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Even as the sun with purple-coloured face
Had ta’en his last leave of the weeping morn,
Rose-cheeked Adonis hied him to the chase;
Hunting he loved, but love he laughed to scorn.
Sick-thoughted Venus makes amain unto him,
And like a bold-faced suitor ‘gins to woo him.

“Thrice fairer than myself,” thus she began
“The fields chief flower, sweet above compare,
Stain to all nymphs, more lovely than a man,
More white and red than doves or roses are;
Nature that made thee with herself at strife
Saith that the world hath ending with thy life.

“Vouchsafe, thou wonder, to alight thy steed,
And rein his proud head to the saddle-bow;
If thou wilt deign this favour, for thy meed
A thousand honey secrets shalt thou know.
Here come and sit where never serpent hisses,
And being set, I’ll smother thee with kisses.

“And yet not cloy thy lips with loathed satiety,
But rather famish them amid their plenty,
Making them red and pale with fresh variety:
Ten kisses short as one, one long as twenty.
A summer’s day will seem an hour but short,
Being wasted in such time-beguiling sport.”

With this she seizeth on his sweating palm,
The precedent of pith and livelihood,
And, trembling in her passion, calls it balm,
Earth’s sovereign salve to do a goddess good.
Being so enraged, desire doth lend her force
Courageously to pluck him from his horse.

Over one arm the ***** courser’s rein,
Under her other was the tender boy,
Who blushed and pouted in a dull disdain,
With leaden appetite, unapt to toy;
She red and hot as coals of glowing fire,
He red for shame, but frosty in desire.

The studded bridle on a ragged bough
Nimbly she fastens—O, how quick is love!
The steed is stalled up, and even now
To tie the rider she begins to prove.
Backward she pushed him, as she would be ******,
And governed him in strength, though not in lust.

So soon was she along as he was down,
Each leaning on their elbows and their hips;
Now doth she stroke his cheek, now doth he frown
And ‘gins to chide, but soon she stops his lips,
And, kissing, speaks with lustful language broken:
“If thou wilt chide, thy lips shall never open”.

He burns with bashful shame; she with her tears
Doth quench the maiden burning of his cheeks;
Then with her windy sighs and golden hairs
To fan and blow them dry again she seeks.
He saith she is immodest, blames her miss;
What follows more she murders with a kiss.

Even as an empty eagle, sharp by fast,
Tires with her beak on feathers, flesh, and bone,
Shaking her wings, devouring all in haste,
Till either gorge be stuffed or prey be gone;
Even so she kissed his brow, his cheek, his chin,
And where she ends she doth anew begin.

Forced to content, but never to obey,
Panting he lies, and breatheth in her face;
She feedeth on the steam as on a prey,
And calls it heavenly moisture, air of grace,
Wishing her cheeks were gardens full of flowers,
So they were dewed with such distilling showers.

Look how a bird lies tangled in a net,
So fastened in her arms Adonis lies;
Pure shame and awed resistance made him fret,
Which bred more beauty in his angry eyes.
Rain added to a river that is rank
Perforce will force it overflow the bank.

Still she entreats, and prettily entreats,
For to a pretty ear she tunes her tale;
Still is he sullen, still he lours and frets,
‘Twixt crimson shame and anger ashy-pale.
Being red, she loves him best; and being white,
Her best is bettered with a more delight.

Look how he can, she cannot choose but love;
And by her fair immortal hand she swears
From his soft ***** never to remove
Till he take truce with her contending tears,
Which long have rained, making her cheeks all wet;
And one sweet kiss shall pay this countless debt.

Upon this promise did he raise his chin,
Like a dive-dapper peering through a wave
Who, being looked on, ducks as quickly in;
So offers he to give what she did crave;
But when her lips were ready for his pay,
He winks, and turns his lips another way.

Never did passenger in summer’s heat
More thirst for drink than she for this good turn.
Her help she sees, but help she cannot get;
She bathes in water, yet her fire must burn.
“O pity,” ‘gan she cry “flint-hearted boy,
’Tis but a kiss I beg; why art thou coy?

“I have been wooed as I entreat thee now
Even by the stern and direful god of war,
Whose sinewy neck in battle ne’er did bow,
Who conquers where he comes in every jar;
Yet hath he been my captive and my slave,
And begged for that which thou unasked shalt have.

“Over my altars hath he hung his lance,
His battered shield, his uncontrolled crest,
And for my sake hath learned to sport and dance,
To toy, to wanton, dally, smile, and jest,
Scorning his churlish drum and ensign red,
Making my arms his field, his tent my bed.

“Thus he that overruled I overswayed,
Leading him prisoner in a red-rose chain;
Strong-tempered steel his stronger strength obeyed,
Yet was he servile to my coy disdain.
O be not proud, nor brag not of thy might,
For mast’ring her that foiled the god of fight.

“Touch but my lips with those fair lips of thine,
—Though mine be not so fair, yet are they red—
The kiss shall be thine own as well as mine.
What seest thou in the ground? Hold up thy head;
Look in mine eyeballs, there thy beauty lies;
Then why not lips on lips, since eyes in eyes?

“Art thou ashamed to kiss? Then wink again,
And I will wink; so shall the day seem night.
Love keeps his revels where there are but twain;
Be bold to play, our sport is not in sight:
These blue-veined violets whereon we lean
Never can blab, nor know not what we mean.

“The tender spring upon thy tempting lip
Shows thee unripe; yet mayst thou well be tasted.
Make use of time, let not advantage slip:
Beauty within itself should not be wasted.
Fair flowers that are not gathered in their prime
Rot and consume themselves in little time.

“Were I hard-favoured, foul, or wrinkled-old,
Ill-nurtured, crooked, churlish, harsh in voice,
O’erworn, despised, rheumatic, and cold,
Thick-sighted, barren, lean, and lacking juice,
Then mightst thou pause, for then I were not for thee;
But having no defects, why dost abhor me?

“Thou canst not see one wrinkle in my brow,
Mine eyes are grey and bright and quick in turning,
My beauty as the spring doth yearly grow,
My flesh is soft and plump, my marrow burning;
My smooth moist hand, were it with thy hand felt,
Would in thy palm dissolve or seem to melt.

“Bid me discourse, I will enchant thine ear,
Or like a fairy trip upon the green,
Or like a nymph, with long dishevelled hair,
Dance on the sands, and yet no footing seen.
Love is a spirit all compact of fire,
Not gross to sink, but light, and will aspire.

“Witness this primrose bank whereon I lie:
These forceless flowers like sturdy trees support me;
Two strengthless doves will draw me through the sky
From morn till night, even where I list to sport me.
Is love so light, sweet boy, and may it be
That thou should think it heavy unto thee?

“Is thine own heart to thine own face affected?
Can thy right hand seize love upon thy left?
Then woo thyself, be of thyself rejected,
Steal thine own freedom, and complain on theft.
Narcissus so himself himself forsook,
And died to kiss his shadow in the brook.

“Torches are made to light, jewels to wear,
Dainties to taste, fresh beauty for the use,
Herbs for their smell, and sappy plants to bear;
Things growing to themselves are growth’s abuse.
Seeds spring from seeds, and beauty breedeth beauty;
Thou wast begot: to get it is thy duty.

“Upon the earth’s increase why shouldst thou feed,
Unless the earth with thy increase be fed?
By law of nature thou art bound to breed,
That thine may live when thou thyself art dead;
And so in spite of death thou dost survive,
In that thy likeness still is left alive.”

By this, the lovesick queen began to sweat,
For where they lay the shadow had forsook them,
And Titan, tired in the midday heat,
With burning eye did hotly overlook them,
Wishing Adonis had his team to guide,
So he were like him, and by Venus’ side.

And now Adonis, with a lazy sprite,
And with a heavy, dark, disliking eye,
His louring brows o’erwhelming his fair sight,
Like misty vapours when they blot the sky,
Souring his cheeks, cries “Fie, no more of love!
The sun doth burn my face; I must remove.”

“Ay me,” quoth Venus “young, and so unkind!
What bare excuses mak’st thou to be gone!
I’ll sigh celestial breath, whose gentle wind
Shall cool the heat of this descending sun.
I’ll make a shadow for thee of my hairs;
If they burn too, I’ll quench them with my tears.

“The sun that shines from heaven shines but warm,
And lo, I lie between that sun and thee;
The heat I have from thence doth little harm:
Thine eye darts forth the fire that burneth me;
And were I not immortal, life were done
Between this heavenly and earthly sun.

“Art thou obdurate, flinty, hard as steel?
Nay, more than flint, for stone at rain relenteth.
Art thou a woman’s son, and canst not feel
What ’tis to love, how want of love tormenteth?
O, had thy mother borne so hard a mind
She had not brought forth thee, but died unkind.

“What am I that thou shouldst contemn me this?
Or what great danger dwells upon my suit?
What were thy lips the worse for one poor kiss?
Speak, fair; but speak fair words, or else be mute.
Give me one kiss, I’ll give it thee again,
And one for int’rest, if thou wilt have twain.

“Fie, lifeless picture, cold and senseless stone,
Well-painted idol, image dull and dead,
Statue contenting but the eye alone,
Thing like a man, but of no woman bred!
Thou art no man, though of a man’s complexion,
For men will kiss even by their own direction.”

This said, impatience chokes her pleading tongue,
And swelling passion doth provoke a pause;
Red cheeks and fiery eyes blaze forth her wrong:
Being judge in love, she cannot right her cause;
And now she weeps, and now she fain would speak,
And now her sobs do her intendments break.

Sometime she shakes her head, and then his hand;
Now gazeth she on him, now on the ground;
Sometime her arms infold him like a band;
She would, he will not in her arms be bound;
And when from thence he struggles to be gone,
She locks her lily fingers one in one.

“Fondling,” she saith “since I have hemmed thee here
Within the circuit of this ivory pale,
I’ll be a park, and thou shalt be my deer:
Feed where thou wilt, on mountain or in dale;
Graze on my lips, and if those hills be dry,
Stray lower, where the pleasant fountains lie.

“Within this limit is relief enough,
Sweet bottom-grass and high delightful plain,
Round rising hillocks, brakes obscure and rough,
To shelter thee from tempest and from rain:
Then be my deer, since I am such a park;
No dog shall rouse thee, though a thousand bark.”

At this Adonis smiles as in disdain,
That in each cheek appears a pretty dimple.
Love made those hollows, if himself were slain,
He might be buried in a tomb so simple,
Foreknowing well, if there he came to lie,
Why, there Love lived, and there he could not die.

These lovely caves, these round enchanting pits,
Opened their mouths to swallow Venus’ liking.
Being mad before, how doth she now for wits?
Struck dead at first, what needs a second striking?
Poor queen of love, in thine own law forlorn,
To love a cheek that smiles at thee in scorn!

Now which way shall she turn? What shall she say?
Her words are done, her woes the more increasing.
The time is spent, her object will away,
And from her twining arms doth urge releasing.
“Pity!” she cries “Some favour, some remorse!”
Away he springs, and hasteth to his horse.

But lo, from forth a copse that neighbours by
A breeding jennet, *****, young, and proud,
Adonis’ trampling courser doth espy,
And forth she rushes, snorts, and neighs aloud.
The strong-necked steed, being tied unto a tree,
Breaketh his rein, and to her straight goes he.

Imperiously he leaps, he neighs, he bounds,
And now his woven girths he breaks asunder;
The bearing earth with his hard hoof he wounds,
Whose hollow womb resounds like heaven’s thunder;
The iron bit he crusheth ‘tween his teeth,
Controlling what he was controlled with.

His ears up-pricked; his braided hanging mane
Upon his compassed crest now stand on end;
His nostrils drink the air, and forth again,
As from a furnace, vapours doth he send;
His eye, which scornfully glisters like fire,
Shows his hot courage and his high desire.

Sometime he trots, as if he told the steps,
With gentle majesty and modest pride;
Anon he rears upright, curvets and leaps,
As who should say ‘Lo, thus my strength is tried,
And this I do to captivate the eye
Of the fair ******* that is standing by.’

What recketh he his rider’s angry stir,
His flattering ‘Holla’ or his ‘Stand, I say’?
What cares he now for curb or pricking spur,
For rich caparisons or trappings gay?
He sees his love, and nothing else he sees,
For nothing else with his proud sight agrees.

Look when a painter would surpass the life
In limning out a well-proportioned steed,
His art with nature’s workmanship at strife,
As if the dead the living should exceed;
So did this horse excel a common one
In shape, in courage, colour, pace, and bone.

Round-hoofed, short-jointed, fetlocks **** and long,
Broad breast, full eye, small head, and nostril wide,
High crest, short ears, straight legs and passing strong,
Thin mane, thick tail, broad buttock, tender hide;
Look what a horse should have he did not lack,
Save a proud rider on so proud a back.

Sometime he scuds far off, and there he stares;
Anon he starts at stirring of a feather;
To bid the wind a base he now prepares,
And whe’er he run or fly they know not whether;
For through his mane and tail the high wind sings,
Fanning the hairs, who wave like feathered wings.

He looks upon his love, and neighs unto her;
She answers him as if she knew his mind:
Being proud, as females are, to see him woo her,
She puts on outward strangeness, seems unkind,
Spurns at his love, and scorns the heat he feels,
Beating his kind embracements with her heels.

Then, like a melancholy malcontent,
He vails his tail that, like a falling plume,
Cool shadow to his melting buttock lent;
He stamps, and bites the poor flies in his fume.
His love, perceiving how he was enraged,
Grew kinder, and his fury was assuaged.

His testy master goeth about to take him,
When, lo, the unbacked *******, full of fear,
Jealous of catching, swiftly doth forsake him,
With her the horse, and left Adonis there.
As they were mad, unto the wood they hie them,
Outstripping crows that strive to overfly them.

All swoll’n with chafing, down Adonis sits,
Banning his boist’rous and unruly beast;
And now the happy season once more fits
That lovesick Love by pleading may be blest;
For lovers say the heart hath treble wrong
When it is barred the aidance of the tongue.

An oven that is stopped, or river stayed,
Burneth more hotly, swelleth with more rage;
So of concealed sorrow may be said.
Free vent of words love’s fire doth assuage;
But when the heart’s attorney once is mute,
The client breaks, as desperate in his suit.

He sees her coming, and begins to glow,
Even as a dying coal revives with wind,
And with his bonnet hides his angry brow,
Looks on the dull earth with disturbed mind,
Taking no notice that she is so nigh,
For all askance he holds her in his eye.

O what a sight it was wistly to view
How she came stealing to the wayward boy!
To note the fighting conflict of her hue,
How white and red each other did destroy!
But now her cheek was pale, and by-and-by
It flashed forth fire, as lightning from the sky.

Now was she just before him as he sat,
And like a lowly lover down she kneels;
With one fair hand she heaveth up his hat,
Her other tender hand his fair cheek feels.
His tend’rer cheek receives her soft hand’s print
As apt as new-fall’n snow takes any dint.

O what a war of looks was then between them,
Her eyes petitioners to his eyes suing!
His eyes saw her eyes as they had not seen them;
Her eyes wooed still, his eyes disdained the wooing;
And all this dumb-play had his acts made plain
With tears which chorus-like her eyes did rain.

Full gently now she takes him by the hand,
A lily prisoned in a gaol of snow,
Or ivory in an alabaster band;
So white a friend engirts so white a foe.
This beauteous combat, wilful and unwilling,
Showed like two silver doves that sit a-billing.

Once more the engine of her thoughts began:
“O fairest mover on this mortal round,
Would t
Brad Lambert Oct 2013
(I)

Whose coat is this? Sure as hell isn't my coat. I ain't got no coat with this parka ****, it's *******. I ain't no furry flamin' ******. I ain't no ****** chochy Molly-May-Ze-**** chokin' down chickens and nasalin' a'sniffin' snortin' nasty-*** choch; that ain't me. That ain't me. Look at this coat– I'm like an Eskimo *****. I'm like a butch-**** bull-**** crotch-lappin' a'swimmin' laps in that guy's swimmin' pool. Who's that guy? Who owns that guy? 'Ey, anyone here the owner of this guy– guy ain't got no owner? Whose coat is this? It's nice, real nice. Bet she said, "Does it come from France? Where do I buy one?" I want to buy one, I think I need to buy **** more. I sure as hell need to buy one of these. "And I need one these too and one of them too and I need a petticoat and a tipper-tapper and a whimpratic garfielder and one of them new bartlemores, I need more of them bartlemores. I need more, more, more, more, more, more..." That ain't enough. ****'s from France. ****'s from Paris, that's romantic. You think I'm romantic? I eat hearts for dinner, I chew down nails like nuts for my midnight snack. I smoke cigarettes and spit on concrete slabs, you think that's ****? I'll show you ****. I'll show you Paris, New York City, Rome, romance you in Rome. I'll get real ******' Roman. I'll take you to the desert and make love to you. That's how a free man does a woman, and I'm a real free man. Who's ownin' this guy? It ain't you, it ain't me. I don't own you, you don't own me. I'm a free man:

I said,
"Fire and wood, fire and wood, fire and wood. It is late, it is late, it is far, far too late."

I set
fire to wood, fire to wood; feel that fire fired fresh from that firewood.

I dug the pit,
he gathered the wood,
she started the fire.

She really does make that fire start.

O' how she makes that fire burn,
O' how the wood's wrapped in white hots,
O' how they smoke their smokestacked pipes,
O' tobacco teeming teenagers, tormented by and through youth,
O' adolescence, trending topics, and forget-me-not flowers,
O' old age, Floridan coffins, and coughing  cancers,
O' writers in the mountains writing to be,
O' painters and **** bodies in studies by the sea,
O' thinkers in their mindset, mindsetting the table for dinner,
O' tables set to bursting,
O' wallets so thick,
O' community,
O' society, our social games,
O' hope,
O' peace,
O' that I may be at peace,
O' that I may be content and pray only for peace,
O' how about them true believers,
O' how about that love at first sight,
O' sandstone. My sandstone. That guy sittin' on sandstone.

That's my guy. That's my guy. I own this ****.

Is a man breathing on a mirror the sum of his breaths?
Breaths foggin' a'mistin' my view,
my view of a body and that face,
you're a body.
You're a workin' day's bell,
you're my chill in an Icelandic draft,
you're my spare in a Middle Eastern draft,
you're my pawn in chest-to-chest chess.

You've got this. You've got this. You own this ****.

And it is ****, too. I'd be set, real ******' set, with someone like you. I'll make you a woman, check this parka ****. Coat's mine. I'm a classy igloo runner, runnin' a'ragin' a'czebelskiin' meriteratin', I'll be reiteratin' your points. Check the time, it's late! It's late! ***** was in the grassy knoll turnin' trap tunes on her turntable. Would you listen to that? She sounds late to me, does she sound late to you? I like the music; I like the music. What happened to Woodstock? Where's my watergate, Nixon? Where's my generation, Ginsberg? Where's the meaning? This music's too loud! We're so profound! O' profundity!

Tell me something I didn't know, I'm craving' the new.
Give me the new while I spit on the old,
while I spit on this fine art finely art'd by and for fine artists–
******' fine artists. ******* fine artists.

(You can realize radical-realist realism but you can't be real with me?)

O' fine art!
What fine art!
Which fine artists are dead?



(II)

Looks like they're dead.

Looks like them ******* choked out all them ghettos, choked out all them rednecks, chokin' a'stranglin' by-God-oh-God straddlin' the breeders. I sure did like them babes– babes with their laughin' a'lackin' o' cynicism. They don't know the word "****."

I sure am forgetful–
I forgot that smoke doesn't dissipate,
I forgot how to smell autumn leaves,
I forgot to check the heart against the fingertips,
I forgot why my fingertips went numb,
I forgot to cue in the meaning when the sentence was complete,
I forget to complete my sentences,
I forget who you were wanting when you said, "I want you."

I got as much depth as an in-depth discussion, high hats and electropercussion have got me going. I'm goin' downtown, uptown bourgeois tricked me out, johns and yellow Hummers laid me down and cussed me out. That's not a discussion. That's not my scent scenting my towel, this breath reeks of wintry air– my fingertips went numb.

"I want you."

"Oh would you look at that moon?
Take a look at that moon.
Look at that moon with the ******' mountains.
I love that moon.
That's my moon."

I love darin' a'dusty dareelin' derailin' your dreams, whose dreams are these? They ain't my dreams– ain't no dream derailin' a'nileerad radiatiatin' some hint of joy or Jamison Scotch Liqueur. Drink that ****. That's my ****, I own that ****.
I'm sittin' on this stoop like I own this ****, like this **** owns me; I owed me. I don't own me, you owe me:

Pay up man, feet off the stoop.
Pay up man, be real with me.
Pay up man, you ever thought of a man as a man?
Pay up man, give it in.
Pay up man, give in.
Pay up man, I need you to do me a solid. Do me solid from crown-to-toe, we're toe-to-toe let's do-si-do bro-to-** I'm ready go, **, jo, ko, lo, get low… Now I'm ramblin'. You say, "Ramble in to the stoop and tell me a story."

What's a stoop– who's a stoop? That **** ain't stoop– you ain't stoop. You're stupid. You're a joke, check out the joke. Hey ladies, you seen this joke– joke ain't been seen by them ladies? I'm a joke. We ain't laughin' with you, they're laughin' at you.

O' hilarity!
Such hilarity!
What hilarious histories have passed?



(III)*

"I said I loved him once. I only loved him once."
(
And how long once has been...)

I sure did like them hand-holdins,
them star-gazin' moments,
them moon phasin' nighttime nuances,
them fingertip feelin' a'findin',
them sessions o'meshin' limber legs unto steadfast *****,
heads cocked like guns toward the sky,
beyond the horizon
but well
below the belt.

Them star-gazing moments seeing stars seemin' small, I love how they gleam- gleamin' a'glarin' comparin' shine to shine, shimmerin' a glimmer shone stumblin' her way home from the bar. She's drunk. She's brilliant, brilliance of whit and wantin' a'wanderlustin' gypsy nomads- that ***** gyp'd me, no mad man would take a cerebral slam to the face lest them moving pictures are involved. Read a ******' book, it'll last longer. Kiss me on the collar bones, clavicles shone shining with slick saliva pining for my affections. You're clammerin' to feel me, clammin' up (Just feel me.) I want to run my hands through long hair and peg the nausea nervosa to the wall. The writing's on the wall:

The sun bent over so the moon could rise, chanting,
"Goodbye and good riddance,
I never wanted to shine down
on them seas o' tranquilities anyhow."*

O' what a day. What a day.

And the wind ruffles leaves and it ruffles feathers on birds eating worms in brown soil.

What a day. What a day.

And the men under the bridge gather in traitorous conversation of governments overthrown and border dissolution and poetry with meters bent out of tune.

What a day. What a day.

And the billboards are dry for all the consumers to consume, use, and review.

What a day. What a day.

And hearts break messiest when you're not looking.

What a day. What a day.

And the ego and the id and the redwood trees are talking. They're sitting **** in the marshes, bathing in the bogwater while fondling foreign fine wines and whisperin' a'veerin' conversations towards topics kept well out of hand, out of the game, nontobe racin' in races, rampant radical racists betting bets on bent, bald Bolshevik racists wagging Marxist manifestos in the bourgeois' faces, yes. Make it be. Nontobe sanity as the captain creases his pleats, pleasin' her creases and the dewdrops of sweat trailing down the small of her back– down the ridge of her spine forming solitary springs of saline saltwater in the small of her back. Aye-aye, guy's pleasin' a'makin' choices a'steerin'– government's a'veerin' a hard left into the ice.

'Berg! 'Berg!
Danger in the icy 'berg!
None too soon a 'berg!
Bound to bump a 'berg!
O' inevitably unnerving 'berg!
Authoritative 'berg!
Totalitarian 'berg!
Surveillance of *** and the sexes 'berg!
O' fatalist fetishist 'berg!
Benevolent big brother 'berg!
Homosocial socialization 'berg!
Romanticized Roman 'berg!
O' virginal mother 'berg!
City on a hill on a 'berg!
Subtly socialist 'berg!
Nongovernmental 'berg!
O' illustrious libertine 'berg!
Freedom of the people 'berg!
Water privatization 'berg!
Alcohol idolization 'berg!
O' corrupt and courageous 'berg!
Church and a stately 'berg!
Pray to your ceiling fan 'berg!
Biblically borne 'berg!
O' godly and gorgeous 'berg!
Ferocious freedom fighters launching lackluster demonstrations far too post-demonstration feeling liberty and love, la vie en rouge, revolving revolutionist ranting on revolution tangible as
an ice cold 'berg.

'Berg! 'Berg!
O' the 'berg, the ****** iceberg–
You'll be the death of me.
Wordsmith Aug 2018
Most heavenly of places, this world now
Of endless beauties, a sight that wows
They're statuesque and wax-like, but hey don't fret
No wrinkles to combat, nor ripples of fat

Gazing into their arresting green eyes
That of the rabbit's, resemblance lies
Uncanny it is, this puzzling scene
Manufactured they are, from the same jellyfish gene

And since its time to seek paradise,
My wandering hands caress the prize
To search for weakness, now I must
No amount of fondling, stirs any lust

I've come so far, and this is what perfection costs?
The smoothest of skin, has left all thumbprints lost
A sci-fi piece. A world where women have their genes edited and are manufactured to perfection. The result of placid, animated statues however fail to arouse the faintest stirrings of lust.
guy scutellaro Aug 2018
She has make up on and her face looks pretty. Kathleen blows out the match and looks up.

"Hello Kate," Jack says and sits down.

"My name isn't Kate. It's Kathleen." The bourbon makes Kathleen feel confident. "Hello, Dell," She says mockingly. "You know Sue worships your ***. She just loves to call you, Dell. She thinks Dell is such a **** name." Kathleen takes a last drag on her cigarette and rubs it out in the ash tray. What should I call you?"

"How about, Darling?"

She looks up from the whiskey glass she is fondling in her slim hands. "Hello, Jack, Darling." Her soft, deep voice whispers accenting his name and the word, Darlin.

Kathleen crosses her legs and the black dress rides up to the middle of her thigh.

Jack glances at the milky white flesh between the blue ***** hose and the hem of her dress. She is drunk, but Dell does not care. He leans forward. "Do you wanna dance?"

"But no one else is dancing."

"Well, we could go to the beach and walk along the sand."

"It's 20 degrees out there." She takes the glass and swallows the last of the whiskey. "We'll freeze."

"I'll keep you warm."

In the other room the kitchen door swings open as Paul Keater and Bob O'Malley come rushing out, talking, laughing and rubbing their noses.

"Come let's dance." says Kathleen.

Jack stands up and takes her hand. She rises and as he draws her close her ******* flatten out against his chest. Jack feels her heart thumping.

Across the smoke filled crowded room, the bride is cutting the wedding cake. "That's a beautiful wedding gown." Kathleen tells Jack as he moves her around the ***** floor in and out of the circles of light cast by the overhead lamps. " Theresa looks beautiful."

"So do you." Jack holds her tighter.

"Do you really think so?" Kathleen is flattered. She is perpetually surprised if some one thinks she is pretty.

"I do," He says with sincerity.

She rests her head on Delleto's shoulder. The man with the bruised face disturbs Kathleen.

Most men like to talk about themselves. They have a need to tell what they own or what they can do well. They need to impress and when Kathleen is with one of her men he genuinely awes her.

Lifting her head off of his shoulder, "Does your face hurt?"

"Only when I laugh or cry," he says as he moves Kathleen in and out of the circles of light.

"Jack Delleto has anyone ever told you, your a strange man?"

"Just my mother."

"Did you win?"

"What does it matter? Sometimes tryin is more important. Not giving up. "

"you lost."

"Yeah."

" Kate, what's important to you?"

Kathleen raises her head off of his shoulder to look up at him. "I don't want to depend on welfare and other people and I want to send my son to college. But most of all I want a home." She rests her cheek against his. I lived in foster homes all my life and I always knew one day I'd have to leave.

"Do you know the difference between a house and a home."

Jack thinks for a moment, "No, I' don't."

And her voice is a roaring whisper in his ear.

"LOVE."

The song comes to an end. Kathleen takes a cigarette from the pack on the table and puts it to her lips.

Jack strikes a match and the light flickers in her eyes. "Maybe, sometimes you'll tell me about your home."

"Do you want me too?" She leans forward and puts the cigarette to the flame. The flame flickering in her eyes.

"Yeah." Jack blows out the match.
tranquil Oct 2013
without a care in world
dancing with flirty breeze
she plays along with life
as chirping birds in trees

bathing in sunlit dew
fondling with light i see
in arms of listless wind
you bloom so lazily
The young maricones and the ***** muchachas,
The big fat widows delirious from insomnia,
The young wives thirty hours' pregnant,
And the hoarse tomcats that cross my garden at night,
Like a collar of palpitating ****** oysters
Surround my solitary home,
Enemies of my soul,
Conspirators in pajamas
Who exchange deep kisses for passwords.
Radiant summer brings out the lovers
In melancholy regiments,
Fat and thin and happy and sad couples;
Under the elegant coconut palms, near the ocean and moon,
There is a continual life of pants and *******,
A hum from the fondling of silk stockings,
And women's ******* that glisten like eyes.
The salary man, after a while,
After the week's tedium, and the novels read in bed at night,
Has decisively ****** his neighbor,
And now takes her to the miserable movies,
Where the heroes are horses or passionate princes,
And he caresses her legs covered with sweet down
With his ardent and sweaty palms that smell like cigarettes.
The night of the hunter and the night of the husband
Come together like bed sheets and bury me,
And the hours after lunch, when the students and priests are *******,
And the animals mount each other openly,
And the bees smell of blood, and the flies buzz cholerically,
And cousins play strange games with cousins,
And doctors glower at the husband of the young patient,
And the early morning in which the professor, without a thought,
Pays his conjugal debt and eats breakfast,
And to top it all off, the adulterers, who love each other truly
On beds big and tall as ships:
So, eternally,
This twisted and breathing forest crushes me
With gigantic flowers like mouth and teeth
And black roots like fingernails and shoes.
Kagey Sage Dec 2013
****** affliction of a lack of affection companion
Hand and hand strolling greater than syrupy plunging
and even sometimes buddy shrugging over wooden noisemakers
We whistle with their metal strings
and through the pasta soft ones in our throats
but no nest colored mares seem to hear
our flamboyant feather calls for future fondling
So I scribe slight implied short letters
invites to drink joints and nature jaunts
All too well thought out
hoping your advanced technology cannot trace
the time I spent to type
The overanalysis of our psych: her and I’s
wondering why she doesn’t have an inkling
for a cute fall date where we attempt to bake apple pies
It’s all too contrived, I know
I’ll strive for delusion
Accept a useful interpretation for our chemical inflammation
and let sparks pass it by
Like itsy bitsy flies laying eggs in a wound
for stagnant water maggots
They’ll eat away the thought well
where all my cranial zaps seem to dwell.
Robert G Page Dec 2011
by
rgpage

naked  this night on soft satin sheets
his arm ‘round her shoulders, his lover’s head rests
her hair fills his nostrils with a scented bouquet
as fingers explore love’s affectionate quest.

tenderly lips touch in a loving lead
legs interlocking add to the play.
arms then wrap tightly pulling each other in
their hearts beating faster to join in the fray.

her ******* he kisses a sensuous gift,
she feels his love grow with each loving turn.
the curve of her back feels his fondling stroke
to capture this feeling forever they yearn.

his senses now heightened, his love at the ready
to soon to the feast, the more he will miss.
he must gain control and reign himself steady
for her love, her beauty, and her freely offered bliss.

their heart guided souls in lustful play
to their senses’ delivered a bountiful tray.
their love and youth play this night away,
‘til the dawn’s early light  brings in a new day.

their lips now swollen, bruised, and red
hearts full of love, love’s watershed.
the fast night’s hours have swept past their bed
‘til night ties are severed with the sun in their stead.

as that night flew by so have the years,
his only love has since passed away.
he turns out the light perched next to the chair,
and off  to bed slowly ending his day.

their children all gone one by one they’ve all grown,
occasionally stopping by w/ little time to spare.
w/ families and jobs and homes of their own
making the time to show that they care.

even though she’s gone he’s still not alone
he talks to her daily when he is at rest.
even though she’s gone good memories he keeps
God holds the others, and he kept the best…
Anthony Williams Oct 2014
You strayed independent across my unlaid path
impressing me with a hideaway around the thistles
where inlay thigh flints spark like butterfly wings
fused to outstretched but still flimsy present glinting
loose eyes a smoky incense close to gleam igniting
potent tinder sax on a beneficent Burns' night portent
whispering wick lit slivers of be live next to me glen scent
fluttering and roaming through saliva kissed gloaming
a light shaved window opening a misty eyed gap
opportune as a mysterious space between maps

crossed with aye formations and melted highlands
I slide into a bonnie loch when you return my glance
smooth as a swan stroking shallow into deep meeters
the swirl of bagpipes barely rippling the surface meters

a proud union betwixt us found expression
unflagging love notes ** streamed passion
red into sky blue twitchy nerves lend fingers
fondling unfurled clouds into catchy dance rings
retracing steps into tempestuous hearts I rose
so dryads can black watch temptation intertwine
painted inside as I woad your Pictish tartan

only now the pedestal wobbles a little
but you don't fall to my arms
brave destiny's turn is fickle
and straight on without being toppled
you hesitate but give no nod to lead
no quick look behind you as I hoped
shying awry to continue walking
the hot moment runs past cold
safe as before inhibitions land
like icicles on my fanciful back

upstanding Meissen men often talk
of perfection showing no cracks
and chuckled as they left their mark
in crossed swords kilned with clay ores
giving a porcelain lion soft pause
for thought about a heart out clause
and about lifting any kilt or unstuck thought
to keep established ruling embarrassment
but is that parley risking nought?
the mane's trimmed short
too correct to tip the hat
to a potential welcome
down falls harassment
south of the borderline
sad that no one can put
that man lass
yes
moment together again
but ever slow drifting apart
the dream mist
goes on
by Anthony Williams
Megan Parson Aug 2018
Well, she looks like a witch,
Her pointed nose does twitch.
As she frowns upon the grocery list,
Then scrunches in a timely twist.

Bidding her straw broom,
Which she doth groom.
Hovers away into the gloom,
Over a pond she doth loom.

To frogs, rats, snakes and slime,
Quoth she, "All in good time!!"
Soon they'll be no room,
For the impending doom.

Her cauldron happily hissing,
As she adds to the seething,
Her black cat begins meowing,
After the rats, he begins running.

Slowly cooling the putrid portion,
She applies the lovely lotion.
The moles, warts and silver hair,
Disappear into thin air.

Her velvet apparel now lace,
Not a blemish does one trace.
Fondling her silky Siamese,
She heads home with ease.

To the little candy castle,
Awaiting Hansel and Gretel.
*Grand Witch, named after a favourite movie : Hansel and Gretel: Witch Hunters.

           What does beauty mean to you?
Allen Wilbert Sep 2013
ABC
ABC

Aroused body,
coquettish dancing.
****** fondling,
groping hugging.
Intense jealousy,
***** loving.
Massage naked,
oral pleasure.
Quiet romance,
swingers teasing.
Unholy ******,
wet Xanadu,
voyeurs zooming.
Emily Jones Oct 2012
Clayton
How I know you
Paternal parenting
DNA infused
Carbon contribution, to my physique
Father

In everything
My skin, eyes toes,
Unfortunately; inside my mouth
Spitting plaster-walled
Copy-paste personality
The same

Intimately
Close-dangerously
Different
Me a bold-faced fraction of ill abated love
Something that didn't work out
Photocopy
Blond-blasphemy of useless flesh
Reminder of her
Mom

Enough!
Teeter tottering
Tip-Toe tangling opinion
Excuses
Words fermented
Rotting-rigor

I know you.
Slit-eyed palefaced ****** of bigot ideas
Bearing pronged poker
Clicking glinting-clawed finger fondling fake religion
Suppressing supplement thought

*******
God's love the good life
Living a life to be proud of
Excuse me!
For not being as I am "supposed" to be

Eatting rancid lies
Your reality relative
To kiss-*** preferred siblings
Who like the taste of ****
What you shovel

Hung on lipsucking harlot, hinged hip hung-over
Descending oppressidly upon willing wanton will of man
Letting cracked-cackled toothed
Field Gap-smile
Decide your next move

I know you
I see what you push into hidden corners
The bias, nasty film of your character
Under whitecollar shirttails
Citizen, Patriot
Americas American

I know you
Your oppression
Not new
As underhanded and seedy as it was
And still is

I know you
As much as I'd like not too.
L B Mar 2018
I hadn’t meant to spy
just an evening’s walk along the beach
knowing that things are sometimes strewn there after storms
between a gust of wind—a break in clouds

Coming upon moonlight
gleaming on wet teenage backs
Two—
by a leaning erosion fence
fondling the last discoveries of childhood
fumbling with the barriers of her bikini
behind the erosion fence
out of sight and forbidding

Breeding like sea grass by rhizomes
prowling that neck, those *******
Gasping! Warring!
for the land of white warmth below their tans
His hands grip, lift, position, insist
By such undertow
mouths and hips pinioned in disbelief...

where they cannot be seen
two half-rounds in rhythm – struggle in the surge of being

as the surf binds them in refrains
about the ankles
Needing the ocean again.
She married off to a village chief at age of 14,
But only after being chopped of a ******* in a Maasai
Ritual of FGM, chlitoridectomy or you name it,
For the African elders strictly marry circumcised virgins,
What a ritual so pernicious that my nerves panic with fire.
She gets into a marriage now, Male sided marriage,
Where women and distaff are seen, but not heard whatsoever,
It is her well rounded buttocks, sharply ***** *****
Tight thighs and sweet sensuous moans to be made in bed
That matters most, but not her thoughts not even human feelings.
She starts of her day by morning glory; early morning *** at 5.30,
Then she jumps of her bed, whether sexually satisfied or not,
She goes straight for her broom then begins sweeping,
And scrapping her house, the main house then the kitchen,
No brassiere under her blouse or lingerie under her skirt,
For you never can tell when the chief’s cloud will accumulate,
Into thunderous rain, ready for planting and planting,
She then prepares porridge from millet and sorghum
Or Soya beans, ground nuts and simsim for the children
To take before they leave to school, both her children,
And those sired through out-growing by her husband,
Then she goes at the cow shed to milk her native cows,
Which she milks by dodging ceaseless kicks from the angst ridden cow,
She sings and whistles hymns for the cow to calm and stand balmy,
But coincidentally her last-born baby, three months old boy,
Named after the paternal grandfather wakes up,
Starts crying and croaning for attention, suckling,
She shelves milking aside, and rushes to pick the baby up
Not because of anything but lest its crying may disturb her husband
From sweet morning sleep, it is so bad and punishable.
She picks back the baby, using a shawl as a cot,
Then comes back to the milking shed, to resume her work,
Only to come to a surprise; the calf un-knoosed itself
And has suckled its mother’s udder dry, foam frothing
At the mandibles; she picks two litres of milk to her house
To the kitchen, starts cooking for her husband, two calabashes
Of tea, over spiced with milk and Kericho tea leaves,
As the husband is called to a treat of mellifluous tea,
She jumps at washing her husband’s clothes;
Unmarried brother-in-law passes by, and runs back to his cottage,
Scoops and brings his grimed Jeans Levis Straus trouser,
Also to be washed by his in-law, as the woman belongs
To the clan, to the entire community but not singly to the man
Or the husband who married her, she washes it minus qualm,
Lunch hour knocks, she rushes to the kitchen and cooks,
For the children are about to come from school, they must eat
Eat on time, if not declare this woman a public disgrace
Who can not cook for the community, forget of the children,
Evening comes; she cooks again, her baby still on the back,
The husband complains of the food being not delicious,
Salt was not enough, she did not put in pepper; a stupid woman!
She accepts her mistake and apologizes effusively, or else fire!
She goes to mend the bed for the husband to rest, plus the baby,
She goes out behind the hut to take a bath,
The husband has not yet constructed a bathroom,
For fear that evil neighbours can plant there voodoo
It can **** the husband to forego his wives and cows,
She comes back to her bedroom, when drying herself up,
The husband goes up in libido; he forcefully shoves her to the bed
As the giggles desperately, he jumps on her bust, minus foreplay,
No single kissing, pinching, nor fondling of the breast or even kissing her
On the stunted *******, he penetrates her mechanically, like a block of stone
He introduces himself deep and deeper into her,
Then he releases warm ***** into her, before even she is aroused
He falls asleep like a log of wood, leaving her wide awake on a flame
Flaming ****** desire, burning and torturing her like an abyss.
This rhythm repeats like a circa, on a pattern of regular basis,
She endured and finishes one year without getting pregnant,
The husband gets self-suspicious and irritated, very irked,
As per why the woman on whom his cows were wasted is not receiving
His very powerful seeds, to become pregnant, to carry his son,
He beats her up, ruthless flogging and kicking, kicking her buttocks,
Insulting and lambasting in heavyweight measure, down to ash pit
She apologizes and promises to be pregnant in a fortnight,
To which the man accedes; but…but…but let it be
That you miss to be pregnant, I will chase you away,
I will repossess my cows, I squandered on you
In payment of your pride price; dowry
To marry a reproductively better wife.
(translated into Germany as below)

FRAU OHNE FREIHEIT FUR GEWISSEN

Sie ist erst vor heiraten
Zu ein Holunder im Dorf,
Gerade noch im Alter von vierzehn
Aber danach sie klitoris,
Auf traditionell rituell von Maasai
Wiel afrikanisch mann streng
Heiraten Jungfrau wer  er bescheiden,
Sie begin ihr tag am morgen
Mit verkehr bei tagesanbruch,
Dann sie sprung vor der Bett,
Und direct sie gehen fur besen,
Sie haben ein kinder auf ihr Ruckeseite,
Dann sie gehen draussen au kuhstall
Sie begin melekn die kuh ahnlich der fabric
Dann sie gehen au kuche
Zu Koch Tee fur ihr mann
Wer ist schlafend im der haus
Danach ihr mann haben tee trinken,
Sie gehen draussen fur next kempf
Sie begin wasche kleider
Von ihr mann und die schwiegereitern,
Weil afikanisch frau gehoren zu gemeinschaft
Aber nicht zu individuell mann.
Sie wasche der kleider ohne bendenken,
Dann mittagszeit klopftes
Sie gehen au der kuche zu Koch
Dann ihr mann essen ahnlich schwein,
Abend kommen fur ihr ein pause machen,
Die kinder still auf ihr Ruckseite
Sie jetzt hinstzen die kinder auf Bett,
Wo ihr mann ist still schlafend,
Wann sie beginn ausiehen sich
Ihr  mann auf Bett gehen Libido
Er stossen sie auf der Bett,
Und sprungen auf ihr Buste
Ohne kussen , er eindringen  ihr,
Tief und tief er eindringen ihr
Ahnlich ein klotz von Holz.
Ihr liebe ist ahnlich diese zeiteleute,
Fur diese frau wer haben nicht
Freiheit fur gewissen sosehr sie kempf.

*****Vergnugen******
Trey Evans Nov 2014
My eyes can’t keep from gazing at her
She steps into the room…dripping wet
Knowing I’m here, her parents would most likely be upset
As she would be also, if she found me here
Crouched in the dark…
Between her window and backyard
Her fingers play with her **** vanilla-coated skin
My fingers pretend to follow, not knowing where to begin
The pleasure erupts as soon her moans escape…
The contents of her inner thighs invade my mind…
(pant, pant)
The manner she caressed her body in a way no man could
The exotic thoughts of me fondling her no man should
(pant, pant, pant)
The shuffling of the branches I hid in started to make noise
Hopefully not loud enough to disturb the show, though
(pant, pant, pant, pant)
My eyes closed, envisioning me on her insides
My heart rate jumped sky high…

And at the sudden opening of my eyes…
She spotted me.
written 10/11/11
But oh, I suppose she was ugly; she wasn't elegant;
I hadn't yearned for her often in my prayers.
Yet holding her I was limp, and nothing happened at all:
I just lay there, a disgraceful load for her bed.
I wanted it, she did too; and yet no pleasure came
from the part of my sluggish ***** that should bring joy.
The girl entwined her ivory arms around my neck
(her arms were whiter than the Sithonian snows) ,
and gave me greedy kisses, thrusting her fluttering tongue,
and laid her eager thigh against my thigh,
and whispering fond words, called me the lord of her heart
and everything else that lovers murmur in joy.
And yet, as if chill hemlock were smeared upon my body,
my numb limbs would not act out my desire.
I lay there like a log, a fraud, a worthless weight;
my body might as well have been a shadow.
What will my age be like, if old age ever comes,
when even my youth cannot fulfill its role?
Ah, I'm ashamed of my years. I'm young and a man: so what?
I was neither young nor a man in my girlfriend's eyes.
She rose like the sacred priestess who tends the undying flame,
or a sister who's chastely lain at a dear brother's side.
But not long ago blonde Chlide twice, fair Pitho three times,
and Libas three times I enjoyed without a pause.
Corinna, as I recall, required my services
nine times in one short night - and I obliged!
Has some Thessalian potion made my body limp,
injuring me with noxious spells and herbs?
Did some witch hex my name scratched on crimson wax
and stab right through the liver with slender pins?
By spells the grain is blighted and withers to worthless weeds;
by blighting spells the founts run out of water.
Enchantment strips the oaks of acorns, vines of grapes,
and makes fruit fall to earth from unstirred boughs.
Such magic arts could also sap my virile powers.
Perhaps they brought this weakness on my thighs,
and shame at what happened, too; shame made it all the worse:
that was the second reason for my collapse.
Yet what a girl I looked at and touched - but nothing more!
I clung to her as closely as her gown.
Her touch could make the Pylian sage feel young again,
and make Tithonus friskier than his years.
This girl fell to my lot, but no man fell to hers.
What will I ask for now in future prayers?
I believe the mighty gods must rue the gift they gave,
since I have treated it so shabbily.
Surely, I wanted entry: well, she let me in.
Kisses: I got them. To lie at her side: There I was.
What good was such great luck - to gain a powerless throne?
What did I have, except a miser's gold?
I was like the teller of secrets, thirsty at the stream,
looking at fruits forever beyond his grasp.
Whoever rose at dawn from the bed of a tender girl
in a state fit to approach the sacred gods?
I suppose she wasn't willing, she didn't waste her best
caresses on me, try everything to excite me!
That girl could have aroused tough oak and hardest steel
and lifeless boulders with her blandishments.
She surely was a girl to rouse all living men,
but then I was not alive, no longer a man.
What pleasure could a deaf man take in Phemius' song
or painted pictures bring poor Thamyras?
But what joys I envisioned in my private mind,
what ways did I position and portray!
And yet my body lay as if untimely dead,
a shameful sight, limper than yesterday's rose.
Now, look! When it's not needed, it's vigorous and strong;
now it asks for action and for battle.
Lie down, there - shame on you! - most wretched part of me.
These promises of yours took me before.
You trick your master, you made me be caught unarmed,
so that I suffered a great and sorry loss.
Yet this same part my girl did not disdain to take
in hand, fondling it with a gentle motion.
But when she saw no skill she had could make it rise
and that it lay without a sign of life,
'You're mocking me, ' she said. 'You're crazy! Who asked you
to lie down in my bed if you don't want to?
You've come here cursed with woolen threads by some Aeaean
witch, or worn out by some other love.'
And straightway she jumped up, clad in a flowing gown
(beautiful, as she rushed barefoot off) ,
and, lest her maids should know that she had not been touched,
began to wash, concealing the disgrace.
Savio Fonseca Jun 2020
The Sun was slowly Sinking.
The Day was almost Done.
When Darkness fell around Us,
We readied Ourselves for Fun.
I felt Her, with My Eyes.
To Memorise Her Golden Spot.
She Kissed Me on My Lips
and watched Me turning Hot.
With Her Ten gentle Fingers,
She guided Me to Her Door,
The Lion in Me got Woken
and We both landed on the Floor.
Hearing Her Moan and Whisper,
I went fondling Her Curves.
Each stroke that I rendered,
we're Tennis Aces one Serves.
Maximo Nov 2011
I like to watch your beautiful hands
moving in sync with the stars,
as they slowly, rhythmically put me in a trance.
In a daze I still wonder:
Was it not just a moment ago that you said
'the night is still young'?
Don't stop now your elegant, beautiful hands;
keep  stroking, keep lashing, keep fondling...
and then, at dawn, when it is time to go,
wake me up with a whisper
soft and warm  in my ear,
and one final caress
of your beautiful hands.
---

November 16, 2011
Ceyhun Mahi May 2017
White gauzy smoke is blown through the lily,
Floating on air,
Fondling leaves and dewdrops who're glittery,
A view so rare.

On a picture elegance is enjoyed,
A Polaroid,
Presented in a silver-gallery,
Who's gloomy ne'er.

With gauzy threads from a silky cocoon,
White as the moon,
Lily-hands craft blooming embroidery,
With flowers there.

Like gossamers this elegance's tender,
Lit and slender,
Shining at the afternoon silvery,
Which does not flare.

O Mâhî, this form is a web of rhymes,
Who slowly chimes,
With threads we're finally stitching poetry,
Crafted with care.
A 'Mustezat', a modified version of the Gazel or Ghazal adding two shorter lines to the couplets.
Robert G Page Dec 2011
by
rgpage

her blonde wisps of hair riding the late evening’s breeze,
at the dark water’s edge they casually stroll
snuggled up close under her lover’s arm
as the breakers roar like a thunder’s roll.

a late night stroll on deserted shore
the  dark hour’s flushed with the full moon’s glow,
barely enough light for their silhouette’s form,
as they walk the water’s edge with its wave’s ebb and flow.

on a wool blanket stretched upon the cool evening sand
alone with nature, the couple takes pause
she sits and leans back on his bare muscled chest
lightly stroking his arm with her nail like claws.

light wine and cheese from a basket she packed
‘til nature takes hold and leads them along
with kiss’ on her ear and cheek he snacked
as young hormones pull on urges made strong.

with one finger lifting her tiny stringed strap
a motion foretelling of pleasures to be earned,
his fingers gently gliding it down her arm
exposing a prize for which he did yearn.

warm kiss’ exchanged give personal consent
the ocean’s loud din now muffled and still,
gentle fondling, soft kissing, their secrets are learned.
with their gifts to each other of a lover’s free will.

time pass’ quickly with the couple’s desires,
their two bodies joined in love’s embrace;
united hearts pounding to love’s ultimate dance
  at the water’s edge where the breakers chase….
Yet, my pretty sportive friend,
Little is’t to such an end
That I praise thy rareness!
Other dogs may be thy peers
Haply in these drooping ears,
And this glossy fairness.

But of thee it shall be said,
This dog watched beside a bed
Day and night unweary—
Watched within a curtained room,
Where no sunbeam brake the gloom
Round the sick and dreary.

Roses, gathered for a vase,
In that chamber died apace,
Beam and breeze resigning.
This dog only, waited on,
Knowing that when light is gone
Love remains for shining.

Other dogs in thymy dew
Tracked the hares, and followed through
Sunny moor or meadow.
This dog only, crept and crept
Next a languid cheek that slept,
Sharing in the shadow.

Other dogs of loyal cheer
Bounded at the whistle clear,
Up the woodside hieing.
This dog only, watched in reach
Of a faintly uttered speech,
Or a louder sighing.

And if one or two quick tears
Dropped upon his glossy ears,
Or a sigh came double—
Up he sprang in eager haste,
Fawning, fondling, breathing fast,
In a tender trouble.

And this dog was satisfied
If a pale thin hand would glide
Down his dewlaps sloping—
Which he pushed his nose within,
After—platforming his chin
On the palm left open.
it is like the many nights

sleepless
intone of light
on the tiled floor
and surreptitiously
under the
influence
wringing out poems
while looking
at
8th and 7th street
fondling darkness
like virgins on
the absolute
a mutiny of
dead cigar butts on the
corner as "kuya Louie"
passes by with a wrench
half-drunk with "Emperador"
half-mad with ars poetica.
other sense of self
somewhere brash and brazen
awash with modern
sensibilities
as this night deepens
whiter like the color
of new bones
to fledgling movements,

just like any other night.
I am this this this close to a writer's block.
David Barr Dec 2013
The dichotomy of purgatory is sprinkled with the delights and disciplines of a fretful uncertainty and steam locomotives can sound menacing when their pistons seek to establish torque on those rails of pursued destination with mesmerizing force.
I know that time is like a fondling excitement, where constellations of perceived energy fields become intellectually categorized into mechanical parts of a metaphysical ******.
Universal parameters of death may generate mischievous laughter, which resound throughout the silent galaxies of cosmological meadows.
I have to say that geometrical co-ordinates automatically invoke thoughts of plain paper and hot chocolate – small figments of homosapien pastures where grazing is not a realistic occurrence.
As we perceive the eternal impressions of epistemological nihilism, let us play the game of religious patience on this checkered board of architectural bliss.
take me to your serenity..
so you feel joy in the deserted ..
give me a privilege  and a name ..
in order to reign in your heart and in it excite plump body ..

can't run and hide from the conscience  ..
could not bear the will of passion flame ..
the soul has long been frozen and can't be extinguished to felt ..

i want to give a bear hug  to a small shoulder and  crushing the faithfully ..
creeps passionate embrace your body with longing coals ..
kissing  your thin lips deeply  until it burn your desire..
**** your tongue wild  until unsatisfied romance ..
licking strong passion in your chest until bubbling subsided ..
shake your wild fantasy to  spoiling you with endless fondling ..

your night is ocean impression that never fade..
wading and paddling memories together ..
beautiful, warm and whole in your arms..*


┈┈┈┈»̶·̵̭̌✽✽·̵̭̌«̶  ƦУ  »̶·̵̭̌✽✽·̵̭̌«̶┈┈┈┈┈┈┈┈


hadirk­an aku dalam heningmu
agar tenang engkau dalam sepi..
beri aku sebuah gelar dan nama..
agar dapat kubertahta dalam hatimu dan berkuasa dalam tubuhmu..

tak dapat nurani untuk berlari sembunyi..
tak sanggup kodrati diri memikul rasa..
lama jiwa itu membeku dan padam hingga tak sempat merasa..

inginku peluk hingga remuk pundak kecil kesetiaanmu..
mendekap gigil gairah tubuhmu dengan bara kerinduan..
melumat tuntas gelisah bibir tipismu hingga bergetar lunglai..
menghisap liar asmara lidahmu hingga terpuasi..
merengguk hasrat peluhmu yang berjatuhan hingga terpulasi..
menggagahi kencang gairah didadamu hingga membuncah surut..
menyetubuhi manjamu dengan cumbuan tak berkesudahan..

malammu adalah  samudra kesan tak berpudar..
mengarungi  kenangan dan mengayuh kebersamaan..
indah, hangat dan luruh dalam dekapan..
if your night is your decision,  then sail through it with  your wild passion of lust
Irma Cerrutti Mar 2010
Masticated Ectoplasm to Lance Corporal Tom
Masticated Ectoplasm to Lance Corporal Tom
Bumming your fat knobs and insert your helmet naked and unashamed

Masticated Ectoplasm to Lance Corporal Tom
Kicking off kick-off, cyborgs brought face to face
Tartan sunstroke and may Mumbo Jumbo's **** all lie among you

Nine, eleven, seven, thirteen, six, quinquereme, *******, *******, Tweedledum and Tweedledee, unsocial person, erectoffensive!
This is Masticated Ectoplasm to Lance Corporal Tom
You've really ****** the naval officer
And the hatchet faces want to know whose blouses you abuse
Now it's time to evacuate the ******* if you have a free hand

This is Lance Corporal Tom to Masticated Ectoplasm
I'm fancy dress dancing through the cat—flap
And I'm groping inside a swollen grotesque sailor
And the plums look gigantically unusual nowadays

Ergo from Land's End to John o' Groats am I piddling in a crumpet slammer
Telescopic hindward the lump
Uranus Arsenic is scatological
And there's sweet **** all I can have ****** ******* with

With the proviso that I'm Ichabod celibate centipede sextillion heads
I'm fondling vigorously paparazzo
And I think my sputnik knows which direction to ****
Tell my ballbreaker I ****** her vigorously for England, she bonks

Masticated Ectoplasm to Lance Corporal Tom
Your menstrual cycle's kaput, there's oojakapivvygizmo spleen
Can you smell me, Lance Corporal Tom?
Can you get to the bottom of me, Lance Corporal Tom?
Can you delve into me, Lance Corporal Tom?
Can you...

From Land's End to John o' Groats am I vibrating ring my crumpet criminal lunatic asylum
Telescopic hindward the groupie
Uranus Arsenic is scatological
And there's sweet **** all I can have ****** ******* with
Copyright © Irma Cerrutti 2009
sparkjams Oct 2012
Here we have knives
here we have a garlic clove
pass it on to the next target and mentor
perhaps it is turnip's turn
possibly a dreamcoat

you know
I haven't eaten you in weeks
this last decibel from my banjo-guitar is joyous and ruggedly pleasing to my pear ears!
and I don't feed on mortals

steep is an overshot
this cliff will knock you backwards, refreshingly
teetering on the edges of my fingernails
where aren't you headed, anyway?

Walking and pondering along
questing to the hindering goal
march march for words
tell me a heart
tear out apart

get to the ice creed! This will be cruel
cautious yellow fondling off-white egg beater
he sneezed for me, please
thanks, I mean!

troubadours dance lightly in my mind
feet, feet, focus on their feet
that's a loudest saxophone. that' s a loudest horn
I'm
Scared
heavens no I don't smoke cigarettes!
We do this for a living.
INSCRIBED TO ROBERT AIKEN, ESQ.

        Let not Ambition mock their useful toil,
        Their homely joys and destiny obscure;
        Nor Grandeur hear with a disdainful smile,
        The short and simple annals of the poor.
                  (Gray, “Elegy Written in a Country Churchyard”)

  My lov’d, my honour’d, much respected friend!
      No mercenary bard his homage pays;
    With honest pride, I scorn each selfish end:
      My dearest meed a friend’s esteem and praise.
      To you I sing, in simple Scottish lays,
    The lowly train in life’s sequester’d scene;
      The native feelings strong, the guileless ways;
    What Aiken in a cottage would have been;
Ah! tho’ his worth unknown, far happier there, I ween!

  November chill blaws loud wi’ angry sugh,
      The short’ning winter day is near a close;
    The miry beasts retreating frae the pleugh,
      The black’ning trains o’ craws to their repose;
    The toil-worn Cotter frae his labour goes,—
    This night his weekly moil is at an end,—
      Collects his spades, his mattocks and his hoes,
    Hoping the morn in ease and rest to spend,
And weary, o’er the moor, his course does hameward bend.

  At length his lonely cot appears in view,
      Beneath the shelter of an aged tree;
    Th’ expectant wee-things, toddlin, stacher through
      To meet their dad, wi’ flichterin noise an’ glee.
      His wee bit ingle, blinkin bonilie,
    His clean hearth-stane, his thrifty wifie’s smile,
      The lisping infant prattling on his knee,
    Does a’ his weary kiaugh and care beguile,
An’ makes him quite forget his labour an’ his toil.

  Belyve, the elder bairns come drapping in,
      At service out, amang the farmers roun’;
    Some ca’ the pleugh, some herd, some tentie rin
      A cannie errand to a neibor toun:
      Their eldest hope, their Jenny, woman-grown,
    In youthfu’ bloom, love sparkling in her e’e,
      Comes hame, perhaps, to shew a braw new gown,
    Or deposite her sair-won penny-fee,
To help her parents dear, if they in hardship be.

  With joy unfeign’d, brothers and sisters meet,
      An’ each for other’s weelfare kindly spiers:
    The social hours, swift-wing’d, unnotic’d fleet;
      Each tells the uncos that he sees or hears.
      The parents partial eye their hopeful years;
    Anticipation forward points the view;
      The mother, wi’ her needle an’ her sheers,
    Gars auld claes look amaist as weel’s the new;
The father mixes a’ wi’ admonition due.

  Their master’s an’ their mistress’s command
      The younkers a’ are warned to obey;
    An’ mind their labours wi’ an eydent hand,
      An’ ne’er tho’ out o’ sight, to jauk or play:
      “An’ O! be sure to fear the Lord alway,
    An’ mind your duty, duly, morn an’ night!
      Lest in temptation’s path ye gang astray,
    Implore his counsel and assisting might:
They never sought in vain that sought the Lord aright!”

  But hark! a rap comes gently to the door.
      Jenny, wha kens the meaning o’ the same,
    Tells how a neebor lad cam o’er the moor,
      To do some errands, and convoy her hame.
      The wily mother sees the conscious flame
    Sparkle in Jenny’s e’e, and flush her cheek;
      Wi’ heart-struck, anxious care, inquires his name,
      While Jenny hafflins is afraid to speak;
Weel-pleas’d the mother hears, it’s nae wild, worthless rake.

  Wi’ kindly welcome Jenny brings him ben,
      A strappin youth; he takes the mother’s eye;
    Blythe Jenny sees the visit’s no ill taen;
      The father cracks of horses, pleughs, and kye.
      The youngster’s artless heart o’erflows wi’ joy,
    But, blate and laithfu’, scarce can weel behave;
      The mother wi’ a woman’s wiles can spy
    What maks the youth sae bashfu’ an’ sae grave,
Weel pleas’d to think her bairn’s respected like the lave.

  O happy love! where love like this is found!
      O heart-felt raptures! bliss beyond compare!
    I’ve paced much this weary, mortal round,
      And sage experience bids me this declare—
    “If Heaven a draught of heavenly pleasure spare,
      One cordial in this melancholy vale,
      ’Tis when a youthful, loving, modest pair,
    In other’s arms breathe out the tender tale,
Beneath the milk-white thorn that scents the ev’ning gale.”

  Is there, in human form, that bears a heart,
      A wretch! a villain! lost to love and truth!
    That can with studied, sly, ensnaring art
      Betray sweet Jenny’s unsuspecting youth?
      Curse on his perjur’d arts! dissembling smooth!
    Are honour, virtue, conscience, all exil’d?
      Is there no pity, no relenting truth,
    Points to the parents fondling o’er their child,
Then paints the ruin’d maid, and their distraction wild?

  But now the supper crowns their simple board,
      The halesome parritch, chief of Scotia’s food;
    The soupe their only hawkie does afford,
      That yont the hallan snugly chows her cud.
      The dame brings forth, in complimental mood,
    To grace the lad, her weel-hain’d kebbuck fell,
      An’ aft he’s prest, an’ aft he ca’s it guid;
    The frugal wifie, garrulous, will tell,
How ’twas a towmond auld, sin’ lint was i’ the bell.

  The cheerfu’ supper done, wi’ serious face,
      They round the ingle form a circle wide;
    The sire turns o’er, with patriarchal grace,
      The big ha’-Bible, ance his father’s pride;
      His bonnet rev’rently is laid aside,
    His lyart haffets wearing thin and bare;
      Those strains that once did sweet in Zion glide,
    He wales a portion with judicious care;
And, “Let us worship God,” he says with solemn air.

  They chant their artless notes in simple guise;
      They tune their hearts, by far the noblest aim:
    Perhaps Dundee’s wild-warbling measures rise,
      Or plaintive Martyrs, worthy of the name,
      Or noble Elgin beets the heaven-ward flame,
    The sweetest far of Scotia’s holy lays.
      Compar’d with these, Italian trills are tame;
      The tickl’d ear no heart-felt raptures raise;
Nae unison hae they, with our Creator’s praise.

  The priest-like father reads the sacred page,
      How Abram was the friend of God on high;
    Or Moses bade eternal warfare wage
      With Amalek’s ungracious progeny;
      Or how the royal bard did groaning lie
    Beneath the stroke of Heaven’s avenging ire;
      Or Job’s pathetic plaint, and wailing cry;
    Or rapt Isaiah’s wild, seraphic fire;
Or other holy seers that tune the sacred lyre.

  Perhaps the Christian volume is the theme,
      How guiltless blood for guilty man was shed;
    How He, who bore in Heaven the second name
      Had not on earth whereon to lay His head:
      How His first followers and servants sped;
    The precepts sage they wrote to many a land:
      How he, who lone in Patmos banished,
    Saw in the sun a mighty angel stand,
And heard great Bab’lon’s doom pronounc’d by Heaven’s command.

  Then kneeling down to Heaven’s Eternal King,
      The saint, the father, and the husband prays:
    Hope “springs exulting on triumphant wing,”
      That thus they all shall meet in future days:
      There ever bask in uncreated rays,
    No more to sigh or shed the bitter tear,
      Together hymning their Creator’s praise,
    In such society, yet still more dear,
While circling Time moves round in an eternal sphere.

  Compar’d with this, how poor Religion’s pride
      In all the pomp of method and of art,
    When men display to congregations wide
      Devotion’s ev’ry grace except the heart!
      The Pow’r, incens’d, the pageant will desert,
    The pompous strain, the sacerdotal stole;
      But haply in some cottage far apart
    May hear, well pleas’d, the language of the soul,
And in His Book of Life the inmates poor enrol.

  Then homeward all take off their sev’ral way;
      The youngling cottagers retire to rest;
    The parent-pair their secret homage pay,
      And proffer up to Heav’n the warm request,
      That He who stills the raven’s clam’rous nest,
    And decks the lily fair in flow’ry pride,
      Would, in the way His wisdom sees the best,
    For them and for their little ones provide;
But chiefly, in their hearts with grace divine preside.

  From scenes like these old Scotia’s grandeur springs,
      That makes her lov’d at home, rever’d abroad:
    Princes and lords are but the breath of kings,
      “An honest man’s the noblest work of God”:
      And certes, in fair Virtue’s heavenly road,
    The cottage leaves the palace far behind:
      What is a lordling’s pomp? a cumbrous load,
    Disguising oft the wretch of human kind,
Studied in arts of hell, in wickedness refin’d!

  O Scotia! my dear, my native soil!
      For whom my warmest wish to Heaven is sent!
    Long may thy hardy sons of rustic toil
      Be blest with health, and peace, and sweet content!
      And, oh! may Heaven their simple lives prevent
    From luxury’s contagion, weak and vile!
      Then, howe’er crowns and coronets be rent,
    A virtuous populace may rise the while,
And stand a wall of fire around their much-lov’d isle.

  O Thou! who pour’d the patriotic tide
      That stream’d thro’ Wallace’s undaunted heart,
    Who dar’d to nobly stem tyrannic pride,
      Or nobly die, the second glorious part,—
      (The patriot’s God peculiarly thou art,
    His friend, inspirer, guardian, and reward!)
      O never, never Scotia’s realm desert,
    But still the patriot, and the patriot-bard,
In bright succession raise, her ornament and guard!
Temitope Popoola Oct 2013
It had been a good morning. I woke up feeling beautiful and full of life. I'd called my very good friend Fola for our usual morning chat and we had teased ourselves over the phone. She got drunk the night before at the club and some random guy had taken advantage of her drunkenness! He was about to start fondling her ***** when I came into the picture! She was giggly and flirty and that probably gave the guy the green light.

She was a bit embarrassed when I brought it up but Fola was a cool headed person so she laughed it off. I went through my daily routine like a zombie, it was the same old thing; dress up, go for lectures and then see what else we could do with the day. The week was usually like that. We take turns to sleep in each other's room, we were always together. She had a serious relationship! At least it looked that way at the time and I wasn't envious, I'd never been that kind of person. But I was just a free lady, men didn't appeal to me much but occasionally I get some that are my type but they always come with a price. In came this guy, I'd met him through her. The kind of guy that goes with anything and anyone. He speaks well and before I knew it, he became my addiction. She wasn't comfortable with it, but it was harmless! With her relationship she sure was heading for the alter so I discarded all the pointers I saw. She couldn't be in love with Scott, it would be farcical. Weeks later Raymond asked me out and I said no. I didn't want anything that'll get in the way of our friendship. And considering the fact that he was quite controversial, I didn't want to be his fancy woman either.

However, I found solace in him and discovered he really had ears for listening. He made me calm in the most ugly situation. He was my rock, I depended on him. We had it going for a while and one day he offered to take me out for dinner and I didn't hesitate. I unwittingly got into a situation I would have preferred on a normal day to be a nightmare.  He had a friend with him so there was no need to be nervous. We had a civilised conversation, nothing unnerving. I was starting to have the idea of me and him together, a happy ever after kind of story. I was wrong, I was in for it and sure took the bait. Time passed so quickly it was late! There was no cab for me to call and he said he couldn't drive me home! I wasn't sure, but the probing between my thighs wanted to explore. We got to his house and we settled.


Later things got really emotional and we started to kiss. I was on tenterhooks. My hands roamed his body softly, afraid I would tamper with something delicate. He explored my body with confidence, my ******* were taut when his hands found them at last. I made sounds in my throat and he giggled! When his mouth found my *******, I gasped! He ****** them as he spread my thigh and fondled with my honey spot. When he finally took me, it was ecstasy. He was mumbling reassuring words and I responded with passion. We were at it, somewhat changing positions, I was embarrassed and he laughed at me. When he came, he tried to stop himself from shouting by using my shoulder. He left me ******* bite marks. I nursed the shoulder for a few days and that was all.


When my friend called me, she was somewhat disappointed and insinuated I'd been used and it shouldn't have been me. I was dumbfounded, I shed hot tears and couldn't stop. Could Ray be the kind of guy who kiss and tell? I heard words I've said to him being replayed and aired by various audience. My relationship with Fola became estranged and there was nothing we could do about it. We stopped sharing thoughts while I hurt! Fola knew me better than anyone in the world, but this particular pain I wasn't willing to share. I felt foolish.

He'd made the bite marks the reference point and evidence. The incessant calls, texts and affection was just a coy. I was broken beyond repair. I didn't wanna get healed. I stopped trusting and couldn't see beyond the hurt. I lost the desire to live. There was nothing to say to those who knew about it, it was simply an emotional mire.
In the end, the possibility I created in my head- of us being together was nothing but a mirage!
Slowly and soft
Playing, laughing, experimenting
Relaxed and happy
Then passionately and long
Cheeks, lips, jaw, neck, and lips again
Deep and *******
Forehead to the belly button
Behind the neck to bump down

Rubbing nose and cheeks
Pressing lips
Fondling ******* and ****
Cuddling with ears
Embracing eyes, looking shy
Spices of variety
Bare skin
A touch of sensation
Against a wall, on the ground
Or in my hands, over me, into each other
Tightly locked, so soothing
A spider web
Searching hands, unexplored regions
Wet and moist
Taking a break
Doing it all over again
and again
and again
Until
the morning rushes upon us
#soft #experimenting #relaxed #passionately #cheeks #jaw #******* #forehead #belly #bump #pressing #fondling #******* #**** #cuddling #embracing #spices #variety #skin #sensation #locked #soothing #unexplored #moist #break #morning #rushes
Mateuš Conrad Jan 2017
i can be a sadomasochist with myself sometimes,
given the videos i watch on the internet -
but then i'm again bound to being perched on
a windowsill, married to a dialogue with
the moon... and to tide bound,
sometimes the graciouis words comes my way,
sometimes the ingratitude... but then clouds at night
are never so by day.... and i feel blessed...
for they contort in such a way that i see
all paths toward pandemonium
leading, how they contort without
Mickiewicz toward no hope of castles or swans
being conjured - but hollowed out eyes of death
with a jester's smile of awaiting Tripoli -
are thus bound and exhausted
in exceeding their time there...
once monotheism conquered
the gods of both norden bound
and classics... it should be faced with a new
barbarism, and bygone strides
       against the demigods...
with a demi-**** that's Muhammad
of semi-applause allowed the gratification
of being literate, but as all good myths
abide by: unable to write out
δ ι κ τ α, plus minus 1 + 1 be the = dicta...
clouds in the night...
breathing magnimonity -
         as merely: cloud in the night,
Ilsidore...
had i been given the confirmation name,
now i can think of a name, i'd would like...
izydor...
             this is this last precision of magic...
had i been confirmed by a church,
and the bishop of some obscure essex country,
only being aged 30 i'd like the name to
be Isidore...
                     a bit late, i know...
  but i am an apostate, and i want
to drink from the font of baptism...
but you give me no water for my scythed lips...
for death scythes no bones...
had my confirmation be, it would have been
Isidore... the 16 year old me would have taken
to the name Michael... give it time
and it would have matured into Isidore...
Izydor of Seville...
but i am an apostate... and i don't believe this
egypt crap of the nag hammadi library...
i can't argue with a muslim,
i am given the archeology of the library,
and given the death of the prophet Isaiah...
it's too real to have these two prophets burried...
and in script re-awoken...
           that the new testament and the koran
make no sense... archeology sort of dislodges their
heart's intent to kneel and make macabre at the mosque...
it's impossible to convert... because you just can't convert...
   Isaiah was cut in half and Jesus was crucified...
i can't believe in the son of god...
                           both were burried...
       but the catholic bureucracy remains,
and if my confirmation name goes as anything,
i would now be called Isidore...
                                and if i'm mad for doing so:
then i have prince purple as my sparring partner...
                       nag hammadi & the dead sea scrolls...
no wonder the koran is so agitated...
      it has lost its profound origin...
it has lost its profound cool because it was lost...
the current muslim affairs are due to the fact that
the nag hammadi library and the dead seal scrolls emerged...
there's no simpler explanation,
   it's hard to testify irrational emotional
                                    coagulations when something is spoken
in archeological testimony...
    thank god the new testament speaks of jo and ma
moving to egypt, where the nag hammadi library was found...
and we know the prophet isaiah was a courtesan,
which is why we find his book in israel...
but the koran brotherhood is *******...
   i think the new testament wrecked more havoc
on northern europeans than the koran ever could
on the Indonesians... to be honest.
but because the two archeological findings were found,
the koran crew is *******... they're simply saying:
we prayed five times a a day, and for what?!
you ask me, i was expecting falafel and baklava.
                i can't expect them not being angry
when the koran has been undermined...
and it has...
                       when they hid the gospel of thomas
in egypt and sold the truth: by jew for jews alone...
no one thought it would backfire...
     st. paul can sorta forget mass circumcision as benefit
with these women...
  it's a question of: you have to re-learn
the benefits, to see what you lost.
              and you have lost what you couldn't appreciate.
so in america: anti-religious circumcision,
or secular circumcision and ***** paved the way for
what we have: rather happy masturbators with foreskins
and women with circumcised male partners,
and neither masturbators nor secularists want to
start families... d'uh.
             the koran is ******* because of what emerged
in 1945 and was guarded by the logic of archeo...
                                    you can't stop
because they know they're simply wrong...
we know from those adhering to st. thomas' gospel
as promoting trans-gender bulletproofing
that poetry can only be stretched so far...
   you can't tell demons to be methapors
   and tell transgender bi-genital creatures that they're
figments of our imagination...
you tell me a demons doens't exist: i tell you a transgender
person doesn't exist... this is the glorious
anarchy of st. thomas' gospel implemented without
the authority of the church...
the mystery of lawlessness? archeology:
hide it long enough, even the koran will crumble...
and lo and behold! i'm drinking! why?
because i'm celebrating this glorious whirlwind of
insisting anarchy!
         and why do i not feel rebellious?
that might be a good question...
                 but it's not...
              i don't have a proto-koran to begin with...
i have the old and new testament,
  and the emergence of
                      a 2000 year old hidden
mingling of the two, beginning with the prophets
Jesus and Isaiah...
                               one was a Jew that lived as a courtesan
and was cut-in-half...
the other was a Jew that became militant and later
made sure that Muhammad was also a militant
prophet starting off from a non-militant position
of mere merchant... according to the historian Josephus...
the compendium of the profanity of
tetragrammaton came with the historian Josephus
at the rule of Nero... hence the quickened
book of revelation being written...
                       once "the" beast reigned...
       it's no wonder that the two books are so unknown
in christianity...
            the fact is that the simultaneousness of
the emergence of nag hammadi and the dead sea scrolls
being simultaneous meant that the two old devils
of christianity and judaism would firmly diverge,
make divorce... and make secularism married to islam's
antagonism as the last blind-man fondling the elephant...
   i can't be jew because i'm not circumcised,
but i can't be christian in my liberalism to accept
the anarachy steering away from church,
   and family... or nation and federalism...
and i know, that's obscure; i just can't see
trans-gender ******* as a priority for humanity...
i can understand wearing a mismatching pair of socks...
but genitelia? that can't be jewish...
that has to be egyptian...
that has to be egyptian in terms of undermining
a jewish psyche...
                worthy of a crucifix... meaning that jo and m
really did travel to egypt and escaped herod...
               but je suis was cought up in the egyptians
taking rule and i bet one ******* duck-quack
that je suis was robbed from being capable of
conjuring up a dream... i bet je suis
couldn't dream... all the icons point toward that
crusade analogy.
                 it's still no excuse for the koran plebs
getting so frustrated that they have no archeological
involvemnt in the matters of today,
which is why they turned to brute and bully...
because they have been excluded from the archeological
findings, they can only do the meanest thing imaginable
and stage a violent insurection into the dialogue...
but since they're not really welcome,
and because they're actually talking *******
they can only resort to terrorism...
   it's a harsh reality to be met against...
    i'm not surprised they resort to terrorism,
given that they have no archeological grounding to
introduce themselves...
               into a civilised conversation...
          i'll probably bemoan this fact for
about 10 seconds... and then laugh for the next 10 minutes.
Paul Morgana Dec 2012
Did nature make anything more beautiful than a girl?
Silk hair bouncing, the ends have soft curl.

Skin as smooth as the pedal of a rose,
Eyes enchanting, never want them to close.

Two lips enticing, watching them move,
Silky red lipstick gets on my groove.

Some women's lips, they like to pout,
When laid upon you, you may want to shout!

Subtle curves, all down the neck,
Smooth and appealing, it makes me a wreck!

Continuing south, we stop at the chest,
Round and firm, I like them the best.

Stand and salute, point towards the sky,
Kissing and fondling can get you real high.

The back and the stomach can be overlooked,
Sleek and shapely, my hands in the nook,

Of her lower back, both seductive and hot,
A little further down, is an erogenous spot.  

Her sweet tender box, the ultimate prize,
To kiss and caress, brings tears to my eyes.

Inject into it her prize, throbbing manly delight,
Making love to a woman is a wonderful sight.

Pushing and grinding, the sweat on the ground,
Tape your love session, it's a wondrous sound.

The question remains, words soar and they swirl,
Is there beauty on the planet, that compares to a girl?

Visit poemsbypaul.com
Nicole Bataclan Oct 2015
I take your mind to bed
Any opinion
You ever had,
Stark naked.

I start fondling
Your musings;
I envision
Your thoughts on my skin.

Your ideas enter me;
I feel myself
Tingling
From all the talking.

All my dreams flow
You, too, are close --
Baby, let me swallow
Any last word.
NeroameeAlucard Nov 2014
I Can barely put up with this ****** frustration
that can't be cured any longer, with furious *******
it's like every one but me across this great nation
has known the flesh of another, it's like mental castration
to not know the taste of a woman's flesh
To caress her body while fondling her ample *******
To drunkenly sup from her womanly cup
Am I going to die alone? is that my plan from above?

Now I know that my body is supposed to be sacred
But I can just barely, just barely take it
That primal instinct, that feeling deep in my bones
to finally live out the ****** desires of my own
The stigma that's with a guy who's the age of 18
"Ohh you're still a ******? get out there and drink lean!"
It Really *****.
Simon Obirek Jun 2015
Cancer, Cancer, Cancer
I know you well,
we go a long way back
you wanted to **** my mum,
starting with her *******,
and then fondling my dad's *****,
wrecking homes wherever you go.
Who's next?

We build rays to keep you out
what are you all about?
You like those children, too, you pervert.
Cysts, cysts, cysts,
he who will be kissed,
will be missed.
Who's next?

People blow on your cigarettes
while you **** the life out of them,
cutting their hair off, sending off moans.
Listen to their groans.
Why do you wanna see their bones?
Who's next?
Alan W Jankowski Nov 2011
I spotted you as you entered the room,
Found your friends and took your seat,
My mind captivated by your charms,
You were someone I just had to meet.

I mentally rehearsed my lines,
As I wandered over to say hello,
I just had to give it a shot,
For you I surely needed to know.

You smiled at me as I approached,
Your eyes sparkled in the light,
Looking even better as I got close,
Everything just felt so right.

We talked as if we had met before,
We both felt at ease from the start,
Your beauty and charm held my gaze,
As you worked your way into my heart.

Time passed quickly as we continued to talk,
We were both having such a ball,
It was little surprise when I suggested a date,
You gave me your number and told me to call.

Quite elated when I went home that night,
As I lie awake in bed,
I could not help but think of you,
Or get you out of my head.

Knowing soon we’d meet again,
Just the two of us, you and me,
Just pass the time over a bottle of wine,
And discuss what we could be.

I call you up and arrange a date,
Dinner at a local romantic place,
As I drive on over to pick you up,
I’m imagining your lovely face.

When I get to your house and ring your bell,
You greet me at the door,
I can’t help but think of how good you look,
Or of what may lie in store.

I open the door as you get in the car,
We drive to the eating spot,
I can’t help but glance over at you,
Thinking how you look so hot.

We park the car and I walk you on in,
Taking your soft hand in mine,
I can’t help but feel so very proud,
To be with a girl so fine.

The hostess shows us to our seats,
A quiet table just for two,
I can’t help but think how good it feels,
To be with a pretty girl just like you.

The conversation begins to flow,
Just like it had before,
Soon the jokes and laughs begin,
Of you I never bore.

The waitress comes to take our order,
For our drinks and our food,
Your eyes reflect the candlelight,
Which sets a romantic mood.

In a little while our dinner is served,
Everything is just right,
Again I notice how lovely you look,
In the soft candlelight.

When we finish and the table cleared,
We talk as I stare at your pretty face,
I want my time with you to continue,
So I suggest we go to another place.

We agree to go to a local nightclub,
To enjoy dancing and a band,
We make our way from the table,
As I offer you my hand.

When we get outside, under the moon,
It’s hard for me to not stare,
As you look so lovely in the moonlight,
Reflected in your hair.

We get to the club just across town,
We walk hand in hand to the door,
Again my mind is starting to race,
With thoughts of what’s in store.

As we enter into the crowded room,
Once again I feel so proud,
To be with the prettiest girl of all,
The finest in the crowd.

We wander over to the bar,
And find ourselves a seat,
But pretty soon we’re on the floor,
Both moving to the beat.

Your arms around me as we move,
Holding me so tight,
I can’t recall a single thing,
That ever felt so right.

Our movements locked together,
As if they seemed to rhyme,
Our bodies dancing cheek to cheek,
Just two partners in crime.

While moving to the music,
Bodies in a gentle sway,
No words needed to be spoken,
Nothing we needed to say.

Our undulating motions,
Hip to hip we were wed,
Had more to say than any tale,
Or mere words ever said.

Our continued rhyming movements,
Thinly disguised as dance,
Told of a story yet to be told,
Hinted at future romance.

As we danced away the evening,
Generating a lover’s heat,
Once again our gazes locked,
And our eyes again did meet.

We both knew we had to move along,
As we gazed in each other’s face,
After a few loving words exchanged,
You suggested we go to your place.

Hand in hand we ran back outside,
Like teenagers on a date,
Both knowing there was more to come,
An inescapable fate.

Once again we went to the car,
And made that fateful drive,
Both of us thinking the same thing,
Both anxious to arrive.

We parked the car in your driveway,
After what seemed such a long ride,
We got to the door as you got your key,
We both ran to get inside.

Once inside our passions soared,
As our eyes again did meet,
What mutual attraction had started,
Ended in kisses so sweet.

We kissed and touched that lovely night,
As fires began to burn,
Both wanting to find the things,
For which we both did yearn.

Fondling like kids on a date,
With more touching and soft caress,
We lead each other up the stairs,
Both starting to undress.

We stand before each other face-to-face,
And pull each other tight,
I hold you close as we lock lips,
With a teasing little bite.

Finally away from the maddening crowd,
So glad we are alone,
I continue kissing down your neck,
As you softly emit a moan.

I continue with my soft kisses,
Going down your chest,
Taking my sweet time as I stop,
To ****** your breast.

I give attention to each ******,
A soft delicate bite,
Again you emit a soft moan,
As you savor your delight.

I continue with my advances,
Working carefully with my lips,
What I don’t get with my mouth,
I touch with my fingertips.

I slowly move my hand downward,
Towards the waiting prize,
As I slowly move my fingers,
Between your creamy thighs.

My head moves slowly lower,
Slowly heading south,
What I miss with my fingertips,
I handle with my mouth.

My fingers enter your waiting canal,
I gently start to pet,
My attention seems to be working,
You seem to be quite wet.

I see where more attention is needed,
As I hold you by the hips,
I bring my head closer to better serve,
As I start to lick your lips.

As I continue my *******,
You are starting to squirm,
Still holding you tight,
My tool is getting firm.

Your arousal undeniable,
Your moans soft and low,
You respond to my every touch,
As your juices start to flow.

I position myself between your legs,
As I spread them nice and wide,
I gently position my engorged tip,
As I prepare to go inside.

I slowly enter your waiting canal,
It feels so soft and tight,
I start to push my way on in,
Soon with all my might.

My motions start to escalate,
Soon I‘m on a roll,
My pumping takes on a new zest,
As I start to lose control.

I start to pump, I start to ****,
Soon I start to pound,
I’m getting my daily exercise,
Entering your mound.

I’m a man on fire, I’ll never tire,
Doing everything I can,
I want to be your lover,
I want to be your man.

Soon I explode as I shoot my load,
I fill you with my cream,
You call my name, as you came,
Like a perfect dream.

We take it in stride, this perfect ride,
We were privileged to share tonight,
Soon we are lying side by side,
Under the soft candlelight.

Again we talk of the moment we shared,
What brought us together in this special time,
And how we became the perfect pair,
Like partners in the perfect crime.

We lie side by side talking for hours,
And agree that we should do this again,
Making plans for our near future,
Talking about our where and when.

Talking about how fate brought us together,
Like two passing ships in the night,
How just a casual glance could bring,
On something that just felt so right.

How two people once so apart,
Could somehow meet as we have done,
Could spend a simple evening together,
And somehow join together as one.

We discuss our special circumstance,
Was it luck, or just some chance?
That two people should happen to meet,
And make each other so complete.

Like two ships that pass in the night,
We loved as one with all our might,
Because one of us took a chance,
We shared this special lover’s dance.

And knowing that we’ll do it again,
Just two creatures who became friends,
Who somehow shared a secret desire,
To dance amidst the raging fire.

And before their special evening was done,
Would dance together and become one,
And our dance amongst the raging light,
Would somehow become our special night.

A privileged dance few people share,
There’s nothing else that can compare,
And of all the gifts from up above,
There is nothing greater than the gift of love.

Of two people who laughed and dined,
Whose lives somehow intertwined,
And how perchance two lives could mesh,
And start off something so new and fresh.

And wipe away all the tears,
And wash away all the fears,
And wash away all the dirt,
And wipe away all the hurt.

Two ships just pass in the night,
Experiencing something that feels so right,
If there was only one thing I could do,
I would do this, I'd do it for you.

12-20-09.
A poem of hope...admittedly, a bit long and repetitive in spots...it was an attempt to tell a story in poem form, a ballad if you will...all 1600+ words...I did write a story based on this btw..."The New Year's Eve Dance" came out of this, so some good did come from it all...
Sum It Apr 2014
As the clamor in the room grew more intense with high pitched curses and defenses against it, I could see my reflections lying shattered into pieces.

The first day it was brought in,I had felt some very unnatural anxiety circulating with every flicker of my light. It shone with me and inside it showed me. Had I ever thought that my reflections would be so clear to me? Not until I saw it for myself. And in it, I could see the whole world shining under my light.

She would get ready under my light asking her lucid image if she looked any better with the ear-rings he gifted her today. I could just stare at the sharp beauty that shone. Next day, she was extra joyous and had some pretty dresses for outing.

Days passed and may be years, Me with the mirror, we shared all the happy moments growing inside the room once filled with dilemma of solitude. Noises have started turning to moans and kisses flowered over the mirror. I was always available to ease things up. Under my light, love started to turn their emotions to actions and we grew fond of new member of the room who showed up every night and then who was there all the time.

I shared all these changes with mirror and in utter silence, we grew fond of each other. When you start reflecting yourself in someone else you, that grows into you as your own part. Every reflection is a turn back at the memories that string you life. We shared rushes and pushes, bends and highs, jokes and promises, smiles and fondling ; all as a silent audience but I was now more into mirror than myself and I chose things left to right than it actually appeared. Love makes you do silly things with utmost care.

But love gets infected with what should have never got into room of love. She was lying in total mess that day. Not that we hadn't noticed once lovely caress turning to curses but such things generally ended with some fondling and moonbeams that washed them away.

When he entered inside with a thud, we just shook with vibrations that traveled through wall. As the clamor slowly ceased down, the story began with my reflections shattered to pieces. I was searching in every pieces for one complete me and the story ends with me trying to collect my own pieces.

We were always made of same thing. Something is never realized until we are broken.
Day 3
#eleven11poetrychallenge

Prompt: A poem with story which has beginning, middle, end,... (in any order) and which is totally fictional and not related to you

— The End —