Submit your work, meet writers and drop the ads. Become a member
RILEY Apr 2013
Black blueberries buttoned by *****
Black blueberries buttoned by *****
This wasn't yours to loose
Nothing was yours to loose
Black blueberries backed by bench men
Bench men that sit on side lines
Thinking
When will the golden moment be
To break through; proving themselves
Worthy of the benched boxes they be in
Everyday
Because
They believe in benevolence
Black blueberries  busting through my *****
Black blueberries busting through my *****
Better than bullets
Better than bullets
Better than bombs and turrets
Better than ballistic knifes and skillets
And arsenals of ignorance bettered with bills
Bills I pay to ensure my life is ready to die
Is it a matter of  our collective thoughts?

Those black blueberries are buried
And not because I am becoming a black blueberry I say this
But because life begins with black blueberries
Who all turn into nothing but pale *****
All conformed
Not to natural laws
But to the cognitive bacterial infection
Called education
Turning us to blue blueberries
Blue blueberries
And grand building bannered with *******
Black blueberries are bored
Black blueberries are right
Black blueberries are always right…
no truth login Jun 2019
life choices cast in iron skillets,
presented choices that possess no flexibility

twice, she asks me today

morning fruitage, on offer,
peaches ripe to rip real sweet perfection
from your eyes to the remembering salivating mouth,
or
sweet but just **** enough
strawberries that will wince your tongue buds
intolerant of either, but perfect together

acorn squash,
over roasted to be the violin section
to your barbecued chicken orchestra serenading,
but which shall be the sweetener,
honey or maple syrup,
similar but different

the kitchen floor explosive shakes,
pans to the floor fall, eyelet unhooked all,
spices from cabinets burst forth,
kitchen mittens slapping each other
in utter disbelief

when I reply,
let us choose both!

for there is no bifurcation,
no line of demarcation
on our taste buds
this a truthful -
our lives a perpetual blending,
both will login lead to a
the right and proper ending
Gidgette Jul 2017
Please, read this with the thickest southern accent you've ever heard. It's my language. It's my home...


Hee Haws on the TV
Chicken's fryin' in cast iron skillets
Taters and maters scent mama's clothes
no AC
Papaws in the bacca field
Granny's sippin' on sweet tea
The law stopped comin' here they say,
Back in '23
The fruit's ripe for pickin
daddy did that last week
He said the Apple brandy
Tasted perfect,
bitter sweet
The moonshine makers meet
When the crickets sing at night
they pass around mason jars
'neath the moon
and southern stars
The wine stays burried till fall
muskadine,
other than strawberry
the very best kind
The yanks
buy it up
Its funny to watch 'em
they can't handle their stuff
The Demory Mart stays busy
oh Lord it's so much fun!
When the moonshiners play pool,
till the rising of the sun
Momma don't like it,
Lord she gets so mad!
But she puts my church shoes on me
and I know she still loves dad
But now the still's turned green
as copper always does
There are no moonshiners left
Time has passed, just 'cause
Papaw's gone
the fields have grown up
there are no moonshiners left
it's all store bought, mason jars
have turned to cups
Demory Mart is Yankee owned
the church has indoor plumbing
But late at night, I hear the banjo's
and the stills, copper humming....
Iz Apr 2019
You make me melt
Like butter on hot skillets
Before you cook us steak
And I mash the potatoes right next to you
Even when they’re under salted you tell me
You wouldn’t want to eat anything else
Your eyes are a fire too hot to touch
But whats better than burning love
The kind that leaves you in ashes
I sizzled and I sparked but now I am one with the flame
It causes my skin to bubble my hair to smoke
But the heats so **** hypnotic
I want to rest in your arms smoldering forever
david badgerow Jan 2016
write at midnight. edit in the morning.
write on a mountain. edit on a beach.
write inside a dream. edit & exist in reality.
write in a fever pitch as starlight kisses your cheekbones.
edit in the cold dawn light without excuses.
write loudly with Bjork screaming into the curtains.
edit in silence.

write as the clouds gather around the gibbous moon.
edit as the sun crests the hill & burns away the fog.
write inside, cozy under a blanket.
edit naked, cold on the front porch.
write asking questions.
edit demanding answers.

write blindfolded with your fingers waltzing across the qwerty.
edit bespectacled or with a monocle.
write like a mass ******. edit like a suicide.
or better yet
write like a homicide. edit like a detective.

write toward the open sky with your legs outstretched before you.
edit facing a clean white wall with your knees against your chest.
write because you are innocent. edit because you are guilty.
write during a fit of hyperventilation.
edit during mammoth exhalation.
write with complexity. edit into simplicity.

write, as Hemingway did, drunk.
edit, not sober, but hungover.
see your flaws in the sharp mirror of a headache.

write during sloppy explosion. edit during precise implosion.
write with your head in the clouds gnawing at the cumulus.
edit with your feet firmly planted in the ground.
write during violent collision.
edit during calm separation.

write with a pencil on soggy paper in a hot shower.
edit with a red pen sitting in tepid murky bathwater.
write among raucous laughter & banging skillets.
edit in secret while the kids are asleep.
write like a sadomasochist.
edit like a psychiatrist.

write while running on your tip-toes.
edit while lying flat on your back.
write in several languages with abandon.
edit beside a translator dictionary.
write as you are engulfed in fire.
edit with an extinguisher.

write with careless fluidity.
edit without assistance from amphetamine or coffee.
write with a full bladder,
standing up,
jitterbugging,
squeezing the tip of your *****
closed--urgently
squirm & trickle
your ideas onto
the porcelain page.
expanded thoughts on the misquoted author's advice.
Ralph E Peck Jan 2014
Amid the glory times of darkness,
Sitting on the edge of the white tablecloth,
Brilliant white from bleached soaking, and stained with yesterdays
Clouds and air of desperation, was the cup, the coffee cup,
Its broken flower coloration, its yellowish hue,
Half full of what was once blistering hot, now the juice of warmth
And the morning begins its wakening time.
Four burners atop the gas stove, each with its black *** stand,
Covered with blackened skillets, grease from the bacon, popping
And sizzling and bringing the best of the day together,
With the tablespoons of lard, from the five gallon silver bucket,
Covered in white stained T-towels, and the shallow bowl in which you washed your hands.
You dried your hands, loosely, leaving each damp and warm,
As the biscuit dough was rolled, and broken up, and pinched into the skillet
And then placed, with ringing noise,
Deep within the ovens hole, no light there, and you could smell
It all cooking, and see the hands that made it,
With their wrinkles of days of and months and years,
Making the breakfast of today, just as if it had made, no; it had made
For many years.
Bacon grease taken up on the tablespoon, and poured into the other skillet
Black, and hot, and making that little sizzling noise, as the bacon fried,
The biscuits backed, and the flours was spread in the skillet,
Browning, hard little clumps; stirred around, spoon on the pan,
And the milk poured from the quart jar, which was left on the porch this morning with four others,
Before life as we knew it began, and the spoon turning, the heat from the stove
Almost too much, and the gravy was stirred and turned, and stirred,
Thickened up, burner down, and a dozen eggs cracked into the fourth skillet,
Bubbling and popping, bacon taken up, put on a plate, the gravy stirred again,
Biscuits pulled, placed on a potholder, their greasy tops looking fine and brown,
Fresh butter, salt and pepper, breakfast was made again.
For the umpteenth time in this umpteenth world.
Lewis Hyden Jan 2019
This beach is a seam
Where two oceans meet.

One glistens in sun!
Cool waves spill upwards,
Reach to distant clouds,
Swirl blue, shallow, and
Crash down into bright foam.

The other is still.
Seas of hot plastic
Weigh down on the sand,
Steaming like skillets
Under the cloudless sky...

Where two oceans meet,
One meets the other.
And as one grows, the
Other shrinks, staining,
Like seas of processed oil.
Ignorance.
Our reflections on a brass doorknob .
A skeleton key would slowly turn each tumbler ..
Dusty pinewood flooring , antique trinkets ..
Propane space heaters and fresh coffee balm private , erstwhile collective memories . A matriarchs kitchen , well water aroma and cross stitched towels , her flour tinged cotton apron , cast iron skillets and brass tea kettle with porcelain service ushers spirited times of conviviality over a simple oak dining room table ..
Hand made breakfast nook curtains , the majesty of tall Water Oaks
with foraging bantam hens and roosters ..
Dirt roads would tell of visitors long before they ever arrived ,
fishing for shell crackers at the old bridge with cane poles and and dough ***** , leftovers from cat head biscuits at breakfast ...
Pecans and crabapples fed young anglers on shady Summer afternoons . Feeding tall grass to black angus and hereford cattle through barbed wire fence , collecting afternoon eggs and walking the furrows at Dusk ,
days I'll never forget ..
Copyright February 8 , 2016 by Randolph L Wilson * All Rights Reserved
Abby Jan 2014
Take me up to Maine, up to Nanny and Grandpa's house.  Take me out to their dock at the bottom of their sloping back yard with its perfectly manicured glass, down the aluminum walkway that's too steep for Grandpa to walk down anymore at high tide.  Take me to the dark-stained, thickly varnished wooden planks that we fished off of at dawn and went boating from at lunch and here we dangled our toes in the salty ocean before dinner.  Take me there to die.
                But not yet.
Wait till the summer, when monarch butterflies alight upon the hollow railings that you always tell me not to hang off of.  Wait till the end of June, when the heat of summer is such that garden snakes sun themselves on the rocks that lazy waves sidle up to in the gentlest of breezes.
                And when we get there, wait for me to be ready.
Let me undress and show you the bones that will, by then, stick out from me at every angle.  Let me show you the lines that you thought were from the cats in the fading light of a Thursday sunset (because Thursday is my night) and let me show you that you were wrong about me.
                  Tie a heave chain 'round my waist.  I promise that I will be thin so it doesn't take much length, and you'll want to cinch it tight like the belt you say I wear wrong so it doesn't slip off.  Weigh me down with the skillets that are never clean enough.  Padlock to the metal links the books that were my escape till you took them; I won't care now if they get ruined.
                 There we will stand, eye to eye, as orange sunlight contrasts with the elegant starlight as the night is revealed to us.
I will set my glasses down far away from the water's edge lest they fall off and be lost forever in the tangles of seaweed swaying softly beneath our feet.  Then, for the last time, pick me up.  You will see, then, how I've faded to nothing against your ever-critical gaze.  For the last time throw me off the dock and for the first time I do not struggle to stay dry.
                   The night I made this jump thirty-seven times on a dare and a whim, the arctic water never ceased to sting as bare skin met briny sea.  On this one occasion, this one last occasion, I will feel instead the welcoming warmth of summer that is my last season, taking me in with a comforting finality.
Collect my clothes; in a heap too untidy for you to look at will be a grimy green t-shirt and dusty old shorts.  Take my glasses too, and go home.
I'll be fine.
Mark Sep 2019
Yo, word up with you, my drug running mule  
It'll cost $30.00 ok? I've got it right here, so don't drool  
Put that **** in your mouth, too *****  
Yo get bumped with that ****, yo aren't gonna get any Cuban cigar  
Done, another bag of crack, sold  
Be on ya way, you've been told  
 
I'm Skillet and I'm 19, I've been doing this ****, since I was 15, man  
You've gotta feed yourself, 'cos nobody else going to be able to do it, like I can  
We grew up without mothers and fathers around us, do you feel me?
You've got to be your own father figure and steal, you see  
Get your own money out here, however you like  
'Cos no one's gonna to give it to you, not even brother Mike  
  
I get crack on credit, and sell it for $10.00 a rock  
After a long day of moving product, back at the trap house, we use a big lock  
The real work begins, splitting the take. 1st up, the crew take their cut  
Between the 3 of us, we're gonna split a $400 profit, off the ounce  
It works out at about $13.00 an hour, not bad for a daily rut  
We count on volume to make ends meet, for me and my louts  
 
It's not too much, but it's about the quick flip  
We aren't really thinking about making too much money, it's just a real trip  
We're worried about getting it in and getting it off  
So we can stay with it, you feel me you toff?  
The rest of the cash goes up the chain, to the crews drug supplier  
He's a regional distributor, that works with the cartel, it's a no brainer  
  
You have to pay him or you'll be six feet under, you'll be smoke man  
******* smoking for that account man and his Mexican clan  
Where we're from you've gotta keep it with you, not he  
Or somebody will run in your trap or something, you feel me?  
In 2014 there were over 2,500 shootings in Chicagoland  
Everybody out here are either thirsty, robbers, killers or Alice in ******* wonderland  
 
You gotta keep your eyes open for the haters, you might see  
They'll try and take you down, 'cos they ain't eating, you feel me?  
It's all out war everywhere, except ******* communist North Vietnam  
That's why we call it Chiraq, because it's so ****** up over here, ****  
You don't know where it's coming from, man  
Your ***** would cross you for a couple of bucks  
That's how it is, yo gotta keep your pistol close, even when you call the ******* waiter  
If not, ya gonna get got, much sooner, than later.  
 
Skillets homeboy Breeze, is always ready with a gun  
He's had plenty of practice and not just for fun  
I use this all the time. ****, if I had to swap with someone, that belong  
**** be getting hot, you can't keep the hot ones for too long  
There's my baby though, as McDonalds say, 'I'm loving it'  
All we need is that money, man, that's all we care about and ***** ****.
A yell for the child comes with momentum
It shakes a creak out of each elderly step and surrounding glass fixture
Wailing wakes the set of mahogany stairs before stopping at the moat of the dudette’s dungeon

Kaboom, it kicked the door in on the dream

Enter a flow of sunlight
Now visible dancing off the sweaty leaves and onto the walls of the hallway
Leaping onto the eyelids of our beholder
She turns to face the wall
This empty vessel isn't ready

The yelling quickly becomes relevant
As it Sharpens into an irritating spear  
Creating unwanted foramen
Making mesh out of the impermeable cushion enveloping the chrysalised girl

The parent is a lackluster alarm clock that she bought
But still wants to beat the **** out of.
Though they serve their purpose
the half conscious tend to be ungrateful

A smile breaks open now
knowing such noxious noise is futile Fighting the lull that was already present in the room.

Going through the first motions her feet find a base
and her socks slide dangerously over splinters and thornish nails peaking out of the floorboards
The drums of her feet meeting the stairs announce her arrival.

On the first floor there awaits a vision of her childhood
Her father watching programs and eating breakfast with Charles Osgood and his correspondents
Mother making moves towards the car.

She’s surprised
The sweet smell tricked the girl into believing adventure land had been relocated to her kitchen.


She witnesses Bands of fibrous smoke slide off of the bacon
And harden as happiness on the rims of her nostrils
Her hunger whispers clear thoughts and primitive instincts from her core
And a shell of rubber pellets is released to ricochet around in the girls belly like a couple of quarters in a piggy bank -
Wants reverberate and drive up her throat
Driving her hands to the cooler of the three tired skillets

She does a quick but thorough survey of the stove top eyes hitting every grease patch and
Yellow egg puddle worth avoiding

Sitting at the galaxy black table
Jaw tensing against its will
Gums sweating and shocked anxious
Tastebuds wiggling into the room left available by the imagination
Eager on ripping into fattening pleasure

Osgood leads them into their moment of Zen to be ended at the pace of the subject
Father different from daughter
Daughter different than the mother.
wrote this for a workshop
SW Apr 2018
I am the queen
of a beige colored box
with a pretty paper lantern
and discarded ***** socks

My lover is
a magic man
with a tender, fragile heart
we bring together seamlessly
lives from worlds apart

I come from
a pass-through town
a state for changing pace
a place with concrete skillets
and a rugged kind of grace

My kingdom is a sorry sight
my lover makes me bawl
my hometown holds my heartbreak
But no one has it all

I thought about my life today
and all it’s little pieces
I gather up my favorite ones
and all my worry ceases
Celsey Sinclair May 2015
I have gone out, a possessed witch,
haunting the black air, braver at night
dreaming evil, I have done my hitch
over the plain houses, light by light
lonely thing, twelve-fingered, out of mind.
A woman like that is not a woman, quite.
I have been her kind.

I have found the warm caves in the woods,
filled them with skillets, carvings, shelves,
closets, silks, innumerable goods
fixed the suppers for the worms and the elves
whining, rearranging the disaligned.
A woman like that is misunderstood.
I have been her kind.

I have ridden in your cart, driver,
waved my **** arms at villages going by,
learning the last bright routes, survivor
where your flames still bite my thigh
and my ribs crack where your wheels wind.
A woman like that is not ashamed to die.
I have been her kind.

-c.o.s
Mike Essig Sep 2015
by Anne Sexton**

I have gone out, a possessed witch,
haunting the black air, braver at night;
dreaming evil, I have done my hitch
over the plain houses, light by light:
lonely thing, twelve-fingered, out of mind.
A woman like that is not a woman, quite.
I have been her kind.

I have found the warm caves in the woods,
filled them with skillets, carvings, shelves,
closets, silks, innumerable goods;
fixed the suppers for the worms and the elves:
whining, rearranging the disaligned.
A woman like that is misunderstood.
I have been her kind.

I have ridden in your cart, driver,
waved my **** arms at villages going by,
learning the last bright routes, survivor
where your flames still bite my thigh
and my ribs crack where your wheels wind.
A woman like that is not ashamed to die.
I have been her kind.
I wanted my ***** dark party lover to be a terrifying wreck like she
is without that ***** Black Heritage Month monthly welfare check
I hover over my gray *** ****** lover who looks like Danny Glover
just like queer Danny Glover'd hover over his gray ***, ****** lover
My thighs are hot, hotter than a fire burning a cot, hotter than a gay
fire man eating a ripe banana that he bought, hotter than baked snot
on a sandy cemetery plot, hotter than my tongue tonguing your ****
in a big bed where I'm all alone by myself yet somehow you are not
without **** types who love rooting around 'tween your cheeks a lot
Let us cook in preparation and anticipation to eat off bountiful land
while my larger glands land in the Land of Glands onto glassy sand
Neither panned, fanned or, subsequently by the brutal state, banned
sheep move from skillets, pots, griddles & broilers to be tin-canned
as tired France worked German coal mines & steel mills unmanned
O the blood! Horrible blood from every pore!
O the terror of the teen experience!
O no, nobody loves me.
I'm gay. I love pans sexually & skillets.
I have 58 best friends.
This tattoo says "I Love Satan"
O the blood! Horrible blood from every pore! O the terror of the teen experience! O no, nobody loves me. I'm sexually ambiguous. I love pans sexually & skillets. I have 58 best friends. This tattoo says "I Love Satan."
O the blood! Horrible blood from every pore! O the terror of the teen experience! O no, nobody loves me. I'm sexually ambiguous. I love pans sexually & skillets. I have 58 best friends. This tattoo says "I Love Satan."

— The End —