first wife,
At the dark end of evening, when she leaned
And smiled at me, with blue eyes weaving webs
Of finest fire, revolving me in scarlet,--
Calling to mind remote and small successions
Of countless other evenings ending so,--
I smiled, and met her kiss, and wished her dead;
Dead of a sudden sickness, or by my hands
Savagely killed; I saw her in her coffin,
I saw her coffin borne downstairs with trouble,
I saw myself alone there, palely watching,
Wearing a masque of grief so deeply acted
That grief itself possessed me.  Time would pass,
And I should meet this girl,--my second wife--
And drop the masque of grief for one of passion.
Forward we move to meet, half hesitating,
We drown in each others' eyes, we laugh, we talk,
Looking now here, now there, faintly pretending
We do not hear the powerful pulsing prelude
Roaring beneath our words . . . The time approaches.
We lean unbalanced.  The mute last glance between us,
Profoundly searching, opening, asking, yielding,
Is steadily met: our two lives draw together . . .
. . . .'What are you thinking of?'. . . My first wife's voice
Scattered these ghosts.  'Oh nothing--nothing much--
Just wondering where we'd be two years from now,
And what we might be doing . . . ' And then remorse
Turned sharply in my mind to sudden pity,
And pity to echoed love.  And one more evening
Drew to the usual end of sleep and silence.

And, as it is with this, so too with all things.
The pages of our lives are blurred palimpsest:
New lines are wreathed on old lines half-erased,
And those on older still; and so forever.
The old shines through the new, and colors it.
What's new?  What's old?  All things have double meanings,--
All things return.  I write a line with passion
(Or touch a woman's hand, or plumb a doctrine)
Only to find the same thing, done before,--
Only to know the same thing comes to-morrow. . . .
This curious riddled dream I dreamed last night,--
Six years ago I dreamed it just as now;
The same man stooped to me; we rose from darkness,
And broke the accustomed order of our days,
And struck for the morning world, and warmth, and freedom. . . .
What does it mean?  Why is this hint repeated?
What darkness does it spring from, seek to end?

You see me, then, pass up and down these stairways,
Now through a beam of light, and now through shadow,--
Pursuing silent ends.  No rest there is,--
No more for me than you.  I move here always,
From quiet room to room, from wall to wall,
Searching and plotting, weaving a web of days.
This is my house, and now, perhaps, you know me. . .
Yet I confess, for all my best intentions,
Once more I have deceived you. . . I withhold
The one thing precious, the one dark thing that guides me;
And I have spread two snares for you, of lies.

I. Cogida and death

At five in the afternoon.
It was exactly five in the afternoon.
A boy brought the white sheet
at five in the afternoon.
A frail of lime ready prepared
at five in the afternoon.
The rest was death, and death alone.

The wind carried away the cottonwool
at five in the afternoon.
And the oxide scattered crystal and nickel
at five in the afternoon.
Now the dove and the leopard wrestle
at five in the afternoon.
And a thigh with a desolated horn
at five in the afternoon.
The bass-string struck up
at five in the afternoon.
Arsenic bells and smoke
at five in the afternoon.
Groups of silence in the corners
at five in the afternoon.
And the bull alone with a high heart!
At five in the afternoon.
When the sweat of snow was coming
at five in the afternoon,
when the bull ring was covered with iodine
at five in the afternoon.
Death laid eggs in the wound
at five in the afternoon.
At five in the afternoon
At five o'clock in the afternoon.

A coffin on wheels is his bed
at five in the afternoon.
Bones and flutes resound in his ears
at five in the afternoon.
Now the bull was bellowing through his forehead
at five in the afternoon.
The room was iridiscent with agony
at five in the afternoon.
In the distance the gangrene now comes
at five in the afternoon.
Horn of the lily through green groins
at five in the afternoon.
The wounds were burning like suns
at five in the afternoon.
At five in the afternoon.
Ah, that fatal five in the afternoon!
It was five by all the clocks!
It was five in the shade of the afternoon!

II. The Spilled Blood

I will not see it!

Tell the moon to come,
for I do not want to see the blood
of Ignacio on the sand.

I will not see it!

The moon wide open.
Horse of still clouds,
and the grey bull ring of dreams
with willows in the barreras.

I will not see it!

Let my memory kindle!
Warm the jasmines
of such minute whiteness!

I will not see it!

The cow of the ancient world
passend har sad tongue
over a snout of blood
spilled on the sand,
and the bulls of Guisando,
partly death and partly stone,
bellowed like two centuries
sated with threading the earth.
No.
I will not see it!

Ignacio goes up the tiers
with all his death on his shoulders.
He sought for the dawn
but the dawn was no more.
He seeks for his confident profile
and the dream bewilders him.
He sought for his beautiful body
and encountered his opened blood.
Do not ask me to see it!
I do not want to hear it spurt
each time with less strength:
that spurt that illuminates
the tiers of seats, and spills
over the cordury and the leather
of a thirsty multitude.
Who shouts that I should come near!
Do not ask me to see it!

His eyes did not close
when he saw the horns near,
but the terrible mothers
lifted their heads.
And across the ranches,
an air of secret voices rose,
shouting to celestial bulls,
herdsmen of pale mist.
There was no prince in Sevilla
who could compare to him,
nor sword like his sword
nor heart so true.
Like a river of lions
was his marvellous strength,
and like a marble toroso
his firm drawn moderation.
The air of Andalusian Rome
gilded his head
where his smile was a spikenard
of wit and intelligence.
What a great torero in the ring!
What a good peasant in the sierra!
How gentle with the sheaves!
How hard with the spurs!
How tender with the dew!
How dazzling the fiesta!
How tremendous with the final
banderillas of darkness!

But now he sleeps without end.
Now the moss and the grass
open with sure fingers
the flower of his skull.
And now his blood comes out singing;
singing along marshes and meadows,
sliden on frozen horns,
faltering soulles in the mist
stoumbling over a thousand hoofs
like a long, dark, sad tongue,
to form a pool of agony
close to the starry Guadalquivir.
Oh, white wall of Spain!
Oh, black bull of sorrow!
Oh, hard blood of Ignacio!
Oh, nightingale of his veins!
No.
I will not see it!
No challice can contain it,no swallows can drink it,
no frost of light can cool it,
nor song nor deluge og white lilies,
no glass can cover mit with silver.
No.
I will not see it!

III. The Laid Out Body

Stone is a forehead where dreames grieve
without curving waters and frozen cyprseses.
Stone is a shoulder on which to bear Time
with trees formed of tears and ribbons and planets.

I have seen grey showers move towards the waves
raising their tender riddle arms,
to avoid being caught by lying stone
which loosens their limbs without soaking their blood.

For stone fathers seed and clouds,
skeleton larks and wolves of penumbra:
but yields not sounds nor crystals nor fire,
only bull rings and bull rings and more bull rings without walls.

Now, Ignacio the well born lies on the stone.
All is finished. What is happening! Contemplate his face:
death was covered him with pale sulphur
and his place on him the head of dark minotaur.

All is finshed. The rain penetrates his mouth.
The air, as if mad, leaves his sunken chest,
and Love, soaked through with tears of snow,
warms itself on the peak of the herd.

What is they saying? A stenching silence settles down.
We are here with a body laid out which fades away.
with a pure shape which had nightingales
and we see it being filled with depthless holes.

Who creases the shroud? What he says is not true!
Nobody sings here, nobody weeps in the corner,
nobody ****** the spurs, not terrifies the serpent.
Here I want nothing else but the round eyes
to see his body without a chance of rest.

Here I want to see those men of hard voice.
Those that break horses and dominate rivers;
those men of sonorous skeleton who sing
with a mouth full of sun and flint.

Here I want to see them. Before the stone.
Before this body with broken reins.
I want to know from them the way out
for this captain stripped down by death.

I want them to show me a lament like a river
which will have sweet mists and deep shores,
to take the body of Ignacio where it looses itself
without hearing the double planting of the bulls.

Loses itself in the round bull ring of the moon
which feigns in its youth a sad quiet bull,
loses itself in the night without song of fishes
and in the white thicket of frozen smoke.

I don't want to cover his face with hankerchiefs
that he may get used to the death he carries.
Go, Ignacio, feel not the hot bellowing
Sleep, fly, rest: even the sea dies!

IV:

The bull does not know you, nor the fig tree,
nor the horses, nor the ants in your own house.
The child and the afternoon do not know you
because you have died forever.

The shoulder of the stone does not know you
nor the black silk, where you are shuttered.
Your silent memory does not know you
because you have died forever.

The autumn will come with small whiet snails,
misty grapes and clustered hills,
but no one will look into your eyes
becuaase you have died forever.

Because you have died froever,
like al lthe dead of the earth,
like all the dead who are forgotten
in a heap of lifeless dogs.

Nobody knows you. No, but I sing of you.
For posterity I sing of your profile and grace.
Of the signal maturity of your understanding.
Of your appetite for death and the taste of its mouth:
of the sadness of your once valiant gaiety.

It will be a long time, if ever, before there is born
an Andalusian so true, so rich in adventure.
I sing of his elegance with words that groan,
and I remember a sad breeze through the olive trees.

pre-scriptum:
                no polyglot would experience this sort of "paradox", it's not even a paradox of a "paradox" off a 'paradox', bilingualism has its methodology, as Kant could explain, extracting his methodology off the page into a meticulous day-to-day activity... the sage / if not the clock of Königsberg... i can imagine this obsessive-compulsive mini-rituals that would always escape the throng on a Sunday... the Sunday eucharist wasn't enough for the man, there were so many rituals to take care of, having famously not married, while Kierkegaard having: infamlusly not married... i appreciate their strategy... reading them while also reading Nietzsche, these two gentlemen, by comparison, if not in work, certainly in life gravitate above the popularity of Nietzsche... why? Nietzsche appears as an incel... fan boy, are you? *******... but you need some sort of structure if you're not going to marry... Kant found his daily routine an eternal mass... so many routine daily tasks seemingly mundane to some, can enlarge themselves to become out of proportion pillars of preserving sanity in face of standing before god and a post-life scenario... hell is not so much a place of suffering... i can tell you of the most "mild" form of suffering... an extrovert becoming drunk... constant talking, lack of purpose as in: lack of direction culminating in: lack of concentration, pandemonium is the heaven of a flickering light for a moth... again... this always bewilders me... why did Sisyphus have to drag the stone up the hill? was there some overlooking demon with a whip looking over him? couldn't he just... sit, and concentrate on the stone, create pleasure, from thinking? is that really so odd... i suppose so... given the grand h'american export of the freedom of speech... few people will find pleasure in thinking... Kierkegaard, which Nietzsche didn't read... said: why do people concern themselves with the freedom to speak, when they already possess a freedom to think? is this, me speaking, because it's the internet and it's a public space... surely i don't have an eloquent speech, i speak too quickly, i sometimes mumble, this is an extension of thinking, it's not an invitation to speak... rhetoric is an art designated for people who joked about philosophy and took sophistry seriously... i don't like Nietzsche... i still think of the man as the esteemed bachelor... apparently being freed from women allowed him to write his Critique with the sort of clarity that comes, in a cascading form, at the end, in the methodology of transcendence... which reads, like a page-turner tabloid narrative... once the formalities / difficulties are established... i'm no polyglot though, but i do succumb to some eccentricities... as any entrenched bilingual might... notably linguistics... how there are no diacritical markers in english, but there are: in other latin script based languages of continent europe... how i've never heard of dyslexia outside of the realm of spoken english... how orthography does not exist in the english language, which creates all these silly english questions of: what is reality, what is perception... with no orthography: metaphysics runs rampant... and "another" thing... i really can't read a philosophy book in english, i always have to revert back to my mother tongue, to Polish... i can't read a philosophy book in english... i looked at Plato once in english... the aesthetic is lost on me... but the Irish know of the Slavic aesthetic when it comes to dialogue, i.e.:

(a) the english standard for dialogue weaved into a narrative -
"i want this," she said,
   "as i want that," he said...
(b) the slavic standard for dialogue weaved into
a narrative...
- so?
- what?
- will we try to speak without
   the reiteration of who said what?
- we could.
- no, we should.
smoother... James Joyce noted this,
casual - no point adding descrptions of
how the puppet-master lost power
over his puppets with " " ditto markers of
dialouge of a: he, he really did say...
no, not he, the narrator...

   i simply cannot read the genre of philosophy in english, too much easy access points of pop culture with that umbrella overreach... matrix, memes, darwinism, blah blah... too much focus on images and very little focus on words, esp. etymology, that other component of history that focuses on: a universal application of words, beside status king, or status pauper... both the word bread can succumb to the king's tongue, as to the pauper's... but with an origin story? anything beside **** similis, the monkey, will do me just fine... then again... there's no one strand of monkey to begin with... a bit like looking up your own *** for too long, you decide that there's a coherent, "bigger picture" and it begins with chimp- and ends with -rilla... doesn't anyone else just tire of looking up a monkey *** to peddlestool the importance of darwinism for so long? i mean... at least chemistry is a playground among the science... there's no worry for a beginning... there's only play... no... i can't read a philosophy book in english... i have to read it in Polish... which is also a... january, february, march, april, may, june, july, august, september, october, novermber, december... you'd think i'd be able to recite you the months in my mother tongue... styczeń, luty, marzec, kwiecień, maj, czerwiec, listopad, grudzień... english alphabet? a, b, c, d, e, f, g, h, i, j, m, n, l, o, p, q, r, s, t, u, v... **** gets scrambled... pointless rubrics... give me the practical! - i've just picked up a copy of Plato's republic... straight away i know that i'm finding my gensus in Plato rather than Aristotle...

    och ty, pijaku z psim pyskiem,
                  a za to z sercem jelenia...

    oh you, drunkard with a dog's snout,
                           nonetheless, with a stag's heart...

again, Nietzsche: Kant is an idiot, Plato is boring...
perhaps in German, for a German,
looking for Germany while roaming parts of Italy...
well... Plato, really seems appealing in
high slavic (western), the conversations breed
a sense of clarity, about fog, about darkness,
or any akin metaphor to boot...
                           between Nietzsche's maxims,
i'll take la Rochefoucauld succinct observations
before i succumb to pop-nietzsche modern
cult meme fucklords...
                          Roger Moore... prime example
of a bachelor, Kant, the same, Kierkegaard...
as for myself? if i married?
  would i still have the same sort of access to new
music, that i currently enjoy?
   for god's sake... i have to fall asleep while
listening to music, if i spend a day without
at least 5 hours of music on the headphones
   i start to lose the plot...
              my drinking is merely a side-note...
a p.s., given that now i'm a reformed drinker?
having cut my dosage in half...
     i'm still a music *****...
   women don't like music junkies...
                   and when my ex- started reading me
a qustionnaire from a russian cosmopolitan
magazine on the train to moscow from
st. petersburg... i thought i was going to shoot
myself in the head...
             perfect girlfriend this,
perfect girlfriend that...
             bob dylan saved me...
        but not for long...
                         women aren't feline...
at least with a cat you can ignore it...
                  he's pretending to be a solipsist and
you pretend to be: caring...
                 food on the table,
a clean litter tray... besides that?
                                                 fuckoffski!
     and i write this from a perspective of endearment,
nothing beats the zenith moments in a hetrosexual
relationship... the odd date...
                 talking impromptu... making food...
***, ***... ***... *** *** ***... ***... ***...
       but the petty arguments...
   the attention to detail...
                   god... anniversaries?
  i don't even celebrate my own birthday!
i fake celebrating christian holidays...
                    today is today, tomorrow:
that's tomorrow's concern...
           o.k. england winning the cricket world cup...
but that's a celebration with a calendar!
it's not regulated by hormones and
the impossibility for nostalgia...
                 i tried the relationship,
i tried the ***...
                       i had to visit a brothel for
the anaesthetic with regards to the past...
  i needed to visit the brothel to also visit
the butchers...
                               i needed to become meat,
to **** meat... and stop concerning myself over looks:
they only brought me trouble...
like i was walking with a "telepathic"
c.c.t.v. crow on my shoulder...
                             so i put on the weight i lost...
and... at that point? it was liberating...
mind you... if you want to lose weight?
  bicycle and swimming... no gym...
fruit for your last meal during the day...
eat anything you want...
  but losing weight? and all that bulimia,
classical roman bulimia:
training the oesophagus with first *******
into the mouth... then with no fingers
down the mouth?
                beauty... is not worth the trouble
when you really tempt yourself with the expansive
temporal canvas...
21 was my peak... after that...
                     voluntary celibacy...
                   a **** here and there...
            but no... it's not for me...
                    i guess i looked up to the right sort
of men... with regards to staying a bachelor...
to be highly invested in something,
   like Kant in a transcendent methodology...
like Kierkegaard invested in the arts...
like Nietzsche invested in waiting for
the fruition of his prophesies...
                      you have to be born to want to live
the simple happy life...
                  the "expected" life...
       the whole Hiob motto of: once taken,
can be regained blah blah...
                        it needs to have trans-generational
breeding involved...
                   a list of expectations...
                social-pressures and for that matter:
intrinsic socially-cohesive-stratification...
i'm a ****** in England...
             and... that puts as much social pressure
on me as... a chihuaha barking does
to an Alsatian's yawn... that's the stereotype...
the smalls dogs bark... the big dogs bite...
                 oh sure, when i visit my grandparents
back "home"... the older generation put
the pressure questions to the test:
even women from Warsaw...
   so where's your girlfriend?
to the old folk i reply: well i can't exactly force
a woman to be with me...
to the women of Warsaw?
   i'm practially a monk...
                        why?
          you don't really want to be aged 21...
forced with a scenario of:
happily dating, presumably reciprocrating trust
with regards to contraception,
being forced to reply to the scenario:
i think i'm pregnant... my my...
   and we were only 6 months apart after
the break-up, living in two different cities...
em...
                     on a lighter note...
what's the most fun you can have in Kenya?
   sitting on the balcony, in the shade...
feeding rascal macaques anything from nuts...
to bags of sugar... you, two macaque monkeys,
one balcony... the indian ocean frothing beyond...
it doesn't require a genius to figure out
what's worth cherishing without having
to feel obliged to the whole of humanity for...
offspring - many already figured this out before me:
you learn to give birth to your self (reflective,
and yes, not yourself - the reflexive)...
   which brings death to having to stand on its head...
... isn't Sisyphus the son of Atlas?
            couldn't Sisyphus just sit beside the stone
and... well yeah: think up the philosopher?

.em... looking back at the british empire, and the loud-mouth former colonial people... by god, i've never seen such leeches, i've never seen a people, so proud of being colonialißed! what's there to be proud of?! looks like in a post-colonial world, these former colonial busy-bodies had to, had to: step up and move their markers for Aladdin being performed in the West End... *******...  never in the history of the world, were post-colonial people endowed with so much pride, the whole m'ah bwee'dish *******... to counter herr zeppelinmann with the pakistani in the p.s. framework of the british empire... rotherham... ring a pakistani blue?! have a guitar on y'ah?! see... i don't like these former colonial states, with their people migrating to england, having their overlord say it now, say it clear bollocking... i don't mind a top hat, tux donning ******* giving me directions... but when a ****- does it?! sorry... i'm so sorry... will you please excuse me?! i just don't like *******, i don't like the sort of people who celebrate being colonial subjects, esp. after the whole post-colonial celebration of "libertion"... i don't like ****** / pakis who have to find their "past" by playing the cricket ball of, "the former" colony! i hate copper skinned ******* of ****- origins! former colonial raj-vizier... how can you breed these sort of people, who find pride in being under colonial power?! the **** didn't understand freedom, only understood it when being subject to its lack?! well... so much for english women... i guess they were only going to go for pakistani grooming gangs... drowning in the ganges... i have as much of jesus christ on the cross in me, as i have plenty and enough of pontius pilate's worth of soap to mind the next few years; never in my life would i have to witness the former colonißed to bribe their way, into an acceptance "speech" methodology... the ****- to fable the englishman for his, "tea"... no conquered people, no colonißed people should ever glorify their conquerers or colonißers... i guess the british achieved a double subversion... why do the ****- (stanis) still play cricket... i don't want to know... i'm new here... but... but... when a ****- attempts to displace a european from europe? that's my breaking point... i don't like being displaced from europe... the next ****- that will? well... the obvious target, a northern english teenager girl readied for grooming. i said! next ****- that tries to displace an european from europe... well... i guess.. given the power of the current politicians... nothing! ha ha!

well, with the e.u. article x, y and z...
herr zensor just flew over
London and dropped a bomb
from his zeppelin,
             because?
         two year ago,
       a teenager, girl, aged 13,
downloaded some materials
regarding self-harm...
              now the english government
is implicating regulations,
it will regulate social media usage,
mind you: ***** 'arry was pushing
the agenda all along...
   never mind the competent users...
just tackle the problem
with the addicts...
    oh look: no ******, no alcohol...
ms. amber: i'm sorry, we've failed,
we punched "the agenda"
of a blank canvas too far,
    we're going to have to double down,
for a while, so we can just
survive and have this sort
of a punching-bag of a blank
canvas readied for us...
               so the government will come
in and regulate,
       come on, 13 years old,
but the rising queer epidemic of
premature depression in the youth?
    while the parents do not
implement internet safety
   for their children,
        no block filters...
                like blocking pornographic
sites,
      so the infiltration came
            from within the supposed
safety-net sites?
           ****... i was exposed to
rotten.com by word of mouth at
school...
                           just when the internet
launched with that whole
dial-up modem,
    chris rock in lethal weapon
moment talking about old telephones...
and people bemoaned e.u.
articles...
         there have to be consequences...
people should / companies
should be taken into account...
     what about the *******
  who sold me chemically enhanced
marijuana?
            well of course:
   better a guilty man walk free,
than an innocent man become imprisoned...
that logic is still kinda flimsy
for me...
                 i don't know why...
   but it just is...
    surely there are parental filters
for what a child can and cannot see
on the internet...
                 when i was first exposed
to horse on woman *******?
       em...
         is there anything honest to think
about, at this point?
          maybe that's why i decided
to "ghost" around 200 fwends on fb.,
i figured...
        **** this pseudo-voyeurism
of what people want me to see...
    i've invested a decent amount of years
and settled for the 13K poem / doodle count...
and some pictures...
   none of them saved on a personal
drive...
         why would i stash the content,
hide it, when i want people to peruse...
'it's always dark before the dawn',
sorry, i don't know how much
of a ****-******* optimist i have to be...
before a stoic cynicism grinds me
to a halt of:
                   "branching out"...
              i came here for the punching bag
of a blank canvas...
              i never came for the fake
sycophancy or some count of numbers...
i came here, for an outlet...
      it was either this,
                     or a punching bag...
and you almost sense that this whole
farce of "national sovereignty"
is about to be dropped into the *******
and flushed...
       because... it will all become
                             "too inconvenient"...
oh they'll stall... until the european elections
take place...
                   and there's a u.k.
                        (probably the only time
where an N does't come between
vowels)...
                they're wriggling themselves
out... public: 1 vote...
                parliament: i've lost count...
it's not even akin to rats jumping ****,
more like a maggot **** in a pit...
                        that's what a cynic is:
a realist...
                         if i'm wrong, i'm wrong...
but...
              on several occassions
i haven't been wrong...
           and you just have to watch for
that glee in the eyes of channel 4 journalist
anchors...
     i know that glee in the eyes...
it's a glee of hope...
              a sly variation of hope...
               it's also a certainty imbued
               with a certainity-expectation;
thank god i didn't use the video medium...
no passive watchers,
      at least with writing...
certain sacrifices have to be made. / / / / / / / / / /
/ / / / / / / / / / / / / / /

a "p.s.": well of course i'm not happy
with the news coming from today,
mind you: ever spot a woodland pigeon?
god, aren't they plump?
               bloated *******,
they always seem well fed by the forest...
a pair nested in a tree in my garden,
only yesterday, i picked up two
almost translucent offspring of theirs,
thrown out of the nest,
   the bride and groom
               decided they were sick,
weak...
                  they did look weak...
     death stared back at me,
          what once was animate,
lying there, among the stones, inanimate...
what a strange sight...
            do i believe in god?
            well... tell me...
   what is the driving force that coordinates
hearbeats, the functions of the stomach,
intestines, liver, kidney and lungs?
the categorical imperative split of the brain:
thinking, memory, imagination?
the bank of pathologies?
              tell me, what is the universal
1: nth term functions of the brain / 1 (divided
by 1),
                 the heartbeat / 1,
              the liver's function(s) / 1...
              the stomach's function / 1...
the pancreatic function / 1...
           i sometimes wonder:
  i own bones only in light of the thin
skinned extentsions associated with
fingers and tooes...
   sometimes this sort of thinking helps...
to "fake ignorance",
in order to rediscover awe...
         as if a genesis story...
to be the first...
        you never actually know what you will find...
sometimes there's no point being caged
in all the advancements of knowledge,
of certainity we are presented with
on the secular altar,
            ****! i can't even begin to comprehend
how i managed to clamour out from
beneath the eisenvorhang...
    a brief interlude... and straight back under
the siliziumvorhang...
            i guess i need to sleep the better dues
to pass this day...
           it was expected though,
i was, after all... sending out an S.O.S.,
     wattpad... what is it?
              teens wet silly with poetry
associated with no messy love,
mostly girls...
              YA novelties and novellas...
side projects...
               again: vampires, warewolves,
zombies, blah blah: yawn a year later...
         teen girls: sensitive as
daffodils, but as soon as a presence
comes along: little scheming modliszkas
   (mantises) - since daddy would not
approve...
              i discovered marquis de sade
in my teens: thank **** that i did...
i wished for an exoskeleton,
i moved past it, into lizard skin,
until my skin started resembling
an oyster shell hardness...
                     you snooze, you loße...
i only saw the trilogy once,
in the waterstones of Greenwich Village
in London, when i was doing some roofing
for a housing project...
i only saw the trilogy once...
i only bought Joris-Karl Huysmans's
Là-Bas once... i should have bought
the two other books...
  since i never saw them again...
  unlucky me... having succumbed to the sterotype
of the magpie stealing silver spoons...
the cover...
   artwork by aubrey beardsley:
                        'of neophyte and how the black art
was revealed to him by the fiend Asomuel'
   (the pall mall magazine, june 1893)...
on amazon.com you either get a chance
to purchase this book, or:
Against Nature (a rabours)...
    but there's a trilogy behind Là-Bas...
zee fwench: sorry, and not sorry,
the english can be grand poets,
but when it comes to prose?
                they're not even sniffing
the toes of the french...
                what happened to woodland pigeon
coos today?  wattpad.com,
2015...             the same for me...
an outright ban... because some girl
decided to be offended by me cutting off
a conversation with her: wish her a good life...
and i really out so much effort into that page...
zip it shrimpy: cut off, little richard
on the guillotine... cut!
                well... i was clued into
the world of 'olapoesía.com,
           hallopoesia.com
                       sveikidzeja.com (lithuanian...
dzieje? happenings, events, in ******)...
          and just my luck...
      leave a harmless comment in an in-group,
in a hive?
              how the nazis were not exactly
mongols, or the first christians who
burned down the library of alexandria,
when notre dame burned...
      when the blitz of london...
and how st. paul's "miraculously" survived...
and i said: i'm pretty sure the people
in command said to the luftwaffe squadron
about to bomb london:
you drop a single bomb on st. paul's:
firing squad...
           they were nazis: but sure as ****
they weren't the people of the siberian steppe!
so hellopoetry.com,
  2019, suspension from may until december 2019...
but unlike wattpad...
  i still have my account!
   and guess who's digging trenches, right now?
poetfreak.com and minds.com are
step-overs...
why did i delete my 200+ fwends off of
facebook.com and reduced it to
3 random strangers?
          eh?
                   as much as i abhor darwinism
poking its head through to give
every single existential explanation...
i have to side with darwinism on this point:
a defensive modus operandi...
lie low...
          pretend to be dead...
                   i knew the censorship storm
was coming back in 2015...
and this current banning of woodland pigeon
coos banning?
     i'm sort of happy...
but not for the sort of reasons stemming
from the ban...
     i can finally spread the "love"!
           i finally know what it feels like,
for someone who liked my work...
         being cut off from my content...
frankly... it feels great!
                   i can finally entertain my perspective
with a pinch of empathy...
sympathy is already here:
since it happened to me back in 2015,
and in early 2019...
         now for the 3rd time lucky
on the platforms i already mentioned...
but like this hindu woman said to me...
1st time is an honest mistake,
2nd time is a lesson in learning...
3rd time? there's nothing for you to learn...
and that's of course in reverse:
of me being banned.
                         after all...
if marquis de sade is still with us?!
                 marquis de sade...
                              i knew herr zensor was
coming...           but i didn't exactly
expect to climb from under the iron curtain,
to be draped over with the silicon curtain...
and these people know they're taking away
our former playground,
our youth center,
                       well...
                           but at least i didn't make
passive content akin to a video...
         if they really want to ban me a third
time...
       i'm glad someone took the effort
to read my work...
   saves them the time ageing toward granny
age, resorting to binging on harlequin
romance novels.

p.s.

you've actually caught me in my berserker
drinking mode... i'll just spew...
and spew as i must, i never expected
the "useful idiots" to comply to what my thinking
didn't prescribe them to do...
even hegel once pointed out:
something about 3D chess,
a thinking man, with pawns of willing
actors... i never liked hegel...

                  hegel has become too much
of a crucifix, a bookmark,
of what and where, "things" went wrong...
i hate bookmarked people...
kant isn't bookmarked...
         all the slander that nietzsche offered him,
as some repetitive jargon booster,
with the sort of a bachelor lifestyle
he greatly admired: rooted in Königsberg...
****** worked like clockwork...
his predictability was the great deception...
forget shuffling ideas and whatever
like a northern semite...
weren't the vikings the semites
of the north? restless creatures,
constantly displaced? weren't they?

mind you... eh...
     you know how many necromancers
actually exist?
   you ever read a book by jean-paul sartre?
james joyce? stendhal? dumas?
sienkiewicz?
      you sure you're not
a necromancer?
                it's not an exactly
illustrious title to hold...
             when reading the books
of the departed, aren't you invoking
their living presence, into the current storm
of affairs?
  sure as **** it's not a spectacular "title"
to hold, is it?
           to think: one is more likely
to cite the dead, having "risen" from
their grave, that one is to make
   "compensations" with the living...
   when journalism ****** politics...
and the sort of admired journalism,
akin to all the president's men...
died...
                a slower death than the traversing
speed of a snail...
   like that other quote beside
hegel:         the terrible...
                   has already happened.
the holocaust, chernobyl...
   that has already happened...
               awaiting what could ever be
worse: is but akin to the sword of Democles...
it's hanging in the air,
   blood-thirty,
  like the talking heads of
the french aristocracy, once the guillotine
chop happens... gagging for "free speech"
in a basket...
what is mary antoinette just said:
let them have croissants?!
    fat fake cake binges would...
with a snap of the fingers... be over...
still... the english crumpet...
      tyson fury vs. manny pacquiao
    (the obvious choice of crumpet,
and the croissant getting battered...
akin to a french toast,
               soaked in beaten eggs)...

you read any book by a dead person,
you're a necromancer...
             i'm a necromancer...
                 you're a necromancer...
the dead arrive at your head,
have a ******* with your thinking,
then leave,
you continue,
   in your own right,
and in their right: of mutating their
original thought...
          that lost ambition of narrative,
transcending any and all
moral 'oughts...
                    try me after an hour
spent with a ******* doing nothing
but kissing her:
just, because, "on a whim",
i forgot to trim my ***** hair...
                stealing kisses from prostitutes
isn't exactly easy...
all that pretty woman dogma...
     **** above a kiss...
          well... "yeah"... in reality?
                   i'm thinking about three things
right now... growing a heard long enough
to reach my heart...
   bonsai: in both the tree botanical form
and a feline form of a shrunken tiger
akin to a maine **** cat...
   and a pagoda...
                      don't ask me why...
i'm good at su doku puzzles... mahjong...
really **** on the crossword puzzle scale...
hence? random words just enter my mind
and i need an ars poetica impromptu
to lodge them into.

p.p.s.
i already know what the inquiring man would
or could ever do with a child,
to inquire about his own development as
a child, to find the: dot dot dot the missing
answers, to see for himself as he developed
into an adult, or, worse, to project his own failings
onto the child, child genius tiger mums team
alpha-bravo... child prodigy gehennah...
it's almost a psychological fetish for some,
to bind oneself to the canvas of a child,
better off with a cat, or a dog if that's your
"thing"... at least you won't be hurting anyone...
worse still: the marquis de sade ******
scenario... i still have memories from when
i was 4 years old... Ganesha must be looking
over me: the stereotype? elephants' memory,
which is as long as its trunk...
      "conundrum": if an adult male can fathom
his child: himself at the age of 4...
if he can fathom a metaphorical foetus,
why would he have to procreate,
to produce a d.n.a. mongrel to satiate his
curiosity further?
      besides that... if society was once overtly
religious, moralistic...
today's society is overly-psychologised...
i hate psychological stereotypes,
everyone is this part-time hobby-psychologist...
             i don't exactly require a biological
part-replica of myself to preserve at least
one thought with origin and end within
the confines of my self...
       i'm not exactly prone to utter patriachal
proverbs that encompass whole ethnic groups...
maxims or categorical imperatives
cater for individuals...
                   not the masses...
i'd have to be a patriarch to utter proverbs as
a way to gather the brood of my own
sow and subsequent harvest...
to be so obscure,
    to be so... concerned with lineage...
                   you have to be born with the facets
of necessarily ensuring that future generations
are to make the same mistakes...
           that's why i would never trust western
neo-atheism... d.n.a. as the only future blah blah...
         sure... if you can lodge a thought
into d.n.a. and receive the token of finding both
self and consciousness within such claustrophic automaton confines,
"somewhere down the line"...
      much older generations would have told you...
that's in the fables, the mythos, the temporal crux
and crossroads... time doesn't give a donkey's *******
about your "rational", scientific materialism's worth
of continuum...
                         etc.

no... it's not one of those what came first
type of questions revolving around
a chicken and an egg...

but... since we became innate in translating
images into audibility,
of a more potent system of encoding...

i'm starting to question one "clue"...
did humanity discover the current
encoding system of meaning,
from what, let's just posit: hieroglyphs
as the starting block...

well... because whatever the Chinese
invested in originally... has remained intact...
but i'm wondering...

did we discover the Greek Δ (delta) first...
or... was it the case that...
encoding sounds, using images,
became so outdated...
that looking up at the stars...
               we figured a second tier of
the abstract of communication?

basically... did we discover the skeletal
phonetic first... or did we discover geometry first?
geometry: the basis for an abstract
spatial coordination, with regards to
whether time should be inclusive,
or exclusive in this new field of study?

to me it's a big question...
does the letter Δ (delta) predate the concept
of a triangle?

              new chicken, new egg dynamic...
i'm just curious...
   i'm trying to suggest that...
according to the Greeks...
         the triangle had to be
an a priori concept with the a posteriori
Δ...
               i could be wrong...
but... like an aeroplane conundrum...

i'm thinking: Δ... so... people talking about
climbing mountains?!
how else could you even begin abstracting
a letter, delta, conjuring up a triangle?!

I VM ᛏ Δ:
                   i walk up mountain...

primordial languages,
which primarily originated in verbs...
not the elaborate nouns and noun
distinctions of today...

so what came first? the triangle,
or Δ?
                 in Latin that's I VM T D...
WM? zigzag, or the anti-image
representation of side-winding,
walking: up-down-up-down-up-down...

so what came first?
the letter Δ... or the discussion concerning
triangles?

well... if you look further in time...
i'm pretty sure that I predates 1,
V predates 5,
                        IV predates 4...
X predates 10...
      a time when even 0 wasn't conjured
of looking into the void of Omicron...
so...

                  Δ predates the concept of
studying a triangle...
Δ is the a priori variant of the a posteriori
triangle...
given the Roman numerals...

and i'm pretty sure Δ was derived
from the contorts of a mountain...

i like that summary in the title:
I VM ᛏ Δ        : i travel up mountain...
Roman, Runic, Greek...

                  which just bewilders me,
how much of the ancient tongues had
to improvise with hand-gestures,
the same gesticulations that are still with
us when it concerns deaf people...

i did write a contradiction in this
piece didn't i?
   i might have written that the triangle
predated the Δ,
which is impossible...

                  given that...
Δ is an abstraction of a hieroglyph construct
of encoding...
   at having written the encoding Δ,
having spent some time looking
at a mountain... there was no triangle
in sight... no 2D pyramid in the world...

but then some scholastic book-worm
concentrated on the letter Δ...
and conjured up a triangle!

                         i guess i should make
this an ode, an ode to the god Tyr.

p.s.

there is a variant of how sign-language
provided the enzyme of evolution...
the gnostic A / Λ (lambda)
to denote the unit of 1, or the vector
encouragement posit of:
  one's actions -
                                   the gnostics
tend to focus, not on the iota, I...
the index finger... but the alpha...

                            i.e.

                      (  )     (  )
                            A

the blanks denoting the presence of eyes...
    by comparison Λ (la-mbda)
                                    how many African
languages use the mbaku - the mb-
prefix?
                                   Λ VM ᛏ Δ -
           i.e. i'm the first (on top)
to walk up the mountain...
                  the mountain is a mountain
because its foundation is the ground
i walk on...
               but among the people,
the people are not my foundation...
i am the foundation that pulls people
forward...
                                      otherwise...
conflict stemming from Λ in the form
of A...
                       hierarchic conflict at the cut
off point... whereby... a large majority
of people: fall into the abyss...
     as it definitely does happen
in real life.

His fingers wake, and flutter up the bed.
His eyes come open with a pull of will,
Helped by the yellow may-flowers by his head.
A blind-cord drawls across the window-sill . . .
How smooth the floor of the ward is! what a rug!
And who's that talking, somewhere out of sight?
Why are they laughing? What's inside that jug?
"Nurse! Doctor!" "Yes; all right, all right."

But sudden dusk bewilders all the air --
There seems no time to want a drink of water.
Nurse looks so far away. And everywhere
Music and roses burnt through crimson slaughter.
Cold; cold; he's cold; and yet so hot:
And there's no light to see the voices by --
No time to dream, and ask -- he knows not what.