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Graff1980 Jan 2015
It never ends, fragments of visions collapsing upon themselves painfully. Her swollen eyes opening, and bursting with orange fire. Then closing just as fast. In between those agonizing seconds she sees everything. Thousands of years cycling over and over. Visions of visions within visions.


Cassandra saw her city razed to the ground. The wall which once stood firm against the onslaught of enemies crumbling with the ravages of time. She closed her eyes. When she opened them again she saw her own grief. Her cousin had fallen in battle. She closed her eyes again, and scratched at her itchy eyelids.



Ten weeks passed without a blink, not even a fraction of an opening. She was disciplined, but the longer she fought the more her eyelids would burn. One blink to ease the agony and she was forced to see her father’s skin. A purple mass of dead flesh bubbling swelling, exploding, and rotting, with maggots squirming in out and around till flies formed and flew away. Another corpse left out in a burning city. One among many denied a peaceful death. Buildings crumbled to dust, the bodies became one with the earth. Cassandra cried without opening her eyes. Her father stroked her long soft curls, whispering reassurances. “It’s all right my child.”


Another three or four weeks passed. She had become blinder than Tiresias the blind prophet. Unable to recall if that was a story she had heard, or would hear in the future.  She sobbed spilling each and every sorrow she could. Every tragedy yet to come. Her father smiled gently placing a warm cloth upon her brow. “Shush my child these nightmares will fade soon enough.”


The young girl opened her eyes again. This time a years’ worth of history unfolded. She saw soldiers gathering arms. Battlements born of the Bronze Age burning with righteous rage. Steel blades clanging against bronze shields in preparation for war. Boats fully loaded departed.


She closed her eyes once more. It would be another two months before she opened them. In the meantime she pleaded with her father to leave the city. Day in and day out begging, sobbing, and screaming until she was sent away.


It was becoming harder and harder to keep her eyes closed. There was a burning force aching to escape. She managed five more weeks until she could bare the pain no longer. As her new sisters bathed her pale dry skin with the sweetest scented oils the young girl recited all that she saw and felt.


The first footfalls of the first soldier’s feet to touch the beach. The feel of the sand as it swirled in, out and around the soldier’s sandals. The general howling commands. The green eyes hungry for battle. The faces contorted in controlled rage. All that intensity burning under the once civilized façade. She closed her eyes again.


Cassandra sat silently in exhaustion, as the sisters slowly brushed the knots out of her long brown hair. They brought her a blindfold, which allowed only a small comfort. This time she only managed to resist for two weeks. The vision came upon her with such force that she cried out and collapsed.


Now the city was burning. Citizen screamed as they ran in terror. Brave men rushed forwards to be impaled on the spears of other brave men. Arrows swallowed the moonlight picking at the earth and scavenging for some bare flesh to devour. Blood ran like red rainwater. Streets streamed thin crimson pools diluted by warm summer showers. The stench oh, the stench, it made Cassandra ***** up chunks of soggy bread and half-digested beef mixed with red wine and stomach acid, while she tried to force her eyes to close.


Finally, she closed her eyes again. The sisters tried to sooth her sorrows, to no avail. Within a years’ time the young girl lost the ability to close her eyes. Cassandra eyeballs slowly burnt out until there was nothing left but charcoaled eye sockets. By the next year she could no longer speak. Cassandra became paralyzed by the futility of her existence.


In her mind the war had come and gone. The sieges were no longer an issue. She no longer felt the urge to cry for the dead. What was, will be, and what will be cannot be undone. What cannot be undone has already happened. Apollo had cursed her. Her beauty had enraptured him, her wit had charmed him, but her will had enraged him.


She was only thirteen with brown eyes and long hair of rare quality, soul so powerful that almost anyone who met her could feel its energy. She shamed the gods with her purity, and unwillingly ensnared their affection.


At first Apollo came with strong arms and tender words. Wooing to the point of painful pleasure. Her eyes could not handle such radiance. His skin burned as his chariot burned. Hair golden flames, skin solar yellow, eye orange as the sun. Each kiss burnt like the worse fever, taking her against her will, savaging her sanity. As if, as if being a god gave him the right to take such liberties.


Apollo viewed her early rejections with whimsy, believing them to be some cute token of her modesty. A god can afford to wait, after all eternity was on his side. After the first hundred no’s his affection gave way to anger. Until his desire could not bear rejection any longer.


At last he cried out to Cassandra. “I will have you or else.”


With a firm but fiery hand he swept her up.  Forcing his mouth against hers. Parting her pursed lip with his powerful tongue.  He shoved his tongue into her mouth, until tears streamed down her cheeks. She could not resist with words, because her mouth was occupied, so she took the only action she knew available to her.


She bit down as hard she could. Lava spewed from Apollo’s lips, roughly singing the inside of her mouth. Without realizing what was happening she swallowed. Her skin began to glow, tiny childlike limbs lengthened and tightened. From her eyes radiated the most powerful light ever seen by man or god. For a moment Apollo cowered beneath the awe of her power, stumbling backwards to the ground dumbfounded.


Regaining his composure he slapped her aside. Scowling in rage “How dare you. You. You worthless *****.”


Her lips parted now of her own volition. Her voice raged with a deep and powerful resonance. “How dare you, you whimpering fool.” The power still flowing inwards filled her with confidence. “I see you for what you are. A tool, a man made invention.” The radiance of her skin was slowly fading. “I see too much now.” She cried out in an ******* fury. A smile crossed her lips. “I see what will become of you and your ilk.”


With strength previously unimagined the young girl thrusted her small hands out throttling Apollo’s throat. He trembled in fear. “You cannot hope to contain the power of me. I am generations incarnated. Passing power from one age to the next. I will not be enslaved.” Her skin began to blink, her voice loss much of its force. “I am Cassandra, and you a merely a passing phase. I will tell the world of all I have seen.”


The last bit of godly energy faded from her skin. Cassandra collapsed. “I still see it all, and you will never touch me again.”


Apollo brushed bits of earth off his person. “See all you want, I care not.” He lunged for her. A flash of thin white light flung him back.

Confused, Apollo rose. Glaring he screamed “You may see all now. It is a gift my blood has given you, but soon it will become a curse. For no mortal wishes to believe that the fates have already written their story. They will ignore you, and in doing so you will find that this power you have gained will be for naught. Thus will be your curse to see all, with no power to stop it.”


Cassandra’s eyes opened wide, seconds split into eternity. She felt the passing of all those around her. She felts time’s stench and rot all around her. Her skin would wrinkle to a certain degree but she would be eternal. She saw cities rise and fall. Some to rise again others to be forgotten. She saw herself seeing each of these visions again and again. She lived her immortal life over and over, events unchanged be anything she said.


The only real comfort was that she saw Apollo wither away. As the old gods fell to ruins weakened by the rationality of new gods, then the rationality of structured reason. Then came the rise of something new and better. Reason with abstraction, abstraction with order, a cycle of energy which emboldened and empowered man. She chuckled.
“Go away little godling.”
And like the little thing he was, Apollo ran.
Her father shushed her, wiping the tears from her face.
The sisters bathed her; singing songs of love and adoration.
Troy fell under the onslaught.
Apollo came and went again.


Cassandra’s eyes opened wide closed and open wide once more, seconds split into eternity. She felt the passing of all those around her. She felts time’s stench and rot all around her. Her skin would wrinkle to a certain degree but she would be eternal. She saw cities rise and fall. Some to rise again others to be forgotten. She saw herself seeing each of these visions again and again. She lived her immortal life over and over, events unchanged be anything she said.


The only one real comfort was that she saw Apollo wither away. As the old gods fell to ruins weakened by the rationality of new gods, then the rationality of structured reason. Then came the rise of something new and better. Reason with abstraction, abstraction with order, a cycle of energy which emboldened and empowered man. She chuckled.
“Go away little godling.”
And like the little thing he was, Apollo ran.
Her father shushed her, wiping the tears from her face.
The sisters bathed her; singing songs of love and adoration.
Troy fell under the onslaught.
Apollo came and went again.
Leon Hart Mar 2013
This is for the soul searchers
This is for the song writer who feels like who he is doesn’t fill the space

of who he was meant to be. This is for the depressed cigarette smoking chain smokers.
This is for the poet who writes a thousand lines and keeps them all to
herself, because nobody else deserves to hear them.
This is to fight the starless sky of every midnight wanderer who looks up
wondering, cause if there were more like you the night time streets wouldn’t be so empty.
This is for the traveler who never got a chance and lies below a rock with
his name.
I don’t even know if I’m old enough to say it, but it’s for the generations
of baby boomers of old women and men whose ideas and values are shushed by an obnoxious generation.
This is for the wedding planners whose weddings never seem to come.
This is for the beautiful girls that somebody told otherwise.
This is for the 15 year old gang member who can’t leave.
This is for the second place finishers and the C students.
This is for the guitar strings never threaded and the scripts never
written and the thrill voices that never cried hallelujah because they didn’t believe they could.
This is for the incapable,
Because you and me both are incapable.
This is so you can look at me differently like I was an amputee.
And what I’ve had cut away was my expectations.
I was supposed to be huge—
I was supposed to be the first rose ever planted in the desert—
I was supposed to be the first paint on the ceiling in the Sistine chapel—
I was supposed to be either Axel Rose or Frodo Baggins, and whether
you’re cool or not you understand that line.
I was supposed to be the first pope with a full body tattoo—
I was supposed to be Neil Armstrong—
I was supposed to be the first life on another planet—
I was supposed to be bleeding iron and nails—
If you saw me as I was supposed to be the contrast between me and the
rest of the world would be unbearable, but I’m incapable.
‘Cause nobody ever pushed me,
Nobody ever pushed me,
Nobody ever pushed me and said:
Be something bigger,
Be something bigger,
Be something!

Nobody ever told me I had the power to leave a hole when I withdraw
my hand from water or move a crowd with mere words or play notes on a piano like bullets to your eardrums.
And in all of this, I wonder if the big things know how important they
are, because I’m a mustard seed and nobody expects me to move a mountain,
Or even cover its slopes in yellow.
But I still feel vastly important, so what then?
So this is my push, my push that you may never get from another person, ever. So, listen carefully:

I EXPECT A LOT OUT OF YOU.

Don’t be discouraged when you can’t cross one line, ‘cause you’ll pass a
hundred others learning you can’t go over one.
This is a dare: go to your fridge and get out all your eggs and put them in
one basket and tell me if you’re still incapable.
And if you are, go back to your fridge and get all your egg based
products, ‘cause you missed them, you missed them and you need them and the neighbors not lending any ingredients.
And when you get there, wherever it is that I pushed you to, don’t worry
about telling me—
Cause I
Will notice
And most of all remember that if you’ve been pushed, if you’ve really
been pushed, you’ll be dearly missed when you’re gone.

                                                         -Marty Schoenleber III
we lay together, 6:00am, body warmth touch-sharing,
as the June morning summer chill coming off its night nadir coolness
surrenders very reluctantly,
full length pajamas, blankets and coverlets in use,
keeping cold out while bodies touching generate heat -
a big difference

through these layers of cotton controversy, my right arm,
my cunning, falls awkwardly upon her, advising I am woken
and aware she is as well, hear her earbuds emplaced, make shushed
whispering noises re the future of artificial intelligence
and other such mental knottings

my awkward angled arm rests on her landscaped outline of shape,
coming to rest where legs meet at the top of an upside down V spot,
which makes no request, but accepts my bequest of steady
stroking of her ****** as an unnecessary
but atheist-acceptable to her
morning prayer ritual, kept at the intersection of the
physical and physics theorems

funny how some prayers,
where recitation comes thoughtlessly and routine,
uttered without any contemplation are yet
deep comforting for their inherency,
so I pray a stroking repetitive on her body,
well hid neath a summer coverlet,
wordlessly chanted, wordlessly accepted, silence connoting approving permission

I comfort her,
above and through a floral coverlet for her floral coverlet,
till the sun rises enough to truly warm up our plot,
my praying reaches the end of its rope,
where quality and quantity achieve unanimity resolution
no longer needed,
but am appreciated, besides my arm is cramping,
not designed for the rising, unleveled angle of her breathing bodice

my comfort is her extra comforter,
an offering of coffee my reward,
for my daily work has begun,
and I have many more poems stillborn
that require coaxing stroking
to become
witnesses to living
Ottis Blades Dec 2012
My eyes were trapped in the dark
blindfolded, hold the cigar
the Viet-Com may have won the war
but my surroundings smelled like a grass heaven
in the background 50 Cent’s “In Da Club” playing
and then she sat on my lap
feeling anxious while my hands were tied
let’s just pause and go back in time...

(10 Minutes Ago)

She pulls on my heart strings
like a puppeteer from above
the pendulum of my feeling swings
with every step she takes towards my door
the anticipation knows no precipitation,
the monsoon of her kiss
the outback of her reach
the caribbean sea of my ship,
lost in her isles, her eyes, her love,
then I hear a knock on the door.

She knocks ...1...2...3...4
opened up, I said hi, she launched her lips against mine
in an euphoric stupor, I tasted her breath
while she ropes her arms around my neck
let’s call it “The Aussie Missile Crisis”
she pushed me down on a folding chair
as the right index on her lips shushed me
went into the bedroom with her “bag of goodies”.

Came back out wearing a school-girl outfit
looking more “**** Bill” than “Hit Me Baby One More Time”
giddy as I watched her taking off the tie
impatient buttons divorcing their holes one by one
while she twirled, she danced, she teased
sealing with a kiss, tying to the chair my wrists
her breast against my mouth, I was a cub nearly starved
looks like Mrs. McDonald brought the farm.


...and that’s when her bra came off
to find their way around my pupils
my trouser friend could no longer be contained
with impatient hands, there was no time to sulk
I was more anxious to smash than the Incredible Hulk
suppressing my angst, my zipper, her leather
finding myself inside her beautiful lips
touching the roof her moist heaven.

My hands still tied, while she help my thights
real hard, real soft, real smooth
like her silky tongue, wet like May flowers
climbing up and down the stairs of the Eiffel Tower
she was a cosmic reaction, I was Yellowstone
let me come so you can climb on top
of Mount Everest, from there we could see the Earth
the land, the ocean, the skies, let’s fly together.

...and we did, lifted off from the chair
to soak the water from the clouds
to come back crashing on the couch
and my hands finally free to explore
her breast
her cheeks
the smoothness of her waist
her ****
the erosion I couldn’t contain
her legs over her face
touching
caressing
kissing
biting
trusting
in short
*******
until we both came
back from wherever we went
to just lay there, gasping for air
touching our faces, both smiling
like satisfied school children that schemed
red cheeks, blue *****, smoked the green
I was Joe D, she was my Marilyn
thus ending
“The Aussie Missile Crisis”.
lostsoul Jul 2014
You took it
and i thought it would be nice
but it hurt bad
like a knife.
I thought our lips would meet
but instead you shushed me.
You stopped
i asked why
you said "I cant"
and I secretly cried.
You took it and I'm glad
but it didn't happen the way I thought it should have
neil jones Feb 2020
We know desire is never just,
That thing which want which we discussed,
We would not want to destroy trust,
But what we feel is lust.
Pure lust.
Just lust.

Emotionally quite non-plussed,
We do the deeds that breed disgust,
When dreaming dreams that turn to dust,
On coming face to face with lust.
Pure lust.
Just lust.

We take deep breaths, try to adjust,
Resolve of iron turns to rust,
Although our heart strings are tight trussed,
We know that it is lust.
Pure lust.
Just lust.

Our feelings tell us that we must,
Accept this thing upon us ******,
But deep inside we cannot trust,
This thing we know is lust.
Pure lust.
Just lust.

But we say we shall not be rushed,
Disclaim emotion, quite august,
And we have therefore’d, so’d and thus’d,
But honestly: we know it’s lust.
Pure lust.
Just lust

So, shall we take it all on trust?
Enjoy the deeply desired ******,
Of pure emotion, warnings shushed,
And give our bodies up to lust?
Pure lust?
Just lust!
I lust!
I hope you've ****** the blood
dry from your wounds

the fruit of a woman's
words

led their by the promise
of a future

there would be a silver
ring wrapped around a finger

and twenty pairs of eyes
crying

tears falling onto white cotton
lap

children being shushed

girls being pushed into lilac
dresses

old ladies pressing lavender
between liver spots

fearful thirty somethings
clutching at stems

I hope it doesn't look like this
when you look back

I hope the sun shone and your
father wept

his little girl learning how to be
a woman

from the back of a mans hand

fingers trying not to rub off the ink
a signature

as it sets
Mateuš Conrad May 2016
oh right, she's the *** "slave" that gets kissed on the lips after being given oral ***, getting paid £110 AN HOUR... i'm i'm just a free-radical floating about on an income of £120 A WEEK waiting for charity of food and roof? well then... i hope that translates when i speak with a *******'s tongue stolen while having licked all the former ***** out of her **** and said: only i was in there... oh for ****'s sake! take the ****** out, i can feel the mouse tail on the tip of it! so who's the ***** now? the only oil i apply to my brain to ease the pressure after going 30 odd hours sober without sleep is alcohol, i imitate a axe action on my neck feeling my third tonsil turning into a throbbing muscle.

the split apart grapheme in greek!
θ                      and                        φ!
the lost grapheme!
thermometer                                           the
                                                             ­     v'eh or d'eh?
imagine saying     θarmacology
and imagine saying φermometer! imagine!
the english empire... shushed in a second in Dublin,
god knows why Yeats was read by
Clint Eastwood, and to my surprise,
a toothache or a broken nose readjusted is
more painful than what i managed to spot
in the greatest boxing movie: million dollar baby...
some pains are greater, the pains of the past
the past not rekindled are greater than
those of the present, the present can be overcome,
the indestructible element, what with
fire, water, earth, air, electricity, the seventh being
soul - all the others are preserved in continuum,
why can't the soul be kindred of the others,
is it to forever remain a ******* from the *****
bank of Louis XIV, huh?! the soul is equally elemental,
all modern science can tell me a that it's
worth walking in a library rather than a forest,
that all trees will eventually be treated as
toothpicks, matchsticks or pencils,
but i am not bound to exist in the mind
of another person, i am not to be the host eternal,
for all the science, we've become less
individualistic and more prone to parasites
of theory... personally i'd prefer the membrane
of phobias to keep me safe rather than
transcend these little millimetre irrationality
segments to be captured by a frigate of the grand
theorists...

please tell me it's just a horror case of aesthetics,
please! but no, you won't...
i know the overbearing particularity of English
due to missing diacritic,
i know the significance of significant syllable
cutting-up due to diacritical application -
the Greeks had a premature ******* starting
to use them... they shouldn't have...
THE ENTIRE WORLD WAS WAITING
FOR THE ENGLISH LANGUAGE TO BEGIN USING
DIACRITICAL MARKS! why did the Greeks
jump too early into the whirlpool? look at English
culture, they're gagging, rather than laughing,
we were all waiting for them to catch-up to the aesthetic,
they didn't, the Greeks made a falsetto on the 100m sprint,
they should have waited, and waited, until
the English applied diacritical distinction to the print,
in order that they might deal with programming,
encoding, computer language, no wonder
English once so eloquent disintegrated into emoticons
and acronyms! look at it! there's no point feeling
a nostalgia for only one man, there's no point
keeping Shakespeare when there's an entire
century to decipher, Marlowe et al. (i preferred
his Faust to Goethe's - one breath reading session
in Dover) - with nostalgia come the many merry men
of Southampton, not one, you can't do nostalgia
primum uno, you need a species, can we find the
required shrapnel in the Caribbean or in the
Venice of the Indian ocean, namely the Maldives?
you can't do nostalgia like that,
you need at least one other, otherwise future literature
extravagance will be as short-lived as
the Counter-Reformation given Martin Luther,
he isn't god, never was, but imagine the feeling
of disgrace that even poor Charles Dickens couldn't
match up to!

indeed the Greek created the consonant grapheme,
and many other twins separated at birth,
to fuel an orthographic aesthetic -
a bypass necessity of the opposites and lacking
colour - false stance of defeat written on white,
but geometrically written in the *******-out of colour,
therefore mutating, deliberate encoding due to
how to write like an Impressionist or how to write
like a Surrealist...

but as i remember, the riff to Black Sabbath's
black sabbath* written in tabulation:

e ||                                                  (boo tome)
b ||
g ||
d ||
a ||
E ||                                                   (top um)

opening riff sounds like this:

d ||                    3
a ||                                      2
E ||    1    

                 for the trembling effect, quickly
                 interchange with

a ||                                      2             /            3.
!TRIGGER WARNING!
(Mentions of suicide)

The wind caresses my skin.
One feeling to lead me in.
The tide
So wide,
I am feeling a rush.
Combined with hushed
Whispers of a spirit once crushed.
Though she thrived
In a landslide,
In the sea she is pushed.

To the deep waters,
She is finally shushed.
Sheeda Mar 2013
A kiss in the blue black dark
Inhibitions lost to drink
But slowly returning
Almost sober, but not quite
Forehead to forehead
Nose to nose
Chin to chin
Mouth to mouth
Resuscitation from this
Dream
Sparks fly between the two
But there are repercussions for that
Hands of another were held so tightly
Lips of another were made slightly wet
With a kiss unorthodox, taboo
Another's ******* pressed to his chest
While trying to make out another's eyes in the dark
A whispered goodnight
An event unregretted
A secret?
Lips that burned for more
But shushed
And feelings unrestrained.
Neil T Weakley Nov 2013
I let the sky be my tent tonight,
a sparkle-filled indigo field
like a Star Trek transporter.
I swirl the stars with my mind
as my body says, "Energize!".

My destination: points of light,
any one of which could be a hive
of beings living, working, playing
in a mirror of the musings originating
from the sleeping bag in which I lay.

Rolling over to feed my notebook,
a firefly insists on sharing my pen.
Among his friends gathered about my flashlight
is a dragonfly twisting and turning its head
in a display of 360 degree impossibility.

"Do it again!", say my wide eyes,
then I'm shushed by a distant Canis howl.
The trees carry its magic to me like
a powerful totem, making me wary,
reaffirming our instinctual similarities.

Relaxing, I smile goodnight to its echo,
shoo the Insecta from their little electric campfire,
and turn my face again to the Universe
while whispers from a nearby stream
provide a soundtrack to twinkling above.

Gentle air pulls its blanket over me,
while scent of earth and pine
send me dreaming of cosmic fireflies,
blinking their lullaby in rhythm
to the ecosystem powered by my heart.
Sarah Pitman Jul 2014
Red.
Like parting lips,
Shushed kisses.
Like high school varsity jackets.

Orange.
Like the shirt you wore
The day we met.
Like my least favorite color.

Yellow.
Like the lemonade,
So sour we spit it out.
Like summers we spent together.

Green.
Like minty gum,
Newly freshened mouths.
Like the grass I lost my innocence on.

Blue.
Like the pen I used
To write your love letters.
Like all the times we've cried.

Indigo.
Like bruises, covered
By jeans high on hips.
Like the nights we stained with lust.

Violet.
Like every single thought
Led back to you.  
Like even the spectrum had thoughts of you.
You you you you you.
Stone Fox Jun 2016
Waned and weary with only toil and trouble
my limbs could only travel this journey tired. .

In my head to in my mind
-which coincidentally were not the same thing-
thoughts seemed to expire from the zealous fear found in your gaping wide darkness of speech.

My serenely spiritual soul's mythical secret shadow sparkled as a jewel:

Boundlessly black but brazenly beauteous by day, but by night,

my mind mentioned masses of decoratively hung ghastly gossip,
secretively shushed into silence
                   never
     ever
                                  to be a quick quiet find for any of us.
JA Doetsch Feb 2019
Max didn't even want to be there.  His coworkers had invited him, and he hadn't had an excuse handy.  

In truth, Max's coworkers didn't want him to be there, either.  They had secretly hoped that he wouldn't come.  Everyone else was going, though, so they felt bad not asking.  Now they wished they hadn't

Here he was, though, sitting around a table in a seedy local pub, waiting for "The great Garbo: Magician and Hypnotist".  Probably just another hack who was filling time between kiddy birthday parties.  The show was supposed to have started ten minutes ago, but hadn't, and now Max was being forced to socialize with people who he spent a great deal of effort trying to avoid most of the time.  It was crap, and he wasn't happy about it.

In truth, Max was very unhappy in general, but in a way that his brain was unable to put into concrete words.  He'd been unhappy for so long, in fact, that he didn't even recognize that he was unhappy.  He had just long ago come to the conclusion that the world was unpleasant, and he was the only person who understood that.  Everyone else was a foolish prat who could barely keep from being distracted long enough by the next shiny toy to notice.

He regarded his mostly empty beer that he had been nursing.  He heard his co-workers talking about some new superhero movie when the lights finally dimmed and a man walked onto the beer-stained stage and threw his cape (the **** had a cape!) dramatically over his shoulder.  "Good evening, my fine ladies and gentlemen!  I, the Great Garbo, welcome you.  You may have seen so called 'magic' before, but I promise you that when you leave here tonight, you will be filled with awe and wonder!"

Max yawned, rather loudly, to glares from his co-workers, as Garbo continued his spiel.  He looked lazily around the room, hoping to catch the eye of the waiter for another drink.  If he was going to be forced to watch this swill, he was going to at least be liquored up.

By the time Max looked back towards the stage, Garbo had wrapped up, and was starting.  He began with a number of standard tricks with rings and never-ending handkerchiefs.  Each time, Max would mumble something under his breath.

"...Obviously had it up his sleeve"
"Trick ring, there's clearly some sort of mechanism there"
"...had that deck set up before"

Meanwhile, his co-workers shushed him as they attempted, in vain, to enjoy the show.

Soon, though, the magician got more creative, juggling a set of ***** that turned into doves, which then flew back into his hands as ***** again.  Then he turned his entire coat from dingy black to a brilliant  red with a wave of his hand.  Max remained steadfast in his desire to remain unimpressed.  Surely this was some sort of electronic trickery.  He stifled another yawn, then decided to go to the restroom.

He got up, and tapped one of his co-workers on the shoulder.  Was it Reed?  Or James.  His co-worker looked at him warily.  "Hey James, I need to take a ****.  Need to get through".  He looked annoyed.  Must've been Reed.  "Can't you wait until the act is over?".  Max rolled his eyes, and then mustered up as much sarcasm as he could (which was quite a lot). "I'm sure the 'Great Garbo' won't miss me.  I'll just be a minute".  Reed (yes, definitely Reed) sighed and got up to pull his chair back so Max could get out.  Max picked his way through the surprisingly large crowd towards the bathrooms, not apologizing on the way, when he heard a voice.  "You sir, you would like to volunteer, would you  not?"

Max turned, and Garbo was looking at him expectantly.  He hadn't heard what Garbo had been talking about. He recovered his wits and responded "Nah, I'm sure one of these simpletons would love to, though".  From the crowd where he had left he heard someone yell "Oh come on, Max, maybe he can hypnotize you into having a sense of ******* humor".  Max gave the finger in the general direction of the voice, earning him a few boos from the crowd.  Garbo put his hand up to calm the crowd.  "Come now...Max, is it?  Surely you've been impressed with some of the show tonight?".  Max scoffed.  "I'm impressed that you're able to make a living off of parlor tricks", he said, before turning back towards the bathroom.

"Max, I think you need to come up here"

Max suddenly stopped.  He felt like he had been going somewhere else...but that couldn't be the case, he was supposed to be going onto the stage.  He turned and amiably made his way up the few stairs

"Now Max seems to be unimpressed with the show.  Shall I show him some real magic?"

The crowd clapped

Max wondered how he'd gotten on stage.  He had been going towards the bathroom....he needed to...

"Max, you seem unhappy to be here.  I think I know what'll cheer you up, though."

Garbo reached into his pocket, and pulled out a small rubber ball.  

Max suddenly came back to himself.  "I don't know what drugs you gave me to convince me to get up here, but this show is over and I'm leaving.  I'll be sure to let the police know that your show relies on your audience being high"

Garbo grinned a toothy grin as Max walked away, and then spoke right before Max got down the first step, dragging each word out carefully.

"Who's...a...good....boy"

Max stopped and considered this.  I mean...he certainly wasn't bad.  There was certainly room for improvement, for sure, but he wasn't bad, so he must be good.  He slowly turned and stared at Garbo, and was surprised as his mouth started moving.

"I am."

Wait. What?  Max's mind reeled and his eyes widened in fear, but he did not run.  His legs didn't want to move.  His eyes seemed to be locked onto the ball.  That looked like a really nice ball.  He wanted it.

Garbo took a step forward.

"Who's a good boy"

This time Max answered more confidently.  "I am.  I'm a good boy"

The crowd clapped and whistled, though they weren't sure what they were seeing.

Garbo moved the ball back and forth, and Max watched it intently.  
He wished Garbo would throw the ball.

"Who's a good boy!"

"Me! I'm a good boy!"

"Whosagoodboy!"

"I am!  I am!  I'm a good boy!"

Max had fallen down on all fours at this point, though he barely noticed.  Everything seemed to be growing in size.

"Who's a good boy!"

I am!  

"Who's a good boy!"

(I am!)
Woof!

"Do you want the ball?!"

(Yes! Yes, throw the ball!)
(Oh god, what's happening?!)
Woof! Woof!

"Do you want it?!"

(Make it stop!)
(Yes! Throw it!)

Max could smell so many things, now.  He smelled the beer, he smelled Reed's aftershave.  He smelled the strangeness that Garbo reeked of.  Garbo scared him, but Garbo also had a ball.

Garbo finally relented and threw the ball, and a yellow streak flashed by him as an excitable Golden Retriever ran to intercept it.

Max picked up the ball in his mouth and stood proudly.  There was still something scratching at his brain, though, and he couldn't figure out what it w--what had happened?  Everything was wrong.  He couldn't stand up.  Max wanted to yell for help, but to do that he would need to drop the...

...ball!  He had the ball!  The man who threw it was calling for him.  He ran back towards the man, who pointed at the ball.  The man wanted the ball, but Max didn't want to give it back.  It was his ball.  Suddenly, the man had a treat.  Max dropped the ball and took the treat.  He heard a loud sound and he turned to see...

..the crowd.  The crowd was up on their feet cheering.  His mind filled with fear again as he realized that something was terribly wrong.  He felt wrong, everything looked and sounded and smelled wrong.  He was a....

"Good boy, Max.  Good boy!"

Max received a pat on the head, and the scratching at the back of his head faded a little.  "Crate, Max", said the man, pointing to a small crate at the edge of the stage that several people in the audience could have sworn wasn't there at the start of the show.  Max ran to the crate, where he found a bone and a squeak toy, which he bit into to hear the satisfying noise that it made.  Laughter echoed from the outside of the crate as the man closed the door.

"Everyone, a round of applause for my assistant Max!"

Suddenly Max resurfaced.  He was acutely aware now that he was in a cage.  Fear gripped him.  Surely his co-workers had noticed!  He strained to look through the bars of the crate.  He spotted them, and they were applauding excitedly.  He saw, with trepidation, that his coat was no longer on the chair where he'd left it.  He had been erased from their memories.  A guttural terror crept up through his stomach which became a frightened whimper as the sound was forced through his new snout.  No one seemed to hear him.

Max lost track of time, but eventually the show ended and everyone left.  They wouldn't remember what happened, only that they were left with a feeling of awe and wonder upon leaving.  They wouldn't remember Max.  At this point, Max was curled up in the back corner of the crate, unwilling to move even as Garbo opened it, reached in, and started scratching his head.  

Suddenly, as if the final structural support of a dam had been breached, the endorphins from the scratch overwhelmed what remained of Max.  He was filled with the warmth of something he had been unable to feel his whole life.  His tongue lolled out of his mouth and he started panting excitedly.

Max was happy.
This one popped into my head a few nights ago.  I don't fashion myself a horror writer, but this one creeped me out as I was writing it, and I'm pretty happy with how it turned out.
sd Jul 2013
Do you remember?

Do you remember hanging out during the clinic?
We all got on the bus, heading to the clinic. K- and G- tried to make me sit next to you,
filling my seat with violins, trying to force me to sit next to you, but I resisted,
so embarrassed. I listened to my mp3player and talked to K- and G- and Sa- and J-. K- and I played punch-buggy and she got me way more times than I did. You and I  more or less ignored each other. We didn't talk for a while, until there was a break.
I don't remember how or why, but you ended up with one of my earphones,
and we were listening to my music, (thank god we like the same stuff)
and K- and G- came over and invited us to that elementary school game,
where you get in a close circle and grab hands with two people and try to untangle everyone without
un-clasping hands. I just grabbed two people's hands but K- and G- forced me to grab your hands
and I'm sure I was blushing.
Fast forward a while, 'til we were breaking again, all of us from P- High School huddled in a corner,
K- made me sit next to you, elbow to elbow, thigh to thigh. She was sitting half on my legs and you were telling me about the time that Br- ate your pizza and why you wouldn't give him any of your
Mountain Dew that you had in your backpack. You showed me the seven cans you had and the
power strip you brought to charge phones. Then you gave me a Mountain Dew and we talked,
and I was showing you the video that I always hoped no one saw me watching because of how
creepy it is, and we walked to the auditorium and
my heart was running a million miles a minute and my hands were shaking as we talked
and we sat together in the auditorium, listening to our Zune's and you were telling me about
how you had several seasons of Adventure Time on yours and then we watched
"Burning Low", the episode where Finn is going out with Flame Princess and it was so cute
but then G- ruined it by coming over and pulling out your earphone and watching the video for a few seconds. But he went away and we talked for so long and you made me laugh so loud that Ms. R-
shushed me.
Eventually we went to lunch and I didn't really eat because of my hypoglycemia and we talked forever over pizza and Mountain Dew.
Skip forward a few hours, going home on the bus, sitting side by side, singing along to songs, until we got back to the school, hanging out until our respective adults picked us up.
You and I were last, listening to my Zune, and I was standing on the feet of the piano, so we were closer
in height and I was petting your hair (the first time of what will be many) and we went outside to wait, listening to Caraphernelia as my aunt pulled up, deciding to "punish" me for not calling in time,
yelling out her car window that my "***** looked bigger." I glared and yelled that I didn't think my band-mate really needed to hear that and she laughed and I waved goodbye to you.
Not long later, Sh- called and we were talking and she said that
you said that you definitely liked me.
One of the happiest moments of my life, until then.
KM Jones Aug 2010
Allow me to be bold- brave prying eyes and bare all. Allow me to tamper with excommunication- to tempt ostracism- to tease trouble by talking of taboos... speaking of shushed subjects- oh, society's little secrets, the ones we're all willing to share. Allow me to expound on the lessons parents never wanted to teach- the lessons children are so eager to learn. The very act- the very word- that induces giggles, inspires poets, excites lovers, and makes or breaks "true bliss."

"Ladies and gentlemen of the jury, exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied. Look at this tangle of thorns." -V.N  

***- a word constructed of three of the twenty-six letters that make the English language go round. On their own, quite harmless, but collectively- a jaw-dropping, blush-inspiring, shush-provoking combination. ***- the ultimate caricature of love and all that is romantic- oh, just look at this tangle of thorns. Tangled- because we have turned the beauty into a beast- taken "the two will become one"- and rationalized- two will always be two- Not you, me or me, you. No, nothing bad can come of this.

***- used to make lies beautiful and truth obscured. Sold in society- the promoter of skin- condemned in the church- discouraged as sin. All the while, teenagers are toppling around- neck deep in lust- desperate to be loved- fumbling- tumbling into the open arms of the ultimate outlet. ***- a shallow solution to a deeper problem- a gift given, unwrapped, re-wrapped, and given again. Allow me to attempt to untangle these thorns- when does making love become wrong?

When it makes heroes into harlots and turns the righteous into romantics- when it complicates the uncomplicated? When it manipulates insincerity to seem sincere- liberates itself from simple mathematics, why, the more the merrier, and forgets three's a crowd? Ladies and gentlemen of the jury, allow me to be ridiculed- expose myself as a hypocrite and define: It is when *** is misconstrued as a mere act of "love" that it becomes a crime.
2009
John Dec 2012
I awoke to screaming

Only it wasn't my own
This time, it appeared
Someone had invaded my home
I got up quickly

I reached for my bat
But knew that if anything would help
It probably wouldn't have been that
But still, quietly I crept down the stairwell

In the kitchen stood a man
Or what appeared to be
He gazed at me and raised his hand
One finger to his lips, "Shhh"

So I raised my eyebrows and opened my mouth
To speak but he shushed me louder
This time and lowered himself into a crouch
And that's when I saw what he had done

Below his massive, crouched down frame
Was a shattered bottle of milk
He stared at it solemnly, knowing he was to blame
Then he looked back up at me

"Please don't tell my mother."
A single tear rolled down his big face
"She loves me like no other."
The tears were streaming now

I didn't know what to say
Here was a hulking man, in my kitchen
I suddenly felt I could no longer stay
If I go back up stairs will he leave? Or **** me in my sleep?

I backed up a little and said
"If you just go now,
I'll just be getting back to bed."

He smiled, his tears glinting off moonlight

"Thank you! But please! Turn around."
And for some reason I did
When I turned back, he was nowhere to be found
The milk was cleaned too, glass and all

I scratched my head in disbelief
I was still groggy from sleep
Anyone ever heard of a break, weep and clean?
I'd think not
I'd like to think not
Jon Tobias Oct 2011
I signed the DNR form
And steeled myself
As if this cancer were a battle I could fight with my fists
I felt like a man
Standing before the open mouth of a cave marked midnight
Like grimaced teeth and the desire for life were enough
To withstand the fire the chemo caused my skin
It made my skin crawl some nights

I was sure I would wake just bone
Until I looked just bone
Like an ill fitting skin sheet
Draped over a science project
And enough voice to remind whoever heard me
That I was somehow still human

I felt like a man
Who could do this alone or die trying
That if I were given a scalpel
I could cut this out of me
Pull out whatever caused this
It would look like a gnarled black ball
Humming contently
Like lip shushed fingertips
Begging for silence

I chewed on my pillow
Until my jaw taught me to sleep

I felt like a man
At the end of a road
Who finally realized
The difference between battles you fight with your fists
And battles you fight with caves marked midnight
And battles you fight in a sweat drenched hospital bed
That smells like bleach
And makes you miss home
Battles that remind you
No matter what sort of man you feel like
There is always something
That can make you feel like a child
Holden Feldbauer Dec 2015
I've fallen into a rosebush,
For I was in far too much of a rush,
Now I lay stuck, and fresh out of luck,
As I scramble in the bramble.

But this bush is not as it seems,
For there is movement at the seams.
The movement is hushed,
And my pleas it has shushed,
As it beams into my dreams.

It's too late,
I can't change my fate,
Give up on the fight,
And everything will be alright.

I scream and I shout,
But no one is willing to bring this change about.
Only too late do I see,
That there are hundreds of others just like me.
None of them thinking,
Their wills shrinking,
Lost to the rosebush,
Their voices a collective hush.

But not all is lost,
Because at a great cost,
I have written this warning:
**Beware the rosebush if your individuality you will be mourning.
Arjun Tyagi Sep 2014
I

The Baron owned,
All that was upon the moor.
He summoned the nobles,
To his Manor for a tour.

Some came in twos,
While others arrived in ones.
But all came forth,
To attend the Baron's ballroom dance.

Ushered in, by servants,
Away from the cold's kiss.
Inside, hot as a beast's maw,
Chill from spines to warmth did transit.

Tapestries hung,
Calling for their pathos.
Heavy as sleepless eyelids,
Depicting war, victories and chaos.

Arched ceiling and stairways,
A gargoyle here and a golem there.
Musty yet polished, the light shone,
On the statues' head with no hair.

The Baron led the way,
Boasting of the *Opus Francigenum
.
The guests savoured in delight,
Every word and each tenor.

The Manor De Baptiste,
Sprawling from outside.
The greatest wonder ever seen,
By nobles of the countryside.

Wine was brought forth,
Flowing not unlike the Dordogne.
Filling heads, emptying sense,
Semblance of a drunk in morn.

After traversing
A considerable number of steps,
They arrived at the doors to the fabled
Ballroom of expensive tastes.

One by one,
The guests were herded inside.
Some milled about, some danced,
No small doing of wine, some only tried.

As the night passed,
The fervour did not.
Candle lit faces swaying,
To the sounds of mellow songs.

Portraits of fathers gone and
Fathers before them bore witness,
To the sultry evening of joy.
The nobility unfamiliar with distress.

He looked on, the Baron.
Occasionally sipping his own wine.
Never tasting the stock provided
To the "nobles", the swine.

Hundreds now within,
Impervious to worldly events.
Were soon to discover,
Cries of laughter would turn to laments.


II

The monstrous clock struck thrice,
On its ivory gong.
The ebon pendulum suspended,
With the abating of the song.

His voice shushed all,
The Baron, he spoke thus;
"Nobles, gather around, if you would,
Listen to my tale, you must."


The guests by now, fever
Rising and swelling in their chests,
Came ahead to receive,
What they assumed to be some jolly jests.

" You will all die shortly."
In absence of a suitable response,
And to please their gracious host,
The guests showered him with applause.

Reader, be aware,
The wine was not just.
It was more and it was less,
Brewed from an evil lust.

Bane of the valley, the Baron,
In his forest he had his final ****.
Six hundred and sixty six,
Children, mothers and fathers, their bodies still.

A penchant for death,
An emissary for the Dark.
The Baron's necessities
With the years grew stark.

For each life his Forest claimed,
The flesh was brought to the Manor.
Servants collected the cursed blood,
Bodies hung like carrion banners.

"On the eve preceding this,
I arranged for wine exquisite.
From my own personal vineyard,
Partaking in the vintage, a requisite!"


The unknowing, innocent
Lambs in his den.
Still aloof of the liquid in their throats,
Wishing the glorious taste would not end.

And as sudden as a viper,
One noble retched blood.
Fetid emission reached noses,
And thus began the flood.

Within minutes, the expulsion spread
Much like the cursed blood in their veins.
The nobles had partook in unholy crime,
Life of innocents they had drained.

"More!"
A united voice cried out.
The blood had reached its peak,
The murmurs had turned to shouts.

The wild ecstasy filled the room,
A frenzy palpable in the vicinity.
Each guest staring at the Baron,
As the clock entered the Hours of Trinity

"Die"
He whispered like a lover's caress.
And so they did,
Under enchanted duress.

The guests, imbibed with evil
Of the Forest, snapped at each other.
No onlooker in a riot of death,
That night, like beasts they were butchered.

Eyes were gouged, nails and teeth,
Faces torn apart.
A crimson smile extended to some,
From neck to the heart.

Ladies so graceful,
Now murderous under the influence.
Descending upon their counterparts,
Tearing, ripping body and limbs.

Upright feet were the sole ones,
Not drowning in the sea of maroon.
Other extremities of the body,
Like driftwood under the ocean moon.

Not soon, excruciatingly, they fell,
Till one pillar of red stood.
Under the candlelight, black
Devoid of an eye, fingers, lips and a foot.

She staggered to the Baron,
Gripped his legs in divine embrace.
"Up ma cherie", a command,
To Death personified in grace.


"You shall mind my keep forevermore"
A champion born of bloodlust.
Assigned to nurture the Forest, his child.
A newfound mother, in her the Baron's trust.
The Baron's Forest is a complimentary poem if readers are interested.
Heather Moon Dec 2013
Silent Queen
You sit in your majestic tower
Of the tree house, your brown hair gleaming down
Your strength and integrity bound
So deeply within you
Never did I notice,
Apt to the silence of your manner,
How greatly you tried
Your effort denied
Silently.
It’s funny the way one can live
So within their own space
They forget
That interacting is also receiving
When we were young
I was the one to run
To climb the trees
Steal all the Popsicles from the freezer
Soil my hands and stain my shirts with blackberries
To be the teaser
And you would change my shirt, save me from a beating
Accept my ferocity
And wipe the blood from me
You weren’t the one
To fight away the demons
You were the one
To keep them at bay
With silent protests for a better day
When we got old
And wrinkled,
Just a little.
When I hid my face
And you did
Age with grace
I noticed then
How ample you were
How you held yourself
With a profound rooting
To the earth
How grounded
And stable you had been
And the regret washed through me of the times
I secretly was ashamed
Of the way you walked
And how dissonant I thought you were
And so at a party a group of us sat sipping wine
And mocking the time
Across the table I heard you laugh
And never did I notice your voice before
And I could see between the lines
You
As you
And me
As me
Afterwards I laughed
I cried
At my new realization
What a burden I was
To you
So wild
And carefree
But what struck me was
That you held me
Just Like I was still a little girl
And I was making a fool of myself
But Still
You shushed me to sleep
A grown woman
And right before I closed my eyes
a final tear
For good
You whispered
How jealous you were
Of my experimental whirl
Eating life in
Like sauce on my fingertips
And I told you how jealous I had been
Of the way you wore long skirts
And wrapped your arms to your chest
Always knowing what you wanted
No need to want more
To explore
And like two old witches
Or sisters
We laughed
Until the moon was gone
And the sunlight streamed through
Our cauldron
Bubbling to the brim
With the new strength found within
Rejoicing we found
We are each in the air
Yet solidly,
implanted on the ground.
Caleb John P Mar 2013
You were shushed before you cried
Then poisoned and cast aside
In the most purposeful yet purposeless way
You were left to slowly decay

You will never get the chance to walk
I won't get to see you smile
Or chase you down the aisle
You were left to slowly decay

Why would I whimper?
Whimper that my decision were a tad bit simpler?
But you're not dead
Because you were never born
In the most purposeful yet purposeless way

Ignoring family, friends, and even God Himself
I peeled my dignity and pitched it at the shelf
We didn't know how to play the cards we had drawn
So you were poisoned and cast aside

Now, my darling won't get to see another day
And we're doomed to to be judged and critiqued by the USA
If going back was an option, you would be alive
However, it isn't so we must revive
You were shushed before you cried
T Cup Nov 2013
Our relationship began from a simple Facebook message,
which led into weeks of looking forward to your messages
and catching any glimpse I could of you in the hall

You couldn't like me
You, like someone like me?
She was beautiful, that L girl,
and i had low self-esteem.

I had to get real.
Hours of confiding in my gay best friend for help,
Which didn’t help
     “I can’t believe how much I like him, I don’t know what to do”
Was said to her on the fifth of December.
    I’d only known you for a month then
But, I knew you were gonna be something
Maybe it was your wit, or your most perfect features
Perhaps your smile,
that smell of old spice,
which somehow spoke to your maturity.

In any event,
I had to look for someone I could actually get,
even when I didn't want anyone but you

fast forward

Laid there for twenty minutes that night you first touched me,
I was a scared little ******,
or still considered myself one
Unaware of how emotional things of that nature would become for me
Or already were

but you shushed me and reassured me
"I never want to do anything like this with anyone else"
Is what you said to me
I'll never forget
I was thinking the same thing
Still am.

Can’t wait for the day you touch me again
In whatever way is most pleasing to you
I’ll do whatever you want
Anything feels good with you

Can’t wait to wake up and see that
grin on your face when I kiss your
Chapped lips before you’ve sipped your
morning coffee.


**I’m completely in love with you and every second you ignore me is a different kind of hell.
Francie Lynch Jan 2018
A sudden splash of misty whiteness
Where sterile outlines fill
With skin pink water colors,
Then the rainbows separate into distinct arcs,
Blending again at my supplication.

Shushed whispers turn my head.
I listened for whistles, songs, familiar voices;
Pleased to praise when requested, when warranted,
Advise when asked, offer silence when needed.

I felt skin on my skin,
Sunblock and creams,
Long before your hand in mine.
I have offered my hands too,
Palm to Palm.

Your scent is forever,
And can't be covered with perfumes or incense.
At the most unusual times, it hits me.
I'll turn in a line, or somewhere,
Expecting you right there.
I enter a room knowing you're near,
Here, within.
Part of my life I live in vain memory.

It's bitter sweet, this journey,
And we are the salt of the earth, our earth.
From deprivation to overload.
And I sense, with sound insight,
We can still get it right.
When Alison left the bath to run
It ruined the parquet floor,
It spilled on out like a waterspout
And ran right under the door,
She’d gone back into the bedroom, so
The spill continued to run,
Across the landing and down the stair,
‘Now look what our daughter’s done!’

We couldn’t dry out the parquetry
It swelled, and loosened the glue,
Then bits would lift and would come adrift,
I didn’t know what to do.
Then Barbara said, ‘It’s coming up,
We shouldn’t have laid it down,
I’ll go and choose some ceramic tiles
At that tiling place in town.’

I said that I’d lay the tiles myself
But Barbara would insist,
‘We really need a professional
For a job as big as this.’
I shrugged, and let her get on with it
I never could win a trick,
So the tiler that she employed was one
Ahab Nathaniel Frick.

I’d seen this tiler about the town
All hunched, and wizened and old,
His wrinkled skin was like parchment in
Some leathery paperfold.
He wore a hat with a drooping brim
So the sun never touched his face,
A puff of wind would have blown him in
To leave not a hint, or trace.

‘Are you sure that he’s up to this,’ I said,
‘He isn’t the best of men,
He’ll probably get on his knees all right
But never get up again.’
But Barbara shushed me out of there
Was keeping me well at bay,
She wanted to prove what she could do
In laying the tiles her way.

I didn’t get in to see them then
‘Til the tiles were laid, with grout,
Nor see Nathaniel Frick again,
I supposed that he’d gone out.
I stood and stared at the new laid tiles,
Their pattern was in the floor,
And Barbara, waiting proudly said,
‘What are you staring for?’

‘There’s something a-swirl in those tiles,’ I said,
‘Some pattern you didn’t mean,
The way that he’s put them together, well
There’s a sense of something unclean!’
I said the tiles made an evil face
And showed her the curving jaw,
The squinting eyes that could hypnotise
And the cheeks, so sallow and raw.

She said that she couldn’t see it then,
That I must have twisted eyes,
I wasn’t wanting to hurt her so
I tried to sympathise,
But the monster’s face was set in space
And it wouldn’t go away,
I dreamt about that face by night
And I saw it, every day.

At night, the face seemed to snarl at me
When I passed it in the gloom,
And I worried that it was set right there
Outside our daughter’s room,
Then Barbara thought she heard a noise,
An intruder in the house,
And tipped me out of the bed to chase
The night intruder out.

The moans began in the early hours
And the groans came just at dawn,
Then Alison came into our room,
‘There’s a shadow on my wall!
A man with a broad-brimmed, floppy hat
And with squinting eyes that gleamed,’
I said, ‘That’s it,’ when she had a fit
And our darling daughter screamed!

I went on out to the lumber shed
And I brought a mattock in,
While Alison jumped in the double bed
As the tiles set up a din,
A wailing, groaning, squealing sound
That would raise the peaceful dead,
I raised the mattock and smashed the tiles
Just above the monster’s head.

The tiles rose up with a mighty roar
And shattered, scattered around,
As a shadow from underneath the floor
Rose up with a dreadful sound,
It hissed, and made for the stairway, leapt
And it almost made me sick,
For fleeing out of the open door
Was Ahab Nathaniel Frick!

David Lewis Paget
Sophie Herzing Mar 2013
I stepped out of the bathtub, slipped on my towel,
and ran down the stairs so I could grab us some drinks
out of the fridge in the garage,
a lager and a light.
It was cold, my tip toes were leaving imprints in the snow
my wet hair was freezing at the ends.
I tried to keep covered up while carrying things in my hands,
I got to the door and there you were
holding the **** with your steamy lips and boxers
I kept turning it, but it wouldn't budge
that's when you held up the key to the glass
waving it in my face like a sweet, sweet victory.
I gasped a little laugh that was half mad, half enticed-
you little ****.
 
"How am I supposed to get in?"
I asked as quiet as I could in fear of waking the neighbors,
you just looked at me stupidly,
your mouth foaming something *****
"drop it"
you said with a hand gesture towards my body.
I bit my lip holding back my smile, shaking my head in
denied disapproval.
You started walking away from the door,
"Wait!"
I let it go,
dropped the towel down to my ankles
and let my hands glide effortlessly to my hips.
I cocked one out, pursed my lips as I looked at you
devilishly-
your eyes got wide.
 
"Can I come in now?"
I begged with a little lean forward.
You put your fingers up to your chin,
drinking up my beauty that was dripping
from the tip of my nose to end of my feet.
"One lap," you said holding up the number.
You pressed your hands up to the glass,
I lined mine up with yours
I could tell you wanted to kiss me.
"One lap?"
I questioned with a stupid smirk,
I'd do anything for you-
I just like putting up a fight.
You shook your head up and down,
"I'm not going alone,"
I said backing away, folding my arms across my chest
defiantly begging you to join me.
"Fine" you said with a wide smile.
You threw off your boxers and opened the door.
 
"It's freezing!"
You yelled as soon as you walked out.
I shushed you with my lips and whispered
"It's too late now."
We ran around my house in the snow,
naked
you chasing me.
I tried my best not to scream,
but my heart was begging me
to release some pressure from it
some relief
from all the love you were filling it with.
I burst through the door and you followed,
trying to wrap your arms around me
but I wouldn't let up.
I ran up the stairs,
peeking behind me
to see if you were there.
 
"You can't catch me"
I taunted from the bathroom,
turning on the shower as hot as it could go.
That's when you knocked into me from behind,
tight
"Got you"
you whispered and you were right,
you had me
a lager and a light.
Loxlei Blaire May 2012
Sorrow is a hot flush of prickle
salt filled pearls that spill over
the dry reds of your cheeks.
Sorrow is the swollen ache in your
throat that tugs down on the corners
of your mouth:
gravity that seeks to bring
nose to grass,
forehead to gravel:
the little razor
that dig into your blackened flesh.

Sorrow is the way your own arms
seize themselves:
freckle to freckle,
hand to hand,
all identical and opposite.
Sorrow is knowing that
all sounds coming out of your
own mouth and all self-caressing
comfort is utterly
and irrevocably
and inexplicably  
vain.

Sorrow is the cool glass
you smash your brow against
in reflective attempts to cool
poundings in your temple
and calm the only constant of life:
drumming, hot-blood pumping
four-chambers that will one day
Fail You.
Sorrow is dirt you inhale
into your starved lungs when
it buries your head in
earthy embrace
awaiting your thrashing to grow still
as you’re shushed like an animal
before butcher until
your hair blows gently
in the wind.

Sorrow is the way pain like fire
licks every crevice of your sweet skin
until molted scars like old corpses
swallow you whole
making you utterly
and irrevocably
and inexplicably
unrecognizable.

Sorrow is the eyes of your friends
refusing to meet your own
until the flicking of blues and greens
and browns and blacks
to any place besides
the empty whites of your own
is dizzying
is numbing:
an electric buzzing of static
in grey matter.

Sorrow is an invisible hand
wrapping gently around your neck
pushing you under the oceans
of your own briny making
until your foam kissed lips
are blue and cold—

parted slightly in a dead hope
that someone will revive them.

Sorrow is the vice clenching
bloodied tissue of
your battered
and bruised heart
tightly

and tighter still.

Until it is stagnant.
Until it is inconstant.

Until it’s too late to tell anyone


what

sorrow

is.
Ceida Uilyc May 2016
Miles past, on the road ahead,
I saw the man pause while on pace-4 speed,
And fall down,

Through my balcony.

He was not that far,
Just as I’d caught up with the twists and shrinks
On his face, cheeks and limbs on a bare whole.

He looked at me.
He told it all.

Yes.                                       From miles past my window,
I could feel his gaze, no, the silver strands of his corny memories.
Coming to me,
Without a stamp, seal or crossed arms.

                                                               ­       Searing through me.

Without an apology, fear or want, he fell with a shushed thud on the tar.
The children of liberty’s voice
has been but a mute ripple
on the drums in this march to war,
death
   and
       de
              ca
                      y.
The voice of that capricious lady’s child could provoke the evolution

of the entire ethos and consciousness of mankind.
****!
That baby can sing!
Probably can do all the above
because it never cared about
ruling the world.
It was just trying to walk.
Those impish,
little
monkeys
with hands over their senses,
to speak no
hear no
see no
evil,
were barred entry
to Club Oligarchy.
(They’d make a mess.)
No limb left
to bang
on the drum’s of
society’s rhythm.
So hush now child.
We’re fond of *******
It makes (each) one of us
feel in control.








You’ve never been in control.












In this causal verse
you’re meat in capitalism’s grinder
and we are voting on everything
(and we really mean everything ((but you don’t know it))
you live in.
We’re gonna sit real smooth
as the misers of oppurtunity and wealth,
until our outdated and stagnant values
die with us
and take with us,
                                  more likely
                                                    than you’d
                                                                   like to
                                                                                be
                                                                                      liev
                                                                                               e
                                                                                                c
i
               v
               i
  l
i
                 z
                  
    a
                                                                                                        tion.
If you stay here and close your eyes,
you can work for a minimum wage
that couldn't help much with rent let alone a dream
But if you try really hard at a game of Simon says with ole Sam
you can carry this crippling debt around for a few decades
and get yourself learn’d
and we’ll even give you some ink
scribbled on some dead tree
to wear like a badge
of your pedigree training.
It may even get you that first option.
So you can pay what is owed
to your crippling
defeat.
I mean debt.
Sorry, we’ve rolled up the ladder for the rising tide.
But “social security”
TOTALLY
has your back when you want to die,
like us.
(Really, it will be the same and we’re good for it… promise.)  
All of you
do not pass go….
Actually, stay in this square and try not to go to jail.
Oh and you owe us two hundred dollars this time round.
There are some circles to be shushed.
And Sammy means business,
really
that is what he’s all about.
When you go to ****** the free
make sure there is no way out.
Kaitie Feb 2014
I feel you slipping away
like your gaze cannot hold on much more,
but i feel you looking at me when i look away.
since that one night
where my trust was crushed
and you didn't even want to tell me
We have this unspoken border between us.

I fall asleep next to you each night,
But the amount we touch is not enough
I want to explore your dreams
and look into your thoughts
So i can know why we are behaving this way.

I want you to be mine, alone.
And i will be yours, strictly.

*** is not supposed to be just the pumping of hips and thighs,
It seems like it has simply become a thing.. we do...
Nothing passionate
Nothing romantic.
It feels good during
But not afterward.
You don't need to see me cry,
I would hide it from you anyway.

Just know that i still love you
And i hate myself for it

I realized just now that when
you bring him coffee in the morning,
and he says thank you,
but falls asleep again without a sip,
that when efforts fail,
and thoughts were wrong,
it's time to find if what he needs is me.

I once told him that i kept a blog.
He looked at it once when i was with him,
but it's clear he hasn't looked at it since.
If he knew the secrets i told my followers,
maybe he would keep up, too.
He became nocturnal while i kept a normal routine.
I tried sleeping earlier so i could wake with him.
I wanted to form myself to his schedule,
So i could see him once in a while.
But when he spoke, it was entirely of his day
and not ever asking about mine.
In the times i can find a space to tell him
he shushed me, and the silence continued.
He did not want to me wake up to be with him.
He would rather i stayed over there, and
not intruding his alone time.

So i went to bed at 8 in the evening
So i would get a nap in before he came home.
I ended up sleeping until 6:30 am
and he had not woken me up when he got home,
He woke me up when he finally went to bed.
So now i've been awake for seven hours,
and he is still sleeping.

I want to touch him, and feel him.
I want him to tell me how he feels.
I need him to show what i mean to him.
Instead of wondering aimlessly, crying.
Jane Doe Dec 2013
You like the hiding behind closed doors smile
Don’t you
You like the Shushed, Hushed hub bubs
Don’t you?
You like the long silences and awkward pauses
Don’t you
You like the “Shh, don’t tell anyone what. We. Did”
Don’t you?
You like keeping secrets and letting people say
Don’t you....
You like locking people like me in closets, knowing that my clothes will never be closed to people like you and your sick twisted...
Don’t you’s.
Well this virus isn’t going to go away, thats right I’m here to stay and nothing is going to get in my way so baby sit tight cuz it’s only going to get harder, better faster and finally stronger.
Don’t you
think that this is getting old, maybe we should try something else, maybe you should get over it and let me go, from this fun house mirrors
Don’t you
wonder if one day I’m going to realize that you are not.
Who you want me to be
Who they look up to
Don’t you
Know I’m going to take the edge and step from it
I’ve out grown all my briches and
Brunt all my bridges and
Cryed all my rivers
I’m trying to get over it but
You don’t know how hard it is to let it.
Go.
You like the “Quiet timing”
Don’t you?
You want me to stand back while you
Hurt me?
Here we lay,
broken at best
Shattered Pieces
Shattered Rest
Left alone
Dead beats in my chest
Cold and hard
lest we let go
Lest we rest
Lest we think over this terrible mess
Don’t you
Know about the ending the finish
Don’t you?
Think maybe we should give up
while we are ahead...
Squared up, headlong, and gettin' gone
I've been fed up for so long
I had to write a proper breakup song
You've got your head in a hole
And your mind in the clouds
You have no earthly idea what your talkin' about
That's why I'm squared up, headlong, and gettin' gone

Squared up, headlong, and gettin' gone
I've been shushed up for so long
Think it's time I head to parts unknown
In the blink of a lie
I'll be movin' out
Somewhere clear out of sight of your mealy mouth
Yeah, I'm squared up, headlong, and gettin' gone

Squared up, headlong, and gettin' gone
I've been pent up for so long
Ain't nobody givin' this old dog a bone
Hey, little lady
Now, can't you see
That I'll never be your patsy or your property
I'm squared up, headlong, and gettin' gone

Squared up, headlong, and gettin' gone
I've been couched up for so long
Feel sorta like a stranger in my own home
What a sham, what a scam
What a full-blown farce
What a bottomless pit you call your heart
That's why I'm squared up, headlong and gettin' gone

Squared up, headlong, and gettin' gone
I've been fed up for so long
I had to write a proper breakup song
I'll tell ya, I ain't your subject
And you ain't my Queen
You can go back to your village finish livin' the dream...
Me, I'm squared up, I'm headlong, and I'm-a  gettin' gone
This is a song. I wrote it in the aftermath of my recent divorce. Outlaw country/***** tonk romp in the style of Lynyrd Skynyrd. Also, my current farewell to HP. I come, I go. That's just what I do. Always remember- don't write about the pain, write the pain. I'll see all of you fine folks on the other side of the page. VS

— The End —