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Mom is such
A special word
The loveliest
I've ever heard.

A toast to you
Above all the rest
Mom, you're
So special
You are simply
the best!

እማ

‹እማ› ልዩ ቃል ነው
በጣም ተወዳጅ
ሠምቼ ከማውቀው!

ብርጭቆአችንን እናንሳልሽ፣
ከሁሉም በላይ ከፍብለሽ፣
‹እማ› አንቺኮ ልዩ ነሽ
በቃ በትንሹ አቻም የለሽ!
(በሔለን ስቲነር ራይስ)
For inspirational poems go for Helen
My baby, my burden,
Tomorrow the morn
I shall go lighter
And you will be born.
I shall go lighter
And heavier too
For seeing the burden
That falls up on you
The burden of love
The burden of pain
I'll see you bear both
Among men once again.
Tomorrow you'll bear it
Your burden alone,
Tonight you have no burden
That is not my own.
My baby my burden
Tomorrow the morn
I shall go lighter
And you will be born.//


የሜሪ ሸክም

ልጄ የኔ ሸክም የኔዳ
ነገ በማለዳ
እፎይ እላለሁ
አንተን እገላገላለሁ፣
ግና አንተን ብገላገልም
ሸክሜ አይቀልም
ምክኒያቱም ሳስበው
ያንን ሁሉ ጭንቅ
አንተን የሚጠብቅ
እላለሁኝ ሥቅቅ!
የፍቅርን ሸክም
የስቃይን ሸክም
በፅናት ሁለቱንም
አያለሁ ከሰውልጆች ጎራ
ዳግም ስትጋራ!
ነገ ብቻህን
ትጋፈታጣለህ ሸክምህን
ግና ማምሻውን
የኔ የማይሆን ምንም
ሸክም የለህም!
(ኢሌኖር ፍራጂዮን)
Mother to child love.Read her poem called Books
Alexander K Opicho
(Eldoret, Kenya;aopicho@yahoo.com)

Here is a toast for valentine
Valentine in all seasons perennial
Where angst of money for love  
Cradled utopian capitalism,
It is once again in the city of Omurate
In the south most parts of Ethiopia
On the borders of Kenya and Ethiopia
Where actually the river Ormo enters Lake Turkana,
There lived a pair of lovers
With overt compassion for one another
The male lover was an origin of Nyangtom,
A cattle rustling Nilotic kingdom
While the female lover was a descendant of King Solomon
The Jewish children which King Solomon aborted
Because their mother was an Ethiopian African
They now form substantial part of the Ethiopian population
Their clan is known as Amharic, they speak subverted Yiddish,
These lovers were good to one another
Sharing secrets and all other stuffs that go with love.

Both the lovers were fatherless
They had lost their fathers through early death
They only had the mothers, who were again sickly
Their mothers coughed a whole night with whoops
And when in the wee of the night, when temperatures go low
The mothers breathe with wheezing sound
Like peasant music from African violin,
They didn’t eat with good appetite
They always left irritating chunks on the plates,
But they all puked mucus from their mouths
And of course with a very sickening regularity.

The menace of sick mothers intervened with love freedom
Among the inter-compassionate lovers
They did not have time for real active love
I will not mention recurrent missing of ceremonies
Fetes that are bound to go with valentine day
The lovers were bored to their teeth
They don’t knew when gods will come to unyoke them.

Especially the male lover, was most perturbed
His mother looked sorriest
With a scrofulous look on her old aged African face
She looked like a forlorn erstwhile cattle rustler
She ever whined in pain like a trapped hyena
Her son the male lover even began apologizing
To the female lover for such environmental upsets
Hence an African proverb that;
No love is possible with impaired judgment.

One day in the wee of the night
With no electricity nor any source of light
Darkness engulfing each and every aspect of the city
Confirming the hinterland of Africa
The female lover woke up from the sleep
And she never heard the usual wheezing breathes
That her mother often made in such hours,
Feat of suspicion gripped her
She jumped out of her bed to where her mother was
On feeling her, she found her dead, cold like a black member
She was already past the rigor mortis stage of death process
African chilliness had frozen her like a poikilothermic creature.

She wept but not in the uproarious groan
In that instinctive Jewish shrewdness
She did not announce nor inform her lover of her mother’s death
She only washed and groomed the cadaver of her mother
She made a headscarf around the head of dead mother
She even placed reading glasses on her face
On her mother’s dead torso she wrapped a dress
The most expensive of all bought from Egypt,
In the same wee of the night
She carried cadaver of her mother on her shoulders
The way a poor Nigerian farmer would carry a stem of banana
And walked slowly by slowly for a distance of a hundred kilometers
Down ***** into Kenya towards the city of Todanyang in Turkana County
Todanyang was a busy city, but silent and minus people in the night
The king of this city was called Lapur the son of Turkanai
And the law that Lapur passed in this city was archaic
It was; an eye for an eye, a tooth for a tooth, a Jew for a Jew
A pokot for a pokot, a samburu for a samburu
It was simply the law with nothing else
Other than clauses of measure for measure
And clauses of *** for tat instantaneously administered,
On reaching the market she placed her mother standing
Being supported on a sign post at the bus stage
In pose similar to that of an early morning traveler,
She sat a side like a prowling spider awaiting foolish fly
They way an African ***** exposes its red ****
And when the hen comes to peck
It traps and closes the head of the hen
Deeper into its ****,
At that bus stage there was a hotel
Owned by a Rwandese refugee
From the foolish clan of the Hutu
He had ran away from the genocide
In his country, he was also the perpetrator
And thus he was a runaway from the law *** hotelier
His name was Chapuchapu, meaning the quick one,
When Chapuchapu opened the hotel for the early customers
The female lover walked into the hotel
With innocence on her face like all the Jews
She placed an order for two mugs of coffee
And two pieces of bread
When Chapuchapu had placed food on the table
The female lover shrewdly instructed Chapuchapu
To go and hold the hand of the woman standing at the sign post
To bring her into the hotel for morning tea,
Chapuchapu in his unsuspecting charisma
With a mad drive to make money that morning
He dashed out as instructed with his foolish notion
That the customer is the queen, which is not
He grapped the standing cadaver with force
On pulling her to come along
The cadaver tumbled down like a marionette
Everything falling away; headscarf and glasses
Chapuchapu was overtaken by awe
The female lover was watching
Like the big brother in the Orwellian satire, 1984.
When the cadaver of her mother fell
She came out of the hotel
Screaming like a hundred vehicles
Of St John Ambulance
And two hundred Kenyan vehicles of fire brigade
And three hundred Kenyan cash transfer vehicles,
She was accusing Chapuchapu for being careless
Careless in his work that he had killed her mother,
Swam of armed humanity in Turkana loinclothes
Began pouring in like waters of Nile into Mediterranean
Female lover improved the scale of her screaming
Chapuchapu like a heavyweight idiot was dumbfounded
Armed people came in their infinite
Finally king Lapur arrived on his royal donkey
That his foot soldiers had only rustled
From Samburu land a fortnight ago,
The presence of the king quelled the hullabaloo
The king asked to find out what had happened
Amid sops the female lover narrated how
Chapuchapu the hotelier had killed her mother
Through his careless helter skelter behaviour
The king sighed and shouted the judgment
To the mad crowd; an eye for a……….!?
The crowd responded back to the King
In a feat of amok value;
For an eye you mighty Lapur son  ofTurkanai,
The stones, kicks, jabs began rainning
In volleys on an innocent Chapuchapu
Amid shouts that **** him, he came here to **** people
The way he killed a thousand fold in Rwanda.

The sopping female lover requested the king
That his people wait a bit before they continue
Then the king waved to the people to stop
Chapuchapu was on the ground writhing in pain
When the King asked the female lover what was the concern
She requested for pay from Chapuchapu not people to **** him
Chapuchapu accepted to pay whatever the price that will be put
Female lover asked for everything in hundreds;
Carmel, money, Birr, sheep, goats, donkeys, cows
Name them all they were in hundreds
Chapuchapu and his family were saying yes to every demand
And they rushed to bring whatever was said
The payments exhausted Chapuchapu back to square zero
The female lover carried everything away
The cadaver of her mother on her shoulder
She disappeared into the forest
and buried her mother there.

When she arrived home she found the male lover
He looked at her overnight change in fortune in stupefaction
He didn’t believe his eyes, it was a dream
Sweetheart, where have you gotten all these?
Questioned the male lover
Sweetie darling there is market for dead women
At Todanyang in the Turkana County of Kenya
I killed my sickly mother and carried her cadaver
As a trade ware to Todanyang
Whatever I have that you are looking at is the proceed,
Can my mother fetch the same? Asked the male lover
Of course yes, even more
Given the Africanness of your mother
African cadavers fetch more than the Jewish ones
At Todanyang market,
The male lover was now overtaken
By strong urge for quick riches
Was not seeing it getting evening
That day for him was as long as a whole century
He was anxious and restless more tired of a sickly mother
When evening fell he was already ready with the butcherer’s tools
He didn’t have nerves to wait till the wee of the night
As early as eleven in the evening he axed his mother’s head
Into two chunks of human skull spilling the brains in stark horror
Blood streaming like a rivulet all over the house
The male lover was nonchalant to all these
He was in the full feat of determination
To **** and sell his mother to  get the proceeds
With which he could foot the bills of valentine day.

He stuffed the headless blood soaked torso
Of his mothers cadaver in the sisal bag
He threw it to his bag
And began going to Todanyang
The market for human dead bodies
He went half running and half walking
With regular whistling of his favourite poem;
Ode to my Jewish lover
He reached Todanyang in the wee of the night
No human being was in sight
All people had gone as it was late in the night
He then slept in the open with dead body of his mother
Stuffed in the sisal bag beside him
Wandering night dogs regularly disturbed him
As they came to bite at smelling curdled blood
But he always scared them away.
As per the male lover he overslept till five in the morning
But when he woke up he unhesitatingly began to shout
Advertising his ware of trade in foolish version;
Am selling, the body of my mother, I have killed,
I killed her myself, it is still fresh, come and buy,
I will give you’re a bargain price,

When the morning came
People began crowding around him
As he kept on shouting his advertisement
Also Lapur the king came
He was surprised with the situation,
He asked the male lover to confirm
Whatever he was shouting
The male lover vehemently confirmed,
Then the law of an eye for an eye
Effortlessly took its course
Lapur  ordered his people, in a glorious royal decree
To stone the male lover to death
And bury him away without ceremony
Along with his mother in the sisal bag
In the wasted cemetery of villains
The same way Pablo Neruda
Had to bury his dead dog behind the house,

On hearing the tidings
About what had befallen her lover
The female lover had to send out a long giggle
Coming deep from her heart with maximum joy
She took over the estate of the male lover
Combined with hers,
All the animals and everything she took,
She made her son the manager
The son whom she immaculately conceived
Without any nuptial experience in the usual Jewish style
And their wealth multiplied to vastness
And hence toxic valentine gave birth to capitalism
(Storms Bring Out the Eagles But The Little Birds
Take Cover )
When the “storms of life” gather darkly ahead,
I think of these wonderful words I once read
And I say to myself as “threatening clouds” hover
Don’t “fold up your wings” and “run for cover”
But like the eagle “spread wide your wings”
and “soar far above” the trouble life brings,
For the eagle knows that the higher he flies
The more tranquil and brighter become the skies...
And there is nothing in life God ever asks us to
bear
That we can’t soar above “On The Wings Of A
Prayer,”
And in looking back over the “storm you passed
through”
You’ll find you gained strength and new courage,
too,
For in facing “life’s storms” with an eagles wings
You can fly far above earth’s small, petty things.

ወጀብ ንስሮችን ያወጣል

(ግና ትናንሽ ወፎች ከመጠለያ ይመሰጋሉ)

የሕይወት ወጀብ ሲሰባሰብ፣
ደሞም ከስሎ ከላዬ ሲሳብ፣
እገባለሁ ማሰብ፣
ግሩም ምክሮችን እነኚህን፣
በአንድ ወቅት የሰማሁትን!
‘ለራሴ እንደዚህ እላለሁ
አስፈሪ ደመናዎች ሲያንዣብቡ፣
ክንፋችሁን አታስገቡ፣
ደሞም ሮጣችሁ
ሆናችሁ ጉጉ፣
ከመጠለያ አትመሰጉ!
ግን እንደንስር ክንፋችሁን ዘርጉ፣
ሕይወት ከሸከፈው ችግር በእቅፉ፣
ሽቅብ ሰንጥቃችሁ ተንሳፈፉ!
ምክንያቱ ያውቃል ንስር፣
ሽቅብ ሰንጥቆ ሲበር፣
ሰማዩ እንደሚቀየር፣
ወደብሩህ ጠፈር፣
ሰላምና መረጋጋት፣
ያደረጉት ግዛት!’
ሕይወትን ካጤንነው፣
እንድንቋቋመው የተጠበቅነው፣
ነገር ወይ ክስተት፣ ዘበት፣
በፀሎት ክንፍ፣ የማንለው እልፍ!
ያን በወጀብ የተናጥንበት
የትናንት ሕይወት፣
በምልሰት ስንመለከት፣
እናስተውላለን
አዲስ ተስፋና ብርታት፣
እንደሚሆኑን ተደራቢ ሀብት!
ሽቅብ በንስር ክንፍ፣
የሕይወትን አውሎንፋስ
ጥሳችሁ ስትሉ እልፍ፣
የመሬትን ጥቃቅን አለመመቻቸቶች
ረግጣችሁ፣ ትንሳፈፋላችሁ!

(በሔለን ስቲነር ራይስ)
Uplifting poems
O child of war, preserve your weapon,
For  future children let it stay,
For they will come and ask their question
What was the world like in our day?

For them, born under stars more lucky,
It will be hard to understand
How could the sky have been exploded
While battles raged on see and land?

How,flowing black with blood,could rivers
Rock,bridges bombs had battered down
They'll never see it-as you never
Saw sunshine in the world around.

Preserve your weapon,little eagles,
Of many battle it will tell
Of days ferocious and heroic
For grandson to remember well.



ሰባዊ ቀንበጥ አርበኞች


ምስኪን ልጆች
ሰባዊ ቀንበጥ አርበኞች
መሳሪያችሁን በደንብ በቅርስነት አስቀምጡ
ለአምሳያዎቻችሁ በዘመን ሃዲድ ለሚመጡ
ምክንያቱም በኛ ጊዜ
ሉላዊ ገጽታው እንዴት እንደነበረ
መጠየቃቸው ስለማይቀር!

ምክኒያቱም እድለኛ ሆነው ለተወለዱት
ለማስረዳት ስለሚያዳግት እንዴት
ሰማዩ እንደተናጠ በፍንዳታ
በመሬት በባህር ጦርነት
ሲካሄድ ያላፍታ-ማለት ልክ
እናንተ የሰላም ጸሃይ የምትስተዋልበት
ሰማይ እንዳላያችሁት!

ጠይም የደም ጎርፍ እንዴት አድርጎ
የቦንብ ድልድይ ፍርስራሽ
እንደወሰድ ጠራርጎ !

ለልጅ ልጅ ስለሚዘከር ስለበርካታ
የጅግንነት የአይበገሬነት ውሎ
አደራ መሳሪያች ሁን በደንብ አኑሩ ልጆች
ተናንሽ  ንስሮች !

በ  ሳሎ ሜዳ ነሪስ
ትርጉም አለም ሃይሉ


(ሉትኒያ በናዚ በተወረረችበት ወቅት ገጣሚዋ በግጥም ወታደሮችን ታበረታታ ነበር። አንድ ህጻን ወታደር የስዋን ግጥም ከጋዜጣ ቀዶ የደረት ኪሱ ይዞ በማሺን ጋን ተመቶ እንደሞተ ተገኝትዋል)
Based on a true story.During the time Lithuania was invaded by **** Germany, the poet experiencing an evolution of muse ,shifted her style from art for art's sake to life's sake.She way emboldening soldiers defending their  country with poems charged with patriotism.A young soldier was found dead having a portion of blood drenched news paper bearing one of her poems in his chest pocket.He was pierced by a machine gun.
It happened one day at the year’s white end,
Two neighbors called on an old-time friend
And they found his shop so meager and mean,
Made gay with a thousand boughs of green,
And Conrad was sitting with face a-shine
When he suddenly stopped as he stitched a twine
And said, “Old friends, at dawn today,
When the **** was crowing the night away,
The Lord appeared in a dream to me
And said, ‘I am coming your guest to be’.
So I’ve been busy with feet astir,
Strewing my shop with branches of fir,
The table is spread and the kettle is shined
And over the rafters the holly is twined, t
And now I will wait for my Lord to appear
And listen closely so I will hear animated bullet
His step as He nears my humble place,
And I open the door and look in His face. . .”
So his friends went home and left Conrad alone,
For this was the happiest day he had known,
For, long since, his family had passed away
And Conrad has spent a sad Christmas Day.
But he knew with the Lord as his Christmas guest
This Christmas would be the dearest and best,
And he listened with only joy in his heart.
And with every sound he would rise with a start
And look for the Lord to be standing there
In answer to his earnest prayer
So he ran to the window after hearing a sound,
But all that he saw on the snow-covered ground
Was a shabby beggar whose shoes were torn
And all of his clothes were ragged and worn.
So Conrad was touched and went to the door
And he said, “Your feet must be frozen and sore,
And I have some shoes in my shop for you
And a coat that will keep you warmer, too.”
So with grateful heart the man went away,
But as Conrad noticed the time of day
He wondered what made the dear Lord so late
And how much longer he’d have to wait,
When he heard a knock and ran to the door,
But it was only a stranger once more,
A bent, old crone with a shawl of black,
A bundle of ******* piled on her back.
She asked for only a place to rest,
But that was reserved for Conrad’s Great Guest.
But her voice seemed to plead,
“Don’t send me away Let me rest awhile on Christ-
mas day.”
So Conrad brewed her a steaming cup
And told her to sit at the table and sip.
But after she left he was filled with dismay
For he saw that the hours were passing away.
And the Lord had not come as He said He would,
And Conrad felt sure he had misunderstood.
When out of the stillness he heard a cry,
“Please help me and tell me where am I.”
So again he opened his friendly door
And stood disappointed as twice before,
It was only a child who had wandered away
And was lost from her family on Christmas Day. .
Again Conrad’s heart was heavy and sad,
But he knew he should make this little child glad,
So he called her in and wiped her tears
And quieted her childish fears. animated bullet
Then he led her back to her home once more
But as he entered his own darkened door,
He knew that the Lord was not coming today
For the hours of Christmas had passed away.
So he went to his room and knelt down to pray
And he said, “Dear Lord, why did you delay,
What kept You from coming to call on me,
For I wanted so much Your face to see. . .”
When soft in the silence a voice he heard,
“Lift up your head for I kept My word–
Three times My shadow crossed your floor–
Three times I came to your lonely door–
For I was the beggar with bruised, cold feet,
I was the woman you gave to eat,
And I was the child on the homeless street.”/////


by Helen Steiner Rice
~ Scripture ~
“Then the King will say to those on his right, 'Come,
you who are blessed by my Father; take your inheri-
tance, the kingdom prepared for you since the cre-
ation of the world.
For I was hungry and you gave me something to eat,
I was thirsty and you gave me something to drink, I
was a stranger and you invited me in,
I needed clothes and you clothed me, I was sick and
you looked after me, I was in prison and you came
to visit me.’
“Then the righteous will answer him, 'Lord, when did
we see you hungry and feed you, or thirsty and give
you something to drink?
When did we see you a stranger and invite you in, or
needing clothes and clothe you?
When did we see you sick or in prison and go to
visit you?’
“The King will reply, 'I tell you the truth, whatever you
did for one of the least of these brothers of mine,
you did for me.’
By Helen Stiner Rice)

የ ገና እንግዳ


የሆነ ቀን ነው ነገሩ የተከሰተው፣
ዓመቱ ተገባዶ ሲሰናበት፣
ደርቦ ካባ ፀዓዳ ወተት!
ሊጎበኙት መጡ ሁለት ጎረቤቶች፣
የኮናርድ አብሮአደጎች፣
ወና ሆኖ ተዳክሞ አገኙት ሱቁን፣
ገርጥቶ ተቆራምዶ እሱን!
ተወት አድርጎ የሚሰፋውን፣
ፈልጎ እንዲሰሙ የሚለውን፣
“ባንጀሮቼ አድምጡኝ፣
ዛሬ በማለዳ
አውራ ዶሮ ሌሊቱን
በጩከት ሲሸኝ፣
ጌታ በሕልሜ ተገልፆ
ይህን አለኝ
‘እመጣለሁ ቤትህ፣ ልጎበኝህ!’
ይኸው አለሁ
ያለፋታ ቤቴ ውስጥ እንዲሁ ስመላለስ፣
የፅድ ዝንጣፊ ስቆርጥ ስነሰንስ፣
ጠረጴዛውን ስዘረጋ - ስጎትት ሳስጠጋ፣
የሻይ ጀበናውን ስፍቅ - እስኪያብረቀርቅ!
በመለጠቅ አድርጊያለሁ ደማቅ፣
ባለቀይ ኳስ ገመድ፣
በሸሪራዎቹ ቁልቁል ተንጠላጥሎ፣
በየአቅጣጫው እንዲወርድ!
እናም እስኪገለጥልኝ ጌታ፣
እየተጠባበቅኩ ነው የእግሩን ኮሽታ፣
ሲገለጽ በሬን ከፍቼ፣
ፊቱን ለማየት ጓጉቼ፣
ትንሽ ተጠግቼ!”
ባልንጀሮቹ የሚለውን ሰምተውት፣
ሄዱ ቤታቸው ብቻውን ትተውት!
እሱ እንደው፣
በጣም የተደሰተበት ወቅት ነው፡፡
ከዚያ ጊዜ ጀምሮ ቤተሰቦቹ
ተራ በተራ ሞተዋል፣
ኮናርድም ብዙ ብቸኛ ቀዝቃዛ
ገናዎች አሳልፏል!
ሆኖም ነበረው ትልቅ እምነት፣
በእንግድነት ስለሚገኝለት፣
ጌታ ያቺን ቀን፣ ቤቱን እንደሚያደምቅለት!
ነበር ተደስቶ፣
የሚያደምጥ ጆሮውን አንቅቶ!
ድምፅ ሰምቶ ቀጥ አለ በቅፅበት፣
መጥቶ እንደው ጌታ ድንገት፣
ለብርቱ ፀሎቱ ምላሽ ለመስጠት!
ወደ መስኮቱ ሮጦ ሲጠጋ
በዚያ በረዶ የሸፈነው፣
አስፋልት ላይ ያየው፣
ብትቶ የለበሰ ለማኝን ነው -
ምስኪን፣ አፍንጫው የተገነጠለ፣
ጫማ፣ የተጫማ!
“ደንዝዞ ቆስሎ ይሆናል እግርህ፣
ጫማ አለ ሱቄ በልክህ፣
ግባ ልስጥህ-
ኮትም የሚያሞቅህ!”
ለማኙ የሚፈልገውን አግኝቶ፣
ወጥቶ ሄደ ረክቶ!
ኮናርድ ግን
በመገረም ጌታ ለምን እንደቆየ፣
ሰዓቱን አየ፡፡
ከዚያም ቆመ ግራ በመጋባት፣
መቆየት እንዳለበት፣
ምን ያህል ተጨማሪ ሰዓት?
ግን ድንገት፣
ኳኳ የሚል ድምጽ ሰምቶ፣
በሩን ከፈተ ወደዚያ አምርቶ፡፡
ግን እንደገና አየ ሌላ እንግዳ፣
የፈለገች ለመዝለቅ ከጓዳ፣
አረጋዊት የጎበጠች፣
ቲውቢት የደረበች፣
ትንሽ ጭራሮ ከጀርባዋ የሸከፈች፣
እናም እረፍት የማድረጊያ ቦታ ጠየቀች፡፡
ለታላቁ እንግዳ በቀር፣
ሌላ ስፍራ አልነበር!
ጥያቄዋ የመማፀን ድምፀት፣
ነበር የተጫነበት፣
ኮናርድ ‘ቤት ለእንግዳ’ ብሏት፣
ሻይ አፍልቶላት
ከጠረጴዛው እንድታርፍ ጋብዟት፣
እነሆ ጠጪ አላት፡፡
ግን እሷን እንደሸኘ አዘነ፣
ሰዓቱ እያለፈ ስለሆነ!
ደሞም ጌታን ሲጠብቀው ስለቀረ፣
መልክቱን በደንብ ማድመጡን ተጠራጠረ!
ሀዘን ገብቶት ሲያቅማማ፣
ሌላ ድምፅ ሰማ!
“እባክህ እርዳኝ
የት ነው ያለሁት?”
ዳግም የደግነት በሩን ሲከፍት፣
ለሶስተኛ ጊዜ አለው ክፍት!
መንገድ የጠፋት ልጅ ነበረች፣
ሳታስበው በገና ቀን
ከቤተሰቧ ተለይታ የሄደች!
የኮናርድ ልብን ሀዘን ገባው፣
ቢሆንም ልጅቷን ማፅናናት እንዳለበት ተሰማው!
“ግቢ ልጄ” ብሏት እንባዋን አበሰላት፣
እንዳትረበሽ አረጋጋት፣
ቤቷም ድረስ ሸኛት!
ተመልሶ ሲገባ፣
ወደ ክፍሉ ሞገስ አልባ
“በቃ አለቀ ደቀቀ
ቀኑም ተጠናቀቀ!” ብሎ ተሳቀቀ፡፡
ያም ሆኖ
ስሜቱ እንደቀዘቀዘ፣
መፀለይ ያዘ!
“ጌታ ለምን ዘገየህ፣
ቤቴ እንዳትመጣ ምን ያዘህ?”
እያለ ቅሬታ ሲያሰማ
እንግዳ ድምፅ ሰማ
‘ጭንቅላትህን ወደ ላይ አንሳ፣
እኔ እንደው ቃሌን አረሳ!
በደጅህ በምድራኳ፣
በጥላዬ ተጠግቼ በርህን ላንኳኳ፣
ሶስቴ ጎብኝቼሀለሁ ዛሬእንኳ!
እኔ ለማኙ ነበርኩ፣
የቀረብኩህ ብትቶ እንደደረብኩ!
ደሞም ከድካሟ የታደግካት፣ ባልቴት፣
በመጠለያ አልባው ውርጫማው መንገድ፣
ለሆንካትም ልጅ ዘመድ’
(በሔለን ስቲነር ራይስ)
I have translated most of Her poems when I get a sponsor I will have it published in soft copy or print on demand books.
I bent again unto the ground
And I heard the quiet sound
Which the grasses make when they
Come up laughing from the clay
--We are the voice of God!—they said
Thereupon I bent my head
Down again I might see
If they truly spoke to me.
But, around me, everywhere,
Grass and tree and mountain where
Thundering in mighty glee,
--We are the voice of deity!—
And I leapt from where I lay:
I danced upon the laughing clay፡
And, to the rock that sang beside,
--We are the voice of God!—I cried.


የእግዚአብሔር ድምፅ

ዳግም ወደ ምድር እንዳጎነበስኩ
ጥርት ያለ ድምፅ አደመጥኩ
ቄጤማዎች የሚስደምጡት ፈንድቀው
ብቅ እዳሉ ሸክላ አፈሩን ሰንጥቀው
“የእግዚአብሔር ድምፅ ነን አድምጡን!”
እዛው ጭንቅላቴን ዝቅ አድርጌ
ዓይኔን ሰደድኩ ወደ ግርጌ
በርግጥ እኔን አያናገሩ እንደው
ማወቅ ፈልጌ፣
ግን በዙሪያዬ በየስፍራወ
ሳሩ ዛፉና ተራራው
በደስታ እንደ መብረቅ
ነበር የሚያስተጋባው
‹‹የአምላክ ድምፅ ነን
አድምጡን!››
ጋድም ካልኩበት
በሐሴት የሚፍለቀለቅ መሬት
ዘልዬ በፍጥነት
ቀጥ ብዬ ቆምኩ
እንደዛ እዳደረግኩ
በተመስጦ እያሸበሸብኩ
ከጎኔ ለሚዘምረው ኮረብታ
እኔም በደስታ
‹‹የእግዚብሔር ድምፅ ነን!›› አልኩታ፡፡
(ጄምስ ስቲፈንስ)
Both living and none living things pay respect to God.Birds cheer up mountains orchestrate symphony to God.
It is not like a tree
In bulk doth make man better be,
Or standing long an oak, three hundred year
To fall a log at last, dry, bald and sere,
A lily of a day
Is fairer far in May,
Although it fall and die that night—
It was the plant and flower of light.
In small proportions we just beauties see
And in short measures life may perfect be.

የሰው ትክክለኛ መስፈርት

እንደዛፍ መግዘፍ
ሠውን አያደርገውም ከፍ፣
ጭራሽ እንደዋርካ
ለሦስት መቶ ዓመታት
በስፋት ተንሰራፍቶ፣
በመጨረሻ መውደቅ
ደርቆ ፣ተራቁቶና አርጅቶ!
በጥቅምት ወራት፣
ባላንድ ቀንዋ ሊሊ
በጣም ብልጫ አላት፣
አመሻሹላይ ብትደርቅም
የብርሃን አበባና ተክል ናት
በምጥንም መስፈርት
ይስተዋላል ውበት!
ክትት ማለት ሲሆን መስፈርት
ግሩም ሳይሆን ይቀራል ህይወት!
(በቤን ጆንሶን) //
It is also a short poem preferred by many!
Thou ill-formed offspring of my feeble brain,
Who after birth didst by my side remain,
Till snatched from thence by friends, less wise than true,
Who thee abroad, exposed to public view,
Made thee in rags, halting to th’ press to trudge,
Where errors were not lessened (all may judge).
At thy return my blushing was not small,
My rambling brat (in print) should mother call,
I cast thee by as one unfit for light,
The visage was so irksome in my sight;
Yet being mine own, at length affection would
Thy blemishes amend, if so I could.
I washed thy face, but more defects I saw,
And rubbing off a spot still made a flaw.
I stretched thy joints to make thee even feet,
Yet still thou run’st more hobbling than is meet;
In better dress to trim thee was my mind,
But nought save homespun cloth i’ th’ house I find.
In this array ‘mongst vulgars may’st thou roam.
In critic’s hands beware thou dost not come,
And take thy way where yet thou art not known;
If for thy father asked, say thou hadst none;
And for thy mother, she alas is poor,
Which caused her thus to send thee out of door.

ደራሲዋ ለመጽሐፋ

ስትፀነስ ጀምሮ የቅርፅ ህፀፅ
የሚስተዋልብህ አንተ የአይምሮዪ ክፋይ፣
"ሀ" ብለህ ይህን ዓለም ስታይ፣
ታማኝነት በጎደላቸው ጓደኞቼ
እስክትውል አደባባይ ፣
ያልሻትከው እንዳንለያይ፣
ቡትቶ ደርበህ ፣
የህትመት ብርሀን አየህ
ስህተት ተብጠርጥሮ፣  
ለጀማ ሂስ የሚጋለጥበት አድሮ!

አንተ መልቲ (በህትመት)
ተመልሰህ መጥተህ
እናቴ  ስትለኝ
ቀላል ሀፍረት አላገኘኝ!
አይን ስለምትጎረብጥ  በእይታ ማእዘን፣
ገሸሽ  ማረግ  መርጬ ነበር አንተን፣
ግና የእኔ ስለሆንክ ስሱነት፣
ከቻልኩ እንዳርቅህ ገፋፋኝ፣ በሂደት፣  
ፊትህን ሳጥበው ወጡ  ህፀጾች ጎልተው ፣
ዝም ብያ  ሳፀዳ  ብቅ አለ ሌላ ህፀጽ እንግዳ
መገጣጠሚያህን ጎትቼ
እግር ልሰራልህ ስጥር፣
አካሄድህ ፋይዳ ቢስ የሚያሽቀነጥር!

እኔማ  በልክህ  ጨርቅ ቆርጬ
ልቀይርልህ ነበር ያን ቡትቶ፣
ግና ቤት የተፈተለ ሸማ
ላገኝ አልቻልኩም ከቶ፣
እናም ለብሰህ ይህን ድሪቶ፣
ከወፍ ዘራሾች ጋር ዙር ተደብልቀህ፣
ሃያሲዎች እንዳያገኙህ ሸሽተህ !

ስለአባትህ ከተጠየክ
ንገራቸው እንደሌለህ
ካስጨነቁህ ስለእናትህ ማንነት
"ልጅዋን የሽኘች በምስኪንነት !”
ተናገር   በድፍረት

አኒ ብራንድስተር


ትርጉም ዓለም ሃይሉ
ደራሲዎች አንዳንዴ ህቡ በሆነው የሰው ልጅ አይምሮ የሚንቀሳቀስን እንደነውር የሚታይ ሃሳብን በፈጠራ ስራ ይገልጻሉ። ስራው ቢታይብን ብለው ይፈራሉ ! /

Anne Bradstreet

Anne Bradstreet wrote in the Elizabethan literary tradition and became one of the first poets to write English verse in the American colonies
Writers and poets sometimes pen down what lurks in their subconscious and become afraid the vulnerability of print.I think most of us share this.I experienced this fact after I wrote my poem No ****** no ***!
why do some poems enjoy a mammoth hit but no comment?I think even if readers appreciate some poems they become afraid to associate themselves with the theme,which may be considered as a taboo .I also wonder why some poems are treated with a cold shoulder in some blogs and enjoy appreciation in others.Is it because a difference of taste?
Anyway the aforementioned poem has given me a good lesson; what about you?If you are interested on this issue goggle and read about psychoanalytical criticism and reader response criticism.Thank you for your patience
Here’s is an example from
A butterfly;
That on a rough, hard rock
Happy can lie,
Friendless and all alone
On this unsweetened stone.
Now let my bed be hard,
No care take I;
I will make my joy
Like this
Small butterfly,
Whose happy heart has power
To make a stone a flower.

ምሳሌ

አነሆ ምሳሌ ለኛ
ከቢራቢሮ
አልቦ ጓደኛ
ሆና ብቸኛ
የድንጋይ አልጋው
ባይሆንም ደንበኛ
ሻካራ ደረቅ አለት ላይ
ረክታ የምትተኛ፣
እኔም አልጋዬ ቢሆን ደረቅ
ከቶ አልሰቀቅ
ግድ የለም አልቸገር
አሁን ደስታዬን ከዚች
ቢራቢሮ ልበደር፣
ልቧ ጉልበት ያለው
አለቱን ወደአበባ ለመቀየር!

(በዊሊያም ሔነሪ ዳቪስ) //
Lifestyle,taking life easy,contentment with what one has
Some say the world will end in fire
Some say in ice
From What I tasted of desire
I hold with those who favour fire.
But if I had to perish twice,
I think I knew enough of hate
To know that for destruction ice
Is also great
And would suffice.

እሳትና በረዶ

‹‹ይህች ዓለም
በሳት ትጠፋለች!››
ይላሉ አንዳንዶች
‹‹በበረዶ!›› ሌሎች፡፡
ፍላጎቴን በምኞት ሚዛን
እንደፈተሽኩት
እሳት ከሚሉት ጎራ ነው ያለሁት!
መጥፋት ካለብኝ ግን ዳግም
ለውድመት በረዶም
እንዳለው ትልቅ ጉልበት፣
እንዲሁም ተመጣጣኝነት፣
ከምሬት ፣በስፋት፣
አግኝቼአለሁ ትምህርት!
(ሮበርት ፍሮስት) //
Dooms day retribution
I was angry with my friend,
I told my wrath, my wrath did end.
I was angry with my foe;
I told it not, my wrath did grow.
And I watered it with fears,
Night and morning with my tears;
And I sunned it with smiles,
And with soft deceitful wiles.
And it grew both day and night,
Till it bore an apple bright
And my foe beheld its shine
And he knew it was mine.
And into my garden he stole
When the night had veiled the pole,
In the morning glad I see
My foe outstretched beneath the tree.
()

መርዛማው ዛፍ

በጓደኛዬ ተናድጄ ነበር
ምሬቴን እንደተነፈስኩ፣
ከብስጭት ተገላገልኩ!
በባላንጣዬ ተናድጄ ነበር
ምሬቴን ስለአፈንኩት አፀደቅኩት፣
የፍርሐትን እንባ ያለፋታ
አጠጣሁት ቀንና ማታ
ፍሬ አፈራ ማራኪ ለእይታ!
ጠላቴ የኔ መሖንዋን እያወቀ
በፍሬዋ ተሰረቀ፣
እናም ጨለማን ተገን አርጎ
ገባ ከአትክልት ቦታዬ ሰርጎ፡፡
ጠዋት ተመለከትኩ
በደስታ በአንክሮ፣
ጠላቴ ዛፏ ስር ተዘርሮ!
We must not have an axe to grind we have to bury the hatchet
What do I owe to you
Who loved me deep and long?
You never gave my spirit wings
Nor gave my heart a song.
But oh, to him I loved,
Who loved me not at all,
I owe the open gate
That leads through heaven’s wall!
(By Sara Teasdale)

እዳ

በደንብ ጠበቅ አድርገህ ላፈቀርከኝ
የምከፍለው ምን ወሮታ አለኝ?
ለነፍሴ ክንፍ አለገስካት
ለልቤም መዝሙር አልሰጠሃት፣
ግን፣ ውይ፣ ለወደድኩት ላላፈቀረኝ፣
ዕዳ አለብኝ፣ በሩን ያለው ከፈት፣
በግድግዳወ አርጎ ሠተት
የሚያዘልቅ ወደ ገነት!

(ሳራ ቲሰዳል) /
Sometimes ladies act this way!I think Sara who sadly committed a suicide was a bit rebellious.Goggle and read about her life!

— The End —