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Different People regard Theatrics in different ways.
Theatrics, to me, are a celebration of mere existence, in ways.

Some people never seem to gain an appreciation for Theatrics.
Most save their Theatrics for special occasions, or vicariously bask in those of others.
Few embody their own Theatrics; identify with them, live through them.

The way I see it,
each day can be a reason to celebrate
with nicer than normal attire
for seemingly no good reason
or wearing some theatrical eyeliner
or to move with a bit of a dance from A to B
or to incorporate whatever combination of aspects
of theatrical expression.

You see, Theatrics, to me,
are a means for expression,
and, as an Artist,
nothing else can matter more
on a personal level
than expressing what it is
I have in my Mind.

Theatrics
needn't be restrained
merely to the Stage,
for the World is a Stage
and we're all playing our parts
so we may as well have a little fun
and celebrate each moment
with our own styles
of Theatrics.

But,
that said,
everything in moderation.
george glass  Dec 2015
blue
george glass Dec 2015
my childhood was removed from me
inside of a blue mustang
and what remained after that
I tried to barter off the highest bidder
but I grew,
not up,
but forward
further away
slowly releasing
hands of defiance
fists chock full of hopeless words
like anger, the flavor that aches the bone,
the cold kind,
more barren than the green of Christmas lights
glimmering off the icy veneer of a white picket fence
overeager, in the apathy of theatrics,
to strip off the remainder
because the empty feeling that followed
might one day
make a decent poem
ryn  Oct 2014
Rhetoricals
ryn Oct 2014
Are we fated to dance to the same tune alone in our separate universes?
Is it true that we must silently keep to our preordained curses?

Are we destined to swoon at the beauty of the moon at differing time slots?
Why were we given invisible ink to connect our lives' dots?

Must it be that our lives revolve around the whims of the sun?
Isn't it ludicrous that we won't see the intricate webs we've spun?

Was it the plan that we exist only in our minds and hearts?
Why do we have to tolerate starting when the other's ending and end at the other's starts?

Has it been written that we can only afford to infinitely chase each others heartbeats?
Was it foretold that we're trapped in a singular notion that never really fits?

Is the game set as such that we can never emerge as winners?
How is it that the ocean was made out of our tears that flowed from rivers?

Why is it that with our entirety we believe but do not know?
What's the reason for the path made clear but we're too afraid to go?

What does it entail to possess the very least but yet you covet it the most?
How do you pride yourself in something but not allowed to boast?

Why do we frantically scramble to piece together jagged shards?
Can't we just play this blasted deck of lousy cards?

Is it destiny or cruelty to have found then lost?
Why does it seem absurd that we have all its takes but can't afford the cost?

Is it the thoughts that **** or the emotions that debilitate?
Is it the challenges we take on or the curveballs we anticipate?

Why bother when sheer folly is all it seems to be?
Why tarry when the heart is free and the mind is ready?

Is it ridiculous to have found myself still very bothered?
Is it wrong to question fate that had always bound us tethered?

Why is the good always bad and the bad becomes worse?
Is it true that the harder we fight, the deeper we immerse?

Has life turned to be but sad little rhetorics?
Are we but performers on stages coerced into theatrics?

Is it time for me to surface this one-man submarine?
Will it be so that if I do, my journey would then begin...?
A host of rhetorical questions from my older writes...

"Surface this one-man submarine"  isn't mine... It's Brandon Boyd's.
Taken off Incubus' " Love Hurts"
Post-azure, cloud splashed sky,
washes with the suns descent,
breaking into melodies of sunset.
Fracturing into a blush,
the richness of the spectrum
makes itself known.
On a tangent of change,
amorphous clouds bleed
amber glow
and bittersweet combinations
of reds and yellows.
Vermillion streaks through,
and a few cloud folk turn titian,
like sumptuous surreal apricots
rotting in the sky,
that seem to augur
encroaching darkness.
Billows on the horizon
leak crimson,
like spilled wine on table cloth,
and pucker out
like blooms of flaming roses.
Fire refracted
coloured cousins of the sun
are dancing all about.

Here is the anthem
of wild transformation.
Here is cause
for quiet celebration.
Here at this fluent juncture.
Here at the closing of day.

The whole of the ocean below,
is the skies tremendous mirror.
It's reflection is variegated,
into variations a thousandfold.
Multitudinous, and ever differentiated,
distortions of above
ride the crests of waves.
Each apex is a new story.
Each new story,
just as soon as it is told,
comes crashing into trough.
Each finale is the ****** of beginning.
The dynamic roar
of the oceans ever-changing topology
is rife with meaning.

Colossal symphonic wonders,
the primordial song,
releasing upon: the uni-
verse continual,
sending the manifest
to move, with the give and strain
of immaculate design.

Here ensconced
between the safety of light
and the mystery of night.
Here at the oceans edge.

Above, shades of catalina-blue, in conversation
with the outer most cosmic-black
dismiss earlier brighter hues.
Tinged by the infinite nature of space,
the jeweled dome darkens.
Overhead, the first stars appear,
sky transparent to beheld blackness.

Luxuriant, pulling horizon, attracts
violet into it's unfolding theatrics.
Bloodied clouds turn purplish, then black,
a darkening rawness allures,
decaying with vivid beauty,
tragedies of a rouged romance
drug down into shadows play,
searingly alive, extraordinarily actual.

And then, the hush of dusk.
Darkness is felled, like silence.
Scintillating stars
strengthen in the nights
surrounding abyss;
giving radiance definition.

Dynamic Beauty
Lives In Transition,
Oppositions
Compliment.
David Barr Jan 2014
Taste the after-glow from a deepening twilight extravaganza of Victorian burlesque.
I am saddened by those Machiavellian splendours of geographical landscapes, which interfere with the dance of spirits between the mystical stones of druidry.
Have you ever tasted cheese from the New Forest?
There is a subtlety of flavours, and I celebrate the orchestra when torrential rain saturates the soul with flash floods of sensuality.
mûre  Apr 2013
Fallen Mentor
mûre Apr 2013
Get out. Get out of here.
If anybody poisoned the waterhole
it was certainly you.
Put the squish of your smile away
Why sheaf the knife in a lipsticked rictus
if it's going to end up in my back all the same?
Oh, spare me the theatrics.
If you only mean me harm
I'd rather know.
So that I can curtsey
and take the high road.
Mentor, if you taught me anything
during that winter
it was not to be weak.
And so you have my best regards.
And now you may get out.
Jacob Oates Sep 2012
I am the first born millennial grown in the digital garden from transplantation.

The data stream flows along with my bloodlines,

Divided, interspersed, like a lava lamp of my own identification.

A bloodline that once worked the fields, and now works the fields of existence,

A bloodline that made its pilgrimage to new land in order to satiate the body,

has now grown to satiate inquiries within the self.

I reflect upon those occasions where I have been told:

“why do you care about the state of affairs for them, you are not of them, you do not act like them

so

you can’t be one of them

and I clench my tongue, forgive them father, they know not of what they speak”

“Perdonalos padre, no saben nada de que dicen”

The climate of academia is both inviting and yet marking, I feel connected to both intertwined

bloodlines, and markedly separate in a way neither will ever know

“mijo, él esta ******, no dice nada que él no entiende”

But I understand, my name, my appearance, my lineage, they all mark a separation of that cultural

heritage, a combination, a divider,

that lava lamp burns hot from the up down theatrics of where identity will lie

I am the new millennial

Expect us.
Miko  May 2012
Theatrics
Miko May 2012
As an actor on the stage
Of a drama
Of a life
Of a musical
in the daily flux of time,
keep the curtains closed
a fixated audience
on lines withheld secretly backstage.
Continually crossing
frontiers \ feeding them the actions,
the right notes and rhythms
I move from one space to another-
no strings attached.
Today in this dry theatre
(the deserted harbor)
of my mind \the words lie on their sides
incapable of setting
to the sea
endeavoring to fill each one
with some resemblance of
normality
Ash  Jun 2023
theatrics
Ash Jun 2023
in my dreams, I fall upon the altar
time and time again, the dagger
piercing my heart, for you to witness me
Oskar Erikson Jun 2016
There are no blackouts for us
transitions; seemless
one waking daydreaming monologue to the next
no cut or redo
for me & you.

Deuterogenists.
Astrology and Escapology;
You dream and I disappear.
but it seems that we were casted together
This isn't stage fright- its fear.  

It's rude to say the extra's
weren't needed. But its true.
I guess the light always burned brighter,
when it was just us two.

Act I through to V
lasted our life
encore? no more.
I'll retire a gray fox and you my partner in crime.
Lets see what our final scene
has in store.
A circle of faucets
-dousing its interior with emotions both false and sincere-
flooding outside the four corners of this plastered room

A literal and perpetual flooding
-of undefined and undermined thoughts of constructivism-
coursing through the alleyways of the tiled flooring

A haughty idealism floored and trampled
-buried deep beneath the cheapened underlying concrete-
back to vulnerable piping to spout out of voracious spouts

In the end it's a cycle of tactile emotions coming from the circle of faucets itself.
I just need to let this out. I know it's abrupt but this is what feels right.
One night, after she had one too many whiskey sours,
We sat on her beige couch, her legs sprawled over mine,
Swimming in a world of spins, beady eyes boasting sobriety,
Though her liver lasted five rounds with Boom Boom Mancini.
She pawed at my moustache, lathered thin with pomade,
And as her dainty lady fingers, delicious and thin, stretched outward,
Her nails, painted jack-o-lanterns, elongated into semi-sharp claws,
Her naked digits grew hairy, grey and tabby, somewhat shabby.
The arms stretched around my belly became legs of wobbly nature,
The breast that I had adored before, lost the curves,
Continuing down her back, alas to the ***, causing a prehensile shift,
To an archaic tail, one not nearly as inviting as the prior,
Trailing down her legs that used to be bare, neutered by Nair,
The follicles grew rigid, stagnant towers of black and white,
A coat of alley hardened fur now covered her whole self,
Matted with mud or something more foul, it carried down to her toes,
Now paws, unbeknownst to DNA, Scientists, God or whatever,
She was genetically manifesting her 6 year old, little girl aspirations.

But the face, O! The face, how it nestled deep in my nook,
The crook of my shoulder, burglarizing the warmth from my body for herself,
Swaddling in her makeshift womb, her face peeked up at me,
And like the least likely suspect in a line-up, I could not believe my eyes,
At a sight I did not recognize, one that could not, should not be feasible,
Her nose, once upturned with my drunken blather, was now wet, cold, and
Pink like her ******* scattered on the floor. Her whiskers
Mimicked those of my own, yet longer, stranger, like arithmetic to a baby.
Those supple lips disappeared completely, leaving behind a sand paper,
Rough grained tongue to lap at the bottom of my beard.
Her ears grew larger as if to hear a really big secret, or just
Big enough to hear the subtle purr of my heart.
The eyes, once splashed red with alcohol, now yellowed windows,
And the cries she emitted, from her little lungs bouncing around the box,
Emanated with more intensity than the most passionate bedroom theatrics,
Mewing and cooing her transition from female to feline.

I could do nothing but stare into my beer, for I knew what she was going through,
A twenty something woman, maternal clock ticking, finds refuge in
Little kittens, equating the cat to child, until it finally consumed her.
Her body changed, mind still the same, mouth smelling like Johnny Walker
And Chicken of the Sea.
women love cats.

— The End —