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thinklef Jul 2013
Vanity has created insanity in humanity,
the worldly hope men set their hearts upon,
possessed by Money, power, fame &respect;
empty pride inspired by an overweening
fruitless human desire,
wining and dining as the clouds darken in the
middle of the night,
as they settle for a life of deceiving enjoyment,
eyes are faded while he rest his body for a new
day,
he turns & roll in discomfort while he sleeps,
dreams are clashing, the fear of been poor
strikes his mind,
meanwhile the poor sleep in comfort ,
he won't wake up unless you wake him,
men of exotic fast cars,
Sell their soul to feed their vain pursuit,
and their happiness to feed their ego,
a life of unsubstantial enjoyment, reality awaits
its faith,
as it will be too late to plea of insanity in
eternity,
no hospitality for mental spirituality,
the vanity of human wishes reflect upon
superficial vision of human unfulfillment,
In essence that leads to eternal death.
the poor can't control his pain,
as tears drop from his eyes uncontrollably,
watching man with his fruitless ambitions,
as he settles for worldly materialistic goodies,
living beyond his means,
So many years on earth yet unsure of the
hereafter,
living a life of insecurity & fear of the unknown,
mention the word death ,he will ponder &
begin to wonder,
what his fate will be,
Vanity upon vanity,
When his time elapses,
he won't be left with anything but his good
deeds,
No mansions, no cars, no fame, no sweet voices,
what a life of vanity!!
Alexa Sz Apr 2010
Gripping to nothing, nothing is there
My soul is pricked, pried at
My love is ripped beyond repair
I have already tried to sew it back

But I stand strong, I am sturdy
I hold on to the absent
My pain is hidden, ignored
For I am not unsubstantial

Leftover pieces are stolen
Searching for them is useless
Starting over takes too long
Decisions are not made

Tears fall down horror’s waterfall
And traitors betray themselves
Memories are no longer true
Lying among the hurt is hidden

With each last step
The silent breeze blew life back into me
I stand up
I stand strong

Because I am the owner of my soul
I am the persuader of my choices
Written after reading "Invictus" by William Ernest Henley. A true inspiration! :*)
In my childhood rumors ran
   Of a world beyond our door—
Terrors to the life of man
   That the highroad held in store.

Of mermaids' doleful game
   In deep water I heard tell,
Of lofty dragons belching flame,
   Of the hornèd fiend of Hell.

Tales like these were too absurd
   For my laughter-loving ear:
Soon I mocked at all I heard,
   Though with cause indeed for fear.

Now I know the mermaid kin
   I find them bound by natural laws:
They have neither tail nor fin,
   But are deadlier for that cause.

Dragons have no darting tongues,
   Teeth saw-edged, nor rattling scales;
No fire issues from their lungs,
   No black poison from their tails:

For they are creatures of dark air,
   Unsubstantial tossing forms,
Thunderclaps of man's despair
   In mid-whirl of mental storms.

And there's a true and only fiend
   Worse than prophets prophesy,
Whose full powers to hurt are screened
   Lest the race of man should die.

Ever in vain will courage plot
   The dragon's death, in coat of proof;
Or love abjure the mermaid grot;
   Or faith denounce the cloven hoof.

Mermaids will not be denied
   The last bubbles of our shame,
The Dragon flaunts an unpierced hide,
   The true fiend governs in God's name.
605

The Spider holds a Silver Ball
In unperceived Hands—
And dancing softly to Himself
His Yarn of Pearl—unwinds—

He plies from Nought to Nought—
In unsubstantial Trade—
Supplants our Tapestries with His—
In half the period—

An Hour to rear supreme
His Continents of Light—
Then dangle from the Housewife’s Broom—
His Boundaries—forgot—
We find bottomless holes
In our mentalized theories
Local logical postulations
Cause-and-effect sequences
Perceived chain reactions
And medical research findings.
All those are quintessentially
Protein specs floating freely
Our words float like protein
Fondly called lewy bodies
Colorless and unsubstantial
Dreams in shreds floating
As in amniotic fluid like then.

A certain woman of less virtue
Was not fit for our society
She embraced men in dark
In dreams and art and thought.
Fuzzy scenes of yesteryears
Floated into the present
Including ego and power games.

Let me know who is this professor-
The man who brought it all up.
Our language loses meaning.
We do not agree you are you.
Actually you cease to be a son
A brother ,a person ,a human
You are a hand or a stone
Just a broken splinter for a whole .
My part becomes a whole
A thing is a word, an idea,an event
A daughter-in-law is a hand
A son a stone in the wilderness.


There is sorrow swirling in the belly
The anguish of a human existence
The pain in the bloated stomach
These forced feet take you nowhere
Men came with tails in their necks
Forcing down tiny white universes
When they go into the nether world
There is only a swirl in the belly.
Joseph Schneider Aug 2014
It's in his shadow we plead
Under his wrath we bleed
His destruction leaks hate into the weak
Leaving the unsubstantial reaping his critique
His actions scorned through years of neglect
It's in his perception only, that we become wrecked
Why do we follow knowing wrong from right
Pushing those we love away from the light
His power is without doubt equal to the greats
Although derived from stray minded it opens the gates
The gates into the souls of those who are tattered
Turning old memories to ones now shattered
Although through it all, we have nothing to fear
For he is nothing more than a broken mirror
It just takes practice to realize his weakness
All his power is nothing to the strong but bleakness
It's in his own prison he will rot
Although it's up to us to become the Juggernaut

-Joseph B Schneider
© Joseph B Schneider. All rights reserved
Donall Dempsey Aug 2018
C'EST PRESQU'AU BOUT DU MONDE..."
( IT WAS ALMOST TO THE END OF THE WORLD )

She believed that
deep deep inside her

the flame of a femme fatale
burned brightly.

Could imagine herself stepping out of
some classic Film Noir.

Cultivated herself
to look like Marie Windsor

opposite the dangerously gorgeous
John Garfield.

But her life it seemed had her
stepping into an Edward Hopper.

The isolation and the paint
still wet.

The lonely lady
glimpsed in an hotel window

from a passing train
autumnal rain.

Still she acted always as if
she was in her own movie l

walking around  her tiny flat
naked

except for red stilettos
red earrings...red lipstick.

Making up her own snappy lines
to some imaginary leading man.

"Are you decent?"
"Yes""

"But you're....you're naked!"
"You only asked if I was decent!"

The mirror laughed
catching the reflection of who

she could have been
given half the chance.

She never
stood a chance.

She threw a cigarette up in the air
caught it between her lips

her one and only
party trick.

Lit or unlit.
Searching for middle C

on a battered piano
her mind off key

abandoning it
the piano's yellow smile.

She watched the sunlight
carve a block of time

out of the dividing wall.
fading the wallpaper roses.

The bed that was always
empty...always unmade.

She danced to Weill's
Youkali Tango.

Put it on again...again.
Scratching an already scratched record.

The needle gathering fluff.
The porcelain milkmaid...dust.

She disliked the way sweat
gathered under her *******.

They were always a little too large.
Hated men staring so hard.

Ahhhh the faded romance
a sunset heart attack.

Couldn't have wrote
herself a better script.

Staggering in her dance
gasping that all too unsubstantial

air as if trying to
catch time

the presentpastfuture
falling out of her hand.

The wooden acorn
of the tattered blind

tapping against
the ***** window pane.

Neon going green.
Then red.

Now blue.
And then green again.
1202

The Frost was never seen—
If met, too rapid passed,
Or in too unsubstantial Team—
The Flowers notice first

A Stranger hovering round
A Symptom of alarm
In Villages remotely set
But search effaces him

Till some retrieveless Night
Our Vigilance at waste
The Garden gets the only shot
That never could be traced.

Unproved is much we know—
Unknown the worst we fear—
Of Strangers is the Earth the Inn
Of Secrets is the Air—

To analyze perhaps
A Philip would prefer
But Labor vaster than myself
I find it to infer.
Empowered Manager, your Rules beknown
I'd rather you Teach how we must Behave
Or, filter these Concepts to his Reknown
And coat this Script for his role as a Knave
So what's new? Long does this Method wear
For the Centred Market your Profits invest
Though, we Illusioned, squeeze each dareful tear
Close his Next-Door Gates for an Open Contest
To be Fair, dear Sir, if we can afford
To pay for that trite, unsubstantial fee
I suppose his Skill to waters accord
Reward by Harvest; A Hero as he.
So yes I'm aware for such tweets I send
Were not his eyes for your mouth he'll depend.
#tomdaleytv #tomdaley1994
O blithe New-comer! I have heard,
I hear thee and rejoice.
O Cuckoo! shall I call thee Bird,
Or but a wandering Voice?

While I am lying on the grass
Thy twofold shout I hear;
From hill to hill it seems to pass,
At once far off, and near.

Though babbling only to the Vale
Of sunshine and of flowers,
Thou bringest unto me a tale
Of visionary hours.

Thrice welcome, darling of the Spring!
Even yet thou art to me
No bird, but an invisible thing,
A voice, a mystery;

The same whom in my school-boy days
I listened to; that Cry
Which made me look a thousand ways
In bush, and tree, and sky.

To seek thee did I often rove
Through woods and on the green;
And thou wert still a hope, a love;
Still longed for, never seen.

And I can listen to thee yet;
Can lie upon the plain
And listen, till I do beget
That golden time again.

O blessèd Bird! the earth we pace
Again appears to be
An unsubstantial, faery place;
That is fit home for Thee!
To-night I tread the unsubstantial way
That looms before me, as the thundering night
Falls on the ocean: I must stop, and pray
One little prayer, and then - what bitter fight
Flames at the end beyond the darkling goal?
These are my passions that my feet must read;
This is my sword, the fervour of my soul;
This is my Will, the crown upon my head.
For see! the darkness beckons: I have gone,
Before this terrible hour, towards the gloom,
Braved the wild dragon, called the tiger on
With whirling cries of pride, sought out the tomb
Where lurking vampires battened, and my steel
Has wrought its splendour through the gates of death
My courage did not falter: now I feel
My heart beat wave-wise, and my throat catch breath
As if I choked; some horror creeps between
The spirit of my will and its desire,
Some just reluctance to the Great Unseen
That coils its nameless terrors, and its dire
Fear round my heart; a devil cold as ice
Breathes somewhere, for I feel his shudder take
My veins: some deadlier asp or cockatrice
Slimes in my senses: I am half awake,
Half automatic, as I move along
Wrapped in a cloud of blackness deep as hell,
Hearing afar some half-forgotten song
As of disruption; yet strange glories dwell
Above my head, as if a sword of light,
Rayed of the very Dawn, would strike within
The limitations of this deadly night
That folds me for the sign of death and sin -
O Light! descend! My feet move vaguely on
In this amazing darkness, in the gloom
That I can touch with trembling sense. There shone
Once, in my misty memory, in the womb
Of some unformulated thought, the flame
And smoke of mighty pillars; yet my mind
Is clouded with the horror of this same
Path of the wise men: for my soul is blind
Yet: and the foemen I have never feared
I could not see (if such should cross the way),
And therefore I am strange: my soul is seared
With desolation of the blinding day
I have come out from: yes, that fearful light
Was not the Sun: my life has been the death,
This death may be the life: my spirit sight
Knows that at last, at least. My doubtful breath
Is breathing in a nobler air; I know,
I know it in my soul, despite of this,
The clinging darkness of the Long Ago,
Cruel as death, and closer than a kiss,
This horror of great darkness. I am come
Into this darkness to attain the light:
To gain my voice I make myself as dumb:
That I may see I close my outer sight:
So, I am here. My brows are bent in prayer:
I kneel already in the Gates of Dawn;
And I am come, albeit unaware,
To the deep sanctuary: my hope is drawn
From wells profounder than the very sea.
Yea, I am come, where least I guessed it so,
Into the very Presence of the Three
That Are beyond all Gods. And now I know
What spiritual Light is drawing me
Up to its stooping splendour. In my soul
I feel the Spring, the all-devouring Dawn,
Rush with my Rising. There, beyond the goal,
The Veil is rent!

Yes: let the veil be drawn.
Colbi Miluv Jun 2015
Rain makes the mighty fir stronger
As she creates a home for unsubstantial creatures
Glimpses of birds mean little in the long life she is to endure,
Hundreds of years with thankless children add up to nothing.
And still years alone wear down the mightiest of giants,
Nature brings great storms to test her will.
A groan, a thud, and silence
Roots splayed above a grave.
Even after the rain stops holding her up,
She has not escaped her job of nourishment.
Her ribs cave in,
Maggots selfishly taking their fill
As their fat bodies writhe in the flesh of god.
Colbi Jensen
Emmy Dawn Nov 2014
It disturbs me but I enjoy it;
This chill down my spine.
Though that's hard to admit.
Is it your fingertips,
Or just my imagination?
The feeling traces to my hips.
I'm supposed to feel some kind of high,
instead I begin to feel sad
And I don't know why.
Renée May 2019
Wipe your eyes, my baby
Marlboro and shotgun casings
Pound piano keys and feel it in your bones, this fear you’re facing
Because Debussy can’t take away the sound through unsubstantial apartment wall spacing
Of neighbors screaming, growing skill in the use of debasing words
We’re growing sage to burn alongside the memory of heart-breaking firsts
That didn’t bring any fulfillment or remaining seconds and thirds
We are witches, searching for potions to provoke hard spells
To forget these troubles which were heard from the mouthpiece of hell
Our black cats and crooked hats don’t hide the fact
That these highs don’t last
And soon we will remember why we left yesterday’s December behind
Ice crackling softly in window panes becomes enough to remind us why—
These things don’t leave the solitary, unhinged mind
When there’s nothing else to replace what was once chased
On agonizing below-zero winter days
So wipe your eyes, my baby
Wipe your eyes
This won’t heal, not like the bullet wound and cigarette addiction
That you always lose
(And somehow manage to re-find).
A de Carvalho May 2012
My thoughts are merely a tangle of non-conformant
chemicals in an ultra-responsive setting;
echoes of scarcely delayed feelings,
millimetrically placed and ready to be felt;
remnants of cromagnon desires,
keeping me occupied, unassuming and tame,
while life rolls on silently, reflexively and impressively,
with all its humiliating nerve.

Rumination is for cows, guppies, and humans alike,
and saffrons, sapphires and the snow all reason in their own way,
no less conscious than our total unconsciousness.
Like a rock or plant, man is authoritatively ignorant of his ignorance,
and in his metaphysical realism lives and loves and dies,
without a clue that he never lived, never loved and was perpetually dead.
Thought’s true thought is to block awareness
by darkening the place where true awareness lies.

We think therefore we think:
to god (I mean exact-Nature) no other valid reason exists.
We conveniently overrate rationality
in self-serving cycles of chronic urgency and folly,
leaving us continually stuck to our cyclic fate.
Life is Nature’s grunt or roar
(whatever and the same)
all just a sound, faint or not.

We are unsubstantial and chimerical animals by excellence,
and in the circle inside the box we live in, our fancy appears really real.  
As a feeling awaits its chemical fate, in the millimetric second that lingers,
whole worlds are imagined, and our universe and all is perceived:
violence, joy, depression, hope, and unbearable pain are unleashed,
cities are wanted, planned and assembled,
while man, impeccably and in turns, plays god, king and beggar,
and true lives, true loves and true deities are born.

As man progresses (i.e. transgresses his own nature)
and as he overcomes thought, word and feeling,
he ceases to be restrictively alive: he is released, he is now free.
Thought stands alongside feeling,
without communication nor vibration,
and gradually and painfully amalgamate into a new corrosive mix,
directly eating into spirit, flesh, and understanding,
until our wholeness wholly disintegrates.  

The world as we know it folds upon itself,  layer by layer,
in an inner spectacle of perfect annihilation and renewal.
The chasm separating man from himself contracts
(eventually to nil)
and man plunges from the edge of this last plank (4).
As he falls, in mid-flight,
the ultimate metamorphosis occurs,
and an übermensch is born.
Down through the ancient Strand
The spirit of October, mild and boon
And sauntering, takes his way
This golden end of afternoon,
As though the corn stood yellow in all the land,
And the ripe apples dropped to the harvest-moon.

Lo! the round sun, half-down the western *****--
Seen as along an unglazed telescope--
Lingers and lolls, loth to be done with day:
Gifting the long, lean, lanky street
And its abounding confluences of being
With aspects generous and bland;
Making a thousand harnesses to shine
As with new ore from some enchanted mine,
And every horse's coat so full of sheen
He looks new-tailored, and every 'bus feels clean,
And never a hansom but is worth the feeing;
And every jeweller within the pale
Offers a real Arabian Night for sale;
And even the roar
Of the strong streams of toil, that pause and pour
Eastward and westward, sounds suffused--
Seems as it were bemused
And blurred, and like the speech
Of lazy seas on a lotus-haunted beach--
With this enchanted lustrousness,
This mellow magic, that (as a man's caress
Brings back to some faded face, beloved before,
A heavenly shadow of the grace it wore
Ere the poor eyes were minded to beseech)
Old things transfigures, and you hail and bless
Their looks of long-lapsed loveliness once more:
Till Clement's, angular and cold and staid,
Gleams forth in glamour's very stuffs arrayed;
And Bride's, her aery, unsubstantial charm
Through flight on flight of springing, soaring stone
Grown flushed and warm,
Laughs into life full-mooded and fresh-blown;
And the high majesty of Paul's
Uplifts a voice of living light, and calls--
Calls to his millions to behold and see
How goodly this his London Town can be!

For earth and sky and air
Are golden everywhere,
And golden with a gold so suave and fine
The looking on it lifts the heart like wine.
Trafalgar Square
(The fountains volleying golden glaze)
Shines like an angel-market.  High aloft
Over his couchant Lions, in a haze
Shimmering and bland and soft,
A dust of chrysoprase,
Our Sailor takes the golden gaze
Of the saluting sun, and flames superb,
As once he flamed it on his ocean round.
The dingy dreariness of the picture-place,
Turned very nearly bright,
Takes on a luminous transiency of grace,
And shows no more a scandal to the ground.
The very blind man pottering on the kerb,
Among the posies and the ostrich feathers
And the rude voices touched with all the weathers
Of the long, varying year,
Shares in the universal alms of light.
The windows, with their fleeting, flickering fires,
The height and spread of frontage shining sheer,
The quiring signs, the rejoicing roofs and spires--
'Tis El Dorado--El Dorado plain,
The Golden City!  And when a girl goes by,
Look! as she turns her glancing head,
A call of gold is floated from her ear!
Golden, all golden!  In a golden glory,
Long-lapsing down a golden coasted sky,
The day, not dies but, seems
Dispersed in wafts and drifts of gold, and shed
Upon a past of golden song and story
And memories of gold and golden dreams.
Wk kortas Sep 2018
We endeavor to construct boxes and file folders
This life being ****** complex
And messy to boot, so we approximate sanity
By filling compartments and writing thumbnail biographies,
And even though she packed the costume admirably
(Already forty, mind you, but nowhere near gone to fat)
Julie Newmar had already filled both outfit and niche
(And never mind Halle Berry’s turn,
Different raiment for a different time, after all,
And one suspects the next iteration of said slinky supervillainess
Will wear nothing more than feline-shaped ****** rings),
Not to mention she’d already entered our collective consciousness
With a frothy Noel novelty (unsubstantial, inconsequential
In and of its ownself, perhaps, but then one considers
The version foisted off on the populace by that woman
Who appropriated the moniker of the Blessed ******,
All phoned-in faux Betty Boop, and one reconsiders)
So this was who she was, the book closed and sealed
(English only, never mind the other three tongues she spoke
Plus three more she proficiently purred in.)
They say when she died, she did not go gently, as it were,
But screamed and yowled for all she was still worth,
And maybe it was the cancer, certainly enough to do the job itself,
But perhaps it was the notion
That her era of innuendo and intimation was all done,
That she was transitioning to the static, to becoming a legacy,
A permanence that was stalking her,
Murderous, insatiable, inexorable.
I do a lot of internalized talking:
into late hours of the night.
so I'm bound to stumble upon,
  (Surely, I just might!)
something substantial- sometime.

How I wish: that she were enthralled-
by the idea of spending time with me.

"This petulant peasant- this, so called,
man, or boy, who dreams of thee
before and after- he go to sleep!"
April 8th, 2016
Lithium Jun 2015
A void frame holds together Black Mountainous clouds weighing heavy on the sky, fearing an inescapable storm. The land below, no longer recognizable for shadows have rained from the absence, eroding the clarity of which once stood firm.
Still fresh and raw, the painter stops. His garrisoned red eyes entrench the being of his grotesque creation and with lost hope takes his final brushstroke. The brush, with nothing more to give, lifts an unsubstantial bit paint off of the canvas. Leaving what appears to be, a negative silhouette. The white void of a butterfly.
LA Hall May 2013
On a grey day
in the green sea,
under the moon,
the wind howling,
the waves walloping,
enveloped in slime as a newborn,
on the cold wooden floors
of a glossy blue jack boat,
with a thick, white canvas sail –
born alone –
whitecaps rolling and breaking
flurry blistering,
the small boat,
like a model,
rocking,
is blown in all directions...

Trapped lying back,
like a turtle,
knees and elbows wiggle,
suddenly the malleable hand clutches
a near dry piece of bread on the floor
and swats it into dry chewing
swallows –
thirsty...

A hard wave pushing
up and back
the little body flips,
moving on hands and knees toward
a jar of water
at the tip of the hollow bow while
crawling past,
the rough-hewn mast,
a wave hiccups and
the soft shoulder bumps –
like clay it’s remolded,
one up, one down

dragging along, limp
a tumble over...

A fast gust and
a whirling gyration
of a tip,
the too-weak weak, small hands
that tickle when trying
to twist the metal lid
off the jar,
leave the thirst caking
the roof of his mouth desert,
tongue parched.
waves sprinkling
a cool mist
on those tender cheeks.

A heaving swell
billows
the swaying jack
and wheels the balmy tot towards the flat-backed stern.
on his way rolling
he collides again with the mast,
and his workable spine
folds in two:
he is dead.

An awesome tempest
that will come in the morning
has sent scouts,
and with them whispering hums of expected carnage,
that rattle the polished blue clapboards.
The floor had been dry once,
under the moonlight –
on that orphic birth,
the whole floor,
everything but the damp shadow
of primordial ooze
underneath the fretful body, kicking and clawing to flip,
had all been dusty like a shop.

And in some moments,
when this poem wasn’t watching,
the unsubstantial body would run one of the tenuous fingers
from one of its embryonic, plushy hands

across the coarse plywood –
slimmer than a board an amateur martial artist
might brag about breaking,
And he would build, along the wood floor,
little trails of dust, his extremity mindlessly tracking
to create aisles that
ants might march through,
the little walls of the finger’s wake like tan snowbanks.

The gale came and passed, and in the sunny blue morning we found
that the boat had kicked the mangled infant’s body out
into the clear sea.
Cheeks no longer dry like sawdust,
eternally pruned, saturated:
sponge of a boy who spent a dead lifetime
floating through the great storm,
water lapping over his face
with the sort of
pothering, hasty turmoil
that would dilute a breathing man to madness
but had come and
with salt
cleaned his face and body,
with the sort of peace we’d like to find
on shores.
Esther Dec 2013
When the day blooms and the light streams
Through the handcarved cracks
Of consciousness it inspires infinity.
The boundless light and undiscovered
Colours of the morning draw even
The birds to serenading, for the
First time, and for the hundredth.

I feel as if I am breathing sunlight.
As if I could raise my hand and weave
The wisps of clouds between my fingertips,
As simply as I lie here on the ground.
It is easier to dream when the sun shines.

At times like this I like to live in daydreams.

I like to dream myself into possibilities
As yet unsubstantial, even previously
Unthought of. I like to be unmade, unwoken,
Confidently lost amongst the scenes of
My mind's creation.

In the labyrinth I can find confusions,
Emotions, revelations unexpected.
But I always find hope.
A hope that keeps the sun shining.

And when days grow dull and wintry,
Spring blooms behind my eyes
As daisy petals and puppy ears
Melt through the rusted lock of memory.
To place me barefoot in the grass
On an immortal sunny day.
Poetemkin Sep 2019
I.

Tнʏ functions are etherial,
As if within thee dwelt a glancing Mind,
***** of Vision! And a Spirit aerial
Informs the cell of hearing, dark and blind;
Intricate labyrinth, more dread for thought
To enter than oracular cave;
Strict passage, through which sighs are brought,
And whispers for the heart, their slave;
And shrieks, that revel in abuse
Of shivering flesh; and warbled air,
Whose piercing sweetness can unloose
The chains of frenzy, or entice a smile
Into the ambush of despair;
Hosannas pealing down the long-drawn aisle,
And requiems answered by the pulse that beats
Devoutly, in life's last retreats!

II.

The headlong Streams and Fountains
Serve Thee, Invisible Spirit, with untired powers;
Cheering the wakeful Tent on Syrian mountains,
They lull perchance ten thousand thousand Flowers.
That roar, the prowling Lion's Here I am,
How fearful to the desert wide!
That bleat, how tender! of the Dam
Calling a straggler to her side.
Shout, Cuckoo! let the vernal soul
Go with thee to the frozen zone;
Toll from thy loftiest perch, lone Bell-bird, toll!
At the still hour to Mercy dear,
Mercy from her twilight throne
Listening to Nun's faint sob of holy fear,
To Sailor's prayer breathed from a darkening sea,
Or Widow's cottage lullaby.

III.

Ye Voices, and ye Shadows
And Images of voice—to hound and horn
From rocky steep and rock-bestudded meadows
Flung back, and, in the sky's blue caves, reborn
On with your pastime! till the church-tower bells
A greeting give of measured glee;
And milder echoes from their cells
Repeat the bridal symphony.
Then, or far earlier, let us rove
Where mists are breaking up or gone,
And from aloft look down into a cove
Besprinkled with a careless quire,
Happy Milk-maids, one by one
Scattering a ditty each to her desire,
A liquid concert matchless by nice Art,
A stream as if from one full heart.

IV.

Blest be the song that brightens
The blind Man's gloom, exalts the Veteran's mirth.
Unscorned the Peasant's whistling breath, that lightens
His duteous toil of furrowing the green earth.
For the tired Slave, Song lifts the languid oar,
And bids it aptly fall, with chime
That beautifies the fairest shore,
And mitigates the harshest clime.
Yon Pilgrims see—in lagging file
They move; but soon the appointed way
A choral Ave Marie shall beguile,
And to their hope the distant shrine
Glisten with a livelier ray:
Nor friendless He, the Prisoner of the Mine,
Who from the well-spring of his own clear breast
Can draw, and sing his griefs to rest.

V.

When civic renovation
Dawns on a kingdom, and for needful haste
Best eloquence avails not, Inspiration
Mounts with a tune, that travels like a blast
Piping through cave and battlemented tower;
Then starts the Sluggard, pleased to meet
That voice of Freedom, in its power
Of promises, shrill, wild, and sweet!
Who, from a martial pageant, spreads
Incitements of a battle-day,
Thrilling the unweaponed crowd with plumeless heads,
Even She whose Lydian airs inspire
Peaceful striving, gentle play
Of timid hope and innocent desire
Shot from the dancing Graces, as they move
Fanned by the plausive wings of Love.

VI.

How oft along thy mazes,
Regent of Sound, have dangerous Passions trod!
O Thou, through whom the Temple rings with praises,
And blackening clouds in thunder speak of God,
Betray not by the cozenage of sense
Thy Votaries, wooingly resigned
To a voluptuous influence
That taints the purer, better mind;
But lead sick Fancy to a harp
That hath in noble tasks been tried;
And, if the virtuous feel a pang too sharp,
Soothe it into patience,—stay
The uplifted arm of Suicide;
And let some mood of thine in firm array
Knit every thought the impending issue needs,
Ere Martyr burns, or Patriot bleeds!

VII.

As Conscience, to the centre
Of Being, smites with irresistible pain,
So shall a solemn cadence, if it enter
The mouldy vaults of the dull Idiot's brain,
Transmute him to a wretch from quiet hurled—
Convulsed as by a jarring din;
And then aghast, as at the world
Of reason partially let in
By concords winding with a sway
Terrible for sense and soul!
Or, awed he weeps, struggling to quell dismay.
Point not these mysteries to an Art
Lodged above the starry pole;
Pure modulations flowing from the heart
Of divine Love, where Wisdom, Beauty, Truth
With Order dwell, in endless youth?

VIII.

Oblivion may not cover
All treasures hoarded by the miser, Time.
Orphean Insight! truth's undaunted Lover,
To the first leagues of tutored passion climb,
When Music deigned within this grosser sphere
Her subtle essence to enfold,
And Voice and Shell drew forth a tear
Softer than Nature's self could mould.
Yet strenuous was the infant Age:
Art, daring because souls could feel,
Stirred nowhere but an urgent equipage
Of rapt imagination sped her march
Through the realms of woe and weal:
Hell to the lyre bowed low; the upper arch
Rejoiced that clamorous spell and magic verse
Her wan disasters could disperse.

IX.

The Gɪꜰт to king Amphion
That walled a city with its melody
Was for belief no dream; thy skill, Arion!
Could humanise the creatures of the sea,
Where men were monsters. A last grace he craves,
Leave for one chant;—the dulcet sound
Steals from the deck o'er willing waves,
And listening Dolphins gather round.
Self-cast, as with a desperate course,
'Mid that strange audience, he bestrides
A proud One docile as a managed horse;
And singing, while the accordant hand
Sweeps his harp, the Master rides;
So shall he touch at length a friendly strand,
And he, with his Preserver, shine star-bright
In memory, through silent night.

X.

The pipe of Pan, to Shepherds
Couched in the shadow of Maenalian Pines,
Was passing sweet; the eyeballs of the leopards,
That in high triumph drew the Lord of vines,
How did they sparkle to the cymbal's clang!
While Fauns and Satyrs beat the ground
In cadence,—and Silenus swang
This way and that, with wild-flowers crowned.
To life, to life give back thine ear:
Ye who are longing to be rid
Of Fable, though to truth subservient, hear
The little sprinkling of cold earth that fell
Echoed from the coffin-lid;
The Convict's summons in the steeple's knell;
"The vain distress-gun," from a leeward shore,
Repeated—heard, and heard no more!

XI.

For terror, joy, or pity,
Vast is the compass and the swell of notes:
From the Babe's first cry to voice of regal City,
Rolling a solemn sea-like bass, that floats
Far as the woodlands—with the trill to blend
Of that shy Songstress, whose love-tale
Might tempt an Angel to descend,
While hovering o'er the moonlight vale.
O for some soul-affecting scheme
Of moral music, to unite
Wanderers whose portion is the faintest dream
Of memory!—O that they might stoop to bear
Chains, such precious chains of sight
As laboured minstrelsies through ages wear!
O for a balance fit the truth to tell
Of the Unsubstantial, pondered well!

XII.

By one pervading Spirit
Of tones and numbers all things are controlled,
As Sages taught, where faith was found to merit
Initiation in that mystery old
The Heavens, whose aspect makes our minds as still
As they themselves appear to be,
Innumerable voices fill
With everlasting harmony;
The towering Headlands, crowned with mist,
Their feet among the billows, know
That Ocean is a mighty harmonist;
Thy pinions, universal Air,
Ever waving to and fro,
Are delegates of harmony, and bear
Strains that support the Seasons in their round;
Stern Winter loves a dirge-like sound.

XIII.

Break forth into thanksgiving,
Ye banded Instruments of wind and chords
Unite, to magnify the Ever-living,
Your inarticulate notes with the voice of words!
Nor hushed be service from the lowing mead,
Nor mute the forest hum of noon;
Thou too be heard, lone Eagle! freed
From snowy peak and cloud, attune
Thy hungry barkings to the hymn
Of joy, that from her utmost walls
The six-days' Work, by flaming Seraphim,
Transmits to Heaven! As Deep to Deep
Shouting through one valley calls,
All worlds, all natures, mood and measure keep
For praise and ceaseless gratulation, poured
Into the ear of God, their Lord!

XIV.

A Voice to Light gave Being;
To Time, and Man, his earth-born Chronicler;
A Voice shall finish doubt and dim foreseeing,
And sweep away life's visionary stir;
The Trumpet (we, intoxicate with pride,
Arm at its blast for deadly wars)
To archangelic lips applied,
The grave shall open, quench the stars.
O Silence! are Man's noisy years
No more than moments of thy life?
Is Harmony, blest Queen of smiles and tears,
With her smooth tones and discords just,
Tempered into rapturous strife,
Thy destined Bond-slave? No! though Earth be dust
And vanish, though the Heavens dissolve, her stay
Is in the Wоʀᴅ, that shall not pass away.
Transcription presented without claim to accuracy. Original text, page 213: https://books.google.com/books?id=lpncWYjJneYC
Should i pretend this isnt happening?
this distant fog I'm drifting through
I'm in this haze of trials and tribulations
Should it be ignored?
Should it be faced?
When in my peripherals there is always some
shadow lurking about.
picking away at my brain
then swiftly disappears.

It honestly gives me a ******* headache.

with a tap tap of a pencil
the beat of  a some ghetto *** hoodlum car passing by.
some unimportant individual
with unsubstantial advice and "unbiased" opinions
with meaningless passerby conversation
that i wont remember when i go to sleep.
on some unintelligent debate without true stone cold facts
and i'm observing this
and listening to this
and i just think....have these people not read a single book in their life?

anyway, a problems only a problem when you make it a problem.
and you only make it a problem because you can't find a solution.
and you cant find a solution when at every string you reach for
is broken or tied in a knot.
now wheres the resolution in that?
where's the stride, the hope?
and all along i'm wondering, is it the posture in my back?

and your standing on your tiny tippy toes hopping to and fro
yet there you stand.
in the fog, alone.
Come whisper in the listen I now long to hear you see
Of my odd interpretation of the lesson in this session
Surely spewing wicked somethings in disorder as it feeds
Agonizing ramblizing far too soon to fail to mention
Incorporating lonesomeness complexities in legions
Is there no unserpentizing the enlightening of strange?
Misuncircumstancing as the reader finds no reason
In such savory salivations of the misconcepted change
Unknowingly still growing far beyond the closest measure
Into raging inconsistencies that weep unto the page
Bleeding such intuitive progression never severed
In the ****** of youthful fluencies in such a weary age
The gladness of the madness strikes within the battered shore
Not but a hair above comparisons so folded in the fray
Enticing bold imperatives unsweetly through the outer core
In air of uninheritance that creeps the numb at play
Parading the tirading of such unsubstantial ecstasy
In such an unconventional impression of insane
Always sometimes never far within the tragic synergy
Of answers unbegotten for the rottening of sane
The murderous disorder in infectious undisease
As such sporadically chaotic posthypnotic juices flow
Now lost in such emphatically irrational absurdities
That pour out further twistedly insistent as I go
Shattering the view and boundary bordering abnormal
In this morsel of a mouthful seen before its time had come to go
Reaching destinations in displacement so unformal
In the storming of the forming verbalating undertow
Bringing order to the chaos of this psychopractic babble
In a lesson of the breaking of the rules amidst the flow
With intention of confusion that makes sense within the rattle
It is only when we break free that we find where we can go
In creative inspiration as this invitation I extend
To all who may so dare to violate the rules of play
Embracing utter lunacy in oddest infestation
As I show what can be done when mental limits melt away
This started as a personal experiment in breaking the rules of writing, which turned into a shared lesson of what can be done when ignoring rules and mental limitations. This is in no way vanity as it may appear to some in how it is written and presented. It is, quite simply, the  sharing of surprise at creating so much more than I was expecting, so as to entice you to push your limits, ignore your boundaries, and break the rules. The title seemed deliciously appropriate. This piece is subject to change, as it is still in experimental phase. I absolutely love playing and experimenting with words, and I welcome and invite you to do the same =^)
Tyler May 2013
The steam bellows out and fills the mirrors
with hazy mystery
Similar to that that of waking up in panic
The stinging in my eyes is familiar
Yet I still don't know the source
I know the road I want to take but still wont stay the course

These thoughts caress my brain
like waves coming in at high tide
Pushing anything unsubstantial out of its way
Destroying any early developments
All that's left is you
Astraea Dec 2016
It's like being a child again
Doodling hearts and
Writing the name of that boy in your textbooks
Or the name of that cute actor from that TV show you really like

Like living in a city
With lights near and far
Looking up into the sky
Barely able to spot a star


When I look into your eyes
I feel myself stop breathing
The intensity, diving into the pools of thought
It's almost hard to keep gazing

Leaning against you, it's like being home
Your arms encircle, and I'm close
I'm untouchable, safe and sound
My comfort cloud at the ends of a million rainbows

I can almost feel your warm embrace
Like a phantom limb I yearn
But it's just not there, unsubstantial
An ache I can't discern

Stray thoughts keep flitting by
Little bubbles I have to pop, can't resist
Pop! There's that smile! Pop! And a laugh!
Oh and that makes your eyes crinkle adorably I must insist

Uncertainty had been warring
On the battlefields of my mind
The throne's been seized, a side has won
I know for sure, this is what's mine

Like living in a country
With summer all year round
Getting ready for Christmas and looking out to see
Not a single flake of snow on the ground


It's like being grown up, but there's still that little girl
That wants to see his name doodled all over
So she writes about him in a journal
And his name is there, everywhere, hidden amongst the sentences
Meggn Alyssa May 2014
I am what is known in the world of the unsubstantial....
as an almost me
an almost you?


are we both dreaming?
living in our heads?
cue existential crisis

It's a mystery
It's reality
god I hope it's reality
Cecelia Francis Sep 2016
Time's not real
but our energy is

waning and
unsubstantial

despite the waxy
substance sticking
stringing us together.

A touch of sun,
a lick of flame

melt away,
dissipate
Dreamsoffreedom Jan 2015
Conspiracy theories about an unsubstantial dollar, our true freedom of speech covered over by the blanket of power.
Fill their pockets with the blood stained gold, sink them to the bottom, let them rot and turn them back into their oil.
Hidden behind the vault doors of big banks and their lies, our wars, our Brave Americans killed on foreign soil over foreign ties.
Believe not the propaganda that is breaking us down, its money and power over everything, pumping it from the ground.
No Respect for life, no conscience of the human Spirit or Hope, file us into lines, give us Democracy and tell us, we matter. Vote
Do we have a decision on WAR or CONFLICT of Interest,   paid off representative public politicians of democracy to whom we entrust?
Watching too many documentaries lately...
Anna Jun 2013
There's an option to get there
On nearly every website.
Represented by pixels and a bit of colour
Completely unsubstantial.
But for me, it's not so generic.
Not made so just because of definition.
Donall Dempsey Aug 2019
"C'EST PRESQU'AU BOUT DU MONDE..."
( IT WAS ALMOST TO THE END OF THE WORLD )

She believed that
deep deep inside her

the flame of a femme fatale
burned brightly.

Could imagine herself stepping out of
some classic Film Noir.

Cultivated herself
to look like Maire Windsor

opposite the dangerously gorgeous
John Garfield.

But her life it seemed had her
stepping into an Edward Hopper.

The isolation and the paint
still wet.

The lonely lady
glimpsed in an hotel window

from a passing train
autumnal rain.

Still she acted always as if
she was in her own movie

walking around  her tiny flat
naked

except for red stilettos
red earrings...red lipstick.

Making up her own snappy lines
to some imaginary leading man.

"Are you decent?"
"Yes""

"But you're....you're naked!"
"You only asked if I was decent!"

The mirror laughed
catching the reflection of who

she could have been
given half the chance.

She never
stood a chance.

She threw a cigarette up in the air
caught it between her lips

her one and only
party trick.

Lit or unlit.
Searching for middle C

on a battered piano
her mind off key

abandoning it
the piano's yellow smile.

She watched the sunlight
carve a block of time

out of the dividing wall.
fading the wallpaper roses.

The bed that was always
empty...always unmade.

She danced to Weil's
Youkali Tango.

Put it on again...again.
Scratching an already scratched record.

The needle gathering fluff.
The porcelain milkmaid...dust.

She disliked the way sweat
gathered under her *******.

They were always a little too large.
Hated men staring so hard.

Ahhhh the faded romance
a sunset heart attack.

Couldn't have wrote
herself a better script.

Staggering in her dance
gasping that all too unsubstantial

air as if trying to
catch time

the presentpastfuture
falling out of her hand.

The wooden acorn
of the tattered blind

tapping against
the ***** window pane.

Neon going green.
Then red.

Now blue.
And then green again.
Anton Angelino May 2020
New Everything is laid forward
the Sun or her gleam
My world or my Moon

My well known truth is layered in my subtext
like my poems
that I wrote to maintain a universal state
or unconsidered decisions
However I emptied the ashtray and planted a wildflower instead
wearing the warm coat of summer.

Chambré aura
everything is disowned nowadays

My heart belongs to my belief
that despite my tarnished fame my greatest subtext may be pictured in frame
but who needs spotlight
No one fears facing the pre-written truth.
My heart will beat
in American
cause my dualist or perhaps even collage of art in purity is navigating
To somewhere calm
somewhere where I would finally feel like home.

To be real maybe even
get lost in the unsubstantial madness
on my Venice *****
in where I am now
In the sweet modified by planets dark
hovering between paradise and the ark
Soothing to this point
that I can call myself
an American.
Poem #20 off “John Wayne”.
kahel Jan 2020
I cannot help myself to put it all down
On a piece of paper, on the palm of my hand, I just don't know where to put it,
I cannot keep it all to myself,
This is the only way I know,
My kind of way,
Writing all our pages, beginning to ending
Every single thought, even the tiniest thing i love about you
The things i hate about you but makes me
realize how lucky I am to have you.

I know you do not like when I’m nostalgic
Digging up things about stuff, from past and to the future,
Or repeating same topics or words over and over again,
Knowing everything about me was nightmare, I couldn’t disagree with that.
Maybe it is worst than you could’ve ever imagined.
Fighting our own demons and conquering every places we explore every day.
But I think it all matters, to Us.
Because everyone knows about You and I,
But nobody knows about Us, but Us.
The protagonists in our own tale.


I can't wait for you to recognize these stories
I wonder how will you act as if you haven't even heard it.
These scenarios like the first time you said you loved me,
or remember that time on the rooftop
As the moon smiles,
We drank wine and had good laugh.
Or that day when everything falls apart,
The day I lost you.


Sorry for writing poems about you
The happy ones,
The melancholy ones,
The ineffable ones,
I know that you hate it,
that I got more to say
But I had to and I
Promise no one will ever know that every moment with you was real,
That are love was true,
That once we are called lovers,
All the mistakes we made
And why you ran away.

I should’ve done something,
I should’ve stopped you that time,
I’m stuck in between:
“Fight for her or let her go,”
Maybe it’s inevitable,
So I pour my heart out with my pen,
Endlessly, sleeplessly, hopelessly
Until the ink runs out,
Until the coffee gets cold,
Until the idea of you became extinct,
Until then,
I’ll just be here in my unsubstantial world.
Without you,
My unending tragedy.
P.S. I love you. To be honest, I don’t think if I can unloved you and it *****.

— The End —