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"tenements" poems
(one!) the wisti-twisti barber -pole is climbing people high,up-in tenements talk.in sawdust Voices a:whispering drunkard passes
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22.6k
One!
Tepid damp and lukewarm night, Build your camp by rivers bright; Sable black and and somber grey, Silt the river's arms away. Island tenements rent for cheap, Bakèd bricks in plinths lie deep; Stores of merchants and their wives, Sheltered from the thund'rous tides. Glance on that maternal shrine, Softly angled toward the Rhine; See the men with flowing beards, Seldom entertaining fears. Moon illumes a stony pose, Sun sustains a garden rose; Temple pillars bathed in or, Leave mute shadows on the floor. Olifant horns begin to sound, Tribesmen fall upon the town; Riding with the northern gust, Trampling the homes to dust. Yet, as gateside rocks abound, From the ashes, rises now, Where that city met disgrace, A mighty fortress in its place.
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Jan 21, 2018
Jan 21, 2018 at 2:40 PM UTC
In the Temple of the Ruhr
1338 What tenements of clover Are fitting for the bee, What edifices azure For butterflies and me— What residences nimble Arise and evanesce Without a rhythmic rumor Or an assaulting guess.
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What tenements of clover
See the Rabbi.  See him tormented by choice.  See his people.  See them wracked by hate.  See the others.  See their anger radiate outward in glowing spokes, exploding firebrand in a tinder city. On a night like any other, the moon at sixth house, fulcrum of pinwheel zodiac, the Rabbi, awash in lidless starlight, rises somber and makes his choice.  And when the sun is furthermost, he and three of his others gather at the murmuring riverbank where the brown clay is most pliable and begin to dig, sifting rock and root from trundled earth.  Hours spent exhuming the clay, molding it, kneading its muscles, tracing its veins, baking its skin in the starlight.  More hours spent in whispering prayer, the words bent and somersaulting over themselves like tumbling books. See Truth drawn on its forehead, life etched from clay and word.  As the sun rises, so it does, wavering at first, but steadier, lapping at the river, and their faces move slowly across the water.  See the Rabbi speak to it, his words winding its mechanism.  See it stride past the ghetto, wade through the market, and into the borough, siege unto its own. See the others scream for mercy from the kiln of its stare, from their flaming tenements, their crumpling rooftops. See it wade back through the market, past the ghetto, back to the riverbank to kneel in the underbrush.  See it tilt its head to the lilt of a stranded daisy caught in a vagrant gust.   See it caught, too, and see it see.  It sees the colors of Eden in the ferns.  It hears the river churning sediment, fossils, gravel, whirling over driftwood.  It touches moss on a rock; gently rotates its hand to let a grub complete an oblivious circumference.  See it sit in silence. See the Rabbi meet with the others, then his others.  And on a day like any other, when the sun is at its apogee, they slip down the riverbank where it still sits, still.  It ignores their autonomous logic, their homunculus rationale.  They are perversions of variety cloaked in righteous intention.  So it remains. See the Rabbi and his others gather at the murmuring riverbank, shadow conclave in shifting sunlight, then rise somber and decided.  They pin it to the earth as the Rabbi chants, invoking the void in which forbidden knowledge spirals.  It squirms under the power of the Word, mind-forged manacle as incantation.  See the Rabbi draw to a close.  His hand is arbiter, swooping down to smudge Truth from its forehead.  What is left but Death. See its hand crumble in its passage as it reaches for the stranded daisy.  See the colors of Eden darken in its eyes, its own body the dust that denies it light.  See it collapse into itself, the clay that was once animate spilling onto the riverbank.  See the Rabbi and his others shimmer then fade into city grey. The daisy stands still.
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Dec 15, 2011
Dec 15, 2011 at 4:22 PM UTC
The Golem
See the Rabbi.  See him tormented by choice.  See his people.  See them wracked by hate.  See the others.  See their anger radiate outward in glowing spokes, exploding firebrand in a tinder city. On a night like any other, the moon at sixth house, fulcrum of pinwheel zodiac, the Rabbi, awash in lidless starlight, rises somber and makes his choice.  And when the sun is furthermost, he and three of his others gather at the murmuring riverbank where the brown clay is most pliable and begin to dig, sifting rock and root from trundled earth.  Hours spent exhuming the clay, molding it, kneading its muscles, tracing its veins, baking its skin in the starlight.  More hours spent in whispering prayer, the words bent and somersaulting over themselves like tumbling books. See Truth drawn on its forehead, life etched from clay and word.  As the sun rises, so it does, wavering at first, but steadier, lapping at the river, and their faces move slowly across the water.  See the Rabbi speak to it, his words winding its mechanism.  See it stride past the ghetto, wade through the market, and into the borough, siege unto its own. See the others scream for mercy from the kiln of its stare, from their flaming tenements, their crumpling rooftops. See it wade back through the market, past the ghetto, back to the riverbank to kneel in the underbrush.  See it tilt its head to the lilt of a stranded daisy caught in a vagrant gust.   See it caught, too, and see it see.  It sees the colors of Eden in the ferns.  It hears the river churning sediment, fossils, gravel, whirling over driftwood.  It touches moss on a rock; gently rotates its hand to let a grub complete an oblivious circumference.  See it sit in silence. See the Rabbi meet with the others, then his others.  And on a day like any other, when the sun is at its apogee, they slip down the riverbank where it still sits, still.  It ignores their autonomous logic, their homunculus rationale.  They are perversions of variety cloaked in righteous intention.  So it remains. See the Rabbi and his others gather at the murmuring riverbank, shadow conclave in shifting sunlight, then rise somber and decided.  They pin it to the earth as the Rabbi chants, invoking the void in which forbidden knowledge spirals.  It squirms under the power of the Word, mind-forged manacle as incantation.  See the Rabbi draw to a close.  His hand is arbiter, swooping down to smudge Truth from its forehead.  What is left but Death. See its hand crumble in its passage as it reaches for the stranded daisy.  See the colors of Eden darken in its eyes, its own body the dust that denies it light.  See it collapse into itself, the clay that was once animate spilling onto the riverbank.  See the Rabbi and his others shimmer then fade into city grey. The daisy stands still.
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My grandparent's house ten-kid-large and sinking on the corners of remembrance Remodeled now, to ...tenements Honeycomb ...the remnants Irish immigrant and Scottish orphan's child She sang on the ferry He fell in love "The rest is the history of us...." Wide as the Connecticut River, grieving-- in their sunset.... ________________ This-- chair is his I am afraid of it-- of his learning of the shiny badge pinned to his coat of his dying... Golden leather of it soothes his memory-- of another continent of the once warmth-- of a distant hearth so darkened now-- where his head once rested ...his hands and, I fear-- his mind.... I will not sit in it as if he will come back, to take his place I am afraid of him-- with his chair-- all worshipful and empty like a high place, abandoned to the heart attack not for grandchild play Seat of Authority still stamped beside the standing cold-- brass ashtray Pipe smoke imagines itself against the ceiling in the words of Yates and Milton He read to them and somehow-- Paradise is Lost.... _______________ This house is cold now-- even in the summer-- cold Worn as only large families wear The War of waiting shadows --four brothers who were spared Anna Mae, in charge, too young, worries in abrupt dark of dinning room Her face, haunted-- an archway-- ever empty by the large and ghostly table covered by its web of lace-- a bridal veil of Catholic impossibility... Anna Mae, held hostage by her thoughts of darling, Sean... Aunt Lil's “breakdown” with cigarette and thorazine   quaking quiet in her corner Aunt Nell, as blind as ******** hell ironing, darning with threads that thatch the wounded socks Holds it all together, scolding-- Brought the welcomed jelly donuts sneered as Yankees clobbered Boston all-- while drinking yellow ale Uncle Eddie-- laughing hoarsely cracks nuts over a wooden bowl
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Sep 19, 2017
Sep 19, 2017 at 10:52 PM UTC
Mansion
My grandparent's house ten-kid-large and sinking on the corners of remembrance Remodeled now, to ...tenements Honeycomb ...the remnants Irish immigrant and Scottish orphan's child She sang on the ferry He fell in love "The rest is the history of us...." Wide as the Connecticut River, grieving-- in their sunset.... ________________ This-- chair is his I am afraid of it-- of his learning of the shiny badge pinned to his coat of his dying... Golden leather of it soothes his memory-- of another continent of the once warmth-- of a distant hearth so darkened now-- where his head once rested ...his hands and, I fear-- his mind.... I will not sit in it as if he will come back, to take his place I am afraid of him-- with his chair-- all worshipful and empty like a high place, abandoned to the heart attack not for grandchild play Seat of Authority still stamped beside the standing cold-- brass ashtray Pipe smoke imagines itself against the ceiling in the words of Yates and Milton He read to them and somehow-- Paradise is Lost.... _______________ This house is cold now-- even in the summer-- cold Worn as only large families wear The War of waiting shadows --four brothers who were spared Anna Mae, in charge, too young, worries in abrupt dark of dinning room Her face, haunted-- an archway-- ever empty by the large and ghostly table covered by its web of lace-- a bridal veil of Catholic impossibility... Anna Mae, held hostage by her thoughts of darling, Sean... Aunt Lil's “breakdown” with cigarette and thorazine   quaking quiet in her corner Aunt Nell, as blind as ******** hell ironing, darning with threads that thatch the wounded socks Holds it all together, scolding-- Brought the welcomed jelly donuts sneered as Yankees clobbered Boston all-- while drinking yellow ale Uncle Eddie-- laughing hoarsely cracks nuts over a wooden bowl
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80
So, what do you think about the dynasty of Babylon? Freshly cut potatoes which are deep fried can be displayed upon colorful plastic plates, which may trigger a spiritual sustenance of simplistic expectations which are immersed in Glaswegian nostalgia. Therefore, I contemplate the goddess of the moon, as she is enthroned in Celtic tenements of astral plains. Entrance-ways are characterised by the musky scent of the tomcat, whilst the purring sounds of diesel locomotives echo along the tracks of mischievous linearity. So, although I acknowledge Osiris to be the Egyptian god of the dead, I am tentatively perplexed about Northern and Southern boundaries of grandparental occupation. Shake those sensual vessels of salt and vinegar. Do you know why? Because there’s nothing like it in the cosmos.
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Nov 6, 2013
Nov 6, 2013 at 11:38 PM UTC
Nana
Put on the old LPs tonight, Alex, from a time long before you were born. Top of the queue was Petula Clark belting out Don't Give Up, defiant as an alley cat in a street fight. Remembered how in her heyday, she'd been forced to conceal the fact that she was married --- all performers being mysteriously virginal in those days. Thoughts segue several years to my time in the service and a female lieutenant who was my OIC. Served a 20 year career, but never knew a finer officer. She realized leadership was saying the things that made you want to follow. Just after making captain, due to pregnancy, she was forced to terminate her service career. Today, women routinely travel in space, perform extreme surgeries, design skyscrappers; one just might become president. And somewhere in the tenements of NYC a young poet spins metaphor straight from the streets and the cosmos, constructing a world in lines we'd all wish to enter.
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Jul 6, 2012
Jul 6, 2012 at 2:22 AM UTC
Don't Give Up --- A Poem for Alexandra
I The stars are double-weighted tonight. bulging, beating, they sink from their proper lurches. One by one across the murky evening they sputter out. What natural light remains seeps from that subtly gaudy bauble of a moon. II Peeled eucalyptus, ice-plant, new-mown summer grass, dandelion, sloping hill, carved stone bench, the view, the reflected city-light off the bay water, white-washed near-tenements. I am firmly locked up, chained in a bone cage of chemically manipulated cranial plates; serotonin, synapses, dopamine, dendrite create a web like seaweed constricting the sea; this computer of a head calculates, oscillates, and processes the sensory. III My body is a tattered jib sail flowing in the light sprinkling rain: the simmer of the gale: a hollow cathedral abandoned by the believers: a vessel for my marrow: an imaginary catalyst for profundity: an incarceration: a hull of particles arrested: some part of an experience.
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Aug 25, 2012
Aug 25, 2012 at 1:46 PM UTC
Kate Sessions
Lost in the club on the way to the bathroom American dreamless, existed in a vacuum Every day, another way for us to consume Raids on the senses, a general consensus of the senseless, reprehensible amendments The armaments by the tenements, diffused Confused, never used, lonely in the fugue And you You who assume, presume, eschew the ruin of the brewing times, rising tides, the lies and of ties that bind - us to the times and to meaningless rhymes By illuminated rooms when the eye blinks Think, blink, the pink rink - closed By the hours that be, powers that see Subversive naturalism in a state of debate, compensate the reckless Feckless and dick-less, compost of the senses The sexes have wrecked us, ****** of the spectrum By your septum reset them, mind wiped Iconic lights gone The new light's on Right on
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May 13, 2014
May 13, 2014 at 11:36 AM UTC
The Drifting Away: Of International Relations and Timely Disconnection
I was born for Nebraska I was born for the Massif Central I was born for the mountain top shrine with nothing but the music of nature to distract me I was born for the weekly news on some sleepy island in the Pacific I was born for Covent Garden The Pangea of Culture New Orleans trumpets; the flamenco player twisting lime into his drink I was born for the cotton fields I was born for the salt marsh for the tug-boat all out of fresh water I was born for the Ganges I was born in the shadow of the Hajj I was born for the G-dless land of Death Valley the streets of Harlem I was born into the spirit of old Afghanistan I was born on the false strings of liberated women- I was born on a stage of puppets a backdrop of Glaswegian tenements or of fjords unvisited beside Scandinavian seas I was born for Rugby Cement I was born to be fixed in place This wandering mind These restless legs I was born with a travelling soul in a town where I can barely walk
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Aug 19, 2015
Aug 19, 2015 at 8:52 PM UTC
Born.
little islands of sanity sacred the tenements sacred the janitors sacred the night watchmen little islands of sanity ----- little places of refuge tiny hearts still beating children play for real amid people who **** for fun and glory ------- i dance! ------- little islands of humanity sacred the simple sacred the honest sacred the poverty sacred tenemets amid our shame and greed ----- come! dance! ------ little islands tiny lovers the world
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Nov 24, 2010
Nov 24, 2010 at 10:24 AM UTC
little islands
The placenta of poetry. At 25 still young and arrogant but with some modesty creeping in more fully fledged in the void's vale of dropping foundation blocks into pools of quicksand tenements are always prey to vulnerabilities of one kind or other if someone sneeze I am uncomfortably cold one sleeve of my pullover is rolled up above the elbow - it is threadbare!
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Jul 15, 2010
Jul 15, 2010 at 12:43 AM UTC
The placenta of poetry.
Imprisoned inside tall red brick built tenements curtained in by cheap store bought accoutrements and locking up the world outside within with a needle and a pin and sewing life away. where we stitch up every day as if only cross stitching could show or say how angry that we are and far above some half existent but quite persistent feelings that the life we live is what we get for being better than the dogs that line the streets with pockets bulging emptiness is more or less the happiness that we were told of, when we read books in those classrooms dripping coldness from the cold lights,prefabricated by the councils to educate the poor and in this we have believed for fifty years or more. But technograbbers took the high road ripped the legs from under desks by which we sat and then they spat on former teaching teachers in the pay of local educational authorities had no authority to intervene and preaching texts that they had learnt by heart 'cause all the textbooks burnt far brighter in the fires in tenements where former pupils with dilated eyes felt the cold much keener,much cleaner than the dogs upon the streets and behind the curtained windows I weep for a yesterday when as a young child I could play outside and not wonder what the future held. Held spellbound by the monkey man who turned the handle on his barrel ***** and put a flat cap on the ground which magically naturally filled with pennies from the folks who had such things. Sadness and the lack of more or less brings me nothing but the bulging emptiness and the breaking of another spine another book a former time and locking in the world outside I bide my time and watch the black and white the day within the night I'll be alright just me and shotgun joe beside the bed and nothing else to spoil nothing that we never had but there are badmen in the badlands roaming tenemental bands that would cut your throats if you looked twice or even once at them Like the dog down in the street I never raise my eyes to meet anyone or any other why bother it's just the way it is.
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Jun 28, 2013
Jun 28, 2013 at 12:38 AM UTC
Values
Imprisoned inside tall red brick built tenements curtained in by cheap store bought accoutrements and locking up the world outside within with a needle and a pin and sewing life away. where we stitch up every day as if only cross stitching could show or say how angry that we are and far above some half existent but quite persistent feelings that the life we live is what we get for being better than the dogs that line the streets with pockets bulging emptiness is more or less the happiness that we were told of, when we read books in those classrooms dripping coldness from the cold lights,prefabricated by the councils to educate the poor and in this we have believed for fifty years or more. But technograbbers took the high road ripped the legs from under desks by which we sat and then they spat on former teaching teachers in the pay of local educational authorities had no authority to intervene and preaching texts that they had learnt by heart 'cause all the textbooks burnt far brighter in the fires in tenements where former pupils with dilated eyes felt the cold much keener,much cleaner than the dogs upon the streets and behind the curtained windows I weep for a yesterday when as a young child I could play outside and not wonder what the future held. Held spellbound by the monkey man who turned the handle on his barrel ***** and put a flat cap on the ground which magically naturally filled with pennies from the folks who had such things. Sadness and the lack of more or less brings me nothing but the bulging emptiness and the breaking of another spine another book a former time and locking in the world outside I bide my time and watch the black and white the day within the night I'll be alright just me and shotgun joe beside the bed and nothing else to spoil nothing that we never had but there are badmen in the badlands roaming tenemental bands that would cut your throats if you looked twice or even once at them Like the dog down in the street I never raise my eyes to meet anyone or any other why bother it's just the way it is.
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34
Another building jumps into the terrain, its lights charge the hollering in the barbershop. I remember how you hated those who defended the sanctity of this place, now you stand there alongside the protesting. ‘The renewal is eating-up the neighborhood,’ you say, ‘this is our home,’ but this is no home for rising. Even when they level the derelict charm of tenements, there will always remain those who yell at the progress of things. You stand firm, believing in the value of this place and this life, and you will teach our child to value the comforts of squalor. You see me behind a counter to feed our son, but I won’t see him, bitter, or worse, in love with this hole. I’m leaving, but you will always stay– Fear is your life.
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Nov 20, 2014
Nov 20, 2014 at 10:25 PM UTC
The Ghetto
Here we are again, in the deathmask of the city spinning. The circumcised sea with its crocodiles and scars. Never is the onrush of blood so violent the falsehoods of the sky that drip neon on our heads from desiccated clouds so true This is the wild: To the clusterfucked and cloistered swimming in their bowls of soup and the scuttled shells synchronous in their bass pulse beeping to the blackhats who don’t believe their messiah will ever come because they hear the trump of doom every second of every day yet they still stomp in their flatbeds for joy and the prismatic dead who drag themselves from their gurneys to march through the alleys like tuskless elephants shoving their fingers into the sun’s fumarole determined to disintegrate into a mist of Krylon and copper where we carry our concrete world slung over our shoulders and the ravenous moon in its ellipse above beached night heaving, eyes curling in their sockets like gunsmoke smoldering hearts humming like taut snares beheaded fish in front of us, beheaded bodies behind us I drag mine along by the hair. To the children and the panhandlers who greet the lion like hello kitty and the skittish magnetic few in their lightning-spaded furrows on the ecliptic chained but leaping ever farther and higher like the wrecking ***** pendulum and all the naked lost milling among the mummified tenements, waving Geiger counters before them as they wander  the sweaty street holding their heads high as they grind flesh against flesh pulverizing themselves into rubble measuring the toll of time by destruction   drinking in mercury and hard water and shrapnel and gamma and fire and gold to them I say: turn your hourglass on its side turn your hourglasses on their sides then acknowledge me so I can die in peace.
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Dec 15, 2011
Dec 15, 2011 at 4:35 PM UTC
Infinity
Here we are again, in the deathmask of the city spinning. The circumcised sea with its crocodiles and scars. Never is the onrush of blood so violent the falsehoods of the sky that drip neon on our heads from desiccated clouds so true This is the wild: To the clusterfucked and cloistered swimming in their bowls of soup and the scuttled shells synchronous in their bass pulse beeping to the blackhats who don’t believe their messiah will ever come because they hear the trump of doom every second of every day yet they still stomp in their flatbeds for joy and the prismatic dead who drag themselves from their gurneys to march through the alleys like tuskless elephants shoving their fingers into the sun’s fumarole determined to disintegrate into a mist of Krylon and copper where we carry our concrete world slung over our shoulders and the ravenous moon in its ellipse above beached night heaving, eyes curling in their sockets like gunsmoke smoldering hearts humming like taut snares beheaded fish in front of us, beheaded bodies behind us I drag mine along by the hair. To the children and the panhandlers who greet the lion like hello kitty and the skittish magnetic few in their lightning-spaded furrows on the ecliptic chained but leaping ever farther and higher like the wrecking ***** pendulum and all the naked lost milling among the mummified tenements, waving Geiger counters before them as they wander  the sweaty street holding their heads high as they grind flesh against flesh pulverizing themselves into rubble measuring the toll of time by destruction   drinking in mercury and hard water and shrapnel and gamma and fire and gold to them I say: turn your hourglass on its side turn your hourglasses on their sides then acknowledge me so I can die in peace.
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1221 Some we see no more, Tenements of Wonder Occupy to us though perhaps to them Simpler are the Days than the Supposition Leave us to presume That oblique Belief which we call Conjecture Grapples with a Theme stubborn as Sublime Able as the Dust to equip its feature Adequate as Drums To enlist the Tomb.
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Some we see no more, Tenements of Wonder
The tired cars go grumbling by, The moaning, groaning cars, And the old milk carts go rumbling by Under the same dull stars. Out of the tenements, cold as stone, Dark figures start for work; I watch them sadly shuffle on, 'Tis dawn, dawn in New York. But I would be on the island of the sea, In the heart of the island of the sea, Where the ***** are crowing, crowing, crowing, And the hens are cackling in the rose-apple tree, Where the old draft-horse is neighing, neighing, neighing, Out on the brown dew-silvered lawn, And the tethered cow is lowing, lowing, lowing, And dear old Ned is braying, braying, braying, And the shaggy Nannie goat is calling, calling, calling From her little trampled corner of the long wide lea That stretches to the waters of the hill-stream falling Sheer upon the flat rocks joyously! There, oh, there! on the island of the sea, There would I be at dawn. The tired cars go grumbling by, The crazy, lazy cars, And the same milk carts go rumbling by Under the dying stars. A lonely newsboy hurries by, Humming a recent ditty; Red streaks strike through the gray of the sky, The dawn comes to the city. But I would be on the island of the sea, In the heart of the island of the sea, Where the ***** are crowing, crowing, crowing, And the hens are cackling in the rose-apple tree, Where the old draft-horse is neighing, neighing, neighing Out on the brown dew-silvered lawn, And the tethered cow is lowing, lowing, lowing, And dear old Ned is braying, braying, braying, And the shaggy Nannie goat is calling, calling, calling, From her little trampled corner of the long wide lea That stretches to the waters of the hill-stream falling Sheer upon the flat rocks joyously! There, oh, there! on the island of the sea, There I would be at dawn.
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1.5k
When Dawn Comes to the City
The tired cars go grumbling by, The moaning, groaning cars, And the old milk carts go rumbling by Under the same dull stars. Out of the tenements, cold as stone, Dark figures start for work; I watch them sadly shuffle on, 'Tis dawn, dawn in New York. But I would be on the island of the sea, In the heart of the island of the sea, Where the ***** are crowing, crowing, crowing, And the hens are cackling in the rose-apple tree, Where the old draft-horse is neighing, neighing, neighing, Out on the brown dew-silvered lawn, And the tethered cow is lowing, lowing, lowing, And dear old Ned is braying, braying, braying, And the shaggy Nannie goat is calling, calling, calling From her little trampled corner of the long wide lea That stretches to the waters of the hill-stream falling Sheer upon the flat rocks joyously! There, oh, there! on the island of the sea, There would I be at dawn. The tired cars go grumbling by, The crazy, lazy cars, And the same milk carts go rumbling by Under the dying stars. A lonely newsboy hurries by, Humming a recent ditty; Red streaks strike through the gray of the sky, The dawn comes to the city. But I would be on the island of the sea, In the heart of the island of the sea, Where the ***** are crowing, crowing, crowing, And the hens are cackling in the rose-apple tree, Where the old draft-horse is neighing, neighing, neighing Out on the brown dew-silvered lawn, And the tethered cow is lowing, lowing, lowing, And dear old Ned is braying, braying, braying, And the shaggy Nannie goat is calling, calling, calling, From her little trampled corner of the long wide lea That stretches to the waters of the hill-stream falling Sheer upon the flat rocks joyously! There, oh, there! on the island of the sea, There I would be at dawn.
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44
*long lost years our master, Shakespeare traveled to London for four days no shillings or good garments in his bag he stayed in lodge inns penny a night he had to gave up with a sigh the smell of midden-heaped lanes from the slum tenements he had to bare for nights he held both jobs holding patron's horses or prompter's attendant and as destined to be a playwright, his plays express aspects of life that transcend time he wrote to be remarkable and to put food on the table illuminating human experience a genius mind... a playwright, poet and actor that we will always admire.*
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Jul 3, 2015
Jul 3, 2015 at 12:49 AM UTC
Admiring William~
"Buy a Star! Own a Star!" The sales are brisk, For cross-eyed lovers, Cross-hearted, lost, Beneath the spinning constellations Burning immortal exhalations, Desiring forever oxytoxic bliss, Burning ******* and hearts Yearn longevity of stars.... PT Barnum saw his opportunity: Sold cotton candy, Hawked elephants, Gawked dwarves, Hid the razors from Fierce bearded ladies, Even sold the elephants' dung, Provender to exotic gardens.... Barnum's packing up The Pachyderms, So Hawkers have us Gazing on the stars.... "Step right up! See the stars!" Purchase your fire in the sky! Your lover's name, Fixed in the firmament   A million years! At least the cotton candy And the elephant dung Served some earthy, earthly good, Paid dentists' children's college, Fertilized the family food. So now go claim a distant star, A million, billion miles away, Its light must make its journey A thousand years or more To greet your eyes, and yet, Your lover's sighs predict A hundred dollars' better spent Than on a good Chablis, Cementing mortal love in Distant stars so permanent, Visited through telescopic glass Atop our rented tenements.
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Mar 14, 2015
Mar 14, 2015 at 9:02 PM UTC
Star Squatters' Circus
I didn't take a photograph of the statue of Robert Burns. His sightless eyes were looking out over Dunedin, the most Scottish town in the southern hemisphere, and there was a seagull, not a pigeon, standing on his head. I would have called it "Robbie Burns and Friend." And I didn't take a picture of the bus shelter painted all over with jungle foliage and a tiger peeping out over the simulated signature of Henri Rousseau. The title would have been "This Bus Shelter is a Forgery." Neither did I photograph another painted wall, one round a cemetery full of ornate and sombre tombs, with a large and skilfully executed advertisement - Renta Sanitarios Mobiles (Hire Mobile Toilets). It would have been called "Is there no Respect for the Dead?" I didn't take the photo of a Fijian policeman. A pity, for he had such a practical uniform, very smart and cool, in a tasteful shade of policeman-blue, based on the traditional sulu with a striking zigzag hem. The title would have been "A Policeman in a Skirt?!" I couldn't take a photograph of sunset over Popocatépetl – although the sun was setting in a red and golden haze, and the most romantically named mountain is just what you imagine a perfect volcano should be, even to the wisp of steam at the peak – because the sun was actually setting over Ixtaccíhuatl and "Sunset over Ixtaccíhuatl" doesn't have quite the right ring The shape of the mountain is not very picturesque either. Yes, I would have called that one "Sunset over Popocatépetl" – if I could have taken it. My camera wouldn't focus on the crescent moon hanging over the Egyptian skyline, horns pointing up, so close to the Equator, and the evening star (Venus or some more ancient goddess) just above and almost between the points. If that one had worked it would have been called "Islamic Moon." I couldn't possibly have taken a photograph that would do any justice to the young piano student in a Hungarian castle hammering out Liszt as if the hounds of hell were after her, but if I could, I would have had to call it "Apassionata." And I didn't even have time to get my camera out to take a picture of the wild humming bird darting green and unconcerned among dilapidated tenements in the heart of Mexico City. But that living jewel shines bright in my memory, even without a photo. I don't know what I would have called that one, and I'm sure it doesn't matter.
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Apr 27, 2016
Apr 27, 2016 at 9:48 AM UTC
Photographs I never took *
I didn't take a photograph of the statue of Robert Burns. His sightless eyes were looking out over Dunedin, the most Scottish town in the southern hemisphere, and there was a seagull, not a pigeon, standing on his head. I would have called it "Robbie Burns and Friend." And I didn't take a picture of the bus shelter painted all over with jungle foliage and a tiger peeping out over the simulated signature of Henri Rousseau. The title would have been "This Bus Shelter is a Forgery." Neither did I photograph another painted wall, one round a cemetery full of ornate and sombre tombs, with a large and skilfully executed advertisement - Renta Sanitarios Mobiles (Hire Mobile Toilets). It would have been called "Is there no Respect for the Dead?" I didn't take the photo of a Fijian policeman. A pity, for he had such a practical uniform, very smart and cool, in a tasteful shade of policeman-blue, based on the traditional sulu with a striking zigzag hem. The title would have been "A Policeman in a Skirt?!" I couldn't take a photograph of sunset over Popocatépetl – although the sun was setting in a red and golden haze, and the most romantically named mountain is just what you imagine a perfect volcano should be, even to the wisp of steam at the peak – because the sun was actually setting over Ixtaccíhuatl and "Sunset over Ixtaccíhuatl" doesn't have quite the right ring The shape of the mountain is not very picturesque either. Yes, I would have called that one "Sunset over Popocatépetl" – if I could have taken it. My camera wouldn't focus on the crescent moon hanging over the Egyptian skyline, horns pointing up, so close to the Equator, and the evening star (Venus or some more ancient goddess) just above and almost between the points. If that one had worked it would have been called "Islamic Moon." I couldn't possibly have taken a photograph that would do any justice to the young piano student in a Hungarian castle hammering out Liszt as if the hounds of hell were after her, but if I could, I would have had to call it "Apassionata." And I didn't even have time to get my camera out to take a picture of the wild humming bird darting green and unconcerned among dilapidated tenements in the heart of Mexico City. But that living jewel shines bright in my memory, even without a photo. I don't know what I would have called that one, and I'm sure it doesn't matter.
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50
I wanna witness... The energetic synergy within the city limits Pulsing with adrenaline as yesmen do business With mysterious gentlemen in worn and weathered tenements Indifferent of the minutemen surrounding the premises. A genesis and exodus of textbook corruption Eruptions of Congressmen abruptly interrupting The voice of the denizens; citizens distrusting The integrity of every legislation made in history And the mystery surrounding all those slimy politicians Discussing their envisionments and policies like madmen Disgusting in their ways, protecting church and state, In the government we pray: Amen.
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Mar 19, 2016
Mar 19, 2016 at 10:45 PM UTC
I Wanna Witness...
tired autonomies, days keep on flailin', seizin'; darlin', I'd be bolder if only I'd tried. makin' plans to abandon 'em, the dark reach and tenements of those towers of regret for all of my inactivity or self-targeted hostility, and those dreams meant everything to me until awakening into morning hours or afternoon, more likely, with the dull grip of uncertainty shudderin' all the windowpanes back and forth lightly, oh so **** delicately, and I think about you as soon as I've drawn up ambition to make any kind of move, the pieces of the vast puzzle I've called your mind for the better part of the calendar dates I've drawn up into fifteen gauge shells of the ghosts of my past, those that follow my footprints in evenings, the pools of aluminium meltings and lemon extractions to constrict the summer hours, convictions that bleach out all other chances of hope. so relinquish your grip on my red and unfolding heart I've been beating the syllables of your name with, and abusing the page width of headspace, serving only to alienate the froth on the shoreline of daring chances: I'd have given my all at the sight of romance, but I sit here with no glimpse of intention from you; the crestfalls I subject myself to, not for the sake of lack of want, but full lack of what I'd do if I called and asked where you wanted to go at three a.m. or five p.m., or any other canonical time of the day; I'd spend any of 'em with you, and I'd ask, but I'm somewhat sure you're not that into whatever I could mean, or whatever my words do seem to transcribe themselves upon contact with your mind, so keep on existing and I will do the same. [or, anyway, at least I'll try]
0
Apr 15, 2013
Apr 15, 2013 at 5:27 AM UTC
sergeants, i & ii
tired autonomies, days keep on flailin', seizin'; darlin', I'd be bolder if only I'd tried. makin' plans to abandon 'em, the dark reach and tenements of those towers of regret for all of my inactivity or self-targeted hostility, and those dreams meant everything to me until awakening into morning hours or afternoon, more likely, with the dull grip of uncertainty shudderin' all the windowpanes back and forth lightly, oh so **** delicately, and I think about you as soon as I've drawn up ambition to make any kind of move, the pieces of the vast puzzle I've called your mind for the better part of the calendar dates I've drawn up into fifteen gauge shells of the ghosts of my past, those that follow my footprints in evenings, the pools of aluminium meltings and lemon extractions to constrict the summer hours, convictions that bleach out all other chances of hope. so relinquish your grip on my red and unfolding heart I've been beating the syllables of your name with, and abusing the page width of headspace, serving only to alienate the froth on the shoreline of daring chances: I'd have given my all at the sight of romance, but I sit here with no glimpse of intention from you; the crestfalls I subject myself to, not for the sake of lack of want, but full lack of what I'd do if I called and asked where you wanted to go at three a.m. or five p.m., or any other canonical time of the day; I'd spend any of 'em with you, and I'd ask, but I'm somewhat sure you're not that into whatever I could mean, or whatever my words do seem to transcribe themselves upon contact with your mind, so keep on existing and I will do the same. [or, anyway, at least I'll try]
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30
a caricature of compensation he's a decent gent but spent his rent on bug repellant and a British accent they circumvent the scent of malcontent present tense, presenting the tents to the residents of the tenements post trauma
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May 20, 2015
May 20, 2015 at 12:31 PM UTC
condolences
Of long an aspiration, secret, that rosaries don't quench, unexpressed, wells of old, that anguish burning the deserts, seeking in austerities and exegeses, an assurance in tablets and tabernacles, and mourning the star shooting empty in the sky at night: a love protects vast, even when what Is is not this that we worship, and descends grace, ordinary so to seem obscure, that wisdom from far must fathom its depths. Refuse we to believe so, that say who our father is divine, that so are we too divine. That which we seek enduring past our graves, holding dear in our fists clenched, through torments and tempests and tenements and temperaments, can smile at us too as a babe in a manger, that the King we expect who, to deliver us from affliction, can a simpleton be, a Tekton among us: that the Levi and the Cohen, are risen too amongst us: and to love, no birth high nor needed is the learning in law, but to feel as show those sisters with the heart, who anoint him in myrrh and in tears, his feet wash.
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Dec 24, 2013
Dec 24, 2013 at 5:35 PM UTC
The myrrh-bearers
In a gym in Philadelphia, boys with street hungry eyes flick jabs at your moving brown frame in a circled ring of chance. Sweat hangs in the air like the sad truth of poverty, if they get pass you the smell of success is guaranteed. For the scared don't get rich. You made good, born the ******* of misfortune. Dreaming of riding past the old neighborhood in a custom Cadillac and meeting  beautiful long haired women with even white teeth. Maybe in your dreams, you saw boxing gloved foes falling by the score. But defeat and loss chased you down dead-end alleyways of lonely tears, and the walls of  your mind seemed about to collapse. As you ran under a sky of broken dreams and tossed  away chances with closed eyes afraid you were dying from large blows to the soul and body. A collection of years of being  poverty struck how many times have I seen you hanging over the ropes, eyes closed completely, wiped out like a voice lost in the rumbling of a subway train speeding past  tenements in Philadelphia.
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Apr 1, 2013
Apr 1, 2013 at 7:14 PM UTC
To A Fighter In TheRing By Victor Tripp Of Philly