Le Géranium d'Alger
(dédié à mon ami Abder).

C'était un plant de géranium,
sans racine apparente
qui avait poussé à Alger,
sous le soleil si vif
de la terre d'Afrique.
L’ami Abder, me l'avait apporté,
comme un présent choisi
d'orange ou de soleil
Il venait de «La bas»,
que nous feignons d'oublier
Mais ou tant de souvenirs
nous relient, par-delà l'amertume
Tant de haine et de préjugés.
Même si des plaies restent à vif
maigres les porteurs de braises
et les vaine vengeances
entretenant les feux.
au lieu de les éteindre
et de jeter leurs forces
pour rapprocher nos Peuples
préserver notre même mer.
Notre Méditerranée lustrale
qui borde nos deux rives
et de rechercher ensemble
l'eau qui étanchera les soifs
de demain, quels que soient
nos Dieux ou nos idéaux.
Je craignais pour ce géranium
aux radicelles menues,
qu'il succombe au vent d'autan
et à ce printemps si pluvieux
mais l'hôte d'Alger
était de bonne souche
accrochée à la vie
et soucieux d'embellir
«Tolosa la belle»,
qui brille et resplendit
sur ces terrasses solaires
de «la Comtale»
nous faisant oublier
que nous vivons en ville
et goûter ce bonheur.
emplissant mes yeux
d'une multiplicité de plantes
Méditerranéennes; bien sûr,
irisées pas les fluides solaires
arrosées par tant de couchers de soleil
et les levers de lune.
Ce géranium à trois têtes
courbées par ces vents
si fréquents,
côtoie la menthe,
le fenouil et la sauge
et scelle une amitié profonde
de natifs des rives
de notre même Méditerranée.

Paul Arrighi

She rises at dawn, chilled
by the lost embrace
of her sleeping pills, brushes

summer's blown ashes
with the shuffle of footsteps
on old stone floors.

She thaws her hands
around a coffee cup,
sits at her desk,

 ******* Ariel             arrowed from
 yesterday's tide           hoof-printing  
ocean waves                 jetting barnacles
telephone wires            a man's black boot

routing them through
cold English mornings,
a gold Sheaffer pen.

Words seep
across the page,
trail toxins of grief.

Light edges
between churchyard yews,
fingertips the curtains.

A thumb's worth
of breast-milk
stains her nightgown.

one thousand shards, my crown was built.
not of thorns.
but bubblegum legos, saturday morning stuck
to the carpet
& days gone by.

crept out of fold and gut/   kid living
& watched by trees.
autumn watches us fall like leaves,
born of the belly and the mother.
mom quiet/

dad loud/
  men hid behind blisters and god.
  men hid behind tall towers and the bomb.
  men bled for immortality,
  warred and ****** resource for more, the door
  to an endless life.

dad taught me how the heart and brain behold blood,
& how the body manifests it/    
moves it/
follows the sun.
son follows father follows god follows ghoul.
dad taught me about the machete.
           about how “our fates will dominate us blind.
                               so man dominates the jungle.”
he told me a story of love and more glory.
of poor men and dead men.
machete theories.

he carved wooden chairs.
built a lodge.
fished the river,
    & reeled to forget the war.

harpoon the river gods.
the heart and brain behold blood,
& the body manifests it.

My cat's name is Zachary Binx, and I know for a fact he could kick my *** in a fight. His claws are daggers. They are needle sharp and feather light and designed to ensnare and then shred anything his long, quick arms can ******. He is fast; he is a predator.
But he has no idea, because his environment suggests otherwise. He's artificially coerced by domestication to assume that his survival is dependent on me. He is designed to survive on his own, but his cage suggests otherwise.
So he contents himself to the role of the housecat, sitting on the windowsill, feeling dull pangs of inexplicable deja vu as he watches the sparrows bathe in the dirt outside.