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 Feb 2016
Star Gazer
I drew her with the moon beaming of her rosy cheeks,
Painted her on the canvas with angelic wings,
Surrounded her in a river  of rose petals,
And the watercolour illuminating her flawless complexion.
I made her shine, ten times brighter than I saw,
Because in my eyes she was the light keeping me lit.

..........**

She drew me as a stickman...
No clear features or qualities,
Border lining obscenely mundane.
She drew me as a ******* stickman.
 Feb 2016
r
I took my name off of the *****
donor registry. I don't wish to wish
myself on any-body. I'm a hard man
to live with, you see. You've seen
the way I treat(ed) my liv-er; any way.
Anyway...if you really want a piece
of me take my heart. Cigarettes and
women haven't yet ruined the best part.
Thanks for the parts Creeker.
 Feb 2016
Star Gazer
Birds can **** and poo,
I will now talk in haikus,
The way a bird coos
Coo = Bird noises?.... no?
 Feb 2016
Maple Mathers
Two inconnu sheathed within sight of one moon
Betwixt embers'and uppers consumed by whom
Two nocturnal allies have each exhumed
By Caffeine and Adderall's swindling tomb
And Nicotine's cluches; an imbibing room

He can't spell    
I can't speak    
Parallels      
None bespeak    

He's got canines and relatives
To replete empty spots
Whilst a book full of lies
Keeps my soul ersatz.
So, too soon or too late
I will resume
And instigate
This nighttime bloom

For Phil Roberts
http://hellopoetry.com/phil-roberts/

(All poems original Copyright of Eva Denali Will © 2015, 2016)
 Feb 2016
Maple Mathers

Far away
I’ll go to hide
The proof may be rampant
But the evidence, lies

I’ll leave no hint
Say no goodbyes
To search for my body
Would not be wise

The grotesque state
I may be in
Would do no justice
For your skin

I’ll disappear
In reference to
This ****** up state
Comprised by you

So only you
Will realize this
Is a demise
You will not miss

And when I’m gone
You’ll grow to know
I went unnoticed
Head to toe.

(All poems original Copyright of Eva Denali Will © 2015, 2016)


"IF THE PAPER WASN’T LIMITED I WOULD HAVE WRITTEN YOU UNTIL MY HANDS BLED."
- M. C. B.
The cessation of my diurnal tapestry , a nocturnal tale of white horse
tragedy .. As we wait for the eight at nine , where shadows
often appear to be alive , hours run pathetically slow , freezing near dead from head to toe . Suckling from the bitter , wicked teet , normal people now **** where I eat .. Old crow nail , purple tip reactive banter from a starving vulture , the wailing of Lucifer , his consumption of the rotten in the shelter I rest my aching head upon .. Putrid bile breath , painstakingly reconnoiter the veins in both legs , stabbing wretched leather , smell of imminent death at the meeting house , night of inopportune visitation from an old chum long since forgotten ...What will I find when the body expires , when my broken heart finally gives in , when my brain sinks to the murky bottom , when the voices stop calling  . Who will I see , to whom will I greet when religion receives its long awaited answer , when the riddles lay restful and solved , when guilt and needle wounds are calmed ...Will life resume once more upon my fragile piece of Earth or will I jettison on a beam of light around the Universe .. Will there be a Jesus or a creature with intelligence I can't even begin to comprehend or will the bulb be switched to off and that's it ?
Copyright February 15 , 2016 by Randolph L Wilson * All Rights Reserved
 Feb 2016
Coop Lee
she’s out there on the ice again.
holy night &
positioning the gas-tanks just right.

joseph is her father, and his father,
even if not by blood,
raised flame.

foot to throat, brother remains
in the city working.
he is building a rocketship
in the basement of his apartment
complex.

back to town and dying houses.
foreclosures and fences.
lake of fire.

lights: she lingers in lights.
something so true and alive about the revelatory
of color,
of the world when lit and hit by sun
or our artifice.

her lovers: one dead by heavy
lumber, the other rewinding videotapes
in chasms of the library.
she thinks on his lips.

her dog tracks wet prints
across the carpet and floors.

wish list:
        mittens
        huckleberry jam
        iphone solar charger
        explosives
previously published in Midwestern Gothic, Literary Journal
http://midwestgothic.com/2011/01/issue-18-summer-2015/
 Feb 2016
Maple Mathers
When I was six, my grandmother enrolled me in ballet class.

     This choice was the first of many attempts to negate my tomboyish nature. Perhaps, she’d hoped that instead of collecting insects and cutting apart Barbie dolls, the pirouettes and glitzy attire might spin me. I was spun, eventually, but that had nothing to do with dance.

     Blame it on my peers; blame it on the tutus. Truth be told, my time was generally spent out of sight; but I got my kicks sneaking a reptiles home, playing with dinosaurs - never dolls, or - of course - taming earwigs. Alone.

     I don’t remember the classes, or the other little girls. In fact, the sole (no pun intended) impression left behind by those dance classes was why they'd end.
It was to be my first recital. The whole class had been coaxed into flashy leotards and uncomfortable tights. We’d been instructed to skip in a single file line onto the stage, which catalyzed my predicament, as I hadn’t a clue about the routine.

     As the girl preceding me danced into view, I floundered in terror – my turn had arrived. I fumbled along in her wake, passing the curtain and reaching the stage.

     The stage!

     An arena of ruthless lights, unveiling my anonymity. I faltered in terror, registering the audience registering me. How vast the auditorium looked against my tiny body! Betrayed by those blinding stage lights, I cowered at the mercy of the whole world.

     The instructor, a faceless female, was showing whose boss as girls began skipping around me.

    And yet, there I stood. Petrified that moving forward negated any hope of escape. My proximity to the curtain merited two options... the bright side of the curtains, which would soon claim everyone else in the vicinity, or the dark. I engaged in a mental game of Tug-a-war that lasted all of about half a second.

     The dark curtains won.

     So, dodging around the obnoxious ballerinas, I descended back into safety. It mattered not where I went, as long as I put distance between myself and the audience. Distance between myself, and detection.

     At some point, I discovered a backstage crevice, in which darkness sheathed me. For, even at five, I understood dark and safety to be synonyms.

     So, I crawled inside, and I hid.

     I don’t remember who went seeking. Nor, do I know who found me. Nobody is a possibility; it was an “Ollie, Ollie, Oxen Free” forfeit, perhaps. A rule that defeats the point of its own game. For at six, I was young enough to obey that “come out, come out, wherever you are” nonsense. But, such rules were dropkicked long ago.

     For, your existence – dear hide-and-seek – all but defines me. This game, that darkness, possesses my psyche.

     Some days, I ponder the uncertainty of memories. Vexed, for where memory dies, illusions are born. Illusions romanticizing reality – a reality in which I never came out, lost and unfound, a reality in which I’ll never come out, out, wherever I am. Hidden beneath the darkness.

     For, in truth, I have been hiding ever since.
(All poems original Copyright of Eva Denali Will © 2015, 2016)

Excerpt from my novel, Pretense.
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