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Eleni Jun 2017
Friday- the most promising day of all.
The beginning of the weekend, but the one day that will spark appall.

Down on Mainstreet all the girls
In their fringed dresses, pouting their foxy lips and their hair waving in short messes.

The hags frown as the winged ladies pass by- displaying their carriages a little sly.

Oh, but Jane's favourite speakeasy was 'The Back Room' down on Norfolk Street: the place where the lost creatures meet.

Tin ceilings, velvet wallpaper, plush thrones and back in that dark corner, there is the sound of low moans.

'A whiskey, neat, please' as a shadow in a tuxedo walked towards her and he whispered 'Hi,' in a sensual purr.

'Who are you?' he stirred,
'Oh, I'm Miss Doe' and he lept into the stool with a swift flow.

And the jazz trumpets married the spontaneous harmonies and the saxophone created sublime melodies.

So they sat as idle as ghouls in the dim spotlights, until Jane asked Mr Buck:

'D'you fight in the war?' And he whined 'Cambrai, Amiens and Lys' - his lips seemed a little sore.

'I'm sorry - do I know you?' His face looked as familiar as Jay to Nick. A brief pause in time at that smile.

That was the final chord to the "lick".
He drove her down to Roslyn- to his replica of Versailles and Jane looked intensely shy.

'Oh, do come in,' the desperado soughed. And she walked into the gilded palace which Cupid's presence bowed.

'I have a favour to ask of you, Miss Doe. Would you be as kind to wash away my woe?'

And as they congressed under diamond chandeliers, his comrades gathered around the bed in amorphous silhouettes; watching disgustedly.

As for Mr Buck he was an alien, skin-to-skin with a haunted beauty and Miss Doe- a labourer on duty.
A story based on the aftermath of the First World War, the birth of a "lost generation" and the excess of the 1920s.

1 'Miss Doe...Mr Buck' referring to a mature female of mammals of which the male is called 'buck'. This further adds to the animalistic imagery of their encounter.

2 'Cambrai, Amiens and Lys' battles of the First World War which the United States was comprised of the allied effort.

3 'Jay to Nick... that smile' an allusion of 'The Great Gatsby' when Gatsby and Nick meet for the first time at one of his lavish parties. Nick romanticises Gatsby's understanding smile.

4 'Lick' a jazz term for a repeating pattern or phrase in music.

5 'Replica of Versailles' a regal palace in France in this poem representing the wealthy individuals of 1920s America in New York.
Nestor was sitting over his wine, but the cry of battle did not
escape him, and he said to the son of Aesculapius, “What, noble
Machaon, is the meaning of all this? The shouts of men fighting by our
ships grow stronger and stronger; stay here, therefore, and sit over
your wine, while fair Hecamede heats you a bath and washes the clotted
blood from off you. I will go at once to the look-out station and
see what it is all about.”
  As he spoke he took up the shield of his son Thrasymedes that was
lying in his tent, all gleaming with bronze, for Thrasymedes had taken
his father’s shield; he grasped his redoubtable bronze-shod spear, and
as soon as he was outside saw the disastrous rout of the Achaeans who,
now that their wall was overthrown, were flying pell-mell before the
Trojans. As when there is a heavy swell upon the sea, but the waves
are dumb—they keep their eyes on the watch for the quarter whence the
fierce winds may spring upon them, but they stay where they are and
set neither this way nor that, till some particular wind sweeps down
from heaven to determine them—even so did the old man ponder
whether to make for the crowd of Danaans, or go in search of
Agamemnon. In the end he deemed it best to go to the son of Atreus;
but meanwhile the hosts were fighting and killing one another, and the
hard bronze rattled on their bodies, as they ****** at one another
with their swords and spears.
  The wounded kings, the son of Tydeus, Ulysses, and Agamemnon son
of Atreus, fell in Nestor as they were coming up from their ships—for
theirs were drawn up some way from where the fighting was going on,
being on the shore itself inasmuch as they had been beached first,
while the wall had been built behind the hindermost. The stretch of
the shore, wide though it was, did not afford room for all the
ships, and the host was cramped for space, therefore they had placed
the ships in rows one behind the other, and had filled the whole
opening of the bay between the two points that formed it. The kings,
leaning on their spears, were coming out to survey the fight, being in
great anxiety, and when old Nestor met them they were filled with
dismay. Then King Agamemnon said to him, “Nestor son of Neleus, honour
to the Achaean name, why have you left the battle to come hither? I
fear that what dread Hector said will come true, when he vaunted among
the Trojans saying that he would not return to Ilius till he had fired
our ships and killed us; this is what he said, and now it is all
coming true. Alas! others of the Achaeans, like Achilles, are in anger
with me that they refuse to fight by the sterns of our ships.”
  Then Nestor knight of Gerene answered, “It is indeed as you say;
it is all coming true at this moment, and even Jove who thunders
from on high cannot prevent it. Fallen is the wall on which we
relied as an impregnable bulwark both for us and our fleet. The
Trojans are fighting stubbornly and without ceasing at the ships; look
where you may you cannot see from what quarter the rout of the
Achaeans is coming; they are being killed in a confused mass and the
battle-cry ascends to heaven; let us think, if counsel can be of any
use, what we had better do; but I do not advise our going into
battle ourselves, for a man cannot fight when he is wounded.”
  And King Agamemnon answered, “Nestor, if the Trojans are indeed
fighting at the rear of our ships, and neither the wall nor the trench
has served us—over which the Danaans toiled so hard, and which they
deemed would be an impregnable bulwark both for us and our fleet—I
see it must be the will of Jove that the Achaeans should perish
ingloriously here, far from Argos. I knew when Jove was willing to
defend us, and I know now that he is raising the Trojans to like
honour with the gods, while us, on the other hand, he bas bound hand
and foot. Now, therefore, let us all do as I say; let us bring down
the ships that are on the beach and draw them into the water; let us
make them fast to their mooring-stones a little way out, against the
fall of night—if even by night the Trojans will desist from fighting;
we may then draw down the rest of the fleet. There is nothing wrong in
flying ruin even by night. It is better for a man that he should fly
and be saved than be caught and killed.”
  Ulysses looked fiercely at him and said, “Son of Atreus, what are
you talking about? Wretch, you should have commanded some other and
baser army, and not been ruler over us to whom Jove has allotted a
life of hard fighting from youth to old age, till we every one of us
perish. Is it thus that you would quit the city of Troy, to win
which we have suffered so much hardship? Hold your peace, lest some
other of the Achaeans hear you say what no man who knows how to give
good counsel, no king over so great a host as that of the Argives
should ever have let fall from his lips. I despise your judgement
utterly for what you have been saying. Would you, then, have us draw
down our ships into the water while the battle is raging, and thus
play further into the hands of the conquering Trojans? It would be
ruin; the Achaeans will not go on fighting when they see the ships
being drawn into the water, but will cease attacking and keep
turning their eyes towards them; your counsel, therefore, Sir captain,
would be our destruction.”
  Agamemnon answered, “Ulysses, your rebuke has stung me to the heart.
I am not, however, ordering the Achaeans to draw their ships into
the sea whether they will or no. Some one, it may be, old or young,
can offer us better counsel which I shall rejoice to hear.”
  Then said Diomed, “Such an one is at hand; he is not far to seek, if
you will listen to me and not resent my speaking though I am younger
than any of you. I am by lineage son to a noble sire, Tydeus, who lies
buried at Thebes. For Portheus had three noble sons, two of whom,
Agrius and Melas, abode in Pleuron and rocky Calydon. The third was
the knight Oeneus, my father’s father, and he was the most valiant
of them all. Oeeneus remained in his own country, but my father (as
Jove and the other gods ordained it) migrated to Argos. He married
into the family of Adrastus, and his house was one of great abundance,
for he had large estates of rich corn-growing land, with much
orchard ground as well, and he had many sheep; moreover he excelled
all the Argives in the use of the spear. You must yourselves have
heard whether these things are true or no; therefore when I say well
despise not my words as though I were a coward or of ignoble birth.
I say, then, let us go to the fight as we needs must, wounded though
we be. When there, we may keep out of the battle and beyond the
range of the spears lest we get fresh wounds in addition to what we
have already, but we can spur on others, who have been indulging their
spleen and holding aloof from battle hitherto.”
  Thus did he speak; whereon they did even as he had said and set out,
King Agamemnon leading the way.
  Meanwhile Neptune had kept no blind look-out, and came up to them in
the semblance of an old man. He took Agamemnon’s right hand in his own
and said, “Son of Atreus, I take it Achilles is glad now that he
sees the Achaeans routed and slain, for he is utterly without remorse-
may he come to a bad end and heaven confound him. As for yourself, the
blessed gods are not yet so bitterly angry with you but that the
princes and counsellors of the Trojans shall again raise the dust upon
the plain, and you shall see them flying from the ships and tents
towards their city.”
  With this he raised a mighty cry of battle, and sped forward to
the plain. The voice that came from his deep chest was as that of nine
or ten thousand men when they are shouting in the thick of a fight,
and it put fresh courage into the hearts of the Achaeans to wage war
and do battle without ceasing.
  Juno of the golden throne looked down as she stood upon a peak of
Olympus and her heart was gladdened at the sight of him who was at
once her brother and her brother-in-law, hurrying hither and thither
amid the fighting. Then she turned her eyes to Jove as he sat on the
topmost crests of many-fountained Ida, and loathed him. She set
herself to think how she might hoodwink him, and in the end she deemed
that it would be best for her to go to Ida and array herself in rich
attire, in the hope that Jove might become enamoured of her, and
wish to embrace her. While he was thus engaged a sweet and careless
sleep might be made to steal over his eyes and senses.
  She went, therefore, to the room which her son Vulcan had made
her, and the doors of which he had cunningly fastened by means of a
secret key so that no other god could open them. Here she entered
and closed the doors behind her. She cleansed all the dirt from her
fair body with ambrosia, then she anointed herself with olive oil,
ambrosial, very soft, and scented specially for herself—if it were so
much as shaken in the bronze-floored house of Jove, the scent pervaded
the universe of heaven and earth. With this she anointed her
delicate skin, and then she plaited the fair ambrosial locks that
flowed in a stream of golden tresses from her immortal head. She put
on the wondrous robe which Minerva had worked for her with
consummate art, and had embroidered with manifold devices; she
fastened it about her ***** with golden clasps, and she girded herself
with a girdle that had a hundred tassels: then she fastened her
earrings, three brilliant pendants that glistened most beautifully,
through the pierced lobes of her ears, and threw a lovely new veil
over her head. She bound her sandals on to her feet, and when she
had arrayed herself perfectly to her satisfaction, she left her room
and called Venus to come aside and speak to her. “My dear child,” said
she, “will you do what I am going to ask of you, or will refuse me
because you are angry at my being on the Danaan side, while you are on
the Trojan?”
  Jove’s daughter Venus answered, “Juno, august queen of goddesses,
daughter of mighty Saturn, say what you want, and I will do it for
at once, if I can, and if it can be done at all.”
  Then Juno told her a lying tale and said, “I want you to endow me
with some of those fascinating charms, the spells of which bring all
things mortal and immortal to your feet. I am going to the world’s end
to visit Oceanus (from whom all we gods proceed) and mother Tethys:
they received me in their house, took care of me, and brought me up,
having taken me over from Rhaea when Jove imprisoned great Saturn in
the depths that are under earth and sea. I must go and see them that I
may make peace between them; they have been quarrelling, and are so
angry that they have not slept with one another this long while; if
I can bring them round and restore them to one another’s embraces,
they will be grateful to me and love me for ever afterwards.”
  Thereon laughter-loving Venus said, “I cannot and must not refuse
you, for you sleep in the arms of Jove who is our king.”
  As she spoke she loosed from her ***** the curiously embroidered
girdle into which all her charms had been wrought—love, desire, and
that sweet flattery which steals the judgement even of the most
prudent. She gave the girdle to Juno and said, “Take this girdle
wherein all my charms reside and lay it in your *****. If you will
wear it I promise you that your errand, be it what it may, will not be
bootless.”
  When she heard this Juno smiled, and still smiling she laid the
girdle in her *****.
  Venus now went back into the house of Jove, while Juno darted down
from the summits of Olympus. She passed over Pieria and fair
Emathia, and went on and on till she came to the snowy ranges of the
Thracian horsemen, over whose topmost crests she sped without ever
setting foot to ground. When she came to Athos she went on over the,
waves of the sea till she reached Lemnos, the city of noble Thoas.
There she met Sleep, own brother to Death, and caught him by the hand,
saying, “Sleep, you who lord it alike over mortals and immortals, if
you ever did me a service in times past, do one for me now, and I
shall be grateful to you ever after. Close Jove’s keen eyes for me
in slumber while I hold him clasped in my embrace, and I will give you
a beautiful golden seat, that can never fall to pieces; my
clubfooted son Vulcan shall make it for you, and he shall give it a
footstool for you to rest your fair feet upon when you are at table.”
  Then Sleep answered, “Juno, great queen of goddesses, daughter of
mighty Saturn, I would lull any other of the gods to sleep without
compunction, not even excepting the waters of Oceanus from whom all of
them proceed, but I dare not go near Jove, nor send him to sleep
unless he bids me. I have had one lesson already through doing what
you asked me, on the day when Jove’s mighty son Hercules set sail from
Ilius after having sacked the city of the Trojans. At your bidding I
suffused my sweet self over the mind of aegis-bearing Jove, and laid
him to rest; meanwhile you hatched a plot against Hercules, and set
the blasts of the angry winds beating upon the sea, till you took
him to the goodly city of Cos away from all his friends. Jove was
furious when he awoke, and began hurling the gods about all over the
house; he was looking more particularly for myself, and would have
flung me down through space into the sea where I should never have
been heard of any more, had not Night who cows both men and gods
protected me. I fled to her and Jove left off looking for me in
spite of his being so angry, for he did not dare do anything to
displease Night. And now you are again asking me to do something on
which I cannot venture.”
  And Juno said, “Sleep, why do you take such notions as those into
your head? Do you think Jove will be as anxious to help the Trojans,
as he was about his own son? Come, I will marry you to one of the
youngest of the Graces, and she shall be your own—Pasithea, whom
you have always wanted to marry.”
  Sleep was pleased when he heard this, and answered, “Then swear it
to me by the dread waters of the river Styx; lay one hand on the
bounteous earth, and the other on the sheen of the sea, so that all
the gods who dwell down below with Saturn may be our witnesses, and
see that you really do give me one of the youngest of the Graces-
Pasithea, whom I have always wanted to marry.”
  Juno did as he had said. She swore, and invoked all the gods of
the nether world, who are called Titans, to witness. When she had
completed her oath, the two enshrouded themselves in a thick mist
and sped lightly forward, leaving Lemnos and Imbrus behind them.
Presently they reached many-fountained Ida, mother of wild beasts, and
Lectum where they left the sea to go on by land, and the tops of the
trees of the forest soughed under the going of their feet. Here
Sleep halted, and ere Jove caught sight of him he climbed a lofty
pine-tree—the tallest that reared its head towards heaven on all Ida.
He hid himself behind the branches and sat there in the semblance of
the sweet-singing bird that haunts the mountains and is called Chalcis
by the gods, but men call it Cymindis. Juno then went to Gargarus, the
topmost peak of Ida, and Jove, driver of the clouds, set eyes upon
her. As soon as he did so he became inflamed with the same
passionate desire for her that he had felt when they had first enjoyed
each other’s embraces, and slept with one another without their dear
parents knowing anything about it. He went up to her and said, “What
do you want that you have come hither from Olympus—and that too
with neither chariot nor horses to convey you?”
  Then Juno told him a lying tale and said, “I am going to the world’s
end, to visit Oceanus, from whom all we gods proceed, and mother
Tethys; they received me into their house, took care of me, and
brought me up. I must go and see them that I may make peace between
them: they have been quarrelling, and are so angry that they have
not slept with one another this long time. The horses that will take
me over land and sea are stationed on the lowermost spurs of
many-fountained Ida, and I have come here from Olympus on purpose to
consult you
Terry O'Leary Oct 2013
I’m stealing through a twilit realm, the ancient pale of Whereis,
passing chambers of an Heiress
(though no need to feel embarrassed)
through a magic mystic mirror hanging curtainless.

A glimpse near naked alleyways (denuded by the moon) ex-
poses Ghosts in gauzy tunics
carving symbols, round and runic,
in distended dingy dungeons of uncertainness.

Down misty streets of cobblestone – ancestral avenues –
patchwork paths consume my shoes
(chasing foggy curlicues
twisting, twirling by in twos,
floating anywhere they choose),
leaving footprints that confuse
vagrant wispy retinues
of the threaded wooden sticks that stalk a Puppet wandering.

Condensed in drops of fantasy, distilled in evening dew,
shifting Shadows I pursue
(wearing faces I once knew,
slipping slowly from my view)
turn their backs to bid adieu
leaving stars to tempt me through
Awful Tower residues
mocking treasures time outgrew
in the birth of old from new
framing pageants in review
midst the visions of the painted past I can’t help pondering.

Contorted candelabra claw the skyline’s walled suspension
caught in twilight’s intervention
– still unlit (in stark dissension),
therefore seething with a tension
in the quiet apprehension
of the Watchman’s inattention
to the night-time’s bold pretension
to her power, not to mention,
to her hyperspace extension
(far beyond my comprehension
of the sundown’s bleak dimension) –  
on exhausted beaten boulevards of foolish fretfulness.

Oblivion depletes me, voiding haste and hurried hassles,
me, a simple abject vassal,
trailing moonlit floating castles,
– fickle feet, but fingers facile
grasping straws and pendant tassels –
as I stumble through the rubble of forgetfulness.

I think I must be dreaming as I seem to see these things,
neath a sky alive with wings
(hear the Nightingale, she sings),
midst the whispered murmurings
soughed by Phantoms clad as Kings
pacing palaces in rings,
while their hapless footfall clings
to the sagging sinking sands of midnight’s splintered splattered ruins.

Entangled in the swirling leaves that spin in dizzy flurries,
(while the wind beside me scurries
as an ermined hermit hurries)
lurk my sleepy woes and worries
(glowing faint’ but growing blurry)
which, when plundered by the demon dusk, I’d left behind me strewn.

The forgery of Multitudes between the Silhouettes
(and discarded cigarettes,
neath the haunted parapets)
mock my lonely echoed steps
         – mock my lonely echoed steps –
(struck like clicking castanets
         – struck like clicking castanets –)
as I lace unlabeled lanes, erasing silence’ sullen treason.

The mossy stones condole with me (within the oubliettes
draped in blood and tears and sweat
sometimes dry, more often wet
quite like drops of anisette
sipped in moments one forgets
self-reproach and raw regrets)
midst the midnight minuets
and the purling pirouettes
of the fugitive Grisettes
(flaunting charms and amulets)
who, in flitting shades of arching bridges, linger longer, teasin’.

Along the When I’m drifting, but a stardust castaway,
weaving, threading by cafés
and deserted cabarets,
just a gauzy appliqué
on the river’s rippled spray,
chasing Fools along the way
through the strands of yesterday,
neath the throbbing peal of sobbing bells in spectral cloisters, quaking.

In belfries, high and haughty, alabaster Knights perform,
riding stiff against a storm,
steeped in cloudlike chloroform,
while the raven skies deform
and my shrivelled shovelled form
(rapt, while bats in steeples swarm
close to candles waxing warm)
hangs in hallowed hallways, hiding, shoulders weary, weak and aching.

Around me hover grinning masks, veiled visages of Queens,
feigning fatal final scenes
of demented doomed Dauphines
(against the scarlet sky they lean,
dreary dripping guillotines),
traced in opalescent ballrooms only tattered time remembers.

The hidden hands of Harlequins (while floating free, unseen
disbursing secrets sibylline,
amongst the manes of Halloween),
tap (on tumbrel tambourines
behind abandoned shuttered screens)
a dirge (with tattooed tones pristine)
for me (a heap in ragged jeans
in these crazy cluttered scenes),
trapped interred in toppled stone chateaus that dismal dawn dismembers.

Rogue breezes pierce, benumbing me, my ears and toes a’ freezin’
(in the Cockcrow’s purple season
as when nightmares should be easin’
and the Zephyr winds appeasin’),
so I reach for  rhyme and reason,
which endeavours leave me wheezin’,
caught impaled upon the jagged edge of early morning’s breaking.

The chill evoking silver chimes of Nodomain start knelling
as the searing sun looms swelling,
and their monodies hang dwelling
in the cloud drifts’ care, revelling,
but the Sandman’s too compelling
and my weariness impelling
– since my eyelids risk rebelling,
when they’ll fall, there’s no foretelling
for the starry sky’s past telling –
as I fade beneath the flaming forge while embers tremble, waking.
The wind blew out and the sea rolled in
By the cliffs and the curving beach,
A lonely stretch, they were kith and kin
And had never heard human speech,
A cottage grew by the shore one day
There were figures of surly men,
The sea had muttered, ‘They’re in my bay,’
And the wind replied, ‘Amen!’

The men had left but the cottage stayed
Like a wound to the ocean’s pride,
It split the wind at the valley floor
As it passed there, either side,
The sea said ‘blow it away my friend,
For it grieves my heart to see,
The works of man where I lap the sand,’
And the wind said, ‘Leave it to me!’

It soughed and soared at the eventime
And it scored with sand from the beach,
It struggled to topple the chimney pots
As it surged at one and each,
It lost its puff as the sun came up
When the tide was on the ebb,
‘I couldn’t move it a jot,’ it sighed,
‘And the roof, it felt like lead.’

‘We’ll wait for the winter tides,’ my friend,
‘I’ll surge and wash it away,
I’ll undermine its foundations, then
I’ll sweep it out in the bay.’
But then a flickering candle lit
From a window, facing the shore,
‘There’s something a-move, for a shadow flit
Last night through the cottage door!’

The sea had grumbled, ‘We’ll wait and see
What lingers there in the light,’
The wind peered in at the window pane
And sighed at the wondrous sight,
‘A creature there with its golden hair
And its eyes, a deep sea blue,
That set me quivering in their stare,
So what will they do to you?’

The morning saw at the cottage door
A woman all dressed in white,
She wandered along the empty shore
And the sea had gulped, ‘You’re right!’
He lapped his waters around her feet
As she waded in for a swim,
And said to the wind, ‘She’s warm and sweet,
And it’s sad, but you can’t come in!’

Back on the beach, a gentle breeze
Had whispered the woman dry,
Then flitted, scurrying out to sea,
‘You’ve changed your tune, but why?’
‘I think we needed that cottage there,
In reflection, let it stand.’
The wind just capered along the shore
As the door of the cottage slammed.

David Lewis Paget
Reverist Aug 2014
The reaper's eyes were on her,
Yet she never bowed.
The reaper's ax chose her,
Yet she never soughed.

Death was finally in love,
With the girl he could never cow,
For she was something he could never have,
A girl with a skin too firm to swallow.

Why couldn't he touch the girl,.
The girl whose tears never fell,
The girl whose eyes are pearl,
The girl whose voice is a shim of bell?

Her secret wasn't a mystery,
She was too pure to be touched by maleficence.
The reaper desired her for her rarity,
But his hands burned at the touch of virtuousness.

Death chased her everyday,
In the hopes of taking her soul,
But  her soul was too far away,
Far away for him to hold.

The young maiden didn't even notice
The harvester at her tail.
She was too involved in lightness
For her to witness his veil.

The reaper's ax was rotting,
It was yearning blood,
Though who he was lusting,
Was nothing but an illusion set by god.

The girl was a mirage,
God's own penalty,
Towards the slayer,
That gave birth to misery.
Ziggy Zibrowski May 2010
High above the teetering mast
A shout long awaited is heard at last
"Land **! Land **! Straight ahead"
Across the sea, the mariners sped

The mass of land, close in range
Ominously, the winds have changed
The ship drops anchor a hundred yards out
Rowing in without a doubt

Making landfall, the ****** cheered
A great appraisal to Brown Beard
Gallivanting, their songs sung loud
Roused, the sea soughed

Ripping from the strenuous tides
The monster emerges, the sea divides
Crashing down upon the ship
Fearful men tighten their grip

Threshing about as the beast descends
Into the depths where the mirk never ends
Duped, the mariners take their last breath
Inhaling, the seas grant them their death

Bloated corpses resurfacing
The dubious island repositioning
Full, the gulls await
For the next to take the bate
copyrighted October 2008.
Mark Nelson Sep 2010
When we awake from the mist

I am in shadow,

the perambulance of

grief revisited,

till the lengthening toombstone

dwarfs hyperion-

a sculptors cast ,my shell my heart




The gestapo of faith revisited

that others may from my net

Dream sweet prision free-

psychedelic arrest eclipsing

aeons lost fears.



The secret of the hate filled chamber

green gas ,green light &

mercy all,

cracking under boot

ribs target

sheltering from a fathers love.







Were you or I to slumber

nor stir in walking shade

what nets of love entomb us

lest we rise-
the shining ,the living yet are gone

earth's first wake





Yet quickened beyond eyes recognition

The silver sash my silence brings;

a field soughed deep and empty

a fitting palace

for a king

The denseless hollows of my tears

or yet unvapoured from the ground

the shadow of the sky appears

enshrined

in rainbow's fallen glass.




If a child is not a fallen god

- why so unquiet and shallow the grave

that holds the brave emancipator

in such a gentle grasp .




Till in death we meet asunder

apart can never live

a blossom as in winter hangs its head

so a laurel wreath astutely made our measure

must be cast...
1993
MdAsadullah Dec 2014
A curious child asked ' what is life? '
I ignored with a smile dainty, nice.
' What is life? ', ' what is life? '
Pulling my shirt child asked twice.

I took dust from ground.
And flew it in the sky.
Took him close to the ocean.
And flung a droplet nigh.

Showed leaves green on tree.
And how yellow beneath soughed.
Showed the smoke flying high.
And how it vanished into the cloud.

For a child answer was concise.
And I thought it would suffice.
They’d shovelled her husband into the ground
Before she got to the grave,
She wasn’t able to keep good time
And her husband used to rave:
‘I spend my life, waiting for you,
You’ll be late for your funeral,’
That wasn’t due, but it may come true,
She was late for his, do tell!

He wasn’t a very pleasant man
He was known for his violent moods,
She’d married the guy, then wondered why,
He was often downright rude.
She knew what he was capable of
For he’d often flipped his lid,
And left a trail of destruction then
For that was the thing he did.

If only she had got to the grave
In time for a swift goodbye,
And with a spray, sent him away,
She may have just heard him sigh.
But he must have known she was still at home
When the hearse, with him inside,
Arrived at the local cemetery
On time, but without his bride.

She lay awake in the bed that night
And thought she could hear him breathe,
Just across from her pillowcase
And her breast began to heave.
The wind sough-soughed at the windowsill
And she heard a step on the stair,
She wished for once she had been on time
To know she had left him there.

But she hadn’t seen the coffin drop
And the hole was almost full,
She’d asked that they uncover it
But she didn’t have the pull.
She only hoped he was six feet down
Unable to get back out,
When there was a rattle, out on the porch
And she heard a dead man shout.

‘Late, you’re late, you’re always late,’
It moaned, in an eerie tone,
‘You couldn’t get to the grave on time
So you left me all alone.
You’d not come even to say goodbye
And for that, you’ll pay the price,
For I’ll reach out of the grave tonight
And I promise, it won’t be nice!’

The shutters began to rattle and bang
And the door flew out, ajar,
The wind howled in like a taste of sin
‘I know just where you are!’
She shrieked, and pulled the covers up
And placed them over her head,
‘You just can’t stay, please go away,
You can’t be here, you’re dead!’

The covers were torn from her huddled form
And from what the coroner said,
‘Her face was white, she died of fright,’
Curled up in her lonely bed.
There was just one thing in the autopsy
That was missed, and he made a note,
The thing was botched, for her husbands watch
He found, was lodged in her throat.

David Lewis Paget
The Inn he kept at the crossroads shone
A lantern, out on the street,
The only sign it was still alive
To the few its doors would greet,
Its passageway was in shadow once
You entered and closed the door,
And that was the way he wanted it,
The owner, Titus Claw.

For Titus was a hideous man
With a face like a railway wreck,
A scar cut deep with the fleshy burn
From a rope around his neck,
They said he’d cheated the hangman twice
With a neck like a coiled spring,
They’d hung on each of his legs in vain
For he never felt a thing.

The rope had broken under the strain
And dropped them all on the floor,
And he was the first to rise again
As he croaked, ‘I’m Titus Claw!’
They backed away as his form had swayed
With the hood still over his head,
‘There isn’t a rope can cope with me,
If there was, then I’d be dead!’

They tried again, he began to spin
As the rope became undone,
The strands unravelling faster than
The ropemaker had spun,
The hangman turned and he crossed himself
As he said, ‘I’m done with him!
If you want to hang this miserable wretch
Go find the Brothers Grimm!’

The Warden suffered a heart attack,
The jailers fled when they saw,
The Judge hid under the drop and cried,
‘He’s surely the Devil’s spore!
Release him now so our souls are safe
From the reach of the evil one,
It’s not his time for an early grave,
But God help everyone!’

So Titus went to manage the place
He called ‘The Devil’s Drop Inn’,
That sat way out on the crossroads
With a sign that creaked in the wind,
Whole families would avert their eyes
As they passed, and cross themselves,
For the only patrons came by night
And they called them, ‘Satan’s Elves’.

They came with their hats pulled over their eyes,
Their collars hiding their cheeks,
Then slide on into the passageway
And wouldn’t come out for weeks,
No lights were seen through the pebble glass
For the insides lay in gloom,
No drunken revellers came outside
It was silent as the tomb.

But once a month when the Moon was full
And the wind soughed up in the eaves,
A passer-by might hear a cry
Or a howl on the midnight breeze,
But nobody thought to check inside
They’d wear their hood like a cowl,
Then turn and suddenly rush away
When they heard an animal growl.

The storms would come and rattle the tiles,
As the sign would swing and creak,
And hail would shatter the window panes,
Three times in a week,
Til one dark shuddering winter’s night
With the good folk in their cots,
The lightning struck on the Devil’s peak
And shattered the chimney pots.

The fire began in the topmost room
And it raced on down the stair,
Gobbling up the dry rot that
It found most everywhere.
It made its way to the basement ‘til
The whole Inn was ablaze,
The pebble glass was exploding
And the walls themselves were razed.

A couple of passers-by have sworn
That all they saw were cats,
Rushing out of the passageway
And followed by tawny rats,
But in the glow of the embers, heading
Over the hill, they saw,
A shadowy figure, slinking away
The image of Titus Claw!

David Lewis Paget
Jason Feb 2021
Sullenly, I quote whilst I quaff

Softly stammered surcease of wroth

Consummately ****** I sputter and cough

Sloshed ale sloppily sopped

Spite shed, soft shadows soughed

Soggily satiated at brimful trough
© 02/24/21 Jason R. Michie All rights Reserved

Disclaimer: No alcoholic beverages were harmed in the shaping of this soppy silliness
I pulled at the oars with Valentine
While Derek sat at the rear,
He’d taken his turn, now I took mine
Our quarry was drawing near,
For up on the bluff, deserted now
The tower stood, gaunt and white,
We’d managed the creaking boat somehow
To get to the Keystone Light.

It hadn’t been manned for fifty years
Its age was a matter of doubt,
The Keeper’s wife, in a fit of tears,
Left the light sputtering out.
Her husband gone in a giant wave
That carried him off from the bluff,
While in the dark was the Barque ‘Enclave’
Settling down in a trough.

And on the steps of the Keystone Light
The widow clung to the rail,
The wave was tugging about her skirt
As the Barque lost its mizzen sail,
A shark, caught up in the mighty swell
Was swept right up to the steps,
And took her leg in a single bite,
Returned with it to the depths.

They found her dead by the Keystone Light
The Barque, smashed up on the shore,
But never a sign of the Keeper, Sam,
Who had guarded the Light before.
They said his ghost ruled the tower top
That it howled in a winter storm,
While she kept swinging the outer door
To try keep the tower warm.

So we climbed up on that winter’s day,
The three of us to the bluff,
We lads let Valentine lead the way
She liked all that ghostly stuff.
The door hung off from its hinges there
From flapping about in the wind,
While Derek muttered, ‘We’d best beware,
There may be ghosts,’ and he grinned.

We’d gone, expecting to stay the night
So carried our candles and gear,
The bottom floor with the open door
Was a little too breezy, I fear.
I followed Valentine up to the Light
And carried the blankets there,
The view was truly a marvellous sight
But the wind gave us all a scare.

It hummed and soughed at the outer rail,
It groaned, and whispered and growled,
They’d warned, ‘It sounds like the Keeper’s wail,’
And true, at times it had howled.
It even seemed to have called her name,
The widow, crying in pain,
‘Caroline, I’ll be coming for you,’
Was the sound of the wind’s refrain.

We slept that night, or we tried to sleep
All huddled up on the floor,
But Derek rose, and before the dawn
His body lay down on the shore.
He must have fallen over the rail
While both of us were asleep,
But now the sound of the wind in its wail
Said, ‘Catch the wave at its peak!’

We hurried on down the spiral stair,
As the dawn came up like a trick,
We couldn’t bear to be caught up there
With both of us feeling sick.
But Valentine went out on the steps
Where the widow had stood before.
A sudden gust caught the door and just
Knocked Valentine to the floor.

I saw she’d never get up again
With the wound it gave to her head,
So much blood, like Caroline,
I knew she had to be dead.
I heave away at the oars, and pray
That their sacrifices will be
Enough to bring back my Caroline
For the Lighthouse Keeper was me!

David Lewis Paget
The man had a terrible temper,
Would rage at the skies above,
Would screech and howl, like a midnight owl,
He’d been unlucky in love.
He’d stomp about in the village square,
Go out, and look for a fight,
The villagers always avoided him
When he’d roam around at night.

Then he’d come and knock at my own front door
Demanding to talk to Jill,
I’d hear her say from the passageway,
‘I don’t want to talk to Bill!
I’d had enough when he beat me up
And my heart would never heal,
Just tell him I’m sticking with you, my love,
I know that your love is real!’

He’d punch the door, then he’d stand and roar
So I’d slam the door in his face,
He kicked a panel across the floor
And I said I’d call the police!
I heard him muttering as he left,
‘Come out, I’ll give you a fight,
Tell Jill she’s dead if she’s in your bed,
I’ll call in the dead of night!’

I took the hammer and nails outside
And battened the shutters down,
Then strung an electrical tripwire that
Would pulverise the clown,
‘The man’s as mad as a meat axe, Jill,
Bi-Polar, that’s for sure,’
‘More of a schizophrenic, Jim,
‘Be sure to bar the door.’

We’d sit in a petrified silence in
The cottage, every night,
Listening for the slightest sound
If something wasn’t right,
The roof would creak as the timber cooled
And the wind soughed through the eaves,
We even strained by the window panes
At the patter of Autumn leaves.

‘How long are we going to put up with this,’
I said to Jill, one morn,
‘He’s tempting fate by the garden gate,
He’s been there since the dawn.’
‘I’m going to have to confront him,’ said
The darling of my life,
I hadn’t proposed to her just then
But I hoped she’d be my wife.

She walked on out to the garden gate
And I heard him raise his voice,
I couldn’t quite make his words out, but
He was giving her a choice.
Then Jill I heard in a voice that stirred
From the depths of a gravel pit,
And he went white with a look of fright
And he left, and that was it!

‘What did you say to the maniac
That he turned and went away?’
She smiled, and cuddled on into me,
‘I think I made his day.
I said that I’d go back home with him
But I’d poison his meat and drinks,
Or slit his throat when asleep one night…’
He hasn’t been back here since!

David Lewis Paget
He sat on top of the headland in
The driving, pouring rain,
The way that the clouds were gathering,
He’d never be dry again,
He thought of the girl at Windy Tor
Who had screamed at his only sin,
‘You’d better beware of that witch’s stare
For the tide is coming in!’

And down in the river valley, there
Was a cottage, made of stones,
Where a temptress with a gleam in her eye
Was juggling spells and bones,
She called the lightning out of the sky
With a book full of ancient tricks,
And blasted the heath round Windy Tor
While lighting her candlesticks.

But up at the Tor, Myfanwy raged
And bubbled and boiled the sea,
She churned it into a raging storm
That her lover could plainly see,
He thought of warning the temptress who
Had entered his eyes and ears,
But heard instead his Myfanwy say,
‘It only will end in tears.’

He couldn’t go down to the valley, and
He couldn’t go up to the Tor,
He could feel his life unravelling
From the bliss that he’d felt before,
A wind soughed up from the valley floor
Full of tempting overtones,
But from the Tor there was something more
An ache, and a Wake of moans.

The sun went down and he turned to go,
He made his way in the dark,
The spell that he was enchanted with
Had finally made its mark,
He turned his back on the love he’d lost,
Went down to the valley floor,
But all he could hear when he got quite near
Was the sea that beat on the shore.

The sea rose up and it poured right in
As it flooded over the plain,
The tide had entered the valley, it
Would never be dry again,
And under the flood of Myfanwy’s mood
Was the cottage, made of stones,
While all that was left of the temptress was
A gaggle of spells and bones.

Myfanwy’s still up at Windy Tor
And nurses a constant ache,
While his regret hasn’t left him yet
For his foolish, one mistake,
He’d sought a spell that she’d love him well
Then fell to a mortal sin,
And always he heard Myfanwy’s words,
‘The tide is coming in!’

David Lewis Paget

— The End —