I was packing some snus
when I got up from a snooze
to put a ****
In a boiling vat of hotdog juice.

She was screaming and yelling
as I poured in the salt
and the cops busted my door
as my meal came to a halt.

I said "whats the rush?"
He said "***** hush"
As he sipped very angrily
at his watermelon slush.

I am black
yes very black
so they put me in the back
of their ****** cop van.

I went to jail again
For trying to cook a ****
in a boiling vat of hotdog juice
as I watched espn.

I got out of jail
Cause my drug money was bail
went back home
to see a fresh cooked **** in my garbage pail.

I was so happy
that I took a break to fappy
on my nice leather couch
while my girlfriend was napping.

Today was a good day.
Ice cube agreed.
I smoked all of my ****
and gave into my greed.

***** don't **** my vibe.

Hey Baby. Long time no see.
She said leaning out the driver's side
what have you been up to ?
She said.

Hey lover.You have  not changed said Vat 69
You still stay at the same place ?

Gene  baby,why did you never call ?
she asked.

Just been caught up in the flow
said vat 69. The neon lights tranced me as I bent to kiss her upturned face.

Obsession wafted from her frame and carried me back to warm summer nights
of pure urban fairy tales and Grand Marnier. White powder and Vat 69.

Where you headed ? asked Vat 69.
Anywhere you want to take me replied obsession. My head spun.
Faster than Vat 69. But i could not spin back to that special time. New love beckoned.

So I kissed her goodbye and climbed into my ride. Two ships passing on a saturday night.
Oh what might have been. Her eyes filled  to the brim.. my heart turned on a whim.
The engine flowed smoothly
Like Vat 69.

My wife always nags me.
This seems to be a problem with most women I marry.
Or most women in general.
They all nag me.
I'm laid back.
Or as my past wives say,
"lazy".
Sure, you could say that,
but I prefer the term,
laid back.
Anyway,
so my wife is always nagging me.
"Do the dishes" she says.
"Do the laundry" she says.
"Vacuum the house" she says.
Eventually, I would do it.
But the nagging got worse.
"Fix the squeaky front door" she says.
"Clean out the gutters" she says.
"Sort the trash from the recyclables" she says.
Eventually, I couldn't take it anymore.
I had enough.
So I took my wife,
and threw her in a vat of acid.
I watched as her skin slowly melted off her body,
like ice cream melting on an ice cream cone,
minus the stickiness.
I watched her hair dry up,
and disintegrate into nothing.
Her fingernails slowly fell off,
and her eyes began to slip out of her head,
as she let out a final scream.
She looked just as beautiful as she did the first day I met her.
My eyes feasted on the greatness before them,
although it does get kind of boring after the fourth time.
Nonetheless, I still enjoyed it.
There's nothing like throwing your half asleep wife in a vat of acid on a cold Sunday morning.

This English Thames is holier far than Rome,
Those harebells like a sudden flush of sea
Breaking across the woodland, with the foam
Of meadow-sweet and white anemone
To fleck their blue waves,—God is likelier there
Than hidden in that crystal-hearted star the pale monks bear!

Those violet-gleaming butterflies that take
Yon creamy lily for their pavilion
Are monsignores, and where the rushes shake
A lazy pike lies basking in the sun,
His eyes half shut,—he is some mitred old
Bishop in partibus! look at those gaudy scales all green and gold.

The wind the restless prisoner of the trees
Does well for Palaestrina, one would say
The mighty master’s hands were on the keys
Of the Maria *****, which they play
When early on some sapphire Easter morn
In a high litter red as blood or sin the Pope is borne

From his dark House out to the Balcony
Above the bronze gates and the crowded square,
Whose very fountains seem for ecstasy
To toss their silver lances in the air,
And stretching out weak hands to East and West
In vain sends peace to peaceless lands, to restless nations rest.

Is not yon lingering orange after-glow
That stays to vex the moon more fair than all
Rome’s lordliest pageants! strange, a year ago
I knelt before some crimson Cardinal
Who bare the Host across the Esquiline,
And now—those common poppies in the wheat seem twice as fine.

The blue-green beanfields yonder, tremulous
With the last shower, sweeter perfume bring
Through this cool evening than the odorous
Flame-jewelled censers the young deacons swing,
When the grey priest unlocks the curtained shrine,
And makes God’s body from the common fruit of corn and vine.

Poor Fra Giovanni bawling at the mass
Were out of tune now, for a small brown bird
Sings overhead, and through the long cool grass
I see that throbbing throat which once I heard
On starlit hills of flower-starred Arcady,
Once where the white and crescent sand of Salamis meets sea.

Sweet is the swallow twittering on the eaves
At daybreak, when the mower whets his scythe,
And stock-doves murmur, and the milkmaid leaves
Her little lonely bed, and carols blithe
To see the heavy-lowing cattle wait
Stretching their huge and dripping mouths across the farmyard gate.

And sweet the hops upon the Kentish leas,
And sweet the wind that lifts the new-mown hay,
And sweet the fretful swarms of grumbling bees
That round and round the linden blossoms play;
And sweet the heifer breathing in the stall,
And the green bursting figs that hang upon the red-brick wall,

And sweet to hear the cuckoo mock the spring
While the last violet loiters by the well,
And sweet to hear the shepherd Daphnis sing
The song of Linus through a sunny dell
Of warm Arcadia where the corn is gold
And the slight lithe-limbed reapers dance about the wattled fold.

And sweet with young Lycoris to recline
In some Illyrian valley far away,
Where canopied on herbs amaracine
We too might waste the summer-tranced day
Matching our reeds in sportive rivalry,
While far beneath us frets the troubled purple of the sea.

But sweeter far if silver-sandalled foot
Of some long-hidden God should ever tread
The Nuneham meadows, if with reeded flute
Pressed to his lips some Faun might raise his head
By the green water-flags, ah! sweet indeed
To see the heavenly herdsman call his white-fleeced flock to feed.

Then sing to me thou tuneful chorister,
Though what thou sing’st be thine own requiem!
Tell me thy tale thou hapless chronicler
Of thine own tragedies! do not contemn
These unfamiliar haunts, this English field,
For many a lovely coronal our northern isle can yield

Which Grecian meadows know not, many a rose
Which all day long in vales AEolian
A lad might seek in vain for over-grows
Our hedges like a wanton courtesan
Unthrifty of its beauty; lilies too
Ilissos never mirrored star our streams, and cockles blue

Dot the green wheat which, though they are the signs
For swallows going south, would never spread
Their azure tents between the Attic vines;
Even that little **** of ragged red,
Which bids the robin pipe, in Arcady
Would be a trespasser, and many an unsung elegy

Sleeps in the reeds that fringe our winding Thames
Which to awake were sweeter ravishment
Than ever Syrinx wept for; diadems
Of brown bee-studded orchids which were meant
For Cytheraea’s brows are hidden here
Unknown to Cytheraea, and by yonder pasturing steer

There is a tiny yellow daffodil,
The butterfly can see it from afar,
Although one summer evening’s dew could fill
Its little cup twice over ere the star
Had called the lazy shepherd to his fold
And be no prodigal; each leaf is flecked with spotted gold

As if Jove’s gorgeous leman Danae
Hot from his gilded arms had stooped to kiss
The trembling petals, or young Mercury
Low-flying to the dusky ford of Dis
Had with one feather of his pinions
Just brushed them! the slight stem which bears the burden of its suns

Is hardly thicker than the gossamer,
Or poor Arachne’s silver tapestry,—
Men say it bloomed upon the sepulchre
Of One I sometime worshipped, but to me
It seems to bring diviner memories
Of faun-loved Heliconian glades and blue nymph-haunted seas,

Of an untrodden vale at Tempe where
On the clear river’s marge Narcissus lies,
The tangle of the forest in his hair,
The silence of the woodland in his eyes,
Wooing that drifting imagery which is
No sooner kissed than broken; memories of Salmacis

Who is not boy nor girl and yet is both,
Fed by two fires and unsatisfied
Through their excess, each passion being loth
For love’s own sake to leave the other’s side
Yet killing love by staying; memories
Of Oreads peeping through the leaves of silent moonlit trees,

Of lonely Ariadne on the wharf
At Naxos, when she saw the treacherous crew
Far out at sea, and waved her crimson scarf
And called false Theseus back again nor knew
That Dionysos on an amber pard
Was close behind her; memories of what Maeonia’s bard

With sightless eyes beheld, the wall of Troy,
Queen Helen lying in the ivory room,
And at her side an amorous red-lipped boy
Trimming with dainty hand his helmet’s plume,
And far away the moil, the shout, the groan,
As Hector shielded off the spear and Ajax hurled the stone;

Of winged Perseus with his flawless sword
Cleaving the snaky tresses of the witch,
And all those tales imperishably stored
In little Grecian urns, freightage more rich
Than any gaudy galleon of Spain
Bare from the Indies ever! these at least bring back again,

For well I know they are not dead at all,
The ancient Gods of Grecian poesy:
They are asleep, and when they hear thee call
Will wake and think ‘t is very Thessaly,
This Thames the Daulian waters, this cool glade
The yellow-irised mead where once young Itys laughed and played.

If it was thou dear jasmine-cradled bird
Who from the leafy stillness of thy throne
Sang to the wondrous boy, until he heard
The horn of Atalanta faintly blown
Across the Cumnor hills, and wandering
Through Bagley wood at evening found the Attic poets’ spring,—

Ah! tiny sober-suited advocate
That pleadest for the moon against the day!
If thou didst make the shepherd seek his mate
On that sweet questing, when Proserpina
Forgot it was not Sicily and leant
Across the mossy Sandford stile in ravished wonderment,—

Light-winged and bright-eyed miracle of the wood!
If ever thou didst soothe with melody
One of that little clan, that brotherhood
Which loved the morning-star of Tuscany
More than the perfect sun of Raphael
And is immortal, sing to me! for I too love thee well.

Sing on! sing on! let the dull world grow young,
Let elemental things take form again,
And the old shapes of Beauty walk among
The simple garths and open crofts, as when
The son of Leto bare the willow rod,
And the soft sheep and shaggy goats followed the boyish God.

Sing on! sing on! and Bacchus will be here
Astride upon his gorgeous Indian throne,
And over whimpering tigers shake the spear
With yellow ivy crowned and gummy cone,
While at his side the wanton Bassarid
Will throw the lion by the mane and catch the mountain kid!

Sing on! and I will wear the leopard skin,
And steal the mooned wings of Ashtaroth,
Upon whose icy chariot we could win
Cithaeron in an hour ere the froth
Has over-brimmed the wine-vat or the Faun
Ceased from the treading! ay, before the flickering lamp of dawn

Has scared the hooting owlet to its nest,
And warned the bat to close its filmy vans,
Some Maenad girl with vine-leaves on her breast
Will filch their beech-nuts from the sleeping Pans
So softly that the little nested thrush
Will never wake, and then with shrilly laugh and leap will rush

Down the green valley where the fallen dew
Lies thick beneath the elm and count her store,
Till the brown Satyrs in a jolly crew
Trample the loosestrife down along the shore,
And where their horned master sits in state
Bring strawberries and bloomy plums upon a wicker crate!

Sing on! and soon with passion-wearied face
Through the cool leaves Apollo’s lad will come,
The Tyrian prince his bristled boar will chase
Adown the chestnut-copses all a-bloom,
And ivory-limbed, grey-eyed, with look of pride,
After yon velvet-coated deer the ****** maid will ride.

Sing on! and I the dying boy will see
Stain with his purple blood the waxen bell
That overweighs the jacinth, and to me
The wretched Cyprian her woe will tell,
And I will kiss her mouth and streaming eyes,
And lead her to the myrtle-hidden grove where Adon lies!

Cry out aloud on Itys! memory
That foster-brother of remorse and pain
Drops poison in mine ear,—O to be free,
To burn one’s old ships! and to launch again
Into the white-plumed battle of the waves
And fight old Proteus for the spoil of coral-flowered caves!

O for Medea with her poppied spell!
O for the secret of the Colchian shrine!
O for one leaf of that pale asphodel
Which binds the tired brows of Proserpine,
And sheds such wondrous dews at eve that she
Dreams of the fields of Enna, by the far Sicilian sea,

Where oft the golden-girdled bee she chased
From lily to lily on the level mead,
Ere yet her sombre Lord had bid her taste
The deadly fruit of that pomegranate seed,
Ere the black steeds had harried her away
Down to the faint and flowerless land, the sick and sunless day.

O for one midnight and as paramour
The Venus of the little Melian farm!
O that some antique statue for one hour
Might wake to passion, and that I could charm
The Dawn at Florence from its dumb despair,
Mix with those mighty limbs and make that giant breast my lair!

Sing on! sing on!  I would be drunk with life,
Drunk with the trampled vintage of my youth,
I would forget the wearying wasted strife,
The riven veil, the Gorgon eyes of Truth,
The prayerless vigil and the cry for prayer,
The barren gifts, the lifted arms, the dull insensate air!

Sing on! sing on!  O feathered Niobe,
Thou canst make sorrow beautiful, and steal
From joy its sweetest music, not as we
Who by dead voiceless silence strive to heal
Our too untented wounds, and do but keep
Pain barricadoed in our hearts, and ****** pillowed sleep.

Sing louder yet, why must I still behold
The wan white face of that deserted Christ,
Whose bleeding hands my hands did once enfold,
Whose smitten lips my lips so oft have kissed,
And now in mute and marble misery
Sits in his lone dishonoured House and weeps, perchance for me?

O Memory cast down thy wreathed shell!
Break thy hoarse lute O sad Melpomene!
O Sorrow, Sorrow keep thy cloistered cell
Nor dim with tears this limpid Castaly!
Cease, Philomel, thou dost the forest wrong
To vex its sylvan quiet with such wild impassioned song!

Cease, cease, or if ‘t is anguish to be dumb
Take from the pastoral thrush her simpler air,
Whose jocund carelessness doth more become
This English woodland than thy keen despair,
Ah! cease and let the north wind bear thy lay
Back to the rocky hills of Thrace, the stormy Daulian bay.

A moment more, the startled leaves had stirred,
Endymion would have passed across the mead
Moonstruck with love, and this still Thames had heard
Pan plash and paddle groping for some reed
To lure from her blue cave that Naiad maid
Who for such piping listens half in joy and half afraid.

A moment more, the waking dove had cooed,
The silver daughter of the silver sea
With the fond gyves of clinging hands had wooed
Her wanton from the chase, and Dryope
Had ****** aside the branches of her oak
To see the ***** gold-haired lad rein in his snorting yoke.

A moment more, the trees had stooped to kiss
Pale Daphne just awakening from the swoon
Of tremulous laurels, lonely Salmacis
Had bared his barren beauty to the moon,
And through the vale with sad voluptuous smile
Antinous had wandered, the red lotus of the Nile

Down leaning from his black and clustering hair,
To shade those slumberous eyelids’ caverned bliss,
Or else on yonder grassy ***** with bare
High-tuniced limbs unravished Artemis
Had bade her hounds give tongue, and roused the deer
From his green ambuscade with shrill halloo and pricking spear.

Lie still, lie still, O passionate heart, lie still!
O Melancholy, fold thy raven wing!
O sobbing Dryad, from thy hollow hill
Come not with such despondent answering!
No more thou winged Marsyas complain,
Apollo loveth not to hear such troubled songs of pain!

It was a dream, the glade is tenantless,
No soft Ionian laughter moves the air,
The Thames creeps on in sluggish leadenness,
And from the copse left desolate and bare
Fled is young Bacchus with his revelry,
Yet still from Nuneham wood there comes that thrilling melody

So sad, that one might think a human heart
Brake in each separate note, a quality
Which music sometimes has, being the Art
Which is most nigh to tears and memory;
Poor mourning Philomel, what dost thou fear?
Thy sister doth not haunt these fields, Pandion is not here,

Here is no cruel Lord with murderous blade,
No woven web of ****** heraldries,
But mossy dells for roving comrades made,
Warm valleys where the tired student lies
With half-shut book, and many a winding walk
Where rustic lovers stray at eve in happy simple talk.

The harmless rabbit gambols with its young
Across the trampled towing-path, where late
A troop of laughing boys in jostling throng
Cheered with their noisy cries the racing eight;
The gossamer, with ravelled silver threads,
Works at its little loom, and from the dusky red-eaved sheds

Of the lone Farm a flickering light shines out
Where the swinked shepherd drives his bleating flock
Back to their wattled sheep-cotes, a faint shout
Comes from some Oxford boat at Sandford lock,
And starts the moor-hen from the sedgy rill,
And the dim lengthening shadows flit like swallows up the hill.

The heron passes homeward to the mere,
The blue mist creeps among the shivering trees,
Gold world by world the silent stars appear,
And like a blossom blown before the breeze
A white moon drifts across the shimmering sky,
Mute arbitress of all thy sad, thy rapturous threnody.

She does not heed thee, wherefore should she heed,
She knows Endymion is not far away;
’Tis I, ’tis I, whose soul is as the reed
Which has no message of its own to play,
So pipes another’s bidding, it is I,
Drifting with every wind on the wide sea of misery.

Ah! the brown bird has ceased:  one exquisite trill
About the sombre woodland seems to cling
Dying in music, else the air is still,
So still that one might hear the bat’s small wing
Wander and wheel above the pines, or tell
Each tiny dew-drop dripping from the bluebell’s brimming cell.

And far away across the lengthening wold,
Across the willowy flats and thickets brown,
Magdalen’s tall tower tipped with tremulous gold
Marks the long High Street of the little town,
And warns me to return; I must not wait,
Hark! ’Tis the curfew booming from the bell at Christ Church gate.

Went to the County Fair today,
I have always liked to go,
So many animals,
and things to see,
It's truly quite a show.

The Carnival Games are fun,
But certainly never free,
Most are surely rigged,
You hardly ever succeed.

There are Side Shows galore,
Some bring, right out in the open
******* clad young women for
perusal, to tease men into arousal.
But you need to pay to go inside,
To get a better peek.

Best of all though, for me,
Is the vast array of Junk Food,
Right there on display,
for everyone to see.
Forbidden none healthy stuff,
that the rest of the year,
I never get to eat.

While walking around,
The sights and the sounds,
of these many prohibited treats,
Their enticing smells do so delight,
That my stomach begins to growl.

It does not help, that huge colorfull,
signs, on each food stalls does adorn,
Advertising it's tantalizing offerings,
making them all the harder to ignore.

The combination of these deeds,
of visual, and nose sensory sensations,
Can doubtless render this person,
incredibly weak in the knees.

Next up jumps a big dilemma,
Which one thing should it be?
Pop Corn, with lots of salt and  butter,
Better yet, that fresh corn on the cobb
I see.

Look over there, Oh MY!
It's fried dough Elephant Ears, I spy,
Sprinkled with honey and cinnamon,
I seldom, almost never pass them by.

Oh YES, Bright Red Candy Apples!
A boyhood favorite of mine,
and a sure win.
An apple a day, they say,
Keeps the Doctor away,
The candy is just there for a grin.

Fried Chirreo's and Corn Dogs on a stick,
Both I could do, making that combination,
a bona fide Hat Trick.

Nachos dripping with melted cheese,
Oh sure, that's bound to please.

Pulled Pork on a bun would be kind of fun,
But the Barbeque Sauce gives me gas.

One that I'd almost forgotten,
How 'bout Candy Cotton?
A marvelous Incantation,
Sugar dropped into a machine's
whirring vat, spun like magic,  
Puff, just like that.
No slight of hand required.
Really quite a sweet sensation.

I've spent now over an hour,
Just wandering all around,
Looking at the stalls and signs.
And yet,
Still can't make up my mind.

Racked with indecision,
This perplexing dilemma,
Rests with no other person,
This one is all about me.
Yet another half hour,
from the clock has expired,
and still no decision is rendered.

The day is ending,
it's nearly Six,
Not long 'till Supper Time.
Before I left home,
My wife did inform,
"It's *** Roast tonight,
your favorite,
Make sure you're here by seven!"

With a certain hesitation,
And twinge of remorse,
Disappointment etched on my face,
I turn listlessly towards my car,
With slow pace resignation,
Still pondering all those treats,
I might have had,
If it weren't for my procrastination.

Decision making,
I've been slow to admit,
Has never been my forte.

Well perhaps, No for sure.
Maybe, I'll probably come back.
Tomorrow, or even the next day.
It could, or might possibly be,
That by then, I will have thought,
this all through,
And come to some decision.

How are you?
I'm alright I guess...

Where do we begin?
Maybe at the start of this mess.

Are you uncomfortable?
I can't say that I'm not.

Is it your past?
Well it's all I've got.

Do you still get nightmares?
Well I used to...

Will you let them show?
Depends on you...

What do you hope to accomplish?
I don't know... Peace of mind?

Would you have done things differently?
Everyone wants the chance to push "rewind".

Care to elaborate?
Let's just say I would've liked to be braver.

What do you mean?
I should've stood up to my father...

Did he abuse your trust?
He did more than just that...

Rob you of your freedom?
Let's see... His belt, cigarettes and also boiling water out of a vat.

Do you wish him ill?
I wished him dead.

"Wished"?
Yeah...in his bed.

Why "wished"?
Because I wanted that then...

For how long?
Since I was ten.

What about now?
(Maniacal smile) I am now... At peace.

"At peace"?
I have found release.

You have?
Yes... I couldn't resist the urge.

Urge to do what?
To comply with the voice... "Freedom...lies in the purge..."

You left your father?
Yes but not before...

Go on...*
Not before I slit his throat with a smile on my face as I shut the door...

Destiny’s games are stranger than
most games invented by man
and Draupadi’s swayamvara is for sure
amongst the strangest tales ever told

A truly blazing beauty is she,
a princess like no other
a rare fiery spirit has she
This daughter of Agni

The drums announce the happy news
today she shall choose
from amongst this gathering of kings
the one who she shall espouse

a prophecy has already foretold
that she is to be Arjuna’s bride
the swayamvara is but a test to tempt
that expert archer out from where he hides

every king from every land
is here to attempt
to win her hand
but no sign of the one she wants

but the contest has been announced
and hence must be begun
a test truly fit to try
the Gods themselves

on the ceiling
a revolving platform
on the platform
a jewel studded fish

on the floor a vat of oil
lying beside a great bow and shafts
the fish is mirrored
in the oil

the the target lies
in the fish’s ruby red eye
but a challenge fit for kings
cannot be so trouble-free!

The eye, itself, must not be looked upon
its reflection in the oil is the map to strike
not an easy feat to accomplish
only the best dare try this

for the failures
there is ridicule and humiliation
for the winner
this beautiful handmaiden

every eye that sees
looks on amazed
at her -a rare jewel
with some secret fire set ablaze

her eyes hot embers
her hair wisps of flame
Krishnaa-the dark skinned
like the fiery coal that is by ashes hid

in every heart she rouses
an uncontrollable passion
stunned, they stand as statues
incapable of any action

the desire to win her
is a great motivator
and while all try
none seems worthy

every king that rises
falls unable to bear
the weight of the bow
let alone string and employ it!

then rises Karna
truly a great archer
surely he will win her
says everyone in their mind

but before he even touches
the bow he is stopped
by the beautiful Draupadi
he is humiliated

“who is this false king
who dares to assume that
the high-born Draupadi will condescend
to marry a low-born sutaputra?”

silenced and insulted
Karna resumes his seat
but a desire for retribution
is in his mind-a tiny seed

the one who rises next
is clothed as a Brahmin
but his proud gait and muscled arms
are that of a Kshatriya

respectfully he picks up the bow
strings it with love
with arms upraised and face turned below
he launches the arrow

it strikes the eye
which falls to the ground
the Brahmin has won!
he is garlanded by Draupadi

their eyes meet
in silent acceptance of
their magnetic attraction
a scorching passion

a stunned silence in the hall
and then hell breaks loose
kings rant and princes protest
how can a princess marry a priest

they rise together
up in arms
and are routed
by the Brahmin and his brothers

with the Brahmins Draupadi goes
to their hut-a humble abode
with folded hands they stand outside
as the eldest calls, “Look mother, see what we’ve got!”

a gentle voice replies from within
“whatever be it, share it
amongst yourselves,
it equally belongs to all of you”

“Mother, what have you said
what a dilemma we are in
you-we have never disobeyed
and yet to obey would be a sin!”

The mother comes out and is aghast
at what she has done
her order once given cannot be revoked
by convention

in the midst of all this
turmoil and confusion
Krishna arrives
with his beatific smile

“Dear aunt, I am your brother’s son
your troubled brow betrays
some confusion
can this child offer you some consolation?”

“God bless you my child
I’ve heard your praise
You are wise, so advise
how this quandary can be resolved

with hasty words
i have told my sons
to share this woman
and doomed her to a life of debauchery”

“Do not worry aunt
this isn’t a problem at all
this woman in her past life
has gained a boon of five husbands

the boon was given
by Mahadeva himself
and besides a mother’s order
is always supreme

let all five of your sons
wed Draupadi
in the karmic logic
it isn’t an iniquity

Dear Draupadi listen
these men are none other
than the valourous Pandava brothers
your hand was won by Arjuna

it is your destiny
to be the spouse of all of them
and do not worry
worldly laws are not here applicable”

Hearing this was
a stealthy listener-
Draupadi’s brother
now both overjoyed and dismayed

in confusion
he approaches his father
and apprises him
of the matter

both father and son are
unsure whether to rejoice
that the Pandavas are alive
or curse their loved one’s predicament

plagued by mixed emotions
they are restless
then Vyaasa comes
to their relief

the kind sage shares his wisdom
that the marriage is inevitable
part of the Grand Plan
mortal laws must not interfere

a woman having
more than one man as spouse
isn’t always an immorality
they may fearlessly proceed

and so it is
that the marriage was celebrated
Draupadi became the
accidental polyandrist!

-Vijayalakshmi Harish
23.09.2012

Copyright © Vijayalakshmi Harish

it's not like i was away from society,
sure, i crawled into my room and stockpiled on books,
the Tibetan Book of the Dead was never something
i was going to finish reading and find translatable
insights to compliment...
but there were plenty of books...
enough newspapers too... all the culture sections
written by critics: just today i was reading
up on two reviews in the culture section of
yesterday's the Sunday Times:
  poetry reviews! wow! wow! poetry is being
criticised in a mainstream media publication: still?
isn't poetry dead? last time i heard
TS Eliot killed poetry...
    well: if anything needs a killing -
i imagine trying to **** a dead person...
**** a dead person by mime?
**** a corpse by propping him in a chair...
talking to him, it, her,
pouring her, it, him a glass of whiskey...
dealing cards to them?
pretending the dead thing is somehow still
a body and all the mechanisation process of SIGMA
we dare to call soul or a seal of falling leaves or self?

horrors of the novel and all things
flashy and pop... i could if not for the autobiographical
drip drip drip...
   today i stood in the kitchen and imagined
myself: the demon cook of hell...
tomorrow i'll be making a Turkish dish
of finely cut beef... rosemary (oddly more complimentary
of beef than lamb), chillies, garlic,
sumac, pepper... cheese... white wine vinegar
to cure the meat...
                        black pepper... salt...
eaten with LAVASH...
                                          gorge of all gorges of
the thirst -
      but i will also be making two curries for the day
after tomorrow... to give myself more time for:
more time...

i went away from society: but didn't...
society tried to cement my ear into a lunatic asylum:
how i wished i made it among the madmen,
truly... how i wished i was at one point sectioned:
i tried my luck, i tried and tried but failed...
i never was... pop pill X white as nerves
and the bleaching of aluminium -
   pop pill Y... no result... the desired result...
the world span forward and still the same world
i returned to... although with quaked psyches
reaching out for hands instead of receiving
pointing fingers... exclude you: exclude i and you:
you-not-you i-not-i: or even:
i as "i" and you as "you"...
                    
in this kitchen: this, not this: any kitchen...
what was playing in the background? a spin on vampirism,
a blood-disease romance...
i thought about: if i wrote a YA novel about
vampires in the decadent period of the 1980s
with the height of the AIDS epidemic?
imagine: i "said" to myself...
    imagine vampires with AIDS... i started to imagine
vampires suffering from AIDS...
    not the sort of pristine vampires that needed
virgins or children to survive...
just a wild-thought: an unnecessary thought...
i'd be better off thinking of windmills...
    like that one coming up to Upminster from
Hornchurch...
               because this book, will never be written by
me... but a theme exists...
vampirism at the height of the AIDS pandemic...
vampires with AIDS...
             the homosexuality of vampires is yet
to be explored... seems these creatures might want
to exchange blood, spit and *****...
perhaps vampires would be immune to AIDS...
but then again: that's irrelevant since there's a cure
for ***: the virus that designated the past-"redemption"
state of AIDS...
or at least: this is what i "think" i "know":
point being - i don't care to know...
                              
the following rubric also came up...
on the topic of gravity...
swimming - ∇ (you find gravity in the top part
of your body... in the torso)...
the feet are slackers... they come in for the swim...
cycling - (again) ∇ nabla schematic...
your torso actually manages the coordination
of the body on the bicycle...
your feet do all the work... peddling...
but your upper body needs to coordinate
the centre point of gravity being: you're not falling...
you're not falling when either swimming
or cycling...
you're not falling when walking...
you're not falling when climbing, rock or tree...
∇... the legs are only there for the "ride"...

but? ice-skating... it should be the same!
it should be a ∇-schematic...
but is it?! is it?!
hardly some darkened mysterious, poetic O...
oh god... not another of those O O's...
like O is ****** or O is orbit
or O is eye or: whatever happened in Ur
and why not Oor for up-sigh-alone
   is not different to oh-mega-n: oh Meghan?
not a name in the tabloids... just
a coincidence, a little coincidence...

i can't be blamed for underachieving in the second
wave of literacy: basic example i can give:
frightoffreedom = "FRIGHTOFFREEDOM"
print(f"{frightoffreedom.lower()}")
who write so complicated but still performs
magic in 2D and can't translate 2D into 3D?
did every child start speaking said, any said
language to an unsaid capacity of a Buddha's
silence? gate-keepers some say,
a new literacy i say: i too could learn if
there was someone willing to teach...
but as the first pigs to the trough...
first learners come first and the rest "struggle"...
that's me sorting out the basics of ever used
EXCEL twice, properly...
HTML building blocks once...
sorting out my father's change of accountant:
three years prior to his retirement:
quick-books confuses everyday tax-payers
except for the intended audience of accountants...
but... how happy i was... filling out the rubrics
finding math fun without doing any math...
my new favourite expressions
are =SUM(D3:D34)
   that's for the total of money spent...
next column... =(D3*1.2)
   that's the rubric for the Netto (without VAT)
slide the mouse down from D3 through to D34...
next column the VAT (Brutto)..
    =(D3-E3)
             ergo... the VAT in cell F3... scroll down
to F34... then at F35 type in:
    =SUM(F3:24)...

                   modern poets are yet to have discovered
or used the internet or computers...
Poet-Luddite... conflated language:
i want to forget outside of the immediacy of having to
know an elephant is an elephant and
there are five blind men trying to tell apart
a chair from a table...
                 perhaps seeing each item represented
by a cubist painting would leave them
the same blind men if they were only given
a snippet of sight to tell a chair from table apart...

conkers left on windowsill and other locations
in the household allow you to spend the winter
months: freed from feeling spiders...
spiders apparently abhor the scent of oak seeds:
i've been huddling in my winter abode
freed from spider bites... in winter...
when spiders morph into mosquitos and draw
blood from mammalian flesh...

- i can't believe it though! it was so easy!
but... it had to take a lesbian to ask me out on a date!
it took me from the age of 21 through
to the age of teasing 37, done so casually...
hey: do you want to go ice-skating with me
after the shift is over? sure! why not!
today i paid for it... however many hours
i spent cycling, today i felt muscles i never thought
i had... but it took a lesbian to ask me on a date...
a coworker mingling scenario...
we worked the shift, we went ice-skating...
she filmed me trying my best not to fall over...
her laughter, or rather, her giggling reminded
me of Ilona... that masculine-feminine aura
of self-assurance...
i'm not attracted to these women:
they just seem to be attracted to me...
tattoos, piercings, bully-boy butch-Toms...
standing a proud 5ft4 eyeing up a 6ft2 example
trying to kick punch and kiss all at the same time...
well... it was so easy, so much fun...

it should follow that finding the centre of gravity
within the confines of ice skating
should be the same as that of finding the centre
of gravity while swimming or cycling...
i.e. ∇... that's the schematic...
upper-body: the torso is giving prime psychological
concerns... the legs are secondary...
but no... it's counter-intuitively: "intuitive"...
you can't exactly begin finding gravity while
either swimming or cycling by flapping your
arms about pretending to learn to fly:
but you do! you do!

            a drowning man is flapping his arms about
but his legs... his legs...
i'm starting to think i'm getting this theory all wrong...
swimming = cycling = ice skating = ∇...
i kept looking at my legs
pretending to walk while simultaneously trying to glide...

Δ schematic insinuates: don't look at your legs...
no one who walks upright looks down
asking the legs to do the walking...
one looks down to resemble a humbling
expression of grace: thank you: mechanisms of
what binds water to a tide and the mountain
to itch for rising above the setting sun...
thank you...
no one looks at one's legs insinuating:
you're not performing my unconscious demands
of moving from X to Y...
but on ice? ice skating...
it's a fake schematic... ice skating is truly like
swimming and cycling...
next time? my 3rd time on the ice? i will have to let go...
i will have to fall the nth number of times...
what's scary is generating a momentum
so easily without any obstacles of a hill
of grit of grind...
     it's a bit like: people exercising in the gym...
performance art... they can lift weights as a spectacle...
they can create a sexed-up physique, body-shape...
but throw the same people into a manual-labour
environment: with the drudgery of manual labour...
the bulkiest of them will stumble...
tell them to lift, perform "art work" on a roll of
      felt in the roofing industry...
lifting weights is an abstract compared to actual
physical labour...

still... aged 36 and the first "date": it wasn't a date...
was with a female who just so happened to be a lesbian...
what sort of heterosexual woman would go on
a date with me so simple... she asked to go ice-skating
i would have asked: want to go cycling with me?
want to go to an art gallery with me?
was there any talk about what job i have?
was there any talk about what living arrangements
i'm living "under": more like over given
the current climate of renting in London:
12 months upfront rent?!
             of course i still live with my parents...
i clean the house, i cook, i sort out my father's invoices...
i do the VAT for the accountant,
i tend to the garden...
                              i pay "rent"... well...
thankfully i didn't have hopes to get married...
so... my parents didn't have to fork out from their savings
for some grand fakery parade of ceremonial pomp
of ****** white: bride to be...
easier with the prostitutes in the brothel...
but i figured: if the the 8 year old me figured out
how to ******* before he could produce *****
he could also have an inkling into the current debacle
of men who *******: like that was ever a hindering
"problem": because women are all pristine
because they rarely talk about it:
cipher: Madame Bovary...

         two bad experiences having *** in one brothel
and i'm thinking about curing my ills seeking out
another brothel... but it's winter and my libido is
obviously not up to scratch...
so? three times daily... jerking off to the point
where i: i don't have to actually enjoy it...
no movies... just pictures... cleavage... ***...
eyes... mostly eyes...
                           bacon, butcher, bacon,
tenderising meat, curing meat with acids...
spices... herbs...
                 the more i do it the less i think of it...
worried about communal hot topics about loss
of testosterone?
                   i have hair on my chest
my stomach, my back and on my chin...
                  blah blah some parrot said...
seagulls dived in for a *******... the Kraken yawned...
Norse mythologies crept up on dying Christianity
and all was well... meadows covered by frost come
late January somewhere in the open green patches
of Edinburgh...

                - the labour and the pains of the crucified-foetus....
some say it's like waking into a world
where women perform the splinter-membrane
argument of what's living and what's not...
how ancient male mammals performed infanticide...
yet how chemistry and the abstract allowed
a new-mammalian-wave of female infanticide:
because: early birds in the dynamic of ***
made their first falls the fault in the opposite ***...
while some of us waited and waited and
by waiting became freed from ugly brides
and social expectation: Darwinism's pressures
to procreate...

i can't listen to both Darwinism and Buddhism
at the same time: i simply can't knife through
to the fork to subsequently spoon up and gulp down
this sort of duality...
like i can't stomach the dualism: if there is one
of consolidating the aesthetic with the ascetic...
i can't consolidate the AESTHETIC with the ASCETIC!
Christianity did just that! Christianity
married the AESTHETIC with the ASCETIC"

V.B. Wigglesworth wakes at noon,
Washes, shaves and very soon
Is at the lab; he reads his mail,
Swings a tadpole by the tail,
Undoes his coat, removes his hat,

Dips a spider in a vat
Of alkaline, phones the press,
Tells them he is F.R.S.,
Subdivides six protocells,
Kills a rat by ringing bells,

Writes a treatise, edits two
Symposia on "Will man do?,"
Gives a lecture, audits three,
Has the ***** club in for tea,
Pensions off an ageing spore,

Cracks a test tube, takes some pure
Science and applies it, finds,
His hat, adjusts it, pulls the blinds,
Instructs the jellyfish to spawn,
And, by one o'clock, is gone.

(To Marcel Schwob in friendship and in admiration)

In a dim corner of my room for longer than
my fancy thinks
A beautiful and silent Sphinx has watched me
through the shifting gloom.

Inviolate and immobile she does not rise she
does not stir
For silver moons are naught to her and naught
to her the suns that reel.

Red follows grey across the air, the waves of
moonlight ebb and flow
But with the Dawn she does not go and in the
night-time she is there.

Dawn follows Dawn and Nights grow old and
all the while this curious cat
Lies couching on the Chinese mat with eyes of
satin rimmed with gold.

Upon the mat she lies and leers and on the
tawny throat of her
Flutters the soft and silky fur or ripples to her
pointed ears.

Come forth, my lovely seneschal! so somnolent,
so statuesque!
Come forth you exquisite grotesque! half woman
and half animal!

Come forth my lovely languorous Sphinx! and
put your head upon my knee!
And let me stroke your throat and see your
body spotted like the Lynx!

And let me touch those curving claws of yellow
ivory and grasp
The tail that like a monstrous Asp coils round
your heavy velvet paws!

A thousand weary centuries are thine
while I have hardly seen
Some twenty summers cast their green for
Autumn’s gaudy liveries.

But you can read the Hieroglyphs on the
great sandstone obelisks,
And you have talked with Basilisks, and you
have looked on Hippogriffs.

O tell me, were you standing by when Isis to
Osiris knelt?
And did you watch the Egyptian melt her union
for Antony

And drink the jewel-drunken wine and bend
her head in mimic awe
To see the huge proconsul draw the salted tunny
from the brine?

And did you mark the Cyprian kiss white Adon
on his catafalque?
And did you follow Amenalk, the God of
Heliopolis?

And did you talk with Thoth, and did you hear
the moon-horned Io weep?
And know the painted kings who sleep beneath
the wedge-shaped Pyramid?

Lift up your large black satin eyes which are
like cushions where one sinks!
Fawn at my feet, fantastic Sphinx! and sing me
all your memories!

Sing to me of the Jewish maid who wandered
with the Holy Child,
And how you led them through the wild, and
how they slept beneath your shade.

Sing to me of that odorous green eve when
crouching by the marge
You heard from Adrian’s gilded barge the
laughter of Antinous

And lapped the stream and fed your drouth and
watched with hot and hungry stare
The ivory body of that rare young slave with
his pomegranate mouth!

Sing to me of the Labyrinth in which the twi-
formed bull was stalled!
Sing to me of the night you crawled across the
temple’s granite plinth

When through the purple corridors the screaming
scarlet Ibis flew
In terror, and a horrid dew dripped from the
moaning Mandragores,

And the great torpid crocodile within the tank
shed slimy tears,
And tare the jewels from his ears and staggered
back into the Nile,

And the priests cursed you with shrill psalms as
in your claws you seized their snake
And crept away with it to slake your passion by
the shuddering palms.

Who were your lovers? who were they
who wrestled for you in the dust?
Which was the vessel of your Lust?  What
Leman had you, every day?

Did giant Lizards come and crouch before you
on the reedy banks?
Did Gryphons with great metal flanks leap on
you in your trampled couch?

Did monstrous hippopotami come sidling toward
you in the mist?
Did gilt-scaled dragons writhe and twist with
passion as you passed them by?

And from the brick-built Lycian tomb what
horrible Chimera came
With fearful heads and fearful flame to breed
new wonders from your womb?

Or had you shameful secret quests and did
you harry to your home
Some Nereid coiled in amber foam with curious
rock crystal *******?

Or did you treading through the froth call to
the brown Sidonian
For tidings of Leviathan, Leviathan or
Behemoth?

Or did you when the sun was set climb up the
cactus-covered *****
To meet your swarthy Ethiop whose body was
of polished jet?

Or did you while the earthen skiffs dropped
down the grey Nilotic flats
At twilight and the flickering bats flew round
the temple’s triple glyphs

Steal to the border of the bar and swim across
the silent lake
And slink into the vault and make the Pyramid
your lupanar

Till from each black sarcophagus rose up the
painted swathed dead?
Or did you lure unto your bed the ivory-horned
Tragelaphos?

Or did you love the god of flies who plagued
the Hebrews and was splashed
With wine unto the waist? or Pasht, who had
green beryls for her eyes?

Or that young god, the Tyrian, who was more
amorous than the dove
Of Ashtaroth? or did you love the god of the
Assyrian

Whose wings, like strange transparent talc, rose
high above his hawk-faced head,
Painted with silver and with red and ribbed with
rods of Oreichalch?

Or did huge Apis from his car leap down and
lay before your feet
Big blossoms of the honey-sweet and honey-
coloured nenuphar?

How subtle-secret is your smile!  Did you
love none then?  Nay, I know
Great Ammon was your bedfellow!  He lay with
you beside the Nile!

The river-horses in the slime trumpeted when
they saw him come
Odorous with Syrian galbanum and smeared with
spikenard and with thyme.

He came along the river bank like some tall
galley argent-sailed,
He strode across the waters, mailed in beauty,
and the waters sank.

He strode across the desert sand:  he reached
the valley where you lay:
He waited till the dawn of day:  then touched
your black ******* with his hand.

You kissed his mouth with mouths of flame:
you made the horned god your own:
You stood behind him on his throne:  you called
him by his secret name.

You whispered monstrous oracles into the
caverns of his ears:
With blood of goats and blood of steers you
taught him monstrous miracles.

White Ammon was your bedfellow!  Your
chamber was the steaming Nile!
And with your curved archaic smile you watched
his passion come and go.

With Syrian oils his brows were bright:
and wide-spread as a tent at noon
His marble limbs made pale the moon and lent
the day a larger light.

His long hair was nine cubits’ span and coloured
like that yellow gem
Which hidden in their garment’s hem the
merchants bring from Kurdistan.

His face was as the must that lies upon a vat of
new-made wine:
The seas could not insapphirine the perfect azure
of his eyes.

His thick soft throat was white as milk and
threaded with thin veins of blue:
And curious pearls like frozen dew were
broidered on his flowing silk.

On pearl and porphyry pedestalled he was
too bright to look upon:
For on his ivory breast there shone the wondrous
ocean-emerald,

That mystic moonlit jewel which some diver of
the Colchian caves
Had found beneath the blackening waves and
carried to the Colchian witch.

Before his gilded galiot ran naked vine-wreathed
corybants,
And lines of swaying elephants knelt down to
draw his chariot,

And lines of swarthy Nubians bare up his litter
as he rode
Down the great granite-paven road between the
nodding peacock-fans.

The merchants brought him steatite from Sidon
in their painted ships:
The meanest cup that touched his lips was
fashioned from a chrysolite.

The merchants brought him cedar chests of rich
apparel bound with cords:
His train was borne by Memphian lords:  young
kings were glad to be his guests.

Ten hundred shaven priests did bow to Ammon’s
altar day and night,
Ten hundred lamps did wave their light through
Ammon’s carven house—and now

Foul snake and speckled adder with their young
ones crawl from stone to stone
For ruined is the house and prone the great
rose-marble monolith!

Wild *** or trotting jackal comes and couches
in the mouldering gates:
Wild satyrs call unto their mates across the
fallen fluted drums.

And on the summit of the pile the blue-faced
ape of Horus sits
And gibbers while the fig-tree splits the pillars
of the peristyle

The god is scattered here and there:  deep
hidden in the windy sand
I saw his giant granite hand still clenched in
impotent despair.

And many a wandering caravan of stately
negroes silken-shawled,
Crossing the desert, halts appalled before the
neck that none can span.

And many a bearded Bedouin draws back his
yellow-striped burnous
To gaze upon the Titan thews of him who was
thy paladin.

Go, seek his fragments on the moor and
wash them in the evening dew,
And from their pieces make anew thy mutilated
paramour!

Go, seek them where they lie alone and from
their broken pieces make
Thy bruised bedfellow!  And wake mad passions
in the senseless stone!

Charm his dull ear with Syrian hymns! he loved
your body! oh, be kind,
Pour spikenard on his hair, and wind soft rolls
of linen round his limbs!

Wind round his head the figured coins! stain
with red fruits those pallid lips!
Weave purple for his shrunken hips! and purple
for his barren *****!

Away to Egypt!  Have no fear.  Only one
God has ever died.
Only one God has let His side be wounded by a
soldier’s spear.

But these, thy lovers, are not dead.  Still by the
hundred-cubit gate
Dog-faced Anubis sits in state with lotus-lilies
for thy head.

Still from his chair of porphyry gaunt Memnon
strains his lidless eyes
Across the empty land, and cries each yellow
morning unto thee.

And Nilus with his broken horn lies in his black
and oozy bed
And till thy coming will not spread his waters on
the withering corn.

Your lovers are not dead, I know.  They will
rise up and hear your voice
And clash their cymbals and rejoice and run to
kiss your mouth!  And so,

Set wings upon your argosies!  Set horses to
your ebon car!
Back to your Nile!  Or if you are grown sick of
dead divinities

Follow some roving lion’s spoor across the copper-
coloured plain,
Reach out and hale him by the mane and bid
him be your paramour!

Couch by his side upon the grass and set your
white teeth in his throat
And when you hear his dying note lash your
long flanks of polished brass

And take a tiger for your mate, whose amber
sides are flecked with black,
And ride upon his gilded back in triumph
through the Theban gate,

And toy with him in amorous jests, and when
he turns, and snarls, and gnaws,
O smite him with your jasper claws! and bruise
him with your agate *******!

Why are you tarrying?  Get hence!  I
weary of your sullen ways,
I weary of your steadfast gaze, your somnolent
magnificence.

Your horrible and heavy breath makes the light
flicker in the lamp,
And on my brow I feel the damp and dreadful
dews of night and death.

Your eyes are like fantastic moons that shiver
in some stagnant lake,
Your tongue is like a scarlet snake that dances
to fantastic tunes,

Your pulse makes poisonous melodies, and your
black throat is like the hole
Left by some torch or burning coal on Saracenic
tapestries.

Away!  The sulphur-coloured stars are hurrying
through the Western gate!
Away!  Or it may be too late to climb their silent
silver cars!

See, the dawn shivers round the grey gilt-dialled
towers, and the rain
Streams down each diamonded pane and blurs
with tears the wannish day.

What snake-tressed fury fresh from Hell, with
uncouth gestures and unclean,
Stole from the poppy-drowsy queen and led you
to a student’s cell?

What songless tongueless ghost of sin crept
through the curtains of the night,
And saw my taper burning bright, and knocked,
and bade you enter in?

Are there not others more accursed, whiter with
leprosies than I?
Are Abana and Pharphar dry that you come here
to slake your thirst?

Get hence, you loathsome mystery!  Hideous
animal, get hence!
You wake in me each ******* sense, you make me
what I would not be.

You make my creed a barren sham, you wake
foul dreams of sensual life,
And Atys with his blood-stained knife were
better than the thing I am.

False Sphinx!  False Sphinx!  By reedy Styx
old Charon, leaning on his oar,
Waits for my coin.  Go thou before, and leave
me to my crucifix,

Whose pallid burden, sick with pain, watches
the world with wearied eyes,
And weeps for every soul that dies, and weeps
for every soul in vain.

My life is a brilliant and vivid mosaic of failures. If depicted horizontally, it would span countless walls, each with its own tapestry. Intertwined in each image would be a visage of myself in yet another battle of me, metaphorically David, and the vastness of the woven problem, here named Goliath. The only difference however, I don't succeed. My slingshot, as it were, isn't good enough.
     "Almost" is a callous and cold word, however it is the most veril word I know. It shouldn't just be something on my body like a tattoo, but rather etched painstakingly into my hardest bones. Always. Always "Almost" is not a fulfilling way to live.
     My Father once said something along the lines of "The only way I wouldn't be proud of you or that I would be disappointed in you is if you did something or made choices that lead to your unhappiness." With that, I feel as though he couldn't have been proud of me in quite some time, and further, there is no evidence that it will change. I am unhappy all of the time. I am disappointed in myself.
     I am afraid, fearful, of the hatred inside myself at times. I try and use it to my advantage, to prove my "worth", to try and do better at the current task (whatever it may be at the time). But as it usually happens, I get so angry, even vengeful, with no explanation. I sit and think about it, come to nothing, and am scared of what I am becoming.
     I am breathing, organic garbage that, because of sentience, assumes too much of, and from, my existence. I am a ******* paradox. I am realistic but full of wishes, longing for what I know does not exist; I am pessimistic, yet full of hopes, or false hopes rather, that I know fullheartedly are hubris and lost time. Whenever I need logic, emotion takes control. Whenever I look for my heart, my mind conceals its help.
     I believe in absolutely nothing but who I think I am, but I doubt myself to my bitter, black core.
I have achieved nothing with what I have been given (everything) and therefore deserve nothing that I have.
     I Am A Fake. I Am A Lie. I pretend to understand, to know, to help, to listen, but I have no idea what the **** I'm doing, who the **** I am, or why the **** I'm even here as undeserving as I am. With that, what right have I at all to "help" anyone else when I, myself, have no idea where my words will lead them? That itself makes me worse than half of the people that have killed others because at least they know who they are and what they were doing.
     I find it hard to believe that I, personally, was crafted in the image of God because I can't imagine that I resemble (in spirit, mind or matter) anything like the Perfect Being that I love and pray to. I am handcrafted debris, trash, attempting (out of place) to be something more.
     I was once told by someone I truly loved, "How can you love someone if you don't love yourself?" It's pretty easy. You first look at them, think of all the things they do and all the things they represent that lead to them making you happy, and you fall in love with that. it isn't a choice, you just do. I do nothing that makes me happy successfully, in the end, I try and fail consistently whereas someone I love is victorious repeatedly just by being them self. Why wouldn't you love someone for making you happy, yet love yourself in spite of your inability to do so?
     I don't believe anything I've ever encountered or experienced in my, as of yet, short life has prepared me for the utmost feeling of loneliness that creeps like the most dark and shadowy oppression. No cigarette is long enough, no vat of bourbon deep enough to escape that thought. Even in upbeat company that fact lingers, and of it, I am afraid.
     Why must I settle and "stay the course"? Why hold onto a sinking ship? I don't mean in terms of living versus dying, I mean in terms of living in insufferable struggle versus changing the reality. Why is this made to seem so impossible?
     Why am I in constant debt before even being old enough, experienced enough, or brave enough to even make decisions with that debt as a possible outcome?
     Since I was old enough to formulate my own opinions of the world I live in, it's been the epitome and meter of one resounding conclusion: "I will try my best and fail, suffer, but in doing this, I will have no choice but to think one day it will get better, and I can hope in my time of struggle that when that day comes, I Might Be Able To Be Happy.
     I'm in love with someone who is half a country away. She even knows, She might even feel the same, but it is for naught. I justify this by telling myself every "writer" needs a Muse.
     I lack the natural talent required to achieve my dreams in this current world. I was born with a gift I should have kept the receipt with; something I could have traded for something more realistically useful.
     Those closest to me have no idea who I am. They are the only thing that glues my sanity, and I'm fearful if they fully knew what I am, they'd leave.
     I've condensed some of these thoughts and feelings into spoken words to those I trust the most, hoping and praying they might say this is normal, that everyone goes through this, that we are all fighting the good fight. Their deaf ears betray their silent mouths.
     The rhythm in music, the voices in plays, the words to poems, the flow of my pencil, are all I have to escape this solitary confinement. But upon realizing the only things I have to help me feel "normal" are inanimate and incapable of understanding, it only further drives me into the chasm.
     I have become everything I hate. A petulant, assuming, and undeserving child ******* about his life when it's not even fully begun, and worse, has been given everything along the way and pitifully has done nothing with ******* any of it.
     I look at my Father and my Mother, and mouth agape, am stunned at their character, their perseverance. Compared to the two people who made me, I am grovelling ****, with absolutely nothing to complain about.
     I have never made a serious decision in my life unless I fully knew the only outcome before the decision was made. This makes me a coward. Logically it might make sense, but this is real life, you shouldn't do that, and **** logic.
     I always have an excuse, I'm not a real man, I'm afraid to take a fall because it's just another piece of the prosecution's evidence pointing to the guilt I possess in relation to my long record of failures.
     I'm cast outside "normalcy" because I don't believe in society. I'm not afraid to die, death actually intrigues me, a lingering curiosity. I adore the macabre because I believe there is truth of humanity in the darkness that everyone ignores exists. We profit and capitalize on procedures that **** thousands, but because it's not us they target, and usually not until the long run, we pay no mind. I believe that more than half of our so called "society", myself included, are no better in most senses than Dahmer or Panzram. At least they were honest about the monsters they were.
     I'm obsessed with thing that don't matter; theories that wouldn't make a difference in the world if proven true, questing for a Love that I rightly don't deserve and that likely doesn't exist, searching for acceptance of anyone but at the same time and equally, in paradox, caring about none of it, especially myself.
     Most nights instead of praying to God as I intend to do, I find myself wondering if I deserve His forgiveness. I know, on some level or another, if the Holy Father, Himself, came to me at any time during those sleepless nights, I would not have an even close to decent answer arguing for His forgiveness, but rather, a full of tears and chopped up, pathetic plea for it anyway.
     I dream of someone to love romantically just for the sake of being able to love someone for exactly who they are and because doing so makes me happy. It has been so long passed of this being even close to a chance of reality, that the thought of ***, or even intimacy, without that love does not even interest me anymore.
     I'm twenty years old and every job I work wants one-hundred percent of my soul and time. Is this normal? Am I not allowed to be a responsible but stupid kid for a while before I have to settle with the reality of a mundane and mind/body numbing job that takes so much of your day that at night you can only imagine the freedom of sleep rather than having a spare few precious seconds for thinking that dying has the upside of never having to show up to that ******* place again? I have no problem with working at all, in fact, I appreciate anything that has a general task and goal that is monotonous enough to keep my mind focused just enough that anything I've written here, the things that upset me, don't leak in and ruin the day, but realistically, how can I give my soul to cutting lawn? To stocking a ******* shelf? I am part of the worst generation on Earth so far, I have potential to be better than ninety--nine percent of the drooling unfortunate vertebrae we call "society", and this is what I'm supposed to wake up for? If this is what I need to accept and I'm just going crazy, fine, I accept it, but in doing this, you need to accept that if I'm crazy, you're batshit ******* nuts.
     I find myself not ever wanting to wake up. I'm not even close to suicidal, I don't want to die yet, I just can't see a logical point, or an emotional reason for any of this nonsense to continue. Can anyone identify with that? Don't misconstrue and worry yourself with me being honest with myself, I DO wake up. I wash my face, but I look in the mirror afterwards and ask "Why?", and I get the day over with anyway so I can hurry up and get home to get ready to do everything over again exactly the same the next day the exact same way, the only difference being the date on the calender and the minutes of the one life I get slowly building themselves into hours and days that will now be an empty black void of memory in my head that could've been used for something worth remembering. Why? Why settle to sulk and squander in ***** and depression when you haven't even tried to bathe in gold and happiness?
     I hate almost everything. The way things are, have been, will be. I hate the faceless sheep that complain yet attempt nothing to change their circumstances. If there is one thing to look on with pride, it is at least I'm better than that. At least if I failed, by default it means I ******* tried.
     I lack the capacity and the capability to voice these kinds of thoughts. As well-spoken as I am, I choke the hardest when I try to speak about any of them. I have to scribble and usually type them, and further, put them in a format a possible reader might be able to understand. Alas, I have failed at that as well. I put my heart and thoughts into my poetry, but anything resonating from within me that I've pounded into the countless pages I've written is lost in a sea of meter and rule-abiding rhetoric as well as aesthetically and audibly pleasing metaphors and rhyme-schemes rather than just blunt structure. No one reads anything with nothing left to the imagination. And justly so, why would they? Why try to decipher someone's heart if it doesn't also apply to you? Why read an ending if you know you won't like it unless it has "happily ever ******* after"? Why not emulate the thoughts and endure the cramping in the thumb an forefinger if it's not something you already know or something you clicked "like" on to impress the friend with the independent mind that was the one who told you to read it in the first place? I may sound bitter, I am, and hateful, but at least I am not a liar.
     If I had one absolute thing, one pure thought, one controversial heading, one cry to all who have ever asked me and I have failed to explain it better; If I can leave you with one thing; If it were possible for me to speak one line to the empty church at my funeral when I die someday and move on to peace, it would be this:
The Words I Seek With Which I Wish To Express My True Misery Elude Me.

I need to wallow in
pain, agony, loneliness, tears.

Please, just shove me into a vat full of that.
I'll float, don't worry,
but I need some of that to
stop feeling so out of place,
and when I'm ready,
I'll come out.

(PIANO DI SORRENTO.)

Fortu, Frotu, my beloved one,
Sit here by my side,
On my knees put up both little feet!
I was sure, if I tried,
I could make you laugh spite of Scirocco;
Now, open your eyes—
Let me keep you amused till he vanish
In black from the skies,
With telling my memories over
As you tell your beads;
All the memories plucked at Sorrento
—The flowers, or the weeds,
Time for rain! for your long hot dry Autumn
Had net-worked with brown
The white skin of each grape on the bunches,
Marked like a quail’s crown,
Those creatures you make such account of,
Whose heads,—specked with white
Over brown like a great spider’s back,
As I told you last night,—
Your mother bites off for her supper;
Red-ripe as could be.
Pomegranates were chapping and splitting
In halves on the tree:
And betwixt the loose walls of great flintstone,
Or in the thick dust
On the path, or straight out of the rock side,
Wherever could ******
Some burnt sprig of bold hardy rock-flower
Its yellow face up,
For the prize were great butterflies fighting,
Some five for one cup.
So, I guessed, ere I got up this morning,
What change was in store,
By the quick rustle-down of the quail-nets
Which woke me before
I could open my shutter, made fast
With a bough and a stone,
And look through the twisted dead vine-twigs,
Sole lattice that’s known!
Quick and sharp rang the rings down the net-poles,
While, busy beneath,
Your priest and his brother tugged at them,
The rain in their teeth:
And out upon all the flat house-roofs
Where split figs lay drying,
The girls took the frails under cover:
Nor use seemed in trying
To get out the boats and go fishing,
For, under the cliff,
Fierce the black water frothed o’er the blind-rock
No seeing our skiff
Arrive about noon from Amalfi,
—Our fisher arrive,
And pitch down his basket before us,
All trembling alive
With pink and grey jellies, your sea-fruit,
—You touch the strange lumps,
And mouths gape there, eyes open, all manner
Of horns and of humps.
Which only the fisher looks grave at,
While round him like imps
Cling screaming the children as naked
And brown as his shrimps;
Himself too as bare to the middle—
—You see round his neck
The string and its brass coin suspended,
That saves him from wreck.
But today not a boat reached Salerno,
So back to a man
Came our friends, with whose help in the vineyards
Grape-harvest began:
In the vat, half-way up in our house-side,
Like blood the juice spins,
While your brother all bare-legged is dancing
Till breathless he grins
Dead-beaten, in effort on effort
To keep the grapes under,
Since still when he seems all but master,
In pours the fresh plunder
From girls who keep coming and going
With basket on shoulder,
And eyes shut against the rain’s driving,
Your girls that are older,—
For under the hedges of aloe,
And where, on its bed
Of the orchard’s black mould, the love-apple
Lies pulpy and red,
All the young ones are kneeling and filling
Their laps with the snails
Tempted out by this first rainy weather,—
Your best of regales,
As tonight will be proved to my sorrow,
When, supping in state,
We shall feast our grape-gleaners (two dozen,
Three over one plate)
With lasagne so tempting to swallow
In slippery ropes,
And gourds fried in great purple slices,
That colour of popes.
Meantime, see the grape-bunch they’ve brought you,—
The rain-water slips
O’er the heavy blue bloom on each globe
Which the wasp to your lips
Still follows with fretful persistence—
Nay, taste, while awake,
This half of a curd-white smooth cheese-ball,
That peels, flake by flake,
Like an onion’s, each smoother and whiter;
Next, sip this weak wine
From the thin green glass flask, with its stopper,
A leaf of the vine,—
And end with the prickly-pear’s red flesh
That leaves through its juice
The stony black seeds on your pearl-teeth
…Scirocco is loose!
Hark! the quick, whistling pelt of the olives
Which, thick in one’s track,
Tempt the stranger to pick up and bite them,
Though not yet half black!
How the old twisted olive trunks shudder!
The medlars let fall
Their hard fruit, and the brittle great fig-trees
Snap off, figs and all,—
For here comes the whole of the tempest
No refuge, but creep
Back again to my side and my shoulder,
And listen or sleep.

O how will your country show next week
When all the vine-boughs
Have been stripped of their foliage to pasture
The mules and the cows?
Last eve, I rode over the mountains;
Your brother, my guide,
Soon left me, to feast on the myrtles
That offered, each side,
Their fruit-*****, black, glossy and luscious,—
Or strip from the sorbs
A treasure, so rosy and wondrous,
Of hairy gold orbs!
But my mule picked his sure, sober path out,
Just stopping to neigh
When he recognized down in the valley
His mates on their way
With the *******, and barrels of water;
And soon we emerged
From the plain, where the woods could scarce follow
And still as we urged
Our way, the woods wondered, and left us,
As up still we trudged
Though the wild path grew wilder each instant,
And place was e’en grudged
’Mid the rock-chasms, and piles of loose stones
(Like the loose broken teeth
Of some monster, which climbed there to die
From the ocean beneath)
Place was grudged to the silver-grey fume-****
That clung to the path,
And dark rosemary, ever a-dying,
That, ’spite the wind’s wrath,
So loves the salt rock’s face to seaward,—
And lentisks as staunch
To the stone where they root and bear berries,—
And… what shows a branch
Coral-coloured, transparent, with circlets
Of pale seagreen leaves—
Over all trod my mule with the caution
Of gleaners o’er sheaves,
Still, foot after foot like a lady—
So, round after round,
He climbed to the top of Calvano,
And God’s own profound
Was above me, and round me the mountains,
And under, the sea,
And within me, my heart to bear witness
What was and shall be!
Oh Heaven, and the terrible crystal!
No rampart excludes
Your eye from the life to be lived
In the blue solitudes!
Oh, those mountains, their infinite movement!
Still moving with you—
For, ever some new head and breast of them
Thrusts into view
To observe the intruder—you see it
If quickly you turn
And, before they escape you, surprise them—
They grudge you should learn
How the soft plains they look on, lean over,
And love (they pretend)
-Cower beneath them; the flat sea-pine crouches
The wild fruit-trees bend,
E’en the myrtle-leaves curl, shrink and shut—
All is silent and grave—
’Tis a sensual and timorous beauty—
How fair, but a slave!
So, I turned to the sea,—and there slumbered
As greenly as ever
Those isles of the siren, your Galli;
No ages can sever
The Three, nor enable their sister
To join them,—half-way
On the voyage, she looked at Ulysses—
No farther today;
Though the small one, just launched in the wave,
Watches breast-high and steady
From under the rock, her bold sister
Swum half-way already.
Fortu, shall we sail there together
And see from the sides
Quite new rocks show their faces—new haunts
Where the siren abides?
Shall we sail round and round them, close over
The rocks, though unseen,
That ruffle the grey glassy water
To glorious green?
Then scramble from splinter to splinter,
Reach land and explore,
On the largest, the strange square black turret
With never a door,
Just a loop to admit the quick lizards;
Then, stand there and hear
The birds’ quiet singing, that tells us
What life is, so clear!
The secret they sang to Ulysses,
When, ages ago,
He heard and he knew this life’s secret,
I hear and I know!

Ah, see! The sun breaks o’er Calvano—
He strikes the great gloom
And flutters it o’er the mount’s summit
In airy gold fume!
All is over! Look out, see the gipsy,
Our tinker and smith,
Has arrived, set up bellows and forge,
And down-squatted forthwith
To his hammering, under the wall there;
One eye keeps aloof
The urchins that itch to be putting
His jews’-harps to proof,
While the other, through locks of curled wire,
Is watching how sleek
Shines the hog, come to share in the windfalls
—An abbot’s own cheek!
All is over! Wake up and come out now,
And down let us go,
And see the fine things got in order
At Church for the show
Of the Sacrament, set forth this evening;
Tomorrow’s the Feast
Of the Rosary’s ******, by no means
Of Virgins the least—
As you’ll hear in the off-hand discourse
Which (all nature, no art)
The Dominican brother, these three weeks,
Was getting by heart.
Not a post nor a pillar but’s dizened
With red and blue papers;
All the roof waves with ribbons, each altar
A-blaze with long tapers;
But the great masterpiece is the scaffold
Rigged glorious to hold
All the fiddlers and fifers and drummers
And trumpeters bold,
Not afraid of Bellini nor Auber,
Who, when the priest’s hoarse,
Will strike us up something that’s brisk
For the feast’s second course.
And then will the flaxen-wigged Image
Be carried in pomp
Through the plain, while in gallant procession
The priests mean to stomp.
And all round the glad church lie old bottles
With gunpowder stopped,
Which will be, when the Image re-enters,
Religiously popped.
And at night from the crest of Calvano
Great bonfires will hang,
On the plain will the trumpets join chorus,
And more poppers bang!
At all events, come—to the garden,
As far as the wall,
See me tap with a *** on the plaster
Till out there shall fall
A scorpion with wide angry nippers!

…”Such trifles”—you say?
Fortu, in my England at home,
Men meet gravely today
And debate, if abolishing Corn-laws
Is righteous and wise
—If ’tis proper, Scirocco should vanish
In black from the skies!

Jou boodskappe die sonstrale
wat elke nou en dan my dag wil maak
en ook soms 8 minute vat om by my uit te kom
maar gee lig en lewe in my donker wereld

al is jy miljoene bietjies weg van my af
is jou liefde n warm drukkie wat ek
moeiteloos in elke donker nag
om my bang lyf kan vou

jy wat agter die horison jou eie horison sien
en dalk self die maan met my deel
,van n ander kant af,
dra ek na aan my hart...

soos n tietie sonder nippels
of n bangmaak boek sonder sy stippels....
is my lewe net plein
en puntloos sonder jou.

Jy is my duisend-myle-weg
, maar altyd daar,
chill-jou-guava maaitjie
wat my weghol hart bedaar.

Familie buite stam en bas
bloedloos dalk , maar hegte vas
grenslose vriende oor die wereld heen...
God se grootste seen.

- aan al my vriende wat ver weg bly , maar meer beteken as my eie asem en wat ek dierbaarder ag as my virginity ;) ek is so ongelooflik baie lief vir julle.

Carinda du Toit. Aldridt Koltzow. Marli Roux. Tarryn Forster. Frederik Rudolph van Dyk. en al die ander...

Quaking Earth shattering Revolting
And I'm in the middle of it
My heart is at least
I didn't realize or notice that it got so big able to lumber out of my chest
I guess that's ok because I can't do anything about it
Just like I couldn't do anything about the fire rising up behind "me"
You aren't with me I don't get to hear your laugh anymore
Sprinkling down through ivy covered walls
You aren't with me
I've realized that a lot
But I also realize that when I get up in the morning
Or in most cases never going to sleep to begin with
The moon a lovely
Complicit pale lover
Never questioning me
Never worrying me
Listening when I need to talk
And instead of telling me what to do
Or telling me what I'm doing wrong
it just listens
I knew it wasn't a mistake when I fell for your pale face
It was a mistake when I started liking someone
Who's face didn't stay impressively passive when looking at me
It was a mistake to fall out of orbit
For someone who never wanted to be free
From the confines of gravity
To  come into my sky
You know sometimes
I can still see your shadow
Just out of the corner of my eye
The way your hair would fall
How your eyes would even enrapture the sun
You aren't mine anymore
But the sun still deigns to rise
And the moon still loves me
I can't get back the love and adoration
I gave you over the past five years
And as I said I still see your shadow sometimes
But you aren't mine
And that's ok
Because even though you never cared
About being the meteor that knocked me out of orbit
I still cared about you being happy
Even when it wasn't with me
Even when it isn't with me
And each day since
I've gotten off of the ground
More and more
So thanks
For the broken insecurities
For the things that I never wanted
Thanks for submerging me into a vat
Made out of stress and emotional pain
Thanks
For the new sense of orbit
And the new outlook
And that sometimes
Dreams shatter
Possibilities shatter
But that's ok
Because when they shatter
The fractures
Lead to new doors

Sometimes I feel like I’m in a vat of molasses,

Stuck,

Unable to move,

But on the outside I’m still moving,

Smiling,

Laughing,

Hiding,

Lying,

And sometimes I feel like I’m stuck in the shadows,

Tied down,

Kept in an unending circle of thoughts,

Forced to relive my darkest moments,

Hearing the words said to me by others,

‘Freak,’

‘Ugly,’

‘Idiot, ‘

‘Stupid,’

‘Shut up!’

‘No one cares!’

‘Why should I listen to you?’

‘******,’

‘****** *****,’

‘Yeah, so?’

‘Was I talking to you?’

‘Go away!’

‘We don’t want you here!’

‘Go somewhere else!’

And after a while new ones are added, ones said by my own brain to me,

I’m a freak,

I’m a good for nothing,

I’m a loser,

I’m never going to amount to anything,

I’m Hideous,

If I’m not carful they’ll know I’m weird and tell me to leave,

Who cares what I have to say?

I’m worthless,

My writing’s s**t,

I’m fat,

I’m weak,

I should have run farther,

Look at me, can’t even do a pull up,

And sometimes I feel so wrapped up in those thoughts that I can’t even breathe,

Can’t pull myself out,

Can’t look up,

Can’t get out of the shadows,

Can’t see the light,

I feel so lonely,

Too caught up in the looks others give me to see the smiles of my friends,

Sometimes I feel like I’m caught in the dark,

Sometimes I feel like the shadows will consume me,

Sometimes I need someone to pass me a torch to beat off the shadows and ward off the darkness,

Sometimes I need someone to pull me out of the vat of molasses,

Sometimes I need someone to see past the smiles,

Sometimes I need someone to see the girl tied down in the shadows,

Sometimes I need someone to untie me,

Sometimes I need someone to break the circle of thoughts,

Sometimes I need someone to wave away my darkest moments,

Sometimes I need someone to combat what others and myself say,

To say that I’m worth it,

I’ll succeed,

I’m beautiful,

That they will never leave,

I belong here,

Don’t go,

Stay,

We’ll never make you leave,

What do you think?

You’re worth something,

Your writing’s great,

You’re strong,


Other times when I’m in the light,

I see those who are in the shadows,

And then I’m the one who beats off the shadows,

I’m the one who passes the torch,

I’m the one who wards off the darkness,

I’m the one who pulls them out of the vat of molasses,

I’m the one who sees past the smiles,

I’m the one who unties them,

I’m the one who breaks the circle of thoughts,

I’m the one who combats the words,

I’m the one who offers companionship,

I’m the one who gives the encouraging words,

I’m the one who helps,

I’m the one who saves a life.

a man gave me that phrase as a gift today.
quiver of constant smiles

for well he could,
yet little did he ken
the nature of the present

because
I read the smiles as the
tween the spaces,
in between the words of
anguish that never goes away

how can this be,
how to make sense of this

well I am a father too,
of words and sobs
and ownership of sins
between sons and fathers,
who inhabit
the unfilled spaces within,
the drawers with their name
on masking tape attached

Your fathers's hell will slowly go by

Show me a man-father
whose lips
have not quiet quivered
when hearing those words sung

we ease the grip of

carrying them on our shoulders
when they are five at the
Macy's day parade,
running alongside their first
solo bicycle ride

we ease the grip of
the vise of

not seeing them for years,
or never again,
cause they hold you guilty,
responsible for their confusion

have too, ease the grip,
cause we got more than one
singular responsibility

so we dad draw,
a smile from the quiver,
that like those of the elves,
replenished magically,
strap it on wide,
mile high and move on

oh you teenage children, you babies,
with your endless angst and bravado
of drunken scar talk,
first love lost
and the hard course
of being sixteen

put down your tiresome blunt pens
that revel only in Self-intensity glorious-galore,
read of the self destruction
of love pains thirty years in the making
and fifty in the undoing

write of ancient inescapable feelings
decades in the vat, aging, but drunk in the
moment quick searing of
every life breath you take

and it's Sunday nite
and the work week hell begins
but it is no compare to the other,
but ****, you can't understand

so chant these words,

reflect on them well,
for soon while you dream sleep,
in clean, dry sheets and safe bed
a man will come for a peep,
to make the checkmark
on the all's well list

so chant these words,
a sad violin melody,
the single sole he ever hears,


**Your fathers's hell will slowly go by

I would like to think that by the age of 6, i would have turned deaf, from the hands being placed on my ears to escape bullets of words. Shattering around me, i wished to grow up. By the age of 8, i knew my place and, my place knew me. I lived in a minefield, during a war i had not realised was going on. I had unbroken bones which bled from the inside, my mind was torn in to a million pieces and at 10, i didn't know what childhood was, and wished i was alone.

By 16, I fell into a man, a man who's hand it took 2 years to gain from his mother, as she sat there smoking and drinking hot water with lemon to be diet thin. Trimmed the fat a bit when we both left the country, and he got a girl pregnant in India, with twins, which she later aborted; I was in Canada, and 18 when i wished i was blind.

I followed through, travelled the world, til i was 21, became a university student, a best friend, a lesbian, and went to a foreign country were you are forced to use your goodness to be a force of good, which no-one sees as good, but as a hand out, and i lost good friends and saw bad men lose theirs, at 21, I saw the world and i was i was emotionally devoid in a climate of acclaimed peace.

By 26 i was a mother, uncontrollable love and grief flowed through me, like rain is dissolved by the streams in the hills. I picked up my smiling, beautiful child, which had became my night, noon, morning and day, and i wished i could repair the tear within my soul, to encompass all the love i had for my son; and the tear remained patched up with sellotape; I wished I had been a better child.

I lost all consciousness from 27 til 28, love turned to hate, i lost my love, and picked up a young one, if only she was to physically show me what my ex had not been telling me all along; what my ex boyfriends mother made me feel for 2 years, and the way my father left, whilst my mother was pulling me up the stairs, by my hair. At 28 I realised i had made the wrong decision.

From 28, here on out the wind blew, and it blew down to the valleys, and there i found the love of my life. We found and created an indestructible friendship and love, the first only and ever to support me and our goals, she helped me stand up to my father; who then ended our own father/daughter relationship. And not 3 months shy later, when myself and my son mouthed our love and said goodbye. We returned to an empty house. I sacrificed my grief for a small boy who cried for a non-existent person. At 29 my heart was destroyed in a slow burning bonfire.

I replaced the love with the lost, and gladly filled up my tank with lost souls of lost girls, who had lost their souls from some other lost soul, and so the cycle becomes fully reborn. I became someone i knew not of. I had a best friend, who i solely loved because she was the vat of hope i desperately needed in the darkest hour, my biggest cheerleader and my ***** compadre. I remember at 29 celebrating a birthday with 2 friends, and looking at the stars and thinking, is this the meaning of my existence? I remember feeling like the winds were about to change.

30. I had moved house, abandoned my son and old life, for a new job, for new money. I sunk like the titanic who did not see the epic gigantic proportion of iceberg that was about hit the ******* fan. I lost the best friend. Slowly through another relationship did i gleam a sensation of love. It was love, but it was demanding and childish, and i pushed her away before she even asked me to be hers;  in i might add one of the most romantic pursuits ever. She became my sons best friend, my dancing partner, she loved me so very very much, and i hated her for it, i hated her so much for loving me, because i was rightly wrong and she was wrongly right. I just turned 31, and she walked out over an argument over bike helmet. I realised, i was a product of my over endless pursuit of love perfect.

At 32, i am single, broke my back at work, i was then dismissed by that work, moved house, began recovery, had a car accident and here i am beginning again. Yet i am in love now with a man, something i have struggled with for a year, i am at my most humble, deep, profound, sense of being in love, without reciprocation than i have even been, and why........?

Well....

When i was 16 i wanted to be 30, i wanted my life to be over. I wanted the dead years to pass. I wanted the hard work to be gone and done. Not because i didn't want to live, but because i had lived so hard before i was 16, that anything else seemed to exhausting for words to even begin to create.

Except i lived it.
I learnt that love is not words, love is words.
Love is the words of your favourite song, emblazoned on a 8ft wall, that you come home to, and see as a surprise.
Love is someone letting you read your book.
Love is not the voice, the meaning, the tone, the perception or allegorical meaning.
Love is not the abuse, the abuser, their demons, their guilt or their silence.
Love is the unspoken word, the deep stare, the knowing glance, a tender reassurance, that this is ok.
Love is your hand holding mine. N.B Handholding is underrated.
Love is not possession, greed, want or desire. They are not yours, you are not theirs.
Love is invisible, yes it is, red balloons don't mean **** on one day a year.
Love is not perfect, but imperfect.
Love is ruthless, and cut-throat.
Love will burn you to the very last core of your being because you cannot contain its power.
Love is not lies, deceit, untruths, stories told to the naieve because you cannot be a lover and have to be a storyteller.
Love is truth, truth that so bitterly hurts, that you want to be porcelain and break into a million pieces, from the chest .
Love is walking, talking, and laughing, always laughing; love is a smile on a face.
Love is hard, and intolerable, it is passionate, and persistent and it is consistent. It does not break, it is not flimsly like a kite in a storm.
Love does not take offence to personal battles and rebukes of deadly warfare.
Love does not change its mind, be unsure, lack responsbility, or drinks you dry, til you are dried out and up.
Love is not ***, love is not lust, lust is not 'go on, you know you want to', love is not sorry in the morning.
Love is not the ***** all night *** sessions that keep the neighbours awake, but it is in the glory of two bodies where love can be found.
Love condemns. Love is a silent recommendation from Disney, Cathy and Heathcliffe, and Ring of BrightWater.
Love is a minefield and a forbidden playground; it is a secret garden and a theme park.
Love is not alone, and it is not together; it is not your children, or your childrens, children; It is within them and without them.
Love is not to be found on the praying may, in the clouds, in a the pew, or in the incense.
Love cries, love wails, love beats at your very chest, love is in death, love is in the birth.
Love.
Love.
Aaah, hmmm, Love, is an indeterminable force, by which, because of its very nature, no-one can define by logic, except that they will, because, what they cannot understand, they use perception of their blinded sight, deaf ears, and lost senses to put into words, something their heart cannot.
You have everything and you have no-one.
You have reason and you have none to be afraid of.
You are your past, and unfortunately, you are not.
You are your damage, your hurt and your pain, and hardest, your own responsibility.
You are worthy, and you are worthless, you have been shamed and you have been glorified.
You are your own future, your own today, and the yesterday.
And despite all the crap ******* memes,
Love is you, and you are love.

By 32, i had learnt to love myself. Inbetween the grieving, there is a silent knowledge, that by 32 i am in love, with myself.

*I wrote this as a very open outpouring of grief i am currently going through, and also an open realisation of the love within and for myself. It is one of my most open and explicit short stories of my life, and even within that there is lots that has not been recognised, because it has been shortened and reconsidered somewhere else. Thank you

Beside the tree of life I sit alone and write
So many pieces of broken headstones
Wedged in the valley of the branches
Each one stolen from the field behind
Placed into the bark in hopes to show that they were kind
Hard to comprehend the fact I am taken on a higher education
Today is day one and the only crime is my age
I am an old dog who still can learn new tricks
Like a red alert or white meteor flares on a dark night
My Friendly Ghost ring tone wale’s out my phone.
I know it’s time to put all personal feelings and thoughts aside
Without any delay I respond
Heading back to the maze again and so soon
No dragging left hand on wall I know my way out this time
Into the chiller once again and there he laid near another
Pushing you out I’m taking you to a better place
And In matter of minutes I will see your face
Out your zippered pouch you emerged
Onto to the table in the preparation room I laid you
After a detailed look over I then prayed for thee
For I know what is I think to come next
I was given vivid words in complete details prior
Numbed with fear I wanted to see more
Laying out all the instruments and many odd shapes they all were
Saw so much before with the others but this time I’m given a blue apron
Step one was to first watch and then I must do just the same
Tan eye cap with thorns go in and grab hold of the velvet underside
So clear the color blue I saw the lost Atlantis water in you
Mouth now opened and rivets with wire are shot into your firm gums
He held your chin up and I twisted it shut
To a perfect gap I took you so thin the entrance was
In earlier times a silver dollars was the rule
And in your mouth it went to pay the ferry man
Breaking the rigor in the arms is next to follow
Scalpel in his right hand and the neck in the left
Feeling around for the perfect spot of execution
He Suddenly then makes a quick and clean cut
Sinking hooks went in he exposed and pulled out your major one
Then came the elevation and he held it with a stainless steel handle
Strings now are cut and perfect lengths yes they were
Under the massive one I reached in with the angled tweezers
Spun threads I pulled and through the opening underneath
Like tying a child’s shoe he did the first loops
Next came a tiny snip with the special scissors
Then after a wiggling push the valve was in its sheath
Now the torquing of the strings to hold them tight like acting as a hose clamp
Same now is done to the second biggest one
A Thick rubber hose now finds its way and attaches itself to the port of entry
After the precise ratio customized to your specks
The proper mix of a liquid concoction and concentration of flesh color rejuvenator
Now join forces together inside the tornado simulator vat
Dials are set and switches are then flicked to power it up and power it on
Spinning like a sky high typhoon the raging torrent in its attempt
To slow down the decomposing process now only scares your soul away
Clinging for dear life was still no match, many clots there were and many I saw
I had my hand in the helping of you so you could be set free
Out you escaped you’re now free and all the rest I washed away
Like magic right before my eyes
Your pale color is now taking on a new tone
To help the proper flow and to stop things that might grow
Dampened sponges now massage your face and arms
When it came to your hands I shook it first and then told you my name
Blended mix is coming to its end what is then next
Knots are released and oozing they were
A quick packing of gauze slows the red sea’s waves
Drying salts and a squirt of super glue then arrest the flow
Hosing all the magenta away jelly suds are then applied
Washing your strands and then your frail brows
In-between my fingers bubbles did appear
Like a new born infant I treated thee
In hopes that someday that’s how they will treat me
Warming the flow to a comfort zone I gave a quick rinse
Foaming growing lather now upon your face
A five bladed razor in his hand he gave you the perfect shave
My hands are now dunked into the soothing cream
On your smooth as a babies bottom grin it is rubbed
That is all for today lets wrap him up and yes I did tuck him in.

(CARSr. 7-10-12)

Snow plows beeping
Reverse whine and scrape
Swirling blizzard of waking—Strange
in this place where
boredom banks both snow and cold
Are my eyes running?
After all
there's a stiff wind, and it’s 18 below....

Pictures and phone calls make up my family
Stray cats eat suet I leave for the birds
who make names for themselves in sunlit bushes
Love these more than...

my hearse of a job

where that ice cream vat—slipped
smashed
my sodden dish-doin’

fingers    against     sink

Pain mounts its insurrection!
Ambushed!
from every direction
Fainting in steam
Squeezing my eyes    
till the blood shuts my brain-failing
Down my wrist
all over
the front of this rubber apron....

Someone hates me somewhere

Someone found me more tenacious
than a road-**** skunk!

I eat    I drink    I work    I sleep
between these vicious icicles  


-18F = -28 C

En wanneer hou ons piekniek op die maan
- daar waar die son nie meer skyn nie,
kan ek jou donker toevlug wees
as die dag se hitte steek?
en sal jy 'n skadu gooi
oor my en my lieflike hart
ons kan saam met strome swem
as die branders oor ons breek.

Voor vrees jy weer oortrek
en my noodloos in die noodlot agter laat
in 'n eensame straat, van drome
en ander herrennerings wat by my *****
van liefde en so ook my verlede
wat jy veronderstel was om te tem.

En in die gaap van stilte tyding
waar die wysers ons vermy, sing
ek my eensaam lied en vra vir jou...

**** jy die golwe huil vir die koeelronde maan?
Sien jy die spore op die strand?
Waar vat die pad van verdwaaltenis my,
anders as na Jonker se hand.

Vanaand is ek verslae.
Die maan se kind trek pêrels en rol hulle oor die hartseer berge. Vanaand le ek en dryf, terwyl ek kyk na die maan, en die sterre...

sal jy my wolkombers wees
, my glimlag pille vir kersfees,
want ek is dalk te arm
, maar ryklik met jou geseen.

Sal jy my korrel sand , my rooikruis , my boei
want my hart is reeds verweer
, keur my voor ek ook
in die see uitbloei.

ek is deurskykend, transparant, deurmekaar
opsoek na my vrede, my mensweesm my wees
ek voel so secondhand, so op gebruik, so klaar
bid vir verlossing, a trade in vir n nuwe vlees, nuwe gees, beter wees
my oe hoop op vol trane on gehuil
ek slaan lelike kolle uit in my sogenoemde persoonlikheid
maar dis alles ek, ek wat my vervuil
ek wat my eenkant hou, ek wat my uit smyt
ek wat ja se al wil als binne my nee skree
ek wat bly staan terwyl ek moes weg hardloop
ek wat myself wou uitvee
ek wat myself vir cheap thrills verkoop
maar hirdie ek is te oud om te kniel
hierdie ek word te oud om te glo
so ek staan waar ek staan en verniel
en ek bly staan sonder n tree en verloor
kyk dis ek wat hier staan, te sad om te bid
te seer om te huil, versteen deur my toedoen
daar is geen hande vat en aansit
maar ek dra dit met n smile want dis my skoen

With a beaming smile that could warm the tile
She came flying down the corridor
the sun was setting, so i asked her heading
and she said, "I'm going to Florider!"

Well she seemed to like to talk
and I really love to listen
so I pressed her for the details
and her eyes began to glisten.

"I been staying in this rest home
since I lost my dear departed"
and I asked her when he died and she said,
"No, I meant my leg".

So we stood there, well I stood there and
she sat in her new wheel chair
I asked her what's her hurry.
and if she's gonna get a peg.

And she said:
"Maybe if I lose this weight~
Gotta get down to 220
but the trouble is I love to eat.
I know it's not that funny."

"I've had my share of heart attacks
and twice I had a stroke
Buried my husband and lost the house
and gee I love to smoke"

"I can't move these three fingers
but I manage in this chair
on nice days take it to the road
for excercise and air".

She went on to share her story
was from somewhere up in Queens
married twice without children
and lived well within her means.

She talked about her childhood home
and how chemicals from the pool
splashed onto the strawberry patch
and the fruit was the size of a stool.

The best of all of her stories
was one about her dad
who had worked for Sunshine Biscuits,
but once fell into a vat.

no sooner had she told me
that I knew I'd have to write
a lymric for this lady
whose smile brings such delight.

The folks at Sunshine found him
pulled him out but hound him
was one lucky catch, 'til he met his batch
when those lady fingers done nearly drowned him.

He was always a quiet man,
never seemed to look up...

as if his eyes were afraid of
what it might mean to
see the sky

His gaze seemed neither
fierce, nor soft.
Neither attentive or lost

He would never look at you,
it was as if he was looking everywhere
except where you happened to be.

I never saw a smile cross his lips
I never heard a laugh escape his lungs
I never heard him curse
I never heard him yell

When he spoke, I could hear the dust
falling off his breath

It wasn't a monotone sound, but I imagine
he sounded like what trees or mountains
would sound like, had they voices.

He existed in the loosest sense of the word

He was an oddity and an enigma
His quietness and unobtrusiveness
could be somewhat offputting

Yet...he was often able to blend into
the background like a rain drop
in a storm.

You can imagine our surprise
when he stumbled into town one
hot afternoon, clothes looking like
he'd fallen into a vat of red paint.

Splattered. Head to toe.
In between his head and his toes,
cradled in his arms, was the
body of a young girl

He had found her in the woods,
he had said, voice devoid of emotion.
She had been lying off the path,
in a pool of crimson.

An investigation turned up nothing
The people, in need of a murderer,
settled on the only man they could.
The man who hadn't shed even one tear
over the death of a young child

The trial was a farce
The kangaroo court adjourned
Death by hanging

The man remained silent throughout
the proceedings.  Quietly answering
the frothing prosecutor's questions
with the same demeanor as someone
would use when discussing the weather

He wasn't defensive
He wasn't derisive

He didn't plead, nor pray
when the verdict was announced

On the day of the execution
nearly everyone in town was in attendance
Most of them couldn't tell you why

The noose around his neck, he stared
back at the crowd.  Stared through them,
as if they didn't exist.

When the rope snapped taut,
The man flailed as his body
involuntarily spasm'd.

When he finally passed,
his body swinging lazily
under the gallows,
I caught the hint
of a smile

Only for a moment.

I found it odd

That he would only show
a sign of life
as it was ending

Hold hands and march behind me, buckel up this is a new horror,
A living nightmare unlike anything you have ever seen
Looking at your hollowed out corpse over for the very first time
I saw parts Jeffery only wished while committing his crime.
I'm the piper tricking you along the way; I got you in my trap
And there’s now no escape from my funeral pallor.
Quincy, CSI Miami and even Dr. G,
Could have never prepared me with only what they show on TV.
Downed played and minimalized to the max,
Read my works I'll paint for you all the true facts.
First things first I need for you to stop staring at me
With eye caps and a quick squirt of glue I broke the trance
Good, now I can begin the process and start this slow dance.
Like always I shake their hand and tell them my name
This time was different I got my first squeeze back
For on your right forearm was stained in ink
The first two verses of Psalms one hundred and forty four
After I finished reading I had to get back on track
With an instant snip a stitch is then cut apart
Adding another three ***** to your collection
Pulling them apart I go in first reaching for the clear viscera bag
Holding it up I fondled it all around in the bright light
Looking for the brain I felt it and then saw it come into my sight
Laying out all the puzzle pieces I start with the center first.
So smooth and slick the inside walls of your cage
Everywhere else looked like a time bomb burst.
Feeling all about searching for your iliac artery
Once found you’re now connected to the vat
Using sufficient pressure filling your tissues to full capacity
Injecting first your lower extremities I now see the veins swell
After a six point fill you should look like you’re getting well.
From under the flap and at the root of your neck
I reached in your head and into the hollow space
Because it is now time to try and firm up your mortal face.
With a pair of clamps I kinked your spinal cords fountain flow
Massaging your headless face and then the head *****
All the fluid went right where it had to go
After the fill you looked like you had a new mothers glow.
Now the suction of the liquid residue that smelled fowl
Then came the pressing of a paper towel
Very pleasant smell of wintergreen candy in my nose cause the
Shaking of the can of Bex embalming powder was now to follow.
Pressing here, pressing there, trust it was becoming a pest
Trying to tuck the bag with all your innards back into your chest
Putting the sternum back on top proved it was a perfect cut.
Folding down the three ***** to the point of origin
Was like folding a piece of paper into a paper airplane.
Almost at the home stretch we took turns closing you
And with it a perfect baseball stich and with it a coat of sealer.
Trying hard to keep a secret from for your heads crown
There is no way to do it I can't play it down
Holding the pieces of your skull in my hands
Starring where it has to go back now and back together with no glands
Looking just like what is, "Sweeter than honey and stronger than a lion?"
Me and my youngest son solved Samson's riddle in the Bible,
A seven letter word now needs to be added into the book of Judges because
Together we saw the answer written from a vision in the deserts sand.
Pulling down your face and all the way down to your chin
I lost sight of your eyes I only can see their other side
I now see a notch and the groove where this piece has to go
Gluing it in place I gave back to you your forehead
Tucking and packing cotton towels is your makeshift brain now
With a round file I score four half-moons in the thin bone
So the skull clamps can hold it together and hold it in place forever.
Pulling and stretching your face it was sewed together and with no space.
Now that it's complete you’re ready for a military examination
After getting the green light it's time for the fitting of your uniform
in your aurora steel casket you played in there
looking like the sailor on a ******* jack box.
one last trick to go; have to pull fibers out from the bottom
so your weightless head will look and sink naturally into your pillow.
out the back of a coach with plates that say livery
and into the belly of a plane your shipping container was stamped
Special Delivery.....

(CARSr. 10-24-12)

Lime green envy.
Residing in me.
I understand it’s ugly.
Imprisoning me.
In my own insecurities.
Constantly believing I’m unworthy.
Unworthy to be happy.
Unworthy of education.
Unworthy of you.
And then I see you chatting up my friends.
And I’m engulfed in this,
Lime green envy.
It’s all consuming.
Taking over my rationality.
Becoming a hulkish version of myself.
And It’s certainly isn’t incredible.
I know I shouldn’t worry.
I know you care about me.
But I can’t help but to fall,
In this vat of chemicals containing envy.
Turning me into something of a villain.
And ironically,
I’m my own greatest enemy.
And ironically,
I’m pushing you away.
With all this,
Lime green envy.
Residing in me.
And I understand it’s ugly.
Imprisoning me.
In my own insecurities.
Constantly believing I’m unworthy.
Unworthy to be happy.
Unworthy of education.
Unworthy of you.
And I can try to blame my past,
My family or friends or even you.
But I know that I’m truly the one to blame.
For no one is forcing me to treat you all so badly.
It’s a choice that I make.
And I have to deal with my actions.
Whether positive or negative.
I decide to either be the successor or the victim.
So, I’m sorry.
Sorry that I’ve let this lime green envy consume me.