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Akemi  Jan 2014
Stillborn
Akemi Jan 2014
A stiff wind broke the morning clouds. It was another gloomy sunrise, in a string of second-rate days. Kiera woke much like the sun, downtrodden and wishing to fall back down. She snapped down on the alarm, knocking it to the floor, and with two blinks was out again—back into a world she was beginning to recognise.

First the flooding darkness. Despite two weeks of this her body still rejected it. Her body hated it. Pathetic. Limbless shakes as the throbbing chill tore its way through her lungs, gripped her skin like sweat. She could smell the sharp stink of iron. When her vision came she saw her arms were covered in blood. A red too bright.

A figure she hadn’t noticed flickered out of her view. She turned her head sharply but saw no one.

Kiera realised she was walking. She held a square, brown-wrapped package, which would not stop squirming. As she struggled to keep hold of the ******* thing, ****** prints coated its sides. A postbox lay on the other side of the road—the same colour as the blood on her arms.

Kiera was furious. The ******* package would not stop squirming. She needed to reach the postbox before she dropped it. She was desperate—scared shitless. Why?

Kiera began to cross the road. Each step sent the package twitching, twisting. Her legs were bone thin. Her skin was shredding apart. Another flicker—edge of the vision phantom—appeared, but she barely noticed. The package was growing so heavy that her toes were breaking on the asphalt. She looked up and saw the postbox had receded.  How dare you? How ******* dare you, you *******.

She was on the wrong side. She had never left the sidewalk. How could she? She had no legs. Blood began to pour out of the postbox. It crossed the road, coating her torso, lapping the bottom of the package. The package stilled and began to deform in her hands. It was rotting.

Kiera had an urge to *****.
5:30am, January 2nd 2014

Well, this was a dark piece. I'd begun daily writing to get my long form up to scratch, and this little piece came tumbling out. It touches on the topics of ****, unwanted pregnancy and abortion (sorry about that), and the feelings of helplessness, rage and guilt.
Sara  Jun 2018
Life's too short
Sara Jun 2018
I stopped waiting for letters which never arrived;
when it started costing me minute per mile;
per smile;
per song that I'd skip for a while.
Making it rain with my valuable time
-wearing a coat in the summer time.

Stopped avoiding my postbox,
to the relief of my landlord,
and happily paid the bills so long ignored.
Drank less, ate more,
much more- self-assured
with one less page in my passport.

I stopped "letting you know,"
popping up,
"just to say hello,"
and "wondering if you fancied coming
or going
to some place relatively unknown."

Cleaned out my head;
cleared out my lungs;
wrote once again, for myself, just for fun;
listened to every song on the album;
all whilst lying naked
underneath the summer sun.
About 10 months ago I moved to Thailand for my studies- had such a massive year this year and learned so much about self love and happiness  ^.^
.....
This piece is from the second journal in my trip
Niveda Nahta  Dec 2013
postbox..
Niveda Nahta Dec 2013
everyday my eyes go fluttering,
here and there, everywhere,
every hour seems like a year,
waiting for a person in despair,
not a person I would love,
but someone I long to see,
every minute of the day,
I may sound confusing,
but pay attention,
'cause I do.
Attentively watch, await,long,
for that one envelope,

inside which would be a page,
a white but unblank paper,
with words and exclaimations
About your explainations,
and your whereabout,
as I wait for that person
To bring me a letter from my beloved,
my dear love, my craving,
* my sole purpose of living,
I convince myself by saying,
the post man must be lost!
or perhaps just lazy and late,
for he never comes,
and makes me wait in vain,
Sometimes I loose hope,
the only thing I've got,
but recall your face,
and remake my mind,
saying, maybe times are rough,
reason why you can't write to me,
these days,
perhaps just the work
that keeps you busy all day,
but yes I do wish you could just take time out,
to write three words on a card,
i love you.
send it to me,end my vacant wait..

It's been five years now,
you never wrote or even called,
ah! yes I received a telegram today,
Right now I opened it,
and as I opened it,

tears kissed my cheeks,
of happines that you did care!
but soon my tears of joy
turned into blood sobs,
when I read in the letter that you were gone,
passed away five years ago,
while saving someone at war,
sorrow could not leave my side
knowing it was all I had,
and my heart wept,
my eyes went numb,
at the letters on that little note,
but at the end were the three words
I had longed to hear,rather see,
"he loved you."
Was all I could bear to see,
my brain stopped working,
my limbs went void,
now, I still don't know why,
I wait for you..
I'm old now you know?
I wish you could see me,
wrinkled and stupid,
for I still wait for that day,
when I would get to see you at last,
with a letter saying those three little words,
"come with me"
tonight and forever,
we would make up for lost time,
and spend once more our lives,
but for now my longing is still not over,
for I still wait for the postman,
behind my window,

and I need no doors or even locks,
*as my gaze still remains fixed on my post box..
I know I've use the word 'wait' a lot of times..but I just can't help it!!:p
©NivedaAmber
Check me out:p- http://hellopoetry.com/-niveda-amber/
Bevan111 Sep 2019
On a cold and lonely day with a hint of a breeze
The red metal box alone and lonely  started to freeze
Would someone need  him today he thought
A lovers tiff, an angry couple who'd just fought

A well placed word on parchment or better still
A poem from the heart to elicit a thrill
Night and day, day and night
the postbox remained resolute hoping to see the light
Edward Coles Jun 2013
The world is fast and reckless
Like a stampede of beasts and
Teenage ***.

We traded smog
For the roar of the city and
I am then reminded of my mobile life
Before atrophy set like plaster
In my bones.

Similarly, I lived above a bar,
And the roar of the crowds
Was compensated for
By the free drinks I would receive
To placate me,
To deafen me.

I remember heading out to the office
Already half-cut
Even before the banks had opened.

I remember everybody walking,
Not because the roads were too crammed,
But because it was so.

It was so, it was so,
And now that excuse is just not good enough
Anymore.

Neither am I.

I still walk the streets
And stop by outside windows.
It takes me a little longer these days
To read the signs and labels,
The mating rituals of the merchants;
Buy me, buy me, buy me!

They remind me of the girls I see these days,
The ones who live in semi-agony,
Lactic acid in their muscles and
A lack of sugar in their blood.

The way they walk so consciously nonchalant,
Impostered hair dragging in the wind,
Just living for the double takes
As they pass the men in the streets.

Nobody courts anymore.
Hands are held far too easily
And intimacy seems to me to have become
Just another commodity.

I remember my sweetheart.
The years we lived in absences,
Sleeping between lies and compromises
And lying awake at night,
Our bodies spent as our cheeks sunk into our pillows.
Our eyes staring past the darkness of the room
And beyond to something, somewhere,
Far from where we found our lives had laid.

I remember her so well, my dear coffee bean.
How desperate the years were
When we were apart,
Living out our lives and
Exchanging platitudes for company
In our loveless marriages.

I remember how bitterly disappointed I was,
To be bounded to the forever decreasing circles
I had to move within each day.
And I remember, so exquisitely remember,
The day I broke from them.

And we met.
We met over letters,
Recited by our eyes and written by the hands
Of our desires. Oh, the saliva of the stamp
Bringing us to a closeness
That was unbounded by geography.

These days,
Nobody understands the thrill of the postbox
And the dependent trust
You had to invest into the postman.

Nobody.

The welcome mat is now nothing
But a place to wipe the **** from your shoes
And to kick the bills away
From your footfalls.

It was once a pigeon hole,
An inbox and a faceless meeting point
For all of your dearest allies.

How I recall the excitement of the morning,
My sleep thinned to prepare for the slap of papers
And the return of my silent darling’s words.

Yes, today that has all gone
And so has she.

How I miss you, my dear
And the snort of your laughter.
How I miss counting out your imperfections;
Each another reason to love you
And to love you more.

Now that you are gone my darling,
My life is little more than an emptied school
In the endless weeks of summer.

I lie in wait, coffee bean,
For each time you appear, a phantasm
In my day. I wait for those special moments
Where I assume you will be sitting there,
Ageing with irrefutable brilliance
In the chair you so stubbornly frequented
Every day of our retirement.

I’ll take the hit that comes with it.
I’ll accept the come-down
When I enter the room
And realise
That you are even less than a ghost,

A passing thought
That decays instantly in the air.

And the air darling,
The air is filled with noise in these streets.
Do you remember when you and I would stop
And listen to the busker by the bridge?

I do.

I think he is gone too now,
Though sometimes I still hear his music
As I pass above the river.

Now, I live on in near-silence.
It has been weeks since I last spoke to somebody
Who did not rush me through my sentences.
And so I’m learning the patterns of today
And instead bow my sad head
And just pay up for my goods.

I avoid home mostly.
It is okay once I am inside it,
But it is the returning that I am afraid of.

So I mostly walk the streets,
The same route each day,
Until darkness or hunger delivers me,
Confused at my door.

I stumble lethargically to the television set,
The one we bought together for our first apartment,
Do you remember?

I turn it on quickly to **** the breathless silence.

Now, whenever I do get to talk to somebody,
I feel my eyes blur to tears
For some inexplicable reason.
Oh! The ache in my guts

How often I must swallow panic
And all of those pills that do not work.
Instead they just fog my mind
And distort all of the anchors
And features in my life.

Even the television will shout at me.
Everything I watch is an advert,
And the news is getting uglier with each day.
Sometimes I will turn on the radio,
But music isn’t music anymore.

And so I’ve learnt to read above
The din of gameshows and the gunshots
From dramas full of anger and devoid
Of love.

I’ve learnt to read again,
As we did together in the warmth
Of the crackles that interceded
The crooners that used to play through the grooves
That my life is once again set between.

At times I feel I am the only reader left in the world.
That all authors write for myself,
Vying for my attentions.

Nobody reads anymore.

Though the depravity between us
Made our love all the more sublime,
I must admit I regret those absent, wasted years.

How wonderful it would be now,
To see your features mixed with mine
And hidden behind the faces of our children.

I would give all that I am,
Which admittedly is not much anymore,
To be able to see the pigments in your eyes
Again, in whichever form they took.

How I would kiss our daughter’s hands
If they resembled your’s.

How I would weep into the shoulders of our son,
If he resembled your heart.

And so now my darling,
I wander these thoughtless paths like a machine.
And though I look out at the opulence
Of the city streets, I am instead
Just walking through a memory,
Or some old doctored flicker show,
Where I cut out all of the ugliness
And leave just us.
Edward Coles Oct 2014
The world is fast and reckless
like a stampede of beasts and
teenage ***.

It constantly reminds me
of my once mobile life,
before atrophy set like plaster
in my bones.

Everyone used to walk
to where they needed to be,
not because the roads were congested,
but because it was so.
It seems that excuse is just not good enough
anymore.

At times I think:
neither am I.

I still walk the streets
and browse the shop-fronts.
It takes me a little longer these days
to read the signs and labels,
the easy mating calls of the merchants
standing under bigger names
and brighter lights.

Nobody courts anymore.
Hands are held far too easily
and intimacy seems to have become
yet another commodity.

I remember my sweetheart
and the years we lived in absences,
sleeping with a lie
in a life of compromise.
Our eyes stared past the darkness of the room,
beyond to something, somewhere,
far from where we found our lives to be.

I remember her well
amongst the ruins of my years.
How desperate were the days
before we met,
exchanging platitudes for company
in our first loveless marriages.

How bitter I was,
bound within ever decreasing circles
of routine and passionless chains.
I exquisitely recall the day
I finally broke from them.

You and I
met over letters,
our eyes scanning and reciting
each other's loneliness
and fear of never finding a place.
The saliva of the stamp
brought us to a closeness
unbounded by geography.

These days,
nobody understands the thrill of a postbox
and the welcome mat
has become nothing more
than a place to wipe the **** from your shoes,
as the day nurse comes to visit,
kicking pizza leaflets
to the edges of the hallway.

There was excitement in the morning,
sleep thinned to prepare
for that slap of paper
and rattle of metal.

Presently my life feels little more
than an emptied school
in the endless weeks of summer;
a sugar paper lantern
left to bleach in the sun.

I lie in wait,
for the times you appear - a phantasm
in my day. A moment reserved
with the assumption you will be sitting there,
ageing with irrefutable brilliance,
in the chair you stubbornly frequented
ever since our retirement.

I’ll take the hit that comes with it.
I’ll accept the come-down
when I enter the room
and you are not there,
if it permits me a moment of belonging.

The air is cancerous
with the noises of the streets.
We used to stop and listen
to the busker by the bridge,
always pleading upon bended knee
for someone to validate his melody
and make his callouses worthwhile.

Now, I live on in near-silence.
It has been weeks since I spoke to someone
who did not rush me through my sentences.
I am trying to learn the patterns of today,
a way to bow my sad head
and pay up for my goods
in the blink of an eye,
in a way to defy that I am old and slow.

I avoid home mostly
and instead, I walk through
the same route each day,
hoping for a friend
or else never to be noticed.
Hunger will eventually deliver me,
confused at our door.

I turn the television on quickly
to **** the silence that forms
in the spaces you would have spoken in.

On the rare occasions
that I talk to someone,
my eyes blur with inexplicable tears,
a kind of tension grips me,
as if I have missed the last step on the stairs.

I swallow panic
like all of those pills that never work,
instead fogging my mind,
distorting all anchors
to a meaningful life.

The television shouts at me
across the room, patronising like
the cold-callers and politicians.
Everything seems to be an advert
and the news is getting uglier.
Sometimes I turn on the radio,
to give my eyes a rest,
but music isn’t music anymore.

We  never wasted our moments on kids,
but I have grown soft in old age,
and perhaps I would like
to have the comfort of your features
blurred with mine, bestowed upon
our trial-and-error attempt at a legacy.

The money will dry up.
I have started smoking again.
Though I still smoke on the doorstep,
because I know you never liked the smell.
These are just the thoughts of an old man,
some doctored flicker show
Where I can cut out all of the ugliness,
and leave just us.
This is a revised edition of an earlier piece:
http://hellopoetry.com/poem/402353/the-thoughts-of-an-old-man/

The words are mostly the same, but I cut out some of the waffle and tidied it up a little bit. Or made it worse. I guess you never know!

c
Daisy King Nov 2013
in the next ten seconds,
he opens his mouth to speak to an acquaintance in a room full of acquaintances
an ugly metal faucet that has been dripping for fifteen days drips again in an upstairs sink
he tucks a strand of hair behind her ear as she bites at her fingernails and
            looks at the magazines lined up in the supermarket
before she opens the postbox, she inhales
she throws her head back before laughing at his anecdote, her knees feeling the ache
            of being crossed for too long
with slightly tremulous fingers, she touches she sleeve of her coat without reason, feeling
            like everyone on the underground train may be looking at her
he takes a sip of water and screws the lid back on, checking his watch
a hiccup is heard from the back of a classrm
he kisses her for the first time on the mouth
he notices his hair has fallen out and sits in the shower drain
their elbows graze against one another's in the lecture hall but neither of them
             catch the other's eye, both staring straight ahead
she blots her lips over a folded tissue to remove pink residue and looks herself in the eye
             in the mirror
her father lets go f her shoulders as she wobbles on the bicycle without its stabilisers
             for a second attempt today
he notices a stain of yogurt on his tie and curses quietly
she burns her fingers whilst making toast
she argues with the cashier about the fact that selected juices were marked as being on offer
the rain rattles against the window and he is uneasy with the lack of rhythm in its sound
they put on her favourite song and remember her as she was when she was still alive
someone wipes salt from her cheeks with a tissue
he realises that the tooth fairy doesn't exist and doesn't mind because it means he's grown up
she asks her father if she is pretty and he say anything
she slips a packet of biscuits into the supermarket trolley, her mother sees
             and doesn't say anything
an elderly woman cradles his arm as they slowly cross the street
they look at one another and both know
he says I'm so sorry
she says I'm so sorry
he says I love you
she says you know I do.

— The End —