Prologue
A raw, unfiltered scream filled the air. The boy dropped the gun and rushed towards the body lying beside the wooden stand. The man before him was clutching his stomach- his t-shirt soaked with blood. His eyes began to well up with tears as he cradled his father in his arms. Groaning softly, the man used his free arm to touch the boy’s cheek.
“Shhhh. It’s okay. I know it was an accident,” the man said.
“I’m sorry. I didn’t mean to. We’ll get you to a hospital,” the boy choked out. “The doctors will fix you. I promise.”
The boy was trembling with a sob caught in his throat, and his head buried in his father’s chest.
“Hey, you’re gonna be okay, son. Look at me-”
He coughed suddenly and a stream of blood began to spill from his mouth,
“I forgive you. But listen to me, you won’t be able to fix me. Just know that I will always be proud of you and the great man that you will one day become.”
With that final assurance, his hands finally fell limp.
You must understand: when a child opens his eyes for the first time, he is like a caterpillar. As the years go by, his growth is measured by the number of skins he sheds as he outgrows another version of himself. And for each one that he discards, there will be another, buried deep inside of him, that will be drawn closer towards reality. Then one day, he will collapse into himself.
For this freshly-bereaved little boy, it is time to seek refuge and rebuild. For many years he will be consumed with the thought that he is not ready to be a man. He will refuse to leave his chrysalis. Eventually, he will forget about the world that lies beyond its walls until the day finally comes where he will have to make a choice: remain a boy or become the man his father wanted him to be.

SCENE ONE
MANY YEARS LATER…
A medley of voices sounded in the air as hundreds of city-dwellers navigated their way around the rush hour traffic. Horns blared all around them, and the skies were grey and dripped with moisture.
Jaywalking across Oak and fifth with a cold cappuccino in hand, was a frazzled young man named John. His freckled face was lined with worry as he stole another glance at his wristwatch and quickened his pace. On days like this, John really hated having a day-job.
A welcome distraction presented itself as the sudden playing of ‘I Want It that Way’ by Backstreet Boys. The woman beside him raised her eyebrows and glanced at his front pocket. Smiling sheepishly, he pulled out his phone. After pushing up his glasses and bringing it within nanometres of his face, he finally made out the Caller ID. Eyes widening, he hastily answered the call.
“Hello, this is John speaking.”
“I expect that you are ready for tomorrow,” said the voice on the line.
“Of course. The scope I ordered arrived last night,” replied John.
John bit his lip and ran a hand through his messy red hair.
“Yet your last assignment left two of my men in prison” continued the voice. “Do not mistake me, if Oliver Baxter’s heart is still beating by the end of tomorrow, you will suffer the same fate as your father.”  John moved the phone away from his ear- fearful of going deaf.
“Whatever is left of your future relies on this mission. Don’t miss.”
Static took over the line. Then, silence.
John squeezed his eyes shut and became aware of the metallic taste in his mouth. His lip was bleeding. He rummaged through his bag and searched for pack of tissues. In his carelessness, his elbow banged up against his rifle. Quickly extracting the pack, he shoved the weapon further down the bag. He heaved a heavy sigh and nursed his elbow in his hand.
“Stop doubting yourself, John. He’s just another corrupt C.E.O.- he has it coming,” he muttered to himself. “Just get it done, Johnny, get it done.”

SCENE TWO

Just a block away from John, waiting impatiently at the corner of Oak and Robson, was a scowling dark-haired man with a 5 O’Clock morning shadow. The sleeves of his button-down were scrunched up to his elbows and his tie hung loosely around his neck.
Noticing the rain beginning to intensify, the man stuffed the rest of his croissant into his mouth in an attempt to salvage its flaky goodness. No such luck. With a guttural sigh, he tossed his napkin into a nearby trash bin and grumbled to himself about the disgrace that is cold, store-bought pastries.
Thankfully for him, his phone rang and interrupted his reverie of self-pity.
“Who’s calling?” He answered gruffly.
“James. Always the charmer,” drawled the voice from the other line. “Now, that's no way to greet an old friend.”
“Well, I didn’t get an answer for my question now did I?” James said through gritted teeth
Over the line, he could hear his caller clicking his tongue disapprovingly.
“It’s Aaron, my good man. Have you really forgotten?”
Oh yes, Aaron Benson. The pretentious Englishman he shared an apartment with in his college days- the one with a relentless infatuation with Kate Middleton.
“Of course. Aaron. I could never.”
He could only wish he had.
“I hear you’ve made a name for yourself as a photographer?” he questioned.
“What’s it to you?” James said.
“I have a job for you. My cousin is on a business trip to your side of the Atlantic over the weekend. Oliver Baxter, the CEO for some big menswear company in London. Top thirty under thirty kind of bloke. I can’t stand him, but he’s family. Anyway, his birthday’s coming up and my family wants you to have a photoshoot with him.” said Aaron
James sighed. “So you want me to take a couple headshots of pretty boy for his Forbes cover page?”
“No, no. Take my word, he is as unphotogenic as a dung beetle. I say that with love. Partially,” Aaron snickered. “Just take a couple pictures- he doesn’t need to look good. We just want something to add to the slideshow for a couple of laughs.”
“Alright, I’ll do it. Send me his specifics by the end of the day, and I’ll tell you where you should wire the payment.” said James
“I’m grateful. Aside from that, I just wanted to ask you again about that suit I left at our apartment when I flew back to London. Were you able to find-”
James hung up.
He was definitely not getting that suit back.
James didn’t feel too guilty. After all, he thought to himself, the guy has enough money to buy it three times over. If not, he could take a loan from Mr. Thirty under thirty.

SCENE THREE

Later that day, a bleary-eyed and yawning James stepped into a bar. Groaning softly, he massaged the crook of his neck- blistering red patches lined the areas where his camera strap had rested on mere minutes ago.  
The ever-familiar scent of liquor and sweat hung in the air. Suddenly, a cheer erupted from the back corner of the room. As his eyes finally adjusted to the dimly-lit space, he spotted a lanky, red-headed figure by the dart station. A stadium of intoxicated onlookers was chanting his name.
James’ fingers twitched to reach for his camera but he quickly quelled it. The lighting was not in his favour. He strode over towards an empty stool by the bar. Unsurprisingly, his eyes were still fixed on the strange fellow pushing up his tortoiseshell glasses and setting up his stance for another shot at the target.
Bullseye.
The crowd bellowed appreciatively.
Standing up from his table on the other side of the bar, a man called out to the stranger, “Hey kid! Bet you wouldn’t be so tough without those glasses!”
James scoffed. The guy had half of his shirt unbuttoned and a half-emptied beer mug in hand. Regardless, all eyes turned towards the ginger superstar.
The guy scratched the back of his neck and let out a nervous chuckle. Then, with a final shake of his head, he removed his lenses.
“How much?”
Drunken hollering ensued, as well as some severely off-target slaps on the back. James watched as he carefully placed his frames on the counter and caught the stranger’s eye. Leaning back on his stool, James raised his eyebrows at him and tilted his head. A boyish grin spread across the stranger’s face.
Laughing now, the man made his way back towards his station and readied himself. One, two, three…
The crowd roared. The dart, still quivering, was lodged precisely in the centre of the target.
James turned away from the mayhem and ordered a drink. Coming up from behind him, the dart-savvy stranger slid into the seat next to him.
“Just some water, please.”
“Sure thing, hon,” said the bartender.
James looked to the man beside him and nodded curtly. Eyes twinkling, the boy smiled back.
“I take it you weren’t impressed by my little stunt up there.”
No response.
“My name’s John. John Doe actually. I wish I was kidding.”
James finally afforded him his attention.
“Bond. James Bond. I know the struggle.”
“Our parents really did us wrong, didn’t they?” said John.
James raised his glass.
“Cheers to that.” After both men had taken a sip of their drinks, James continued, “So, you don’t really need those glasses do you?”
“Well, of course I need them,” said John “but it’s not like I’m legally blind without them. I take it you don’t have any lenses for yourself?” he asked
“Yes, I do actually- a different kind though. I carry all my lenses with me, even my scope,” James explained, gently patting the bag hanging across his shoulders.
John’s eyes widened.
“It’s nice to finally meet someone from my own line of work,” said John.
“Really? There’s a ton of us in the city. People here pay a pretty penny for just a couple shots,” James replied dubiously.
“Very true. One time an MLA candidate offered me over two million to take care of, and I quote, ‘an old friend,’” agreed John.
“****, that’s a real friend right there,” said James, shaking his head. “So, are you the type to schedule appointments with your assignments, or do you prefer candids?”
“I’d say candids for sure,” replied John. “It’s easier when people aren’t suspecting it. That way it’s just one and done. The real nightmare comes when you’re asked to shoot multiple people.”
“The worst part of the job!” James sighed, rolling his eyes, “It’s so much quicker to find the perfect angle when you only have to worry about one guy.”
“Exactly! Clients are always so demanding! Don’t even get me started on scheduling families,” exclaimed John, throwing his hands into the air. “Married couples are understable, though. I can see why you would want to do both at the same time- so you can make sure you don’t leave any loose ends.”
James nodded in agreement.
“It’s just a pain, given that some jobs can takes hours to complete,” said James. “The subject either keeps on moving, or you can’t get the right angle. It makes my hair turn grey.”
John sat up straighter, enjoying the conversation.“Hear me out, I have seen my fair share of husbands and wives calling in for me to take care of their spouse,” carried on John. “Honestly, it makes me reconsider having a love life…”
Sniggering, James replied, “The only thing worse is when they get their kids involved. It physically pains me to have to include them when I’m taking my shots.”
“Truthfully, I’ve gotten to the point where if a client asks me to take down a kid, I just hang up. It’s not worth the trouble… or the emotional scars.” John said, eyes darkening.
“I wish I had the ***** to do something like that,” said James, looking at John with admiration, “but I just can’t afford to. I have to pay my rent somehow, you know?”
“Well, I started out pretty young so I think I’ve made a name for myself among the more influential circles. Although, for the public, I try to keep a low profile. But it’s getting harder now that more of my shots are making the headlines,” said John.
“Not bad, kid.” said James. “I got into this whole business while I was still in college as a way to pay for my tuition. Man, you go in there, thinking that all those frat-boys and sorority-girls are just a bunch of alcoholic party-goers, but when they go and hire you… I still have nightmares about the things they made me do,” James whispered, shivering.
“Fascinating!” replied John. “I didn’t know that colleges dabbled in our kind of underground operations.”
“They come with occupational hazards,” said James.
“Most of my assignments nowadays consist of old clients calling in a favour,” shared John. “I’ll end up tracking down some really important people- world leaders and such.”
James whistled appreciatively.
John continued, “It’s especially fun to fire your shot while they’re making a speech. It’s all so dramatic, and the shot almost freezes time for a second.”
“Have you been assigned to any higher-ups recently?” Said James.
“Yes, actually. A shareholder for some big entertainment outlet put me on Stan Lee.”
“You shot Stan Lee! I’ve been a fan of him for years! Do you still have the pictures?”
“Uh, I mean, I don’t really save pictures of the people I shoot… “ said John, scratching his head. “It leaves a paper trail, and I prefer to stay anonymous. Their photos usually end up on the news anyway,” said John
“It’s a shame that he died. At least his legacy lives on,” said James, frowning slightly.
“Well, of course he’s dead. I did shoot him...” John said, furrowing his eyebrows, but James didn’t hear him.
The rest of the night passed by quickly as the two continued to share their stories,and marvel at their uncanny similarities. It was a miracle, truly, that they were able to find another man who understood them so deeply.

SCENE FOUR
THE FOLLOWING DAY...
John crept towards the edge of the rooftop. Across from him, a couple stories below, was the window to Oliver Baxter’s suite. His hands were shaking. You’re just cold he thought to himself, It's nothing more. He slowly unzipped the top of his bag and and pulled out his rifle. After he made sure his weapon was loaded, he reached back into his bag to pull out his scope and brought out-
“A camera lens? Why would I have a camera lens”- the realization struck him- “James. I’m so stupid. He’s not another hitman- he’s a photographer. And he’s got my scope, too.”
His musings were stopped short; Oliver Baxter had just re-entered his room.
“I can’t believe this is happening,” he muttered to himself. “Today of all days…”
John reluctantly returned the camera lens to his bag. He couldn’t waste any more time.
“I guess I’ll have to use the old one.”
Annoyed, he reached into the front pocket of his bag and pulled out a small, scratched contraption. A gun scope! Albeit, a rather unimpressive model. “It’s a good thing I kept my old one as a backup. Who doesn’t love a good case of Chanel versus Walmart?”
Hint: Not John.
Unaware of the hitman outside his window, Mr. Baxter finally ended his call and plopped down onto a nearby armchair. With his looming height, his neck easily rose above the top of the chair. Sighing, he ran a callused hand through his hair and leaned back.
John swiftly finished setting up his stand. Just as he was about to about to fire, a butterfly fluttered towards him and landed on top of the trigger. It’s miniature wings were coloured with vivid reds, sparkling greens, and candy-apple oranges. John shrugged it off.
It was time. John exhaled shakily and closed his eyes. Why was he hesitating? This was not his first assignment. Although, it was his first time being assigned to someone from outside the country. He knew nothing of Oliver Baxter. Unlike his past victims, John had no way to gauge that the man was worthy of his fate. Standing alone on the top of an abandoned warehouse, John desperately wished that he wasn’t making a mistake.
Suddenly, the image of his father lying in a pool of crimson flashed beneath his closed eyelids. His ears rang with the sound of the bullet that tore through his skin. His hands still remembered the weight of his dying body- the wetness of his blood that stained his fingertips.
“You won’t be able to fix me,” his father had whispered to him.
He was right.
Suddenly, another voice, booming and full of static, echoed throughout his mind.
“Don’t miss.”
John opened his eyes and a familiar calmness overtook him. He pressed the trigger.
Not so far away, Oliver Baxter slumped into his chair.
“I never miss.”

SCENE FIVE

By the time our friend James Bond came to pay his own visit to Mr. Baxter, John had already slipped in and cleaned up after himself. Assuredly, he had changed the man into a nondescript red hoodie and tucked him securely into his bed. He even took the liberty of placing Mr. Baxter’s phone on silent. John had a feeling that Mr. Baxter wouldn’t mind. When he was finally satisfied with his handiwork, he took his leave.
Not long after, a huffing and puffing James Bond arrived on the 15th floor. With his patchy red cheeks and sweaty brow, he was truly a sight for sore eyes. He stepped out of the stairwell and muttered a series of curse words underneath his breath. Gritting his teeth, he walked over to the shining elevator doors beside him and gave them a hard kick. The “Out of Order” sign hanging off of it floated to the floor, and James whimpered as he nursed his aching toe.
“I’ll be ******- taking a picture of a monkey would’ve been easier than this.”
He stood in the hallway for a little while longer and gathered his wits. After the pain subsided, he strode over to the C.E.O.’s door and knocked. He immediately positioned himself to capture a candid of Mr. Baxter as he opened the door. No one came. John tried again. No answer. Finally, his patience worn thin. James fished out the keys he had flirtatiously convinced the new receptionist downstairs to lend him and carefully unlocked the hotel door. He stepped inside and surveyed the suite in search of his assignment only to find him underneath the freshly-washed blankets of his bed- sound asleep.
“Well then… Aaron did say it didn’t have to be a good photo.”
Shrugging, James reached into his bag for his camera lens and pulled it out.
“What the hell? This isn’t mine.” James said. He narrowed his eyes and examined the object in his hand. The instrument was long and bulbous with two black clamps attached to the bottom. Although, the clamps did not open wide enough to fit a camera- it almost looked as if they were meant to be attached to some some sort of cylinder. He peered through and in the middle of the lens lay a bright red dot. He supposed he and John must have inadvertently swapped lenses in the bar.
Then, he came to a realization.
“I see what’s going on here!” James proclaimed a little too loudly, “John must use this for long range pictures. Must be some new tech- and pretty expensive too. I’ve never seen anything like it before.”
For a split-second, James was tempted to pocket it, but a twinge of guilt urged him to return it to his bag. Sighing, he put away his camera and pulled out his phone. Aaron would have to make do with some lesser quality resolution.
James knelt down with his makeshift camera poised for the shot. Aaron had made no exaggerations about his cousin. The man was unnaturally pale and smelled strongly of… detergent? Honestly, a corpse would have looked more alive. His jaw was slack and, peculiarly enough, a red hoodie was pulled over his matted hair. A British thing, maybe? At the very least, he had the decency not to snore or drool.
Once satisfied with his pictures, James walked swiftly out the door and locked it behind him. By the time he had completed the tiresome journey back to the first floor, he had saved the photographs onto his USB drive. The only thing he had left to do was send them to Aaron.

SCENE SIX

When John entered the bar again, his eyes immediately fell on his companion from last night- the cynical James Bond. Given his current state, perhaps it would be wiser to keep his distance. Then again, when had he ever made the smart decision?
John greeted James as he collapsed into the stool next to him.
“Heard the news?” slurred James, “Oliver Baxter, up-and-coming C.E.O. of some big London company was found dead a couple hours ago.”
John’s heart skipped a beat. He responded carefully.
“No, this is news to me. I guess I was a little too busy today at work… You know, shooting my shots. In my photography studio. With my camera. That I use for photography, “ replied John.
James looked at him strangely.
John continued, “Poor guy. Never heard of him before, though. Oliver Brown, was it?”
“Baxter, not Brown,” James corrected him.
“Of course. Baxter. Sorry, I’m bad with names,” said John. He stole a glance at his friend, hoping he wasn’t seeing through him. Fortunately for him, James was too busy staring glumly into the frothy contents of his beer mug. “I’m sorry. Did he mean anything to you?”
“He was my assignment,” replied James. “When I came into his room for his shoot, he was asleep. My client, his cousin, said that he didn’t need to look good for the picture, so I snapped a couple shots of him like that and left. Turns out he wasn’t sleeping. Just dead.”
John’s throat tightened. Out of all the pessimistic photographers in the city, he just had to befriend the one who’s assignment he killed, didn’t he?
“It’s not your fault. No one would have expected him to be dead,” said John.
He had made sure of it.
Chuckling mirthlessly, James replied, “People always see the truth. One way or another, they see people for who they truly are, and see themselves for who they’ve become. They’re only either too scared to admit it, or they cover their eyes. What’s funny is that in our line of work it almost becomes the opposite. You don’t see anybody as either ordinary or extraordinary. You see them simply as people in front of your lens. Then one day, they stop being people at all.”
John’s stomach dropped. His friend did not give himself enough credit; James was not a horrible man. At least, he was not as awful as the man sitting beside him.
“Well, as photographers,” said John, “We also know that the truth can be ugly. And when you capture it with the perfect shot- when you shoot the right person, at the right time, in the right place- it comes back to haunt you.”
James lifted his eyes from the table and met his. Raising his half-empty glass to him, he whispered, “To the shots that haunt us.”
“To the shots that haunt us,” John repeated.

*
Not long after their grim declaration, John decided to return home. By that time, only streetlights continued to shine. His glasses could do little to aid his vision, but he still managed to make out the overstuffed mailbox in front of his house. With a roll of his eyes, he walked over to it, pushed the “No Flyers or Junk Mail” sign aside, and collected their ever-punctual delivery of coupons.
He swiftly unlocked the front door and closed it behind him. Just as he was about to reach for the remote and commence some much-needed binge-therapy, he realized that his mother was already seated on the sofa.
“Hey, mom,” he said as he walked over to her and kissed her forehead.
“You’ve come home late tonight, Johnny,” she said. “I’ve been spending the past few hours rifling through these albums.”
Surely enough, stacked up on the coffee table in front of them was a collection of his family’s photo albums. It was at that moment when the realization struck him.
“It’s been twelve years,” he whispered.
How could he have forgotten what day it was?
“Every day after your dad died feels like a lifetime.”
“Every day after I killed-”
His mother cut him off, “Don’t you finish that sentence.”
John cast his eyes downward and pursed his lips. Her eyes softened and she lifted the album off of her lap and placed it onto the table.
“Johnny, look at me,” she said. “What happened to your father was an accident- it was not your fault.”
John interrupted “I pulled that trigger. Me. I took him away from you.”
His mom sighed “Okay. You did. For years, after that day, I felt like someone had torn off my wings and left me to drown. I felt like I would never be able to fly again, like I would never be happy again. But raising you, watching you grow up, gave me hope. You have so much potential and a long life left to live, but your guilt keeps you trapped inside the past. I have already forgiven you, and I know he has too,” she paused, “It’s time that you forgive yourself.”
“What if I can’t?”
“You need to. You owe it to your father to be the man he wanted you to be. You’ll never be able to do that if you keep on punishing yourself.”
John did not know how to reply. James was right. He knew his mother was speaking the truth but all he wanted to do was cover his ears and shut his eyes. He had spent everyday for the past twelve years training and refining his accuracy- proving to the world that he would never miss another shot. All of this, just to make up for the one shot that took his father's life. Worse yet, he defiled himself; he painted his hands in crimson with the lives of his victims in an effort to conceal the blood he shed twelve years ago. But who was he to decide who would live or die? He was no god. He never was and never would be. He had only ever been a boy: honest, clumsy, and- dare he say it- faultless. Now, however, he was a man. A man who used other people’s lives to indulge in years of self-pity. This sin, he deserved to pay for.
In that moment, Johnny Doe finally broke free of his cocoon and unfurled his wings. For twelve years he had remained in that shell, unready to see the light that lay beyond. But now, he wanted to taste freedom- no matter what the cost may be.

SCENE SEVEN

“In an unexpected turn of events for the ****** case of Oliver Baxter, the city’s most elusive hitman has turned himself in and pleaded guilty,” said the voice from the bar’s flat screen TV.
A well-past-sober James lifted his head from the bar counter and turned up the volume.
“A complete genius, that one is,” he muttered to himself.
“The young man of 24 has identified himself as John Edwards Doe,” she continued.
James froze. He slowly turned his head towards the screen, frightened about what he might see. Plastered on the screen, with his unmistakable tortoise shell glasses and shock of red hair, was a mugshot of the man that sat beside him mere hours ago.
“Thanks to the city much-relieved police force, I can say with confidence that John Doe has finally taken his last shot,” she said.
The newscaster began to elaborate on the details of the trial but James was no longer listening. He rubbed his eyes and looked again at the screen. After a long moment of disbelief, he called out to the bartender.
“I think I need another shot.”
Prologue
A raw, unfiltered scream filled the air. The boy dropped the gun and rushed towards the body lying beside the wooden stand. The man before him was clutching his stomach- his t-shirt soaked with blood. His eyes began to well up with tears as he cradled his father in his arms. Groaning softly, the man used his free arm to touch the boy’s cheek.
“Shhhh. It’s okay. I know it was an accident,” the man said.
“I’m sorry. I didn’t mean to. We’ll get you to a hospital,” the boy choked out. “The doctors will fix you. I promise.”
The boy was trembling with a sob caught in his throat, and his head buried in his father’s chest.
“Hey, you’re gonna be okay, son. Look at me-”
He coughed suddenly and a stream of blood began to spill from his mouth,
“I forgive you. But listen to me, you won’t be able to fix me. Just know that I will always be proud of you and the great man that you will one day become.”
With that final assurance, his hands finally fell limp.
You must understand: when a child opens his eyes for the first time, he is like a caterpillar. As the years go by, his growth is measured by the number of skins he sheds as he outgrows another version of himself. And for each one that he discards, there will be another, buried deep inside of him, that will be drawn closer towards reality. Then one day, he will collapse into himself.
For this freshly-bereaved little boy, it is time to seek refuge and rebuild. For many years he will be consumed with the thought that he is not ready to be a man. He will refuse to leave his chrysalis. Eventually, he will forget about the world that lies beyond its walls until the day finally comes where he will have to make a choice: remain a boy or become the man his father wanted him to be.

SCENE ONE
MANY YEARS LATER…
A medley of voices sounded in the air as hundreds of city-dwellers navigated their way around the rush hour traffic. Horns blared all around them, and the skies were grey and dripped with moisture.
Jaywalking across Oak and fifth with a cold cappuccino in hand, was a frazzled young man named John. His freckled face was lined with worry as he stole another glance at his wristwatch and quickened his pace. On days like this, John really hated having a day-job.
A welcome distraction presented itself as the sudden playing of ‘I Want It that Way’ by Backstreet Boys. The woman beside him raised her eyebrows and glanced at his front pocket. Smiling sheepishly, he pulled out his phone. After pushing up his glasses and bringing it within nanometres of his face, he finally made out the Caller ID. Eyes widening, he hastily answered the call.
“Hello, this is John speaking.”
“I expect that you are ready for tomorrow,” said the voice on the line.
“Of course. The scope I ordered arrived last night,” replied John.
John bit his lip and ran a hand through his messy red hair.
“Yet your last assignment left two of my men in prison” continued the voice. “Do not mistake me, if Oliver Baxter’s heart is still beating by the end of tomorrow, you will suffer the same fate as your father.”  John moved the phone away from his ear- fearful of going deaf.
“Whatever is left of your future relies on this mission. Don’t miss.”
Static took over the line. Then, silence.
John squeezed his eyes shut and became aware of the metallic taste in his mouth. His lip was bleeding. He rummaged through his bag and searched for pack of tissues. In his carelessness, his elbow banged up against his rifle. Quickly extracting the pack, he shoved the weapon further down the bag. He heaved a heavy sigh and nursed his elbow in his hand.
“Stop doubting yourself, John. He’s just another corrupt C.E.O.- he has it coming,” he muttered to himself. “Just get it done, Johnny, get it done.”

SCENE TWO

Just a block away from John, waiting impatiently at the corner of Oak and Robson, was a scowling dark-haired man with a 5 O’Clock morning shadow. The sleeves of his button-down were scrunched up to his elbows and his tie hung loosely around his neck.
Noticing the rain beginning to intensify, the man stuffed the rest of his croissant into his mouth in an attempt to salvage its flaky goodness. No such luck. With a guttural sigh, he tossed his napkin into a nearby trash bin and grumbled to himself about the disgrace that is cold, store-bought pastries.
Thankfully for him, his phone rang and interrupted his reverie of self-pity.
“Who’s calling?” He answered gruffly.
“James. Always the charmer,” drawled the voice from the other line. “Now, that's no way to greet an old friend.”
“Well, I didn’t get an answer for my question now did I?” James said through gritted teeth
Over the line, he could hear his caller clicking his tongue disapprovingly.
“It’s Aaron, my good man. Have you really forgotten?”
Oh yes, Aaron Benson. The pretentious Englishman he shared an apartment with in his college days- the one with a relentless infatuation with Kate Middleton.
“Of course. Aaron. I could never.”
He could only wish he had.
“I hear you’ve made a name for yourself as a photographer?” he questioned.
“What’s it to you?” James said.
“I have a job for you. My cousin is on a business trip to your side of the Atlantic over the weekend. Oliver Baxter, the CEO for some big menswear company in London. Top thirty under thirty kind of bloke. I can’t stand him, but he’s family. Anyway, his birthday’s coming up and my family wants you to have a photoshoot with him.” said Aaron
James sighed. “So you want me to take a couple headshots of pretty boy for his Forbes cover page?”
“No, no. Take my word, he is as unphotogenic as a dung beetle. I say that with love. Partially,” Aaron snickered. “Just take a couple pictures- he doesn’t need to look good. We just want something to add to the slideshow for a couple of laughs.”
“Alright, I’ll do it. Send me his specifics by the end of the day, and I’ll tell you where you should wire the payment.” said James
“I’m grateful. Aside from that, I just wanted to ask you again about that suit I left at our apartment when I flew back to London. Were you able to find-”
James hung up.
He was definitely not getting that suit back.
James didn’t feel too guilty. After all, he thought to himself, the guy has enough money to buy it three times over. If not, he could take a loan from Mr. Thirty under thirty.

SCENE THREE

Later that day, a bleary-eyed and yawning James stepped into a bar. Groaning softly, he massaged the crook of his neck- blistering red patches lined the areas where his camera strap had rested on mere minutes ago.  
The ever-familiar scent of liquor and sweat hung in the air. Suddenly, a cheer erupted from the back corner of the room. As his eyes finally adjusted to the dimly-lit space, he spotted a lanky, red-headed figure by the dart station. A stadium of intoxicated onlookers was chanting his name.
James’ fingers twitched to reach for his camera but he quickly quelled it. The lighting was not in his favour. He strode over towards an empty stool by the bar. Unsurprisingly, his eyes were still fixed on the strange fellow pushing up his tortoiseshell glasses and setting up his stance for another shot at the target.
Bullseye.
The crowd bellowed appreciatively.
Standing up from his table on the other side of the bar, a man called out to the stranger, “Hey kid! Bet you wouldn’t be so tough without those glasses!”
James scoffed. The guy had half of his shirt unbuttoned and a half-emptied beer mug in hand. Regardless, all eyes turned towards the ginger superstar.
The guy scratched the back of his neck and let out a nervous chuckle. Then, with a final shake of his head, he removed his lenses.
“How much?”
Drunken hollering ensued, as well as some severely off-target slaps on the back. James watched as he carefully placed his frames on the counter and caught the stranger’s eye. Leaning back on his stool, James raised his eyebrows at him and tilted his head. A boyish grin spread across the stranger’s face.
Laughing now, the man made his way back towards his station and readied himself. One, two, three…
The crowd roared. The dart, still quivering, was lodged precisely in the centre of the target.
James turned away from the mayhem and ordered a drink. Coming up from behind him, the dart-savvy stranger slid into the seat next to him.
“Just some water, please.”
“Sure thing, hon,” said the bartender.
James looked to the man beside him and nodded curtly. Eyes twinkling, the boy smiled back.
“I take it you weren’t impressed by my little stunt up there.”
No response.
“My name’s John. John Doe actually. I wish I was kidding.”
James finally afforded him his attention.
“Bond. James Bond. I know the struggle.”
“Our parents really did us wrong, didn’t they?” said John.
James raised his glass.
“Cheers to that.” After both men had taken a sip of their drinks, James continued, “So, you don’t really need those glasses do you?”
“Well, of course I need them,” said John “but it’s not like I’m legally blind without them. I take it you don’t have any lenses for yourself?” he asked
“Yes, I do actually- a different kind though. I carry all my lenses with me, even my scope,” James explained, gently patting the bag hanging across his shoulders.
John’s eyes widened.
“It’s nice to finally meet someone from my own line of work,” said John.
“Really? There’s a ton of us in the city. People here pay a pretty penny for just a couple shots,” James replied dubiously.
“Very true. One time an MLA candidate offered me over two million to take care of, and I quote, ‘an old friend,’” agreed John.
“****, that’s a real friend right there,” said James, shaking his head. “So, are you the type to schedule appointments with your assignments, or do you prefer candids?”
“I’d say candids for sure,” replied John. “It’s easier when people aren’t suspecting it. That way it’s just one and done. The real nightmare comes when you’re asked to shoot multiple people.”
“The worst part of the job!” James sighed, rolling his eyes, “It’s so much quicker to find the perfect angle when you only have to worry about one guy.”
“Exactly! Clients are always so demanding! Don’t even get me started on scheduling families,” exclaimed John, throwing his hands into the air. “Married couples are understable, though. I can see why you would want to do both at the same time- so you can make sure you don’t leave any loose ends.”
James nodded in agreement.
“It’s just a pain, given that some jobs can takes hours to complete,” said James. “The subject either keeps on moving, or you can’t get the right angle. It makes my hair turn grey.”
John sat up straighter, enjoying the conversation.“Hear me out, I have seen my fair share of husbands and wives calling in for me to take care of their spouse,” carried on John. “Honestly, it makes me reconsider having a love life…”
Sniggering, James replied, “The only thing worse is when they get their kids involved. It physically pains me to have to include them when I’m taking my shots.”
“Truthfully, I’ve gotten to the point where if a client asks me to take down a kid, I just hang up. It’s not worth the trouble… or the emotional scars.” John said, eyes darkening.
“I wish I had the ***** to do something like that,” said James, looking at John with admiration, “but I just can’t afford to. I have to pay my rent somehow, you know?”
“Well, I started out pretty young so I think I’ve made a name for myself among the more influential circles. Although, for the public, I try to keep a low profile. But it’s getting harder now that more of my shots are making the headlines,” said John.
“Not bad, kid.” said James. “I got into this whole business while I was still in college as a way to pay for my tuition. Man, you go in there, thinking that all those frat-boys and sorority-girls are just a bunch of alcoholic party-goers, but when they go and hire you… I still have nightmares about the things they made me do,” James whispered, shivering.
“Fascinating!” replied John. “I didn’t know that colleges dabbled in our kind of underground operations.”
“They come with occupational hazards,” said James.
“Most of my assignments nowadays consist of old clients calling in a favour,” shared John. “I’ll end up tracking down some really important people- world leaders and such.”
James whistled appreciatively.
John continued, “It’s especially fun to fire your shot while they’re making a speech. It’s all so dramatic, and the shot almost freezes time for a second.”
“Have you been assigned to any higher-ups recently?” Said James.
“Yes, actually. A shareholder for some big entertainment outlet put me on Stan Lee.”
“You shot Stan Lee! I’ve been a fan of him for years! Do you still have the pictures?”
“Uh, I mean, I don’t really save pictures of the people I shoot… “ said John, scratching his head. “It leaves a paper trail, and I prefer to stay anonymous. Their photos usually end up on the news anyway,” said John
“It’s a shame that he died. At least his legacy lives on,” said James, frowning slightly.
“Well, of course he’s dead. I did shoot him...” John said, furrowing his eyebrows, but James didn’t hear him.
The rest of the night passed by quickly as the two continued to share their stories,and marvel at their uncanny similarities. It was a miracle, truly, that they were able to find another man who understood them so deeply.

SCENE FOUR
THE FOLLOWING DAY...
John crept towards the edge of the rooftop. Across from him, a couple stories below, was the window to Oliver Baxter’s suite. His hands were shaking. You’re just cold he thought to himself, It's nothing more. He slowly unzipped the top of his bag and and pulled out his rifle. After he made sure his weapon was loaded, he reached back into his bag to pull out his scope and brought out-
“A camera lens? Why would I have a camera lens”- the realization struck him- “James. I’m so stupid. He’s not another hitman- he’s a photographer. And he’s got my scope, too.”
His musings were stopped short; Oliver Baxter had just re-entered his room.
“I can’t believe this is happening,” he muttered to himself. “Today of all days…”
John reluctantly returned the camera lens to his bag. He couldn’t waste any more time.
“I guess I’ll have to use the old one.”
Annoyed, he reached into the front pocket of his bag and pulled out a small, scratched contraption. A gun scope! Albeit, a rather unimpressive model. “It’s a good thing I kept my old one as a backup. Who doesn’t love a good case of Chanel versus Walmart?”
Hint: Not John.
Unaware of the hitman outside his window, Mr. Baxter finally ended his call and plopped down onto a nearby armchair. With his looming height, his neck easily rose above the top of the chair. Sighing, he ran a callused hand through his hair and leaned back.
John swiftly finished setting up his stand. Just as he was about to about to fire, a butterfly fluttered towards him and landed on top of the trigger. It’s miniature wings were coloured with vivid reds, sparkling greens, and candy-apple oranges. John shrugged it off.
It was time. John exhaled shakily and closed his eyes. Why was he hesitating? This was not his first assignment. Although, it was his first time being assigned to someone from outside the country. He knew nothing of Oliver Baxter. Unlike his past victims, John had no way to gauge that the man was worthy of his fate. Standing alone on the top of an abandoned warehouse, John desperately wished that he wasn’t making a mistake.
Suddenly, the image of his father lying in a pool of crimson flashed beneath his closed eyelids. His ears rang with the sound of the bullet that tore through his skin. His hands still remembered the weight of his dying body- the wetness of his blood that stained his fingertips.
“You won’t be able to fix me,” his father had whispered to him.
He was right.
Suddenly, another voice, booming and full of static, echoed throughout his mind.
“Don’t miss.”
John opened his eyes and a familiar calmness overtook him. He pressed the trigger.
Not so far away, Oliver Baxter slumped into his chair.
“I never miss.”

SCENE FIVE

By the time our friend James Bond came to pay his own visit to Mr. Baxter, John had already slipped in and cleaned up after himself. Assuredly, he had changed the man into a nondescript red hoodie and tucked him securely into his bed. He even took the liberty of placing Mr. Baxter’s phone on silent. John had a feeling that Mr. Baxter wouldn’t mind. When he was finally satisfied with his handiwork, he took his leave.
Not long after, a huffing and puffing James Bond arrived on the 15th floor. With his patchy red cheeks and sweaty brow, he was truly a sight for sore eyes. He stepped out of the stairwell and muttered a series of curse words underneath his breath. Gritting his teeth, he walked over to the shining elevator doors beside him and gave them a hard kick. The “Out of Order” sign hanging off of it floated to the floor, and James whimpered as he nursed his aching toe.
“I’ll be ******- taking a picture of a monkey would’ve been easier than this.”
He stood in the hallway for a little while longer and gathered his wits. After the pain subsided, he strode over to the C.E.O.’s door and knocked. He immediately positioned himself to capture a candid of Mr. Baxter as he opened the door. No one came. John tried again. No answer. Finally, his patience worn thin. James fished out the keys he had flirtatiously convinced the new receptionist downstairs to lend him and carefully unlocked the hotel door. He stepped inside and surveyed the suite in search of his assignment only to find him underneath the freshly-washed blankets of his bed- sound asleep.
“Well then… Aaron did say it didn’t have to be a good photo.”
Shrugging, James reached into his bag for his camera lens and pulled it out.
“What the hell? This isn’t mine.” James said. He narrowed his eyes and examined the object in his hand. The instrument was long and bulbous with two black clamps attached to the bottom. Although, the clamps did not open wide enough to fit a camera- it almost looked as if they were meant to be attached to some some sort of cylinder. He peered through and in the middle of the lens lay a bright red dot. He supposed he and John must have inadvertently swapped lenses in the bar.
Then, he came to a realization.
“I see what’s going on here!” James proclaimed a little too loudly, “John must use this for long range pictures. Must be some new tech- and pretty expensive too. I’ve never seen anything like it before.”
For a split-second, James was tempted to pocket it, but a twinge of guilt urged him to return it to his bag. Sighing, he put away his camera and pulled out his phone. Aaron would have to make do with some lesser quality resolution.
James knelt down with his makeshift camera poised for the shot. Aaron had made no exaggerations about his cousin. The man was unnaturally pale and smelled strongly of… detergent? Honestly, a corpse would have looked more alive. His jaw was slack and, peculiarly enough, a red hoodie was pulled over his matted hair. A British thing, maybe? At the very least, he had the decency not to snore or drool.
Once satisfied with his pictures, James walked swiftly out the door and locked it behind him. By the time he had completed the tiresome journey back to the first floor, he had saved the photographs onto his USB drive. The only thing he had left to do was send them to Aaron.

SCENE SIX

When John entered the bar again, his eyes immediately fell on his companion from last night- the cynical James Bond. Given his current state, perhaps it would be wiser to keep his distance. Then again, when had he ever made the smart decision?
John greeted James as he collapsed into the stool next to him.
“Heard the news?” slurred James, “Oliver Baxter, up-and-coming C.E.O. of some big London company was found dead a couple hours ago.”
John’s heart skipped a beat. He responded carefully.
“No, this is news to me. I guess I was a little too busy today at work… You know, shooting my shots. In my photography studio. With my camera. That I use for photography, “ replied John.
James looked at him strangely.
John continued, “Poor guy. Never heard of him before, though. Oliver Brown, was it?”
“Baxter, not Brown,” James corrected him.
“Of course. Baxter. Sorry, I’m bad with names,” said John. He stole a glance at his friend, hoping he wasn’t seeing through him. Fortunately for him, James was too busy staring glumly into the frothy contents of his beer mug. “I’m sorry. Did he mean anything to you?”
“He was my assignment,” replied James. “When I came into his room for his shoot, he was asleep. My client, his cousin, said that he didn’t need to look good for the picture, so I snapped a couple shots of him like that and left. Turns out he wasn’t sleeping. Just dead.”
John’s throat tightened. Out of all the pessimistic photographers in the city, he just had to befriend the one who’s assignment he killed, didn’t he?
“It’s not your fault. No one would have expected him to be dead,” said John.
He had made sure of it.
Chuckling mirthlessly, James replied, “People always see the truth. One way or another, they see people for who they truly are, and see themselves for who they’ve become. They’re only either too scared to admit it, or they cover their eyes. What’s funny is that in our line of work it almost becomes the opposite. You don’t see anybody as either ordinary or extraordinary. You see them simply as people in front of your lens. Then one day, they stop being people at all.”
John’s stomach dropped. His friend did not give himself enough credit; James was not a horrible man. At least, he was not as awful as the man sitting beside him.
“Well, as photographers,” said John, “We also know that the truth can be ugly. And when you capture it with the perfect shot- when you shoot the right person, at the right time, in the right place- it comes back to haunt you.”
James lifted his eyes from the table and met his. Raising his half-empty glass to him, he whispered, “To the shots that haunt us.”
“To the shots that haunt us,” John repeated.

*
Not long after their grim declaration, John decided to return home. By that time, only streetlights continued to shine. His glasses could do little to aid his vision, but he still managed to make out the overstuffed mailbox in front of his house. With a roll of his eyes, he walked over to it, pushed the “No Flyers or Junk Mail” sign aside, and collected their ever-punctual delivery of coupons.
He swiftly unlocked the front door and closed it behind him. Just as he was about to reach for the remote and commence some much-needed binge-therapy, he realized that his mother was already seated on the sofa.
“Hey, mom,” he said as he walked over to her and kissed her forehead.
“You’ve come home late tonight, Johnny,” she said. “I’ve been spending the past few hours rifling through these albums.”
Surely enough, stacked up on the coffee table in front of them was a collection of his family’s photo albums. It was at that moment when the realization struck him.
“It’s been twelve years,” he whispered.
How could he have forgotten what day it was?
“Every day after your dad died feels like a lifetime.”
“Every day after I killed-”
His mother cut him off, “Don’t you finish that sentence.”
John cast his eyes downward and pursed his lips. Her eyes softened and she lifted the album off of her lap and placed it onto the table.
“Johnny, look at me,” she said. “What happened to your father was an accident- it was not your fault.”
John interrupted “I pulled that trigger. Me. I took him away from you.”
His mom sighed “Okay. You did. For years, after that day, I felt like someone had torn off my wings and left me to drown. I felt like I would never be able to fly again, like I would never be happy again. But raising you, watching you grow up, gave me hope. You have so much potential and a long life left to live, but your guilt keeps you trapped inside the past. I have already forgiven you, and I know he has too,” she paused, “It’s time that you forgive yourself.”
“What if I can’t?”
“You need to. You owe it to your father to be the man he wanted you to be. You’ll never be able to do that if you keep on punishing yourself.”
John did not know how to reply. James was right. He knew his mother was speaking the truth but all he wanted to do was cover his ears and shut his eyes. He had spent everyday for the past twelve years training and refining his accuracy- proving to the world that he would never miss another shot. All of this, just to make up for the one shot that took his father's life. Worse yet, he defiled himself; he painted his hands in crimson with the lives of his victims in an effort to conceal the blood he shed twelve years ago. But who was he to decide who would live or die? He was no god. He never was and never would be. He had only ever been a boy: honest, clumsy, and- dare he say it- faultless. Now, however, he was a man. A man who used other people’s lives to indulge in years of self-pity. This sin, he deserved to pay for.
In that moment, Johnny Doe finally broke free of his cocoon and unfurled his wings. For twelve years he had remained in that shell, unready to see the light that lay beyond. But now, he wanted to taste freedom- no matter what the cost may be.

SCENE SEVEN

“In an unexpected turn of events for the ****** case of Oliver Baxter, the city’s most elusive hitman has turned himself in and pleaded guilty,” said the voice from the bar’s flat screen TV.
A well-past-sober James lifted his head from the bar counter and turned up the volume.
“A complete genius, that one is,” he muttered to himself.
“The young man of 24 has identified himself as John Edwards Doe,” she continued.
James froze. He slowly turned his head towards the screen, frightened about what he might see. Plastered on the screen, with his unmistakable tortoise shell glasses and shock of red hair, was a mugshot of the man that sat beside him mere hours ago.
“Thanks to the city much-relieved police force, I can say with confidence that John Doe has finally taken his last shot,” she said.
The newscaster began to elaborate on the details of the trial but James was no longer listening. He rubbed his eyes and looked again at the screen. After a long moment of disbelief, he called out to the bartender.
“I think I need another shot.”
Prologue
A raw, unfiltered scream filled the air. The boy dropped the gun and rushed towards the body lying beside the wooden stand. The man before him was clutching his stomach- his t-shirt soaked with blood. His eyes began to well up with tears as he cradled his father in his arms. Groaning softly, the man used his free arm to touch the boy’s cheek.
“Shhhh. It’s okay. I know it was an accident,” the man said.
“I’m sorry. I didn’t mean to. We’ll get you to a hospital,” the boy choked out. “The doctors will fix you. I promise.”
The boy was trembling with a sob caught in his throat, and his head buried in his father’s chest.
“Hey, you’re gonna be okay, son. Look at me-”
He coughed suddenly and a stream of blood began to spill from his mouth,
“I forgive you. But listen to me, you won’t be able to fix me. Just know that I will always be proud of you and the great man that you will one day become.”
With that final assurance, his hands finally fell limp.
You must understand: when a child opens his eyes for the first time, he is like a caterpillar. As the years go by, his growth is measured by the number of skins he sheds as he outgrows another version of himself. And for each one that he discards, there will be another, buried deep inside of him, that will be drawn closer towards reality. Then one day, he will collapse into himself.
For this freshly-bereaved little boy, it is time to seek refuge and rebuild. For many years he will be consumed with the thought that he is not ready to be a man. He will refuse to leave his chrysalis. Eventually, he will forget about the world that lies beyond its walls until the day finally comes where he will have to make a choice: remain a boy or become the man his father wanted him to be.

SCENE ONE
MANY YEARS LATER…
A medley of voices sounded in the air as hundreds of city-dwellers navigated their way around the rush hour traffic. Horns blared all around them, and the skies were grey and dripped with moisture.
Jaywalking across Oak and fifth with a cold cappuccino in hand, was a frazzled young man named John. His freckled face was lined with worry as he stole another glance at his wristwatch and quickened his pace. On days like this, John really hated having a day-job.
A welcome distraction presented itself as the sudden playing of ‘I Want It that Way’ by Backstreet Boys. The woman beside him raised her eyebrows and glanced at his front pocket. Smiling sheepishly, he pulled out his phone. After pushing up his glasses and bringing it within nanometres of his face, he finally made out the Caller ID. Eyes widening, he hastily answered the call.
“Hello, this is John speaking.”
“I expect that you are ready for tomorrow,” said the voice on the line.
“Of course. The scope I ordered arrived last night,” replied John.
John bit his lip and ran a hand through his messy red hair.
“Yet your last assignment left two of my men in prison” continued the voice. “Do not mistake me, if Oliver Baxter’s heart is still beating by the end of tomorrow, you will suffer the same fate as your father.”  John moved the phone away from his ear- fearful of going deaf.
“Whatever is left of your future relies on this mission. Don’t miss.”
Static took over the line. Then, silence.
John squeezed his eyes shut and became aware of the metallic taste in his mouth. His lip was bleeding. He rummaged through his bag and searched for pack of tissues. In his carelessness, his elbow banged up against his rifle. Quickly extracting the pack, he shoved the weapon further down the bag. He heaved a heavy sigh and nursed his elbow in his hand.
“Stop doubting yourself, John. He’s just another corrupt C.E.O.- he has it coming,” he muttered to himself. “Just get it done, Johnny, get it done.”

SCENE TWO

Just a block away from John, waiting impatiently at the corner of Oak and Robson, was a scowling dark-haired man with a 5 O’Clock morning shadow. The sleeves of his button-down were scrunched up to his elbows and his tie hung loosely around his neck.
Noticing the rain beginning to intensify, the man stuffed the rest of his croissant into his mouth in an attempt to salvage its flaky goodness. No such luck. With a guttural sigh, he tossed his napkin into a nearby trash bin and grumbled to himself about the disgrace that is cold, store-bought pastries.
Thankfully for him, his phone rang and interrupted his reverie of self-pity.
“Who’s calling?” He answered gruffly.
“James. Always the charmer,” drawled the voice from the other line. “Now, that's no way to greet an old friend.”
“Well, I didn’t get an answer for my question now did I?” James said through gritted teeth
Over the line, he could hear his caller clicking his tongue disapprovingly.
“It’s Aaron, my good man. Have you really forgotten?”
Oh yes, Aaron Benson. The pretentious Englishman he shared an apartment with in his college days- the one with a relentless infatuation with Kate Middleton.
“Of course. Aaron. I could never.”
He could only wish he had.
“I hear you’ve made a name for yourself as a photographer?” he questioned.
“What’s it to you?” James said.
“I have a job for you. My cousin is on a business trip to your side of the Atlantic over the weekend. Oliver Baxter, the CEO for some big menswear company in London. Top thirty under thirty kind of bloke. I can’t stand him, but he’s family. Anyway, his birthday’s coming up and my family wants you to have a photoshoot with him.” said Aaron
James sighed. “So you want me to take a couple headshots of pretty boy for his Forbes cover page?”
“No, no. Take my word, he is as unphotogenic as a dung beetle. I say that with love. Partially,” Aaron snickered. “Just take a couple pictures- he doesn’t need to look good. We just want something to add to the slideshow for a couple of laughs.”
“Alright, I’ll do it. Send me his specifics by the end of the day, and I’ll tell you where you should wire the payment.” said James
“I’m grateful. Aside from that, I just wanted to ask you again about that suit I left at our apartment when I flew back to London. Were you able to find-”
James hung up.
He was definitely not getting that suit back.
James didn’t feel too guilty. After all, he thought to himself, the guy has enough money to buy it three times over. If not, he could take a loan from Mr. Thirty under thirty.

SCENE THREE

Later that day, a bleary-eyed and yawning James stepped into a bar. Groaning softly, he massaged the crook of his neck- blistering red patches lined the areas where his camera strap had rested on mere minutes ago.  
The ever-familiar scent of liquor and sweat hung in the air. Suddenly, a cheer erupted from the back corner of the room. As his eyes finally adjusted to the dimly-lit space, he spotted a lanky, red-headed figure by the dart station. A stadium of intoxicated onlookers was chanting his name.
James’ fingers twitched to reach for his camera but he quickly quelled it. The lighting was not in his favour. He strode over towards an empty stool by the bar. Unsurprisingly, his eyes were still fixed on the strange fellow pushing up his tortoiseshell glasses and setting up his stance for another shot at the target.
Bullseye.
The crowd bellowed appreciatively.
Standing up from his table on the other side of the bar, a man called out to the stranger, “Hey kid! Bet you wouldn’t be so tough without those glasses!”
James scoffed. The guy had half of his shirt unbuttoned and a half-emptied beer mug in hand. Regardless, all eyes turned towards the ginger superstar.
The guy scratched the back of his neck and let out a nervous chuckle. Then, with a final shake of his head, he removed his lenses.
“How much?”
Drunken hollering ensued, as well as some severely off-target slaps on the back. James watched as he carefully placed his frames on the counter and caught the stranger’s eye. Leaning back on his stool, James raised his eyebrows at him and tilted his head. A boyish grin spread across the stranger’s face.
Laughing now, the man made his way back towards his station and readied himself. One, two, three…
The crowd roared. The dart, still quivering, was lodged precisely in the centre of the target.
James turned away from the mayhem and ordered a drink. Coming up from behind him, the dart-savvy stranger slid into the seat next to him.
“Just some water, please.”
“Sure thing, hon,” said the bartender.
James looked to the man beside him and nodded curtly. Eyes twinkling, the boy smiled back.
“I take it you weren’t impressed by my little stunt up there.”
No response.
“My name’s John. John Doe actually. I wish I was kidding.”
James finally afforded him his attention.
“Bond. James Bond. I know the struggle.”
“Our parents really did us wrong, didn’t they?” said John.
James raised his glass.
“Cheers to that.” After both men had taken a sip of their drinks, James continued, “So, you don’t really need those glasses do you?”
“Well, of course I need them,” said John “but it’s not like I’m legally blind without them. I take it you don’t have any lenses for yourself?” he asked
“Yes, I do actually- a different kind though. I carry all my lenses with me, even my scope,” James explained, gently patting the bag hanging across his shoulders.
John’s eyes widened.
“It’s nice to finally meet someone from my own line of work,” said John.
“Really? There’s a ton of us in the city. People here pay a pretty penny for just a couple shots,” James replied dubiously.
“Very true. One time an MLA candidate offered me over two million to take care of, and I quote, ‘an old friend,’” agreed John.
“****, that’s a real friend right there,” said James, shaking his head. “So, are you the type to schedule appointments with your assignments, or do you prefer candids?”
“I’d say candids for sure,” replied John. “It’s easier when people aren’t suspecting it. That way it’s just one and done. The real nightmare comes when you’re asked to shoot multiple people.”
“The worst part of the job!” James sighed, rolling his eyes, “It’s so much quicker to find the perfect angle when you only have to worry about one guy.”
“Exactly! Clients are always so demanding! Don’t even get me started on scheduling families,” exclaimed John, throwing his hands into the air. “Married couples are understable, though. I can see why you would want to do both at the same time- so you can make sure you don’t leave any loose ends.”
James nodded in agreement.
“It’s just a pain, given that some jobs can takes hours to complete,” said James. “The subject either keeps on moving, or you can’t get the right angle. It makes my hair turn grey.”
John sat up straighter, enjoying the conversation.“Hear me out, I have seen my fair share of husbands and wives calling in for me to take care of their spouse,” carried on John. “Honestly, it makes me reconsider having a love life…”
Sniggering, James replied, “The only thing worse is when they get their kids involved. It physically pains me to have to include them when I’m taking my shots.”
“Truthfully, I’ve gotten to the point where if a client asks me to take down a kid, I just hang up. It’s not worth the trouble… or the emotional scars.” John said, eyes darkening.
“I wish I had the ***** to do something like that,” said James, looking at John with admiration, “but I just can’t afford to. I have to pay my rent somehow, you know?”
“Well, I started out pretty young so I think I’ve made a name for myself among the more influential circles. Although, for the public, I try to keep a low profile. But it’s getting harder now that more of my shots are making the headlines,” said John.
“Not bad, kid.” said James. “I got into this whole business while I was still in college as a way to pay for my tuition. Man, you go in there, thinking that all those frat-boys and sorority-girls are just a bunch of alcoholic party-goers, but when they go and hire you… I still have nightmares about the things they made me do,” James whispered, shivering.
“Fascinating!” replied John. “I didn’t know that colleges dabbled in our kind of underground operations.”
“They come with occupational hazards,” said James.
“Most of my assignments nowadays consist of old clients calling in a favour,” shared John. “I’ll end up tracking down some really important people- world leaders and such.”
James whistled appreciatively.
John continued, “It’s especially fun to fire your shot while they’re making a speech. It’s all so dramatic, and the shot almost freezes time for a second.”
“Have you been assigned to any higher-ups recently?” Said James.
“Yes, actually. A shareholder for some big entertainment outlet put me on Stan Lee.”
“You shot Stan Lee! I’ve been a fan of him for years! Do you still have the pictures?”
“Uh, I mean, I don’t really save pictures of the people I shoot… “ said John, scratching his head. “It leaves a paper trail, and I prefer to stay anonymous. Their photos usually end up on the news anyway,” said John
“It’s a shame that he died. At least his legacy lives on,” said James, frowning slightly.
“Well, of course he’s dead. I did shoot him...” John said, furrowing his eyebrows, but James didn’t hear him.
The rest of the night passed by quickly as the two continued to share their stories,and marvel at their uncanny similarities. It was a miracle, truly, that they were able to find another man who understood them so deeply.

SCENE FOUR
THE FOLLOWING DAY...
John crept towards the edge of the rooftop. Across from him, a couple stories below, was the window to Oliver Baxter’s suite. His hands were shaking. You’re just cold he thought to himself, It's nothing more. He slowly unzipped the top of his bag and and pulled out his rifle. After he made sure his weapon was loaded, he reached back into his bag to pull out his scope and brought out-
“A camera lens? Why would I have a camera lens”- the realization struck him- “James. I’m so stupid. He’s not another hitman- he’s a photographer. And he’s got my scope, too.”
His musings were stopped short; Oliver Baxter had just re-entered his room.
“I can’t believe this is happening,” he muttered to himself. “Today of all days…”
John reluctantly returned the camera lens to his bag. He couldn’t waste any more time.
“I guess I’ll have to use the old one.”
Annoyed, he reached into the front pocket of his bag and pulled out a small, scratched contraption. A gun scope! Albeit, a rather unimpressive model. “It’s a good thing I kept my old one as a backup. Who doesn’t love a good case of Chanel versus Walmart?”
Hint: Not John.
Unaware of the hitman outside his window, Mr. Baxter finally ended his call and plopped down onto a nearby armchair. With his looming height, his neck easily rose above the top of the chair. Sighing, he ran a callused hand through his hair and leaned back.
John swiftly finished setting up his stand. Just as he was about to about to fire, a butterfly fluttered towards him and landed on top of the trigger. It’s miniature wings were coloured with vivid reds, sparkling greens, and candy-apple oranges. John shrugged it off.
It was time. John exhaled shakily and closed his eyes. Why was he hesitating? This was not his first assignment. Although, it was his first time being assigned to someone from outside the country. He knew nothing of Oliver Baxter. Unlike his past victims, John had no way to gauge that the man was worthy of his fate. Standing alone on the top of an abandoned warehouse, John desperately wished that he wasn’t making a mistake.
Suddenly, the image of his father lying in a pool of crimson flashed beneath his closed eyelids. His ears rang with the sound of the bullet that tore through his skin. His hands still remembered the weight of his dying body- the wetness of his blood that stained his fingertips.
“You won’t be able to fix me,” his father had whispered to him.
He was right.
Suddenly, another voice, booming and full of static, echoed throughout his mind.
“Don’t miss.”
John opened his eyes and a familiar calmness overtook him. He pressed the trigger.
Not so far away, Oliver Baxter slumped into his chair.
“I never miss.”

SCENE FIVE

By the time our friend James Bond came to pay his own visit to Mr. Baxter, John had already slipped in and cleaned up after himself. Assuredly, he had changed the man into a nondescript red hoodie and tucked him securely into his bed. He even took the liberty of placing Mr. Baxter’s phone on silent. John had a feeling that Mr. Baxter wouldn’t mind. When he was finally satisfied with his handiwork, he took his leave.
Not long after, a huffing and puffing James Bond arrived on the 15th floor. With his patchy red cheeks and sweaty brow, he was truly a sight for sore eyes. He stepped out of the stairwell and muttered a series of curse words underneath his breath. Gritting his teeth, he walked over to the shining elevator doors beside him and gave them a hard kick. The “Out of Order” sign hanging off of it floated to the floor, and James whimpered as he nursed his aching toe.
“I’ll be ******- taking a picture of a monkey would’ve been easier than this.”
He stood in the hallway for a little while longer and gathered his wits. After the pain subsided, he strode over to the C.E.O.’s door and knocked. He immediately positioned himself to capture a candid of Mr. Baxter as he opened the door. No one came. John tried again. No answer. Finally, his patience worn thin. James fished out the keys he had flirtatiously convinced the new receptionist downstairs to lend him and carefully unlocked the hotel door. He stepped inside and surveyed the suite in search of his assignment only to find him underneath the freshly-washed blankets of his bed- sound asleep.
“Well then… Aaron did say it didn’t have to be a good photo.”
Shrugging, James reached into his bag for his camera lens and pulled it out.
“What the hell? This isn’t mine.” James said. He narrowed his eyes and examined the object in his hand. The instrument was long and bulbous with two black clamps attached to the bottom. Although, the clamps did not open wide enough to fit a camera- it almost looked as if they were meant to be attached to some some sort of cylinder. He peered through and in the middle of the lens lay a bright red dot. He supposed he and John must have inadvertently swapped lenses in the bar.
Then, he came to a realization.
“I see what’s going on here!” James proclaimed a little too loudly, “John must use this for long range pictures. Must be some new tech- and pretty expensive too. I’ve never seen anything like it before.”
For a split-second, James was tempted to pocket it, but a twinge of guilt urged him to return it to his bag. Sighing, he put away his camera and pulled out his phone. Aaron would have to make do with some lesser quality resolution.
James knelt down with his makeshift camera poised for the shot. Aaron had made no exaggerations about his cousin. The man was unnaturally pale and smelled strongly of… detergent? Honestly, a corpse would have looked more alive. His jaw was slack and, peculiarly enough, a red hoodie was pulled over his matted hair. A British thing, maybe? At the very least, he had the decency not to snore or drool.
Once satisfied with his pictures, James walked swiftly out the door and locked it behind him. By the time he had completed the tiresome journey back to the first floor, he had saved the photographs onto his USB drive. The only thing he had left to do was send them to Aaron.

SCENE SIX

When John entered the bar again, his eyes immediately fell on his companion from last night- the cynical James Bond. Given his current state, perhaps it would be wiser to keep his distance. Then again, when had he ever made the smart decision?
John greeted James as he collapsed into the stool next to him.
“Heard the news?” slurred James, “Oliver Baxter, up-and-coming C.E.O. of some big London company was found dead a couple hours ago.”
John’s heart skipped a beat. He responded carefully.
“No, this is news to me. I guess I was a little too busy today at work… You know, shooting my shots. In my photography studio. With my camera. That I use for photography, “ replied John.
James looked at him strangely.
John continued, “Poor guy. Never heard of him before, though. Oliver Brown, was it?”
“Baxter, not Brown,” James corrected him.
“Of course. Baxter. Sorry, I’m bad with names,” said John. He stole a glance at his friend, hoping he wasn’t seeing through him. Fortunately for him, James was too busy staring glumly into the frothy contents of his beer mug. “I’m sorry. Did he mean anything to you?”
“He was my assignment,” replied James. “When I came into his room for his shoot, he was asleep. My client, his cousin, said that he didn’t need to look good for the picture, so I snapped a couple shots of him like that and left. Turns out he wasn’t sleeping. Just dead.”
John’s throat tightened. Out of all the pessimistic photographers in the city, he just had to befriend the one who’s assignment he killed, didn’t he?
“It’s not your fault. No one would have expected him to be dead,” said John.
He had made sure of it.
Chuckling mirthlessly, James replied, “People always see the truth. One way or another, they see people for who they truly are, and see themselves for who they’ve become. They’re only either too scared to admit it, or they cover their eyes. What’s funny is that in our line of work it almost becomes the opposite. You don’t see anybody as either ordinary or extraordinary. You see them simply as people in front of your lens. Then one day, they stop being people at all.”
John’s stomach dropped. His friend did not give himself enough credit; James was not a horrible man. At least, he was not as awful as the man sitting beside him.
“Well, as photographers,” said John, “We also know that the truth can be ugly. And when you capture it with the perfect shot- when you shoot the right person, at the right time, in the right place- it comes back to haunt you.”
James lifted his eyes from the table and met his. Raising his half-empty glass to him, he whispered, “To the shots that haunt us.”
“To the shots that haunt us,” John repeated.

*
Not long after their grim declaration, John decided to return home. By that time, only streetlights continued to shine. His glasses could do little to aid his vision, but he still managed to make out the overstuffed mailbox in front of his house. With a roll of his eyes, he walked over to it, pushed the “No Flyers or Junk Mail” sign aside, and collected their ever-punctual delivery of coupons.
He swiftly unlocked the front door and closed it behind him. Just as he was about to reach for the remote and commence some much-needed binge-therapy, he realized that his mother was already seated on the sofa.
“Hey, mom,” he said as he walked over to her and kissed her forehead.
“You’ve come home late tonight, Johnny,” she said. “I’ve been spending the past few hours rifling through these albums.”
Surely enough, stacked up on the coffee table in front of them was a collection of his family’s photo albums. It was at that moment when the realization struck him.
“It’s been twelve years,” he whispered.
How could he have forgotten what day it was?
“Every day after your dad died feels like a lifetime.”
“Every day after I killed-”
His mother cut him off, “Don’t you finish that sentence.”
John cast his eyes downward and pursed his lips. Her eyes softened and she lifted the album off of her lap and placed it onto the table.
“Johnny, look at me,” she said. “What happened to your father was an accident- it was not your fault.”
John interrupted “I pulled that trigger. Me. I took him away from you.”
His mom sighed “Okay. You did. For years, after that day, I felt like someone had torn off my wings and left me to drown. I felt like I would never be able to fly again, like I would never be happy again. But raising you, watching you grow up, gave me hope. You have so much potential and a long life left to live, but your guilt keeps you trapped inside the past. I have already forgiven you, and I know he has too,” she paused, “It’s time that you forgive yourself.”
“What if I can’t?”
“You need to. You owe it to your father to be the man he wanted you to be. You’ll never be able to do that if you keep on punishing yourself.”
John did not know how to reply. James was right. He knew his mother was speaking the truth but all he wanted to do was cover his ears and shut his eyes. He had spent everyday for the past twelve years training and refining his accuracy- proving to the world that he would never miss another shot. All of this, just to make up for the one shot that took his father's life. Worse yet, he defiled himself; he painted his hands in crimson with the lives of his victims in an effort to conceal the blood he shed twelve years ago. But who was he to decide who would live or die? He was no god. He never was and never would be. He had only ever been a boy: honest, clumsy, and- dare he say it- faultless. Now, however, he was a man. A man who used other people’s lives to indulge in years of self-pity. This sin, he deserved to pay for.
In that moment, Johnny Doe finally broke free of his cocoon and unfurled his wings. For twelve years he had remained in that shell, unready to see the light that lay beyond. But now, he wanted to taste freedom- no matter what the cost may be.

SCENE SEVEN

“In an unexpected turn of events for the ****** case of Oliver Baxter, the city’s most elusive hitman has turned himself in and pleaded guilty,” said the voice from the bar’s flat screen TV.
A well-past-sober James lifted his head from the bar counter and turned up the volume.
“A complete genius, that one is,” he muttered to himself.
“The young man of 24 has identified himself as John Edwards Doe,” she continued.
James froze. He slowly turned his head towards the screen, frightened about what he might see. Plastered on the screen, with his unmistakable tortoise shell glasses and shock of red hair, was a mugshot of the man that sat beside him mere hours ago.
“Thanks to the city much-relieved police force, I can say with confidence that John Doe has finally taken his last shot,” she said.
The newscaster began to elaborate on the details of the trial but James was no longer listening. He rubbed his eyes and looked again at the screen. After a long moment of disbelief, he called out to the bartender.
“I think I need another shot.”
Prologue
A raw, unfiltered scream filled the air. The boy dropped the gun and rushed towards the body lying beside the wooden stand. The man before him was clutching his stomach- his t-shirt soaked with blood. His eyes began to well up with tears as he cradled his father in his arms. Groaning softly, the man used his free arm to touch the boy’s cheek.
“Shhhh. It’s okay. I know it was an accident,” the man said.
“I’m sorry. I didn’t mean to. We’ll get you to a hospital,” the boy choked out. “The doctors will fix you. I promise.”
The boy was trembling with a sob caught in his throat, and his head buried in his father’s chest.
“Hey, you’re gonna be okay, son. Look at me-”
He coughed suddenly and a stream of blood began to spill from his mouth,
“I forgive you. But listen to me, you won’t be able to fix me. Just know that I will always be proud of you and the great man that you will one day become.”
With that final assurance, his hands finally fell limp.
You must understand: when a child opens his eyes for the first time, he is like a caterpillar. As the years go by, his growth is measured by the number of skins he sheds as he outgrows another version of himself. And for each one that he discards, there will be another, buried deep inside of him, that will be drawn closer towards reality. Then one day, he will collapse into himself.
For this freshly-bereaved little boy, it is time to seek refuge and rebuild. For many years he will be consumed with the thought that he is not ready to be a man. He will refuse to leave his chrysalis. Eventually, he will forget about the world that lies beyond its walls until the day finally comes where he will have to make a choice: remain a boy or become the man his father wanted him to be.

SCENE ONE
MANY YEARS LATER…
A medley of voices sounded in the air as hundreds of city-dwellers navigated their way around the rush hour traffic. Horns blared all around them, and the skies were grey and dripped with moisture.
Jaywalking across Oak and fifth with a cold cappuccino in hand, was a frazzled young man named John. His freckled face was lined with worry as he stole another glance at his wristwatch and quickened his pace. On days like this, John really hated having a day-job.
A welcome distraction presented itself as the sudden playing of ‘I Want It that Way’ by Backstreet Boys. The woman beside him raised her eyebrows and glanced at his front pocket. Smiling sheepishly, he pulled out his phone. After pushing up his glasses and bringing it within nanometres of his face, he finally made out the Caller ID. Eyes widening, he hastily answered the call.
“Hello, this is John speaking.”
“I expect that you are ready for tomorrow,” said the voice on the line.
“Of course. The scope I ordered arrived last night,” replied John.
John bit his lip and ran a hand through his messy red hair.
“Yet your last assignment left two of my men in prison” continued the voice. “Do not mistake me, if Oliver Baxter’s heart is still beating by the end of tomorrow, you will suffer the same fate as your father.”  John moved the phone away from his ear- fearful of going deaf.
“Whatever is left of your future relies on this mission. Don’t miss.”
Static took over the line. Then, silence.
John squeezed his eyes shut and became aware of the metallic taste in his mouth. His lip was bleeding. He rummaged through his bag and searched for pack of tissues. In his carelessness, his elbow banged up against his rifle. Quickly extracting the pack, he shoved the weapon further down the bag. He heaved a heavy sigh and nursed his elbow in his hand.
“Stop doubting yourself, John. He’s just another corrupt C.E.O.- he has it coming,” he muttered to himself. “Just get it done, Johnny, get it done.”

SCENE TWO

Just a block away from John, waiting impatiently at the corner of Oak and Robson, was a scowling dark-haired man with a 5 O’Clock morning shadow. The sleeves of his button-down were scrunched up to his elbows and his tie hung loosely around his neck.
Noticing the rain beginning to intensify, the man stuffed the rest of his croissant into his mouth in an attempt to salvage its flaky goodness. No such luck. With a guttural sigh, he tossed his napkin into a nearby trash bin and grumbled to himself about the disgrace that is cold, store-bought pastries.
Thankfully for him, his phone rang and interrupted his reverie of self-pity.
“Who’s calling?” He answered gruffly.
“James. Always the charmer,” drawled the voice from the other line. “Now, that's no way to greet an old friend.”
“Well, I didn’t get an answer for my question now did I?” James said through gritted teeth
Over the line, he could hear his caller clicking his tongue disapprovingly.
“It’s Aaron, my good man. Have you really forgotten?”
Oh yes, Aaron Benson. The pretentious Englishman he shared an apartment with in his college days- the one with a relentless infatuation with Kate Middleton.
“Of course. Aaron. I could never.”
He could only wish he had.
“I hear you’ve made a name for yourself as a photographer?” he questioned.
“What’s it to you?” James said.
“I have a job for you. My cousin is on a business trip to your side of the Atlantic over the weekend. Oliver Baxter, the CEO for some big menswear company in London. Top thirty under thirty kind of bloke. I can’t stand him, but he’s family. Anyway, his birthday’s coming up and my family wants you to have a photoshoot with him.” said Aaron
James sighed. “So you want me to take a couple headshots of pretty boy for his Forbes cover page?”
“No, no. Take my word, he is as unphotogenic as a dung beetle. I say that with love. Partially,” Aaron snickered. “Just take a couple pictures- he doesn’t need to look good. We just want something to add to the slideshow for a couple of laughs.”
“Alright, I’ll do it. Send me his specifics by the end of the day, and I’ll tell you where you should wire the payment.” said James
“I’m grateful. Aside from that, I just wanted to ask you again about that suit I left at our apartment when I flew back to London. Were you able to find-”
James hung up.
He was definitely not getting that suit back.
James didn’t feel too guilty. After all, he thought to himself, the guy has enough money to buy it three times over. If not, he could take a loan from Mr. Thirty under thirty.

SCENE THREE

Later that day, a bleary-eyed and yawning James stepped into a bar. Groaning softly, he massaged the crook of his neck- blistering red patches lined the areas where his camera strap had rested on mere minutes ago.  
The ever-familiar scent of liquor and sweat hung in the air. Suddenly, a cheer erupted from the back corner of the room. As his eyes finally adjusted to the dimly-lit space, he spotted a lanky, red-headed figure by the dart station. A stadium of intoxicated onlookers was chanting his name.
James’ fingers twitched to reach for his camera but he quickly quelled it. The lighting was not in his favour. He strode over towards an empty stool by the bar. Unsurprisingly, his eyes were still fixed on the strange fellow pushing up his tortoiseshell glasses and setting up his stance for another shot at the target.
Bullseye.
The crowd bellowed appreciatively.
Standing up from his table on the other side of the bar, a man called out to the stranger, “Hey kid! Bet you wouldn’t be so tough without those glasses!”
James scoffed. The guy had half of his shirt unbuttoned and a half-emptied beer mug in hand. Regardless, all eyes turned towards the ginger superstar.
The guy scratched the back of his neck and let out a nervous chuckle. Then, with a final shake of his head, he removed his lenses.
“How much?”
Drunken hollering ensued, as well as some severely off-target slaps on the back. James watched as he carefully placed his frames on the counter and caught the stranger’s eye. Leaning back on his stool, James raised his eyebrows at him and tilted his head. A boyish grin spread across the stranger’s face.
Laughing now, the man made his way back towards his station and readied himself. One, two, three…
The crowd roared. The dart, still quivering, was lodged precisely in the centre of the target.
James turned away from the mayhem and ordered a drink. Coming up from behind him, the dart-savvy stranger slid into the seat next to him.
“Just some water, please.”
“Sure thing, hon,” said the bartender.
James looked to the man beside him and nodded curtly. Eyes twinkling, the boy smiled back.
“I take it you weren’t impressed by my little stunt up there.”
No response.
“My name’s John. John Doe actually. I wish I was kidding.”
James finally afforded him his attention.
“Bond. James Bond. I know the struggle.”
“Our parents really did us wrong, didn’t they?” said John.
James raised his glass.
“Cheers to that.” After both men had taken a sip of their drinks, James continued, “So, you don’t really need those glasses do you?”
“Well, of course I need them,” said John “but it’s not like I’m legally blind without them. I take it you don’t have any lenses for yourself?” he asked
“Yes, I do actually- a different kind though. I carry all my lenses with me, even my scope,” James explained, gently patting the bag hanging across his shoulders.
John’s eyes widened.
“It’s nice to finally meet someone from my own line of work,” said John.
“Really? There’s a ton of us in the city. People here pay a pretty penny for just a couple shots,” James replied dubiously.
“Very true. One time an MLA candidate offered me over two million to take care of, and I quote, ‘an old friend,’” agreed John.
“****, that’s a real friend right there,” said James, shaking his head. “So, are you the type to schedule appointments with your assignments, or do you prefer candids?”
“I’d say candids for sure,” replied John. “It’s easier when people aren’t suspecting it. That way it’s just one and done. The real nightmare comes when you’re asked to shoot multiple people.”
“The worst part of the job!” James sighed, rolling his eyes, “It’s so much quicker to find the perfect angle when you only have to worry about one guy.”
“Exactly! Clients are always so demanding! Don’t even get me started on scheduling families,” exclaimed John, throwing his hands into the air. “Married couples are understable, though. I can see why you would want to do both at the same time- so you can make sure you don’t leave any loose ends.”
James nodded in agreement.
“It’s just a pain, given that some jobs can takes hours to complete,” said James. “The subject either keeps on moving, or you can’t get the right angle. It makes my hair turn grey.”
John sat up straighter, enjoying the conversation.“Hear me out, I have seen my fair share of husbands and wives calling in for me to take care of their spouse,” carried on John. “Honestly, it makes me reconsider having a love life…”
Sniggering, James replied, “The only thing worse is when they get their kids involved. It physically pains me to have to include them when I’m taking my shots.”
“Truthfully, I’ve gotten to the point where if a client asks me to take down a kid, I just hang up. It’s not worth the trouble… or the emotional scars.” John said, eyes darkening.
“I wish I had the ***** to do something like that,” said James, looking at John with admiration, “but I just can’t afford to. I have to pay my rent somehow, you know?”
“Well, I started out pretty young so I think I’ve made a name for myself among the more influential circles. Although, for the public, I try to keep a low profile. But it’s getting harder now that more of my shots are making the headlines,” said John.
“Not bad, kid.” said James. “I got into this whole business while I was still in college as a way to pay for my tuition. Man, you go in there, thinking that all those frat-boys and sorority-girls are just a bunch of alcoholic party-goers, but when they go and hire you… I still have nightmares about the things they made me do,” James whispered, shivering.
“Fascinating!” replied John. “I didn’t know that colleges dabbled in our kind of underground operations.”
“They come with occupational hazards,” said James.
“Most of my assignments nowadays consist of old clients calling in a favour,” shared John. “I’ll end up tracking down some really important people- world leaders and such.”
James whistled appreciatively.
John continued, “It’s especially fun to fire your shot while they’re making a speech. It’s all so dramatic, and the shot almost freezes time for a second.”
“Have you been assigned to any higher-ups recently?” Said James.
“Yes, actually. A shareholder for some big entertainment outlet put me on Stan Lee.”
“You shot Stan Lee! I’ve been a fan of him for years! Do you still have the pictures?”
“Uh, I mean, I don’t really save pictures of the people I shoot… “ said John, scratching his head. “It leaves a paper trail, and I prefer to stay anonymous. Their photos usually end up on the news anyway,” said John
“It’s a shame that he died. At least his legacy lives on,” said James, frowning slightly.
“Well, of course he’s dead. I did shoot him...” John said, furrowing his eyebrows, but James didn’t hear him.
The rest of the night passed by quickly as the two continued to share their stories,and marvel at their uncanny similarities. It was a miracle, truly, that they were able to find another man who understood them so deeply.

SCENE FOUR
THE FOLLOWING DAY...
John crept towards the edge of the rooftop. Across from him, a couple stories below, was the window to Oliver Baxter’s suite. His hands were shaking. You’re just cold he thought to himself, It's nothing more. He slowly unzipped the top of his bag and and pulled out his rifle. After he made sure his weapon was loaded, he reached back into his bag to pull out his scope and brought out-
“A camera lens? Why would I have a camera lens”- the realization struck him- “James. I’m so stupid. He’s not another hitman- he’s a photographer. And he’s got my scope, too.”
His musings were stopped short; Oliver Baxter had just re-entered his room.
“I can’t believe this is happening,” he muttered to himself. “Today of all days…”
John reluctantly returned the camera lens to his bag. He couldn’t waste any more time.
“I guess I’ll have to use the old one.”
Annoyed, he reached into the front pocket of his bag and pulled out a small, scratched contraption. A gun scope! Albeit, a rather unimpressive model. “It’s a good thing I kept my old one as a backup. Who doesn’t love a good case of Chanel versus Walmart?”
Hint: Not John.
Unaware of the hitman outside his window, Mr. Baxter finally ended his call and plopped down onto a nearby armchair. With his looming height, his neck easily rose above the top of the chair. Sighing, he ran a callused hand through his hair and leaned back.
John swiftly finished setting up his stand. Just as he was about to about to fire, a butterfly fluttered towards him and landed on top of the trigger. It’s miniature wings were coloured with vivid reds, sparkling greens, and candy-apple oranges. John shrugged it off.
It was time. John exhaled shakily and closed his eyes. Why was he hesitating? This was not his first assignment. Although, it was his first time being assigned to someone from outside the country. He knew nothing of Oliver Baxter. Unlike his past victims, John had no way to gauge that the man was worthy of his fate. Standing alone on the top of an abandoned warehouse, John desperately wished that he wasn’t making a mistake.
Suddenly, the image of his father lying in a pool of crimson flashed beneath his closed eyelids. His ears rang with the sound of the bullet that tore through his skin. His hands still remembered the weight of his dying body- the wetness of his blood that stained his fingertips.
“You won’t be able to fix me,” his father had whispered to him.
He was right.
Suddenly, another voice, booming and full of static, echoed throughout his mind.
“Don’t miss.”
John opened his eyes and a familiar calmness overtook him. He pressed the trigger.
Not so far away, Oliver Baxter slumped into his chair.
“I never miss.”

SCENE FIVE

By the time our friend James Bond came to pay his own visit to Mr. Baxter, John had already slipped in and cleaned up after himself. Assuredly, he had changed the man into a nondescript red hoodie and tucked him securely into his bed. He even took the liberty of placing Mr. Baxter’s phone on silent. John had a feeling that Mr. Baxter wouldn’t mind. When he was finally satisfied with his handiwork, he took his leave.
Not long after, a huffing and puffing James Bond arrived on the 15th floor. With his patchy red cheeks and sweaty brow, he was truly a sight for sore eyes. He stepped out of the stairwell and muttered a series of curse words underneath his breath. Gritting his teeth, he walked over to the shining elevator doors beside him and gave them a hard kick. The “Out of Order” sign hanging off of it floated to the floor, and James whimpered as he nursed his aching toe.
“I’ll be ******- taking a picture of a monkey would’ve been easier than this.”
He stood in the hallway for a little while longer and gathered his wits. After the pain subsided, he strode over to the C.E.O.’s door and knocked. He immediately positioned himself to capture a candid of Mr. Baxter as he opened the door. No one came. John tried again. No answer. Finally, his patience worn thin. James fished out the keys he had flirtatiously convinced the new receptionist downstairs to lend him and carefully unlocked the hotel door. He stepped inside and surveyed the suite in search of his assignment only to find him underneath the freshly-washed blankets of his bed- sound asleep.
“Well then… Aaron did say it didn’t have to be a good photo.”
Shrugging, James reached into his bag for his camera lens and pulled it out.
“What the hell? This isn’t mine.” James said. He narrowed his eyes and examined the object in his hand. The instrument was long and bulbous with two black clamps attached to the bottom. Although, the clamps did not open wide enough to fit a camera- it almost looked as if they were meant to be attached to some some sort of cylinder. He peered through and in the middle of the lens lay a bright red dot. He supposed he and John must have inadvertently swapped lenses in the bar.
Then, he came to a realization.
“I see what’s going on here!” James proclaimed a little too loudly, “John must use this for long range pictures. Must be some new tech- and pretty expensive too. I’ve never seen anything like it before.”
For a split-second, James was tempted to pocket it, but a twinge of guilt urged him to return it to his bag. Sighing, he put away his camera and pulled out his phone. Aaron would have to make do with some lesser quality resolution.
James knelt down with his makeshift camera poised for the shot. Aaron had made no exaggerations about his cousin. The man was unnaturally pale and smelled strongly of… detergent? Honestly, a corpse would have looked more alive. His jaw was slack and, peculiarly enough, a red hoodie was pulled over his matted hair. A British thing, maybe? At the very least, he had the decency not to snore or drool.
Once satisfied with his pictures, James walked swiftly out the door and locked it behind him. By the time he had completed the tiresome journey back to the first floor, he had saved the photographs onto his USB drive. The only thing he had left to do was send them to Aaron.

SCENE SIX

When John entered the bar again, his eyes immediately fell on his companion from last night- the cynical James Bond. Given his current state, perhaps it would be wiser to keep his distance. Then again, when had he ever made the smart decision?
John greeted James as he collapsed into the stool next to him.
“Heard the news?” slurred James, “Oliver Baxter, up-and-coming C.E.O. of some big London company was found dead a couple hours ago.”
John’s heart skipped a beat. He responded carefully.
“No, this is news to me. I guess I was a little too busy today at work… You know, shooting my shots. In my photography studio. With my camera. That I use for photography, “ replied John.
James looked at him strangely.
John continued, “Poor guy. Never heard of him before, though. Oliver Brown, was it?”
“Baxter, not Brown,” James corrected him.
“Of course. Baxter. Sorry, I’m bad with names,” said John. He stole a glance at his friend, hoping he wasn’t seeing through him. Fortunately for him, James was too busy staring glumly into the frothy contents of his beer mug. “I’m sorry. Did he mean anything to you?”
“He was my assignment,” replied James. “When I came into his room for his shoot, he was asleep. My client, his cousin, said that he didn’t need to look good for the picture, so I snapped a couple shots of him like that and left. Turns out he wasn’t sleeping. Just dead.”
John’s throat tightened. Out of all the pessimistic photographers in the city, he just had to befriend the one who’s assignment he killed, didn’t he?
“It’s not your fault. No one would have expected him to be dead,” said John.
He had made sure of it.
Chuckling mirthlessly, James replied, “People always see the truth. One way or another, they see people for who they truly are, and see themselves for who they’ve become. They’re only either too scared to admit it, or they cover their eyes. What’s funny is that in our line of work it almost becomes the opposite. You don’t see anybody as either ordinary or extraordinary. You see them simply as people in front of your lens. Then one day, they stop being people at all.”
John’s stomach dropped. His friend did not give himself enough credit; James was not a horrible man. At least, he was not as awful as the man sitting beside him.
“Well, as photographers,” said John, “We also know that the truth can be ugly. And when you capture it with the perfect shot- when you shoot the right person, at the right time, in the right place- it comes back to haunt you.”
James lifted his eyes from the table and met his. Raising his half-empty glass to him, he whispered, “To the shots that haunt us.”
“To the shots that haunt us,” John repeated.

*
Not long after their grim declaration, John decided to return home. By that time, only streetlights continued to shine. His glasses could do little to aid his vision, but he still managed to make out the overstuffed mailbox in front of his house. With a roll of his eyes, he walked over to it, pushed the “No Flyers or Junk Mail” sign aside, and collected their ever-punctual delivery of coupons.
He swiftly unlocked the front door and closed it behind him. Just as he was about to reach for the remote and commence some much-needed binge-therapy, he realized that his mother was already seated on the sofa.
“Hey, mom,” he said as he walked over to her and kissed her forehead.
“You’ve come home late tonight, Johnny,” she said. “I’ve been spending the past few hours rifling through these albums.”
Surely enough, stacked up on the coffee table in front of them was a collection of his family’s photo albums. It was at that moment when the realization struck him.
“It’s been twelve years,” he whispered.
How could he have forgotten what day it was?
“Every day after your dad died feels like a lifetime.”
“Every day after I killed-”
His mother cut him off, “Don’t you finish that sentence.”
John cast his eyes downward and pursed his lips. Her eyes softened and she lifted the album off of her lap and placed it onto the table.
“Johnny, look at me,” she said. “What happened to your father was an accident- it was not your fault.”
John interrupted “I pulled that trigger. Me. I took him away from you.”
His mom sighed “Okay. You did. For years, after that day, I felt like someone had torn off my wings and left me to drown. I felt like I would never be able to fly again, like I would never be happy again. But raising you, watching you grow up, gave me hope. You have so much potential and a long life left to live, but your guilt keeps you trapped inside the past. I have already forgiven you, and I know he has too,” she paused, “It’s time that you forgive yourself.”
“What if I can’t?”
“You need to. You owe it to your father to be the man he wanted you to be. You’ll never be able to do that if you keep on punishing yourself.”
John did not know how to reply. James was right. He knew his mother was speaking the truth but all he wanted to do was cover his ears and shut his eyes. He had spent everyday for the past twelve years training and refining his accuracy- proving to the world that he would never miss another shot. All of this, just to make up for the one shot that took his father's life. Worse yet, he defiled himself; he painted his hands in crimson with the lives of his victims in an effort to conceal the blood he shed twelve years ago. But who was he to decide who would live or die? He was no god. He never was and never would be. He had only ever been a boy: honest, clumsy, and- dare he say it- faultless. Now, however, he was a man. A man who used other people’s lives to indulge in years of self-pity. This sin, he deserved to pay for.
In that moment, Johnny Doe finally broke free of his cocoon and unfurled his wings. For twelve years he had remained in that shell, unready to see the light that lay beyond. But now, he wanted to taste freedom- no matter what the cost may be.

SCENE SEVEN

“In an unexpected turn of events for the ****** case of Oliver Baxter, the city’s most elusive hitman has turned himself in and pleaded guilty,” said the voice from the bar’s flat screen TV.
A well-past-sober James lifted his head from the bar counter and turned up the volume.
“A complete genius, that one is,” he muttered to himself.
“The young man of 24 has identified himself as John Edwards Doe,” she continued.
James froze. He slowly turned his head towards the screen, frightened about what he might see. Plastered on the screen, with his unmistakable tortoise shell glasses and shock of red hair, was a mugshot of the man that sat beside him mere hours ago.
“Thanks to the city much-relieved police force, I can say with confidence that John Doe has finally taken his last shot,” she said.
The newscaster began to elaborate on the details of the trial but James was no longer listening. He rubbed his eyes and looked again at the screen. After a long moment of disbelief, he called out to the bartender.
“I think I need another shot.”
Prologue
A raw, unfiltered scream filled the air. The boy dropped the gun and rushed towards the body lying beside the wooden stand. The man before him was clutching his stomach- his t-shirt soaked with blood. His eyes began to well up with tears as he cradled his father in his arms. Groaning softly, the man used his free arm to touch the boy’s cheek.
“Shhhh. It’s okay. I know it was an accident,” the man said.
“I’m sorry. I didn’t mean to. We’ll get you to a hospital,” the boy choked out. “The doctors will fix you. I promise.”
The boy was trembling with a sob caught in his throat, and his head buried in his father’s chest.
“Hey, you’re gonna be okay, son. Look at me-”
He coughed suddenly and a stream of blood began to spill from his mouth,
“I forgive you. But listen to me, you won’t be able to fix me. Just know that I will always be proud of you and the great man that you will one day become.”
With that final assurance, his hands finally fell limp.
You must understand: when a child opens his eyes for the first time, he is like a caterpillar. As the years go by, his growth is measured by the number of skins he sheds as he outgrows another version of himself. And for each one that he discards, there will be another, buried deep inside of him, that will be drawn closer towards reality. Then one day, he will collapse into himself.
For this freshly-bereaved little boy, it is time to seek refuge and rebuild. For many years he will be consumed with the thought that he is not ready to be a man. He will refuse to leave his chrysalis. Eventually, he will forget about the world that lies beyond its walls until the day finally comes where he will have to make a choice: remain a boy or become the man his father wanted him to be.

SCENE ONE
MANY YEARS LATER…
A medley of voices sounded in the air as hundreds of city-dwellers navigated their way around the rush hour traffic. Horns blared all around them, and the skies were grey and dripped with moisture.
Jaywalking across Oak and fifth with a cold cappuccino in hand, was a frazzled young man named John. His freckled face was lined with worry as he stole another glance at his wristwatch and quickened his pace. On days like this, John really hated having a day-job.
A welcome distraction presented itself as the sudden playing of ‘I Want It that Way’ by Backstreet Boys. The woman beside him raised her eyebrows and glanced at his front pocket. Smiling sheepishly, he pulled out his phone. After pushing up his glasses and bringing it within nanometres of his face, he finally made out the Caller ID. Eyes widening, he hastily answered the call.
“Hello, this is John speaking.”
“I expect that you are ready for tomorrow,” said the voice on the line.
“Of course. The scope I ordered arrived last night,” replied John.
John bit his lip and ran a hand through his messy red hair.
“Yet your last assignment left two of my men in prison” continued the voice. “Do not mistake me, if Oliver Baxter’s heart is still beating by the end of tomorrow, you will suffer the same fate as your father.”  John moved the phone away from his ear- fearful of going deaf.
“Whatever is left of your future relies on this mission. Don’t miss.”
Static took over the line. Then, silence.
John squeezed his eyes shut and became aware of the metallic taste in his mouth. His lip was bleeding. He rummaged through his bag and searched for pack of tissues. In his carelessness, his elbow banged up against his rifle. Quickly extracting the pack, he shoved the weapon further down the bag. He heaved a heavy sigh and nursed his elbow in his hand.
“Stop doubting yourself, John. He’s just another corrupt C.E.O.- he has it coming,” he muttered to himself. “Just get it done, Johnny, get it done.”

SCENE TWO

Just a block away from John, waiting impatiently at the corner of Oak and Robson, was a scowling dark-haired man with a 5 O’Clock morning shadow. The sleeves of his button-down were scrunched up to his elbows and his tie hung loosely around his neck.
Noticing the rain beginning to intensify, the man stuffed the rest of his croissant into his mouth in an attempt to salvage its flaky goodness. No such luck. With a guttural sigh, he tossed his napkin into a nearby trash bin and grumbled to himself about the disgrace that is cold, store-bought pastries.
Thankfully for him, his phone rang and interrupted his reverie of self-pity.
“Who’s calling?” He answered gruffly.
“James. Always the charmer,” drawled the voice from the other line. “Now, that's no way to greet an old friend.”
“Well, I didn’t get an answer for my question now did I?” James said through gritted teeth
Over the line, he could hear his caller clicking his tongue disapprovingly.
“It’s Aaron, my good man. Have you really forgotten?”
Oh yes, Aaron Benson. The pretentious Englishman he shared an apartment with in his college days- the one with a relentless infatuation with Kate Middleton.
“Of course. Aaron. I could never.”
He could only wish he had.
“I hear you’ve made a name for yourself as a photographer?” he questioned.
“What’s it to you?” James said.
“I have a job for you. My cousin is on a business trip to your side of the Atlantic over the weekend. Oliver Baxter, the CEO for some big menswear company in London. Top thirty under thirty kind of bloke. I can’t stand him, but he’s family. Anyway, his birthday’s coming up and my family wants you to have a photoshoot with him.” said Aaron
James sighed. “So you want me to take a couple headshots of pretty boy for his Forbes cover page?”
“No, no. Take my word, he is as unphotogenic as a dung beetle. I say that with love. Partially,” Aaron snickered. “Just take a couple pictures- he doesn’t need to look good. We just want something to add to the slideshow for a couple of laughs.”
“Alright, I’ll do it. Send me his specifics by the end of the day, and I’ll tell you where you should wire the payment.” said James
“I’m grateful. Aside from that, I just wanted to ask you again about that suit I left at our apartment when I flew back to London. Were you able to find-”
James hung up.
He was definitely not getting that suit back.
James didn’t feel too guilty. After all, he thought to himself, the guy has enough money to buy it three times over. If not, he could take a loan from Mr. Thirty under thirty.

SCENE THREE

Later that day, a bleary-eyed and yawning James stepped into a bar. Groaning softly, he massaged the crook of his neck- blistering red patches lined the areas where his camera strap had rested on mere minutes ago.  
The ever-familiar scent of liquor and sweat hung in the air. Suddenly, a cheer erupted from the back corner of the room. As his eyes finally adjusted to the dimly-lit space, he spotted a lanky, red-headed figure by the dart station. A stadium of intoxicated onlookers was chanting his name.
James’ fingers twitched to reach for his camera but he quickly quelled it. The lighting was not in his favour. He strode over towards an empty stool by the bar. Unsurprisingly, his eyes were still fixed on the strange fellow pushing up his tortoiseshell glasses and setting up his stance for another shot at the target.
Bullseye.
The crowd bellowed appreciatively.
Standing up from his table on the other side of the bar, a man called out to the stranger, “Hey kid! Bet you wouldn’t be so tough without those glasses!”
James scoffed. The guy had half of his shirt unbuttoned and a half-emptied beer mug in hand. Regardless, all eyes turned towards the ginger superstar.
The guy scratched the back of his neck and let out a nervous chuckle. Then, with a final shake of his head, he removed his lenses.
“How much?”
Drunken hollering ensued, as well as some severely off-target slaps on the back. James watched as he carefully placed his frames on the counter and caught the stranger’s eye. Leaning back on his stool, James raised his eyebrows at him and tilted his head. A boyish grin spread across the stranger’s face.
Laughing now, the man made his way back towards his station and readied himself. One, two, three…
The crowd roared. The dart, still quivering, was lodged precisely in the centre of the target.
James turned away from the mayhem and ordered a drink. Coming up from behind him, the dart-savvy stranger slid into the seat next to him.
“Just some water, please.”
“Sure thing, hon,” said the bartender.
James looked to the man beside him and nodded curtly. Eyes twinkling, the boy smiled back.
“I take it you weren’t impressed by my little stunt up there.”
No response.
“My name’s John. John Doe actually. I wish I was kidding.”
James finally afforded him his attention.
“Bond. James Bond. I know the struggle.”
“Our parents really did us wrong, didn’t they?” said John.
James raised his glass.
“Cheers to that.” After both men had taken a sip of their drinks, James continued, “So, you don’t really need those glasses do you?”
“Well, of course I need them,” said John “but it’s not like I’m legally blind without them. I take it you don’t have any lenses for yourself?” he asked
“Yes, I do actually- a different kind though. I carry all my lenses with me, even my scope,” James explained, gently patting the bag hanging across his shoulders.
John’s eyes widened.
“It’s nice to finally meet someone from my own line of work,” said John.
“Really? There’s a ton of us in the city. People here pay a pretty penny for just a couple shots,” James replied dubiously.
“Very true. One time an MLA candidate offered me over two million to take care of, and I quote, ‘an old friend,’” agreed John.
“****, that’s a real friend right there,” said James, shaking his head. “So, are you the type to schedule appointments with your assignments, or do you prefer candids?”
“I’d say candids for sure,” replied John. “It’s easier when people aren’t suspecting it. That way it’s just one and done. The real nightmare comes when you’re asked to shoot multiple people.”
“The worst part of the job!” James sighed, rolling his eyes, “It’s so much quicker to find the perfect angle when you only have to worry about one guy.”
“Exactly! Clients are always so demanding! Don’t even get me started on scheduling families,” exclaimed John, throwing his hands into the air. “Married couples are understable, though. I can see why you would want to do both at the same time- so you can make sure you don’t leave any loose ends.”
James nodded in agreement.
“It’s just a pain, given that some jobs can takes hours to complete,” said James. “The subject either keeps on moving, or you can’t get the right angle. It makes my hair turn grey.”
John sat up straighter, enjoying the conversation.“Hear me out, I have seen my fair share of husbands and wives calling in for me to take care of their spouse,” carried on John. “Honestly, it makes me reconsider having a love life…”
Sniggering, James replied, “The only thing worse is when they get their kids involved. It physically pains me to have to include them when I’m taking my shots.”
“Truthfully, I’ve gotten to the point where if a client asks me to take down a kid, I just hang up. It’s not worth the trouble… or the emotional scars.” John said, eyes darkening.
“I wish I had the ***** to do something like that,” said James, looking at John with admiration, “but I just can’t afford to. I have to pay my rent somehow, you know?”
“Well, I started out pretty young so I think I’ve made a name for myself among the more influential circles. Although, for the public, I try to keep a low profile. But it’s getting harder now that more of my shots are making the headlines,” said John.
“Not bad, kid.” said James. “I got into this whole business while I was still in college as a way to pay for my tuition. Man, you go in there, thinking that all those frat-boys and sorority-girls are just a bunch of alcoholic party-goers, but when they go and hire you… I still have nightmares about the things they made me do,” James whispered, shivering.
“Fascinating!” replied John. “I didn’t know that colleges dabbled in our kind of underground operations.”
“They come with occupational hazards,” said James.
“Most of my assignments nowadays consist of old clients calling in a favour,” shared John. “I’ll end up tracking down some really important people- world leaders and such.”
James whistled appreciatively.
John continued, “It’s especially fun to fire your shot while they’re making a speech. It’s all so dramatic, and the shot almost freezes time for a second.”
“Have you been assigned to any higher-ups recently?” Said James.
“Yes, actually. A shareholder for some big entertainment outlet put me on Stan Lee.”
“You shot Stan Lee! I’ve been a fan of him for years! Do you still have the pictures?”
“Uh, I mean, I don’t really save pictures of the people I shoot… “ said John, scratching his head. “It leaves a paper trail, and I prefer to stay anonymous. Their photos usually end up on the news anyway,” said John
“It’s a shame that he died. At least his legacy lives on,” said James, frowning slightly.
“Well, of course he’s dead. I did shoot him...” John said, furrowing his eyebrows, but James didn’t hear him.
The rest of the night passed by quickly as the two continued to share their stories,and marvel at their uncanny similarities. It was a miracle, truly, that they were able to find another man who understood them so deeply.

SCENE FOUR
THE FOLLOWING DAY...
John crept towards the edge of the rooftop. Across from him, a couple stories below, was the window to Oliver Baxter’s suite. His hands were shaking. You’re just cold he thought to himself, It's nothing more. He slowly unzipped the top of his bag and and pulled out his rifle. After he made sure his weapon was loaded, he reached back into his bag to pull out his scope and brought out-
“A camera lens? Why would I have a camera lens”- the realization struck him- “James. I’m so stupid. He’s not another hitman- he’s a photographer. And he’s got my scope, too.”
His musings were stopped short; Oliver Baxter had just re-entered his room.
“I can’t believe this is happening,” he muttered to himself. “Today of all days…”
John reluctantly returned the camera lens to his bag. He couldn’t waste any more time.
“I guess I’ll have to use the old one.”
Annoyed, he reached into the front pocket of his bag and pulled out a small, scratched contraption. A gun scope! Albeit, a rather unimpressive model. “It’s a good thing I kept my old one as a backup. Who doesn’t love a good case of Chanel versus Walmart?”
Hint: Not John.
Unaware of the hitman outside his window, Mr. Baxter finally ended his call and plopped down onto a nearby armchair. With his looming height, his neck easily rose above the top of the chair. Sighing, he ran a callused hand through his hair and leaned back.
John swiftly finished setting up his stand. Just as he was about to about to fire, a butterfly fluttered towards him and landed on top of the trigger. It’s miniature wings were coloured with vivid reds, sparkling greens, and candy-apple oranges. John shrugged it off.
It was time. John exhaled shakily and closed his eyes. Why was he hesitating? This was not his first assignment. Although, it was his first time being assigned to someone from outside the country. He knew nothing of Oliver Baxter. Unlike his past victims, John had no way to gauge that the man was worthy of his fate. Standing alone on the top of an abandoned warehouse, John desperately wished that he wasn’t making a mistake.
Suddenly, the image of his father lying in a pool of crimson flashed beneath his closed eyelids. His ears rang with the sound of the bullet that tore through his skin. His hands still remembered the weight of his dying body- the wetness of his blood that stained his fingertips.
“You won’t be able to fix me,” his father had whispered to him.
He was right.
Suddenly, another voice, booming and full of static, echoed throughout his mind.
“Don’t miss.”
John opened his eyes and a familiar calmness overtook him. He pressed the trigger.
Not so far away, Oliver Baxter slumped into his chair.
“I never miss.”

SCENE FIVE

By the time our friend James Bond came to pay his own visit to Mr. Baxter, John had already slipped in and cleaned up after himself. Assuredly, he had changed the man into a nondescript red hoodie and tucked him securely into his bed. He even took the liberty of placing Mr. Baxter’s phone on silent. John had a feeling that Mr. Baxter wouldn’t mind. When he was finally satisfied with his handiwork, he took his leave.
Not long after, a huffing and puffing James Bond arrived on the 15th floor. With his patchy red cheeks and sweaty brow, he was truly a sight for sore eyes. He stepped out of the stairwell and muttered a series of curse words underneath his breath. Gritting his teeth, he walked over to the shining elevator doors beside him and gave them a hard kick. The “Out of Order” sign hanging off of it floated to the floor, and James whimpered as he nursed his aching toe.
“I’ll be ******- taking a picture of a monkey would’ve been easier than this.”
He stood in the hallway for a little while longer and gathered his wits. After the pain subsided, he strode over to the C.E.O.’s door and knocked. He immediately positioned himself to capture a candid of Mr. Baxter as he opened the door. No one came. John tried again. No answer. Finally, his patience worn thin. James fished out the keys he had flirtatiously convinced the new receptionist downstairs to lend him and carefully unlocked the hotel door. He stepped inside and surveyed the suite in search of his assignment only to find him underneath the freshly-washed blankets of his bed- sound asleep.
“Well then… Aaron did say it didn’t have to be a good photo.”
Shrugging, James reached into his bag for his camera lens and pulled it out.
“What the hell? This isn’t mine.” James said. He narrowed his eyes and examined the object in his hand. The instrument was long and bulbous with two black clamps attached to the bottom. Although, the clamps did not open wide enough to fit a camera- it almost looked as if they were meant to be attached to some some sort of cylinder. He peered through and in the middle of the lens lay a bright red dot. He supposed he and John must have inadvertently swapped lenses in the bar.
Then, he came to a realization.
“I see what’s going on here!” James proclaimed a little too loudly, “John must use this for long range pictures. Must be some new tech- and pretty expensive too. I’ve never seen anything like it before.”
For a split-second, James was tempted to pocket it, but a twinge of guilt urged him to return it to his bag. Sighing, he put away his camera and pulled out his phone. Aaron would have to make do with some lesser quality resolution.
James knelt down with his makeshift camera poised for the shot. Aaron had made no exaggerations about his cousin. The man was unnaturally pale and smelled strongly of… detergent? Honestly, a corpse would have looked more alive. His jaw was slack and, peculiarly enough, a red hoodie was pulled over his matted hair. A British thing, maybe? At the very least, he had the decency not to snore or drool.
Once satisfied with his pictures, James walked swiftly out the door and locked it behind him. By the time he had completed the tiresome journey back to the first floor, he had saved the photographs onto his USB drive. The only thing he had left to do was send them to Aaron.

SCENE SIX

When John entered the bar again, his eyes immediately fell on his companion from last night- the cynical James Bond. Given his current state, perhaps it would be wiser to keep his distance. Then again, when had he ever made the smart decision?
John greeted James as he collapsed into the stool next to him.
“Heard the news?” slurred James, “Oliver Baxter, up-and-coming C.E.O. of some big London company was found dead a couple hours ago.”
John’s heart skipped a beat. He responded carefully.
“No, this is news to me. I guess I was a little too busy today at work… You know, shooting my shots. In my photography studio. With my camera. That I use for photography, “ replied John.
James looked at him strangely.
John continued, “Poor guy. Never heard of him before, though. Oliver Brown, was it?”
“Baxter, not Brown,” James corrected him.
“Of course. Baxter. Sorry, I’m bad with names,” said John. He stole a glance at his friend, hoping he wasn’t seeing through him. Fortunately for him, James was too busy staring glumly into the frothy contents of his beer mug. “I’m sorry. Did he mean anything to you?”
“He was my assignment,” replied James. “When I came into his room for his shoot, he was asleep. My client, his cousin, said that he didn’t need to look good for the picture, so I snapped a couple shots of him like that and left. Turns out he wasn’t sleeping. Just dead.”
John’s throat tightened. Out of all the pessimistic photographers in the city, he just had to befriend the one who’s assignment he killed, didn’t he?
“It’s not your fault. No one would have expected him to be dead,” said John.
He had made sure of it.
Chuckling mirthlessly, James replied, “People always see the truth. One way or another, they see people for who they truly are, and see themselves for who they’ve become. They’re only either too scared to admit it, or they cover their eyes. What’s funny is that in our line of work it almost becomes the opposite. You don’t see anybody as either ordinary or extraordinary. You see them simply as people in front of your lens. Then one day, they stop being people at all.”
John’s stomach dropped. His friend did not give himself enough credit; James was not a horrible man. At least, he was not as awful as the man sitting beside him.
“Well, as photographers,” said John, “We also know that the truth can be ugly. And when you capture it with the perfect shot- when you shoot the right person, at the right time, in the right place- it comes back to haunt you.”
James lifted his eyes from the table and met his. Raising his half-empty glass to him, he whispered, “To the shots that haunt us.”
“To the shots that haunt us,” John repeated.

*
Not long after their grim declaration, John decided to return home. By that time, only streetlights continued to shine. His glasses could do little to aid his vision, but he still managed to make out the overstuffed mailbox in front of his house. With a roll of his eyes, he walked over to it, pushed the “No Flyers or Junk Mail” sign aside, and collected their ever-punctual delivery of coupons.
He swiftly unlocked the front door and closed it behind him. Just as he was about to reach for the remote and commence some much-needed binge-therapy, he realized that his mother was already seated on the sofa.
“Hey, mom,” he said as he walked over to her and kissed her forehead.
“You’ve come home late tonight, Johnny,” she said. “I’ve been spending the past few hours rifling through these albums.”
Surely enough, stacked up on the coffee table in front of them was a collection of his family’s photo albums. It was at that moment when the realization struck him.
“It’s been twelve years,” he whispered.
How could he have forgotten what day it was?
“Every day after your dad died feels like a lifetime.”
“Every day after I killed-”
His mother cut him off, “Don’t you finish that sentence.”
John cast his eyes downward and pursed his lips. Her eyes softened and she lifted the album off of her lap and placed it onto the table.
“Johnny, look at me,” she said. “What happened to your father was an accident- it was not your fault.”
John interrupted “I pulled that trigger. Me. I took him away from you.”
His mom sighed “Okay. You did. For years, after that day, I felt like someone had torn off my wings and left me to drown. I felt like I would never be able to fly again, like I would never be happy again. But raising you, watching you grow up, gave me hope. You have so much potential and a long life left to live, but your guilt keeps you trapped inside the past. I have already forgiven you, and I know he has too,” she paused, “It’s time that you forgive yourself.”
“What if I can’t?”
“You need to. You owe it to your father to be the man he wanted you to be. You’ll never be able to do that if you keep on punishing yourself.”
John did not know how to reply. James was right. He knew his mother was speaking the truth but all he wanted to do was cover his ears and shut his eyes. He had spent everyday for the past twelve years training and refining his accuracy- proving to the world that he would never miss another shot. All of this, just to make up for the one shot that took his father's life. Worse yet, he defiled himself; he painted his hands in crimson with the lives of his victims in an effort to conceal the blood he shed twelve years ago. But who was he to decide who would live or die? He was no god. He never was and never would be. He had only ever been a boy: honest, clumsy, and- dare he say it- faultless. Now, however, he was a man. A man who used other people’s lives to indulge in years of self-pity. This sin, he deserved to pay for.
In that moment, Johnny Doe finally broke free of his cocoon and unfurled his wings. For twelve years he had remained in that shell, unready to see the light that lay beyond. But now, he wanted to taste freedom- no matter what the cost may be.

SCENE SEVEN

“In an unexpected turn of events for the ****** case of Oliver Baxter, the city’s most elusive hitman has turned himself in and pleaded guilty,” said the voice from the bar’s flat screen TV.
A well-past-sober James lifted his head from the bar counter and turned up the volume.
“A complete genius, that one is,” he muttered to himself.
“The young man of 24 has identified himself as John Edwards Doe,” she continued.
James froze. He slowly turned his head towards the screen, frightened about what he might see. Plastered on the screen, with his unmistakable tortoise shell glasses and shock of red hair, was a mugshot of the man that sat beside him mere hours ago.
“Thanks to the city much-relieved police force, I can say with confidence that John Doe has finally taken his last shot,” she said.
The newscaster began to elaborate on the details of the trial but James was no longer listening. He rubbed his eyes and looked again at the screen. After a long moment of disbelief, he called out to the bartender.
“I think I need another shot.”
Prologue
A raw, unfiltered scream filled the air. The boy dropped the gun and rushed towards the body lying beside the wooden stand. The man before him was clutching his stomach- his t-shirt soaked with blood. His eyes began to well up with tears as he cradled his father in his arms. Groaning softly, the man used his free arm to touch the boy’s cheek.
“Shhhh. It’s okay. I know it was an accident,” the man said.
“I’m sorry. I didn’t mean to. We’ll get you to a hospital,” the boy choked out. “The doctors will fix you. I promise.”
The boy was trembling with a sob caught in his throat, and his head buried in his father’s chest.
“Hey, you’re gonna be okay, son. Look at me-”
He coughed suddenly and a stream of blood began to spill from his mouth,
“I forgive you. But listen to me, you won’t be able to fix me. Just know that I will always be proud of you and the great man that you will one day become.”
With that final assurance, his hands finally fell limp.
You must understand: when a child opens his eyes for the first time, he is like a caterpillar. As the years go by, his growth is measured by the number of skins he sheds as he outgrows another version of himself. And for each one that he discards, there will be another, buried deep inside of him, that will be drawn closer towards reality. Then one day, he will collapse into himself.
For this freshly-bereaved little boy, it is time to seek refuge and rebuild. For many years he will be consumed with the thought that he is not ready to be a man. He will refuse to leave his chrysalis. Eventually, he will forget about the world that lies beyond its walls until the day finally comes where he will have to make a choice: remain a boy or become the man his father wanted him to be.

SCENE ONE
MANY YEARS LATER…
A medley of voices sounded in the air as hundreds of city-dwellers navigated their way around the rush hour traffic. Horns blared all around them, and the skies were grey and dripped with moisture.
Jaywalking across Oak and fifth with a cold cappuccino in hand, was a frazzled young man named John. His freckled face was lined with worry as he stole another glance at his wristwatch and quickened his pace. On days like this, John really hated having a day-job.
A welcome distraction presented itself as the sudden playing of ‘I Want It that Way’ by Backstreet Boys. The woman beside him raised her eyebrows and glanced at his front pocket. Smiling sheepishly, he pulled out his phone. After pushing up his glasses and bringing it within nanometres of his face, he finally made out the Caller ID. Eyes widening, he hastily answered the call.
“Hello, this is John speaking.”
“I expect that you are ready for tomorrow,” said the voice on the line.
“Of course. The scope I ordered arrived last night,” replied John.
John bit his lip and ran a hand through his messy red hair.
“Yet your last assignment left two of my men in prison” continued the voice. “Do not mistake me, if Oliver Baxter’s heart is still beating by the end of tomorrow, you will suffer the same fate as your father.”  John moved the phone away from his ear- fearful of going deaf.
“Whatever is left of your future relies on this mission. Don’t miss.”
Static took over the line. Then, silence.
John squeezed his eyes shut and became aware of the metallic taste in his mouth. His lip was bleeding. He rummaged through his bag and searched for pack of tissues. In his carelessness, his elbow banged up against his rifle. Quickly extracting the pack, he shoved the weapon further down the bag. He heaved a heavy sigh and nursed his elbow in his hand.
“Stop doubting yourself, John. He’s just another corrupt C.E.O.- he has it coming,” he muttered to himself. “Just get it done, Johnny, get it done.”

SCENE TWO

Just a block away from John, waiting impatiently at the corner of Oak and Robson, was a scowling dark-haired man with a 5 O’Clock morning shadow. The sleeves of his button-down were scrunched up to his elbows and his tie hung loosely around his neck.
Noticing the rain beginning to intensify, the man stuffed the rest of his croissant into his mouth in an attempt to salvage its flaky goodness. No such luck. With a guttural sigh, he tossed his napkin into a nearby trash bin and grumbled to himself about the disgrace that is cold, store-bought pastries.
Thankfully for him, his phone rang and interrupted his reverie of self-pity.
“Who’s calling?” He answered gruffly.
“James. Always the charmer,” drawled the voice from the other line. “Now, that's no way to greet an old friend.”
“Well, I didn’t get an answer for my question now did I?” James said through gritted teeth
Over the line, he could hear his caller clicking his tongue disapprovingly.
“It’s Aaron, my good man. Have you really forgotten?”
Oh yes, Aaron Benson. The pretentious Englishman he shared an apartment with in his college days- the one with a relentless infatuation with Kate Middleton.
“Of course. Aaron. I could never.”
He could only wish he had.
“I hear you’ve made a name for yourself as a photographer?” he questioned.
“What’s it to you?” James said.
“I have a job for you. My cousin is on a business trip to your side of the Atlantic over the weekend. Oliver Baxter, the CEO for some big menswear company in London. Top thirty under thirty kind of bloke. I can’t stand him, but he’s family. Anyway, his birthday’s coming up and my family wants you to have a photoshoot with him.” said Aaron
James sighed. “So you want me to take a couple headshots of pretty boy for his Forbes cover page?”
“No, no. Take my word, he is as unphotogenic as a dung beetle. I say that with love. Partially,” Aaron snickered. “Just take a couple pictures- he doesn’t need to look good. We just want something to add to the slideshow for a couple of laughs.”
“Alright, I’ll do it. Send me his specifics by the end of the day, and I’ll tell you where you should wire the payment.” said James
“I’m grateful. Aside from that, I just wanted to ask you again about that suit I left at our apartment when I flew back to London. Were you able to find-”
James hung up.
He was definitely not getting that suit back.
James didn’t feel too guilty. After all, he thought to himself, the guy has enough money to buy it three times over. If not, he could take a loan from Mr. Thirty under thirty.

SCENE THREE

Later that day, a bleary-eyed and yawning James stepped into a bar. Groaning softly, he massaged the crook of his neck- blistering red patches lined the areas where his camera strap had rested on mere minutes ago.  
The ever-familiar scent of liquor and sweat hung in the air. Suddenly, a cheer erupted from the back corner of the room. As his eyes finally adjusted to the dimly-lit space, he spotted a lanky, red-headed figure by the dart station. A stadium of intoxicated onlookers was chanting his name.
James’ fingers twitched to reach for his camera but he quickly quelled it. The lighting was not in his favour. He strode over towards an empty stool by the bar. Unsurprisingly, his eyes were still fixed on the strange fellow pushing up his tortoiseshell glasses and setting up his stance for another shot at the target.
Bullseye.
The crowd bellowed appreciatively.
Standing up from his table on the other side of the bar, a man called out to the stranger, “Hey kid! Bet you wouldn’t be so tough without those glasses!”
James scoffed. The guy had half of his shirt unbuttoned and a half-emptied beer mug in hand. Regardless, all eyes turned towards the ginger superstar.
The guy scratched the back of his neck and let out a nervous chuckle. Then, with a final shake of his head, he removed his lenses.
“How much?”
Drunken hollering ensued, as well as some severely off-target slaps on the back. James watched as he carefully placed his frames on the counter and caught the stranger’s eye. Leaning back on his stool, James raised his eyebrows at him and tilted his head. A boyish grin spread across the stranger’s face.
Laughing now, the man made his way back towards his station and readied himself. One, two, three…
The crowd roared. The dart, still quivering, was lodged precisely in the centre of the target.
James turned away from the mayhem and ordered a drink. Coming up from behind him, the dart-savvy stranger slid into the seat next to him.
“Just some water, please.”
“Sure thing, hon,” said the bartender.
James looked to the man beside him and nodded curtly. Eyes twinkling, the boy smiled back.
“I take it you weren’t impressed by my little stunt up there.”
No response.
“My name’s John. John Doe actually. I wish I was kidding.”
James finally afforded him his attention.
“Bond. James Bond. I know the struggle.”
“Our parents really did us wrong, didn’t they?” said John.
James raised his glass.
“Cheers to that.” After both men had taken a sip of their drinks, James continued, “So, you don’t really need those glasses do you?”
“Well, of course I need them,” said John “but it’s not like I’m legally blind without them. I take it you don’t have any lenses for yourself?” he asked
“Yes, I do actually- a different kind though. I carry all my lenses with me, even my scope,” James explained, gently patting the bag hanging across his shoulders.
John’s eyes widened.
“It’s nice to finally meet someone from my own line of work,” said John.
“Really? There’s a ton of us in the city. People here pay a pretty penny for just a couple shots,” James replied dubiously.
“Very true. One time an MLA candidate offered me over two million to take care of, and I quote, ‘an old friend,’” agreed John.
“****, that’s a real friend right there,” said James, shaking his head. “So, are you the type to schedule appointments with your assignments, or do you prefer candids?”
“I’d say candids for sure,” replied John. “It’s easier when people aren’t suspecting it. That way it’s just one and done. The real nightmare comes when you’re asked to shoot multiple people.”
“The worst part of the job!” James sighed, rolling his eyes, “It’s so much quicker to find the perfect angle when you only have to worry about one guy.”
“Exactly! Clients are always so demanding! Don’t even get me started on scheduling families,” exclaimed John, throwing his hands into the air. “Married couples are understable, though. I can see why you would want to do both at the same time- so you can make sure you don’t leave any loose ends.”
James nodded in agreement.
“It’s just a pain, given that some jobs can takes hours to complete,” said James. “The subject either keeps on moving, or you can’t get the right angle. It makes my hair turn grey.”
John sat up straighter, enjoying the conversation.“Hear me out, I have seen my fair share of husbands and wives calling in for me to take care of their spouse,” carried on John. “Honestly, it makes me reconsider having a love life…”
Sniggering, James replied, “The only thing worse is when they get their kids involved. It physically pains me to have to include them when I’m taking my shots.”
“Truthfully, I’ve gotten to the point where if a client asks me to take down a kid, I just hang up. It’s not worth the trouble… or the emotional scars.” John said, eyes darkening.
“I wish I had the ***** to do something like that,” said James, looking at John with admiration, “but I just can’t afford to. I have to pay my rent somehow, you know?”
“Well, I started out pretty young so I think I’ve made a name for myself among the more influential circles. Although, for the public, I try to keep a low profile. But it’s getting harder now that more of my shots are making the headlines,” said John.
“Not bad, kid.” said James. “I got into this whole business while I was still in college as a way to pay for my tuition. Man, you go in there, thinking that all those frat-boys and sorority-girls are just a bunch of alcoholic party-goers, but when they go and hire you… I still have nightmares about the things they made me do,” James whispered, shivering.
“Fascinating!” replied John. “I didn’t know that colleges dabbled in our kind of underground operations.”
“They come with occupational hazards,” said James.
“Most of my assignments nowadays consist of old clients calling in a favour,” shared John. “I’ll end up tracking down some really important people- world leaders and such.”
James whistled appreciatively.
John continued, “It’s especially fun to fire your shot while they’re making a speech. It’s all so dramatic, and the shot almost freezes time for a second.”
“Have you been assigned to any higher-ups recently?” Said James.
“Yes, actually. A shareholder for some big entertainment outlet put me on Stan Lee.”
“You shot Stan Lee! I’ve been a fan of him for years! Do you still have the pictures?”
“Uh, I mean, I don’t really save pictures of the people I shoot… “ said John, scratching his head. “It leaves a paper trail, and I prefer to stay anonymous. Their photos usually end up on the news anyway,” said John
“It’s a shame that he died. At least his legacy lives on,” said James, frowning slightly.
“Well, of course he’s dead. I did shoot him...” John said, furrowing his eyebrows, but James didn’t hear him.
The rest of the night passed by quickly as the two continued to share their stories,and marvel at their uncanny similarities. It was a miracle, truly, that they were able to find another man who understood them so deeply.

SCENE FOUR
THE FOLLOWING DAY...
John crept towards the edge of the rooftop. Across from him, a couple stories below, was the window to Oliver Baxter’s suite. His hands were shaking. You’re just cold he thought to himself, It's nothing more. He slowly unzipped the top of his bag and and pulled out his rifle. After he made sure his weapon was loaded, he reached back into his bag to pull out his scope and brought out-
“A camera lens? Why would I have a camera lens”- the realization struck him- “James. I’m so stupid. He’s not another hitman- he’s a photographer. And he’s got my scope, too.”
His musings were stopped short; Oliver Baxter had just re-entered his room.
“I can’t believe this is happening,” he muttered to himself. “Today of all days…”
John reluctantly returned the camera lens to his bag. He couldn’t waste any more time.
“I guess I’ll have to use the old one.”
Annoyed, he reached into the front pocket of his bag and pulled out a small, scratched contraption. A gun scope! Albeit, a rather unimpressive model. “It’s a good thing I kept my old one as a backup. Who doesn’t love a good case of Chanel versus Walmart?”
Hint: Not John.
Unaware of the hitman outside his window, Mr. Baxter finally ended his call and plopped down onto a nearby armchair. With his looming height, his neck easily rose above the top of the chair. Sighing, he ran a callused hand through his hair and leaned back.
John swiftly finished setting up his stand. Just as he was about to about to fire, a butterfly fluttered towards him and landed on top of the trigger. It’s miniature wings were coloured with vivid reds, sparkling greens, and candy-apple oranges. John shrugged it off.
It was time. John exhaled shakily and closed his eyes. Why was he hesitating? This was not his first assignment. Although, it was his first time being assigned to someone from outside the country. He knew nothing of Oliver Baxter. Unlike his past victims, John had no way to gauge that the man was worthy of his fate. Standing alone on the top of an abandoned warehouse, John desperately wished that he wasn’t making a mistake.
Suddenly, the image of his father lying in a pool of crimson flashed beneath his closed eyelids. His ears rang with the sound of the bullet that tore through his skin. His hands still remembered the weight of his dying body- the wetness of his blood that stained his fingertips.
“You won’t be able to fix me,” his father had whispered to him.
He was right.
Suddenly, another voice, booming and full of static, echoed throughout his mind.
“Don’t miss.”
John opened his eyes and a familiar calmness overtook him. He pressed the trigger.
Not so far away, Oliver Baxter slumped into his chair.
“I never miss.”

SCENE FIVE

By the time our friend James Bond came to pay his own visit to Mr. Baxter, John had already slipped in and cleaned up after himself. Assuredly, he had changed the man into a nondescript red hoodie and tucked him securely into his bed. He even took the liberty of placing Mr. Baxter’s phone on silent. John had a feeling that Mr. Baxter wouldn’t mind. When he was finally satisfied with his handiwork, he took his leave.
Not long after, a huffing and puffing James Bond arrived on the 15th floor. With his patchy red cheeks and sweaty brow, he was truly a sight for sore eyes. He stepped out of the stairwell and muttered a series of curse words underneath his breath. Gritting his teeth, he walked over to the shining elevator doors beside him and gave them a hard kick. The “Out of Order” sign hanging off of it floated to the floor, and James whimpered as he nursed his aching toe.
“I’ll be ******- taking a picture of a monkey would’ve been easier than this.”
He stood in the hallway for a little while longer and gathered his wits. After the pain subsided, he strode over to the C.E.O.’s door and knocked. He immediately positioned himself to capture a candid of Mr. Baxter as he opened the door. No one came. John tried again. No answer. Finally, his patience worn thin. James fished out the keys he had flirtatiously convinced the new receptionist downstairs to lend him and carefully unlocked the hotel door. He stepped inside and surveyed the suite in search of his assignment only to find him underneath the freshly-washed blankets of his bed- sound asleep.
“Well then… Aaron did say it didn’t have to be a good photo.”
Shrugging, James reached into his bag for his camera lens and pulled it out.
“What the hell? This isn’t mine.” James said. He narrowed his eyes and examined the object in his hand. The instrument was long and bulbous with two black clamps attached to the bottom. Although, the clamps did not open wide enough to fit a camera- it almost looked as if they were meant to be attached to some some sort of cylinder. He peered through and in the middle of the lens lay a bright red dot. He supposed he and John must have inadvertently swapped lenses in the bar.
Then, he came to a realization.
“I see what’s going on here!” James proclaimed a little too loudly, “John must use this for long range pictures. Must be some new tech- and pretty expensive too. I’ve never seen anything like it before.”
For a split-second, James was tempted to pocket it, but a twinge of guilt urged him to return it to his bag. Sighing, he put away his camera and pulled out his phone. Aaron would have to make do with some lesser quality resolution.
James knelt down with his makeshift camera poised for the shot. Aaron had made no exaggerations about his cousin. The man was unnaturally pale and smelled strongly of… detergent? Honestly, a corpse would have looked more alive. His jaw was slack and, peculiarly enough, a red hoodie was pulled over his matted hair. A British thing, maybe? At the very least, he had the decency not to snore or drool.
Once satisfied with his pictures, James walked swiftly out the door and locked it behind him. By the time he had completed the tiresome journey back to the first floor, he had saved the photographs onto his USB drive. The only thing he had left to do was send them to Aaron.

SCENE SIX

When John entered the bar again, his eyes immediately fell on his companion from last night- the cynical James Bond. Given his current state, perhaps it would be wiser to keep his distance. Then again, when had he ever made the smart decision?
John greeted James as he collapsed into the stool next to him.
“Heard the news?” slurred James, “Oliver Baxter, up-and-coming C.E.O. of some big London company was found dead a couple hours ago.”
John’s heart skipped a beat. He responded carefully.
“No, this is news to me. I guess I was a little too busy today at work… You know, shooting my shots. In my photography studio. With my camera. That I use for photography, “ replied John.
James looked at him strangely.
John continued, “Poor guy. Never heard of him before, though. Oliver Brown, was it?”
“Baxter, not Brown,” James corrected him.
“Of course. Baxter. Sorry, I’m bad with names,” said John. He stole a glance at his friend, hoping he wasn’t seeing through him. Fortunately for him, James was too busy staring glumly into the frothy contents of his beer mug. “I’m sorry. Did he mean anything to you?”
“He was my assignment,” replied James. “When I came into his room for his shoot, he was asleep. My client, his cousin, said that he didn’t need to look good for the picture, so I snapped a couple shots of him like that and left. Turns out he wasn’t sleeping. Just dead.”
John’s throat tightened. Out of all the pessimistic photographers in the city, he just had to befriend the one who’s assignment he killed, didn’t he?
“It’s not your fault. No one would have expected him to be dead,” said John.
He had made sure of it.
Chuckling mirthlessly, James replied, “People always see the truth. One way or another, they see people for who they truly are, and see themselves for who they’ve become. They’re only either too scared to admit it, or they cover their eyes. What’s funny is that in our line of work it almost becomes the opposite. You don’t see anybody as either ordinary or extraordinary. You see them simply as people in front of your lens. Then one day, they stop being people at all.”
John’s stomach dropped. His friend did not give himself enough credit; James was not a horrible man. At least, he was not as awful as the man sitting beside him.
“Well, as photographers,” said John, “We also know that the truth can be ugly. And when you capture it with the perfect shot- when you shoot the right person, at the right time, in the right place- it comes back to haunt you.”
James lifted his eyes from the table and met his. Raising his half-empty glass to him, he whispered, “To the shots that haunt us.”
“To the shots that haunt us,” John repeated.

*
Not long after their grim declaration, John decided to return home. By that time, only streetlights continued to shine. His glasses could do little to aid his vision, but he still managed to make out the overstuffed mailbox in front of his house. With a roll of his eyes, he walked over to it, pushed the “No Flyers or Junk Mail” sign aside, and collected their ever-punctual delivery of coupons.
He swiftly unlocked the front door and closed it behind him. Just as he was about to reach for the remote and commence some much-needed binge-therapy, he realized that his mother was already seated on the sofa.
“Hey, mom,” he said as he walked over to her and kissed her forehead.
“You’ve come home late tonight, Johnny,” she said. “I’ve been spending the past few hours rifling through these albums.”
Surely enough, stacked up on the coffee table in front of them was a collection of his family’s photo albums. It was at that moment when the realization struck him.
“It’s been twelve years,” he whispered.
How could he have forgotten what day it was?
“Every day after your dad died feels like a lifetime.”
“Every day after I killed-”
His mother cut him off, “Don’t you finish that sentence.”
John cast his eyes downward and pursed his lips. Her eyes softened and she lifted the album off of her lap and placed it onto the table.
“Johnny, look at me,” she said. “What happened to your father was an accident- it was not your fault.”
John interrupted “I pulled that trigger. Me. I took him away from you.”
His mom sighed “Okay. You did. For years, after that day, I felt like someone had torn off my wings and left me to drown. I felt like I would never be able to fly again, like I would never be happy again. But raising you, watching you grow up, gave me hope. You have so much potential and a long life left to live, but your guilt keeps you trapped inside the past. I have already forgiven you, and I know he has too,” she paused, “It’s time that you forgive yourself.”
“What if I can’t?”
“You need to. You owe it to your father to be the man he wanted you to be. You’ll never be able to do that if you keep on punishing yourself.”
John did not know how to reply. James was right. He knew his mother was speaking the truth but all he wanted to do was cover his ears and shut his eyes. He had spent everyday for the past twelve years training and refining his accuracy- proving to the world that he would never miss another shot. All of this, just to make up for the one shot that took his father's life. Worse yet, he defiled himself; he painted his hands in crimson with the lives of his victims in an effort to conceal the blood he shed twelve years ago. But who was he to decide who would live or die? He was no god. He never was and never would be. He had only ever been a boy: honest, clumsy, and- dare he say it- faultless. Now, however, he was a man. A man who used other people’s lives to indulge in years of self-pity. This sin, he deserved to pay for.
In that moment, Johnny Doe finally broke free of his cocoon and unfurled his wings. For twelve years he had remained in that shell, unready to see the light that lay beyond. But now, he wanted to taste freedom- no matter what the cost may be.

SCENE SEVEN

“In an unexpected turn of events for the ****** case of Oliver Baxter, the city’s most elusive hitman has turned himself in and pleaded guilty,” said the voice from the bar’s flat screen TV.
A well-past-sober James lifted his head from the bar counter and turned up the volume.
“A complete genius, that one is,” he muttered to himself.
“The young man of 24 has identified himself as John Edwards Doe,” she continued.
James froze. He slowly turned his head towards the screen, frightened about what he might see. Plastered on the screen, with his unmistakable tortoise shell glasses and shock of red hair, was a mugshot of the man that sat beside him mere hours ago.
“Thanks to the city much-relieved police force, I can say with confidence that John Doe has finally taken his last shot,” she said.
The newscaster began to elaborate on the details of the trial but James was no longer listening. He rubbed his eyes and looked again at the screen. After a long moment of disbelief, he called out to the bartender.
“I think I need another shot.”
Prologue
A raw, unfiltered scream filled the air. The boy dropped the gun and rushed towards the body lying beside the wooden stand. The man before him was clutching his stomach- his t-shirt soaked with blood. His eyes began to well up with tears as he cradled his father in his arms. Groaning softly, the man used his free arm to touch the boy’s cheek.
“Shhhh. It’s okay. I know it was an accident,” the man said.
“I’m sorry. I didn’t mean to. We’ll get you to a hospital,” the boy choked out. “The doctors will fix you. I promise.”
The boy was trembling with a sob caught in his throat, and his head buried in his father’s chest.
“Hey, you’re gonna be okay, son. Look at me-”
He coughed suddenly and a stream of blood began to spill from his mouth,
“I forgive you. But listen to me, you won’t be able to fix me. Just know that I will always be proud of you and the great man that you will one day become.”
With that final assurance, his hands finally fell limp.
You must understand: when a child opens his eyes for the first time, he is like a caterpillar. As the years go by, his growth is measured by the number of skins he sheds as he outgrows another version of himself. And for each one that he discards, there will be another, buried deep inside of him, that will be drawn closer towards reality. Then one day, he will collapse into himself.
For this freshly-bereaved little boy, it is time to seek refuge and rebuild. For many years he will be consumed with the thought that he is not ready to be a man. He will refuse to leave his chrysalis. Eventually, he will forget about the world that lies beyond its walls until the day finally comes where he will have to make a choice: remain a boy or become the man his father wanted him to be.

SCENE ONE
MANY YEARS LATER…
A medley of voices sounded in the air as hundreds of city-dwellers navigated their way around the rush hour traffic. Horns blared all around them, and the skies were grey and dripped with moisture.
Jaywalking across Oak and fifth with a cold cappuccino in hand, was a frazzled young man named John. His freckled face was lined with worry as he stole another glance at his wristwatch and quickened his pace. On days like this, John really hated having a day-job.
A welcome distraction presented itself as the sudden playing of ‘I Want It that Way’ by Backstreet Boys. The woman beside him raised her eyebrows and glanced at his front pocket. Smiling sheepishly, he pulled out his phone. After pushing up his glasses and bringing it within nanometres of his face, he finally made out the Caller ID. Eyes widening, he hastily answered the call.
“Hello, this is John speaking.”
“I expect that you are ready for tomorrow,” said the voice on the line.
“Of course. The scope I ordered arrived last night,” replied John.
John bit his lip and ran a hand through his messy red hair.
“Yet your last assignment left two of my men in prison” continued the voice. “Do not mistake me, if Oliver Baxter’s heart is still beating by the end of tomorrow, you will suffer the same fate as your father.”  John moved the phone away from his ear- fearful of going deaf.
“Whatever is left of your future relies on this mission. Don’t miss.”
Static took over the line. Then, silence.
John squeezed his eyes shut and became aware of the metallic taste in his mouth. His lip was bleeding. He rummaged through his bag and searched for pack of tissues. In his carelessness, his elbow banged up against his rifle. Quickly extracting the pack, he shoved the weapon further down the bag. He heaved a heavy sigh and nursed his elbow in his hand.
“Stop doubting yourself, John. He’s just another corrupt C.E.O.- he has it coming,” he muttered to himself. “Just get it done, Johnny, get it done.”

SCENE TWO

Just a block away from John, waiting impatiently at the corner of Oak and Robson, was a scowling dark-haired man with a 5 O’Clock morning shadow. The sleeves of his button-down were scrunched up to his elbows and his tie hung loosely around his neck.
Noticing the rain beginning to intensify, the man stuffed the rest of his croissant into his mouth in an attempt to salvage its flaky goodness. No such luck. With a guttural sigh, he tossed his napkin into a nearby trash bin and grumbled to himself about the disgrace that is cold, store-bought pastries.
Thankfully for him, his phone rang and interrupted his reverie of self-pity.
“Who’s calling?” He answered gruffly.
“James. Always the charmer,” drawled the voice from the other line. “Now, that's no way to greet an old friend.”
“Well, I didn’t get an answer for my question now did I?” James said through gritted teeth
Over the line, he could hear his caller clicking his tongue disapprovingly.
“It’s Aaron, my good man. Have you really forgotten?”
Oh yes, Aaron Benson. The pretentious Englishman he shared an apartment with in his college days- the one with a relentless infatuation with Kate Middleton.
“Of course. Aaron. I could never.”
He could only wish he had.
“I hear you’ve made a name for yourself as a photographer?” he questioned.
“What’s it to you?” James said.
“I have a job for you. My cousin is on a business trip to your side of the Atlantic over the weekend. Oliver Baxter, the CEO for some big menswear company in London. Top thirty under thirty kind of bloke. I can’t stand him, but he’s family. Anyway, his birthday’s coming up and my family wants you to have a photoshoot with him.” said Aaron
James sighed. “So you want me to take a couple headshots of pretty boy for his Forbes cover page?”
“No, no. Take my word, he is as unphotogenic as a dung beetle. I say that with love. Partially,” Aaron snickered. “Just take a couple pictures- he doesn’t need to look good. We just want something to add to the slideshow for a couple of laughs.”
“Alright, I’ll do it. Send me his specifics by the end of the day, and I’ll tell you where you should wire the payment.” said James
“I’m grateful. Aside from that, I just wanted to ask you again about that suit I left at our apartment when I flew back to London. Were you able to find-”
James hung up.
He was definitely not getting that suit back.
James didn’t feel too guilty. After all, he thought to himself, the guy has enough money to buy it three times over. If not, he could take a loan from Mr. Thirty under thirty.

SCENE THREE

Later that day, a bleary-eyed and yawning James stepped into a bar. Groaning softly, he massaged the crook of his neck- blistering red patches lined the areas where his camera strap had rested on mere minutes ago.  
The ever-familiar scent of liquor and sweat hung in the air. Suddenly, a cheer erupted from the back corner of the room. As his eyes finally adjusted to the dimly-lit space, he spotted a lanky, red-headed figure by the dart station. A stadium of intoxicated onlookers was chanting his name.
James’ fingers twitched to reach for his camera but he quickly quelled it. The lighting was not in his favour. He strode over towards an empty stool by the bar. Unsurprisingly, his eyes were still fixed on the strange fellow pushing up his tortoiseshell glasses and setting up his stance for another shot at the target.
Bullseye.
The crowd bellowed appreciatively.
Standing up from his table on the other side of the bar, a man called out to the stranger, “Hey kid! Bet you wouldn’t be so tough without those glasses!”
James scoffed. The guy had half of his shirt unbuttoned and a half-emptied beer mug in hand. Regardless, all eyes turned towards the ginger superstar.
The guy scratched the back of his neck and let out a nervous chuckle. Then, with a final shake of his head, he removed his lenses.
“How much?”
Drunken hollering ensued, as well as some severely off-target slaps on the back. James watched as he carefully placed his frames on the counter and caught the stranger’s eye. Leaning back on his stool, James raised his eyebrows at him and tilted his head. A boyish grin spread across the stranger’s face.
Laughing now, the man made his way back towards his station and readied himself. One, two, three…
The crowd roared. The dart, still quivering, was lodged precisely in the centre of the target.
James turned away from the mayhem and ordered a drink. Coming up from behind him, the dart-savvy stranger slid into the seat next to him.
“Just some water, please.”
“Sure thing, hon,” said the bartender.
James looked to the man beside him and nodded curtly. Eyes twinkling, the boy smiled back.
“I take it you weren’t impressed by my little stunt up there.”
No response.
“My name’s John. John Doe actually. I wish I was kidding.”
James finally afforded him his attention.
“Bond. James Bond. I know the struggle.”
“Our parents really did us wrong, didn’t they?” said John.
James raised his glass.
“Cheers to that.” After both men had taken a sip of their drinks, James continued, “So, you don’t really need those glasses do you?”
“Well, of course I need them,” said John “but it’s not like I’m legally blind without them. I take it you don’t have any lenses for yourself?” he asked
“Yes, I do actually- a different kind though. I carry all my lenses with me, even my scope,” James explained, gently patting the bag hanging across his shoulders.
John’s eyes widened.
“It’s nice to finally meet someone from my own line of work,” said John.
“Really? There’s a ton of us in the city. People here pay a pretty penny for just a couple shots,” James replied dubiously.
“Very true. One time an MLA candidate offered me over two million to take care of, and I quote, ‘an old friend,’” agreed John.
“****, that’s a real friend right there,” said James, shaking his head. “So, are you the type to schedule appointments with your assignments, or do you prefer candids?”
“I’d say candids for sure,” replied John. “It’s easier when people aren’t suspecting it. That way it’s just one and done. The real nightmare comes when you’re asked to shoot multiple people.”
“The worst part of the job!” James sighed, rolling his eyes, “It’s so much quicker to find the perfect angle when you only have to worry about one guy.”
“Exactly! Clients are always so demanding! Don’t even get me started on scheduling families,” exclaimed John, throwing his hands into the air. “Married couples are understable, though. I can see why you would want to do both at the same time- so you can make sure you don’t leave any loose ends.”
James nodded in agreement.
“It’s just a pain, given that some jobs can takes hours to complete,” said James. “The subject either keeps on moving, or you can’t get the right angle. It makes my hair turn grey.”
John sat up straighter, enjoying the conversation.“Hear me out, I have seen my fair share of husbands and wives calling in for me to take care of their spouse,” carried on John. “Honestly, it makes me reconsider having a love life…”
Sniggering, James replied, “The only thing worse is when they get their kids involved. It physically pains me to have to include them when I’m taking my shots.”
“Truthfully, I’ve gotten to the point where if a client asks me to take down a kid, I just hang up. It’s not worth the trouble… or the emotional scars.” John said, eyes darkening.
“I wish I had the ***** to do something like that,” said James, looking at John with admiration, “but I just can’t afford to. I have to pay my rent somehow, you know?”
“Well, I started out pretty young so I think I’ve made a name for myself among the more influential circles. Although, for the public, I try to keep a low profile. But it’s getting harder now that more of my shots are making the headlines,” said John.
“Not bad, kid.” said James. “I got into this whole business while I was still in college as a way to pay for my tuition. Man, you go in there, thinking that all those frat-boys and sorority-girls are just a bunch of alcoholic party-goers, but when they go and hire you… I still have nightmares about the things they made me do,” James whispered, shivering.
“Fascinating!” replied John. “I didn’t know that colleges dabbled in our kind of underground operations.”
“They come with occupational hazards,” said James.
“Most of my assignments nowadays consist of old clients calling in a favour,” shared John. “I’ll end up tracking down some really important people- world leaders and such.”
James whistled appreciatively.
John continued, “It’s especially fun to fire your shot while they’re making a speech. It’s all so dramatic, and the shot almost freezes time for a second.”
“Have you been assigned to any higher-ups recently?” Said James.
“Yes, actually. A shareholder for some big entertainment outlet put me on Stan Lee.”
“You shot Stan Lee! I’ve been a fan of him for years! Do you still have the pictures?”
“Uh, I mean, I don’t really save pictures of the people I shoot… “ said John, scratching his head. “It leaves a paper trail, and I prefer to stay anonymous. Their photos usually end up on the news anyway,” said John
“It’s a shame that he died. At least his legacy lives on,” said James, frowning slightly.
“Well, of course he’s dead. I did shoot him...” John said, furrowing his eyebrows, but James didn’t hear him.
The rest of the night passed by quickly as the two continued to share their stories,and marvel at their uncanny similarities. It was a miracle, truly, that they were able to find another man who understood them so deeply.

SCENE FOUR
THE FOLLOWING DAY...
John crept towards the edge of the rooftop. Across from him, a couple stories below, was the window to Oliver Baxter’s suite. His hands were shaking. You’re just cold he thought to himself, It's nothing more. He slowly unzipped the top of his bag and and pulled out his rifle. After he made sure his weapon was loaded, he reached back into his bag to pull out his scope and brought out-
“A camera lens? Why would I have a camera lens”- the realization struck him- “James. I’m so stupid. He’s not another hitman- he’s a photographer. And he’s got my scope, too.”
His musings were stopped short; Oliver Baxter had just re-entered his room.
“I can’t believe this is happening,” he muttered to himself. “Today of all days…”
John reluctantly returned the camera lens to his bag. He couldn’t waste any more time.
“I guess I’ll have to use the old one.”
Annoyed, he reached into the front pocket of his bag and pulled out a small, scratched contraption. A gun scope! Albeit, a rather unimpressive model. “It’s a good thing I kept my old one as a backup. Who doesn’t love a good case of Chanel versus Walmart?”
Hint: Not John.
Unaware of the hitman outside his window, Mr. Baxter finally ended his call and plopped down onto a nearby armchair. With his looming height, his neck easily rose above the top of the chair. Sighing, he ran a callused hand through his hair and leaned back.
John swiftly finished setting up his stand. Just as he was about to about to fire, a butterfly fluttered towards him and landed on top of the trigger. It’s miniature wings were coloured with vivid reds, sparkling greens, and candy-apple oranges. John shrugged it off.
It was time. John exhaled shakily and closed his eyes. Why was he hesitating? This was not his first assignment. Although, it was his first time being assigned to someone from outside the country. He knew nothing of Oliver Baxter. Unlike his past victims, John had no way to gauge that the man was worthy of his fate. Standing alone on the top of an abandoned warehouse, John desperately wished that he wasn’t making a mistake.
Suddenly, the image of his father lying in a pool of crimson flashed beneath his closed eyelids. His ears rang with the sound of the bullet that tore through his skin. His hands still remembered the weight of his dying body- the wetness of his blood that stained his fingertips.
“You won’t be able to fix me,” his father had whispered to him.
He was right.
Suddenly, another voice, booming and full of static, echoed throughout his mind.
“Don’t miss.”
John opened his eyes and a familiar calmness overtook him. He pressed the trigger.
Not so far away, Oliver Baxter slumped into his chair.
“I never miss.”

SCENE FIVE

By the time our friend James Bond came to pay his own visit to Mr. Baxter, John had already slipped in and cleaned up after himself. Assuredly, he had changed the man into a nondescript red hoodie and tucked him securely into his bed. He even took the liberty of placing Mr. Baxter’s phone on silent. John had a feeling that Mr. Baxter wouldn’t mind. When he was finally satisfied with his handiwork, he took his leave.
Not long after, a huffing and puffing James Bond arrived on the 15th floor. With his patchy red cheeks and sweaty brow, he was truly a sight for sore eyes. He stepped out of the stairwell and muttered a series of curse words underneath his breath. Gritting his teeth, he walked over to the shining elevator doors beside him and gave them a hard kick. The “Out of Order” sign hanging off of it floated to the floor, and James whimpered as he nursed his aching toe.
“I’ll be ******- taking a picture of a monkey would’ve been easier than this.”
He stood in the hallway for a little while longer and gathered his wits. After the pain subsided, he strode over to the C.E.O.’s door and knocked. He immediately positioned himself to capture a candid of Mr. Baxter as he opened the door. No one came. John tried again. No answer. Finally, his patience worn thin. James fished out the keys he had flirtatiously convinced the new receptionist downstairs to lend him and carefully unlocked the hotel door. He stepped inside and surveyed the suite in search of his assignment only to find him underneath the freshly-washed blankets of his bed- sound asleep.
“Well then… Aaron did say it didn’t have to be a good photo.”
Shrugging, James reached into his bag for his camera lens and pulled it out.
“What the hell? This isn’t mine.” James said. He narrowed his eyes and examined the object in his hand. The instrument was long and bulbous with two black clamps attached to the bottom. Although, the clamps did not open wide enough to fit a camera- it almost looked as if they were meant to be attached to some some sort of cylinder. He peered through and in the middle of the lens lay a bright red dot. He supposed he and John must have inadvertently swapped lenses in the bar.
Then, he came to a realization.
“I see what’s going on here!” James proclaimed a little too loudly, “John must use this for long range pictures. Must be some new tech- and pretty expensive too. I’ve never seen anything like it before.”
For a split-second, James was tempted to pocket it, but a twinge of guilt urged him to return it to his bag. Sighing, he put away his camera and pulled out his phone. Aaron would have to make do with some lesser quality resolution.
James knelt down with his makeshift camera poised for the shot. Aaron had made no exaggerations about his cousin. The man was unnaturally pale and smelled strongly of… detergent? Honestly, a corpse would have looked more alive. His jaw was slack and, peculiarly enough, a red hoodie was pulled over his matted hair. A British thing, maybe? At the very least, he had the decency not to snore or drool.
Once satisfied with his pictures, James walked swiftly out the door and locked it behind him. By the time he had completed the tiresome journey back to the first floor, he had saved the photographs onto his USB drive. The only thing he had left to do was send them to Aaron.

SCENE SIX

When John entered the bar again, his eyes immediately fell on his companion from last night- the cynical James Bond. Given his current state, perhaps it would be wiser to keep his distance. Then again, when had he ever made the smart decision?
John greeted James as he collapsed into the stool next to him.
“Heard the news?” slurred James, “Oliver Baxter, up-and-coming C.E.O. of some big London company was found dead a couple hours ago.”
John’s heart skipped a beat. He responded carefully.
“No, this is news to me. I guess I was a little too busy today at work… You know, shooting my shots. In my photography studio. With my camera. That I use for photography, “ replied John.
James looked at him strangely.
John continued, “Poor guy. Never heard of him before, though. Oliver Brown, was it?”
“Baxter, not Brown,” James corrected him.
“Of course. Baxter. Sorry, I’m bad with names,” said John. He stole a glance at his friend, hoping he wasn’t seeing through him. Fortunately for him, James was too busy staring glumly into the frothy contents of his beer mug. “I’m sorry. Did he mean anything to you?”
“He was my assignment,” replied James. “When I came into his room for his shoot, he was asleep. My client, his cousin, said that he didn’t need to look good for the picture, so I snapped a couple shots of him like that and left. Turns out he wasn’t sleeping. Just dead.”
John’s throat tightened. Out of all the pessimistic photographers in the city, he just had to befriend the one who’s assignment he killed, didn’t he?
“It’s not your fault. No one would have expected him to be dead,” said John.
He had made sure of it.
Chuckling mirthlessly, James replied, “People always see the truth. One way or another, they see people for who they truly are, and see themselves for who they’ve become. They’re only either too scared to admit it, or they cover their eyes. What’s funny is that in our line of work it almost becomes the opposite. You don’t see anybody as either ordinary or extraordinary. You see them simply as people in front of your lens. Then one day, they stop being people at all.”
John’s stomach dropped. His friend did not give himself enough credit; James was not a horrible man. At least, he was not as awful as the man sitting beside him.
“Well, as photographers,” said John, “We also know that the truth can be ugly. And when you capture it with the perfect shot- when you shoot the right person, at the right time, in the right place- it comes back to haunt you.”
James lifted his eyes from the table and met his. Raising his half-empty glass to him, he whispered, “To the shots that haunt us.”
“To the shots that haunt us,” John repeated.

*
Not long after their grim declaration, John decided to return home. By that time, only streetlights continued to shine. His glasses could do little to aid his vision, but he still managed to make out the overstuffed mailbox in front of his house. With a roll of his eyes, he walked over to it, pushed the “No Flyers or Junk Mail” sign aside, and collected their ever-punctual delivery of coupons.
He swiftly unlocked the front door and closed it behind him. Just as he was about to reach for the remote and commence some much-needed binge-therapy, he realized that his mother was already seated on the sofa.
“Hey, mom,” he said as he walked over to her and kissed her forehead.
“You’ve come home late tonight, Johnny,” she said. “I’ve been spending the past few hours rifling through these albums.”
Surely enough, stacked up on the coffee table in front of them was a collection of his family’s photo albums. It was at that moment when the realization struck him.
“It’s been twelve years,” he whispered.
How could he have forgotten what day it was?
“Every day after your dad died feels like a lifetime.”
“Every day after I killed-”
His mother cut him off, “Don’t you finish that sentence.”
John cast his eyes downward and pursed his lips. Her eyes softened and she lifted the album off of her lap and placed it onto the table.
“Johnny, look at me,” she said. “What happened to your father was an accident- it was not your fault.”
John interrupted “I pulled that trigger. Me. I took him away from you.”
His mom sighed “Okay. You did. For years, after that day, I felt like someone had torn off my wings and left me to drown. I felt like I would never be able to fly again, like I would never be happy again. But raising you, watching you grow up, gave me hope. You have so much potential and a long life left to live, but your guilt keeps you trapped inside the past. I have already forgiven you, and I know he has too,” she paused, “It’s time that you forgive yourself.”
“What if I can’t?”
“You need to. You owe it to your father to be the man he wanted you to be. You’ll never be able to do that if you keep on punishing yourself.”
John did not know how to reply. James was right. He knew his mother was speaking the truth but all he wanted to do was cover his ears and shut his eyes. He had spent everyday for the past twelve years training and refining his accuracy- proving to the world that he would never miss another shot. All of this, just to make up for the one shot that took his father's life. Worse yet, he defiled himself; he painted his hands in crimson with the lives of his victims in an effort to conceal the blood he shed twelve years ago. But who was he to decide who would live or die? He was no god. He never was and never would be. He had only ever been a boy: honest, clumsy, and- dare he say it- faultless. Now, however, he was a man. A man who used other people’s lives to indulge in years of self-pity. This sin, he deserved to pay for.
In that moment, Johnny Doe finally broke free of his cocoon and unfurled his wings. For twelve years he had remained in that shell, unready to see the light that lay beyond. But now, he wanted to taste freedom- no matter what the cost may be.

SCENE SEVEN

“In an unexpected turn of events for the ****** case of Oliver Baxter, the city’s most elusive hitman has turned himself in and pleaded guilty,” said the voice from the bar’s flat screen TV.
A well-past-sober James lifted his head from the bar counter and turned up the volume.
“A complete genius, that one is,” he muttered to himself.
“The young man of 24 has identified himself as John Edwards Doe,” she continued.
James froze. He slowly turned his head towards the screen, frightened about what he might see. Plastered on the screen, with his unmistakable tortoise shell glasses and shock of red hair, was a mugshot of the man that sat beside him mere hours ago.
“Thanks to the city much-relieved police force, I can say with confidence that John Doe has finally taken his last shot,” she said.
The newscaster began to elaborate on the details of the trial but James was no longer listening. He rubbed his eyes and looked again at the screen. After a long moment of disbelief, he called out to the bartender.
“I think I need another shot.”
Prologue
A raw, unfiltered scream filled the air. The boy dropped the gun and rushed towards the body lying beside the wooden stand. The man before him was clutching his stomach- his t-shirt soaked with blood. His eyes began to well up with tears as he cradled his father in his arms. Groaning softly, the man used his free arm to touch the boy’s cheek.
“Shhhh. It’s okay. I know it was an accident,” the man said.
“I’m sorry. I didn’t mean to. We’ll get you to a hospital,” the boy choked out. “The doctors will fix you. I promise.”
The boy was trembling with a sob caught in his throat, and his head buried in his father’s chest.
“Hey, you’re gonna be okay, son. Look at me-”
He coughed suddenly and a stream of blood began to spill from his mouth,
“I forgive you. But listen to me, you won’t be able to fix me. Just know that I will always be proud of you and the great man that you will one day become.”
With that final assurance, his hands finally fell limp.
You must understand: when a child opens his eyes for the first time, he is like a caterpillar. As the years go by, his growth is measured by the number of skins he sheds as he outgrows another version of himself. And for each one that he discards, there will be another, buried deep inside of him, that will be drawn closer towards reality. Then one day, he will collapse into himself.
For this freshly-bereaved little boy, it is time to seek refuge and rebuild. For many years he will be consumed with the thought that he is not ready to be a man. He will refuse to leave his chrysalis. Eventually, he will forget about the world that lies beyond its walls until the day finally comes where he will have to make a choice: remain a boy or become the man his father wanted him to be.

SCENE ONE
MANY YEARS LATER…
A medley of voices sounded in the air as hundreds of city-dwellers navigated their way around the rush hour traffic. Horns blared all around them, and the skies were grey and dripped with moisture.
Jaywalking across Oak and fifth with a cold cappuccino in hand, was a frazzled young man named John. His freckled face was lined with worry as he stole another glance at his wristwatch and quickened his pace. On days like this, John really hated having a day-job.
A welcome distraction presented itself as the sudden playing of ‘I Want It that Way’ by Backstreet Boys. The woman beside him raised her eyebrows and glanced at his front pocket. Smiling sheepishly, he pulled out his phone. After pushing up his glasses and bringing it within nanometres of his face, he finally made out the Caller ID. Eyes widening, he hastily answered the call.
“Hello, this is John speaking.”
“I expect that you are ready for tomorrow,” said the voice on the line.
“Of course. The scope I ordered arrived last night,” replied John.
John bit his lip and ran a hand through his messy red hair.
“Yet your last assignment left two of my men in prison” continued the voice. “Do not mistake me, if Oliver Baxter’s heart is still beating by the end of tomorrow, you will suffer the same fate as your father.”  John moved the phone away from his ear- fearful of going deaf.
“Whatever is left of your future relies on this mission. Don’t miss.”
Static took over the line. Then, silence.
John squeezed his eyes shut and became aware of the metallic taste in his mouth. His lip was bleeding. He rummaged through his bag and searched for pack of tissues. In his carelessness, his elbow banged up against his rifle. Quickly extracting the pack, he shoved the weapon further down the bag. He heaved a heavy sigh and nursed his elbow in his hand.
“Stop doubting yourself, John. He’s just another corrupt C.E.O.- he has it coming,” he muttered to himself. “Just get it done, Johnny, get it done.”

SCENE TWO

Just a block away from John, waiting impatiently at the corner of Oak and Robson, was a scowling dark-haired man with a 5 O’Clock morning shadow. The sleeves of his button-down were scrunched up to his elbows and his tie hung loosely around his neck.
Noticing the rain beginning to intensify, the man stuffed the rest of his croissant into his mouth in an attempt to salvage its flaky goodness. No such luck. With a guttural sigh, he tossed his napkin into a nearby trash bin and grumbled to himself about the disgrace that is cold, store-bought pastries.
Thankfully for him, his phone rang and interrupted his reverie of self-pity.
“Who’s calling?” He answered gruffly.
“James. Always the charmer,” drawled the voice from the other line. “Now, that's no way to greet an old friend.”
“Well, I didn’t get an answer for my question now did I?” James said through gritted teeth
Over the line, he could hear his caller clicking his tongue disapprovingly.
“It’s Aaron, my good man. Have you really forgotten?”
Oh yes, Aaron Benson. The pretentious Englishman he shared an apartment with in his college days- the one with a relentless infatuation with Kate Middleton.
“Of course. Aaron. I could never.”
He could only wish he had.
“I hear you’ve made a name for yourself as a photographer?” he questioned.
“What’s it to you?” James said.
“I have a job for you. My cousin is on a business trip to your side of the Atlantic over the weekend. Oliver Baxter, the CEO for some big menswear company in London. Top thirty under thirty kind of bloke. I can’t stand him, but he’s family. Anyway, his birthday’s coming up and my family wants you to have a photoshoot with him.” said Aaron
James sighed. “So you want me to take a couple headshots of pretty boy for his Forbes cover page?”
“No, no. Take my word, he is as unphotogenic as a dung beetle. I say that with love. Partially,” Aaron snickered. “Just take a couple pictures- he doesn’t need to look good. We just want something to add to the slideshow for a couple of laughs.”
“Alright, I’ll do it. Send me his specifics by the end of the day, and I’ll tell you where you should wire the payment.” said James
“I’m grateful. Aside from that, I just wanted to ask you again about that suit I left at our apartment when I flew back to London. Were you able to find-”
James hung up.
He was definitely not getting that suit back.
James didn’t feel too guilty. After all, he thought to himself, the guy has enough money to buy it three times over. If not, he could take a loan from Mr. Thirty under thirty.

SCENE THREE

Later that day, a bleary-eyed and yawning James stepped into a bar. Groaning softly, he massaged the crook of his neck- blistering red patches lined the areas where his camera strap had rested on mere minutes ago.  
The ever-familiar scent of liquor and sweat hung in the air. Suddenly, a cheer erupted from the back corner of the room. As his eyes finally adjusted to the dimly-lit space, he spotted a lanky, red-headed figure by the dart station. A stadium of intoxicated onlookers was chanting his name.
James’ fingers twitched to reach for his camera but he quickly quelled it. The lighting was not in his favour. He strode over towards an empty stool by the bar. Unsurprisingly, his eyes were still fixed on the strange fellow pushing up his tortoiseshell glasses and setting up his stance for another shot at the target.
Bullseye.
The crowd bellowed appreciatively.
Standing up from his table on the other side of the bar, a man called out to the stranger, “Hey kid! Bet you wouldn’t be so tough without those glasses!”
James scoffed. The guy had half of his shirt unbuttoned and a half-emptied beer mug in hand. Regardless, all eyes turned towards the ginger superstar.
The guy scratched the back of his neck and let out a nervous chuckle. Then, with a final shake of his head, he removed his lenses.
“How much?”
Drunken hollering ensued, as well as some severely off-target slaps on the back. James watched as he carefully placed his frames on the counter and caught the stranger’s eye. Leaning back on his stool, James raised his eyebrows at him and tilted his head. A boyish grin spread across the stranger’s face.
Laughing now, the man made his way back towards his station and readied himself. One, two, three…
The crowd roared. The dart, still quivering, was lodged precisely in the centre of the target.
James turned away from the mayhem and ordered a drink. Coming up from behind him, the dart-savvy stranger slid into the seat next to him.
“Just some water, please.”
“Sure thing, hon,” said the bartender.
James looked to the man beside him and nodded curtly. Eyes twinkling, the boy smiled back.
“I take it you weren’t impressed by my little stunt up there.”
No response.
“My name’s John. John Doe actually. I wish I was kidding.”
James finally afforded him his attention.
“Bond. James Bond. I know the struggle.”
“Our parents really did us wrong, didn’t they?” said John.
James raised his glass.
“Cheers to that.” After both men had taken a sip of their drinks, James continued, “So, you don’t really need those glasses do you?”
“Well, of course I need them,” said John “but it’s not like I’m legally blind without them. I take it you don’t have any lenses for yourself?” he asked
“Yes, I do actually- a different kind though. I carry all my lenses with me, even my scope,” James explained, gently patting the bag hanging across his shoulders.
John’s eyes widened.
“It’s nice to finally meet someone from my own line of work,” said John.
“Really? There’s a ton of us in the city. People here pay a pretty penny for just a couple shots,” James replied dubiously.
“Very true. One time an MLA candidate offered me over two million to take care of, and I quote, ‘an old friend,’” agreed John.
“****, that’s a real friend right there,” said James, shaking his head. “So, are you the type to schedule appointments with your assignments, or do you prefer candids?”
“I’d say candids for sure,” replied John. “It’s easier when people aren’t suspecting it. That way it’s just one and done. The real nightmare comes when you’re asked to shoot multiple people.”
“The worst part of the job!” James sighed, rolling his eyes, “It’s so much quicker to find the perfect angle when you only have to worry about one guy.”
“Exactly! Clients are always so demanding! Don’t even get me started on scheduling families,” exclaimed John, throwing his hands into the air. “Married couples are understable, though. I can see why you would want to do both at the same time- so you can make sure you don’t leave any loose ends.”
James nodded in agreement.
“It’s just a pain, given that some jobs can takes hours to complete,” said James. “The subject either keeps on moving, or you can’t get the right angle. It makes my hair turn grey.”
John sat up straighter, enjoying the conversation.“Hear me out, I have seen my fair share of husbands and wives calling in for me to take care of their spouse,” carried on John. “Honestly, it makes me reconsider having a love life…”
Sniggering, James replied, “The only thing worse is when they get their kids involved. It physically pains me to have to include them when I’m taking my shots.”
“Truthfully, I’ve gotten to the point where if a client asks me to take down a kid, I just hang up. It’s not worth the trouble… or the emotional scars.” John said, eyes darkening.
“I wish I had the ***** to do something like that,” said James, looking at John with admiration, “but I just can’t afford to. I have to pay my rent somehow, you know?”
“Well, I started out pretty young so I think I’ve made a name for myself among the more influential circles. Although, for the public, I try to keep a low profile. But it’s getting harder now that more of my shots are making the headlines,” said John.
“Not bad, kid.” said James. “I got into this whole business while I was still in college as a way to pay for my tuition. Man, you go in there, thinking that all those frat-boys and sorority-girls are just a bunch of alcoholic party-goers, but when they go and hire you… I still have nightmares about the things they made me do,” James whispered, shivering.
“Fascinating!” replied John. “I didn’t know that colleges dabbled in our kind of underground operations.”
“They come with occupational hazards,” said James.
“Most of my assignments nowadays consist of old clients calling in a favour,” shared John. “I’ll end up tracking down some really important people- world leaders and such.”
James whistled appreciatively.
John continued, “It’s especially fun to fire your shot while they’re making a speech. It’s all so dramatic, and the shot almost freezes time for a second.”
“Have you been assigned to any higher-ups recently?” Said James.
“Yes, actually. A shareholder for some big entertainment outlet put me on Stan Lee.”
“You shot Stan Lee! I’ve been a fan of him for years! Do you still have the pictures?”
“Uh, I mean, I don’t really save pictures of the people I shoot… “ said John, scratching his head. “It leaves a paper trail, and I prefer to stay anonymous. Their photos usually end up on the news anyway,” said John
“It’s a shame that he died. At least his legacy lives on,” said James, frowning slightly.
“Well, of course he’s dead. I did shoot him...” John said, furrowing his eyebrows, but James didn’t hear him.
The rest of the night passed by quickly as the two continued to share their stories,and marvel at their uncanny similarities. It was a miracle, truly, that they were able to find another man who understood them so deeply.

SCENE FOUR
THE FOLLOWING DAY...
John crept towards the edge of the rooftop. Across from him, a couple stories below, was the window to Oliver Baxter’s suite. His hands were shaking. You’re just cold he thought to himself, It's nothing more. He slowly unzipped the top of his bag and and pulled out his rifle. After he made sure his weapon was loaded, he reached back into his bag to pull out his scope and brought out-
“A camera lens? Why would I have a camera lens”- the realization struck him- “James. I’m so stupid. He’s not another hitman- he’s a photographer. And he’s got my scope, too.”
His musings were stopped short; Oliver Baxter had just re-entered his room.
“I can’t believe this is happening,” he muttered to himself. “Today of all days…”
John reluctantly returned the camera lens to his bag. He couldn’t waste any more time.
“I guess I’ll have to use the old one.”
Annoyed, he reached into the front pocket of his bag and pulled out a small, scratched contraption. A gun scope! Albeit, a rather unimpressive model. “It’s a good thing I kept my old one as a backup. Who doesn’t love a good case of Chanel versus Walmart?”
Hint: Not John.
Unaware of the hitman outside his window, Mr. Baxter finally ended his call and plopped down onto a nearby armchair. With his looming height, his neck easily rose above the top of the chair. Sighing, he ran a callused hand through his hair and leaned back.
John swiftly finished setting up his stand. Just as he was about to about to fire, a butterfly fluttered towards him and landed on top of the trigger. It’s miniature wings were coloured with vivid reds, sparkling greens, and candy-apple oranges. John shrugged it off.
It was time. John exhaled shakily and closed his eyes. Why was he hesitating? This was not his first assignment. Although, it was his first time being assigned to someone from outside the country. He knew nothing of Oliver Baxter. Unlike his past victims, John had no way to gauge that the man was worthy of his fate. Standing alone on the top of an abandoned warehouse, John desperately wished that he wasn’t making a mistake.
Suddenly, the image of his father lying in a pool of crimson flashed beneath his closed eyelids. His ears rang with the sound of the bullet that tore through his skin. His hands still remembered the weight of his dying body- the wetness of his blood that stained his fingertips.
“You won’t be able to fix me,” his father had whispered to him.
He was right.
Suddenly, another voice, booming and full of static, echoed throughout his mind.
“Don’t miss.”
John opened his eyes and a familiar calmness overtook him. He pressed the trigger.
Not so far away, Oliver Baxter slumped into his chair.
“I never miss.”

SCENE FIVE

By the time our friend James Bond came to pay his own visit to Mr. Baxter, John had already slipped in and cleaned up after himself. Assuredly, he had changed the man into a nondescript red hoodie and tucked him securely into his bed. He even took the liberty of placing Mr. Baxter’s phone on silent. John had a feeling that Mr. Baxter wouldn’t mind. When he was finally satisfied with his handiwork, he took his leave.
Not long after, a huffing and puffing James Bond arrived on the 15th floor. With his patchy red cheeks and sweaty brow, he was truly a sight for sore eyes. He stepped out of the stairwell and muttered a series of curse words underneath his breath. Gritting his teeth, he walked over to the shining elevator doors beside him and gave them a hard kick. The “Out of Order” sign hanging off of it floated to the floor, and James whimpered as he nursed his aching toe.
“I’ll be ******- taking a picture of a monkey would’ve been easier than this.”
He stood in the hallway for a little while longer and gathered his wits. After the pain subsided, he strode over to the C.E.O.’s door and knocked. He immediately positioned himself to capture a candid of Mr. Baxter as he opened the door. No one came. John tried again. No answer. Finally, his patience worn thin. James fished out the keys he had flirtatiously convinced the new receptionist downstairs to lend him and carefully unlocked the hotel door. He stepped inside and surveyed the suite in search of his assignment only to find him underneath the freshly-washed blankets of his bed- sound asleep.
“Well then… Aaron did say it didn’t have to be a good photo.”
Shrugging, James reached into his bag for his camera lens and pulled it out.
“What the hell? This isn’t mine.” James said. He narrowed his eyes and examined the object in his hand. The instrument was long and bulbous with two black clamps attached to the bottom. Although, the clamps did not open wide enough to fit a camera- it almost looked as if they were meant to be attached to some some sort of cylinder. He peered through and in the middle of the lens lay a bright red dot. He supposed he and John must have inadvertently swapped lenses in the bar.
Then, he came to a realization.
“I see what’s going on here!” James proclaimed a little too loudly, “John must use this for long range pictures. Must be some new tech- and pretty expensive too. I’ve never seen anything like it before.”
For a split-second, James was tempted to pocket it, but a twinge of guilt urged him to return it to his bag. Sighing, he put away his camera and pulled out his phone. Aaron would have to make do with some lesser quality resolution.
James knelt down with his makeshift camera poised for the shot. Aaron had made no exaggerations about his cousin. The man was unnaturally pale and smelled strongly of… detergent? Honestly, a corpse would have looked more alive. His jaw was slack and, peculiarly enough, a red hoodie was pulled over his matted hair. A British thing, maybe? At the very least, he had the decency not to snore or drool.
Once satisfied with his pictures, James walked swiftly out the door and locked it behind him. By the time he had completed the tiresome journey back to the first floor, he had saved the photographs onto his USB drive. The only thing he had left to do was send them to Aaron.

SCENE SIX

When John entered the bar again, his eyes immediately fell on his companion from last night- the cynical James Bond. Given his current state, perhaps it would be wiser to keep his distance. Then again, when had he ever made the smart decision?
John greeted James as he collapsed into the stool next to him.
“Heard the news?” slurred James, “Oliver Baxter, up-and-coming C.E.O. of some big London company was found dead a couple hours ago.”
John’s heart skipped a beat. He responded carefully.
“No, this is news to me. I guess I was a little too busy today at work… You know, shooting my shots. In my photography studio. With my camera. That I use for photography, “ replied John.
James looked at him strangely.
John continued, “Poor guy. Never heard of him before, though. Oliver Brown, was it?”
“Baxter, not Brown,” James corrected him.
“Of course. Baxter. Sorry, I’m bad with names,” said John. He stole a glance at his friend, hoping he wasn’t seeing through him. Fortunately for him, James was too busy staring glumly into the frothy contents of his beer mug. “I’m sorry. Did he mean anything to you?”
“He was my assignment,” replied James. “When I came into his room for his shoot, he was asleep. My client, his cousin, said that he didn’t need to look good for the picture, so I snapped a couple shots of him like that and left. Turns out he wasn’t sleeping. Just dead.”
John’s throat tightened. Out of all the pessimistic photographers in the city, he just had to befriend the one who’s assignment he killed, didn’t he?
“It’s not your fault. No one would have expected him to be dead,” said John.
He had made sure of it.
Chuckling mirthlessly, James replied, “People always see the truth. One way or another, they see people for who they truly are, and see themselves for who they’ve become. They’re only either too scared to admit it, or they cover their eyes. What’s funny is that in our line of work it almost becomes the opposite. You don’t see anybody as either ordinary or extraordinary. You see them simply as people in front of your lens. Then one day, they stop being people at all.”
John’s stomach dropped. His friend did not give himself enough credit; James was not a horrible man. At least, he was not as awful as the man sitting beside him.
“Well, as photographers,” said John, “We also know that the truth can be ugly. And when you capture it with the perfect shot- when you shoot the right person, at the right time, in the right place- it comes back to haunt you.”
James lifted his eyes from the table and met his. Raising his half-empty glass to him, he whispered, “To the shots that haunt us.”
“To the shots that haunt us,” John repeated.

*
Not long after their grim declaration, John decided to return home. By that time, only streetlights continued to shine. His glasses could do little to aid his vision, but he still managed to make out the overstuffed mailbox in front of his house. With a roll of his eyes, he walked over to it, pushed the “No Flyers or Junk Mail” sign aside, and collected their ever-punctual delivery of coupons.
He swiftly unlocked the front door and closed it behind him. Just as he was about to reach for the remote and commence some much-needed binge-therapy, he realized that his mother was already seated on the sofa.
“Hey, mom,” he said as he walked over to her and kissed her forehead.
“You’ve come home late tonight, Johnny,” she said. “I’ve been spending the past few hours rifling through these albums.”
Surely enough, stacked up on the coffee table in front of them was a collection of his family’s photo albums. It was at that moment when the realization struck him.
“It’s been twelve years,” he whispered.
How could he have forgotten what day it was?
“Every day after your dad died feels like a lifetime.”
“Every day after I killed-”
His mother cut him off, “Don’t you finish that sentence.”
John cast his eyes downward and pursed his lips. Her eyes softened and she lifted the album off of her lap and placed it onto the table.
“Johnny, look at me,” she said. “What happened to your father was an accident- it was not your fault.”
John interrupted “I pulled that trigger. Me. I took him away from you.”
His mom sighed “Okay. You did. For years, after that day, I felt like someone had torn off my wings and left me to drown. I felt like I would never be able to fly again, like I would never be happy again. But raising you, watching you grow up, gave me hope. You have so much potential and a long life left to live, but your guilt keeps you trapped inside the past. I have already forgiven you, and I know he has too,” she paused, “It’s time that you forgive yourself.”
“What if I can’t?”
“You need to. You owe it to your father to be the man he wanted you to be. You’ll never be able to do that if you keep on punishing yourself.”
John did not know how to reply. James was right. He knew his mother was speaking the truth but all he wanted to do was cover his ears and shut his eyes. He had spent everyday for the past twelve years training and refining his accuracy- proving to the world that he would never miss another shot. All of this, just to make up for the one shot that took his father's life. Worse yet, he defiled himself; he painted his hands in crimson with the lives of his victims in an effort to conceal the blood he shed twelve years ago. But who was he to decide who would live or die? He was no god. He never was and never would be. He had only ever been a boy: honest, clumsy, and- dare he say it- faultless. Now, however, he was a man. A man who used other people’s lives to indulge in years of self-pity. This sin, he deserved to pay for.
In that moment, Johnny Doe finally broke free of his cocoon and unfurled his wings. For twelve years he had remained in that shell, unready to see the light that lay beyond. But now, he wanted to taste freedom- no matter what the cost may be.

SCENE SEVEN

“In an unexpected turn of events for the ****** case of Oliver Baxter, the city’s most elusive hitman has turned himself in and pleaded guilty,” said the voice from the bar’s flat screen TV.
A well-past-sober James lifted his head from the bar counter and turned up the volume.
“A complete genius, that one is,” he muttered to himself.
“The young man of 24 has identified himself as John Edwards Doe,” she continued.
James froze. He slowly turned his head towards the screen, frightened about what he might see. Plastered on the screen, with his unmistakable tortoise shell glasses and shock of red hair, was a mugshot of the man that sat beside him mere hours ago.
“Thanks to the city much-relieved police force, I can say with confidence that John Doe has finally taken his last shot,” she said.
The newscaster began to elaborate on the details of the trial but James was no longer listening. He rubbed his eyes and looked again at the screen. After a long moment of disbelief, he called out to the bartender.
“I think I need another shot.”

Here it goes again.
Another poem to describe how useless I am.
How tattered my soul is.
How my brain resembles my hands,
callused, numb, and broken dry skin.
I'm a terrible person.
Self indulgent and full of sin.

And here it goes again.
In the mirror I see nothing.
A big steaming pile of nothing.
Full of wasted dreams, 'what ifs' and 'one days.'
The **** that I write never comes out right.
The **** that I dream is just that:
a big steaming pile of nothing.

Here it goes again.
As if I am something.
But I can't get past how useless I am.
A speck in this cosmic dust cloud.
And here I go again, thinking I am a tornado.
How I will crush your dream home
and leave behind a big steaming pile of debris.

Here I go again,
thinking I am nothing.
When really, I am something.
I am a speck in this cosmic cloud,
without me that tornado wouldn't be.

Poems about Icarus

These are poems about Icarus, flying and flights of fancy...



Southern Icarus
by Michael R. Burch

Windborne, lover of heights,
unspooled from the truck’s wildly lurching embrace,
you climb, skittish kite...

What do you know of the world’s despair,
gliding in vast... solitariness... there,
so that all that remains is to
fall?

Only a little longer the wind invests its sighs;
you
stall,
spread-eagled, as the canvas snaps

and *****
its white rebellious wings,
and all

the houses watch with baffled eyes.



Flight 93
by Michael R. Burch

I held the switch in trembling fingers, asked
why existence felt so small, so purposeless,
like a minnow wriggling feebly in my grasp...

vibrations of huge engines thrummed my arms
as, glistening with sweat, I nudged the switch
to OFF... I heard the klaxon's shrill alarms

like vultures’ shriekings... earthward, in a stall...
we floated... earthward... wings outstretched, aghast
like Icarus... as through the void we fell...

till nothing was so beautiful, so blue...
so vivid as that moment... and I held
an image of your face, and dreamed I flew

into your arms. The earth rushed up. I knew
such comfort, in that moment, loving you.



I AM!
by Michael R. Burch

I am not one of ten billion―I―
sunblackened Icarus, chary fly,
staring at God with a quizzical eye.

I am not one of ten billion, I.

I am not one life has left unsquashed―
scarred as Ulysses, goddess-debauched,
pale glowworm agleam with a tale of panache.

I am not one life has left unsquashed.

I am not one without spots of disease,
laugh lines and tan lines and thick-callused knees
from begging and praying and girls sighing "Please!"

I am not one without spots of disease.

I am not one of ten billion―I―
scion of Daedalus, blackwinged fly
staring at God with a sedulous eye.

I am not one of ten billion, I
AM!



Finally to Burn
(the Fall and Resurrection of Icarus)
by Michael R. Burch

Athena takes me
sometimes by the hand

and we go levitating
through strange Dreamlands

where Apollo sleeps
in his dark forgetting

and Passion seems
like a wise bloodletting

and all I remember
, upon awaking,

is: to Love sometimes
is like forsaking

one’s Being―to glide

heroically beyond thought,

forsaking the here
for the There and the Not.



O, finally to Burn,
gravity beyond escaping!

To plummet is Bliss
when the blisters breaking

rain down red scabs
on the earth’s mudpuddle...

Feathers and wax
and the watchers huddle...

Flocculent sheep,
O, and innocent lambs!,

I will rock me to sleep
on the waves’ iambs.



To sleep's sweet relief
from Love’s exhausting Dream,

for the Night has Wings
gentler than Moonbeams―

they will flit me to Life
like a huge-eyed Phoenix

fluttering off
to quarry the Sphinx.



Riddlemethis,
riddlemethat,

Rynosseross,
throw out the Welcome Mat.

Quixotic, I seek Love
amid the tarnished

rusted-out steel
when to live is varnish.

To Dream―that’s the thing!

Aye, that Genie I’ll rub,

soak by the candle,
aflame in the tub.



Riddlemethis,
riddlemethat,

Rynosseross,
throw out the Welcome Mat.

Somewhither, somewhither
aglitter and strange,

we must moult off all knowledge
or perish caged.

*

I am reconciled to Life
somewhere beyond thought―

I’ll Live the Elsewhere,
I’ll Dream of the Naught.

Methinks it no journey;
to tarry’s a waste,

so fatten the oxen;
make a nice baste.

I’m coming, Fool Tom,
we have Somewhere to Go,

though we injure noone,
ourselves wildaglow.

This odd poem invokes and merges with the anonymous medieval poem “Tom O’Bedlam’s Song” and W. H. Auden’s modernist poem “Musee des Beaux Arts,” which in turn refers to Pieter Breughel’s painting “The Fall of Icarus.” In the first stanza Icarus levitates with the help of Athena, the goddess or wisdom, through “strange dreamlands” while Apollo, the sun god, lies sleeping. In the second stanza, Apollo predictably wakes up and Icarus plummets to earth, or back to mundane reality, as in Breughel’s painting and Auden’s poem. In the third stanza the grounded Icarus can still fly, but only in flights of imagination through dreams of love. In the fourth and fifth stanzas Icarus joins Tom Rynosseross of the Bedlam poem in embracing madness by deserting “knowledge” and its cages (ivory towers, etc.). In the final stanza Icarus agrees with Tom that it is “no journey” to wherever they’re going together and also agrees with Tom that they will injure no one along the way, no matter how intensely they glow and radiate. The poem can be taken as a metaphor for the death and rebirth of Poetry, and perhaps as a prophecy that Poetry will rise, radiate and reattain its former glory...



Free Fall (II)
by Michael R. Burch

I have no earthly remembrance of you, as if
we were never of earth, but merely white clouds adrift,
swirling together through Himalayan serene altitudes―
no more man and woman than exhaled breath―unable to fall
back to solid existence, despite the air’s sparseness: all
our being borne up, because of our lightness,
toward the sun’s unendurable brightness...

But since I touched you, fire consumes each wing!

We who are unable to fly, stall
contemplating disaster. Despair like an anchor, like an iron ball,
heavier than ballast, sinks on its thick-looped chain
toward the earth, and soon thereafter there will be sufficient pain
to recall existence, to make the coming darkness everlasting.



Fledglings
by Michael R. Burch

With her small eyes, pale and unforgiving,
she taught me―December is not for those
unweaned of love, the chirping nestlings
who bicker for worms with dramatic throats

still pinkly exposed, who have not yet learned
the first harsh lesson of survival: to devour
their weaker siblings in the high-leafed ferned
fortress and impregnable bower

from which men must fly like improbable dreams
to become poets. They have yet to learn that,
before they can soar starward, like fanciful archaic machines,
they must first assimilate the latest technology, or

lose all in the sudden realization of gravity,
following Icarus’s, sun-unwinged, singed trajectory.



The Higher Atmospheres
by Michael R. Burch

Whatever we became climbed on the thought
of Love itself; we floated on plumed wings
ten thousand miles above the breasted earth
that had vexed us to such Distance; now all things
seem small and pale, a girdle’s handsbreadth girth...

I break upon the rocks; I break; I fling
my human form about; I writhe; I writhe.
Invention is not Mastery, nor wings
Salvation. Here the Vulture cruelly chides
and plunges at my eyes, and coos and sings...

Oh, some will call the sun my doom, but Love
melts callow wax the higher atmospheres
leave brittle. I flew high: not high enough
to melt such frozen resins... thus, Her jeers.



Notes toward an Icarian philosophy of life...
by Michael R. Burch

If the mind’s and the heart’s quests were ever satisfied,
what would remain, as the goals of life?

If there was only light, with no occluding matter,
if there were only sunny mid-afternoons but no mysterious midnights,
what would become of the dreams of men?

What becomes of man’s vision, apart from terrestrial shadows?

And what of man’s character, formed
in the seething crucible of life and death,
hammered out on the anvil of Fate, by Will?

What becomes of man’s aims in the end,
when the hammer’s anthems at last are stilled?

If man should confront his terrible Creator,
capture him, hogtie him, hold his ***** feet to the fire,
roast him on the spit as yet another blasphemous heretic
whose faith is suspect, derelict...
torture a confession from him,
get him to admit, “I did it!...

what then?

Once man has taken revenge
on the Frankenstein who created him
and has justly crucified the One True Monster, the Creator...

what then?

Or, if revenge is not possible,
if the appearance of matter was merely a random accident,
or a group illusion (and thus a conspiracy, perhaps of dunces, us among them),
or if the Creator lies eternally beyond the reach of justice...

what then?

Perhaps there’s nothing left but for man to perfect his character,
to fly as high as his wings will take him toward unreachable suns,
to gamble everything on some unfathomable dream, like Icarus,
then fall to earth, to perish, undone...

or perhaps not, if the mystics are right
about the true nature of darkness and light.

Is there a source of knowledge beyond faith,
a revelation of heaven, of the Triumph of Love?

The Hebrew prophets seemed to think so,
and Paul, although he saw through a glass darkly,
and Julian of Norwich, who heard the voice of God say,
“All shall be well,
and all manner of things shall be well...”

Does hope spring eternal in the human breast,
or does it just blindly *****?



Icarus Bickerous
by Michael R. Burch

for the Religious Right

Like Icarus, waxen wings melting,
white tail-feathers fall, bystanders pelting.

They look up amazed
and seem rather dazed―

was it heaven’s or hell’s furious smelting

that fashioned such vulturish wings?
And why are they singed?―

the higher you “rise,” the more halting?



Earthbound, a Vision of Crazy Horse
by Michael R. Burch

Tashunka Witko, a Lakota Sioux better known as Crazy Horse, had a vision of a red-tailed hawk at Sylvan Lake, South Dakota. In his vision he saw himself riding a spirit horse, flying through a storm, as the hawk flew above him, shrieking. When he awoke, a red-tailed hawk was perched near his horse.

Earthbound,
and yet I now fly
through the clouds that are aimlessly drifting...
so high
that no sound
echoing by
below where the mountains are lifting
the sky
can be heard.

Like a bird,
but not meek,
like a hawk from a distance regarding its prey,
I will shriek,
not a word,
but a screech,
and my terrible clamor will turn them to clay―
the sheep,
the earthbound.

Published by American Indian Pride and Boston Poetry Magazine



Flight
by Michael R. Burch

It is the nature of loveliness to vanish
as butterfly wings, batting against nothingness
seek transcendence...

Originally published by Hibiscus (India)



The Wonder Boys
by Michael R. Burch

(for Leslie Mellichamp, the late editor of The Lyric,
who was a friend and mentor to many poets, and
a fine poet in his own right)

The stars were always there, too-bright cliches:
scintillant truths the jaded world outgrew
as baffled poets winged keyed kites―amazed,
in dream of shocks that suddenly came true...

but came almost as static―background noise,
a song out of the cosmos no one hears,
or cares to hear. The poets, starstruck boys,
lay tuned in to their kite strings, saucer-eared.

They thought to feel the lightning’s brilliant sparks
electrify their nerves, their brains; the smoke
of words poured from their overheated hearts.
The kite string, knotted, made a nifty rope...

You will not find them here; they blew away―
in tumbling flight beyond nights’ stars. They clung
by fingertips to satellites. They strayed
too far to remain mortal. Elfin, young,

their words are with us still. Devout and fey,
they wink at us whenever skies are gray.

Originally published by The Lyric



American Eagle, Grounded
by Michael R. Burch

Her predatory eye,
the single feral iris,
scans.

Her raptor beak,
all jagged sharp-edged ******,
juts.

Her hard talon,
clenched in pinched expectation,
waits.

Her clipped wings,
preened against reality,
tremble.

Published as “Tremble” by The Lyric, Verses Magazine, Romantics Quarterly, Journeys, The Raintown Review, Poetic Ponderings, Poem Kingdom (All-Star Tribute), The Fabric of a Vision, NPAC―Net Poetry and Art Competition, Poet’s Haven, Listening To The Birth Of Crystals(Anthology), Poetry Renewal, Inspirational Stories, Poetry Life & Times, MahMag (Iranian/Farsi), The Eclectic Muse (Canada)



Album
by Michael R. Burch

I caress them―trapped in brittle cellophane―
and I see how young they were, and how unwise;
and I remember their first flight―an old prop plane,
their blissful arc through alien blue skies...

And I touch them here through leaves which―tattered, frayed―
are also wings, but wings that never flew:
like insects’ wings―pinned, held. Here, time delayed,
their features never merged, remaining two...

And Grief, which lurked unseen beyond the lens
or in shadows where It crept on furtive claws
as It scritched Its way into their hearts, depends
on sorrows such as theirs, and works Its jaws...

and slavers for Its meat―those young, unwise,
who naively dare to dream, yet fail to see
how, lumbering sunward, Hope, ungainly, flies,
clutching to Her ruffled breast what must not be.



Springtime Prayer
by Michael R. Burch

They’ll have to grow like crazy,
the springtime baby geese,
if they’re to fly to balmier climes
when autumn dismembers the leaves...

And so I toss them loaves of bread,
then whisper an urgent prayer:
“Watch over these, my Angels,
if there’s anyone kind, up there.”

Originally published by The HyperTexts



Learning to Fly
by Michael R. Burch

We are learning to fly
every day...

learning to fly―
away, away...

O, love is not in the ephemeral flight,
but love, Love! is our destination―

graced land of eternal sunrise, radiant beyond night!
Let us bear one another up in our vast migration.



In the Whispering Night
by Michael R. Burch

for George King

In the whispering night, when the stars bend low
till the hills ignite to a shining flame,
when a shower of meteors streaks the sky
while the lilies sigh in their beds, for shame,
we must steal our souls, as they once were stolen,
and gather our vigor, and all our intent.
We must heave our bodies to some famished ocean
and laugh as they vanish, and never repent.
We must dance in the darkness as stars dance before us,
soar, Soar! through the night on a butterfly's breeze...
blown high, upward-yearning, twin spirits returning
to the heights of awareness from which we were seized.

Published by Songs of Innocence, Romantics Quarterly, The Chained Muse and Poetry Life & Times. This is a poem I wrote for my favorite college English teacher, George King, about poetic kinship, brotherhood and romantic flights of fancy.



For a Palestinian Child, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails,
when thunder howls,
when hailstones scream,
when winter scowls,
when nights compound dark frosts with snow...
Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?

Published by Tucumcari Literary Review, Romantics Quarterly, Poetry Life & Times, Victorian Violet Press (where it was nominated for a “Best of the Net”), The Contributor (a Nashville homeless newspaper), Siasat (Pakistan), and set to music as a part of the song cycle “The Children of Gaza” which has been performed in various European venues by the Palestinian soprano Dima Bawab



Sioux Vision Quest
by Crazy Horse, Oglala Lakota Sioux (circa 1840-1877)
loose translation/interpretation by Michael R. Burch

A man must pursue his Vision
as the eagle explores
the sky's deepest blues.

Published by Better Than Starbucks, A Hundred Voices



in-flight convergence
by Michael R. Burch

serene, almost angelic,
the lights of the city ―― extend ――
over lumbering behemoths
shrilly screeching displeasure;
they say
that nothing is certain,
that nothing man dreams or ordains
long endures his command

here the streetlights that flicker
and those blazing steadfast
seem one: from a distance;
descend,
they abruptly
part ―――――― ways,

so that nothing is one
which at times does not suddenly blend
into garish insignificance
in the familiar alleyways,
in the white neon flash
and the billboards of Convenience

and man seems the afterthought of his own Brilliance
as we thunder down the enlightened runways.

Originally published by The Aurorean and subsequently nominated for the Pushcart Prize



Squall
by Michael R. Burch

There, in that sunny arbor,
in the aureate light
filtering through the waxy leaves
of a stunted banana tree,

I felt the sudden monsoon of your wrath,
the clattery implosions
and copper-bright bursts
of the bottoms of pots and pans.

I saw your swollen goddess’s belly
wobble and heave
in pregnant indignation,
turned tail, and ran.

Published by Chrysanthemum, Poetry Super Highway, Barbitos and Poetry Life & Times



Flight
by Michael R. Burch

Eagle, raven, blackbird, crow...
What you are I do not know.
Where you go I do not care.
I’m unconcerned whose meal you bear.
But as you mount the sunlit sky,
I only wish that I could fly.
I only wish that I could fly.

Robin, hawk or whippoorwill...
Should men care that you hunger still?
I do not wish to see your home.
I do not wonder where you roam.
But as you scale the sky's bright stairs,
I only wish that I were there.
I only wish that I were there.

Sparrow, lark or chickadee...
Your markings I disdain to see.
Where you fly concerns me not.
I scarcely give your flight a thought.
But as you wheel and arc and dive,
I, too, would feel so much alive.
I, too, would feel so much alive.

This is a poem that I believe I wrote as a high school sophomore. But it could have been written a bit later. I seem to remember the original poem being influenced by William Cullen Bryant's "To a Waterfowl."



Flying
by Michael R. Burch

I shall rise
and try the ****** wings of thought
ten thousand times
before I fly...

and then I'll sleep
and waste ten thousand nights
before I dream;
but when at last...

I soar the distant heights of undreamt skies
where never hawks nor eagles dared to go,
as I laugh among the meteors flashing by
somewhere beyond the bluest earth-bound seas...

if I'm not told
I’m just a man,
then I shall know
just what I am.

This is one of my early poems, written around age 16-17. According to my notes, I may have revised the poem later, in 1978, but if so the changes were minor because the poem remains very close to the original.



Stage Craft-y
by Michael R. Burch

There once was a dromedary
who befriended a crafty canary.
Budgie said, "You can’t sing,
but now, here’s the thing―
just think of the tunes you can carry!"



Clyde Lied!
by Michael R. Burch

There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride?"
"Nevermore!" bright-eyed Raven replied.



Less Heroic Couplets: ****** Most Fowl!
by Michael R. Burch

“****** most foul!”
cried the mouse to the owl.

“Friend, I’m no sinner;
you’re merely my dinner!”
the wise owl replied
as the tasty snack died.

Published by Lighten Up Online and in Potcake Chapbook #7

NOTE: In an attempt to demonstrate that not all couplets are heroic, I have created a series of poems called “Less Heroic Couplets.” I believe even poets should abide by truth-in-advertising laws! ― MRB



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!

Until the great & mighty heron
brandishes his fearsome sword.



Kissin’ ’n’ buzzin’
by Michael R. Burch

Kissin’ ’n’ buzzin’ the bees rise
in a dizzy circle of two.
Oh, when I’m with you,
I feel like kissin’ ’n’ buzzin’ too.



Delicacy
by Michael R. Burch

for all good mothers

Your love is as delicate
as a butterfly cleaning its wings,
as soft as the predicate
the hummingbird sings
to itself, gently murmuring―
“Fly! Fly! Fly!”
Your love is the string
soaring kites untie.



Lone Wild Goose
by Du Fu (712-770)
loose translation/interpretation by Michael R. Burch

The abandoned goose refuses food and drink;
he cries querulously for his companions.

Who feels kinship for that strange wraith
as he vanishes eerily into the heavens?

You watch it as it disappears;
its plaintive calls cut through you.

The indignant crows ignore you both:
the bickering, bantering multitudes.

Du Fu (712-770) is also known as Tu Fu. The first poem is addressed to the poet's wife, who had fled war with their children. Ch'ang-an is an ironic pun because it means "Long-peace."



The Red Cockatoo
by Po Chu-I (772-846)
loose translation/interpretation by Michael R. Burch

A marvelous gift from Annam―
a red cockatoo,
bright as peach blossom,
fluent in men's language.

So they did what they always do
to the erudite and eloquent:
they created a thick-barred cage
and shut it up.

Po Chu-I (772-846) is best known today for his ballads and satirical poems. Po Chu-I believed poetry should be accessible to commoners and is noted for his simple diction and natural style. His name has been rendered various ways in English: Po Chu-I, Po Chü-i, Bo Juyi and Bai Juyi.



The Migrant Songbird
Li Qingzhao aka Li Ching-chao (c. 1084-1155)
loose translation/interpretation by Michael R. Burch

The migrant songbird on the nearby yew
brings tears to my eyes with her melodious trills;
this fresh downpour reminds me of similar spills:
another spring gone, and still no word from you...



Lines from Laolao Ting Pavilion
by Li Bai (701-762)
loose translation/interpretation by Michael R. Burch

The spring breeze knows partings are bitter;
The willow twig knows it will never be green again.



The Day after the Rain
Lin Huiyin (1904-1955)
loose translation/interpretation by Michael R. Burch

I love the day after the rain
and the meadow's green expanses!
My heart endlessly rises with wind,
gusts with wind...
away the new-mown grasses and the fallen leaves...
away the clouds like smoke...
vanishing like smoke...



Untitled Translations

Cupid, if you incinerate my soul, touché!
For like you she has wings and can fly away!
―Meleager, loose translation by Michael R. Burch

As autumn deepens,
a butterfly sips
chrysanthemum dew.
―Basho, loose translation/interpretation by Michael R. Burch

Come, butterfly,
it’s late
and we’ve a long way to go!
―Basho, loose translation/interpretation by Michael R. Burch

Up and at ’em! The sky goes bright!
Let’***** the road again,
Companion Butterfly!
―Matsuo Basho, loose translation/interpretation by Michael R. Burch

Ah butterfly,
what dreams do you ply
with your beautiful wings?
―Chiyo-ni, loose translation by Michael R. Burch

Oh, dreamlike winter butterfly:
a puff of white snow
cresting mountains
―Kakio Tomizawa, loose translation by Michael R. Burch

Dry leaf flung awry:
bright butterfly,
goodbye!
―Michael R. Burch, original haiku

Will we remain parted forever?
Here at your grave:
two flowerlike butterflies
―Matsuo Basho, loose translation by Michael R. Burch

a soaring kite flits
into the heart of the sun?
Butterfly & Chrysanthemum
―Michael R. Burch, original haiku

The cheerful-chirping cricket
contends gray autumn's gay,
contemptuous of frost
―Matsuo Basho, loose translation by Michael R. Burch

Whistle on, twilight whippoorwill,
solemn evangelist
of loneliness
―Matsuo Basho, loose translation by Michael R. Burch

The sea darkening,
the voices of the wild ducks:
my mysterious companions!
―Matsuo Basho, loose translation by Michael R. Burch

Lightning
shatters the darkness―
the night heron's shriek
―Matsuo Basho, loose translation by Michael R. Burch

This snowy morning:
cries of the crow I despise
(ah, but so beautiful!)
―Matsuo Basho, loose translation by Michael R. Burch

A crow settles
on a leafless branch:
autumn nightfall.
―Matsuo Basho, loose translation/interpretation by Michael R. Burch

Hush, cawing crows; what rackets you make!
Heaven's indignant messengers,
you remind me of wordsmiths!
―O no Yasumaro (circa 711), loose translation by Michael R. Burch

Higher than a skylark,
resting on the breast of heaven:
this mountain pass.
―Matsuo Basho, loose translation/interpretation by Michael R. Burch

An exciting struggle
with such a sad ending:
cormorant fishing.
―Matsuo Basho, loose translation/interpretation by Michael R. Burch

Does my soul abide in heaven, or hell?
Only the sea gull
in his high, lonely circuits, may tell.
―Glaucus, translation by Michael R. Burch

The eagle sees farther
from its greater height―
our ancestors’ wisdom
―Michael R. Burch, original haiku

A kite floats
at the same place in the sky
where yesterday it floated...
―Yosa Buson, loose translation/interpretation by Michael R. Burch



Critical Mass
by Michael R. Burch

I have listened to the rain all this morning
and it has a certain gravity,
as if it knows its destination,
perhaps even its particular destiny.
I do not believe mine is to be uplifted,
although I, too, may be flung precipitously
and from a great height.

"Gravity" and "particular destiny" are puns, since rain droplets are seeded by minute particles of dust adrift in the atmosphere and they fall due to gravity when they reach "critical mass." The title is also a pun, since the poem is skeptical about heaven-lauding Masses, etc.



Ultimate Sunset
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

he now faces the Ultimate Sunset,
his body like the leaves that fray as they dry,
shedding their vital fluids (who knows why?)
till they’ve become even lighter than the covering sky,
ready to fly...



Free Fall
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleam
in his still-keen eye,
and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to...



Leaf Fall
by Michael R. Burch

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth's gravitron―
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.

And nothing in our laughter as we fell
into those leaves was like the autumn's cry
of also falling. Nothing meant to die
could be so bright as we, so colorful―
clad in our plaids, oblivious to pain
we'd feel today, should we leaf-fall again.

Originally published by The Neovictorian/Cochlea



The Folly of Wisdom
by Michael R. Burch

She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.

We are walking somewhere that her feet know to go,
so I smile, and I follow...

And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes―
I can almost remember―goes something like this:
the prince is a horned toad, awaiting her kiss.

She wiggles and giggles, and all will be well
if only we find him! The woodpecker’s knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me

rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.

Originally published by Romantics Quarterly



Kin
by Michael R. Burch

for Richard Moore

1.
Shrill gulls,
how like my thoughts
you, struggling, rise
to distant bliss―
the weightless blue of skies
that are not blue
in any atmosphere,
but closest here...

2.
You seek an air
so clear,
so rarified
the effort leaves you famished;
earthly tides
soon call you back―
one long, descending glide...

3.
Disgruntledly you ***** dirt shores for orts
you pull like mucous ropes
from shells’ bright forts...
You eye the teeming world
with nervous darts―
this way and that...

Contentious, shrewd, you scan―
the sky, in hope,
the earth, distrusting man.



Songstress
by Michael R. Burch

Within its starkwhite ribcage, how the heart
must flutter wildly, O, and always sing
against the pressing darkness: all it knows
until at last it feels the numbing sting
of death. Then life's brief vision swiftly passes,
imposing night on one who clearly saw.
Death held your bright heart tightly, till its maw―
envenomed, fanged―could swallow, whole, your Awe.
And yet it was not death so much as you
who sealed your doom; you could not help but sing
and not be silenced. Here, behold your tomb's
white alabaster cage: pale, wretched thing!
But you'll not be imprisoned here, wise wren!
Your words soar free; rise, sing, fly, live again.

A poet like Nadia Anjuman can be likened to a caged bird, deprived of flight, who somehow finds it within herself to sing of love and beauty. But when the world finally robs her of both flight and song, what is left for her but to leave the world, thus bereaving the world of herself and her song?



Performing Art
by Michael R. Burch

Who teaches the wren
in its drab existence
to explode into song?

What parodies of irony
does the jay espouse
with its sharp-edged tongue?

What instinctual memories
lend stunning brightness
to the strange dreams

of the dull gray slug
―spinning its chrysalis,
gluing rough seams―

abiding in darkness
its transformation,
till, waving damp wings,

it applauds its performance?
I am done with irony.
Life itself sings.



Lean Harvests
by Michael R. Burch

for T.M.

the trees are shedding their leaves again:
another summer is over.
the Christians are praising their Maker again,
but not the disconsolate plover:
i hear him berate
the fate
of his mate;
he claims God is no body’s lover.

Published by The Rotary Dial and Angle



My Forty-Ninth Year
by Michael R. Burch

My forty-ninth year
and the dew remembers
how brightly it glistened
encrusting September,...
one frozen September
when hawks ruled the sky
and death fell on wings
with a shrill, keening cry.

My forty-ninth year,
and still I recall
the weavings and windings
of childhood, of fall...
of fall enigmatic,
resplendent, yet sere,...
though vibrant the herald
of death drawing near.

My forty-ninth year
and now often I've thought on
the course of a lifetime,
the meaning of autumn,
the cycle of autumn
with winter to come,
of aging and death
and rebirth... on and on.

Originally published by Romantics Quarterly as “My Twenty-Ninth Year”



Myth
by Michael R. Burch

Here the recalcitrant wind
sighs with grievance and remorse
over fields of wayward gorse
and thistle-throttled lanes.

And she is the myth of the scythed wheat
hewn and sighing, complete,
waiting, lain in a low sheaf―
full of faith, full of grief.

Here the immaculate dawn
requires belief of the leafed earth
and she is the myth of the mown grain―
golden and humble in all its weary worth.



What Works
by Michael R. Burch

for David Gosselin

What works―
hewn stone;
the blush the iris shows the sun;
the lilac’s pale-remembered bloom.

The frenzied fly: mad-lively, gay,
as seconds tick his time away,
his sentence―one brief day in May,
a period. And then decay.

A frenzied rhyme’s mad tip-toed time,
a ballad’s languid as the sea,
seek, striving―immortality.

When gloss peels off, what works will shine.
When polish fades, what works will gleam.
When intellectual prattle pales,
the dying buzzing in the hive
of tedious incessant bees,
what works will soar and wheel and dive
and milk all honey, leap and thrive,

and teach the pallid poem to seethe.



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and―spent of flame―
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies―
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None―winsome, bright or rare―
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew―
each moonless night the nettles grew

and strangled hope, where love dies too.

Published by Penny Dreadful, Carnelian, Romantics Quarterly, Grassroots Poetry and Poetry Life & Times



Transplant
by Michael R. Burch

You float, unearthly angel, clad in flesh
as strange to us who briefly knew your flame
as laughter to disease. And yet you laugh.
Behind your smile, the sun forfeits its claim
to earth, and floats forever now the same―
light captured at its moment of least height.

You laugh here always, welcoming the night,
and, just a photograph, still you can claim
bright rapture: like an angel, not of flesh―
but something more, made less. Your humanness
this moment of release becomes a name
and something else―a radiance, a strange
brief presence near our hearts. How can we stand
and chain you here to this nocturnal land
of burgeoning gray shadows? Fly, begone.
I give you back your soul, forfeit all claim
to radiance, and welcome grief’s dark night
that crushes all the laughter from us. Light
in someone Else’s hand, and sing at ease
some song of brightsome mirth through dawn-lit trees
to welcome morning’s sun. O daughter! these
are eyes too weak for laughter; for love’s sight,
I welcome darkness, overcome with light.



Prodigal
by Michael R. Burch

This poem is dedicated to Kevin Longinotti, who died four days short of graduation from Vanderbilt University, the victim of a tornado that struck Nashville on April 16, 1998.

You have graduated now,
to a higher plane
and your heart’s tenacity
teaches us not to go gently
though death intrudes.

For eighteen days
―jarring interludes
of respite and pain―
with life only faintly clinging,
like a cashmere snow,
testing the capacity
of the blood banks
with the unstaunched flow
of your severed veins,
in the collapsing declivity,
in the sanguine haze
where Death broods,
you struggled defiantly.

A city mourns its adopted son,
flown to the highest ranks
while each heart complains
at the harsh validity
of God’s ways.

On ponderous wings
the white clouds move
with your captured breath,
though just days before
they spawned the maelstrom’s
hellish rift.

Throw off this mortal coil,
this envelope of flesh,
this brief sheath
of inarticulate grief
and transient joy.

Forget the winds
which test belief,
which bear the parchment leaf
down life’s last sun-lit path.

We applaud your spirit, O Prodigal,
O Valiant One,
in its percussive flight into the sun,
winging on the heart’s last madrigal.



Breakings
by Michael R. Burch

I did it out of pity.
I did it out of love.
I did it not to break the heart of a tender, wounded dove.

But gods without compassion
ordained: Frail things must break!
Now what can I do for her shattered psyche’s sake?

I did it not to push.
I did it not to shove.
I did it to assist the flight of indiscriminate Love.

But gods, all mad as hatters,
who legislate in all such matters,
ordained that everything irreplaceable shatters.



An Illusion
by Michael R. Burch

The sky was as hushed as the breath of a bee
and the world was bathed in shades of palest gold
when I awoke.

She came to me with the sound of falling leaves
and the scent of new-mown grass;
I held out my arms to her and she passed

into oblivion...

This is one of my early poems, written around age 16 and published in my high school literary journal, The Lantern.



Lines for My Ascension
by Michael R. Burch

I.

If I should die,
there will come a Doom,
and the sky will darken
to the deepest Gloom.

But if my body
should not be found,
never think of me
in the cold ground.

II.

If I should die,
let no mortal say,
“Here was a man,
with feet of clay,

or a timid sparrow
God’s hand let fall.”
But watch the sky darken
to an eerie pall

and know that my Spirit,
unvanquished, broods,
and cares naught for graves,
prayers, coffins, or roods.

And if my body
should not be found,
never think of me
in the cold ground.

III.

If I should die,
let no man adore
his incompetent Maker:
Zeus, Jehovah, or Thor.

Think of Me as One
who never died―
the unvanquished Immortal
with the unriven side.

And if my body
should not be found,
never think of me
in the cold ground.

IV.

And if I should “die,”
though the clouds grow dark
as fierce lightnings rend
this bleak asteroid, stark...

If you look above,
you will see a bright Sign―
the sun with the moon
in its arms, Divine.

So divine, if you can,
my bright meaning, and know―
my Spirit is mine.
I will go where I go.

And if my body
should not be found,
never think of me
in the cold ground.



The Locker
by Michael R. Burch

All the dull hollow clamor has died
and what was contained,
removed,

reproved
adulation or sentiment,
left with the pungent darkness

as remembered as the sudden light.

Originally published by The Raintown Review



Keywords/Tags: Sports, locker, lockerroom, clamor, adulation, acclaim, applause, sentiment, darkness, light, retirement, athlete, team, trophy, award, acclamation


Keywords/Tags: Icarus, Daedalus, flight, fly, flying, wind, wings, sun, height, heights, fall, falling, ascent, descent, imagination, bird, birds, butterfly, butterflies, hawk, eagle, geese, plane, kite, kites, mrbfly, mrbflight, mrbicarus

Once, I had my heart broken
Once was all it took
Left everything I knew
Sailed off on a grain ship
To see the ocean
And to forget your face

Hardened me right up
Callused my hands
Callused my heart
I even took a liking to the sea
It washed out the memory of you
Well, it did
For a good while

I was hauling on a line
Unloading cargo into port
Muscles straining, when I saw you
Standing on the docks
Felt a hot pain
As the rope tore a large callus
From my hand
Exposing a tender, burning flesh underneath

Three years hadn't hardened me up one bit

Filter the perfect shade of the forenoon sun,
Not too bright, not too dull.
For with ease and carefree thoughts,
You let the sunbeam-drizzling fairies play
As the beauty reflected in your retinas.

Capture this scenic view:
Where the burnt chestnut colored oaks
And mudstained sweetheart sundress of yours
Dance in three-four beats of waltz.
The Crayola strokes of the skies
And the watercolor streaks of daydreams and nightmares
Paint the canvas of your disquited thoughts.
This is the peripheral view from your suncrashed irises and corners,
This is your world.

Let your knees down to your sore feet
Be engulfed by the chasms of the bewildered grass,
As the smile makes it way to your plump spring lips;
Callused fingers from guitar strings
Twirl and twist the blades,
Cutting through flesh
And green and red and blue and yellow,
All sorts of color came spilling from your playful bruise.

From this panoramic view of yours
Of a wonder wonderland,
Where the ticks of clock
Follow the sunflower throughout time and forever,
This is the beauty of that stem:
A key to escapism
To a well-dreamt lovely world.

Out here in the fields of the distance
whither the wind blows the silence further afield;
roughhewn footprints show a windswept pathway  
from whence feral feet lightly trod   

Only the passing whispers chase after the gypsy wind:
that the silence be in quire, placed aloft like a sigh,
pealing through the gentle sway of sweet grass' hush

There are no walls need echo an evanescent wind-song
as each breath of earthen psalm vanishes
lilting into the crystalline quietude colour;

The callused patience still held in these hands
is frayed and tattered, but hope heals stronger
than a ream of paper wings to fly away

And I'm mindful I'm not alone again, lost in
a lingering silent storm — pensively listening —
enraptured aneath all the big skies hold
 

                    Jesse Stillwater

A pair of lily white wings
   dangling in the dappled moonlight esprit;
hang entangled as silken spider web
   draped in the sweet Magnolia tree

From beneath there was no way of knowing
   why a pair of abandoned wings lodge mislaid
One could not help but wonder how high
   one might fly with cherub wings

But these callused feet tread far below the treetops
   too high up from roots to climb
No telltale tiptoe prints cavort to be the talebearer
   No feathered traces scattered all around

A hearken say, tickle-footed as a ladybug,
   hold forth in a breeze brushed ear
Not completely undoubtable heed spoken;
   a language bestow from another ether
softly breathe a whisper'd sigh:

"Behold the wings of a fallen angel;
   uplifted by love's amazing grace
Lost alone in a moonstruck blindness
   an angel flying too close
           to the ground

                      ~

                   Jesse

Crystal tears in beams of the ethereal triangle. (Moth)
Leave gleams of cosmic rays of colors new from all angles
Crying trying to hug a moth.  
As Crystal tears fall on sacred cloths.
Benighted Bug embraced in hugs
Wings are spread to hold one snug:
Deepens the sorrow,
smiles be smug
Deeply sad
happy songs sung
Deep so deep in altered states fun
Deep like your hole that was never dug.
For this is why thy is sobbing yet numb.
So missed, so loved
this head in dread hung.
Hysteric screams loud left ears that rung.
Mourning love on lavish lush.
Perhaps hard drugs
gleam in this rug.
Like Twinkle stars in eyes of lights bug.
Flutter now precious one.  
That moment has come.
For that cosmic lights in the night sky has shun.
Fly off now and thrive
Through Blessed skies twilight.  
Omega trifecta disjecta in white.
Disregard all  life’s ill lies
Project Past false folly worlds not wise.
Omega trifecta eternal cant die.  
Clothed in robes on moths back we ride
  Purple eyes On wings spread so wide.  
Protected With swords
worn on there sides
Giants enlightened
with violet sash tied
Guide these rides like blades on arm right
through chaos harmonized untwined.
be three inside when doors thy find.
Under cat pelt black mat
Crystal white key sleeps and  hides.  
Unlock bone carved door,
to obscure and pure life.
Flesh cold on *** gold,
Twist it like Pyrex pipes.  
Arived
Arived
Looks dead
Though alive
Triangle portals for immortals to rise.
  In bliss gnostic gifts of the purest of kind.
alive in parallel paths that have died.
Blind not the light,
as black sun in sky rise.
Omega trifecta disjecta drenched white.  

Insanity
123
Triangle eyes  
Upon moths wings.  
Insanity
123
How nice was it for you visiting.
Insanity
123
Lovely wings now wave to thee
Insanity
123
Love has come
Love will not leave.
Insanity
123
Of three
Triangles dance like seas.
Insanity
123
White it be
of love
of 3.

Burn forever has this flame.
Insane deranged the mental state.
Delirium comes
And is here to stay.
Now in the dark filthy room,
the schizoid hides away.
In Torment
in dormant
Destroy rituals save.
Healed by the hand
Upon masters embraced.
Purify soul
Preserve culture and race.
Clean blood the last goodness
left in this wretched place.
Yet still in stillness
stagnant turns blue in veins
Bloodletting not upsetting
Blades sway without pain.
As well as chop lines
Upon mirrors for days.
Twisting Pyrex orbs like a game
As well as starve self in sacred ways.
As well as smoke finest of *** never laced.
As well as this huffing to **** cells In brain.
The alcohol be it the final Intake.  
Rituals so official for healing in this hate.
Destroy
Create
Destroy
Create
Sleep deprived
for up to thee days.
Final hours
bring forth meat and champagne.
Replenish the ugly shell carbon based
Starved for many days
Sacrifices made done safe
Acts watering spirit
Sacred like this self inflicted pain
Be it in ethereal place
Where insane becomes sane.
Clean the mirrors like spirits slate.
Awaken here to rise.
Eyes alive appearing crazed
laughs upon the sad estates.
Fear all clear has disappeared
Nearly forgot the name
again please come play
like the sun does in may
Cloaked with veils soaked,
like the bed lovers lay.
Cloaked in veils soaked
With inhuman healing rain
Cloaked in veils soaked
Through shadows in thick smoke.
Abstract absurd croaks,
hang from yellow ropes.
Oh strange these roads
magicians go.
Zero fear crystal clear
With senses unknown
It is upon the humans where Paranoid confused madness cripples all life.
Where the eyes of the rubber skinned demons flutter like fast as hummingbird wings.
No logic or sense
reality has shattered.
Machanical animals glitch out like brains splattered
Oh the inner urge to stab synthetic creatures
Oh to destroy Gears and chips inside that “raccoon”
Oh to have oil drop off this sharpened knife
How the **** can one ****
That which is not even alive
Malevolent smiles on people on all sides
These are the things
these eyes have seen
Enough now on obsessing
on that which is now cleansed.
These are the reasons this obscure life be led.
These be the reasons these practices one tends.
These be the reasons for the drs meds
These be the reasons one ***** up this head.
These be the reasons that one is not dead
For these sacred acts in fact have fed spirit and flesh  

Dancing and laughing now through storming waves of chaos seas
Immortal threes ride storms through dark nights.

Until Timelessness be kind with bliss.
These moments will be missed
For the horror be done.
For the flesh be at rest.
Silk was a voice that little wings said.
For fabulous readings
Whispers to heart In chest.
Last lovingly gesture
face gently corresed
Kissing soft wings as the honored guest left.
Gracious be glorious gifts that were sent.
For a  radiant cosmic ray is shun
A Glowing beam bright as the sun.  
Open ethereal triangle windows up.
Fly far now back to lands you are from.
to gaze into ethereal triangular windows.
Free forever eternal have fun
be a triangular window.  
Oh how now to frolic.  
Within Crystal palace.
Oh how to drink from the purest of chalice.
Oh how now to frolic  
Do not stop it
Obnoxious
be not this calling.
Laugh and prans  
as if you have lost it
sheen as if polished.
Which  gleams like gold lockets
Soft the Royal purple carpets.  
Dance in trancemusic of inhuman artists
Terror tamed and disregarded.
of black and laced scarlet
Parallel white
Blackness falls.
Gone unto the sacred arts.
Beaming rays in callused  hearts.

Hard telepathic readings.
The physical health was releasing.
Now physical health is at full regeneration.
Regression
Regression
Regression
In threes
In these
Darkest light in vibrant scenes.
Walk the chaos fields
Laugh at this disease.
In threes
Your triangle
Your embrace please.
Speaking through the cosmic seas.
yes blood as flesh are with thee.
All moments of timeless times.
We both dismantled time and logic.
Witnesses of chronic tauntings.
Together cold hands at hops frolic.
Disability in the humans life
Keeping wits as sharp as knifes.
Laugh with thee
In three
Hahaha
Hahaha
Hahaha
Far to gone
Walking along with zero fear at all.
Within you now all distress is regressed.
You are immortal and free.
You speak through moths and trees.
Transcend the logic of all human beings.  
Beyond the sane and tamed.
Oh severely was such un heard of pain.
humans of hate and horror in black corners.
Chaos in eternal be harmony.
Through delusions
Through evil illusions.
Still immortals storm the insane vespers.
In m
Aquarius being of untouchable boundaries.
Virgo being of untouchable boundaries.
These moons

**** trying to word or logically read.
We’re born of the purest lights.
found in the darkest of seems.
Insane
In pain
In collapsed yet precious veins.
Insane
In pain
Happiness on earth not aloud.
Happiness in far away bliss.
Oh how the dread impails when such is missed.
Eternal
In white
In ligh in black
Laugh with thee as the wretched attack.
In purity
With purple sash on white robes
In light in darkness harness you will be loved and whole.
Still shovels crave to dig six foot holes.
Still death appears in the faces of the cold.
Love fortold in the hopelessness like mold.
Oh telepathic wanderer of true purity.
Eternaly
Your purity and loving being
Eternal shall your light be strong.
Your love in lungs as one rips bongs.
Of three you and thee
Of night
Of light
No more fright
For blackness has led them to might that is white.  
For love from the purest has held out inhuman hands.
Forever infinite beyond imagination of man.
Forever gnostic callings in not so human lands.
Crystal tears beam in ethereal triangle (moth)

There are grapes in my path
This abundant trail
now invisible as if we never were
Here, to pick and preen, salvage and reap
for pleasure and pain
I picked you some flowers,
I baked you a pie,
labors of love
with your own hands
connected to earth.

Breaking backs, and clinging sweat
Under wool, denim, straw, and cotton
Keeping more out than simply the sun
Depleted soil
Exhausted soul
Bursting with juice
Bountiful and hand chosen

And you in a hurry just drive by
Dust in the wind
Skin of clay mud
Day after day,
A boulder among the rows
Hunched in fields
Blistered and callused
Searching for more
Ripe for the picking
Migrants moving
Servitude by season
Benevolent harvest
Handpicked strawberries
By chocolate covered hands
destined from birth
closer to earth.

That's the thing about a callused heart.
It still beats,
bleeds
And loves
the way any other heart does.
Its a matter of feeling those things that becomes difficult.

Your callused hands
Warm me up
Like s’mores on the fire
Like some fries in the fryer

Your callused hands
Protect me
My insurance against humanity
My sword against insanity.