first step

when he looks at a woman he searches for qualities that attract him because he wants to desire her yet this tendency creates an imbalance or disadvantage he is rendered weak to a woman’s beauty or whatever traits he idealizes self-realizing this propensity he looks away from women years of disappointment neglect change him he becomes afraid of women gynophobic

2

when she looks at a man she searches for qualities she is critical of because she wants to be impervious to his power she is suspicious of all men their upper body strength penchant to be in control misperception of women as property misogyny emotional immaturity neediness to be mommyed selfishness insensitivity or over-sensitivity depending she wants to be treated with equal respect a loving nurturing relationship she is suspicious of all people their alternate realities passive aggressive behavior co-dependence craziness

3

he sees her then looks away she suspiciously notices nothing happens they go back to their separate homes alone always home alone grown calm in resignation yet disbelieving of this destiny saddened by this fate both worry about future she looks at her face naked body in mirror her stomach churns feels sad sickening remembers time when she was more carefree he puts one foot in front of other then walks tries to remember who taught him to walk how many times did he fall who taught him to laugh where did his sense of humor go

4

he sees her thinks she is lovely resists the urge to turn away he smiles says hello she notices nervously smiles her shaky voice articulates louder than a whisper hi

Tucson 2-step

they are standing in line at a café on 4th avenue he is directly behind her she is lanky wearing white background faded colors patterned summer dress thin straps over bare shoulders long brown hair few gray strands small unfinished tattoo on left calf leather slip-ons 1 inch heals he is at a complete loss for words thinks to make remark about the weather decides not to overhead fan stirs hot humid July air barista girl asks what she would like her eyes scan blackboard menu behind counter she hesitates remarks help him i need an extra moment to decide he steps up to counter money in hand orders small to go Arnold Palmer half black current lays $3 on counter mentions change goes in tip jar thank you barista girl moves fast he lifts cup from counter glances at woman still deciding then at barista girl says have a wonderful day turns walks out door dawns on him woman grows hair under her arms his 2nd most compelling female physique adornment fetish oh god he thinks to himself should i wait for her to make up her mind then approach try to craft conversation at least find out her name no i’m too weak in this moment she is so lovely let her go

2

she orders double Americana in small cup to go room for soy milk thinks to herself he did greet her perhaps their paths will cross on street why did he run off so fast she glances toward front of café notices window seat changes her mind instructs barista ******* 2nd thought make it for here digs through purse realizes she left wallet in truck explains to barista girl she needs to run out to her vehicle to retrieve wallet forgotten under front seat the air on the street is heavy dense she smells her own perspiration looks north then south does not see him walks to truck feels exhausted appetiteless almost nauseous wishes she did not order a drink thinks to get behind wheel drive home go to sleep

Tucson 3-step tango

she feels disappointment by her recent writings as if she is reaching a more sophisticated audience and setting a higher standard for her work yet she is not living up to her ambitions her recent writings smell of her past writings too emotional the damaged woman wounded child she wants to write more introspectively with detached humor that only comes from keener intelligence she slams her laptop shut decides to go to Club Congress for a ****** mary or margarita but Club Congress is haunted with small town cretins losers wannabes she considers Maynard’s decides Maynard’s is too safe suburban yuppyish finally gives in to thought of glass of pinot noir at Plush next comes what to wear jeans in mid-July desert heat is unacceptable perhaps loose fitting thin cotton white summer dress thin leather belt ankle high indian moccasins hair in ponytail no pigtail braids no ponytail no makeup maybe little ylang ylang oil no she thinks about her recent writings

2

i am one breath away from crying in every moment one breath away from flying m.i.a. in every moment one breath away from destroying everything there is beauty in ugliness beauty in decrepitude disease beauty in harm hurt suffering beauty in greed injustice betrayal beauty in corruption contamination pollution beauty in hate cruelty ignorance beauty in death we spend our whole lives searching for a good death we spend our whole lives searching for eternal love this modern world is too much for me over my head the horrors of this place are beyond words unspeakable voice inside maybe mom yells quit your whining or dad hollers stop complaining i am trying to smile through tears one breath away from giving in one breath away from becoming stranger to myself winter spring winter spring there is beauty in nothingness we spend our whole lives searching for ourselves learning who we are not finding grasping secrets from dark paths light trails winter spring winter spring i am one breath away

3

she sits alone at bar at Plush glass of pinot noir glass of ice water in front of her 2 bearded older men eye her from other end of bar she ignores them glances at her wristwatch tries to look like she is waiting for someone music from speakers antiquated rock standard it is early friday hours from dusk moderate middle aged crowd mingle wait for local jazz trio to begin she thinks about her recent writings wonders is it too late for love considers lesbian affair from 5 different perspectives 5 woman’s voices each describing same lesbian affair in 5 opposing accounts hmmm she sips dark red wine from glass chases it with ice water she considers a story about a gang of female bikers who ride south to Mexico

4

the Americans came through here last night crossing border illegally climbing over our fences digging tunnels beneath our barrier walls littering along their trail they travel in packs of every skin color carry guns knives explosives wear leather boots some are shirtless tattoos dyed hair mischievously smiling conceitedly stealing when in question murdering they rob our homes slaughter our chickens ransack gardens loot our harvest you can still smell the stink of their fast food breaths

5

she swallows the last dark red wine from glass chases it with ice water local jazz trio begins to play as bar fills with more people she decides to walk home one foot in front of other wonders who taught her how to walk how many times did she fall she laughs to herself

Tucson square dance

TPD 10-18 unconfirmed data report

7 post-University of Arizona female graduates go to Cactus Moon for several drinks and dancing then drive to Bashful Bandit for more drinks and dancing 2 women get into scuffle victim Brittany Garner female 23 years of age race #5 (Native American, Eskimo, Middle -Eastern, Other) 5’ 2” long black hair cut-off blue jean shorts clingy light blue top falls hits head on side of bar dies of fatal blow to skull forensics report crushed occipital lobe assailant Stacy Won female 31 years of age race #4 (Asian) 5’6” black jeans black leather jacket red helmet Honda motorcycle still at large

witness accounts

Jess Delaney female 33 years of age race #2 (White) 6’ tight black pencil skirt white sleeveless undershirt no bra 3” heels blond ponytail “that squirting little **** deserves everything she got she lied told Stacy i’m a ***** i never cheated on Brittany i don’t understand we were all having a good time getting buzzed and dancing we should never have left Cactus Moon **** Kerrie thought some biker dude might be hanging around the Bandit hell maybe the Bandit was a biker bar once but now it’s just a college sink hole full of drunken frat boys when Monique flashed a little *** they went crazy cheering and buying us shots it just got out of hand never should have happened the way it happened Stacy didn’t mean to **** Brittany it’s ****** up i want to go home please let me go home”

Sabrina Starn female 29 years of age race #2 (White) 5’8” trendy corporate gray suit black pumps red shoulder length hair “i have to be at work at 8 AM Stacy was drunk out of control she gets crazy when she drinks Brittany was trash talking pushing all Stacy’s buttons then Stacy accused Brittany of sleeping with Monique and all hell broke loose i didn’t see what happened i was in the powder room it’s a terrible tragedy unfortunate accident can i please be released i need to sleep this is madness”

Kerrie Angeles female 27 years of age race #1 (Hispanic) 5’ 6” black pants white shirt black hair cut stylishly short silver crucifix around neck red fingernails “when we got to the Bashful Bandit i was ***** soaking between my legs thinking about a cowgirl at Cactus Moon ready to **** anyone i saw fantasized pulling a train with those frat boys Monique had been kind of quiet at Cactus Moon but when we got to the Bashful Bandit she lit up dancing wild unbuttoning her top jacket Sabrina went to the ladies room to snort coke with biker dude Kerrie wanted but he wasn’t into her then Brittany started saying crazy stuff accusing Stacy of stealing Monique from Jess Jessie goes through women heartlessly she doesn’t give a **** about Monique Jessie knows if she wants Monique back she can simply fiddle a finger my guess is Stacy is half way to Argentina she never meant to **** Brittany i’m going to miss her real bad she was a good kid”

Ann Skyler female 28 years of age race  #2 (White) 4’ 11’’ green white red Mexican peasant skirt black t-shirt black high-tops hair in messy bun “i’m confused i saw them dancing laughing grinding up against each other Rage Against the Machine came on then Nine Inch Nails the room felt quaking dizzy claustrophobic then they were pushing each other shoving yelling frat boys cheering the next thing i knew Brittany was supine on the floor blood pouring out maybe she just slipped hit her head i don’t know what to think i feel real sad confused sick to my stomach scared”

Monique Smithson female 24 years of age race # 3 (Black) 5’ 9” blue jeans jean jacket cowboy boots nose ring braided pigtails “Stacy had it in for Brittany from the start i saw it in her eyes at Cactus Moon she made several clever toxic remarks they snapped at each other i never thought it would escalate to ****** poor sweet Brittany was always so susceptible i was looking down adjusting my jeans over my boots when it happened i heard felt a big thump glanced up Brittany was lying there lifeless blood spilling everywhere Stacy ran out fast i heard her bike engine take off in a hurry”

Rodeo Drive Tucson

matt’s hats tom’s tools & tobacco lou’s liquors fred’s beds frank’s planks bill’s drills jane’s drains & panes chuck’s check cashing cheryl’s barrels hank’s tanks tina’s trucks & tractors walt’s asphalt sean’s pawn rick’s rifles mom’s guns terry’s tires charlie’s harleys rhonda’s hondas jim’s rims art’s parts gus’s gasoline mike’s bikes frank’s feed gwen’s pens ann’s cans nancy’s nursery joes‘s clothes jess’s dresses bert’s skirts steve’s sleeves paul’s shawls michelle’s shells & bells al’s pails & snails sam’s hams & jams patty’s pancakes phil’s chili don’s donuts betty’s spaghetti bob’s burgers alycia’s quiches jean’s beans jerry’s berries anna’s bananas andy’s candies cathy’s taffies tony’s ponies roy’s toys kim’s whims marty’s parties jill’s pills rick’s tricks alice’s palace debbie’s disposal dave’s graves

Quinta Waltz de Tucson

she is definitely displeased profoundly disappointed in her latest literary efforts she dreams aches to create deeper discourse higher insight more thoughtful philosophical inquiries about life’s challenges beauty a better world overpowering love inspiration instead she writes paperback television trash stupid inadequate answers to solemn questions she wonders if she is too scratched dented to find love her ******* are definitely changing she is deeply disturbed not ready for menopause too young for menopause she wants to remain a fertile woman with smooth skin wet ******

2

her neighbor Leslie awoke to horrible morning Leslie’s 6 chickens were assaulted overnight precious Mabel dragged off feathers everywhere trail down the street other hens cowering slumped together with wilted necks 3 of them with puncture wounds Leslie carried them one by one inside washed their wounds hugged them cried who did this terrible act a neglected abusive neighborhood cat or some desert predator why didn’t Leslie wake to sounds of savage marauding now this creature knows hen’s whereabouts when will it return for more massacre what modifications need to be enforced to ensure their coup before nightfall

3

she wants to remain a hen keep producing eggs does not want is not ready to enter the next **** stage of this **** existence it was fun being pretty for men inspiring them to say do whacky things she wants to remain a hen she is definitely displeased profoundly disappointed in her latest literary attempts “Tucson square dance” (self-referential) ****** bit about Americans came through here last night in “Tucson 3-step” ****** "Rodeo Drive" tepid perhaps the pinot noir lowered her standards everything is becoming nothing she cannot sleep tosses turns thrashes sheets in humid heat of her lonesome bed is she is too scratched dented to find love she worries for Leslie

4

tomorrow is another day they say the rain will come last year’s monsoon never came the baking sun smothered her garden died one by one sleepless she will miss tomorrow’s pilates class the infrequent delightful chatty breakfast afterwards she dreams aches of deeper discourse higher insight with detached humor that only comes from keener intelligence more thoughtful philosophical inquiries about life’s challenges beauty a better world overpowering love inspiration she crossed the line tonight her ******* are definitely changing

Tucson 666

he decides to shave eighth to quarter inch length salt and pepper beard a.k.a. unshaven look he has worn for years and grow full mustache the whiskers on his upper lip are darker with sparse gray at first no one notices after weeks the mustache gradually fills evoking many contrasting remarks several women loath it several men admire it girl at grocery store suggests he grow Fu Manchu so she can tug on it shopgirl says he looks like Charlie Chaplin downstairs neighbor from Turkey explains most Turkish men traditionally wear mustaches he read mustaches masculinize and empower men especially men in authoritative positions he thinks back to the 1960’s when many hippie males grew mustaches then in the 70’s gay men fashioned mustaches then in the 80’s cops adopted mustaches he wonders why a swatch of hair beneath nose is so provoking examines his visage in mirror discerns the mustache confers a Pepé le Pew quality or European accent to his appearance he remembers when he was young hippie with many amorous episodes how his mustache preserved the scent of a woman but there are no women in his life for many years do post-menopausal women possess scent? he feels indecisive whether to retain it or be rid of it

2

she observes her figure in mirror thinks to herself maybe her ******* are not changing perhaps it’s all in her head she inspects the little lines forming near her eyelids studies her features for signs of aging hardly any silver strands in long brown hair she examines neck ******* arms elbows fingers tummy hips pelvic region thighs knees shins calves ankles feet detects subtle changes thinks to herself my ******* are possibly slightly changing turned 40 in March married briefly in late teens no children a 15 year old dog beginning to suffer veterinarian promises to warn her when the time comes she wonders why it is so difficult finding fitting mate men sleep with her several times then move on maybe she is not such a great lover perhaps she would be better if one of them stuck around perhaps she is a lesbian the whole ide

And she was tired, but not of me.
She’s such a sleeping beauty,
That I could stare at her all day.
Look at her, God! Just look at her
This day can’t get any better.
Isn’t she pretty, like some deity?

She blushes, she smiles,
She looks at me, from miles
All this while, looking at her
I realize already, that I’m into her
She doesn’t speak a lot,
Her eyes do it, taking her part
Whenever I say I love you,
Her lips go wide
From smile to grin,
Grin to blush
If this isn’t worth falling for,
What is?

She lifts me up, when I’m down,
She thrashes me, when I’m dumb
She cooks for me, when I want it the most
She showers love on me, when I need her the most.

And then she hugs me tight,
All worries were out of my sight.
That’s when I know, I’m hers,
No worries, Coz she already knows, she’s mine

~ PG

Chapter 1

There was a woman. The cost to love her was your life. No other payment but a sending off, a revolver cocked to your temple’s side.
There was no spite in your death, just business.
Hell of a business to run.

I was protecting someone. Never been one to stick around, but this drag had carried for the past year. That gang-owned joint lay but two doors and a cold alley away. Popular place, maybe not the classiest but it had its patrons. Packed with your essentials: pool tables, dirt-licked walls and chairs, mean folk mixed in with the nice. Old fashioned joint with a history. You could almost feel it when you walked in. That small pressure when it’s about to rain? Felt like that had been building up for a decade there.
Some Madonna owned it. Names elude me, but she was just another front; as was the barkeep, the hired bouncers and those mean-eyed slingers that spoke loud in company, silent alone. Heh, almost like an old-fashioned saloon. Who the hell am I in this tale of cowboys and crooks?
I was holed up in that apartment block for the winter. Stiff drapes covering a stiff cold that seeped through the cracks anyway. Cold chills to wake to, and the whiskey don’t warm a **** thing. Maybe it was the ache of a past flame that led me to her. That old touch had languished and misted away in the night of some long dead memory, leaving an old kiss from a young lover on my shivering body. It grew faint with every year’s passing. I struggle to remember this keepsake.
Every night.
I was a no name protector protecting a no name ghost of a man. Yeah we knew each other. I’m no stranger to keep past talking terms . . . but, hell if I remember his name, how we got into this **** situation and why. Mind’s a little off. Been like that for years.

It was a stumble through the wrong door at the wrong time. Some spiteful voices in the back of the joint or the back of my mind telling me I’m headed for hell and ain’t coming back. See, every day is a crossroad, and I happened upon the worst one yet.
I remember that flaking paint; grime-covered white on a moulding door **** near off its hinges. That suited me, and I hated it. Maybe I grew sick of wandering the same way and turned my life on its spinning head. Spun me all the ways I couldn’t face. Saw a glimmer that fate had readied for me. Don’t think I’ve looked at anything with such eyes since; nor have they looked back at me.
The room was a cramped, dilapidated hellhole like every other room, but with her laying on that bed of hers . . . she was the only clean thing in the whole of this cursed city. Save, she wasn’t clean. No such thing exists; no such thing as clean since your adolescent innocence, and even that went up in flames. Hell, in a city like this I wouldn’t be surprised if the skeletons we kept so tightly locked in our closets outnumbered us ten to one.
Should have remembered that when I saw her, but my mind lay a blank canvas and I couldn’t help but fill it with all the details of this pretty bird. Even those that weren’t there.
No Name yanked me out quick. Never seen him so pale, ghosting further and further from a human being. He’d been running so long I don’t think he even knew what he was running from anymore. His past? Some cop chase from years back, ending with blood stains and shaky hands? A dead kid in the arms of a suicidal wife? Maybe he’s running from himself. Fear in the capacity we contain, and fear in the ways we unleash it around loved ones. I don’t blame him for running. If I was a worse man I’d run from him as well.
Now No Name has it all figured out, even if he won’t let on; and that bird in there ain’t part of the plan. Cash cash, first train out to some no name city for this no name man. In this together, he keeps repeating, like some broke down record player that only plays one song. Well I guess we share more similarities than I’d like to think so.

One night, about a month after settling in that old apartment, I hear raised voices. Not uncommon, but something about this still night woke some fear inside me. A fear I needed to meet with my eyes, a score to settle with myself. Sounded like some ******* outside was hoping to bring down the sky with volume alone. No type of gentleman, just a no ***** kid who doesn’t know the difference between command and screaming like a babe.
One gets you respect. Now, the other. . . .
I open those stiff drapes with stiffer fingers. Brush that layer of frozen breath and mist to find some mid-twenty good for nothing punk holding a struggling figure. The apartment ain’t exactly ground floor but even up here I can spot the difference between a gent and a sally. Some broad was in trouble.
Grab that six shooter, old man. The holster smooth from years of wear, small frays on the weathered jacket rubbing against goose-pricked skin. Comfort clothing that never really brings comfort. Not anymore. Guess I’m as bad as No Name. I’m just repeating routine.
Out the hall, no doors left in this apartment block. Stolen, broken, ain’t exactly your family fun lifestyle we’re living. No Name’s holed up in this fortress of upturned furniture and dresser-barred doorways. Lights flicker from between the cracks. The devil ain’t gonna bother with the door, I tell him. He doesn’t reply. Maybe he’s a religious man with one too many sins above his head.
There’s another yell and I feel my blood rise, hairs picking up static, a storm brewing inside that clenched stomach of mine. Take a tumble down the stairs in my haste. **** crooked balsa wood. Those stairs are gonna end me one day, I swear.
Ground floor. I slam that kitchen door and it cracks against the brick wall outside. ****. No Name’s gonna burst an artery. Call out for that ******* punk but he’s already eyeing me up. Only a few steps away and I can see the white in his eyes. No . . . those are his pupils. Wide, all cloud-like, he’s ******* dusted up. . . . Almost like looking into the past. Thrice-cursed ****. I’m in trouble.
This ain’t some lover’s quarrel, some twisted ****’s thought of a good way to end the night. This is a dusthead addict and I’m out of my league. His mid-snarl distorts and stretches past his cheeks and that devil grin sends an electric jolt from the wires of my brain to my heart.
This six shooter is as good as a pea gun against a Smiley.
He’s spouting some glossolalia drifts, layering it like an abominable duet. The coked-up boy in me yearns to understand again, but stiff joints and washed-out dreams have made me a cynic. Ain’t no beauty when you’re tearing things apart to see it. ******* Smiley’s on the edge and he’s ready to pounce right off. If that broad’s sobbing didn’t **** at those heart strings of mine I’d be running for my ******* life.
I lift that pea shooter and aim it straight at that devil smile.
He howls. Glass shatters from above. Some black monstrous thing comes speeding at me. I leap through that apartment doorway in time to see ******* Smiley consumed by it. All sharp, all solid that beast slams into Smiley, screaming loud enough to wake this dead city twice over. Smiley thrashes, he splays out to the ground, the beast’s seared flesh erupting in front of me. A piece slices past my cheek and I’m on the ground in tears. I hear No Name scream an incomprehensible curse above. I’m bawling now. Through my tears I spot that chunk of flesh. ******* balsa wood. Thrice-cursed balsa wood.
No Name had thrown a piano out that barricaded window of his. Tears of pure comedy, that’s what left my face. A Smiley taken out by No Name, I’ll never live this down. His mangled body lies under polished wood. Someone’s yearly worth gone in a second of frantic panic, reduced to twisted wires and cracked ivory. To see something so beautiful destroyed in seconds makes me wonder if the Smiley had gotten the better of us after all.
That broad’s in shock. Splinters covered every inch of ground save that around her; looked like a comet, trailing emptiness behind.  Should have noticed it then that something wasn’t right with that scene. Perfectly unscathed beauty sitting there with not a single scratch nor splinter on her, but I was too **** amazed I was alive. Knelt close to her and caught a whiff of some exotic scent on her skin. Some flower. Saw her face and it added another colour to that filling canvas of mine. This pretty bird from the joint. The one men died for. At least No Name had saved one life worth saving, funny it happened to be the one who could take yours in a night.
Names elude me, but the way I remember her . . . the way I remember her is Blossom, for when she came into my life she gave colours to my black and white memory, colours I didn’t know existed, and my black and white morals took a turn down some dawning grey-blurred alley.
So I’m a ******* gentleman and I walk Blossom home while No Name shifts furniture above us. Scrapes of hard wood against wood, filling that void in his once impenetrable bastion. I told you No Name’s got it all planned out already. Guess I’m just here for the ride.

Where the sunlight splashes through
The barely moving branches of the Magnolia tree
It makes a fascinating pattern on the patio.
Amy Lowell wrote of patterns in a lovely, angry verse
When she was writing about how she hated war.

I bend to trace the patterns with my toe
And focus on the possibilities of now
With monster canons rolling down the boulevards
And goose-step imitators marching by
While in the stands a devilishly evil Buddha smiles.

A zephyr gently stirs the leaves
And all the patterns rearrange again
I look at them with half closed eyes
And I can’t find the symmetry
That I saw just an hour ago.

The Kraken still is held by chains
And though he gushes fire and venom
The patterns on the wall contain him
As he thrashes to replace the sun
With a new one of his own creation.

Amy walked a peaceful garden path
In dappled sunlight long ago
Creating lines that live today.
I trundle down a brick-lined walk
And hope that I will have tomorrow.
                         ljm

I lie there with my eyes open,
The dreams carrying you relentlessly through every pore,
In the state of rest, my heart thrashes...
You hear me, baby?
The throes of an anguished singer.

The world can remain dead to my song,
The song might get lost inside the tomb of your heart,
But when it laps gently on the walls,
Don't you feel the flutter of a loved soul?
When it thrashes wild inside your heart,
Don't you hear the feel of your anguished singer?

My baby! I feel light and lifted,
The song gently kissing the pores skipped,
Ah! There I see a trace of light...
At the end of the tunnel a new song awaits...

I shouldn't have turned dear for that last look,
You didn't stop, yet I stopped,
Frail, I headed back...
The song squeaked, hoping to touch your heart...

I lay there, my body still,
Your steps echoing inside every pore,
My heart baby, beating fast,
I waited as you came across,
The steps halted but you walked past,
In the state of rest, my heart thrashes...
You hear me, baby?
The throes of an anguished loser.

Have you ever been angry?
So angry you've scared yourself.
Because for a second you saw that face staring back from within.
An immense depth fast approaching.
So absent of light the only reason you caught a glimpse was those eyes.
Beaming back at you with illumination so frightening your core began to shudder and rumble.

Crumbled down and watched this beast claw its way out.
Over rock and mortar. Through coarse cage of steel.
Those cold eyes staring down - helplessly watching.

This beast was once kept sealed.
Who gave it this key to destruction.
This shapeless fluid in motion soulless tragedy.
Black velvet drape dipped in fiery energy.
Pure hate which had been compressed for eternity.
Now concentrated and intent on wreaking havoc.

I sent my armies. I sent them all.
Countless deaths and yet I sent more.
Quick slaughter - not the painless type.
This beast they could not stall.
Thrashes of bodies. Clawed and torn.
Festering flesh flying from fallen.
Axe, Sword and Mace soaked,
dripping in warm fresh blood-pounding hate.
Shatters of armor and unrecognizable corpses.
What do I do?
It seeks me as a vessel - to be worn.
I can feel the hate changing me.
Quickly now or I'll soon deform.

“Oh, you're a sprinter” they say
“you aren't really a runner”

Long distance people don't understand you see
They don't know what a pulling hamstring feels like
They don't know what running with pure adrenaline feels like
They don't know what not being able to breath while running feels like

You see, we sprinters have it down to a science
Practicing starts before the race is key
Pre race rituals are the law
If we don't warm up enough or warm up too much or forget to stretch one muscle
We could be out for the season

Sign in. Warm up some more

They call my race
I pull off my pants and shake out my legs
Double knot my spikes
Finally, my jacket comes off
I step up to the start and set my blocks

My brain becomes so numb with nervousness, the motions become mechanical
Two foot lengths away from the line, first block
Three foot lengths away from the line, second block
Bring my first block up two clicks
My second up three

“Runners, take your marks.”
Tuck jump
Shake out my legs
I tell myself “Remember: low, and drive”
Because there is too much to think about all at once
I lower myself on my knees
Wipe my hands on my spandex
Double check that my shirt is tucked in, my spikes are tied
Shake out my right leg and place it in the block
Shake out my left leg and place it in the block, toes barely touching the ground
Place my hands as close to the line as possible-about two inches to each side of my shoulders
I look down, check my blocks
Look up, at the finish-I will be there in less than a minute
If all goes as planned
I swing my hair so it's on my left side
Head down, look at my hands
Shoulders parallel with my arms and perpendicular to the ground
Just like practice

“Get set”
My heart is pounding
I can’t hear anything
I slowly raise my hips
It takes less than one second to become perfect
Just like practice

BANG

I shoot out of the blocks
Left arm jerks forward and my right thrashes back
I pull my stride in, getting into perfect form
Just like practice

I tune out all of the screams around me
The voices inside my head telling me to slow down
You're running too fast
You're about to pull a muscle
Give up already

But I keep running because I don't care about the voices in my head or the sprinters beside me
I race against time
An irrevocable substance that will always win

I finish the race, maybe not my best, but I did alright for my first meet in a year.
Finally eyeing my time I let go of the breath I have subconsciously been holding
I ran my best and now my lungs are reminded what it's like to taste air

Long distance runners don’t have to worry about any of this
They just have to make sure their toes aren't touching the line
Theres no science involved
If they warm up too long or not enough, it may cost them a few seconds
Seconds are all we have

Ever wonder why long distance runners are so nice to each other and sprinters aren't?
Because before every race we sprinters are too nervous to talk to one another
Everyone is silently praying that the  person next to them won’t toss their cookies
Then again, maybe its better if they did because I might have a better shot at getting first
After the race, I am too stunned-too out of breath to realize what just happened
Or to talk to the person next to me

Sprinters only have a mere couple of seconds to prove themselves
Long distance runners can take their time
They have at least two laps to prove themselves
Sometimes even sixteen

I don’t realize that I love racing
That I love not being able to breathe
Until I cross that finish line
And then I want to do it all over again

Spanish

    –Eros: acaso no sentiste nunca
Piedad de las estatuas?
Se dirían crisálidas de piedra
De yo no sé qué formidable raza
En una eterna espera inenarrable.
Los cráteres dormidos de sus bocas
Dan la ceniza negra del Silencio,
Mana de las columnas de sus hombros
La mortaja copiosa de la Calma
Y fluye de sus órbitas la noche;
Victimas del Futuro o del Misterio,
En capullos terribles y magníficos
Esperan a la Vida o a la Muerte.
Eros: acaso no sentiste nunca
Piedad de las estatuas?–
    Piedad para las vidas
Que no doran a fuego tus bonanzas
Ni riegan o desgajan tus tormentas;
Piedad para los cuerpos revestidos
Del armiño solemne de la Calma,
Y las frentes en luz que sobrellevan
Grandes lirios marmóreos de pureza,
Pesados y glaciales como témpanos;
Piedad para las manos enguantadas
De hielo, que no arrancan
Los frutos deleitosos de la Carne
Ni las flores fantásticas del alma;
Piedad para los ojos que aletean
Espirituales párpados:
Escamas de misterio,
Negros telones de visiones rosas…
Nunca ven nada por mirar tan lejos!
    Piedad para las pulcras cabelleras
–Misticas aureolas–
Peinadas como lagos
Que nunca airea el abanico *****,
***** y enorme de la tempestad;
Piedad para los ínclitos espiritus
Tallados en diamante,
Altos, claros, extáticos
Pararrayos de cúpulas morales;
Piedad para los labios como engarces
Celestes donde fulge
Invisible la perla de la Hostia;
–Labios que nunca fueron,
Que no apresaron nunca
Un vampiro de fuego
Con más sed y más hambre que un abismo.–
Piedad para los sexos sacrosantos
Que acoraza de una
Hoja de viña astral la Castidad;
Piedad para las plantas imantadas
De eternidad que arrastran
Por el eterno azur
Las sandalias quemantes de sus llagas;
Piedad, piedad, piedad
Para todas las vidas que defiende
De tus maravillosas intemperies
El mirador enhiesto del Orgullo;

Apuntales tus soles o tus rayos!

Eros: acaso no sentiste nunca
Piedad de las estatuas?…

              English

    –Eros: have you never felt
Piety for the statues?
These chrysalides of stone,
Some formidable race
In an eternal, unutterable hope.
The sleeping craters of their mouths
Utter the black ash of silence;
A copious shroud of Calm
Falls from the columns of their arms,
And night flows from their eyesockets;
Victims of Destiny or Mystery,
In magnificent and terrible cocoons,
They wait for Life or Death.
Eros: have you never perhaps felt
Piety for the statues?
    Piety for the lives
That will not strew nor rend your battles
Nor gild your fiery truces;
Piety for the bodies clothed
In the solemn ermine of Calm,
The luminous foreheads that endure
Their marble wreaths, grand and pure,
Weighty and glacial as icebergs;
Piety for the gloved hands of ice
That cannot uproot
The delicious fruits of the Flesh,
The fantastic flowers of the soul;
Piety for the eyes that flutter
Their spiritual eyelids:
Mysterious fish scales,
Dark curtains on rose visions…
For looking so far, they never see!
    Piety for the tidy heads of hair
–Mystical haloes–
Gently combed like lakes
Which the storm’s black fan,
Black and enormous, never thrashes;
Piety for the spirits, illustrious,
Carved of diamonds,
High, clear, ecstatic
Lightning rods on pious domes;
Piety for the lips like celestial settings
Where the invisible pearls of the Host gleam;
–Lips that never existed,
Never seized anything,
A fiery vampire
With more thirst and hunger than an abyss.
Piety for the sacrosanct sexes
That armor themselves with sheaths
From the astral vineyards of Chastity;
Piety for the magnetized footsoles
Who eternally drag
Sandals burning with sores
Through the eternal azure;
Piety, piety, pity
For all the lives defended
By the lighthouse of Pride
From your marvelous raw weathers:

Aim your suns and rays at them!

Eros: have you never perhaps felt
Pity for the statues?

It gently rocks her to sleep,
But a sleep filled with nightmares.
It sweetly drowns her lungs,
Leaving her desperate for air.
It lovingly shoves stones down her throat, making it impossible to swallow.
Finally,
It thrashes her against the jagged rocks that lie in the sea.
All she ever wanted was just a dip in the water.

Ushers clad in white rush the masses to their seats.
Talk dulls to whispers as the queue outside depletes.
A black suit waves his wand at centre stage.
“It looks just like they said it would on this week’s news’ front page,”
             they say.

The tuxedo raised its hands, to quell the audience,
His stonewall face daunting, demanding perfect silence.
As the ushers move in tandem, down the aisles to the stage,
The curtain breaks, the glasses shake, as the lights begin to fade.

Hooded figures appear, wheeling metal tables
Bearing cobalt cadavers, held fast with jumper cables.
They are brought to centre stage, to three white-clad physicians.
Tools are passed into the hands of each the meat-magicians.
“Thank you. You’ve arrived very much on time,” says tuxedo,
       and he snaps a shot of bourbon.

Curtains billow ‘round the stage like clouds of clotted blood.
The lights dim and the show begins, the audience waiting, rabid.
And through the obscurity,
Through the gloom of the room,
They see the white-coat men lift their arms in unison,
As the tuxedo points his wand about like a handgun.
He waves his stick at the white-coat men
And they lower their hands to the bodies in front of them.
They hold tools with blades short and long,
    and dig into their subjects.
They pick through pith and pulp,
     casting flecks of flesh into the audience.
Their white coats blush deeper and deeper
   the farther they dig with their knives and their peepers.
The tuxedo thrashes his wand astir, directing the dissection with little discretion.
The audience gasps and murmurs a disturbed digression
   but watch with wide eyes in disgusting obsession.
“Someone’s got to teach these ******* a lesson,” says a white-coated man, digging deeper depressions.
All the while the corpses lay, until the tuxedo man bends in plie.
And the cadavers awaken and scream upon seeing their entrails laid out for display.
“What a horribly carnal ballet!”
             they say.

The audience clamours, simply enamoured,
Erupting with tears, and applause, and laughter.
They clap at the bodies exploding in seizure
While the white-coats rip and cut to their leisure,
The subjects watch in horror as they are filleted,
Their own pelts and rinds are stars on Broadway.

Suddenly the tuxedo man stops,
Signaling the white-coats to stop in mid-chop.
The mangled bodies see on the floor themselves in pieces like the dried needles of pines.
And they curl and writhe on the metal tables, hugging tightly to their own spines.
“Thank you. But it seems we’ve run out of time,” the tuxedo man says with a bow,
As he wipes the sweat and blood from his brow.
And the ushers rush the audience out,
While the hooded men return to collect the waste
While the audience leaves feeling nothing close to disgraced.
“I’ve never once seen a better display,”
             they say.

Words drift, past the pages and recollection.
Some skip just above a stream of consciousness.
Others hurdle by, accelerating into shapelessness.

A fisherman of thought.
Praying the last of his bait,
feeds him, just another day.

As the days blend together,
and the current thrashes on,
hope is a face on the water.

He’s filled his belly with persistence,
but the need for creation lives on.

Cast the line.
Spin the rhyme.

Feast on the dreams of tomorrow.

Reality is the stage upon which I play the fool & lover.
Delusion is the Act, not knowing one from the other.
The Past, a script,
Memorized to poison the mind.
Hope, a costume,
Worn to keep the heart blind.
Falling into bed,
the curtain raises from the ground.
Quiet whispers in my ear,
house music thrashes loud!
I Perform with passion,
putting faith in my troupe.
Convincing the audience
My story is true.
Scene to scene,
They see no flaw.
Each song & dance
Inspires awe.
In the end my cheeks, they shine,
like all the roses that will fall.
My eyes stay glamoured
with the curtain call.
The lights come up,
The morning sun,
They cheer, they kiss.
But the show is done,
they have had their fun.
It was pleasure, it was bliss.
Take a bow.
I played the Lover for a night.
I am the Fool now.
Exit stage right.

she is definitely displeased profoundly disappointed in her latest literary efforts she dreams aches to create deeper discourse higher insight more thoughtful philosophical inquiries about life’s challenges beauty a better world overpowering love inspiration instead she writes paperback television trash stupid inadequate answers to solemn questions she wonders if she is too scratched dented to find love her ******* are definitely changing she is deeply disturbed not ready for menopause too young for menopause she wants to remain a fertile woman with smooth skin wet ******

2

her neighbor Leslie awoke to horrible morning Leslie’s 6 chickens were assaulted overnight precious Mabel dragged off feathers everywhere trail down the street other hens cowering slumped together with wilted necks 3 of them with puncture wounds Leslie carried them one by one inside washed their wounds hugged them cried who did this terrible act a neglected abusive neighborhood cat or some desert predator why didn’t Leslie wake to sounds of savage marauding now this creature knows hen’s whereabouts when will it return for more massacre what modifications need to be enforced to ensure their coup before nightfall

3

she wants to remain a hen keep producing eggs does not want is not ready to enter the next **** stage of this **** existence it was fun being pretty for men inspiring them to say do wacky things she wants to remain a hen she is definitely displeased profoundly disappointed in her latest literary efforts “tucson square dance” (self-referential) ****** bit about Americans came through here last night in “tucson 3-step” ****** perhaps the pinot noir lowered her standards everything is becoming nothing she cannot sleep tosses turns thrashes sheets in humid heat of her lonesome bed is she is too scratched dented to find love worries for Leslie

4

tomorrow is another day they say the rain will come last year’s monsoon never came the baking sun smothered her garden died one by one sleepless she will miss tomorrow’s pilates class the infrequent delightful breakfast afterwards she dreams aches of deeper discourse higher insight more thoughtful philosophical inquiries about life’s challenges beauty a better world overpowering love inspiration she crossed the line tonight her ******* are definitely changing

"Thus fought the heroes, tranquil their admirable hearts, violent their swords,
resigned to **** and to die." – Jorge Louis Borges, The Garden of Forking Paths

stoic labyrinthine sparrow-bone;
there is a slalom down your gullet,
bayonet curled around your neck,
you have a beak, you are *****-smooth,
have rubble for skin, an emaciated infinity:
everything is fractal so eat your words
they are you are your rusty toenails
every footstep is a holocaust there’s
genocide under your neurons,
watch them flex and shiver.

you have soft plastic lips,
there is a vacuum in your gullet,
a box cutter carving
through your adam’s apple:
epileptics are just indecisive,
when they seize hold their tongues
they are their words you are a god
are oppenheimer and shiva,
pick favorites it doesn’t matter
it doesn’t matter it doesn’t matter
flex and shimmer we are just neurons
flatlines are not ghoulish nooses,
paraplegics are just cowards,
move with conviction each step
is a genocide, you have wooden
teeth and woolen wings,
thrashes are a velveteen sunset
an edible fog, your stomach
is a stomach do not eat the fog
just know that someday it will **** you
softly and swiftly.

it doesn’t matter it doesn’t matter:
infinity is not recursive
alive is not our default state
once is the only route
blood makes the blade holy
if you cut me i will bleed,
i won't blame you just know
you were only ever
that very moment.

Venom be spat from the tongue that blinds.
Twixt the lovers.
Whose hearts, no longer entwined.
Words tied and tangled.
Twisted and lost.
Love becomes mangled.
Crumbled to dust.

No words dare be spoken.
The lovers that were.
Invoked the monster of Lady Medusa.
Screeching siren.
Lady's on fire.
Don't dare put her out.

Her eyes surely saved for you.
Muted sounds.
Exploding fear.
Hearing her dear.
Utters last squeak.
Unable to speak.
Bit his own tongue.
As she turns him to stone.
With eyes that don't see.
(c)LIVVI








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9 hrs · Daily Mail Online ·



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I rarely use Costa, I will be working back at Winchester hospital shortly.
I will use their canteen, the food is generally very nice x














Revealed: The squalor inside Costa coffee shops

A total of 23 Costas got two or less stars in their most recent inspections, including a hospital branch which had paninis at risk of contamination with bacteria which can cause paralysis and death.



dailymail.co.uk



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Olivia Kent Ward , starting Monday x

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Philip McCarthy







Philip McCarthy Good luck with the job Olivia, But Im a bit of a coffee freak but will never use Costa it alwaysgives me bad guts ache afterwards.

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Olivia Kent







Olivia Kent Thank you Philip **

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Philip McCarthy







Philip McCarthy Hey I'm at the Cafe Reflections for the first time. It's good here x Photos to follow

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"Storm Journey * unbreaking stone the key that unlocks the sky, and something races lionlike from beyond he thunderclap and the forest thrashes and waves like the choir in a Pentecostal church "yes, Jesus! Thankya, Lawwwd!" yes, there will be water if God wills it, so 'tis said. i read something in the living strokes of skyfire, the dance of something both benevolent and dangerous, and i can taste it like wine on the breath of the onrushing storm. it tastes like life, pouring into my lungs so fiercely i feel like i might be consumed by an overabundance of vitality. i can see that vitality all around me, the fecundity of Summer, relentless in its upward-thrusting, blossoming, breaking from the loam, bursting from the chrysalis, defying the arid winterlock that held the ground mere months ago. i walk from miracle into miracle, from myth into myth, the Universe enlarging with each step, until i'm carried like an infant in the arms of a loving storm."

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Karen Wilmott

The beast within, me, thrashes against its cage,
It is desperate for possession, dominace, and adoration.
It writhes with the madness of jealousy, it wants you.
To make you thoughtless and craving only but my name upon your lips.
Shattered and defenseless; to use my body as your cover and protection.
This selfish desires from the beast within.
It growls and gnawshes its teeth as you talk happily to another
touching them in friendly manner; heed poised to other.
It is irrational and mad; it knows-
Though careless and savage is the beast within us.
It wants to push you against the wall,
bound your hands and hold your mind.
Only this and nothing more.
However, for now and ever, the beast within my barred castle-
silently and wantonly stares at its prey; so close and yet so far away;
as you smiles completely oblivious.
God, ignorance is bliss, it silently thinks;
The beast within.

I feel the love that burns in my heart
but the hatred has been there from the start
slowly burning away my soul
turning it into the darkest of holes

holding you close by the burning fire
opens up the gateway to desire
and the anger that thrashes inside my eyes
shows the truth of whats inside

thinking that this is all ment to be,
not seeing the lies of whats really to see,
the demon inside that breaks away
steals all the love inside me today,

the lies growing into truth
taking away all of my youth,
it all happens quickly without making a sound
for where there is love, hate can be found

There is a certain art in relinquishing your spirit to emotions quelling from the breast
Stumbling haphazardly through the hallways of an academy surreptitiously pristine
Encountering locked doors, painted walls, lowered eyes and agony
The menial labor of a janitor picking up after the crowd has released every last yelp
And the pain
Of a boy stooped in an empty corner
Old enough to be a man
Helpless as an infant
Too poor to enter, too meek to escape
Trapped in the corridor between sunny landscapes and dimmed memories
Struggling to hoist his frame up from its stupor
Afraid it may just as well falter once restored
And hoping someone may notice
There is a certain art in relinquishing your spirit to emotions quelling from the breast
Sincerity and compassion need not be amongst them
But, just as breath escapes, so do tears
Splashing from the drowning pool in which the soul thrashes
Bending, grabbing and tossing
Discard,
Discard
Stoop
Obtain
Discard
Each day a variation of the past
Unique in subtle differences imperceivable to visitors
You’ve seen the man, the child, the infant
Tear down the fourth wall
Walk in his corridor
I implore you to bend, grab and discard
Your thoughts of superiority
Take your mud stains and apathetic steps
Carry your able body to a place more receptive
More deserving
Less reflective
And gleaming
Remember the path I made for you in my corridor
It mirrors your face, ambivalent

Shallow,
but a rumble,
that scratches at the surfaces,
growing, growling, rumbling,
till trembling,
ricochets around the cavity,
building up,
bursting through,
up, out, everywhere,
outside shaking,
heart quakes.

Like a twenty-two pound hummingbird,
is beating, flitting,
inside.
Thrumming wings,
sending vibrations,
shuddering.

The flower,
once filled with sweet nectar,
drained dry,
sickly sticky,
a vivid hue,
turned grey.

As the bear hibernates,
it's snores echo,
sending rattles,
starting clatter,
shatter.
My heart thrashes inside my chest.

Standing, soaked, out in a storm, gusts of wind whipping my hair around wildly
Unruly strands sway with the song of chaos, pulling at my scalp, snapping, lashing at my face
My existence is all reality as this whirlwind tempest frantically thrashes about my flesh
In the complex puzzles and foolish games, a simple madness lives, and therein lies my freedom

My tongue and lips sometimes flap boisterously from their spot on my face
And the noises risen up from my throat, and passed through my mouth are meaningless blubberings
Involuntarily, I grin, tasting the nonsense's unique sweetness, and I swallow
My laughter rings out, a vociferous and untameable sound; humor, the voice of a crazy woman

And I spin! Oh, I spin and spin and spin, savagely, in ellipses, ovals, and circle shapes
I've no shame, and this dance is all mine, so I maniacally fling my arms through the air
And as my body makes its revolutions, a fierce smile curves the shape of my lips, wrinkles the corners of my eyes
Inside my mind, wandering - wondering if there's any real difference between elated insanity and that which I crave...

Most people use words such as eccentric, strange, whimsical, and peculiar for what they cannot understand
So very often I hear these such words being used from those who speak of me
But it is them whom I perceive as being rather off, so habitual and boring, living like routine enslaved, joyless zombies
So unfathomable to me, why most everyone seems to desire nothing beyond a passionless, hollow schedule to, every day, just repeat

Me... I'll race barefoot down a gravel path, through lightning, thunder, and rain, only to feel my hair being twisted and tangled up in the wind
I'll jabber absurdities, laugh like a loon, all while I spin contentedly around and around, until, stupidly dizzy, I crash and fall
Madness pays little mind, stands without worries or concerns, because it believes - it knows, most nothing matters
This is my freedom, freedom that cannot be shared, for what it is, is something that's only freeing for me...

               ~A. D. Smithson   MARCH 2013

Light me up, baby.
Spread your sunshine over my dark sky.
Ward these sinister  clouds away, please!
I need you, my rainbow, glimmering before my eyes.  

It’s a white, plain piece of paper,
This dull life of mine,
It needs the ink of your passion to write over it,
The colorful story of our union, sublime.

So mix into my insipid existence,
Some of your sugar; it needs your flavor.
Sweeten it with a smile, and the twinkle of your eyes,
Wouldn’t you do me this little favor?

I wander, like the solitary stream of water
In the mountains, searching frantically for the river.
Like the tide trying each night, to reach for the moon,
My soul too restlessly thrashes hither and thither.

Like the still boat floating in the silent, dark waters,
In solitude and quiet, I want to lie with you.
Like the green grasses awaken, glittering in the morning,
I want to wake up with the glow of being enamored by you.

Embrace me, like the orange-hued sky
Caresses, at the horizon,  the lonely sea.
Like the rustling leaves that whisper to each other in the  breeze,
Lean in and speak softly, sweet-nothings to me.

Come to me now, let all of time converge into that one moment,
When your lips will, for a second or two, over mine, teasingly hover,
Then kiss me for an infinity, and let me melt into the arms,
Of you- my hero, my paramour, my eternal lover.

She abides in her circular chamber,
prophet to the oracular God.

Perched delicately a top a three-legged mount,
engulfed in a haze,
an hallucinogenic cloak.
A mystic figure,
clutching branches of laurel in her Delphian hands,
a bronze bowl of water cradled consciously in her lap.

Her hair as dark as the fates she acquaints.
A cape of red flows like the blood
of those who perished from her
manic counsels.

Aberration is evident in her dazed eyes.
At times her body thrashes
with apparent anger and confusion.
Her limbs then go limp.
A painted smile bleeding across her face,
delirium manifested.

A warning set in stone:
“Know thy self.”
Pay no attention to the opinion of the masses:
advice to be heeded.

The hollow-horned shivers
from head to hoof.
Sacrificed for knowledge of the future
yet unknown.

Her hysterical beauty sanctions
the nonsensical prophecies.

“My wife is with child,
if I contend with the enemy,
will I return to my family?”

She stares into the water,
her face distorted,
for the reflection she sees is not her own.

"You will go,
you will return,
not in the battle you will perish."
Her red cape became
more prominent in colour.
Her ambiguity brought a child
into the world
without a father.

"You will go,
you will return not,
in the battle you will perish."

There are two ‘Institutions for the Mentally Ill’ in my town
One is grimly Victorian. Lunatic Asylum.  
Forgotten by all but the pigeons and pylons
As it thrashes and wrangles and mangles the memories
Of the ghosts of the ghosts that lived out their non-lives there.
The other is a modern, glass, Christmas tree
A circus tent in brown and beige
Like sepia and coffee stains.
You aren’t Lunatics anymore, we got told
Like renaming a problem could diminish it.
You slip past us just a little too quickly
So that you don’t see the woman who smokes cheap cigarettes
Out the front
And who bites December like it was something that could be torn from the walls
And pressed out of sight somewhere
And the metaphors in her head get muddled in her oesophagus
And she speaks to a man who’s never been evicted from her right ear
And who’s never been born or been buried but has simply whispered
With meretricious comfort
Up the road you could pay to gawp at the carol singers
But why bother because she’s singing
Driving Home For Christmas
Like no-one ever wrote her a melody or an audience
Gives a nice festive atmosphere, our psychiatrist said
And I asked the car park if optimism had ever been so odious
And if the snow around our feet was ‘festive’ and ‘nice’
While a girl as papery as December
Tried to smother herself in it
She rolled it in her bare hands as if hoping there’d be nothing left of her
If she could only freezer her heart
And scrape back the whiteness of the snow and her skin to the ivory
That still lingered beneath
Unstable death trap, rigged scaffolding
Although it was threatening to slice its way out
From her shrinking face and arms and thighs.
She lay down and made a snow angel in the hope that she’d become one
If she could only riddle out a way to please Anorexia.
And did the car park see that no one cares that there’s a fourteen year old
Who’s hung a cigarette from his lips and is chewing on it
Because what more damage can be done
That isn’t already curdled and notched into the skin of his wrists?
And written into the lining of his skull
Or branded in each heckled vein or carved into his gums
By the lip piercing he’s worn since he was twelve.
He has pulled the arms of his sweater beyond his finger tips
And hugged them into him to stop the secrets
He’s stashed there from spilling in front of a car.
If only he could forget what he was.
And I kick my boots against the curled up world
And want to shout it out of my vision
And want to ask if I’m thinking ‘nice festive’ thoughts
Because I’m thinking about the snow I’m ploughing  
And the way that I’d like to tie fairy lights
Over my eyes until I can’t see anything but fairy tales
And I’m thinking about our parade of broken-bottle people
Wearing masks so empty that we don’t look human
Not to you
And I wonder if this is enough of a pantomime for you
That I’ve dressed my thoughts up in drag
And they’re telling you a ****** joke from a ****** Christmas *******
Thoughts rolled and congealed like the rims of strained bathtubs
Thoughts broken and fleeting and self-imploding like headphones
That got left to tangle beyond redemption in a back pocket
Too far gone to be saved
Thoughts that are forever curled back to the replay button
Re-destruct, re-punish, re-****
Pink Elephant thoughts that will never be sorted and thrown out
Cynical self-disposal
I’m on a retrieval mission that never knows what it’s trying to find
Because I’m a Chinese doll
And each face is cruller
And uglier
And blanker
Than the one before it
Until at the centre you find that the last doll is missing
And there are only a few jumbled messages where she’s supposed to be
And fairy lights
And maybe a memory of when Christmas meant stockings and fireside
Not carparks and frigidity
If only all my ******* repeats led to redemption.
Look;
We’ve built you a snowman, is that enough of a freak show for you?
Can you move on and join the carol singers in glorifying God
Safely out of Purgatory and back on holy ground
Or do you require something more?
The pitiful Christmas Dinner that’s currently being counted out in teaspoons?
The girls and the boy who’ll press their fingers across their lips
Like prison bars
And keep themselves under lock and key in their own
Lunatic Asylum

She stuffs all the bad things
into a closet
and then hides the key
after she locks it.
Her face turns all red
when I ask what's inside.
She screams out her lungs
and yells "everything's fine!"
So I rattle the door as to
blow out the hinges.
And when I glimpse inside,
she thrashes and cringes,
"we don't need to talk
about our past no more.
Will you just go sit down,
will you please close the door?"

This reality, different from yours.
Sandpaper ice-cream cones sold
in engulfed, aflame stores.

This body, tense yet soft
tears underneath
the rub of rope.
My friend's feet swiped
a flailing chair,
And her neck did snap,
feces everywhere.

This sky, wrapped in saran wrap,
becomes pregnant when it rains,
the plastic weighed down by water,
slumps down the aquarium sky,
we slump down as it kisses us,
crushes us, mashes us, thrashes us.

- It all changes here,
from god to god,
from year to year -

Her hips lay like cursive,
pale, promising, pent up
like the shoulders of
an anxious angel.

Her hair a burnt brown,
wrapped around a whatever-count pillow,
like a L'Oréal snake, sleeping sullen,
drifting off into a designer dream,
unsure of this, unsure of me.

I see her as a child --
No, I see me as a child --
No, I see us as children.
This. This surreal feeling I get
when you're around me.
When the world is around me,
vibrating underneath my Toms.
Vibrating in my prescription bottle.
Vibrating between her legs, my ribs.
Between each page, so much is hidden:
my early swearing that my late love
is slowly draining.

I hold you in my arms, your frail
frame twitching and turning in pain.
Open cuts consume your body,
like a can of paint thrown against
an empty canvas. The once smooth
surface of your form is now torn
and bloodied. Tears roll from your eyes,
shimmering as the salt burns deeper into your flesh.
All I can do is take your tiny paw in my hand,
and wait for the pain to pass.

I remember when I got you. My first
day on my own, I stopped by Sam’s
house before I left. He brought you out,
wrapped in a little red and white blanket,
and handed you to me. Young and scared,
you mirrored all of my insecurities. He
told me to take you, so neither of us
would have to be alone.

Do you remember our time in the mountains,
when night would come and the
temperature dropped like an over-ripened
apple from a macintosh tree?
On those autumn nights,
when the sky was set ablaze by lonely
atoms clinging to one another, you
were the only thing that kept the chilled
wind from stealing my toes.

No matter how horrible things seemed
to get, you always found a way to
make me smile. You were like a chameleon
of attitudes, able to alter my mood,
almost instinctively, at the slightest
inclination of sorrow. Now you are nothing
more than a skink, smashed on the side
of the road by an idiot running by, and
I am the fool that didn’t look before he stepped.
I remember the fight, the insult,
your eagerness to defend me.
Swift slashes, cuts and scratches,
growls, bites, body slams. His agility,
your confusion, a flash of pain. You lick
your wounds, trying to recover, and I can
see his rage. He attacks quickly,
you try to reflect, but he thrashes forward,
taking you down as your tail whips helplessly.
I see his teeth clench down on you like a vice grip,
and the gusts from the vultures above
stomp out any embers of hope.

Your body lies on a casket of cold coals,
smoldering as your flame flickers slowly
in the gentle wind. I stroke your head, softly
scratching the back of your neck like you
always liked, and watch as your eyes
start to shut, sleep taking over. Soon
this will be over, and you’ll be safe again,
your body no longer bruised and beaten,
****** and broken. I try to catch my breath
as tears attempt to escape, but I won’t
let them. If this is the last moment
we have, I will not spend it crying.

The fire dies, snuffed out
by the cooling breath of dusk.
Eventually, the rain comes, covering
my cheeks with salt and sorrow.
Through misty eyes, I watch as the
sun sets, amazed that such beauty can
come in the midst of unimaginable despair.
The yellows and oranges fade to red, then
purple, and the sky fills slowly with darkness.
Although there’s been many miles since,
I feel as if I’m back in the mountains,
shivering in the frigid wind, but this time,
you’re not here to keep me warm.

i want to be down to earth
but i am not. i am not calm and gentle.
i am not still and undisturbed.
my head is not level and my heart is not steady
and sometimes i can't breathe well but i will try.
although i know
my head is with the stars
and my heart is on a mountain top and my soul
floats through the wind and my body thrashes through the ocean.
i am not down to earth i am scattered about it.
i am tossed and turned all around the planet.
i am not wholesome, i am in fractions.
i'm not conventional, i am irregular.
i am not spontaneous or well spoken or planned but go my gosh
i do know what i need to say

i might not be down to earth, but this earth will come down to me someday.